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            <author>Ruth Knechtel</author>
            <editor>Lorraine Janzen Kooistra</editor>
            <editor>Dennis Denisoff </editor>
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               <date>2019</date>
               <note>first published 2010</note>
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            <pubPlace>Ryerson University</pubPlace>
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                  <editor>Dennis Denisoff and Lorraine Janzen Kooistra </editor>
                  <author>Ruth Knechtel</author>
                  <title>Ella D'Arcy (1851-1939)</title>
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                     <note>first published 2010</note>
                     <biblScope>Knechtel, Ruth. "Ella D'Arcy (1851-1939),"<emph rend="italic">Y90s
                           Biographies</emph>, 2010.<emph rend="italic"
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               collaborative processes that have specific manifestations at precise historical
               moments. The Yellow Nineties Online publishes facsimile editions of a select
               collection of fin-de- siècle aesthetic periodicals, together with paratexts of
               production and reception such as cover designs, advertising materials, and reviews.
               This historical material is enhanced by two kinds of peer-reviewed scholarly
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               introductions to each title and volume by experts in the field. All scholarly
               material on the site is vetted by the editor(s) and peer- reviewed by them and/or an
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               ensure maximum flexibility for users, magazines are available on the site as virtual
               objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
               downloading and collecting; and in XML for those who wish to review and/or adapt our
               tag sets. In order to make ornamental devices, such as initial letters, head- and
               tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and
               linked it to the relevant pages of each magazine edition. As a dynamic structure, a
               scholarly website is always in process; Phase One of The Yellow Nineties Online
               (2010-2015) is completed and Phase Two (2016-2021) is underway.</p>
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            <title level="a">ELLA D'ARCY (1851-1939)</title>
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            <p>Ella D’Arcy was born in <placeName type="city">London</placeName> in
                  <date>1851</date> to Irish parents and educated in <placeName type="country"
                  >Germany</placeName> and <placeName type="country">France</placeName>. Initially,
               D’Arcy studied to become a visual artist but problems with her eyesight lead her to
               turn to fiction writing as an alternative. Before her appearance in <emph
                  rend="italic">The Yellow Book</emph>’s first volume, D’Arcy had published some of
               her work in <persName type="nonfictional">Charles Dickens</persName>’s <emph
                  rend="italic">All the Year Round</emph>, as well as in <emph rend="italic"
                  >Blackwood’s Magazine</emph> and <emph rend="italic">Temple Bar</emph>.</p>
            <p>Previous publishers had refused to publish D’Arcy’s short story “<ref
                  target="#YBV1_12pr">Irremediable</ref>” because they felt her treatment of
               marriage was inappropriate. Her story, which describes the dire reality of a loveless
               marriage from the male perspective, lead the editor of <emph rend="italic"
                  >Blackwood’s</emph> to insist that <q>“marriage was a sacrament and should not be
                  treated so summarily”</q> (Mix 234). Her fiction style won acclaim, however, from
                  <ref target="#HHA">Henry Harland</ref> (1861-1905) and <emph rend="italic"> The
                  Yellow Book</emph> circle. She worked with Harland as assistant editor for the
               periodical’s three-year run. D’Arcy was also a long-time friend of the writer <ref
                  target="#CME">Charlotte Mew</ref> (1869-1928), a<emph rend="italic"> Yellow
                  Book</emph> contributor herself, who was in love with D’Arcy.</p>
            <p>Both D’Arcy’s style and subject matter were ground-breaking, challenging traditional
               morality as much as conventional narrative styles. Her writing also questioned the
               standard representations of women. Of her place in English fiction, <persName
                  type="nonfictional">William C. Frierson</persName> has said that “<q>the intimate
                  and unromantic detail which characterized her presentations forecast the
                  unsentimental analyses of the late English realists</q>” (qtd. in Mix 235). In
                  <date>1895</date>, D’Arcy saw the publication of her first collection of short
               stories, <emph rend="italic">Monochromes</emph>. This was followed in
                  <date>1898</date> by another entitled <emph rend="italic">Modern Instances</emph>.
               She published the novel <emph rend="italic">The Bishop’s Dilemma</emph> that same
               year. D’Arcy also translated <persName type="nonfictional">André Maurois</persName>’s
               biography of <persName type="nonfictional">Percy Bysshe Shelley</persName>, <emph
                  rend="italic">Ariel</emph>, into English. D’Arcy died in 1939. </p>
            <p> © 2010, Ruth Knecthel </p>
            <p>Ruth Knechtel completed her Doctorate at York University in Toronto. She has
               published in <emph rend="italic">English Literature in Transition</emph> and <emph
                  rend="italic">Victorians Institute Journal</emph>. In addition, Ruth is in the
               process of building <emph rend="italic">The New Woman Online</emph>, a searchable
               environment including rare documents related to the concept of nineteenth and
               twentieth century womanhood. Currently, she teaches at the University of
               Manitoba.</p>
            <!-- update author bio? -->
            <listBibl>
               <head>Selected Publications by D’Arcy</head>
               <bibl><emph rend="italic">The Bishop’s Dilemma</emph>. London: John Lane at The
                  Bodley Head, 1898.</bibl>
               <bibl> “The Death Mask.” <emph rend="italic">The Yellow Book</emph> , Vol. 10 (July
                  1896): 265-74.</bibl>
               <bibl>
                  <emph rend="italic">Ella D'Arcy: Some Letters to John Lane</emph>. Ed. Alan
                  Anderson. Edinburgh: Tragara, 1990.</bibl>
               <bibl> “An Engagement.” <emph rend="italic">The Yellow Book</emph>, Vol. 8 (Jan.
                  1896): 379-406.</bibl>
               <bibl> “In Normandy.” <emph rend="italic">Temple Bar</emph> 130.529 (Dec. 1904):
                  690-712. </bibl>
               <bibl> “Irremediable.” <emph rend="italic">The Yellow Book</emph>, Vol. 1 (April
                  1894): 87-108. </bibl>
               <bibl> “A Marriage.” <emph rend="italic">The Yellow Book</emph>, Vol. 11 (Oct. 1896):
                  309-42.</bibl>
               <bibl>
                  <emph rend="italic">Modern Instances</emph>. London: John Lane at The Bodley Head,
                  1898.</bibl>
               <bibl>
                  <emph rend="italic">Monochromes</emph>. London: John Lane at The Bodley Head;
                  Boston: Roberts Bros.,1895.</bibl>
               <bibl> “The Pleasure-Pilgrim.”<emph rend="italic"> The Yellow Book</emph>, Vol. 5
                  (April 1895): 34-67.</bibl>
               <bibl> “Poor Cousin Louis.” <emph rend="italic">The Yellow Book</emph>, Vol. 2 (July
                  1894): 34-59.</bibl>
               <bibl> “Sir Julian Garve.” <emph rend="italic">The Yellow Book</emph>, Vol. 13 (Apr.
                  1897): 291-307.</bibl>
               <bibl> “At Twickenham.” <emph rend="italic">The Yellow Book</emph>, Vol. 12 (Jan.
                  1897): 313-32.</bibl>
               <bibl> “The Villa Lucienne.”<emph rend="italic"> The Yellow Book</emph>, Vol. 10
                  (July 1896): 274-85.</bibl>
               <bibl> “The Web of Maya.” <emph rend="italic">The Yellow Book</emph>, Vol. 6 (Oct.
                  1895): 291-318.</bibl>
               <bibl> “White Magic.” <emph rend="italic">The Yellow Book</emph>, Vol. 3 (Oct. 1894):
                  59-68.</bibl>
               <bibl> "Yellow Book Celebrities." Ed. Benjamin Franklin. <emph rend="italic">English
                     Literature in Transition (1880- 1920)</emph> 37.1 (1994): 33-37. </bibl>
            </listBibl>
            <listBibl>
               <head>Selected Publications about D’Arcy</head>
               <bibl>Beckson, Karl. “Ella D'Arcy, Aubrey Beardsley and the Crisis at The Yellow
                  Book: A New Letter.” <emph rend="italic">Notes and Querie</emph>s 26 (1979):
                  331-33.</bibl>
               <bibl> Fisher, Benjamin Franklin. “The American Reception of Ella D'Arcy.” <emph
                     rend="italic">Victorian Periodicals Review</emph> 28.3 (Fall 1995):
                  232-48.</bibl>
               <bibl> ---. “Christianity in the Fiction of Ella D'Arcy.” <emph rend="italic">Xavier
                     Review</emph> 15.2 (1995): 29-37.</bibl>
               <bibl> ---. “Ella D’Arcy Reminisces,” <emph rend="italic">English Literature in
                     Transition </emph>(1880-1920). 37.1 (1994): 28-32.</bibl>
               <bibl> Fisher, Benjamin Franklin, and Michael P. Dean, eds. “Ella D'Arcy, First Lady
                  of the Decadents.” <emph rend="italic">University of Mississippi Studies in
                     English</emph> 10 (1992): 238- 49.</bibl>
               <bibl> Maier, Sarah E. “Subverting the Ideal: The New Woman and the Battle of the
                  Sexes in the Short Fiction of Ella D'Arcy.” <emph rend="italic">Victorian
                     Review</emph> 20.1 (Summer 1994): 35-48. </bibl>
               <bibl> Mix, Katherine Lyon. <emph rend="italic">A Study in Yellow: The Yellow Book
                     and its Contributors</emph>. London: Constable, 1960. </bibl>
               <bibl> Stetz, Margaret D. “Turning Points: Ella D'Arcy.” <emph rend="italic"
                     >Turn-of-the-Century Women </emph>3.1 (Summer 1986): 1-14.</bibl>
               <bibl> Stetz, Margaret D. and Mark Samuels Lasner. <emph rend="italic">The Yellow
                     Book: A Centenary Exhibition</emph>. Cambridge: The Houghton Library,
                  1994.</bibl>
               <bibl> Windholz, Anne M. “The Woman Who Would Be Editor: Ella D'Arcy and the Yellow
                  Book.” <emph rend="italic">Victorian Periodicals Review</emph> 29.2 (Summer 1996):
                  116-30.</bibl>
               <bibl>See also: Fisher, Benjamin Franklin. “Ella D'Arcy: A Commentary with a Primary
                  and Annotated Secondary Bibliography.” <emph rend="italic">English Literature in
                     Transition (1880-1920) </emph>35.2 (1992): 179-211.</bibl>
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