“LA VIE ELARGIE” BY
EMILE VERHAEREN
“OPEN THE DOOR, POSY” BY
LAURENCE HOUSMAN
“THE PHANTOM SEA-BIRD” BY
T. STURGE MOORE
“THE FATE OF THE CROSS-WAYS” BY
MICHAEL FIELD
“ST. IVES, CORNWALL” BY
JOHN GRAY
“THE CENTAUR” BY MAURICE DE GUERIN, TRANS-
LATED BY
T. STURGE MOORE
“THE ART OF OUTAMARO” BY
CHARLES STURT
THE WRAPPER AND INITIAL LETTERPIECES IN THE TEXT
HAVE BEEN DESIGNED AND ENGRAVED ON THE WOOD BY
CHARLES RICKETTS. THE TWO FULL PAGE PEN DESIGNS
MARKED ABOVE WITH A DEVICE HAVE BEEN REPRODUCED
BY MESSRS. HENTSCHEL AND BY THE SWAN ELECTRIC
ENGRAVING COMPANY. THE LITHOGRAPHS HAVE BEEN
PRINTED BY MR. THOMAS WAY.
MLA citation:
“Contents.” The Dial, vol. 5, 1897, p. [27]. Dial Digital Edition, edited by Lorraine Janzen Kooistra, 2019-2020. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2020. https://1890s.ca/dialv5-toc/