Yellow Nineties 2.0 The Dial, Volume IV.—1896 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <edition> <date>2020</date> </edition> </editionStmt> <publicationStmt> <idno>DIALV4_toc</idno> <publisher>Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Charles Ricketts</editor> <editor>Charles Shannon</editor> <author>Unknown</author> <title>Contents L. Hacon and C. Ricketts London 1896 Unknown. "Contents." The Dial, vol. 4, 1896. Dial Digital Edition, edited by Lorraine Janzen Kooistra, 2019-2020. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2020. https://1890s.ca/dialv3-gray-hymn/

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 1896 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Paratext Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Periodical Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Literature Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
<emph rend="bold"><emph rend="indent3">THE DIAL IV MDCCCXCVI ART CONTENTS</emph></emph>

“DELIA” AN ORIGINAL LITHOGRAPH DRAWN UPON THE STONE BYCHARLES H. SHANNON

“A STUDY OF MICE” ❧AFTER A SILVERPOINT DRAWING BY CHARLES H. SHANNON

“ATALANTA” AN ORIGINAL LITHOGRAPH DRAWN UPON THE STONE BYCHARLES H. SHANNON

“LE PETIT CHAPERON ROUGE” AN ORIGINAL WOODCUT DESIGNED AND CUT ON THE WOOD BY LUCIEN PISSARRO

“DEATH OF THE DRAGON”AN ORIGINAL WOODCUT DESIGNED AND CUT ON THE WOOD BY T. STURGE MOORE

“BABY GIANTS” AN ORIGINAL WOODCUT DESIGNED AND CUT ON THE WOOD BY T. STURGE MOORE

“AN ILLUSTRATION TO THE KING'S QUAIR”❧AFTER A DESIGN BYCHARLES RICKETTS

TWO PAGES OF THE VALE TYPE (WITH INITIAL) DESIGNED BYCHARLES RICKETTS

“WOTAN AND LOGI DEPART IN SEARCH OF THE REINGOLD” ❧AFTER A PEN DRAWING BYREGINALD SAVAGE

CONTENTS

'THE FLYING FISH" A POEM BY JOHN GRAY "EN ROUTE" AN ARTICLE  BY JOHN GRAY "A PRAYER TO VENUS" A POEM  BY T. STURGE MOORE "THE BEAUTIES OF NATURE" BY  JOHN GRAY "A SONNET" BY  MICHAEL FIELD "THE WRITING ON THE WALL" BY W. DELAPLAINE SCULL "BATTLEDORE" TWO POEMS BY JOHN GRAY

THE WRAPPER AND INITIAL LETTERPIECES IN THE TEXT HAVE BEEN DESIGNED AND ENGRAVED ON THE WOOD BY CHARLES RICKETTS. THE THREE FULL PAGE ILLUSTRATIONS MARKED ABOVE WITH A DEVICE HAVE BEEN REPRODUCED, THE FIRST BY THE SWAN ELECTRIC ENGRAVING COMPANY THE SECOND AND THIRD BY MESSRS. WALKER AND BOU- TALL. THE LITHOGRAPHS HAVE BEEN PRINTED BY MR. THOMAS WAY.