The Crimson Weaver
By R. Murray Gilchrist
MY Master and I had wandered from our track and lost
ourselves on the side
of a great ” edge.” It was a two-
days journey from the Valley of the
Willow Brakes, and we had
roamed aimlessly ; eating at hollow-echoing inns
where grey-
haired hostesses ministered, and sleeping side by side through
the
dewless midsummer nights on beds of fresh-gathered heather.
Beyond a single-arched wall-less bridge that crossed a brown
stream whose
waters leaped straight from the upland, we reached
the Domain of the
Crimson Weaver. No sooner had we reached
the keystone when a beldam,
wrinkled as a walnut and bald as an
egg, crept from a cabin of turf and
osier and held out her hands
in warning.
” Enter not the Domain of the Crimson Weaver!” she
shrieked. ” One I loved
entered.—I am here to warn men.
Behold, I was beautiful once
!”
She tore her ragged smock apart and discovered the foulness of
her bosom,
where the heart pulsed behind a curtain of livid skin.
My Master drew money
from his wallet and scattered it on the
ground.
” She is mad,” he said. ” The evil she hints cannot exist.
There is no
fiend.”
So
So we passed on, but the bridge-keeper took no heed of the
coins. For awhile
we heard her bellowed sighs issuing from the
openings of her den.
Strangely enough, the tenour of our talk changed from the
moment that we
left the bridge. He had been telling me of the
Platonists, but when our
feet pressed the sun-dried grass I was
impelled to question him of love. It
was the first time I had
thought of the matter.
” How does passion first touch a man’s life?” I asked, laying
my hand on his
arm.
His ruddy colour faded, he smiled wryly.
” You divine what passes in my brain,” he replied. ” I also
had begun to
meditate. . . . . But I may not tell you. . . . . In
my boyhood—I
was scarce older than you at the time—I loved the
true paragon.
‘Twere sacrilege to speak of the birth of passion.
Let it suffice that ere
I tasted of wedlock the woman died, and
her death sealed for ever the door
of that chamber of my heart.
. . . . Yet, if one might see therein, there
is an altar crowned
with ever-burning tapers and with wreaths of
unwithering
asphodels.”
By this time we had reached the skirt of a yew-forest, traversed
in every
direction by narrow paths. The air was moist and
heavy, but ever and anon a
light wind touched the tree-tops and
bowed them, so that the pollen sank in
golden veils to the ground.
Everywhere we saw half-ruined fountains, satyrs vomiting
senilely, nymphs
emptying wine upon the lambent flames of
dying phoenixes, creatures that
were neither satyrs nor nymphs,
nor gryphins, but grotesque adminglings of
all, slain by one
another, with water gushing from wounds in belly and
thigh.
At length the path we had chosen terminated beside an
oval mere that was
surrounded by a colonnade of moss-grown
arches.
arches. Huge pike quivered on the muddy bed, crayfish moved
sluggishly
amongst the weeds.
There was an island in the middle, where a leaden Diana, more
compassionate
than a crocodile, caressed Actaeon’s horns ere
delivering him to his
hounds. The huntress’ head and shoulders
were white with the excrement of a
crowd of culvers that moved
as if entangled in a snare.
Northwards an avenue rose for the space of a mile, to fall
abruptly before
an azure sky. For many years the yew-mast on
the pathway had been
undisturbed by human foot ; it was covered
with a crust of greenish
lichen.
My Master pressed my fingers. ” There is some evil in the
air of this
place,” he said. ” I am strong, but you—you may not
endure. We will
return.”
” ‘Tis an enchanted country,” I made answer, feverishly. ” At
the end of
yonder avenue stands the palace of the sleeping maiden
who awaits the kiss.
Nay, since we have pierced the country
thus far, let us not draw back. You
are strong, Master—no evil
can touch us.”
So we fared to the place where the avenue sank, and then our
eyes fell on
the wondrous sight of a palace, lying in a concave
pleasaunce, all
treeless, but so bestarred with fainting flowers, that
neither blade of
grass nor grain of earth was visible.
Then came a rustling of wings above our heads, and looking
skywards I saw
flying towards the house a flock of culvers like
unto those that had drawn
themselves over Diana’s head. The
hindmost bird dropped its neck, and
behold it gazed upon us with
the face of a mannikin !
” They are charmed birds, made thus by the whim of the
Princess,” I
said.
As the birds passed through the portals of a columbary that
crowned
crowned a western tower, their white wings beat against a silver
bell that
glistened there, and the whole valley was filled with
music.
My Master trembled and crossed himself. ” In the name of
our Mother,” he
exclaimed, ” let us return. I dare not trust
your life here.”
But a great door in front of the palace swung open, and a
woman with a
swaying walk came out to the terrace. She wore
a robe of crimson worn into
tatters at skirt-hem and shoulders.
She had been forewarned of our
presence, for her face turned
instantly in our direction. She smiled
subtly, and her smile died
away into a most tempting sadness.
She caught up such remnants of her skirt as trailed behind, and
strutted
about with the gait of a peacock. As the sun touched
the glossy fabric I
saw eyes inwrought in deeper hue.
My Master still trembled, but he did not move, for the gaze
of the woman was
fixed upon him. His brows twisted and his
white hair rose and stood erect,
as if he viewed some unspeakable
horror.
Stooping, with sidelong motions of the head, she approached ;
bringing with
her the smell of such an incense as when amidst
Eastern herbs burns the
corse. . . . . She was perfect of feature as
the Diana, but her skin was
deathly white and her lips fretted
with pain.
She took no heed of me, but knelt at my Master’s feet—a
Magdalene
before an impregnable priest.
” Prince and Lord, Tower of Chastity, hear !” she murmured.
” For lack of
love I perish. See my robe in tatters !”
He strove to avert his face, but his eyes still dwelt upon her.
She half
rose and shook nut-brown tresses over his knees.
Youth came back in a flood to my Master. His shrivelled
skin
skin filled out ; the dying sunlight turned to gold the whiteness of
his
hair. He would have raised her had I not caught his hands.
The anguish of
foreboding made me cry :
” One forces roughly the door of your heart’s chamber. The
wreaths wither,
the tapers bend and fall.”
He grew old again. The Crimson Weaver turned to me.
” O marplot!” she said laughingly, ” think not to vanquish
me with folly. I
am too powerful. Once that a man enter my
domain he is mine.”
But I drew my Master away.
” ‘Tis I who am strong,” I whispered. ” We will go hence at
once. Surely we
may find our way back to the bridge. The
journey is easy.”
The woman, seeing that the remembrance of an old love was
strong within him,
sighed heavily, and returned to the palace.
As she reached the doorway the
valves opened, and I saw in a
distant chamber beyond the hall an ivory loom
with a golden
stool.
My Master and I walked again on the track we had made in
the yew-mast. But
twilight was falling, and ere we could reach
the pool of Diana all was in
utter darkness ; so at the foot of a
tree, where no anthill rose, we lay
down and slept.
Dreams came to me—gorgeous visions from the romances of
eld.
Everywhere I sought vainly for a beloved. There was the
Castle of the Ebony
Dwarf, where a young queen reposed in the
innermost casket of the seventh
crystal cabinet; there was the
Chamber of Gloom, where Lenore danced, and
where I groped
for ages around columns of living flesh ; there was the
White
Minaret, where twenty-one princesses poised themselves on balls
of
burnished bronze ; there was Melisandra’s arbour, where the sacred
toads crawled over the enchanted cloak.
Unrest
Unrest fretted me : I woke in spiritual pain. Dawn was
breaking—a
bright yellow dawn, and the glades were full of
vapours.
I turned to the place where my Master had lain. He was not
there. I felt
with my hands over his bed : it was key-cold.
Terror of my loneliness
overcame me, and I sat with covered face.
On the ground near my feet lay a broken riband, whereon was
strung a heart
of chrysolite. It enclosed a knot of ash-coloured
hair—hair of the
girl my Master had loved.
The mists gathered together and passed sunwards in one long
many-cornered
veil. When the last shred had been drawn into the
great light, I gazed
along the avenue, and saw the topmost bartizan
of the Crimson Weaver’s
palace.
It was midday ere I dared start on my search. The culvers
beat about my
head. I walked in pain, as though giant spiders
had woven about my
body.
On the terrace strange beasts—dogs and pigs with human limbs,
—tore ravenously at something that lay beside the balustrade. At
sight of me they paused and lifted their snouts and bayed. Awhile
afterwards the culvers rang the silver bell, and the monsters dis-
persed
hurriedly amongst the drooping blossoms of the pleasaunce,
and where they
had swarmed I saw naught but a steaming
sanguine pool.
I approached the house and the door fell open, admitting me to
a chamber
adorned with embellishments beyond the witchery of
art. There I lifted my
voice and cried eagerly : ” My Master,
my Master, where is my Master ?” The
alcoves sent out a
babble of echoes, blended together like a harp-cord on
a
dulcimer : ” My Master, my Master, where is my Master ?
For the love
of Christ, where is my Master ?” The echo
replied only, ” Where is my
Master ?”
Above,
Above, swung a globe of topaz, where a hundred suns gambolled.
From its
centre a convoluted horn, held by a crimson cord, sank
lower and lower. It
stayed before my lips and I blew therein, and
heard the sweet voices of
youth chant with one accord.
” Fall open, oh doors : fall open and show the way to the
princess
!”
Ere the last of the echoes had died a vista opened, and at the
end of an
alabaster gallery I saw the Crimson Weaver at her
loom. She had doffed her
tattered robe for one new and lustrous
as freshly drawn blood. And
marvellous as her beauty had seemed
before, its wonder was now increased a
hundredfold.
She came towards me with the same stately walk, but there was
now a
lightness in her demeanour that suggested the growth of
wings.
Within arm’s length she curtseyed, and curtseying showed me
the firmness of
her shoulders, the fulness of her breast. The sight
brought no pleasure :
my cracking tongue appealed in agony :
” My Master, where is my Master ?”
She smiled happily. ” Nay, do not trouble. He is not here.
His soul talks
with the culvers in the cote. He has forgotten you.
In the night we supped,
and I gave him of Nepenthe.”
” Where is my Master ? Yesterday he told me of the shrine
in his
heart—of ever-fresh flowers—of a love dead yet living.”
Her eyebrows curved mirthfully.
” ‘Tis foolish boys’ talk,” she said. ” If you sought till the end
of time
you would never find him—unless I chose. Yet—if you
buy of
me—myself to name the price.”
I looked around hopelessly at the unimaginable riches of her
home. All that
I have is this Manor of the Willow Brakes—a
moorish park, an ancient
house where the thatch gapes and the
casements swing loose.
“My
” My possessions are pitiable,” I said, ” but they are all yours.
I give all
to save him.”
” Fool, fool !” she cried. ” I have no need of gear. If I but
raise my hand,
all the riches of the world fall to me. ‘Tis not
what I wish for.”
Into her eyes came such a glitter as the moon makes on the moist
skin of a
sleeping snake. The firmness of her lips relaxed ; they
grew child-like in
their softness. The atmosphere became almost
tangible : I could scarce
breathe.
” What is it ? All that I can do, if it be no sin.”
” Come with me to my loom,” she said, ” and if you do the
thing I desire you
shall see him. There is no evil in’t—in past
times kings have sighed
for the same.”
So I followed slowly to the loom, before which she had seated
herself, and
watched her deftly passing crimson thread over crimson
thread.
She was silent for a space, and in that space her beauty fascinated
me, so
that I was no longer master of myself.
” What you wish for I will give, even if it be life.”
The loom ceased. ” A kiss of the mouth, and you shall see
him who passed in
the night.”
She clasped her arms about my neck and pressed my lips. For
one moment
heaven and earth ceased to be ; but there was one
paradise, where we were
sole governours. . . . .
Then she moved back and drew aside the web and showed me
the head of my
Master, and the bleeding heart whence a crimson
cord unravelled into many
threads.
” I wear men’s lives,” the woman said. ” Life is necessary to me,
or even
I—who have existed from the beginning—must die. But
yesterday
I feared the end, and he came. His soul is not dead—
’tis truth that
it plays with my culvers.”
I fell
I fell back.
” Another kiss, ” she said. ” Unless I wish, there is no escape
for you. Yet
you may return to your home, though my power
over you shall never wane.
Once more—lip to lip.”
I crouched against the wall like a terrified dog. She grew
angry ; her eyes
darted fire.
” A kiss,” she cried, ” for the penalty !”
My poor Master’s head, ugly and cadaverous, glared from the
loom. I could
not move.
The Crimson Weaver lifted her skirt, uncovering feet shapen
as those of a
vulture. I fell prostrate. With her claws she
fumbled about the flesh of my
breast. Moving away she bade me
pass from her sight. . . . .
So, half-dead, I lie here at the Manor of the Willow Brakes,
watching hour
by hour the bloody clew ever unwinding from my
heart and passing over the
western hills to the Palace of the Siren.
The Yellow Book—Vol. VI. R
MLA citation:
Gilchrist, R. Murray. “The Crimson Weaver. ” The Yellow Book, vol. 6, July 1895, pp. 269-77. Yellow Book Digital Edition, edited by Dennis Denisoff and Lorraine Janzen Kooistra, 2010-2014. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2020. https://1890s.ca/YBV6_gilchrist_crimson/