The Yellow Nineties Online The Dial, Volume V, 1897 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <p> <date>2020</date> </p> </editionStmt> <publicationStmt> <idno>DIALV5_icon6</idno> <publisher>The Yellow Nineties Online</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Charles Ricketts</editor> <editor>Charles Shannon</editor> <author>T. Sturge Moore</author> <title>Centaur with a Bough The Hare Making Circles in her Mirth The Vale Press London 1897 Moore, T. Sturge. "Centaur with a Bough" and "The Hare Making Circles in her Mirth." The Dial, vol. 5, 1897. Dial Digital Edition, edited by Lorraine Janzen Kooistra 2019-2020.The Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2019-2020. https://1890s.ca/dialv5-moore-centaur-hare-AD/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1897 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
Centaur with a Bough The Hare Making Circles in her Mirth DIALV5_icon6 DIALV5_icon6 Centaur with a Bough The Hare Making Circles in her Mirth T. Sturge Moore T. Sturge Moore DIALV5_13im 1897 In the middle of The Centaur between page 16 and page 17 unknown Illustration Original woodcuts outdoor setting exterior Nature meadow valley field hares rabbits trees mountains Centaur mythological figure Centaur with a Bough and The Hare Making Circles in her Mirth The two small rectangular woodcuts are centered vertically on the page. They are both printed in black ink, as are the heavy borders outlining each piece. The top image depicts a centaur holding a bough over his left shoulder. He stands facing the viewer, angled to the right, his face turned in profile over his right shoulder. His torso is naked, and his long hair hangs to his waist. The bough, which he holds with both hands, is abundant in foliage. In the left and right foreground are short bushes. He stands on a hill, behind which is another hill. In the left middleground, a tree grows between the two hills. Beyond them lie a dark forest and mountain peaks against a shaded sky. The bottom image depicts seven hares jumping in a meadow. The hare in the left foreground is the most prominent, and has its back to the viewer, its head turned in profile to the right. It sits on its hind legs in front of a small stream which extends the width of the picture plane. To its right, another hare, in profile facing left, jumps over the stream away from the viewer. Behind its body is a small bush. The extreme foreground is populated with small flowers and grasses. Behind these hares are rolling hills. In the distance, five more hares, surrounded in haloes of white, leap throughout the hills. Beyond them are mountain peaks shrouded in clouds.