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This full-colour image is centred above the text, outlined with a thick black rectangular border, in landscape orientation. In the right foreground, a white figure in a purple robe faces left in ¾ profile, leaning back to gaze at the waning crescent moon, at left. The figure stands in front of a green thicket, with their long hair pulled into a bun at their nape and wearing a crown made of pink flowers. To the left, a white crescent moon shines above a landscape of mountains, trees, a blue lake, and green bushes topped with red flowers. The artist’s monogram is in the bottom right corner of the frame.


I dreamed I came to an enchanted vale,
Where, shadowed by dim mountains of delight,
The never-resting opal waters gleamed;
And as the moon hung like a blossom frail
And tremulous athwart the languid night,
I bathed in magic wells of crimson fire,
Whence coming forth with glowing limbs, I dreamed
I met a spirit shining as the dawn.
I looked on eyes filled with night’s mystery,
On slumbering hair more soft than rainbow mist
Of wind-blown fountains on a flowering lawn,
Till the air trembled with the sweet desire
Of murmured laughing speech. Then star-lit eyes
Gleamed at my eyes, rapturous dream lips kissed
My lips and brought their hidden memory.
I knew how I had looked into those eyes,
Kissed those red lips, and loved that slumbering hair
Dim years ago, and while the immortal gaze
Yet held my gaze I strove to cry aloud.
But all things passed; the radiant dreamland ways
Were lost in darkness, as a rising cloud
Fades into mist, and sleep became despair.
I have dreamed many dreams these many years,
But I have never met that shining one,
Whose brow was rapt beyond all hopes and fears,
Sweet as the moon and splendid as the sun.

                                                                        Cecil French.

MLA citation:

French, Cecil. “The Waters of the Moon,” illustrated by Cecil French. The Green Sheaf, No. 6, 1903, p. 14. Green Sheaf Digital Edition, edited by Lorraine Janzen Kooistra, Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2022.