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                <title>The Yellow Nineties Online</title>
                <title>The Yellow Book: An Illustrated Quarterly, Volume 6 July 1895</title>
                <title type="YBV6_table_of_contents"/>
                <editor>Lorraine Janzen Kooistra</editor>
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                <p>
                    <date>2020</date>
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                <idno>YBV6_2toc</idno>
                <publisher>Yellow Nineties 2.0</publisher>
                <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
                <address>
               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
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                            <persName>Henry Harland</persName>
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                        <title>Table of Contents</title>
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                            <publisher>John Lane</publisher>
                            <pubPlace>London</pubPlace>
                            <publisher>Copeland &amp; Day</publisher>
                            <pubPlace>Boston</pubPlace>
                            <date>July 1895</date>
                            <biblScope>"Contents." <emph rend="italic">The Yellow Book</emph> vol. 6,
                                July 1895, n. pag. <emph rend="italic">Yellow Book
                                     Digital Edition</emph>, edited by Dennis Denisoff and Lorraine Janzen Kooistra, 2010-2014.
                                <emph rend="italic">Yellow Nineties 2.0</emph>, 
                                Ryerson University Centre for Digital Humanities, 2020. 
                                https://1890s.ca/YBV6_toc/
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                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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            <div n="YBV6_2toc" type="tableOfContents">
                <pb n="5"/>
                <head><title level="a">Contents</title></head>
                <p> Literature</p>

                <p>I. <ref target="#YBV6_5pr">The Next Time </ref> . . By <ref target="#HJA">Henry
                        James </ref> . . <emph rend="italic">Page</emph> 11<lb/> II. <ref
                        target="#YBV6_6po">Earth's Complines </ref> . . <ref target="#CDO">Charles
                        G.D. Roberts </ref> . 60<lb/> III. <ref target="#YBV6_8pr">Tirala-tirala
                    </ref> . . . <ref target="#HHA">Henry Harland </ref> . . 65<lb/> IV. <ref
                        target="#YBV6_9po">The Golden Touch </ref> . <ref target="#RBA">Rosamund
                        Marriott Watson </ref> 77<lb/> V. <ref target="#YBV6_10pr">Long Odds </ref>
                    . . . <ref target="#KGR">Kenneth Grahame </ref> . . 78<lb/> VI. <ref
                        target="#YBV6_12pr">A Letter Home </ref> . . <ref target="#EBE">Enoch Arnold
                        Bennett </ref> . 93<lb/> VII. <ref target="#YBV6_13pr">The Captain's Book
                    </ref> . <ref target="#GEG">George Egerton </ref> . . 103<lb/> VIII. <ref
                        target="#YBV6_15po">A Song </ref> . . . . <ref target="#DRA">Dollie Radford
                    </ref> . . . 121<lb/> IX. <ref target="#YBV6_16pr">A New Poster </ref> . . <ref
                        target="#ESH">Evelyn Sharp </ref> . . . 123<lb/> X. <ref target="#YBV6_18pr"
                        >An Appreciation of Ouida </ref>
                    <ref target="#GSL">G.S. Street</ref> . . . 167<lb/> XI. <ref target="#YBV6_19po"
                        >Justice </ref> . . . . <ref target="#RGAR">Richard Garnett</ref>, LL.D.,
                    C.B. . . . . 177<lb/> XII. <ref target="#YBV6_20pr">Lilla </ref> . . . . <ref
                        target="#BKA">Prince Bojidar Karageorgevitch </ref> . . . . 178<lb/> XIII.
                        <ref target="#YBV6_22pr">In an American Newspaper office </ref>
                    <ref target="#CMT">Charles Miner Thompson</ref> 187<lb/> XIV. <ref
                        target="#YBV6_23po">A Madrigal </ref> . . . <ref target="#OCU">Olive
                        Custance </ref> . . 215<lb/> XV. <ref target="#YBV6_25pr">The Dead Wall
                    </ref> . . <ref target="#HWA">H.B. Marriott Watson </ref> . 221<lb/> XVL. <ref
                        target="#YBV6_26po">Mars </ref> . . . . <ref target="#RTH">Rose Haig Thomas
                    </ref> . . 249<lb/> XVII. <ref target="#YBV6_28pr">The Auction Room of Letters </ref>
                    <ref target="#AWA">Arthur Waugh </ref> . . 257<lb/> XVIII. <ref
                        target="#YBV6_30pr">The Crimson Weaver </ref> . <ref target="#RGI">R. Murray
                        Gilchrist </ref> . 269<lb/> XIX. <ref target="#YBV6_32po">The Digger </ref>
                    . . . <ref target="#EPR">Edgar Prestage </ref> . . 283<lb/> XX. <ref
                        target="#YBV6_33pr">A Pen-and-ink Effect </ref> . <ref target="#EMA">Frances
                        E. Huntley </ref> . . 286<lb/> XXI. <ref target="#YBV6_35po">Consolation
                    </ref> . . . <ref target="#JBL">J.A. Blaikie </ref> . . . 295<lb/> XXII. <ref
                        target="#YBV6_36pr">A Beautiful Accident </ref> . <ref target="#SMA">Stanley
                        V. Makower </ref> . 297<lb/> XXIII. <ref target="#YBV6_38pr">Four Prose
                        Fancies </ref> . <ref target="#RGA">Richard Le Gallienne </ref> . 307<lb/>
                    XXIV. <ref target="#YBV6_40po">Two Letters to a Friend </ref> . <ref
                        target="#TWA">Theodore Watts </ref> . . 333<lb/></p>
                <fw type="catchword">Art</fw>

                <fw type="footer">The Yellow Book &#x2014; Vol. VI. &#x2014; July, 1895</fw>
                <pb n="6"/>
                <p>Art</p>

                <p> I. <ref target="#YBV6_4im">The Guitar Player </ref> . . <ref target="#GTH">By
                        George Thomson </ref> . . <emph rend="italic">Page</emph> 7<lb/> II. <ref
                        target="#YBV6_7im">Durham </ref> . . . . <ref target="#FCO">F.G. Cotman
                    </ref> . . 62<lb/> III. <ref target="#YBV6_11aim">A Penelope </ref> . .<ref
                        target="#PWI">Patten Wilson </ref> . . 87<lb/> IV. <ref target="#YBV6_11bim"
                        >Sohrab Taking Leave of his Mother </ref> . . <lb/> V. <ref
                        target="#YBV6_14im">The Yellow Book </ref> . . <ref target="#GHA">Gertrude
                        D. Hammond </ref> . 117<lb/> VI. <ref target="#YBV6_17im">Star and Garter,
                        Richmond </ref>
                    <ref target="#PST">P. Wilson Steer </ref> . . 164<lb/> VII. <ref
                        target="#YBV6_21im">The Screen </ref> . . . <ref target="#WED">Sir William
                        Eden</ref>, Bart. . 183<lb/> VIII. <ref target="#YBV6_24im">Padstow </ref> .
                    . . . <ref target="#GPR">Gertrude Prideaux-Brune </ref> 217<lb/> IX. <ref
                        target="#YBV6_27im">Souvenir de Paris </ref> . . <ref target="#CCO">Charles
                        Conder </ref> . . 253<lb/> X. <ref target="#YBV6_29im">Wasser-Thurm,
                        Nürnberg </ref>
                    <ref target="#WBA">Wilfred Ball </ref> . . . 266<lb/> XI. <ref
                        target="#YBV6_31aim">The Mirror </ref> . .<ref target="#FHY">Fred Hyland
                    </ref> . . . 278<lb/> XII. <ref target="#YBV6_31bim">Keynotes </ref> . . <lb/>
                    XIII. <ref target="#YBV6_34im">Trees </ref> . . . . <ref target="#ATH">Alfred
                        Thornton </ref> . . 292<lb/> XIV. <ref target="#YBV6_37im">Gossips </ref> .
                    . . . <ref target="#AHA">A.S. Hartrick </ref> . . . 303<lb/> XV. <ref
                        target="#YBV6_39aim">Going to Church</ref> .<ref target="#WST">William
                        Strang </ref> . . 327<lb/> XVI. <ref target="#YBV6_39bim">A Study </ref> . .
                    . <lb/>
                </p>

                <fw type="footer"><emph rend="italic">The half-tone Reproductions in this Volume
                        are</emph></fw>
                <fw type="footer"><emph rend="italic">by the Swan Electric Engraving
                    Company.</emph></fw>
                <lb/>
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