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                <title>The Dial, Volume III.&#8212;1893</title>
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                <editor>Lorraine Janzen Kooistra</editor>
                
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                        <editor>Charles Ricketts</editor>
                        <editor>Charles Shannon</editor>
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                        <title>Contents</title>
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                            <publisher>Published by The Editors in the Vale Chelsea</publisher>
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                            <date>1893</date>
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                                <emph rend="italics">Dial Digital Edition,</emph>
                                edited by Lorraine Janzen Kooistra, 2019-2020. <emph rend="italics">Yellow Nineties 2.0,</emph> Ryerson University Centre for Digital Humanities, 2020. https://1890s.ca/dialv3-2toc/
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                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
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                    completed and Phase Two (2016-2021) is underway. </p>
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            <div n="DIALV3_2toc" type="tableOfContents">
            <head>
                <title level="a"><emph rend="bold">CONTENTS</emph></title>
            </head>
                
                <p><emph rend="indent3"><ref target="#DIALV3_4po">“DANAE”</ref> BY</emph><lb/> 
                    T. STURGE MOORE
                </p>
                
                <p><emph rend="indent3"><ref target="#DIALV3_7pr">“A NOTE ON GUSTAVE MOREAU”</ref> BY</emph><lb/> 
                    CHARLES R. STURT
                </p>
                
                <p><emph rend="indent3"><ref target="#DIALV3_10po">“SOME SHADOWS OF A THOUGHT”</ref>&#xa0;<ref target="#DIALV3_10apo">“SONNET AFTER</ref></emph><lb/>
                    <emph rend="indent3"><ref target="#DIALV3_10apo">RONSARD”</ref>&#xa0;<ref target="#DIALV3_10bpo">“THE PIMPERNEL”</ref>&#xa0; <ref target="#DIALV3_12po">“ENFANCE”</ref> AND</emph><lb/>
                    <emph rend="indent3"><ref target="#DIALV3_12apo">“THROUGH A CHILDS EYES”</ref> AFTER RIMBAUD</emph><lb/>
                    <emph rend="indent3"><ref target="#DIALV3_12bpo">“CHORUS OF GREEK GIRLS”</ref> BY</emph><lb/> 
                    T. STURGE MOORE
                </p>
                
                <p><emph rend="indent3"><ref target="#DIALV3_14pr">“GARTH WILKINSON”</ref> BY</emph><lb/> 
                    <ref target="#JGR">JOHN GRAY</ref>
                </p>
                
                <p><emph rend="indent3"><ref target="#DIALV3_17pr">“OLD KITTY”</ref> BY</emph><lb/>
                    T. STURGE MOORE
                </p>
                
                <p><emph rend="indent3"><ref target="#DIALV3_19po">“A HYMN TRANSLATED FROM THE ITALIAN OF</ref></emph><lb/> 
                    <emph rend="indent3"><ref target="#DIALV3_19po">ST FRANCIS OF ASSISI”</ref> BY</emph><lb/> 
                    <ref target="#JGR">JOHN GRAY</ref>
                </p>
                
                <p><emph rend="indent3"><ref target="#DIALV3_1im">THE WRAPPER</ref> AND INITIAL LETTERPIECES IN THE</emph><lb/> 
                    <emph rend="indent3">TEXT HAVE BEEN DESIGNED AND ENGRAVED ON</emph><lb/> 
                    <emph rend="indent3">THE WOOD BY <ref target= "#CRI">CHARLES RICKETTS</ref>. <ref target="#DIALV3_12bpo">THE SMALL</ref></emph><lb/> 
                    <emph rend="indent3"><ref target="#DIALV3_12bpo">WOODCUT ON PAGE 20</ref> IS BY T. STURGE MOORE.</emph><lb/> 
                    <emph rend="indent3">THREE FULL PAGE ILLUSTRATIONS MARKED ABOVE</emph><lb/> 
                    <emph rend="indent3">WITH A DEVICE HAVE BEEN REPRODUCED BY</emph><lb/> 
                    <emph rend="indent3">MESSRS. WALKER AND BOUTALL</emph><lb/>
                </p>
                    
                    <lb/>
                      
                <p>PERSONAL NOTE<lb/> 
                    <emph rend="indent3">“POEMS DRAMATIC AND LYRICAL” THE PLATE</emph><lb/> 
                    <emph rend="indent3">FACING PAGE 200 AND APPEARING TO ILLUSTRATE</emph><lb/> 
                    <emph rend="indent3">THE POEM “THE PRODIGAL (AFTER ALBERT</emph><lb/> 
                    <emph rend="indent3">DURER)” WAS DONE AS AN ILLUSTRATION TO A</emph><lb/> 
                    <emph rend="indent3">DIFFERENT POEM BY LORD DE TABLEY ON THE</emph><lb/> 
                    <emph rend="indent3">SAME SUBJECT “THE PRODIGAL” PAGE 189 “RE-</emph><lb/> 
                    <emph rend="indent3">HEARSALS.” THROUGH INADVERTENCE NO MEN-</emph><lb/> 
                    <emph rend="indent3">TION WAS MADE OF THIS MISTAKE IN THE SECOND</emph><lb/> 
                    <emph rend="indent3">EDITION OF “POEMS DRAMATIC AND LYRICAL”</emph> 
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