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<title>The Savoy, Volume I.&#8212;January 1896</title>
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<editor>Arthur Symons</editor>
<author>Ernest Dowson</author>
<title>The Eyes of Pride</title>
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<date>January 1896</date>
            <biblScope>Dowson, Ernest. "The Eyes of Pride." <emph rend="italic">The Savoy</emph>, vol. 1 January 1896, pp. 51-63. <emph rend="italic">Savoy Digital Edition</emph>,
                        edited by Christopher Keep and Lorraine Janzen Kooistra, 2018-2020. <emph rend="italic">Yellow Nineties 2.0</emph>, Ryerson University Centre for Digital Humanities, 2019. https://1890s.ca/savoyv1-dowson-pride/</biblScope>
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<div n="SAVOYV1_19pr" type="fiction">

<head>
<title level="a">&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;<emph rend="bold">THE EYES OF PRIDE</emph></title>
</head>
<p>To A. F.<lb/>
<emph rend="indent3">&#8220;Pluck out the eyes of pride; thy lips to mine ? </emph><lb/>
<emph rend="indent3">Never, though I die thirsting! Go thy ways!&#8221; </emph><lb/>
<emph rend="indent6">GEORGE MEREDITH.</emph><lb/></p>

<p><emph rend="indent5">&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;I</emph></p>

<p> &#8220; DO as you please&#x2014; it's all one to me : yet I think you will live to regret<lb/> 
            it.&#8221;<lb/>
<emph rend="indent"/> He spoke sullenly, with well-affected indifference, standing on the hearth-<lb/> 
            rug, his hands in his pockets, looking down at her ; and yet there was a note<lb/>
            of irresolution, of potential suffering in his voice, which was absent from her 
            reply : <lb/>
<emph rend="indent"/>&#8220;If I do, I will tell you.&#8221;<lb/>
<emph rend="indent"/>&#8220;That is just what you will never do.&#8221;<lb/>
<emph rend="indent"/>&#8220;Perhaps not.&#8221; She was actually indifferent, or her dissimulation was<lb/>
            more profound than his, for the blank coldness of her speech lit a spark of<lb/>
            irritation in him.<lb/>
<emph rend="indent"/>&#8220;And, all the same, I think you will regret it&#x2014; every day of your<lb/>
            life.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160; By God ! you are making a great mistake, Rosalind !&#8221; <lb/>
<emph rend="indent"/>&#8220;Is it all coming over again ?&#8221; murmured the girl, wearily. &#160;&#8220;And, <lb/>
            after all, it's your own choice.&#8221; <lb/>
<emph rend="indent"/>He flushed angrily. He was in evening dress, and he fidgeted with his <lb/>
            tie for a moment, before he held out his hand with stiff courtesy. <lb/>
<emph rend="indent"/>&#8220;Good-bye,&#8221; he said ; and &#8220;Good-bye, Mr. Seefang !&#8221; the girl answered, <lb/>
            listlessly. &#160;He dropped her impassive hand, and went slowly towards the door. <lb/>
            Then he remembered he had brought his hat with him into the drawing-room, <lb/>
            and he came back again, and placed it mechanically under his arm. &#160;&#8220;Well, <lb/>
            good-bye, Rosalind !&#8221; he said again. &#160;This time she made no response, and he <lb/>
            was really gone when she raised her eyes again.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160; <lb/></p>

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</fw>


<p>
<emph rend="indent"/>When he opened the hall door, emerged into the square, he paused to <lb/>
            light a cigar before he plunged into the fog, rank and yellow and raw, which <lb/>
            engulfed him. &#160;A clock struck eleven. &#160;It was actually so late ; and he began <lb/>
            to look round, vaguely, for a hansom, reflecting that their rapid talk&#x2014;certainly, <lb/>
            it had been fruitful in momentous consequences&#x2014;had lasted for over an hour. <lb/>
            He decided that all the cabs would have disappeared ; the square railings, ten <lb/>
            yards in front of him, were invisible ; he shrugged his shoulders&#x2014; a gesture <lb/>
            habitue! with him, in which, just now, lassitude and a certain relief were <lb/>
            mingled&#x2014; and, doggedly and resolutely, he set his face eastwards, to accom- <lb/>
            plish on foot: his return journey to the Temple.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160; As he went, his mind <lb/>
            was recasting his past life, and more especially the last six months of it, during <lb/>
            which he had been engaged to Rosalind Lingard. &#160;Well ! that was over at <lb/>
            last, and he was unable to add that it had been pleasant while it lasted. <lb/>
            Pleasant? Well, no!&#160; but it had been an intoxicating experience&#x2014;a delirious <lb/>
            torture.&#160; Now he was a free man, and he tried to congratulate himself, <lb/>
            reminding himself of all the phrase implied.&#160; Yes ; he was free again&#x2014; free <lb/>
            to his old pleasures and his old haunts, to his friends and his former wan- <lb/>
            dering life, if he chose ; above all, free to his art&#x2014;his better passion.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160; <lb/>
            And, suddenly, into his meditation there floated the face of the girl on the <lb/>
            sofa, impassively beautiful and sullen, as it had been framed to his vision <lb/>
            when he last held her hand, and he ground his teeth and cursed aloud. <lb/></p>

<p>
<emph rend="indent"/>He began to remember how, all along, he had forecasted this end of his <lb/>
            wooing. &#160;What an ill-omened affair it had been from the first ! &#160;He was yet <lb/>
            uncertain whether he loved or hated her most.&#160; That he had loved her at all <lb/>
            was the Miracle. &#160;But, even now, he knew that he had loved her, with a love <lb/>
            that was not child's-play&#x2014;it had come for that&#x2014;but, like his genius, <lb/>
            faulty yet tremendous. <lb/>
</p>

<p>
<emph rend="indent"/>There was a great deal of Seefang ; even the critics of his pictures admitted <lb/>
            it ; and everything about him was on a large scale. &#160;So that when he had fallen <lb/>
            in love with Rosalind Lingard, after three days' acquaintance, he had done so <lb/>
            supremely, carried away by a strange hurricane of sensual fascination and <lb/>
            spiritual rapture. &#160;Meeting her first at a sparsely-attended <emph rend="italic">table d'h&#244;te</emph> in a <lb/></p>

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</fw>

<p>
            primitive Breton village where he was painting, he had promptly disliked her, <lb/>
            thought her capricious and ill-tempered. &#160;Grudgingly, he had admitted that <lb/>
            she was beautiful, but it was a beauty which repelled him in a girl of his <lb/>
            own class, although he would have liked it well enough in women of less title <lb/>
            to respect, with whom he was far too well acquainted. <lb/></p>

<p>
<emph rend="indent"/>If he had ever thought of marriage&#x2014;and it must have been remotely&#x2014; <lb/>
            during his fifteen years of manhood, spent so pleasantly in the practice of an art <lb/>
            in which his proficiency had met recognition and in the frank and unashamed <lb/>
            satisfaction of his vigorous appetites, he had dreamed of a girl most unlike <lb/>
            Rosalind Lingard ; a girl with the ambered paleness and the vaguely virginal <lb/>
            air of an early Tuscan painting, who would cure him of his grossness and <lb/>
            reform him. &#160;For he had, still, intervals of depression&#x2014;generally when he had <lb/>
            spoiled a canvas&#x2014;in which he accused himself of living like a beast, and <lb/>
            hankered, sentimentally, for the love of a good woman. &#160;And yet, Rosalind <lb/>
            Lingard, with her ambiguous charm, her adorable imperfection, had been this <lb/>
            woman&#x2014;the first to dominate him by something more than the mere rose and <lb/>
            white of her flesh. &#160;Masterful as he had been with the others, he was her <lb/>
            slave, if it was still his masterfulness which bound her to him, for a pliant <lb/>
            man would have repelled her, and she had dreamed of being loved tyrannically. <lb/>
            A few days had sufficed. &#160;A juxtaposition somewhat out of the common&#x2014;a <lb/>
            slight illness of her aunt, Mrs. Sartorys, with whom she was travelling&#x2014; <lb/>
            having thrown them together, a discovery which he made suddenly, that if <lb/>
            she was capricious she could yet be charming, and that her audacity was <lb/>
            really the perfection of her innocence&#x2014;these were the material agents of his <lb/>
            subjection. &#160;To the lovers, as they became speedily, inevitable fate and the <lb/>
            god who watches over little lovers were held alone responsible. &#160;The best of <lb/>
            Seefang's character, in which the fine and the gross were so strangely mingled, <lb/>
            leapt to meet the promise in her eyes. &#160;Their vows were exchanged.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;<lb/></p>

<p>
<emph rend="indent"/>He crossed Piccadilly Circus, debating whether he should go home at once <lb/>
            or turn into his club and have an hour's poker ; finally, he decided to make <lb/>
               for the Temple&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160; And he told himself again that it was over. &#160;In retro- <lb/>
            spect, their love seemed like a long quarrel, with a few intervals of reconciliation. <lb/></p>

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<fw type="head">THE SAVOY</fw>
</fw>


<p>
            But there had been a time, at the very beginning, when life was like Eden ; <lb/>
            when he was so buoyant that he felt as if his head must touch the sky. &#160;He <lb/>
            left his easel and wandered with them through Morbihan : his knowledge of <lb/>
            the country, so sad and cold and poor, and yet so pictorial, made him their <lb/>
<emph rend="italic">cicerone</emph> to nooks which elude the ordinary tourist. &#160;Actually, they were not <lb/>
            betrothed, but they anticipated the official sanction ; and, indeed, no opposition <lb/>
            was expected even by Mrs. Sartorys ; though, formally, Rosalind's guardian, <lb/>
            a learned lawyer&#x2014;an abstract idea, even, to his ward&#x2014;was to be consulted. <lb/>
            Seefang had his fame, his kinship with the peerage, to set off against the girl's <lb/>
            fortune, which was considerable. &#160;Had he been less eligible, Mrs. Sartorys, <lb/>
            a weak, placid woman, professionally an invalid, would have been equally sub- <lb/>
            missive. &#160;As it was, she allowed them the license of an engagement, stipulating <lb/>
            merely for a postponement which was nominal. &#160;They rambled alone together <lb/>
            over the ruddy moorland as it pleased them. &#160;Once he said to her : <lb/>
<emph rend="indent"/>&#8220;If your guardian damns me, will you make a curtsy and dismiss me, <lb/>
            Rosalind ?&#8221; <lb/>
<emph rend="indent"/>They had come to a pause in their walk ; the sun was merciless, and <lb/>
            they had wandered off the road to seek shade ; the girl had seated herself on <lb/>
            a bank under a silver-birch tree, Seefang was standing over her. &#160;She shook <lb/>
            her head. <lb/>
<emph rend="indent"/>&#8220;No ! if I've ever wanted anything since I was a child, I've cried and <lb/>
            stormed till I got it.&#8221; <lb/>
<emph rend="indent"/>&#8220;You give yourself a fine character.&#8221; <lb/>
<emph rend="indent"/>&#8220;I'm not a nice girl, I've told you so before.&#8221; <lb/>
<emph rend="indent"/>&#8220;Nice!&#8221; he looked at her gravely. &#160;&#8220;I don't care about niceness.&#8221; <lb/>
<emph rend="indent"/>&#8220;What do you care for&#8221;<lb/>
<emph rend="indent"/>&#8220;You as you are,&#8221; he said deliberately : &#8220;proud, capricious, not very <lb/>
            sweet of temper, and&#x2014;I suspect&#x2014;&#8221; <lb/>
<emph rend="indent"/>Her eyes challenged him, he completed his phrase: &#8220;A bit of a flirt!&#8221; <lb/>
<emph rend="indent"/>&#8220;And yet you&#x2014;&#8221; <lb/>
<emph rend="indent"/>&#8220;And yet I love you; good God! what am I myself?&#8221; <lb/>
<emph rend="indent"/>She glanced at him with a sort of mocking tenderness. <lb/></p>


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</fw>
<p>
<emph rend="indent"/>&#8220;You are very proud,&#8221; she said ; &#8220;capricious, I don't know ; but stubborn <lb/>
            and headstrong ; I think you can be very cruel, and I am sure you have <lb/>
            been very wicked.&#8221; <lb/>
<emph rend="indent"/>&#8220;And yet?&#x2014;&#x2014;&#8221;" he imitated her phrase softly. &#160;They were quite alone <lb/>
            with the trees and the birds, and instinctively their lips met. &#160;Presently she <lb/>
            resumed, a trifle sadly, her eyes contemplating vaguely the distant valley. <lb/>
<emph rend="indent"/>&#8220;I'm only a girl&#x2014; not twenty. &#160;You are thirty-eight, thirty-eight! &#160;You <lb/>
            must have kissed so many, many women before me.&#8221; <lb/>
<emph rend="indent"/>He touched her hand very softly, held it while he went on : &#8220;Never <lb/>
            mind the past, Rosalind. &#160;I've lived as other men. If I've been stupid, it <lb/>
            was because I had never known you. When a man has been in heaven he <lb/>
            is in no hurry to get back anywhere else. I'm yours, and you know it&#x2014; <lb/>
            body and soul&#x2014; and they are a poor bargain, my child ! ever since&#x2014; since <lb/>
            Ploumariel.&#8221; &#160;She flushed and her head drooped towards him ; at Ploumariel <lb/>
            they had crossed the great climacteric. &#160;When she looked up, the sun, moving <lb/>
            westwards, lit up the valley opposite them, illuminated the white stones of a <lb/>
            village cemetery. &#160;Her eyes rested upon it. &#160;Presently she said : <lb/>
<emph rend="indent"/>&#8220;Oh, my dear, let us be kind to each other, bear and forbear&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;<lb/>
            That's the end of it all.&#8221; <lb/>
<emph rend="indent"/>For a moment he was silent : then he leant over and kissed her hair. <lb/>
<emph rend="indent"/>&#8220;Rosalind, my darling, I wish we were dead together, you and I, lying <lb/>
            there quietly, out of the worry of things.&#8221; <lb/>
<emph rend="indent"/>It was a fantastic utterance, an odd and ominous mood to interrupt <lb/>
            their foolish talk of plighted lovers ; it never recurred. &#160;But just now it came <lb/>
            back to him like an intuition. &#160;It is so much easier to die for the woman you <lb/>
            love than to live with her. &#160;They could talk of bearing and forbearing, but <lb/>
            much tolerance was in the nature of neither. &#160;They were capable of <lb/>
            generosity, but even to themselves they could not be just. &#160;Both had known <lb/>
            speedily how it must end. &#160;He was impatient, tyrannical ; she, capricious <lb/>
            and utterly a woman ; their pride was a great Juggernaut, beneath whose car <lb/>
            they threw, one by one, their dearest hopes, their happiness and all that <lb/>
            they cared most for in life. &#160;Was she a coquette ? At least she cared for <lb/></p>

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<fw type="head">THE SAVOY</fw>
</fw>


<p>
            admiration, encouraged it, declined to live her life as he would have it. &#160;His <lb/>
            conviction that small sacrifices which he asked of her she refused, not from <lb/>
            any abiding joy the possession gave her, but in sheer perverseness, setting <lb/>
            her will against his own, heightened his estimation of the offence. That his <lb/>
            anger was out of all proportion to her wrongdoing he knew, and his know- <lb/>
            ledge merely inflamed his passionate resentment. &#160;She, on her side, was <lb/>
            exacting, jealous of his past life ; he was faithfully her lover, and he felt <lb/>
            aggrieved, perhaps unjustly, that woman-like she took constancy too much <lb/>
            for granted, was not more grateful that he did not lapse. &#160;And neither could <lb/>
            make concessions : they hardened their hearts, were cold of eye and tongue <lb/>
            when a seasonable softening would have flung them each in the other's arms. <lb/>
            When they were most divided, each was secretly aware that life without the <lb/>
            other would be but a savourless dish. &#160;For all that, they had ended it. &#160;She <lb/>
            had flung him back his liberty, and he had accepted it with a bitter word <lb/>
            of thanks. &#160;They had said, if they had not done, irrevocable things&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;<lb/></p>
<p>
<emph rend="indent"/>Seefang let himself into his chambers and slammed the oak behind <lb/>
            him ; the room smelt of fog, the fire had gone out, and, just then, the lack <lb/>
            of it seemed the most intolerable thing in life. But he sat down, still in his <lb/>
            ulster, lighting the candle to dispel the gloom, and faced his freedom more <lb/>
            deliberately than he had done before. &#160;He began to think of his work, and <lb/>
            he was surprised at discovering how utterly he had neglected it during the <lb/>
            last six months. &#160;There is nothing so disorganising as a great passion, nothing <lb/>
            so enervating as a virtuous one. &#160;He went to bed, vowing that he would <lb/>
            make amends. &#160;His art ! that he should ever have forgotten it ! &#160;None of the <lb/>
            other women had interfered with that, the women who had amused him, <lb/>
            satisfied the animal in him, but whom he had not loved. &#160;She alone had <lb/>
            made him forget it. He had a sense of ingratitude towards his art, as to a <lb/>
            person who has always stood by one, whom at times one has not valued, <lb/>
            and whom one finds, after some calamity, steadfast and unchanged. &#160;His art <lb/>
            should stand him in good stead now ; it should help him to endure his life, to <lb/>
            forget her and be strong. &#160;Strength ! that was the great thing ; and he knew <lb/>
            that it appertained to him. He fell asleep murmuring that he was glad he <lb/>
</p>


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</fw>

<p>
            was strong&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;strong&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;&#160;Two months later Seefang went abroad ; <lb/>
            he had made arrangements for a prolonged absence. &#160;He had not seen Miss <lb/>
            Lingard ; if an acquaintance, who was ignorant of the rupture, asked after <lb/>
            her, he looked vacant, seemed to search his memory to give the name a <lb/>
            connotation. Then he remarked indifferently that he believed Mrs. Sartorys <lb/>
            was out of town. &#160;He was working hard, contemplated work more arduous <lb/>
            still. &#160;Every now and then he drew himself up and reminded himself that <lb/>
            he had forgotten her. <lb/></p>
<p>
<emph rend="indent"/>For two years he was hardly heard of : he was believed to be travelling <lb/>
            in Spain, living in some secluded village. Then he was in London for a <lb/>
            month : he exhibited, and critics were unanimous in their opinion that he had <lb/>
            never done better work&#x2014;at which he smiled. They declared he had not been <lb/>
            in vain to the land of Velasquez and Goya. It was at this time that he <lb/>
            heard of Miss Lingard's marriage with Lord Dagenham ; that nobleman had <lb/>
            carried away his bride to an obscure Scandinavian capital, where he was <lb/>
            diplomatically engaged. Seefang was curious enough to turn over the pages <lb/>
            of Debrett, and discovered that the bridegroom was sixty ; it enabled him to <lb/>
            credit the current rumour that he was dull. He went on smiling and was <lb/>
            abroad for another three years. <lb/></p>
<p><emph rend="indent5">&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;II</emph></p>
<p>
<emph rend="indent"/>He had known they would meet when he first heard that the Dagenhams <lb/>
            were in town. &#160;Lord Dagenham had abandoned diplomacy with stays and any <lb/>
            semblance of being young ; he was partly paralysed, and was constantly to be <lb/>
            seen in a bath-chair in Kensington Gardens. &#160;But the lady went everywhere, <lb/>
            and Seefang made much the same round ; their encounter was merely a <lb/>
            question of time. He faced it with equanimity, or its tolerable imitation : he <lb/>
            neither feared it nor hoped for it. &#160;And the season was but a few weeks old <lb/>
            when it came about. At the dinner-table he faced her almost directly. <lb/></p>
<p>
<emph rend="indent"/>Five years ! Her beauty was richer, perhaps ; it had acquired sombre <lb/>
            tones like an old picture ; but she was not perceptibly altered, hardly older. <lb/>
            She was straight and tall, had retained something of her slim, girlish figure ; <lb/></p>

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</fw>


<p>
            and, as of old, her beauty had a sullen stain on it ; in the languid depths of <lb/>
            her dark eyes their fate was written ; her full mouth in repose was scornful. <lb/>
            He finished his soup, talked to his neighbour, mingled in the conversation ; <lb/>
            one of his remarks sent a little ripple of well-bred laughter down the table, <lb/>
            and he noticed that she joined in it. &#160;But her eyes avoided him, as they had <lb/>
            done when she bowed to him formally in the drawing-room. &#160;They had not <lb/>
            spoken. &#160;A vague feeling of irritation invaded him. &#160;Was there another woman <lb/>
            in the world with hair like that, so dark and multitudinous ? &#160;He had promised <lb/>
            himself to forget her, and it seemed to him that the promise had been kept. <lb/>
            Life had been amusing, full of experience, lavish and expansive. If one <lb/>
            supreme delight were impossible, that had not seemed to him a reason for <lb/>
            denying himself any lesser joys which offered&#x2014;joys, distractions. &#160;How <lb/>
            successful he had been ! &#160;And the tide of his irritation rose higher. &#160;His <lb/>
            mind went back to the days when he had first known her. &#160;She had forgotten <lb/>
            them, no doubt, but they were good while they lasted&#x2014;yes, they were good. <lb/>
            But what a life they would have led !&#x2014;how thankful he should have been <lb/>
            for his escape ! &#160;From time to time he fidgeted nervously with his tie. &#160;Like <lb/>
            a great wave of anguish his old desire swept over him. <lb/></p>
<p>
<emph rend="indent"/>To Lady Dagenham, if she had not seemed to notice him, his presence <lb/>
            there, facing her, was the one fact which possessed her mind during that <lb/>
            interminable dinner-party.  &#160;She had to perfection the gift of being rude <lb/>
            urbanely, and she had begun by repressing any intentions of her neighbour <lb/>
            on the right to be conversational.  &#160;Her neighbour on the left talked for <lb/>
            three ; she preserved appearances by throwing him smiles, and at mechanical <lb/>
            intervals an icy monosyllable.  &#160;&#8220;Yes,&#8221; and &#8220;Yes,&#8221; said her lips, and her <lb/>
            eyes, which looked everywhere else&#x2014;above, below, beside him&#x2014;saw only <lb/>
            Seefang&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160; He was changed ; older, coarser, bigger, she thought. &#160;Large <lb/>
            he had always been ; but to-night he loomed stupendous. Every now and <lb/>
            then his deep voice was borne across to her&#x2014;that remained the same, his <lb/>
            voice was always pleasant. &#160;And she missed no detail&#x2014;his hair was thinner,<lb/> 
            it was streaked, like his moustache, with gray ; his eyes were clouded, a <lb/>
            trifle blood-shot ; his laugh was cynical and easy. &#160;She noticed the one ring <lb/></p>


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<p>
            he wore, a curious, absinthe-coloured opal, when he moved his left hand, large, <lb/>
            but well-shaped and white. &#160;She remembered the ring and his affection for <lb/>
            opals. &#160;Had that been the secret of his luck&#x2014;their luck? He was not <lb/>
            noticeably pitiable, but instinctively she fell to pitying him, and her com- <lb/>
            passion included herself. &#160;Skeleton fingers groped out of the past and <lb/>
            throttled her. &#160;At a familiar gesture, when his hand went up to his tie, a <lb/>
            rush of memories made her giddy. &#160;Was the past never done with ? And <lb/>
            why wish things undone or altered ? &#160;He was a cross, brutal fellow; stupid <lb/>
            and self-indulgent. &#160;Why had they ever met ? &#160;They were too much alike <lb/>
            And she was sorry for him, sorry if he still cared, and sorrier if, as was more <lb/>
            likely, he had forgotten ; for she was aware that the strength which puts <lb/>
            away suffering is more costly than acquiescence in unhappiness. &#160;A sudden <lb/>
            tenderness came over her for him ; it was not with the man she was angry, <lb/>
            but with fate, the powers which had made them what they were, self- <lb/>
            tormentors, the instruments of their own evil. As she rose from the table <lb/>
            with the other women, she dropped one glance at him from her sombre, black <lb/>
            eyes. &#160;And they met his in a flash which was electric. <lb/></p>

<p>
<emph rend="indent"/>When he came upstairs, rather tardily, it was with a certain relief that <lb/>
            he failed to discover in either of the two large rooms, which opened into one <lb/>
            another, the face which he sought. &#160;In the first of them, a young Hungarian <lb/>
            musician of note was just taking his seat at the piano. &#160;The air was heavy <lb/>
            with the smell of flowers, full of soft vibrations&#x2014;the <emph rend="italic">frou-frou</emph> of silken skirts,<lb/> 
            the rustle of posturing fans. &#160;He moved into the second room. &#160;It was a <lb/>
            parched, hot night, and the windows had been left open ; the thin lace <lb/>
            curtains protecting them were stirred imperceptibly. &#160;With a strange, nervous <lb/>
            dread on him that was also an intuition, he pushed them aside and stepped <lb/>
            on to the spacious balcony. &#160;Half-a-dozen people were sitting or standing <lb/>
            there, and he distinguished her profile, marble white and strangely cold, in the <lb/>
            subdued shine of the electric lights. &#160;An elderly-looking young man with a <lb/>
            blonde moustache was talking with her. &#160;He took his station by them, joined <lb/>
            mechanically in the conversation, looking not at her, but at the long, low <lb/>
            line of the park in front of them with its background of mysterious trees. <lb/></p>

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<fw type="head">THE SAVOY</fw>
</fw>


<p>
            Presently a crash of chords came from within&#x2014;the Hungarian had begun <lb/>
            his performance. &#160;People began to drift inside again ; Lady Dagenham and <lb/>
            the blonde young man&#x2014;a little anxious, for he was due in the House, <lb/>
            concerned for a division&#x2014;were the last loiterers. &#160;For the second time their <lb/>
            eyes met, and there was a note of appeal in them. <lb/></p>

<p>
<emph rend="indent"/>&#8220;Please don't let me keep you, Mr. Rose&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160; Mr. Seefang&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;We <lb/>
            are old friends, and I haven't seen him for years&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160; Mr. Seefang will look <lb/>
            after me.&#8221; <lb/></p>

<p>
<emph rend="indent"/>When they were alone together he came over to her side, and they stood <lb/>
            so for a moment or two in silence : he was so close to her that he could <lb/>
            smell the misty fragrance of her hair, hear the sighing of her bosom. &#160;The <lb/>
            tense silence preyed on them ; to break it at any cost, he said, at last : <lb/>
            &#8220;Rosalind !&#8221;&#160;Her white face was turned towards him, and he read the <lb/>
            passion in it as in a book. &#160;And, &#8220;Rosalind !&#8221; he said again, with a new <lb/>
            accent, more strenuously. <lb/></p>
<p>
<emph rend="indent"/>&#8220;So you have come back&#8221;&#x2014;her rich voice was under control, but there <lb/>
            was a vibration in it which spoke of effort&#x2014;&#8220;come back to England? Your <lb/>
            fame preceded you long ago. I have often heard of you, and wondered if we <lb/>
            should ever meet." <lb/>
<emph rend="indent">Did you ever wish it ?&#8221;</emph><lb/>
<emph rend="indent">&#8220;It is always pleasant to meet old friends,&#8221; she answered, mechanically.</emph>
<lb/>
<emph rend="indent">&#8220;Pleasant !&#8221; He laughed harshly. &#8220;There is no pleasure in it, Lady</emph>
<lb/>
            Dagenham.&#8221; She glanced at him uneasily, for, unconsciously, he had raised his <lb/>
            voice. &#8220;And friends, are we friends&#x2014;how can we be friends, you and I ?&#8221; <lb/>
<emph rend="indent">&#8220;At least&#x2014;not enemies,&#8221; she murmured. </emph><lb/></p>
<p>
<emph rend="indent"/>He was silent for a moment, looking out at the blurred mass of the <lb/>
            park, but seeing only her face, the face of her youth, softened and idealised, <lb/>
            so that five years seemed as yesterday, and the anger and bitterness, which <lb/>
            had driven them apart, chimeras. <lb/></p>
<p>
<emph rend="indent"/>&#8220;At Ploumariel, up the hill to Sainte-Barbe" ; he spoke softly, as <lb/>
            it were to himself, and the natural harshness of his voice was modulated. <lb/>
            &#8220;Do you remember the wood, the smell of pines and wild thyme ? &#160;The <lb/></p>


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<p>
            pine-needles crackled under your little feet. &#160;How warm it was ! &#160;You were <lb/>
            tired at the end of the climb ; you sat on a boulder to rest, while I fetched <lb/>
            you milk from the cottage by the chapel&#x2014; fresh milk in a big, yellow bowl, <lb/>
            too big for your little fingers to cling to. &#160;You laughed ; and I held it to <lb/>
            your mouth, and you made me drink too, and I drank where the print of <lb/>
            your lips had been, and your lips were sweet and fresh &#x2014; &#8221; <lb/></p>
<p>
<emph rend="indent"/>&#8220;Seefang!&#8221; she laid a white finger on his mouth, beseechingly, and <lb/>
            he trembled ; then let her hand rest on his with something of a caress. <lb/>
            &#8220;What is the use, Seefang?&#x2014; what is the use? Do you think I have <lb/>
            forgotten ?&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;That was over and done with years and years ago. &#160;It is <lb/>
            no use maddening ourselves. &#160;We have so little, little time. &#160;Even now, <lb/>
            someone may interrupt us at any moment ; we may not meet again&#x2014; tell me <lb/>
            about yourself, your life, all these years. &#160;I know you are a great artist ; <lb/>
            have you been happy ?&#8221; <lb/></p>
<p>
<emph rend="indent"/>&#8220;I have made a name,&#8221; he said, shortly, &#8220;in more than one sense. &#160;If <lb/>
            I were to speak, my voice might lie to you. &#160;Look me in the face&#x2014; that will <lb/>
            answer you.&#8221; <lb/>
<emph rend="indent"/>Almost childishly she obeyed him, scrutinised the dark, strong face, <lb/>
            harsh and proud, with engrained lines of bitterness and ill-temper set upon <lb/>
            it even in repose. <lb/>
<emph rend="indent"/> &#8220;You have answered me,&#8221; she said, with a little moan. <lb/>
<emph rend="indent"/> &#8220;I have always longed for you, Rosalind, even when it seemed I had <lb/>
            forgotten you most&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;And you&#x2014;?&#8221; <lb/>
<emph rend="indent"/>She cut him short quickly. <lb/>
<emph rend="indent"/>&#8220;I have not been over happy,&#8221; she said. <lb/>
<emph rend="indent"/>&#8220;Then your husband&#x2014;?&#8221; <lb/>
<emph rend="indent"/>&#8220;My husband has been kind to me. &#160;I have done&#x2014;tried to do my <lb/>
            duty to him.&#8220; <lb/></p>
<p>
<emph rend="indent"/>A fresh silence intervened, nervous and uneasy : each feared to dissipate <lb/>
            it, for each was instinctively conscious of what gulfs of passion lay beneath <lb/>
            it, irretrievable chasms into which one unstudied phrase, one word at random, <lb/>
            might hurl them both. &#160;She was the first to make the venture. <lb/></p>

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<fw type="head">THE SAVOY</fw>
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<p>
<emph rend="indent"/>&#8220;Can we not be friends, you and I ?&#8221;&#160;And, innocently as <lb/>
            she had spoken, the words had not fallen before she was conscious of her <lb/>
            error ; and his arms were round her, crushing the frail lace of her bodice, <lb/>
            and their lips had joined, and the thrill in her blood had belied her <lb/>
            protest. <lb/>
<emph rend="indent"/>&#8220;Oh, why did we do it, what was the good of it, why did we ever <lb/>
            meet ?&#8221; she moaned, when the passionate moment had passed, and they were <lb/>
            left face to face together, stupefied, yet with the mask of convention upon <lb/>
            them once more, if set a little awry. <lb/>
<emph rend="indent"/>&#8220;Because,&#x2014;because&#x2014;&#8221; he faltered. &#160;&#8220;Oh, my darling, how can we <lb/>
            ever be friends ? &#160;Oh, my love, my one love, anything but that !&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;There<lb/> 
            is only one end of it&#x2014;or two&#x2014;one of two, and you know that, Rosalind ! &#160;My <lb/>
            clever, cross darling, you were always clever&#x2014;always understood. &#160;That is <lb/>
            why I liked you.&#8221; <lb/>
<emph rend="indent"/>She stood free of him again ; her hands deftly, nervously restored one of <lb/>
            her black, ruffled tresses. <lb/>
<emph rend="indent"/>&#8220;How little you liked me, after all !&#8221; she said at last. <lb/>
<emph rend="indent"/>And she saw, with a keen delight in her power to hurt him, with more<lb/> 
            pain at the hurt she did herself, the harsh and sneering lines round his <lb/>
            mouth and nostrils darken into prominence, the latent brute in his face <lb/>
            accentuate. <lb/>
<emph rend="indent"/>&#8220;There was little enough to like in you, was there, Rosalind ? But, by <lb/>
            God ! I did&#x2014;I loved you, yes, I love you&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;Look at the park, Rosalind ! <lb/>
            It's a mist, and dark ; you can guess at the trees, believe in the grass ; <lb/>
            perhaps it's soft&#x2014;and new there,&#x2014;it's vague and strange&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;would you <lb/>
            plunge into it now with me, darling&#x2014;into the darkness ? &#160;How this music <lb/>
            and people tire me since I've seen you&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;would you ? Cool and vague <lb/>
            and strange !&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;.&#160;&#160;&#160;No, you wouldn't&#x2014;nor would I, even if it were possible. <lb/>
            You need not answer. &#160;It would not do. &#160;There, or here, we should hurt <lb/>
            each other as we always have&#x2014;and shall, this side of the grave. &#160;That <lb/>
            is why I said there was only one end of it, or two, and <emph rend="italic">this</emph> is the one <lb/>
            you choose.&#8221;<lb/></p>


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<p>
<emph rend="indent"/>Once more, she laid her hand on his, and went on, her fingers caressing, <lb/>
            absently, the opal of his ring. <lb/>
<emph rend="indent"/>&#8220;Don't be angry, Seefang, we have so little time&#x2014;if it must be so. <lb/>
            Life is so short. &#160;Besides, we've changed, grown older ; we might be kinder <lb/>
            to each other now. &#160;What are you going to do?" <lb/>
<emph rend="indent"/>&#8220;I shall live as I have done&#x2014;go abroad, perhaps, a little sooner&#x2014;<lb/>
            what else ?&#8221;<lb/>
<emph rend="indent"/>&#8220;Oh, why ?&#8221; she cried instinctively. &#160;&#8220;What is the good?&#8221; <lb/>
            "Would you have me come and see you ? &#160;When are you at home ? <lb/>
            What is your day ?&#8221; he asked, with an inflection, the irony of which <lb/>
            escaped her. <lb/>
<emph rend="indent"/>&#8220;If you are reasonable, why not ?&#8221; she queried. <lb/>
<emph rend="indent"/>He took up her hand and kissed it very gently, and, as it might have <lb/>
            been a child's, retained it in his own. <lb/>
<emph rend="indent"/>&#8220;Because I am not that kind of man,&#8221; he said; &#8220;because I know <lb/>
            myself, and the world, and the world's view of me ; because of my other <lb/>
            name, out of paint; because&#x2014;&#8221;<lb/>
<emph rend="indent"/>She pulled herself away, petulantly : withdrew from him with a sullen <lb/>
            gesture. <lb/>
<emph rend="indent"/>&#8220;How little you must respect me ! You need not have told me that <lb/>
            your reputation is infamous : I have heard of it : is it true, then ?&#8221; <lb/>
            &#8220;It is true that I love you. As for what they say&#x2014;&#8221; he broke off <lb/>
            with a little suppressed laugh. &#8220;You see we are beginning to quarrel, we <lb/>
            are generating a misunderstanding&#x2014;and, as you said, there is so little time. <lb/>
            The music is quite over, and we may be invaded any moment.&#8221; <lb/>
            &#8220;And I begin to feel chill,&#8221; she said. <lb/>
            He helped to arrange her cloak around her, lifted aside the curtain to <lb/>
            allow her passage. <lb/>
<emph rend="indent"/>&#8220;So this is the end ?&#8221; she said, lightly ; and her subtile voice had <lb/>
            grown expressionless. <lb/>
<emph rend="indent"/>&#8220;Yes,&#8221; he replied, dully ; &#8220;this is the very end.&#8221; <lb/></p>
<p><emph rend="indent7"/><ref target="#EDO">Ernest Dowson.</ref><lb/></p>
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