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                <title>The Dial, Volume V.&#8212;1893</title>
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                <editor>Lorraine Janzen Kooistra</editor>
                
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                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
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            <div n="DIALV5_20toc" type="tableOfContents">
            <head>
                <title level="a"><emph rend="bold">THE DIAL FOR MDCCCXCVII</emph></title>
            </head>
                
                <p><emph rend="italics">Full-page Illustrations </emph> <ref target="#DIALV5_2im">“THE INFANCY OF BACCHUS”</ref> AN ORI-<lb/>
                    <emph rend="indent3"></emph>GINAL LITHOGRAPH DRAWN ON THE STONE BY<lb/> 
                    <ref target="#CSH">C. H. SHANNON</ref>
                </p>
                
                <p><emph rend="indent3"></emph><ref target="#DIALV5_5im">“DECEMBER”</ref> AN ORIGINAL WOODCUT DESIGNED<lb/> 
                    <emph rend="indent3"></emph>AND CUT UPON THE WOOD BY<lb/> 
                    <ref target="#CSH">C. H. SHANNON</ref>
                </p>
                
                <p><emph rend="indent3"></emph><ref target="#DIALV5_7im">“THE DRESSING ROOM”</ref> FROM THE “STONE BATH<lb/> 
                    <emph rend="indent3"></emph>SERIES” A PAPER LITHOGRAPH BY<lb/>
                    <ref target="#CSH">C. H. SHANNON</ref>
                </p>
                
                <p><emph rend="indent3"></emph><ref target="#DIALV5_10im">“PAN ISLAND”</ref> AN ORIGINAL WOODCUT DESIGNED<lb/> 
                    <emph rend="indent3"></emph>AND CUT UPON THE WOOD BY<lb/> 
                    T. STURGE MOORE
                </p>
                
                <p><emph rend="indent3"></emph><ref target="#DIALV5_13im">“CENTAUR WITH A BOUGH”</ref> AND <ref target="#DIALV5_13im">“THE HARE MAKING</ref><lb/> 
                    <emph rend="indent3"></emph><ref target="#DIALV5_13im">CIRCLES IN HER MIRTH”</ref> BEING TWO ORIGINAL<lb/> 
                    <emph rend="indent3"></emph>WOODCUTS DRAWN AND CUT UPON THE WOOD BY<lb/> 
                    T. STURGE MOORE
                </p>
                
                <p><emph rend="indent3"></emph><ref target="#DIALV5_14im">“THE VISION OF KING JAMES THE FIRST OF SCOT-</ref><lb/> 
                    <emph rend="indent3"></emph><ref target="#DIALV5_14im">LAND”</ref> &#x2767; AFTER A PEN DESIGN BY<lb/> 
                    <ref target= "#CRI">C. RICKETTS</ref>
                </p>
                
                <p><emph rend="indent3"></emph><ref target="#DIALV5_16im">“PAN HAILING PSYCHE ACROSS THE RIVER”</ref> &#x2767;<lb/> 
                    <emph rend="indent3"></emph>AFTER A PEN DESIGN BY<lb/> 
                    <ref target= "#CRI">C. RICKETTS</ref>
                </p>
                
                <p><emph rend="indent3"></emph><ref target="#DIALV5_17im">“RUTH, ORPAH, AND NAOMI”</ref> AND <ref target="#DIALV5_17im">“RUTH THE</ref><lb/> 
                    <emph rend="indent3"></emph><ref target="#DIALV5_17im">GLEANER”</ref> BEING TWO ORIGINAL WOODCUTS DRAWN<lb/> 
                    <emph rend="indent3"></emph>AND CUT UPON THE WOOD BY<lb/> 
                    LUCIAN PIZZARRO. 
                </p>
                
                <p><emph rend="bold">CONTENTS</emph></p>
                
                <p><emph rend="indent3"></emph><ref target="#DIALV5_3po">“LA VIE ELARGIE”</ref> BY<lb/> 
                    <ref target="#EVE">EMILE VERHAEREN</ref>
                </p>
                
                <p><emph rend="indent3"></emph><ref target="#DIALV5_4pr">“OPEN THE DOOR, POSY”</ref> BY<lb/> 
                    <ref target="#LHA">LAURENCE HOUSMAN</ref>
                </p>
                
                <p><emph rend="indent3"></emph><ref target="#DIALV5_6po">“THE PHANTOM SEA-BIRD”</ref> BY<lb/> 
                    T. STURGE MOORE
                </p>
                
                <p><emph rend="indent3"></emph><ref target="#DIALV5_8pr">“THE FATE OF THE CROSS-WAYS”</ref> BY<lb/>
                    <ref target="#MFI">MICHAEL FIELD</ref>
                </p>
                
                <p><emph rend="indent3"></emph><ref target="#DIALV5_9po">“ST. IVES, CORNWALL”</ref> BY<lb/>
                    <ref target="#JGR">JOHN GRAY</ref>
                </p>
                
                <p><emph rend="indent3"></emph><ref target="#DIALV5_12pr">“THE CENTAUR”</ref> BY MAURICE DE GUERIN, TRANS-<lb/> 
                    <emph rend="indent3"></emph>LATED BY<lb/> 
                    T. STURGE MOORE
                </p>
                
                <p><emph rend="indent3"></emph><ref target="#DIALV5_11po">“LEDA”</ref> BY<lb/> 
                    <ref target="#JGR">JOHN GRAY</ref>
                </p>
                
                <p><emph rend="indent3"></emph><ref target="#DIALV5_15pr">“THE ART OF OUTAMARO”</ref> BY<lb/> 
                    CHARLES STURT
                </p>
                
                <p>THE <ref target="#DIALV5_1im">WRAPPER</ref> AND INITIAL LETTERPIECES IN THE TEXT<lb/> 
                    HAVE BEEN DESIGNED AND ENGRAVED ON THE WOOD BY<lb/> 
                    <ref target= "#CRI">CHARLES RICKETTS</ref>. THE TWO FULL PAGE PEN DESIGNS<lb/> 
                    MARKED ABOVE WITH A DEVICE HAVE BEEN REPRODUCED<lb/> 
                    BY MESSRS. <ref target="#CHE">HENTSCHEL</ref> AND BY THE SWAN ELECTRIC<lb/> 
                    ENGRAVING COMPANY. THE LITHOGRAPHS HAVE BEEN<lb/> 
                    PRINTED BY <ref target="#TRW">MR. THOMAS WAY</ref>.
                </p>
             
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