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                <title>The Yellow Nineties Online</title>
                <title>The Dial, Volume IV, 1896</title>
                <title type="dialv4-ricketts-quair-AF"/>
                <editor>Lorraine Janzen Kooistra</editor>
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                    <date>2020</date>
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                        <editor>Charles Ricketts</editor>
                        <editor>Charles Shannon</editor>
                        <author>Charles Ricketts</author>
                        <title>An Illustration to the King’s Quair</title>
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                            <publisher>The Vale Press</publisher>
                            <pubPlace>London</pubPlace>
                            <date>1896</date>
                            <biblScope>Ricketts, Charles. "An Illustration to the King’s Quair." <emph rend="italic">The
                                Dial</emph>, vol. 4, 1896. <emph rend="italic">Dial Digital Edition,</emph>
                                edited by Lorraine Janzen Kooistra, 2019-2020. <emph rend="italic">Yellow Nineties 2.0,</emph> 
                                Ryerson University Centre for Digital Humanities, 2020. 
                                https://1890s.ca/dialv4-ricketts-quair-AF/</biblScope>
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                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
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                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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                        <title>An Illustration to the King’s Quair</title>
                        <rs>DIALV4_icon8</rs>
                        DIALV4_icon8 
                        An Illustration to the Kings Quair  
                        Charles Ricketts 
                        Walker and Boutall 
                        DIALV4_15im 
                        1896 
                        In the middle of The Writing on the Wall between page 24 and page 25 
                        unknown 
                        Illustration
                        Pen and ink drawing
                        fantastic fantastic outdoor setting exterior boat ship rocks water figure mythological figure male figure female figure laurel wreath lance arrow torch shield roses branch
                    </note>
                    <head>An Illustration to the King’s Quair</head>
                    <figDesc>The reproduction of a pen drawing is a diptych printed in landscape orientation. 
                        The illustrations depict scenes from The Kingis Quair, a poem attributed to King James I of Scotland. 
                        Both images are printed in black ink with a thin double outline and appear to be rotated 90 degrees to the 
                        left. Image 1, on the left, shows three figures in a landscape of swirling water and standing stones. Two 
                        of the figures stand on the edge of a cliff in the foreground, while one floats horizontally above them, 
                        facing towards the right. The standing figures lean towards the right, as if travelling in that direction, 
                        but are looking backward, facing left in profile. The leftmost figure, a woman, wears flowing robes and a 
                        laurel wreath encircles her long hair. She carries a shield in her left hand and long horn in her right. 
                        Beside her, on the right, is a winged male youth wearing a tunic. He holds a lance in his left hand and a 
                        sheaf of arrows in his right. A garland of roses is draped over his right side. Above them floats a female 
                        figure wearing a star-spangled robe, whose long hair flows behind her. She holds a torch in her left hand; 
                        the fire extends above and over her body, coming to a point on the left side of the image plane. Behind the 
                        figures, swirling water rises up in waves against large standing stones rise above their heads, nearly 
                        reaching the top of the frame, and recede into the background. Above them are a few clouds. 
                        
                        Image 2, on the right, shows a fantastic landscape with five figures. In the extreme foreground an attenuated 
                        robed figure lies partially in water, grasping the right hand of a woman who bends forward to raise him up onto 
                        land. His eyes are closed and his face tilts up towards the woman. The dark-haired woman wears a long dress and 
                        flowers in her hair. She holds a leafy branch in her left hand. Behind them, the water is depicted in large, 
                        swirling waves, out of which rises a man standing in a small, wooden boat. He wears long robes and raises both 
                        arms to the sky with his back to the viewer. On the extreme sides of the frame are tall, standing rocks, and 
                        smaller, dark-coloured rocks recede into the background. The rocks are the same standing rocks from the left 
                        image. In the centre background, in the sky, are two figures encircled by clouds and a series of concentric 
                        circles. The figures are a young male who is held by a long-haired woman whose draped robes partially cover 
                        both of their bodies. The standing man in the middleground of the image reaches towards them.
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