LITERARY CONTENTS
PAGE
EDITORIAL
NOTE
. . .
. .
. .
. .
.
5
A MAD SAINT. An Article by CESARE LOMBROSO (translated by Havelock
Ellis
. . .
. .
. .
. .
.
. . 13
NEW YEAR’S
EVE. A Poem by ARTHUR
SYMONS . .
. .
25
A MERE
MAN. By a NEW
WRITER . .
. .
. .
. 26
SAINT-GERMAIN-EN-LAYE. A
Poem by ERNEST
DOWSON
. .
55
ROSA
ALCHEMICA. A Story by W. B.
YEATS . .
. . .
56
FRIEDRICH
NIETZSCHE—I. An Article
by HAVELOCK
ELLIS
. .
79
THE
FORGE. A Poem by JOHN
GRAY
. .
.
. .
. .
97
THE DETERIORATION OF
NANCY. A Story by
FREDERICK
WEDMORE
.
. .
. .
. .
. .
. 99
TWO POEMS CONCERNING
PEASANT VISIONARIES —A Cradle
Song: “The Valley of the
Black Pig.” By W.B
YEATS
. .
. .
109
PAUL VERLAINE.
I.—A First Sight of
Verlaine. By EDMUND GOSSE
.
. . .
113
II.—Verlaine in
1894. By W. B.
YEATS .
. .
. .
. 117
III.—My Visit to
London. By
PAUL VERLAINE (translated by Arthur
Symons) .
. .
. .
. .
. .
. .
119
THE LOVE OF THE
POOR. A Poem by LEILA MACDONALD (illustrated) . 139
PAGES FROM THE LIFE OF
LUCY NEWCOME. A Story
by
ARTHUR
SYMONS .
. . .
. .
. .
. 147
THE TRUANT’S
HOLIDAY A Poem by SELWYN
IMAGE
. .
. 163
ON THE KIND OF FICTION
CALLED MORBID. An Essay
by
VINCENT
O’SULLIVAN .
. .
. .
. .
. .
167
COUNTESS MARIE OF THE
ANGELS. A Story by ERNEST
DOWSON
. 173
UNDER THE
HILL. A Romantic Story by
AUBREY BEARDSLEY
(Chapter IV., illustrated by the
Author .
. .
. .
. 187
PUBLISHER’S
NOTE
. .
. .
. .
. .
. 197
ART CONTENTS
PAGE
COVER
. . Designed by AUBREY BEARDSLEY
. .
.
—
TITLE
PAGE
. . Designed by AUBREY BEARDSLEY
.
. . 3
SALT
WATER. A Lithograph by CHARLES H. SHANNON .
. . .
11
CLASSIC
LONDON. After a Pen-and-Ink
Drawing by JOSEPH
PENNELL . 23
PORTRAIT OF MRS.
STERNER. After a Pencil
Drawing by ALBERT
E.
STERNER
. .
. .
. .
. .
. .
53
THREE
VISIONS. After Pen-and-Ink Drawings by
WILLIAM T.
HORTON . 71
THE
BACCHANTES After a Water-Colour
Drawing by PH.
CARESME .
95
THE RAPE OF THE
LOCK. After a Pen-and-Ink Drawing
by AUBREY
BEARDSLEY
. .
.
. .
. .
. .
. .
111
THE
DIVE. A Lithograph by CHARLES H.
SHANNON
.
. .
. 137
A
VIGNETTE By WM. T. HORTON
.
. . .
. .
. 139
A
CUL-DE-LAMPE By WM. T. HORTON
.
. .
. .
. 144
THE RIALTO,
VENICE. After a Pen-and-Ink Drawing by WALTER
SICKERT
.
. .
. . .
. .
. .
. 145
CARICATURE OF AUBREY
BEARDSLEY. A Wood-Engraving
after
the Drawing by MAX
BEERBOHM .
. .
. .
. . 161
TWO
LADIES. After an Oil-Painting by WILL
ROTHENSTEIN .
. 165
THE MERMAID’S
CAVE. By J.
LEMMEN .
. . .
. .
171
A
FOOTNOTE. After Pen-and-Ink Drawings
by AUBREY
BEARDSLEY .
185
THE ASCENSION OF SAINT
ROSE OF LIMA.
After
Pen-and-Ink Drawings by AUBREY
BEARDSLEY .
. .
189
FOR THE THIRD TABLEAU OF
“DAS RHEINGOLD”
After
Pen-and-Ink Drawings by AUBREY
BEARDSLEY .
. .
193
COVER OF NO. 1 OF “THE
SAVOY”
After Pen-and-Ink
Drawings by AUBREY
BEARDSLEY .
. .
.
199
COVER OF NO. 2 OF THE
“SAVOY”
After Pen-and-Ink
Drawings by AUBREY
BEARDSLEY .
. .
.
201
ADVERTISEMENTS . .
. .
. .
. .
. .
. 203
The Whole of the Reproductions in
this Volume, in line and half-tone blocks, and the
Wood
Engraving, are by MR. PAUL NAUMANN.
MLA citation:
“Table of Contents.” The Savoy, vol. 2 April 1896, pp. 7-9. Savoy Digital Edition, edited by Christopher Keep and Lorraine Janzen Kooistra, 2018-2020. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2019. https://1890s.ca/savoyv2-toc/