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                <title>Yellow Nineties 2.0</title>
                <title>The Yellow Book: An Illustrated Quarterly, Volume 6 July 1895</title>
                <title type="YBV6_watson_golden"/>
                <editor>Lorraine Janzen Kooistra</editor>
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                    <date>2020</date>
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                <idno>YBV6_9po</idno>
                <publisher>Yellow Nineties 2.0</publisher>
                <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
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               <addrLine>English Department</addrLine>
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               <addrLine>Toronto ON,</addrLine>
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                        <editor>
                            <persName>Henry Harland</persName>
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                        <author>Rosamund Marriott Watson</author>
                        <title>The Golden Touch</title>
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                            <publisher>John Lane</publisher>
                            <pubPlace>London</pubPlace>
                            <publisher>Copeland &amp; Day</publisher>
                            <pubPlace>Boston</pubPlace>
                            <date>July 1895</date>
                            <biblScope>Marriott Watson, Rosamund [Rosamund Ball]. "The Golden
                                Touch." <emph rend="italic">The Yellow Book</emph>, vol. 6, July 1895, p.
                                77. <emph rend="italic">Yellow Book Digital Edition</emph>, edited by
                                Dennis Denisoff and Lorraine Janzen Kooistra, 2010-2014.
                                <emph rend="italic">Yellow Nineties 2.0</emph>, 
                                Ryerson University Centre for Digital Humanities,
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                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
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                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
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                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
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                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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                <date>1895</date>
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                            Collection, Leisure, Periodical, Visual Art, Criticism, Letters,
                            Philosophy, Translation, Drama, Life Writing, Photograph, Travel,
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                <pb n="87"/>
                <head><title level="a">The Golden Touch</title></head>

                <byline>By <docAuthor><ref target="#RBA">Rosamund Marriott
                    Watson</ref></docAuthor></byline>
                <lg type="stanza">
                    <l>THE amber dust of sunset fills </l>
                    <l>The limits of my narrow room, </l>
                    <l>And every sterile shadow thrills </l>
                    <l>To golden hope, to golden bloom.</l>
                </lg>
                <lg type="stanza">
                    <l>Sweet through the splendour, shrill and sweet, </l>
                    <l>Somewhere a neighbouring cage-bird sings, </l>
                    <l>Sings of the Spring in this grey street </l>
                    <l>While golden glories gild his wings.</l>
                </lg>
                <lg type="stanza">
                    <l>Clothed with the sun he breaks to song&#x2014; </l>
                    <l>In vague remembrance, deep delight&#x2014; </l>
                    <l>Of dim green worlds, forsaken long, </l>
                    <l>Of leaf-hung dawn and dewy night.</l>
                </lg>
                <lg type="stanza">
                    <l>My prisoning bars, transfigured too, </l>
                    <l>Fade with the day, forsworn, forgot&#x2014; </l>
                    <l>Melt in a golden mist&#x2014;and you </l>
                    <l>Are here, although you know it not.</l>
                </lg>
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