Yellow Nineties 2.0 The Dial, Volume III.—1893 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <edition> <date>2020</date> </edition> </editionStmt> <publicationStmt> <idno>DIALV3_1toc</idno> <publisher>Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Charles Ricketts</editor> <editor>Charles Shannon</editor> <author>Unknown</author> <title>The Dial No III MDCCCXCIII Published by The Editors in the Vale Chelsea London 1893 "The Dial No III MDCCCXCIII" The Dial vol. 3, 1893, p. [iii]. Dial Digital Edition, edited by Lorraine Janzen Kooistra, 2019-2020. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2020. https://1890s.ca/dialv3-toc-combined/

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1893 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Paratext Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Periodical Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Literature Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
<emph rend="bold">THE DIAL NO III MDCCCXCIII</emph>

Full-page Illustrations “CENTAURS” AN EXPERIMENT IN LINE DESIGNED BY REGINALD SAVAGE DRAWN AND ENGRAVED ON THE WOOD BY CHARLES S. RICKETTS

“A ROMANTIC LANDSCAPE” AN ORIGINAL LITHO- GRAPH DRAWN UPON THE STONE BY CHARLES HAZELWOOD SHANNON

“PHÆDRA AND ARIADNE”,—“AND YOU WILL SEE ARIADNE GAZING AT HER SISTER PHÆDRA WHO HANGS BY A ROPE” PAUSANIAS ❧ A REPRO- DUCTION OF A PEN DRAWING BY CHARLES RICKETTS

“WHITE NIGHTS” AN ORIGINAL LITHOGRAPH BY CHARLES SHANNON

“PAN MOUNTAIN” AN ORIGINAL WOODCUT DE- SIGNED AND ENGRAVED ON THE WOOD BY T. STURGE MOORE

“IN THE THEBAID” AN ILLUSTRATION TO A POEM “THE SPHINX” BY OSCAR WILDE TO BE PUBLISHED AT THE SIGN OF THE BODLEY HEAD ❧ A REPRO- DUCTION OF A PEN DRAWING BY CHARLES RICKETTS

AN INTRUDER” AN ORIGINAL LITHOGRAPH DRAWN UPON THE STONE BY CHARLES SHANNON

“SOLITUDE” AN ORIGINAL WOODCUT DRAWN AND ENGRAVED ON THE WOOD BY LUCIEN PISSARRO

“THE TOPMOST APPLE” AN ORIGINAL WOODCUT FROM THE VALE EDITION OF DAPHNIS AND CHLOE DESIGNED AND ENGRAVED ON THE WOOD BY CHARLES SHANNON

“THE LOTOS-EATERS” ❧ A REPRODUCTION OF A PEN DRAWING BY REGINALD SAVAGE

CONTENTS

“DANAE” BY T. STURGE MOORE

“A NOTE ON GUSTAVE MOREAU” BY CHARLES R. STURT

“SOME SHADOWS OF A THOUGHT” “SONNET AFTER RONSARD” “THE PIMPERNEL”  “ENFANCE” AND “THROUGH A CHILDS EYES” AFTER RIMBAUD “CHORUS OF GREEK GIRLS” BY T. STURGE MOORE

“GARTH WILKINSON” BY JOHN GRAY

“OLD KITTY” BY T. STURGE MOORE

“A HYMN TRANSLATED FROM THE ITALIAN OF ST FRANCIS OF ASSISI” BY JOHN GRAY

THE WRAPPER AND INITIAL LETTERPIECES IN THE TEXT HAVE BEEN DESIGNED AND ENGRAVED ON THE WOOD BY CHARLES RICKETTS. THE SMALL WOODCUT ON PAGE 20 IS BY T. STURGE MOORE. THREE FULL PAGE ILLUSTRATIONS MARKED ABOVE WITH A DEVICE HAVE BEEN REPRODUCED BY MESSRS. WALKER AND BOUTALL

PERSONAL NOTE “POEMS DRAMATIC AND LYRICAL” THE PLATE FACING PAGE 200 AND APPEARING TO ILLUSTRATE THE POEM “THE PRODIGAL (AFTER ALBERT DURER)” WAS DONE AS AN ILLUSTRATION TO A DIFFERENT POEM BY LORD DE TABLEY ON THE SAME SUBJECT “THE PRODIGAL” PAGE 189 “RE- HEARSALS.” THROUGH INADVERTENCE NO MEN- TION WAS MADE OF THIS MISTAKE IN THE SECOND EDITION OF “POEMS DRAMATIC AND LYRICAL”