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            <title type="grahame_bio"/>
            <author>Morgan Holmes</author>
            <editor>Lorraine Janzen Kooistra</editor>
            <editor>Dennis Denisoff </editor>
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               <date>2019</date>
               <note>first published 2010</note>
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            <pubPlace>Ryerson University</pubPlace>
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                  <editor>Dennis Denisoff and Lorraine Janzen Kooistra </editor>
                  <author>Morgan Holmes</author>
                  <title>Kenneth Grahame (1859-1932)</title>
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                     <date>2018</date>
                     <note>first published 2010</note>
                     <biblScope>Holmes, Morgan. "Kenneth Grahame (1859-1932)," <emph rend="italic">
                           Y90s Biographies</emph>, 2010. <emph
                           rend="italic">Yellow Nineties 2.0</emph>, edited by Lorraine Janzen
                        Kooistra, Ryerson University Centre for Digital Humanities, 2019,
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               verbal and visual printed material, including non-referential physical elements such
               as bindings, page layouts, and ornaments. We view any text as the outcome of
               collaborative processes that have specific manifestations at precise historical
               moments. The Yellow Nineties Online publishes facsimile editions of a select
               collection of fin-de- siècle aesthetic periodicals, together with paratexts of
               production and reception such as cover designs, advertising materials, and reviews.
               This historical material is enhanced by two kinds of peer-reviewed scholarly
               commentary: biographies of the periodicals’ contributors and associates; and critical
               introductions to each title and volume by experts in the field. All scholarly
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               objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
               downloading and collecting; and in XML for those who wish to review and/or adapt our
               tag sets. In order to make ornamental devices, such as initial letters, head- and
               tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and
               linked it to the relevant pages of each magazine edition. As a dynamic structure, a
               scholarly website is always in process; Phase One of The Yellow Nineties Online
               (2010-2015) is completed and Phase Two (2016-2021) is underway. </p>
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         <head><title level="a">KENNETH GRAHAME (1859-1932)</title></head>

         <div type="bio1">
            <p>Kenneth Grahame was born in <placeName type="city">Edinburgh</placeName>, <placeName
                  type="country">Scotland</placeName>, in 1859. His mother died when he was young
               and, because his father drank heavily and was therefore unable to care for his
               children, Grahame and his three siblings were raised by their maternal grandmother at
                  <placeName type="city">Cookham Dene</placeName>, <placeName type="country"
                  >England</placeName>. These early years on the shores of the <placeName
                  type="water">Thames</placeName> provided lasting inspiration for the author’s
               essays and fiction.</p>
            <p>Grahame was educated at <placeName type="school">St. Edward’s School</placeName>,
                  <placeName type="city">Oxford</placeName>. Though he clearly longed to spend his
               life immersed in tranquil studies at the <placeName type="school">University of
                  Oxford</placeName>, in <date>1878</date> limited finances obliged him to move to
                  <placeName type="city">London</placeName> and take a post with the <placeName
                  type="business">Bank of England</placeName>.</p>
            <p>The extent to which Grahame’s spirit chafed at the din and congestion of the imperial
               metropolis is clear in his first recorded publication, the prose sketch “By a
               Northern Furrow,” which appeared in the <emph rend="italic">St. James's
                  Gazette</emph> in <date>1888</date>. It is also powerfully manifested in his first
               collection of essays, <emph rend="italic">Pagan Papers</emph> (<date>1893</date>),
               the frontispiece of which <ref target="#ABE">Aubrey Beardsley</ref> (1872-1898)
               designed. Deeply influenced by the work of <persName type="nonfictional">Robert Louis
                  Stevenson</persName> (1850-1894), <emph rend="italic">Pagan Papers</emph>’
               nostalgic vignettes celebrate the lingering remnants of ancient modes of life and
               acknowledge that those essential elements will soon be tarred over by crass modern
               progress.</p>
            <p>
               <emph rend="italic">Pagan Papers</emph> was published by <ref target="#JLA">John
                  Lane</ref> (1854-1925) at The Bodley Head and, a year later, Grahame showed up for
               the first time in Lane’s <emph rend="italic">Yellow Book</emph>. The <foreign
                  xml:lang="fr">fin de siècle</foreign> was, in fact, Grahame’s most productive
               literary period. In addition to publishing pieces in <emph rend="italic">The Yellow
                  Book</emph>,<emph rend="italic"> National Observer</emph>, and <emph rend="italic"
                  >St. James's Gazette</emph>, his story collections <emph rend="italic">The Golden
                  Age</emph> (<date>1895</date>) and <emph rend="italic">Dream Days</emph>
                  (<date>1898</date>) &#x2014; both issued by Lane &#x2014; were met with
               considerable acclaim. In all three of his 1890s volumes, there is a clear stylistic
               affinity with the decade’s jaundiced hues: <quote>“Summers sicken, flowers fail and
                  die, all beauty but rides round the ring and out at the portal” (<emph
                  rend="italic">Dream Days</emph>).</quote> Grahame married <persName type="nonfictional"
                  >Elspeth Thomson</persName> (1862-1946) in <date>1899</date>, a relationship that
               reputedly brought neither person much happiness.</p>
            
            <p>In <date>1908</date>, through a combination of ill health and financial ease, Grahame
               was at last able to retire from the <placeName type="business">Bank of
                  England</placeName> and return to his beloved upper <placeName type="water"
                  >Thames</placeName>. That year also saw the publication of <emph rend="italic">The
                  Wind in the Willows</emph>, a book that began as a series of bedtime stories for
               and letters to his only child, <persName type="nonfictional">Alastair</persName>
               (affectionately known as <persName type="nonfictional">Mouse</persName>). </p>
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            <caption>Kenneth Grahame. <emph rend="italic">Golden Age.</emph> London: John Lane, 1895. Cover.</caption>
         </div>
         <div type="bio2">
            <p>In <date>1916</date> Grahame edited <emph rend="italic">The Cambridge Book of Poetry
                  for Children.</emph> From that point onward, however, the rest is almost utter
               silence, as <persName type="nonfictional">Mouse</persName>’s untimely death in
                  <date>1920</date> appears to have broken Grahame’s spirit and stifled his creative
               drive. In <date>1932</date> Grahame passed away at his home in <placeName type="city"
                  >Pangbourne</placeName> and was buried in a quiet <placeName type="city"
                  >Oxford</placeName> churchyard. </p>
            <p>© 2010, Morgan Holmes </p>
            <p>Morgan Holmes holds a PhD in English from McGill University. The director of
               WordMeridian Communications in Toronto, his research and publication focus on early
               modern literature and culture, Victorian/Edwardian history, and current developments
               in post-secondary education and health-care policies and service delivery.</p>
            <listBibl>
               <head>Selected Publications by Grahame</head>
               <bibl> “Dies Iræ.” <emph rend="italic">The Yellow Book</emph>, Vol. 8 (Jan. 1896):
                  101-11.</bibl>
               <bibl>
                  <emph rend="italic">Dream Days</emph>. London: John Lane at the Bodley Head,
                  1898.</bibl>
               <bibl> “A Falling Out.” <emph rend="italic">The Yellow Book</emph>, Vol. 4 (Jan.
                  1895): 195-201.</bibl>
               <bibl>
                  <emph rend="italic">The Golden Age</emph>. London: John Lane at the Bodley Head,
                  1895.</bibl>
               <bibl> “The Headswoman.” <emph rend="italic">The Yellow Book</emph>, Vol. 3 (Oct.
                  1894): 25-47.</bibl>
               <bibl> “The Iniquity of Oblivion.” <emph rend="italic">The Yellow Book</emph>, Vol. 7
                  (Oct. 1895): 192-99.</bibl>
               <bibl> “The Inner Ear.” <emph rend="italic">The Yellow Book</emph>, Vol. 5 (April
                  1895): 73-76.</bibl>
               <bibl> Introduction. <emph rend="italic">The Cambridge Book of Poetry for
                     Children</emph>. Ed. Kenneth Grahame. New York: G.P. Putnam’s Sons,
                  1916.</bibl>

               <!--trying to figure out some mysterious spaces - from here...-->

               <bibl> Introduction. <emph rend="italic">The Cambridge Book of Poetry for
                     Children</emph>. Ed. Kenneth Grahame. New York: G.P. Putnam’s Sons,
                  1916.</bibl>

               <bibl> Introduction. <emph rend="italic">The Cambridge Book of Poetry for
                     Children</emph>. By George Sanger. London: J.M. Dent, 1926. </bibl>

               <bibl> Introduction. <emph rend="italic">The Cambridge Book of Poetry for
                     Children</emph>. By George Sanger. London: J.M. Dent, 1926. </bibl>

               <bibl> Introduction. <emph rend="italic">Gazette</emph>. Ed. Kenneth Grahame. New
                  York: G.P. Putnam’s Sons, 1916. </bibl>

               <!-- ...to here- mysterious spaces-->

               <bibl> Introduction. <emph rend="italic">Seventy Years a Showman</emph>. By George
                  Sanger. London: J.M. Dent, 1926. </bibl>
               <bibl> “Long Odds.” <emph rend="italic">The Yellow Book</emph>, Vol. 6 (July 1895):
                  78-86.</bibl>
               <bibl>
                  <emph rend="italic">Pagan Papers</emph>. London: John Lane at The Bodley Head,
                  1893.</bibl>
               <bibl> “The Roman Road.” <emph rend="italic">The Yellow Book</emph>, Vol. 2 (July
                  1894): 211-19. </bibl>
               <bibl> “To Rollo.” <emph rend="italic">The Yellow Book</emph>, Vol. 12 (Jan. 1897):
                  165-66. [Poem.]</bibl>
               <bibl>
                  <emph rend="italic">The Wind in the Willows</emph>. New York: C. Scribner’s &amp;
                  Sons, 1908.</bibl>
            </listBibl>
            <listBibl>
               <head>Selected Publications about Grahame</head>
               <bibl>Chalmers, Patrick Reginald. <emph rend="italic">Kenneth Grahame: Life, Letters
                     and Unpublished Work</emph>. London: Methuen, 1933.</bibl>
               <bibl> Graham, Eleanor. <emph rend="italic">Kenneth Grahame</emph>. London: Bodley
                  Head, 1963.</bibl>
               <bibl> Green, Peter. <emph rend="italic">Kenneth Grahame: A Biography</emph>. London:
                  John Murray, 1959.</bibl>
               <bibl> Kuznets, Lois R. <emph rend="italic">Kenneth Grahame</emph>. Boston: Twayne,
                  1987.</bibl>
               <bibl> Prince, Alison. <emph rend="italic">Kenneth Grahame: An Innocent in the Wild
                     Wood</emph>. London: Alison &amp; Busby, 1994.</bibl>
            </listBibl>
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