The Yellow Nineties Online The Dial, Volume III, 1893 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <p> <date>2020</date> </p> </editionStmt> <publicationStmt> <idno>DIALV3_icon9</idno> <publisher>The Yellow Nineties Online</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Charles Ricketts</editor> <editor>Charles Shannon</editor> <author>Lucien Pissarro</author> <title>Solitude Published by The Editors in the Vale Chelsea London 1893 Pissarro, Lucien. "Solitude." The Dial, vol. 3, 1893. Dial Digital Edition, edited by Lorraine Janzen Kooistra, 2019-2020. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2020. https://1890s.ca/dialv3-pissarro-solitude-AG/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1893 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
Solitude DIALV3_icon9 DIALV3_icon9 Solitude Lucien Pissarro Lucien Pissarro DIALV3_15im 1893 In the middle of Garth Wilkinson between page 24 and page 25 unknown Figure in landscape Woodcut 19th century France rural France outdoor setting exterior day rural hill farmland town barn trees cloud human figure person female figure woman dress book Solitude The black-and-white woodcut is centred on the page within a heavy black rectangular border. In the foreground is a dark-haired woman seated on a hill, reading. She holds a book in her lap with her left hand while her right hand supports her forehead as she looks down upon the page. She’s wearing a plain dress with a ruffled collar and puffed sleeves. She’s seated upon a grassy knoll scattered with flowers. Behind and below the figure is a rural village made up of small buildings with white walls and dark rooftops with chimneys. In the background, beyond the village, is a terraced hill occasionally interspersed with trees and clouds behind. On the furthest hill sits a solitary barn.