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This full-colour headpiece illustration is framed by a thick black rectangular border, in landscape orientation. At left, a dark-skinned beggar in brown rags, faces right, extending an arm out to Prince Siddartha, on the right. The Prince, turned to face the beggar, has light brown skin, wears a white turban, white robes, a necklace of coloured jewels, and golden hoop earrings. The two figures, depicted waist-up, stand on a dirt road before green trees, with purple mountains and a yellow sky behind. The artist’s monogram appears in the lower-left corner.



Once there was a young Prince in the East, the heir to a great throne;
he lived in a gorgeous Palace, surrounded by all the delights of the
senses; and the knowledge of the great ills of humanity—of old age,
of sickness, and of death—was most carefully excluded from him. The
fancy took him one day to see what lay beyond the high walls of his
garden; so he sent for his attendants with his bearers, and had himself
borne towards the city. He had not gone far, when he was astonished
to see a bent, weak and toothless figure crouching by the roadside. He
asked what ailed this creature, that he was come to such a pitiable and
disgusting state. He was told that such was the effect time had on
people, that his state must unavoidably come to all alike; and that it was
called old age: that he himself, young and happy Prince though he was,
must in time become such as that which now so startled and disgusted
him. Thereupon he turned back towards the Palace, and, having arrived
there, he locked himself into his own room that he might think over what
he had seen and heard.


                              The Green Sheaf


But some consoling thought must have occurred to him, for he threw
off his depression, and again on the following day, gay and happy, had
himself borne towards the city. And as he travelled thither, he came
across a worn out, tottering man, who had dim eyes, and was quite
blue in the face, then the Prince asked the nature of this new form of
disgusting wretchedness; and they told him that the man he saw before him
was overtaken with disease, that it might come to any man at any time;
that even he, young and happy Prince tho’ he now was, might fall a
prey to it that very day, and become like the figure that then so appalled
him. Then again he turned back towards the Palace, and he shut
himself in his room and pondered over old age and over sickness.


This time too, some consoling, thought must have come to him, for on the
third day again he started for the third time towards that city. And
anon he saw two men carrying something past him made of boards, and
something covered, but evidently heavy upon the boards. And the Prince
demanded what it was that they were carrying. And he was told that
they were carrying a dead body. Then he came out of his equipage,
and stepped up to the bearers and drew aside the covering. And
he asked what it was made that man look so horrible, and lie so still.
And he was told that never would that man speak or move again; that he
could not see nor hear, nor have sense of anything at all upon the earth.


                              The Green Sheaf

And the Prince asked, what would they do with him ? And he was told
that they would put him in a hole dug in the earth, as nothing could
ever now come from him but stench and worms. The Prince asked whether
one day it would be so with him. And he was told that he, young and
happy Prince tho’ he was, would one day be put in a hole dug in the
earth, whence nothing could come of him but stench and worms.
Then he said, “Back! I will be carried no further! I never will be
carried upon men’s shoulders again ! ”


And from that day this man set himself to destroy the foolish love and
desire for a thing so evidently vain and meaningless as appeared to him
the life of man upon the earth. He had his way fully; men accepted his
teachings and worshipped him under the name of Buddha.

                                                                        Laurence Irving.

This full-colour tailpiece illustration is centered on the page, below the text, and is unframed. In it, the Buddha sits in lotus position, facing the viewer, eyes closed, atop a grey platform. He wears an elaborate golden headdress with a red jewel at its centre, with a halo of green leaves framing his head. He has a red urna on his forehead, and wears yellow robes and a colourful jewelled chest plate. His hands, folded in his lap, hold a blue lotus flower. The artist’s initials, C.F., appear in the bottom right of the platform.

MLA citation:

Irving, Laurence. “Prince Siddartha,” The Green Sheaf vol. 4, 1903, pp. 12-14. Green Sheaf Digital Edition, edited by Lorraine Janzen Kooistra, 2021. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2021.