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        <title>The Yellow Book: An Illustrated Quarterly, Volume 6 July 1895</title>
        <title type="YBV6_sharp_poster"/>
        <editor>Lorraine Janzen Kooistra</editor>
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          <date>2020</date>
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              <persName>Henry Harland</persName>
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            <author>Evelyn Sharp</author>
            <title>A New Poster</title>
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              <publisher>John Lane</publisher>
              <pubPlace>London</pubPlace>
              <publisher>Copeland &amp; Day</publisher>
              <pubPlace>Boston</pubPlace>
              <date>July 1895</date>
              <biblScope>Sharp, Evelyn. "A New Poster." <emph rend="italic">The Yellow Book</emph>, vol. 6,
                July 1895, pp. 123-63. <emph rend="italic">Yellow Book Digital Edition</emph>, edited by
                Dennis Denisoff and Lorraine Janzen Kooistra, 2010-2014. <emph rend="italic">Yellow Nineties 2.0</emph>,
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        <pb n="139"/>
        <head><title level="a">A New Poster</title></head>

        <byline>By <docAuthor><ref target="#ESH">Evelyn Sharp</ref></docAuthor></byline>
        <lb/>
        <lb/>
        <lb/>
        <lb/>
        <p><fw type="head">I</fw></p>

        <p>IT was the first of Mrs. Angelo Milton's original dinner-parties.<lb/> Mrs. Angelo Milton
          had the reputation of being the most <lb/> original hostess, if not in London, certainly
          in South Kensington<lb/> where she lived. Such a reputation, in such a neighbourhood, was
          <lb/> not perhaps difficult of acquisition, and Mrs. Milton had managed <lb/> to acquire
          it by the simple though unusual method of being mildly <lb/> eccentric within the limits
          of conventionality. She was thus <lb/> characteristic neither of Bohemia nor of South
          Kensington ; she <lb/> amused the one, puzzled the other, and received them both on the
          <lb/> third Wednesday in the month. She was daring in her selection <lb/> of guests,
          clever in the way she made them entertain one another, <lb/> and commonplace in her own
          conversation. The object of her <lb/> life was to be distinguished, and in a great measure
          she succeeded <lb/> in it ; the only thing that was wanting was Mrs. Angelo Milton <lb/>
          herself. Her house, her receptions, her friends all bore the mark <lb/> of distinction ;
          as a drama, the scenic effect was superb and the <lb/> company far above the average, but
          the principal player remained <lb/> mediocre. She had none of the elements of
          individuality ; her <lb/> dress was perfect and of the fashionable type, her features were </p>
        <fw type="catchword">intrinsically</fw>

        <fw type="footer">The Yellow Book&#x2014;Vol. VI. <emph>H</emph></fw>

        <pb n="140"/>

        <fw type="runningHead"><fw type="pageNum">124</fw> A New Poster</fw>

        <p>intrinsically good, yet their whole effect was unsatisfactory ; her <lb/> very hair was
          abundant and ordinary. Yet she was clever&#x2014;clever <lb/> enough to know her own
          defects and to play them off upon other <lb/> people, clever enough to have begun a fresh
          career at the age of <lb/> twenty-six and to have followed it with perseverance and
          success. <lb/> She belonged to the few who know how to invest the little capital <lb/>
          Nature has given them ; and none of the brilliant frequenters <lb/> of her house who came
          and talked about themselves to their <lb/> sympathetic hostess ever suspected that they
          were really there to <lb/> establish her personality and not to advertise their own. </p>

        <p>A perfectly new dinner-party was the luckiest inspiration that <lb/> ever came to a tired
          hostess. To see her guests grouped at small <lb/> tables, to make them all co-operate in
          the labour of conversation, <lb/> to enjoy the triumphant consciousness of having combined
          them <lb/> in the happiest manner possible, and to have reduced her own <lb/>
          responsibility to the entertaining of three people only, was the <lb/> highest
          consummation Mrs. Angelo Milton had ever attained. <lb/> She sat in complete satisfaction,
          bathed in the becoming rose- <lb/> coloured light shed by numerous shaded candles ; and
          she even <lb/> allowed herself under the influence of the prevailing ease of <lb/> manner
          to become almost natural. She had selected her own party <lb/> with scrupulous care ; a
          pretty <emph rend="italic">d&#xE9;butante</emph> for her <emph rend="italic"
            >vis-&#xE0;-vis</emph>, who <lb/> neither eclipsed nor reflected her ; a black and white
          artist, very <lb/> new, for herself ; and an ugly boy to play with the <emph rend="italic"
            >d&#xE9;butante</emph>, <lb/> which he was doing very charmingly. </p>

        <p>" Such an improvement on the ordinary dinner-party," said little <lb/> Margaret Cousins,
          with the experience of a first season in her <lb/> voice. </p>

        <p>" Awfully neat idea, is really ; no need to listen to what <lb/> the other chaps are
          saying, don't you know," said the ugly boy, <lb/> who was still young, though he had left
          Cambridge a year ago.</p>

        <fw type="catchword">" Do</fw>

        <pb n="141"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">125</fw></fw>

        <p>Do you ever listen to what the other chaps are saying, Mr. <lb/> Askew ?" asked the <emph
            rend="italic">d&#xE9;butante</emph>. </p>

        <p>This is daring of you," the artist was saying in a lowered tone, <lb/> not because he had
          anything confidential to say, but because it <lb/> suited his style to be impressive. </p>

        <p>" Since it proclaims my choice of companions ?" asked his <lb/> hostess, rather clumsily. </p>

        <p>" I am more than sensible of the honour. But that was not my <lb/> meaning ; no. I meant
          because&#x2014;&#x2014;"</p>

        <p>" Because it gives my other guests the opportunity of criticising <lb/> my new French
            <emph rend="italic">chef</emph>?" she interrupted again, but with all the <lb/>
          assurance of success. </p>

        <p>" Say rather the opportunity of discussing their charming <lb/> hostess," rejoined the
          artist, relieved from the necessity of rinding <lb/> his own reply. </p>

        <p>" A new poster ? Really ?" said Margaret Cousins. </p>

        <p>The artist turned round with a scarcely perceptible show of <lb/> interest. </p>

        <p>" What, another ?" he asked carelessly. </p>

        <p>The ugly boy said it was the same old thing, and then <lb/> explained that it was one of
          the new things, a scarlet background <lb/> with a black lady in one corner and a black
          tree with large roots <lb/> in another corner, and some black stars scattered about else
          <lb/> where. </p>

        <p>" Ah, yes, " said the artist indifferently, " it is an advertisement <lb/> for the
          Shakespeare Fountain Pen, or something to that effect. I <lb/> saw it this morning." </p>

        <p>" The Milton Fountain Pen, " corrected his hostess with the smile <lb/> of conversation ;
          " I have noticed it on the placards sometimes ; it <lb/> bears my name you see." </p>

        <p>The artist said the coincidence had not struck him at the time, </p>

        <fw type="catchword">but</fw>

        <pb n="142"/>

        <fw type="runningHead"><fw type="pageNum">126</fw> A New Poster</fw>

        <p>but that he should in future use no other pen on that account. The <lb/> ugly boy, who
          was occupied with his savoury, said nothing; the <lb/>
          <emph rend="italic">d&#xE9;butante</emph>, who had passed it, asked a simple question as
          though she <lb/> wished for information. </p>

        <p>" What has a black lady or a black tree got to do with Milton or <lb/> a fountain pen ?" </p>

        <p>" Oh, nothing. It has got to advertise it, that's all," said the <lb/> artist, smiling
          indulgently. </p>

        <p>The ugly boy, who was now at liberty, said it was howling <lb/> cheek of the painter chap
          to stick different things on a scarlet <lb/> sheet and call it an advertisement for
          something that wasn't <lb/> there. </p>

        <p>" Perhaps," said his <emph rend="italic">vis-à-vis</emph> with his irritating amiability.
          <lb/> " I suppose you would have a penholder and a fountain with no <lb/> background at
          all ? That would be quite obvious of course." </p>

        <p>" What is a fountain pen ?" asked Mrs. Milton, who had an <lb/> idea that the general
          conversation was not being a success. <lb/> There were three more or less inaccurate
          definitions at once ; she <lb/> selected Margaret's, and smiled across at her. </p>

        <p>" Margaret always knows these things," she told the others. <lb/> " Margaret is literary,
          and makes one feel dreadfully frivolous sometimes." </p>

        <p>Dicky Askew looked sad and felt that he could not talk any <lb/> more about the comic
          papers. The ugly boy's literature was <lb/> mainly pink. Margaret blushed and looked
          pleased, and said, <lb/> " Oh, no," and added something irrelevant about Milton and the
          <lb/> Puritan movement which suggested Macaulay. </p>

        <p>" Margaret is still so deliciously young," sighed Mrs. Angelo.</p>

        <p>" How nice to be at the age of local examinations when one <lb/> hasn't forgotten all
          about Milton and those improving people ! <lb/> Really, it is as much as one can do now to
          get through the books </p>

        <fw type="catchword">of</fw>

        <pb n="143"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">127</fw></fw>

        <p>of the people one has to meet in society. By the way, " she <lb/> added exclusively to
          the artist, " Brindley Harrison is here to- <lb/> night : do you know him ? He is over
          there, just under the Burne- <lb/> Jones, talking to&#x2014;&#x2014;yes, that one. Have
          you read his last ?"</p>

        <p>After that the conversation remained particular and interesting <lb/> until the hostess
          had to give the signal for retreat, upon which <lb/> conventionality again claimed its
          victims, and there was no further <lb/> evidence of innovation either in the music or the
          conversation <lb/> that occupied the rest of the evening. </p>

        <p>When the last carriage had rolled away, Mrs. Angelo Milton <lb/> rang the bell and
          ordered something to eat. Then she walked <lb/> round the room and extinguished all the
          wax lights herself, and <lb/> turned the gas low, and sat down in the firelight. She was
          silent <lb/> for a long time after the servants had left her, and she was terribly <lb/>
          lonely. It was not a loneliness that comes as a natural result of <lb/> departed company,
          but the much more subtle solitude of one who <lb/> is anticipating a new companionship.
          When she had eaten her <lb/> sandwiches mechanically, one by one, she stood up and leaned
          her <lb/> head on the cold marble of the mantel-shelf, and something like <lb/> an angry
          sob broke from her lips in the darkness. </p>

        <p>" After seven years," she murmured, " to lose it all by loving <lb/> Adrian Marks !"</p>

        <p>She turned up the gas again with an impatient movement, then <lb/> lighted a candle and
          held it up to a picture on the wall, a portrait <lb/> of a middle-aged man with a bald
          head. </p>

        <p>" Jim ! " she cried involuntarily, " what would you say if you <lb/> were to meet him ?" </p>

        <p>The idea struck her as so incongruous that she gave way to a <lb/> nervous spasm of
          laughter and returned hurriedly to her seat by <lb/> the fire. Her husband had been a
          successful commercial man, <lb/> and the source of his wealth had been the invention of
          the Milton </p>

        <fw type="catchword">Fountain</fw>

        <pb n="144"/>

        <fw type="runningHead"><fw type="pageNum">128</fw> A New Poster</fw>

        <p>Fountain Pen. When he died in America, seven years ago, his <lb/> widow came to England
          with his fortune, assuring herself against <lb/> detection by prefixing an old family name
          to his notorious one, <lb/> and began the career for which she had pined through the whole
          <lb/> of her short married life. Those seven years in South Kensington <lb/> had given her
          what she wanted, position, association with artistic <lb/> circles, a certain measure of
          happiness ; she had worked hard for <lb/> all of these, and yet she was on the point of
          renouncing them <lb/> as the price of her attachment to Adrian Marks, the new <lb/> black
          and white artist. It seemed very paltry to her as she sat <lb/> in the empty drawing-room,
          away from his influence, and she <lb/> shivered involuntarily, although the fire had
          responded to her <lb/> touch and had broken into a cheerful blaze. </p>

        <p>" What if I do marry him ?" she said, beginning to take down <lb/> her hair slowly. " I
          lose my money&#x2014;Jim's money ; that means <lb/> that I lose my house, my position, my
          friends, all the fabric I have <lb/> built up with the labour of seven whole years. And
          the gain is <lb/> the passing love of a man. What fools women are !" </p>

        <p>Yet she sat down and wrote to him then, in the great half- <lb/> lighted drawing-room,
          with her long brown hair falling round her <lb/> face&#x2014;wrote him a pretty playful
          letter such as women love to write <lb/> to the men who admire them : a word about Ascot,
          something <lb/> about the late spring, and something somebody had told her about <lb/>
          him. </p>

        <p>At that moment her lover and the ugly boy were having supper <lb/> at the club. The
          original dinner-party did not seem to have <lb/> satisfied the hunger of any of its
          guests. </p>

        <p>" I should go for her and chance it," said the ugly boy. </p>

        <p>" No you wouldn't, Dicky, you would come across a pretty girl <lb/> on the way and never
          get any further." </p>

        <p>The ugly boy seemed rather proud than otherwise of this </p>

        <fw type="catchword">tribute</fw>

        <pb n="145"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">129</fw></fw>

        <p>tribute to his inconstancy, and ate the rest of his oysters with a <lb/> pleased smile. </p>

        <p>" Margaret Cousins is a seemly maiden, passing fair, and of a <lb/> goodly wit," he said
          reflectively. </p>

        <p>" You could say that of any of them. That's the oddest thing <lb/> about women ; the
          essentials are always the same in the ones we <lb/> fall in love with," said Adrian, " but
          do keep to the point, little <lb/> boy. I'll rave about Margaret after, if you'll only
          talk about Mrs. <lb/> Angelo now. " </p>

        <p>" What's her first name ? I can't talk about a woman in con- <lb/> fidence and call her
          by her surname, especially when she's a <lb/> widow." </p>

        <p>" I don't know that she's got one. Heard from her this <lb/> morning though, let's see
          what she signs herself ; ah. here we are <lb/> &#x2014;Cynthia." </p>

        <p>" That's a bit off," said Dicky in parenthesis, " never heard of <lb/> a horse called
          Cynthia."</p>

        <p>" You see," continued Adrian with a slightly worried air, <lb/> " she doesn't know I
          twigged all about the Fountain Pen long <lb/> ago, and she doesn't even know that I did
          the very poster we <lb/> were talking about this evening. Shut up, Dicky, any blind <lb/>
          idiot could have guessed that !&#x2014;and she hasn't an idea how <lb/> hard up I am, nor
          how many reasons there are for my marrying <lb/> her." </p>

        <p>" Play lightly," objected Dicky, " even for a woman that's an <lb/> amazing amount of
          ignorance. And she's in love with you, too." </p>

        <p>" Yes," sighed Adrian, "she <emph rend="italic">is</emph> in love with me. Do you <lb/>
          know, Dicky, it makes me almost hate myself sometimes when a <lb/> sweet unsuspecting
          woman like that takes me on trust and thinks <lb/> such an awful lot of me. I should have
          gone to the dogs long <lb/> ago if it had not been for my women friends." </p>

        <fw type="catchword">" Do</fw>

        <pb n="146"/>

        <fw type="runningHead"><fw type="pageNum">130</fw> A New Poster</fw>

        <p>" Do you really think," asked Dicky, lighting up a cigar, " they <lb/> have made any
          difference ?" </p>

        <p>Adrian looked across at his plain, shrewd little countenance <lb/> and shook his head
          slowly. </p>

        <p>" Dicky, you are very young. But if you don't mind we will <lb/> stick to the subject." </p>

        <p>Dicky said he was quite willing, and that women friends was <lb/> as far as they had got.
          Adrian went on rather more gloomily <lb/> than before : </p>

        <p>" So you see it's all right as far as she is concerned. And as for <lb/>
          myself&#x2014;well, I suppose that's settled too. I never meant to get <lb/> married at
          all, as you know, but I think it's not a bad thing for a <lb/> man after all, and I don't
          see why I shouldn't marry Cynthia&#x2014;do <lb/> you ? And of course I am extremely lucky
          to get such a good <lb/> and sympathetic woman to marry me at all." </p>

        <p>" At your age, and with your tailoring, it is wonderful," said <lb/> the irrepressible
          Dicky. " By the way, how old is Cynthia ?" </p>
        <p> " From calculation I make it about thirty-two. She looks less. <lb/> I am thirty-eight,
          though of course you wouldn't think it. <lb/> There is really everything to make our union
          a happy one. But <lb/> then, there's the governor." </p>

        <p>" There always is," assented Dicky sadly. </p>

        <p>" And he has sworn to disinherit me if I marry into commerce. <lb/> He means it too,
          worse luck." </p>

        <p>" What a played-out idea ! Every decent chap marries into <lb/> dollars nowadays ; it's
          the thing to do. But that needn't matter ; <lb/> she's got fifteen thousand a
          year&#x2014;must have&#x2014;couldn't run that <lb/> show on less, eh ?" </p>

        <p>" I haven't seen the will ; she may lose it all if she marries <lb/> again. I m hanged if
          that would make any difference though, <lb/> Dicky. I declare I m fairly gone on her. I
          believe," continued </p>

        <fw type="catchword">Adrian</fw>

        <pb n="147"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">131</fw></fw>

        <p>Adrian in a glow of sentiment, " I really believe I should propose <lb/> if neither of us
          had a penny ! I should like to know about that <lb/> will, though." </p>

        <p>" What a set of stale old properties you are inventing, Marks : <lb/> irate father,
          inconvenient will, beautiful lady. You might be <lb/> writing a novel in the last
          century." </p>

        <p>" You might remember, Dicky," said Adrian impressively, <lb/> " that I have nothing to do
          with the spirit of any other century <lb/> than this one. Now, what's your advice ? Shall
          I propose <lb/> or not ?" </p>
        <p> Dicky Askew blinked his small eyes at him and considered for <lb/> a moment. </p>

        <p>" You'll never have a better chance of being accepted, I should <lb/> say. Given a woman
          who on your own showing adores you so <lb/> much that she doesn't see your imperfections,
          and to whom you <lb/> are so attached that her fortune does not matter a jot&#x2014;well,
          there <lb/> doesn't seem anything else to do." </p>
        <p> " Thanks awfully, little boy, you've helped me no end. I'll <lb/> propose to-morrow,
          hanged if I don't. Not sure if I don't go <lb/> down to Somerset House first, though ;
          think about it in the <lb/> morning. After all, you must remember Cynthia is not the only
          <lb/> woman friend I've got who&#x2014;I mean, the world is packed with <lb/> good
          unselfish women who are ready to give us sympathy and <lb/> affection
          and&#x2014;&#x2014;"</p>

        <p>" Fifteen thousand a year," added Dicky maliciously. </p>

        <p>Adrian paused before he strolled away. </p>

        <p>" If there should be anything wrong about that will, there's <lb/> always dear little
          Margaret Cousins," he said thoughtfully. </p>

        <p>" No, there isn't," shouted Dicky wrathfully ; " you can leave <lb/> Margaret out of this
          show anyhow. <emph rend="italic">She</emph> wouldn't join anybody's <lb/> army of women
          friends, so don't you make any mistake about it. </p>

        <fw type="catchword">You</fw>

        <pb n="148"/>
        <fw type="runningHead"><fw type="pageNum">132</fw> A New Poster</fw>

        <p>You wouldn't catch <emph rend="italic">her</emph> wanting to save you from the clutches
          of <lb/> all the other women, which is what your women friends are mostly <lb/> engaged in
          doing for you. Besides, she funks you no end&#x2014;says <lb/> she can't make you out, or
          something." </p>

        <p>" Really ?" said Adrian with a gratified smile, " that's excellent <lb/> material to go
          upon. I must cultivate her. See you again soon, <lb/> little boy." </p>

        <p>Margaret Cousins was lunching with Mrs. Angelo Milton the <lb/> next day when the
          man-servant brought in a visiting card. She <lb/> had come round to gossip over the
          dinner-party, to eat up the <lb/> remains, and to find out all there was to know about
          Dicky <lb/> Askew ; so she had a valid reason to grumble when her hostess <lb/> said she
          must go into the drawing-room at once. </p>

        <p>" But make yourself at home, child, and have what you want <lb/> and ring for what you
          don't," she said rather absently as she <lb/> arranged her lace at the glass. " It is an
          old friend ; I have not seen <lb/> him for years. You can play with the poodle till I come
          back, <lb/> can't you, darling ?"</p>

        <p>A sun-browned man, with an expectant smile on his face and <lb/> rather a nervous
          consciousness of the hat and stick in his hand, <lb/> was standing on the rug in the
          drawing-room when she went in. <lb/> There was no diffidence in his greeting, however, and
          no doubt <lb/> of a welcome in the hard hand he put out to her, though the one <lb/> she
          laid in it was cold and passive. They had nothing to say for <lb/> a minute or two, and
          when they had settled on two chairs rather <lb/> far apart, and he had deposited his
          belongings on the floor, the <lb/> few remarks they made were necessary and usual. </p>

        <p>" So you have come to England after all, Willis ? You always <lb/> said you would." </p>

        <p>"Yes, Cynthia. It is an old promise of eight years' standing, <lb/> isn't it ?" </p>

        <fw type="catchword">" When</fw>

        <pb n="149"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">133</fw></fw>

        <p>" When did you arrive ?" </p>

        <p>" This morning only. I crossed in the night boat from Dieppe. <lb/> There was a fog in
          the Channel." </p>

        <p>" Was there? I believe there always is by the night boat. <lb/> Have you had lunch ?" </p>

        <p>" I had a chop in the City : chose it myself, and saw it cooked. <lb/> Not your style, eh
          ? Well, and how long have you lived <lb/> here ?" </p>

        <p>" Oh, how did you find out my address ?" </p>

        <p>" I went to your agents, of course. I saw that new poster of <lb/> yours at Victoria,
          though what it means the Lord only knows, <lb/> and that brought you back to my mind." </p>

        <p>" So it needed a new poster to do that ? Oh, Willis, how you <lb/> must have altered
          !"</p>

        <p>It was the first human note in the conversation, and Willis <lb/> Ruthven broke into a
          relieved laugh. </p>

        <p>" You haven't altered much, Cynthia, in spite of your dandy <lb/> house," he said, and
          brought his chair closer to hers. </p>

        <p>" I don't know. I fancy I must have. Or else it is you," she <lb/> replied, meeting the
          kindly gaze of his keen eyes with something <lb/> like discomfort. </p>

        <p>" Why ?" </p>

        <p>" Well, you look so&#x2014;so physical," she said, and laughed. </p>

        <p>" In the old days, when Jim was there, you used to tell me I <lb/> was the intellectual
          one. " </p>

        <p>" Ah yes, when Jim was there. You seemed so by contrast to <lb/> the commercial element." </p>

        <p>There was distaste, almost contempt, in her voice, and he <lb/> noticed it. </p>

        <p>" Don't be hard on the commercial element; it has treated you <lb/> well enough," he said
          gently, with a swift glance round the room. </p>

        <fw type="catchword">" Oh</fw>

        <pb n="150"/>


        <fw type="runningHead"><fw type="pageNum">134</fw> A New Poster</fw>

        <p>" Oh yes, I know all that," she cried impatiently, " you have <lb/> dinned it into my
          ears so often. It has made England what it is, <lb/> and so on. I must say that it has not
          much to be proud of ! <lb/>
          <emph rend="italic">loathe</emph> the commercial spirit." </p>

        <p>" Yet you have so much of it yourself," said Willis with a <lb/> smile. </p>

        <p>" I ? The commercial spirit ?"</p>

        <p>" Surely. Do you not trade with every bit of resource at your <lb/> command, and very
          profitably too ? It is your commercial spirit <lb/> that has made you use up that old
          Italian ancestor of yours for a <lb/> second name. You trade with your beauty, your wits,
          your <lb/> position ; Jim traded with the Milton Fountain Pen. Where is <lb/> the
          difference ?" </p>

        <p>" I have always noticed, " said Cynthia, biting her lip, " that <lb/> men who have
          travelled about alone for eight years become <lb/> intolerably prosy." </p>

        <p>Margaret Cousins was very tired of playing with the poodle <lb/> long before her friend
          was at liberty. It was not until tea-time <lb/> that the front door banged and Mrs. Angelo
          called down the stairs <lb/> to her to come up to the boudoir. </p>

        <p>" It is so much cosier to have tea here when we are alone, " <lb/> she said cheerfully. "
          I hope you have not been dull, dear. Do <lb/> you mind bringing the kettle ? Such an old
          friend, I have not <lb/> seen him for eight years." </p>

        <p>" He must be rather ancient," said Margaret candidly. The <lb/> poodle had made her
          cross. </p>

        <p>But Mrs. Angelo Milton did not hear her remark : she was <lb/> leaning back in her chair,
          smiling at her thoughts. </p>

        <p>" Tell me, Margaret, she said suddenly, " what do you think <lb/> women admire most in
          men ? Is it good looks ?" </p>

        <p>" No," said Margaret, thinking of the ugly boy. </p>

        <fw type="catchword">" I am</fw>

        <pb n="151"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">135</fw></fw>

        <p>" I am not sure, " said Cynthia, thinking of Adrian Marks ; " if <lb/> not, what is it ?
          " </p>

        <p>" Good tailoring perhaps, " suggested Margaret, still thinking of <lb/> Dicky. </p>

        <p>" Oh no," said Mrs. Angelo, remembering the cut of Willis's <lb/> frock-coat, " I think
          it is temperament." </p>

        <p>" Conversation I should say," corrected Margaret. </p>

        <p>Cynthia put down her cup with decision. </p>

        <p>" We are all wrong, Margaret. I have it. We like them to be <lb/> masterful. It doesn't
          matter what they are if they know how to <lb/> master us. Let them do it by their looks,
          or their brains, or <lb/> their qualities ; but if they do it, we are theirs. And it isn't
          a <lb/> flattering reflection for either sex." </p>

        <p>Margaret pouted, and recalled Dicky Askew, and refused to <lb/> agree. But Cynthia was
          convinced. She was thinking only of <lb/> Willis Ruthven. </p>



        <lb/>
        <lb/>
        <lb/>
        <lb/>
        <p><fw type="head">II</fw></p>

        <p>Cynthia felt very unsettled during the next few days. When <lb/> a woman has
          half-unwillingly made up her mind to an action that <lb/> repels while it enthrals her,
          she can be easily deterred from it by <lb/> a very small disturbing element. And the
          disturbing element in <lb/> this case was the reappearance of Willis Ruthven. It was not
          <lb/> only that the revival of an old friendship had blunted the edge of <lb/> a new and
          untried one, nor wholly because the effete and decadent <lb/> culture of Adrian Marks
          suffered by contrast with the frank and <lb/> healthy personality of Willis. For she was
          affected on the other <lb/> hand by the dread of being again absorbed in the old
          atmosphere <lb/> she had hated, and this dread was kept alive by the knowledge that </p>

        <fw type="catchword">her</fw>

        <pb n="152"/>

        <fw type="runningHead"><fw type="pageNum">136</fw> A New Poster</fw>

        <p>her early history was no longer her own secret, but was shared by <lb/> some one else who
          saw no reason for concealing it. She had a real <lb/> and strong friendship for Willis
          Ruthven, one of many years' <lb/> growth, and she chafed at the influence it still had
          over her, now <lb/> that she wanted to turn her back for ever upon all that it recalled
          <lb/> to her mind. Willis represented the whole spirit of that time <lb/> she wished to
          forget ; he knew every detail of the past she had <lb/> tried to blot out of her life with
          a persistence that was almost <lb/> morbid. There was something pathetic in the way this
          woman, <lb/> who had lived two different lives, feared lest the first one should <lb/>
          claim her again for its own, something pitiful in the unconscious <lb/> comparison she
          drew between the two men who competed for her <lb/> thoughts, between the one who by his
          presence dragged her down <lb/> to the old level, and the one who dwelt only in the
          surroundings <lb/> she loved. </p>

        <p>It is probable that she would not have thought so much about <lb/> Adrian had not Willis
          gone out of town directly after his first <lb/> interview with her, and only testified his
          existence to her by a <lb/> refusal of a dinner invitation which annoyed her as much by
          its <lb/> brevity and curtness as by the business-like paper on which it was <lb/>
          written. Nor would she have bestowed so much notice on this <lb/> trifling occurrence had
          not Adrian Marks also piqued her, about <lb/> the same time, by neither calling upon her
          nor otherwise seeking <lb/> her society ; and although she made a point of frequenting the
          <lb/> houses where there was a possibility of meeting him, all her efforts <lb/> were
          attended with failure, as such conscious efforts always are. </p>

        <p>She met Dicky Askew one hot day in June at an afternoon <lb/> reception. It was a great
          crush, and he was not looking particu-<lb/> larly happy on the crowded landing where the
          stream of people <lb/> coming upstairs had imprisoned him. </p>

        <p>" Let's sit out on the balcony," he proposed ; " I'm fairly played </p>

        <fw type="catchword">with</fw>

        <pb n="153"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">137</fw></fw>

        <p>with this awful crush&#x2014;aren't you ? I had to offend millions of <lb/> decent people
          by getting the mother into a chair, and I don't <lb/> suppose she will be able to move
          until I go and dig her out <lb/> again." </p>

        <p>The ugly boy, although he cultivated a pose of selfishness like <lb/> the others in his
          set, had a great devotion for his mother, which <lb/> was so unusual a phenomenon among
          his friends that they never <lb/> quite took him seriously about it, and had to suspect
          him of ulterior <lb/> motives before they felt in a position to admire him for it. No
          <lb/> body ever did take the ugly boy seriously about anything, but <lb/> Cynthia was in
          the mood this afternoon to be touched by any sign <lb/> of natural affection, and she
          followed him outside the window <lb/> with more graciousness than she usually showed to
          any one so <lb/> unimportant. </p>

        <p>" Have you seen your friend Mr. Marks lately ?" she asked him. <lb/> She felt that it was
          not necessary to lead up to the subject with <lb/> Dicky Askew. He looked steadily across
          the street at the house <lb/> opposite, and hesitated. </p>

        <p>" Marks ? Not for millions of days. Have you ?" </p>

        <p>" I ? Oh no. I don't know why I asked you. I thought you <lb/> were such friends, that's
          all. You always suggest Mr. Marks, <lb/> you know." </p>

        <p>Dicky glanced doubtfully at her. </p>

        <p>" The fact is," he said with an impulse of confidence, " we've <lb/> had a beastly row ;
          I'm afraid it's really all up this time. I haven't <lb/> seen him once since Sunday."</p>

        <p>Cynthia murmured something and waited eagerly for more. <lb/> The ugly boy grew
          expansive. </p>

        <p>" The fact is," he said again, leaning over the balustrade, <lb/> "Adrian is so beastly
          rotten. And she's an awfully decent little <lb/> girl, don't you see." </p>

        <fw type="catchword">" Ah,"</fw>

        <pb n="154"/>

        <fw type="runningHead"><fw type="pageNum">138</fw> A New Poster</fw>

        <p>" Ah," said Cynthia, also leaning over the balustrade and <lb/> counting the
          paving-stones feverishly. </p>

        <p>" It's all tommy when a man talks about his women friends. <lb/> It won't wash,"
          continued the ugly boy in a tone of disgust ; " it <lb/> only means he likes to ring the
          changes like all the other boys, and <lb/> won't own to it. The worst of it is that he
          does it so well. <lb/>
          <emph rend="italic">She</emph> doesn't care a jot for him, of course." </p>

        <p>" She doesn't ?" said Cynthia joyfully. </p>

        <p>Dicky looked at her reproachfully. </p>

        <p>" What do you think ? I never meant she would chuck me <lb/> over for <emph rend="italic"
            >him</emph>. A fresh little nipper like that isn't likely to go nuts <lb/> on a
          played-out painter chap. That <emph rend="italic">would</emph> be common. All the <lb/>
          same, it isn't fair on a fellow, is it ?"</p>

        <p>" No," said Cynthia sadly, " it is not fair on a fellow." </p>

        <p>Something in her tone recalled Dicky for an instant from his <lb/> own absorbing
          interests. </p>

        <p>" I say, you know," he said with a smile, " if you cared to help <lb/> me I don't know
          why you shouldn't. You may if you like, you <lb/> know&#x2014;really."</p>

        <p>Cynthia failed to express any gratitude, and Dicky wandered on. </p>

        <p>" If you weren't playing so poorly with Adrian he wouldn't be <lb/> fooling around with
          Margaret, and if you'd only just be decent to <lb/> him again, don't you know&#x2014;"</p>

        <p>Here he was really obliged to stop, for he found Cynthia staring <lb/> at him coldly. </p>

        <p>" Oh, hang," he said impetuously, " I'm fairly gone on Margaret, <lb/> don't you see." </p>

        <p>" Margaret ?" </p>

        <p>" Yes, of course. There isn't anybody else, is there ?" said <lb/> Dicky, a little
          sulkily. </p>

        <p>" Oh," said Cynthia, with a slight curl of her lip, " I don't </p>

        <fw type="catchword">think</fw>

        <pb n="155"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">139</fw></fw>

        <p>think you need be jealous. Margaret is a dear child, but she <lb/> is not at all the sort
          of girl Mr. Marks would be likely to <lb/> admire." </p>

        <p>" Wouldn't he, though ?" cried Dicky fiercely. " He couldn't <lb/> help it&#x2014;nobody
          could help it ; she's the decentest little brick of a <lb/> girl&#x2014;"</p>

        <p>" Oh, very well ; I thought you didn't want him to admire <lb/> her." </p>

        <p>" No more I do, confound him ! But he can't help admiring <lb/> her, for all that." </p>
        <p> " Then I don't see how I am to help you. Supposing we <lb/> change the subject ; I am
          dreadfully tired of discussing other <lb/> people's love affairs."</p>

        <p>" That sounds like a challenge to discuss your own," said Dicky, <lb/> with a shrewd
          smile. He was an obstinate little fellow when he <lb/> had an object in view. </p>

        <p>" Mr. Askew !" said Cynthia, rising with great dignity. </p>

        <p>" Oh, I say, don't," he said, anxiously, and placed himself in front <lb/> of her ; " I'm
          an awful ass, of course ; but I do know that Adrian <lb/> was right on you a week ago,
          and&#x2014;what the dickens has happened <lb/> to everybody since ?"</p>
        <p> She nodded to him enigmatically and disappeared in the crowd, <lb/> and he went to
          extricate his mother. They met again in the hall <lb/> as every one was leaving. </p>

        <p>" I shall bring Adrian in to call to-morrow evening, may I ?"<lb/> he said. </p>

        <p>" If it will tend to a reconciliation between you, I shall be <lb/> delighted," she
          answered blandly. </p>

        <p>So she sent a note round the next day to ask Margaret to drop <lb/> in to dinner, and
          assured herself that she was going through the <lb/> whole tiresome business in order to
          bring about the child's </p>

        <fw type="catchword">engagement</fw>

        <fw type="footer">The Yellow Book&#x2014;Vol. VI. <emph>I</emph></fw>

        <pb n="156"/>

        <fw type="runningHead"><fw type="pageNum">140</fw> A New Poster</fw>

        <p>engagement with the ugly boy. Margaret's chaperon was an <lb/> aunt who did not look
          after her much ; and the ugly boy was <lb/> getting on well in his profession and had good
          connections ; so <lb/> Mrs. Angelo felt she was only being virtuous when she put on her
          <lb/> most becoming demi-toilette and laid herself out to be amusing the <lb/> whole of
          dinner-time. </p>

        <p>" By the way, Mr. Askew said he might come in to coffee," she <lb/> said casually in the
          drawing-room afterwards ; " that was why I <lb/> asked you to dinner." </p>

        <p>" I know; so is Mr. Marks. I met them both in the park <lb/> to-day. That is why I put on
          my yellow dress. Mr. Marks likes <lb/> me in yellow&#x2014;I look peculiarly distinguished
          in it, he says ! " </p>

        <p>" Mr. Marks says a variety of extravagant things to his lady <lb/> friends." </p>

        <p>" Oh, Cynthia, are there really such a lot of them ? Dicky is <lb/> always dinning Mr.
          Marks' lady friends into my ears till I cease to <lb/> believe in them at all. There
          aren't any, are there ?" </p>

        <p>" Who is Dicky, dear ?" </p>

        <p>" Dicky Askew, of course," laughed Margaret. " Is there <lb/> another Dicky ?" </p>

        <p>" Apparently not for you ; but it is difficult to believe that you <lb/> met him for the
          first time only a fortnight ago."</p>

        <p>" Ah !" said little Margaret wisely, " but that was at your <lb/> original dinner-party,
          and that counted for six ordinary meetings <lb/> with auntie. Besides, you didn't give me
          a chance of talking to <lb/> any one else that evening ; I never spoke to Mr. Marks at all
          except <lb/> about that hideous new poster. Did you see it noticed in the <lb/> morning
          paper, by the way ?" </p>

        <p>" What poster ?" asked Mrs. Angelo Milton. </p>
        <p> " The Fountain Pen poster," don't you remember ? Why we <lb/> talked ever such a lot
          about it, and&#x2014;&#x2014;" </p>

        <fw type="catchword">" Oh,</fw>

        <pb n="157"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">141</fw></fw>

        <p>" Oh, I can't recall it, then. Posters don't interest me in the <lb/> least ; they are a
          vulgar form of art, I never think of looking at <lb/> them. Are you getting on at the
          Slade, Margaret ?" </p>

        <p>" Yes&#x2014;no&#x2014;I don't know. But why don't you like posters, <lb/> Cynthia?"
          persisted Margaret. " Mr. Marks doesn't call them <lb/> vulgar ; Mr. Marks paints them
          himself." </p>

        <p>" Mr. Marks didn't paint that one, anyhow ; it is a hideous piece <lb/> of
          affectation&#x2014;"</p>

        <p>"Then you do remember it ?" cried Margaret triumphantly. </p>
        <p>" No, I don't. How you do bother, child," said Cynthia crossly. <lb/> " You've got
          posters on the brain. Mr. Marks has evidently been <lb/> making you one of his disciples." </p>

        <p>" Mr. Marks ?" said Margaret proudly. " Oh yes, he has taught <lb/> me such a lot about
          pictures&#x2014;"</p>

        <p>She paused abruptly as the door opened, and the two men were <lb/> announced. </p>

        <p>" Yes, very pretty, isn't it ? A present from a friend in <lb/> America," said Cynthia,
          and rose to receive them. </p>

        <p>Poor Margaret did not learn any more about posters that even- <lb/> ing, for Mr. Marks
          spent it in the boudoir with his hostess. It is <lb/> true that the door between the two
          rooms was left half-open, and <lb/> that Cynthia sometimes raised her voice in the
          interests of pro- <lb/> priety to make a remark to the couple on the drawing-room sofa,
          <lb/> but the conversation could not, on the whole, be termed a general <lb/> one. Nor was
          it altogether fluent at first. Nobody but Cynthia <lb/> had really mastered the situation,
          and she was almost too nervous <lb/> to play her part. The ugly boy was quite happy at
          having planned <lb/> the whole meeting, and felt quite sure it was going to settle the
          <lb/> future of every one present, and he had consequently plenty to say, <lb/> but he
          found a curious difficulty in saying it, and Margaret, to <lb/> whom he said it, was an
          unwilling listener. She was cross at being </p>

        <fw type="catchword">supposed</fw>

        <pb n="158"/>

        <fw type="runningHead"><fw type="pageNum">142</fw> A New Poster</fw>

        <p>supposed to be in love with Dicky, and at having to endure his <lb/> conversation all the
          evening ; while Adrian Marks, who was far older <lb/> and more interesting, dismissed her
          with a hand-shake and strolled <lb/> after Cynthia into the other room. </p>

        <p>Adrian Marks himself was full of pleasing sensations. A <lb/> comfortable chair in a
          softly lighted, pretty room, and a clever <lb/> woman to talk to, represented his
          favourite form of diversion ; and <lb/> the gratifying suspicion of having piqued her
          slightly by his re- <lb/> missness in calling added a zest to the situation. </p>

        <p>But he had read the will at Somerset House, and he did not <lb/> mean it to be more than
          a pleasant evening. </p>

        <p>" Do you mind the window being open ? It is hot in here, <lb/> and besides, I like to see
          the trees in the square&#x2014;don't you ? " <lb/> said Cynthia, settling herself in the
          low window-seat. </p>

        <p>" I like anything that affords an excuse for a good pose," he <lb/> said, and looked at
          her and not at the trees. </p>
        <p> It was a favourable opening, and Mrs. Angelo Milton followed <lb/> it up well. She had
          her own game to play this evening, and she <lb/> was going to stake her happiness to win
          it. All the thraldom of <lb/> her American life, all its sordidness and its gilded
          opulence, lay <lb/> clearly before her mind and tortured her with its vividness ; <lb/> it
          only needed a decided action on her part to put it away <lb/> from her for ever. And the
          man who could save her <lb/> from its haunting memories was Adrian, whom she thought <lb/>
          she loved sufficiently to marry because she had felt hurt <lb/> when he neglected her. She
          knew he loved her too in <lb/> his narrow, selfish way. And she felt tolerably sure she
          could<lb/> win him if she tried ; and, ignoble process though it was, she did <lb/> try. </p>

        <p>" You have been out of town ?" she asked him when they had <lb/> touched on various
          indifferent topics. </p>

        <fw type="catchword">" Since</fw>

        <pb n="159"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">143</fw></fw>

        <p>" Since I saw you? I hardly remember ; I think not&#x2014;no. <lb/> Why do you ask ?" </p>
        <p>She laughed. </p>

        <p>" How absurd of me ! For the moment I forgot that of course <lb/> you did not pay
          conventional calls after dinner-parties like every <lb/> one else." </p>

        <p>He paused just long enough to give weight to his answer. </p>
        <p>" I should not so far dishonour a charmingly unconventional<lb/> dinner-party. When I
          have made a friendship with a woman I <lb/> never spoil it by afternoon calls." </p>

        <p>" That sounds rather interesting. But staying away altogether <lb/> is an odd kind of
          substitute, don't you think ?"</p>

        <p>" It is the only substitute for a man who is afraid of what may <lb/> result from an
          interview." </p>

        <p>"Afraid ? You ? After all your experience ? I often wonder <lb/> whether you have the
          same formula of conversation for all your <lb/> lady friends, Mr. Marks. " </p>

        <p>" Well, no. There is the attractive formula for the timid and <lb/> the reticent for the
          bold ; the intellectual for the young and the <lb/> playful for the old ; the decorous for
          the matron and the indecorous <lb/> for the maiden ; and so on." </p>

        <p>" And to which class do I belong ?" </p>
        <p>" To no class, my dear lady. You are unique." </p>
        <p>" You said that so fluently that I shall suspect you of a common <lb/> formula after
          all." </p>

        <p>" True fluency is never the result of study, and my remark was <lb/> a spontaneous one.
          Won't you acknowledge that you gave me <lb/> an excuse for spontaneity ?" </p>

        <p>Cynthia looked into the depths of the plane-tree across the <lb/> road, and yawned
          lazily. </p>

        <p>" We are being dreadfully brilliant, and I am always afraid of </p>

        <fw type="catchword">you</fw>

        <pb n="160"/>

        <fw type="runningHead"><fw type="pageNum">144</fw> A New Poster</fw>

        <p>you when you are brilliant. Won't you smoke ? I have always <lb/> noticed that when a man
          has nothing to do with his hands he <lb/> becomes frankly untruthful." </p>
        <p> " You will join me, I hope ?"</p>

        <p>" For the same reason ?" </p>

        <p>" Oh no," he said, taking a cigarette from the box she handed <lb/> over to him. " But I
          have always noticed that when a woman <lb/> begins to smoke she becomes dangerously
          confidential." </p>

        <p>" You are quite safe," she said drily. " I never smoke. Mr.<lb/> Askew, will you have a
          cigarette ? Margaret doesn't mind." </p>

        <p>The two from the drawing-room made a diversion by coming <lb/> in and fetching the
          cigarettes. There was a search for matches, <lb/> a few remarks about the beauty of the
          evening and the size of the <lb/> plane-tree, and then a gravitation towards the former
          arrangement. <lb/> This time, Adrian was sitting on the window-ledge, and Mrs. <lb/>
          Angelo had slipped into a low chair close by. </p>

        <p>" Life is very full of stupid arrangements," said the artist <lb/> presently. He was
          thinking of the amazing selfishness of the <lb/> first husband when he made his will. </p>

        <p>" For example?" she murmured. She was thinking of the <lb/> small flat they would have to
          take when they were living on his <lb/> earnings alone, and she had sacrificed her fortune
          for the artistic <lb/> atmosphere. </p>

        <p>" The distribution of&#x2014;people," said the artist. He had almost <lb/> said&#x2014;of
          wealth. </p>

        <p>" Yes," said Cynthia dreamily, " the wrong ones have to be for <lb/> ever together, and
          if we try to sort ourselves differently the old <lb/> influences go on tugging at us until
          they prove strongest after all <lb/> and absorb us again. It is horrible." </p>

        <p>" It is merely the planetary system," said Adrian, looking up at <lb/> the stars, "and it
          gives the clever people lots of copy. " </p>

        <fw type="catchword">" I don't</fw>

        <pb n="161"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">145</fw></fw>

        <p>" I don't see why we should be sacrificed to the clever people,<lb/> they have so many
          compensations. It is the stupid people who <lb/> can only feel things, who are the really
          important factors of life, <lb/> and they have all the suffering," cried Cynthia bitterly.
          She was <lb/> forgetting the part she had planned for herself. </p>

        <p>" What are we talking about ?" said Adrian suddenly. </p>

        <p>" You were being brilliant again," she said, collecting herself <lb/> with an effort. </p>

        <p>" And my cigarette has gone out," he laughed, and went across <lb/> to a candle to light
          it. </p>

        <p>They listened mechanically to the voices through the open door. </p>

        <p>" It's no use, it won't draw, I tell you. Nobody could make it <lb/> draw, it's got
          stuffed up with something. I am quite sure the <lb/> strings I have been eating are not
          tobacco at all. It's the stupidest <lb/> cigarette I ever smoked." </p>

        <p>" It looks a bit played, doesn't it ? You've used all my matches <lb/> and the spills
          hang out in the other room. Stick to it a moment <lb/> while I freeze on to a coal, will
          you ?" </p>

        <p>Margaret evidently had no difficulty in sticking to the cigarette, <lb/> and Dicky must
          have achieved the extraordinary feat of freezing <lb/> on to a coal, for there was no more
          conversation in the drawing- <lb/> room for the next few moments, and when it began afresh
          a piano- <lb/> organ in the street below completely drowned it. </p>

        <p>" That's a good effect," said Adrian, leaning over the window- <lb/> box, " the lamps and
          the background of bushes, and the weird light <lb/> on that man's face&#x2014;awfully
          fine, isn't it ?"</p>

        <p>She came and looked out with him. </p>

        <p>" Very," she said ; " have you been painting much lately ?"</p>

        <p>" No. I've been literally off colour. Weather, I suppose." </p>

        <p>" Or a new lady friend ?" she suggested, under cover of the <lb/> clanging music in the
          street. </p>

        <fw type="catchword">Her</fw>

        <pb n="162"/>

        <fw type="runningHead"><fw type="pageNum">146</fw> A New Poster</fw>

        <p>Her eyes had a fascinating light in them when she looked <lb/> mischievous, and Adrian
          mentally included his old father and the <lb/> late Mr. Milton in the same big curse. It
          was hard, and it grew <lb/> harder as the evening wore on, that every one should put <lb/>
          obstacles in the way of his marrying one of the few women he had <lb/> ever really liked.
          He felt quite sorry, too, for her, and wished <lb/> magnanimously he could do something to
          lessen her evident <lb/> infatuation. But he felt most sorry for himself.</p>

        <p>" Possibly," he replied gaily ; " it is generally that. I am a bad <lb/> lot, you know,
          Mrs. Milton." </p>

        <p>He looked at her narrowly, but she only laughed and ran her <lb/> fingers through the
          lobelia in the window-box. </p>

        <p>" You don't think I am very bad, do you ?" he asked, bending <lb/> a little towards her. </p>

        <p>" I think you would be exceedingly disappointed if I didn't<lb/> think so," she retorted,
          without looking at him. The organ had <lb/> moved on, and the strains of a popular air
          came faintly round the <lb/> corner and mingled with the rustle of the plane-trees and the
          <lb/> passing footfall of the policeman. The conversation in the <lb/> drawing-room was no
          longer distinguishable, and the only distrac-<lb/> tions came from outside. Adrian drew in
          his head and stood a <lb/> little behind her. </p>
        <p>" I should like to know what you do think about me," he said <lb/> curiously ; " is it
          something very bad ?" </p>

        <p>" It is something quite formless," she replied indifferently. </p>

        <p>" Do you think about me at all ?" he asked, putting his hands <lb/> in his pockets and
          keeping them there with an effort. </p>

        <p>" As much, possibly, as you think about me." </p>

        <p>" And do you know how much that is ?"</p>

        <p>" Just so much thought as a man is likely to bestow on one <lb/> woman when there are
          twenty others." </p>

        <fw type="catchword">She</fw>

        <pb n="163"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">147</fw></fw>

        <p>She was acting now, not to gain her point, but to hide her real <lb/> feelings. And
          unconsciously she won her game, as it must always <lb/> be won. </p>

        <p>" Why do you say that ?" he asked, coming nearer to her. </p>

        <p>" It is not I who say it. I am merely repeating what you have <lb/> said to me dozens of
          times. What nonsense we are talking ! Shall <lb/> we go in to the others ?" </p>

        <p>Ten o'clock struck slowly from a neighbouring church tower, <lb/> and they stood and
          counted the strokes in silence as though the <lb/> slight mental effort was a sort of
          relief to their constraint. Then <lb/> she moved a little and felt his touch on her bare
          arm. </p>

        <p>" Don't go, Cynthia." </p>

        <p>He crushed her hand against his lips and pulled her almost <lb/> roughly towards him. </p>

        <p>" There are not twenty others," he whispered. </p>

        <p>When the two men left the house together half an hour later <lb/> Adrian uttered an
          exclamation in an unduly loud tone. </p>

        <p>" I say, that's rather strong, isn't it ?" said Dicky, whose reflec- <lb/> tions were of
          a peculiarly happy nature. </p>

        <p>" It's not nearly strong enough for the fools who make wills," <lb/> replied Adrian, and
          drove off alone in a hansom. </p>



        <lb/>
        <lb/>
        <lb/>
        <lb/>
        <p><fw type="head">III</fw></p>

        <p>For a woman who has staked everything and won the game <lb/> sooner then she expected,
          Mrs. Angelo Milton wore a singularly <lb/> dissatisfied appearance when she came
          downstairs the next <lb/> morning. She wrote letters in her boudoir until the smell of the
          <lb/> window flowers became intolerable and she had to take refuge in <lb/> the
          drawing-room ; and there she had two separate quarrels with </p>

        <fw type="catchword">the</fw>

        <pb n="164"/>

        <fw type="runningHead"><fw type="pageNum">148</fw> A New Poster</fw>

        <p>the maid over the dusting of the ornaments and the arrangement <lb/> of the flowers, and
          ended with the inevitable threat that she would <lb/> in future do them both herself. This
          she began at once to carry <lb/> into effect by walking about the room with a duster and
          making <lb/> herself very hot and cross. When she had broken a valuable <lb/> Venetian
          glass, and made the startling discovery that all the dust <lb/> she dissipated settled
          somewhere else directly afterwards, she <lb/> hid the duster under a sofa cushion,
          collected all the flowers out of <lb/> all the vases and piled them in a heap in the
          fender. Then she <lb/> sat down on the hearth-rug and looked at them helplessly, and felt
          <lb/> very foolish, when Margaret came in without being announced and <lb/> laughed at
          her. </p>

        <p>"My dear Cynthia, what is the matter, and whatever are you <lb/> doing on the floor ?"
          cried the girl. </p>

        <p>" I'm doing the flowers," cried Cynthia briskly ; " how jolly you <lb/> look. Did you
          trim that hat yourself ?" </p>

        <p>" Yes, it's my old Louise, don't you remember ? But what's <lb/> the matter ?" </p>

        <p>" Matter ?" cried Mrs. Angelo in a tone of amazement, " what <lb/> should be the matter ?
          I am particularly happy this morning. <lb/> Something very nice that I wanted very much
          indeed has <lb/> happened to me, and I never felt more pleased about anything in <lb/> my
          life." </p>

        <p>" You've got a very funny way of looking pleased," said Margaret <lb/> candidly, " and
          it's more than I feel myself. I've come round to <lb/> tell you something, Cynthia,
          something very important and not <lb/> at all pleasant to either of us. But hadn't you
          better get off the <lb/> floor first ?" </p>

        <p>" Well, what is it, child ?" asked Mrs. Angelo when she had <lb/> limped with two cramped
          legs to the nearest chair. </p>

        <p>" I only wish you to understand quite clearly that I am not in </p>

        <fw type="catchword">love</fw>

        <pb n="165"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">149</fw></fw>

        <p>love with Dicky Askew, whatever Dicky Askew may be <lb/> with me, and that I won't be
          left alone with Dicky Askew <lb/> until I have heard all his stories twice over and he is
          obliged <lb/> to propose for the sake of more conversation. I never want <lb/> to speak to
          Dicky Askew again ; I should like him to be &#x2014;<lb/> obliterated."</p>

        <p>" My dear," said Cynthia, " I don't keep Dicky Askew on the <lb/> premises. Did you
          really put on a new hat on purpose to come <lb/> and tell me something that doesn't
          concern me at all ?" </p>

        <p>" Doesn't concern you ?" cried Margaret. " I should like to <lb/> know whom it does
          concern then." </p>

        <p>"Dicky Askew, I should say. Really, my dear child, I am very <lb/> sorry I mistook your
          feelings ; I won't make up a party for you <lb/> again." </p>

        <p>" It was not," said Margaret with great dignity, " the party that <lb/> I objected to. It
          was only Dicky Askew."</p>

        <p>"I did it out of kindness," replied Cynthia, ignoring her in- <lb/> sinuation. </p>

        <p>" Then I hope you will never ask me to dinner again out of <lb/> kindness, or if you do,
          please shut me in here with the man I am <lb/> not in love with," responded Margaret. " I
          should not have minded <lb/> at all if I had spent the evening with the man I was not in
          love <lb/> with, last night." </p>

        <p>" I think you are right," said Cynthia quietly, and she stroked <lb/> the child's hot
          cheek soothingly as she spoke, " passing the evening <lb/> with the man you are in love
          with is very exhausting indeed. We <lb/> will try the opposite arrangement next time. Will
          you come out <lb/> with me this afternoon ?" </p>

        <p>"Where to?" asked Margaret suspiciously. </p>

        <p>" Hurlingham, of course." </p>

        <p>" It's too bad," cried the girl indignantly, " you <emph rend="italic">knew</emph> he was </p>

        <fw type="catchword">going</fw>

        <pb n="166"/>

        <fw type="runningHead"><fw type="pageNum">150</fw> A New Poster</fw>

        <p>going to be there ! One would think there was no one in the <lb/> world but Dicky Askew." </p>

        <p>" One would, to hear you talk," said Cynthia.</p>

        <p>When she was alone again, she went to the writing-table and <lb/> tried to write a
          letter. She made two rough copies and tore them <lb/> up, began a third and burst into
          tears in the middle. The anticipa- <lb/> tion of the artistic atmosphere for the rest of
          her life did not seem <lb/> to be exhilarating. </p>

        <p>" Mr. Ruthven," announced the man-servant. </p>

        <p>" Oh, how do you do ?" said Cynthia with desperate com-<lb/> posure. </p>

        <p>" What's the matter ?" he asked bluntly, just as Margaret had <lb/> done, " and what are
          all those flowers on the floor for ? It looks <lb/> like a funeral."</p>

        <p>" It isn't&#x2014;they're not&#x2014;oh don't," said Cynthia with an hys- <lb/> terical
          sob. </p>

        <p>Willis had hold of her hand still and drew her on to the sofa <lb/> beside him. </p>

        <p>" Something seems to have disturbed you," he said, and cleared <lb/> his throat
          sympathetically ; " what is it, eh ?" </p>

        <p>" I can't very well tell you," she replied with an effort to be <lb/> calm. </p>

        <p>" Then don't," said Willis, in the tone he might have used in <lb/> soothing a child ; "
          we'll talk about something else instead. I was <lb/> down at Johnson's just now&#x2014;" </p>

        <p>"Johnson's ? Whatever did you go to my agent's for ?" she <lb/> asked in a surprised
          tone. </p>

        <p>" To ask him if your affairs were in a satisfactory condition," <lb/> he replied frankly. </p>

        <p>" Why did you want to know !" </p>

        <p>" For reasons I will tell you presently." </p>

        <fw type="catchword">" And</fw>

        <pb n="167"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">151</fw></fw>

        <p>" And pray, what did he say about my affairs ?"</p>

        <p>" Oh, excellent report, never been selling better, largely owing <lb/> to that new poster
          he says ; it just wanted that to freshen up the <lb/> sale a bit. Bless me, what have I
          said now, Cynthia ?"</p>

        <p>" Oh, nothing. I am sick of that new poster. Margaret was <lb/> full of it yesterday.
          Everybody is full of it. Why did they want <lb/> a new poster to freshen up the sale just
          now ? I don't want the <lb/> horrible money." </p>

        <p>She wondered why he looked so pleased. </p>

        <p>" Don't you really, Cynthia ? Would you give it up willingly <lb/> if&#x2014;if you,
          well, if the terms of the will had to be fulfilled ?" </p>

        <p>She turned and looked at him with a hunted look in her <lb/> eyes. </p>

        <p>" How did you know ? What makes you ask me that ?" she <lb/> burst out. </p>

        <p>" Of course I knew, my dear," he answered with his genial <lb/> smile ; " why, I made Jim
          add that codicil myself."</p>

        <p>" You ? <emph rend="italic">You</emph> made him ? Willis, I don't understand. Why <lb/>
          did you ?" </p>

        <p>" For the same reason that I have come here this morning, <lb/> Cynthia. Is it so
          difficult to understand, then ?" </p>

        <p>There was a slight tremble in the bluff tones, but she did not <lb/> notice it. She was
          so absorbed in her own engrossing affairs <lb/> this morning that her faculties had grown
          incapable of receiving <lb/> any impression from outside. She continued to look at him
          <lb/> questioningly. </p>

        <p>" What reason ?" she asked. </p>

        <p>" Because I knew what you didn't know then, poor child&#x2014;that <lb/> Jim was dying.
          And I meant to come back for you after seven <lb/> years and take you for my own&#x2014;if
          you would come. We were <lb/> such good friends, Cynthia, and&#x2014;I thought perhaps you
          would </p>

        <fw type="catchword">come</fw>

        <pb n="168"/>

        <fw type="runningHead"><fw type="pageNum">152</fw> A New Poster</fw>

        <p>come. So I made Jim put in that clause about the property. <lb/> You see, I meant your
          love for me to stand the test of a sacrifice, <lb/> and I wanted mine to be free from a
          suspicion of self-interest. <lb/> Do you blame me very much, dear ?"</p>

        <p>She let him finish his speech without interruption. Her first <lb/> impulse was to laugh
          hysterically ; every nerve and every instinct <lb/> she possessed seemed alive ; it almost
          hurt her to think ; and the <lb/> main impression she gathered from his words was the
          humorous <lb/> aspect of them in the confidence of success that underlay their <lb/>
          humility. Why was every one so sure of being accepted by <lb/> her? </p>

        <p>She did not speak for an instant or two. She sat and stared <lb/> stupidly in front of
          her. He came a little closer to her with a <lb/> smile on his face, and then she broke
          away from him with a <lb/> distracted cry. It seemed to his slowly awakening comprehension
          <lb/> as though the air he was breathing were shivered by the pain of <lb/> that cry. </p>

        <p>" Oh, Willis, don't ! Go away, leave me, hate me, can't you ? <lb/> Oh, don't you see ? I
          can't, I can't. Take your eyes away, they <lb/> hurt me so. I cannot marry you now. What
          evil power sent <lb/> you here this morning ? Why couldn't you wait until everybody <lb/>
          knew ? Don't you understand, I&#x2014;I have promised some one else ? <lb/> There, go." </p>

        <p>It was his turn now to be silent, and to stare in complete <lb/> stupefaction. She bore
          it as long as she could, and then with a <lb/> bitter sense of the comedy of the situation
          she stammered out a <lb/> trembling supplication :</p>

        <p>" Oh, Willis, do scold me&#x2014;or something. Don't be so <lb/> ridiculously unlike
          yourself !" </p>

        <p>She crouched away from him in the far corner of the sofa, and <lb/> buried her face in
          the cushions. There was no sound except the </p>

        <fw type="catchword">rushing</fw>

        <pb n="169"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">153</fw></fw>

        <p>rushing in her ears for several minutes. When he spoke again <lb/> it seemed as though a
          wave were receding slowly and unwillingly <lb/> on the sea-shore. </p>

        <p>" I am very sorry, Cynthia. Of course I am going&#x2014;to be <lb/> sure, yes." </p>

        <p>She was conscious that he rose from the sofa and stood a little <lb/> away from her. </p>

        <p>" I suppose you wouldn't mind my knowing his name ? Don't <lb/> tell me if you would
          sooner not," said his voice, grown gentler still.</p>

        <p>A woman rarely finds it difficult to pronounce the name of <lb/> her lover, and Cynthia
          recovered some of her self-possession in <lb/> the effort. </p>

        <p>" I don't suppose you have ever heard of him. His name is <lb/> Marks&#x2014;Adrian
          Marks." </p>

        <p>There was one of those rapid transitions from artificial com- <lb/> posure to natural
          display of feeling, and Cynthia, listening dully <lb/> to his movements, heard the springs
          of the sofa suddenly creak <lb/> again as Willis dropped back heavily on to his seat. </p>

        <p>" Bless my soul !" he said in his own voice and manner.</p>
        <p> Cynthia raised herself and looked coldly at him.</p>

        <p>" Adrian Marks ?" he repeated, smoothing his hair with a large <lb/> white handkerchief.
          " Adrian Marks ?" </p>

        <p>" Do you know him ?" asked Cynthia curtly. </p>

        <p>" Know him ? Rather think I do ! Little unphysical bit of <lb/> a man&#x2014;eh ? Hair
          getting thin on the top, sallow complexion, no <lb/> hands to speak of&#x2014;should think
          I did know him, that's all. Do <lb/> you really mean Adrian Marks ? Impossible !" </p>

        <p>" He is an artist. I don't expect you to understand what, that <lb/> means. And I am
          going to marry him, which I think ought to <lb/> spare him your jeers. And I really think
          we had better end this <lb/> useless discussion." </p>

        <fw type="catchword">" Bless</fw>

        <pb n="170"/>

        <fw type="runningHead"><fw type="pageNum">154</fw> A New Poster</fw>

        <p>" Bless my soul !" exclaimed Willis again, " but we are only <lb/> at the beginning of
          it. My poor Cynthia, you must have wanted <lb/> to marry very badly." </p>
        <p> Mrs. Angelo made a struggle to retain her dignity.</p>

        <p>" I don't think you have at all grasped that I am engaged to <lb/> Mr. Marks&#x2014;"</p>

        <p>" Well, it is a bit difficult," acknowledged Willis; " why, I <lb/> could wipe the floor
          with him in one&#x2014;Does he know about <lb/> the will ?" </p>

        <p>" He did not know until I told him," said Cynthia proudly, <lb/> making the most of her
          one advantage, " and then he said my <lb/> poverty only made me more precious to him : Mr.
          Marks, also, is <lb/> ready to take me for myself." </p>

        <p>The insinuation in her last words was meant to impress her <lb/> hearer, but he only
          thrust his hands into his pockets and nodded <lb/> at his boots, and made a vulgar
          exclamation. </p>
        <p> " You bet he is, quite ready," he muttered incredulously. <lb/> " That sounds like Mr.
          Adrian Marks, doesn't it ? Oh yes, of <lb/> course." </p>

        <p>Cynthia sat with burning cheeks and said nothing. Willis got<lb/> up with a sigh and
          looked down at her searchingly. </p>

        <p>" Do you really think you are in love with Adrian Marks, <lb/> Cynthia ? Do you really
          ?"</p>

        <p>It was the question she had put to herself doubtingly for many <lb/> weeks, but to hear
          it from the lips of another destroyed her last <lb/> remnant of composure. </p>

        <p>" It is easy for you to sneer," she cried angrily, " you who <lb/> never had a thought
          apart from commerce, and the making of <lb/> gold, and the heartless game of getting on in
          the world. What <lb/> right have you to depreciate a man behind his back because he <lb/>
          lives by his intellect and his talent, and because he moves in a </p>

        <fw type="catchword">world</fw>

        <pb n="171"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">155</fw></fw>

        <p>world you have no suspicion of? It is mean and unmanly of <lb/> you." </p>

        <p>Willis by no means showed himself disconcerted at this out <lb/> burst. She was in the
          mood that was most familiar to him, the <lb/> one in which he had seen her most often
          before, and he brightened <lb/> considerably at the opportunities it offered him. </p>

        <p>" Doesn't he get paid for his pictures then, eh ?" he asked with <lb/> a chuckle. </p>

        <p>" I don't mind how much you laugh," cried Cynthia, " I have <lb/> heard all those stale
          arguments before, and they are quite fruitless, <lb/> every one. I am glad I never need
          listen to them any more ; I <lb/> am glad there is some one who can lift me out of my old
          miserable <lb/> surroundings, and who can't allude to them either because he <lb/> never
          knew anything about them. Adrian will never know any <lb/> more of my history than I
          choose to tell him, never ! I am glad <lb/> I am going to throw away my ill-gotten
          fortune, the price of <lb/> trade and robbery and everything I loathe. I am glad, glad,
          <lb/> glad !" </p>

        <p>Willis Ruthven gave a long whistle and strode over to the <lb/> window before he spoke. </p>

        <p>" Who told you that Marks didn't know anything about you?" <lb/> he asked sharply. </p>

        <p>" What do you mean?" she said, with a vague feeling of <lb/> alarm. </p>

        <p>" Well, my dear girl, I suppose that the fool who painted that <lb/> nonsensical poster
          of yours must have known what he was paint- <lb/> ing it for, eh ? Not that the poster
          itself proves it, to be sure." </p>

        <p>Cynthia did not speak. The artistic atmosphere was being <lb/> slowly dissipated. </p>

        <p>" All I know is," went on Willis from the window, " that <lb/> when I was down at
          Johnson's this morning, this dandy artist </p>

        <fw type="catchword">you</fw>

        <fw type="footer">The Yellow Book&#x2014;Vol. VI. <emph>K</emph></fw>

        <pb n="172"/>

        <fw type="runningHead"><fw type="pageNum">156</fw> A New Poster</fw>

        <p>you mention happened to descend from a world of his own in <lb/> order to look in about
          the payment for that particular poster. <lb/> Do you mean to tell me he doesn't know who
          you are ? Bless <lb/> my soul, Cynthia, it's time you had some one to look after <lb/>
          you." </p>

        <p>The delusion in which she had been living was shattered at one <lb/> blow. Cynthia
          cowered for a moment beneath it, and then <lb/> collected herself again with an instinct
          of self-preservation. She <lb/> rose and walked over to the fireplace and began picking up
          the <lb/> flowers. Her face was quite white, but she kept it turned away <lb/> from him,
          and when she spoke it was in a tone of exaggerated <lb/> composure. </p>

        <p>" If you have said all you want to say, Willis, we will drop the <lb/> subject. You have
          given me a good deal of gratuitous informa- <lb/> tion about my private affairs, and I
          don't find it very amusing. I <lb/> am rather busy this morning, too."</p>

        <p>But Willis had no intention of taking the hint to leave. He <lb/> came away from the
          window and spoke to her instead. </p>

        <p>" You poor little woman, to think that I should have to be the <lb/> one to tell you what
          any man would have twigged in a brace of <lb/> shakes," he said in a sympathetic tone as
          he rubbed his hat with <lb/> his coat sleeve, " I always did have to look after you,
          didn't I, <lb/> Cynthia ?" </p>

        <p>Cynthia nearly choked in an attempt to tell him to leave her, but <lb/> he stood up in
          the middle of the room and went on speaking, <lb/> quite unconscious of the storm that was
          raging in her mind. </p>

        <p>" But there, of course it was only a fancy freak on your part. <lb/> Lord, what
          inexplicable creatures women are, to be sure. How- <lb/> ever a fine woman like you,
          Cynthia, with your taste and your <lb/> head could have&#x2014;but there, of course you
          didn't care about him <lb/> really, how could you ? Poor child, poor child. I won't bother </p>

        <fw type="catchword">you</fw>

        <pb n="173"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">157</fw></fw>

        <p>you any more now ; you'll like to think it over a bit&#x2014;women like <lb/> to think
          things over, eh ? " </p>

        <p>And he really went that time, without the farewell greeting she <lb/> was dreading and
          yet longed for ; and she sat up and listened to <lb/> his retreating footstep on the
          stairs, and felt she would have done <lb/> anything in her power to make him come back and
          scold and com- <lb/> fort her all at once for her foolishness. Yet she did not make an
          <lb/> effort to recall him, but sat on the floor instead and wept hot <lb/> tears of shame
          and disappointment over his stick and gloves. And <lb/> Willis walked away down the street
          with his arms swinging and <lb/> his hat at the back of his head. </p>

        <p>How he spent the day never transpired, but to Cynthia it was <lb/> the longest day of her
          life. She rang for the maid to clear up the <lb/> confusion of the drawing-room, and went
          upstairs to put powder <lb/> on her face. </p>

        <p>Then she gave herself up to the consideration of her misfor- <lb/> tunes, and went
          without her lunch. She countermanded the <lb/> carriage and issued the mandate of " Not at
          home, " passed the <lb/> afternoon in her bedroom where she persuaded herself she was
          <lb/> going to be very ill, and took anti-pyrine, which she had heard was <lb/> a
          preventive against something. About five o'clock she changed <lb/> her dress, and made
          rather a substantial tea on finding to her dis-<lb/> gust that she was healthily hungry,
          and then she sat on the balcony <lb/> without a vestige of a headache left, and envied the
          cheerful people <lb/> who passed in their carriages, and wished somebody would call. </p>

        <p>Somebody did call about an hour before dinner-time, but he sent <lb/> his card up first
          with a pencilled message upon it. </p>

        <p>" You can show Mr. Ruthven up, and tell cook not to make a <lb/> second entrée to-night,"
          she said, making herself effective on a <lb/> couch near the window. She had decided that
          her attitude was to <lb/> be smiling indifference, but she never thought of it again when </p>

        <fw type="catchword">Willis</fw>

        <pb n="174"/>

        <fw type="runningHead"><fw type="pageNum">158</fw> A New Poster</fw>

        <p>Willis burst into the room in front of the stately footman, seized<lb/> both her hands in
          a friendly grasp and straightway burlesqued her <lb/> studied pose. </p>

        <p>" My dear silly little woman," he said, and looked at her and <lb/> laughed mirthfully. </p>

        <p>" Willis, I'm not, I won't be&#x2014;"</p>

        <p>" You'll have to be," he said, laughing more than ever, and <lb/> kissing the tips of her
          fingers on both hands.</p>

        <p>" Let me go," cried Cynthia fiercely. </p>

        <p>" Do you mean that ?" he said, loosening his clasp and looking <lb/> directly at her. </p>

        <p>Cynthia turned away from him, and stamped her foot. </p>

        <p>" I don't know," she muttered sulkily. </p>

        <p>" Of course you don't," said Willis jovially, " women never do. <lb/> We always have to
          make up their minds for them. You're as bad <lb/> as any of them, Cynthia." </p>

        <p>" You talk as though I had nothing to do but to listen to you," <lb/> cried Cynthia
          angrily. </p>

        <p>" You don't look to me as though you had done much else since <lb/> you got up this
          morning," replied Willis bluntly. </p>

        <p>" Is that my fault ?" she exclaimed with burning cheeks. " Can <lb/> I help your coming
          and wasting all my time ? When I tell you <lb/> to go, you don't."</p>

        <p>" Tell me to go ? But you don't," said Willis. </p>

        <p>" I&#x2014;I do," said Cynthia, looking down. </p>

        <p>" When ? Now ?" he demanded. </p>

        <p>" Yes, now," she said, with her back to him and her hands <lb/> clenched. </p>

        <p>" If I go," she heard him say slowly and deliberately behind <lb/> her, " it will be for
          always, Cynthia." </p>

        <p>" I don't care," was her reply. </p>

        <fw type="catchword">" For</fw>

        <pb n="174"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">159</fw></fw>

        <p>" For always, Cynthia," he repeated doggedly. </p>
        <p>She shrugged her shoulders and turned a little towards him.</p>
        <p>" You know you couldn't keep away," she said scornfully.</p>
        <p>" You know you couldn't do without me," he rejoined, and <lb/> began humming a tune. </p>

        <p>" I have done without you for seven years." </p>

        <p>" And a pretty mess you've got yourself into at the end of <lb/> them," cried Willis. </p>

        <p>"I haven't&#x2014;it's you. It would have been all right if you had <lb/> not
          interfered," she said, facing him again.</p>

        <p>" Would it? Then I'm to go, is that it?" he said, and <lb/> took no notice of her change
          of expression as he picked up his <lb/> hat. </p>

        <p>" It is for always, Cynthia," he said, and held out his hand.<lb/> Cynthia burst into
          tears. </p>

        <p>" There, I <emph rend="italic">knew</emph>" said Willis, coughing violently for no reason
          <lb/> whatever. </p>

        <p>" What did you know?" sobbed Cynthia, swaying towards <lb/> him. </p>

        <p>" That you would have to give in," he laughed, coming nearer <lb/> to her. </p>

        <p>" Why?" said she, struggling to free herself as he put his <lb/> arms round her. </p>

        <p>" Because I said so, of course. Bless me, is that going to dis- <lb/> please you too ?" </p>

        <p>" I hate you for saying that, but&#x2014;I'm glad you did," she <lb/>
          whispered.&#x2014;"I suppose I must ask you to dinner," she said <lb/> presently. </p>
        <p>" They will be all my dinners in the future," he said with <lb/> exultation in his voice.
          " How will it please you to come to me <lb/> for all your pocket-money, eh ?" </p>

        <fw type="catchword">" As</fw>

        <pb n="175"/>

        <fw type="runningHead"><fw type="pageNum">160</fw> A New Poster</fw>

        <p>" As much, possibly, as it will please you to find out how <lb/> much pocket-money I
          require," retorted Cynthia. </p>

        <p>" To think," continued Willis, " that I owe all my happiness <lb/> to that ridiculous
          poster&#x2014;"</p>

        <p>" You don't," cried Cynthia ; " you owe it all to coming in this <lb/> morning ! I was
          writing to Adrian when you arrived. I should <lb/> never have listened to him at all if
          you had not gone out of town. <lb/> I am perfectly certain I shouldn't," she added firmly,
          in the hope <lb/> of convincing herself of this comfortable conclusion. Willis had <lb/>
          always been convinced of it, and kissed her with a proud sense of <lb/> victory. </p>

        <p>" Do you want me to go and finish him off, or anything ?" he <lb/> asked cheerfully. </p>

        <p>Cynthia was alarmed at the vision of her late lover being <lb/> murdered in his studio by
          one blow from a heavy walking- <lb/> stick, and said she thought she would be meeting him
          herself at <lb/> Lady Houghton's dance that evening. And she wondered <lb/> vaguely at the
          same moment why he had not been to see her all <lb/> day. </p>

        <p>The reason for his absence was quite simple. He had woke up <lb/> in the morning in a
          mood that strangely resembled Cynthia's, <lb/> though it probably showed itself
          differently in him, and arose from <lb/> another cause. He stayed in bed and blamed
          himself until mid- <lb/> day ; and he tried to paint and blamed his model until sunset. He
          <lb/> called himself a fool in no measured terms for having allowed his <lb/> feelings to
          run away with him, and he considered carefully every <lb/> possible way of extricating
          himself from his predicament. The <lb/> day wore on, and he arrived at no satisfactory
          solution of the <lb/> difficulty. A letter did not commend itself to him because he <lb/>
          could not write letters ; women always had the best of it, he <lb/> reflected, when it
          came to letter-writing. Besides, what had he </p>

        <fw type="catchword">to</fw>

        <pb n="176"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">161</fw></fw>

        <p>to say except that he found he had made a mistake on the previous<lb/> evening ? It was
          not a graceful admission to make in any case,<lb/> but to say it in his best manner and in
          carefully chosen surround-<lb/> ings, satisfied his sense of the fitness of things more
          than the<lb/> idea of seeing it baldly represented in black and white. Besides,<lb/> he
          had really persuaded himself that he loved her very deeply, and<lb/> he had a lingering
          hope that an interview might present some<lb/> pathetic though compensating features that
          could never arise from<lb/> an exchange of letters. Yet the evening came and he had
          not<lb/> fixed a time nor a place for it.<lb/></p>

        <p>He dined with Dicky Askew at his favourite restaurant ; and <lb/> the dinner was not so
          good as usual, and Dicky's conversation <lb/> related entirely to Hurlingham and had a
          vagueness and an <lb/> absence of particulars about it which, at any other time, would
          have <lb/> aroused his suspicions, but which only succeeded this evening in <lb/>
          irritating him more than before. He dressed for Lady Houghton's <lb/> dance in a dejected
          frame of mind, and he went forth in a hansom <lb/> like a victim who knows that his doom
          is awaiting him. </p>

        <p>Margaret, with whom he had his first dance, found him <lb/> astonishingly dull. She was
          full of conversation herself, and she <lb/> rallied him on his mood as he led her into the
          conservatory after <lb/> one or two turns round the crowded room. </p>

        <p>" Why weren't you at Hurlingham this afternoon ?" she said. </p>

        <p>" Is it necessary to go to Hurlingham ?" he asked with his <lb/> weary smile. It struck
          him that she was looking very pretty and <lb/> well-dressed. </p>

        <p>" Of course. Everybody does," said Margaret conclusively, <lb/> " it is bright and
          amusing, and the best-dressed people go there. <lb/> There is polo too, I believe." </p>

        <p>" But I am not interested in polo," objected Adrian. </p>

        <p>" Oh, that doesn't matter. Nobody is. I didn't dream of</p>

        <fw type="catchword">looking</fw>

        <pb n="177"/>

        <fw type="runningHead"><fw type="pageNum">162</fw> A New Poster</fw>

        <p>looking at the polo to-day. But it was perfectly thrilling," she <lb/> added with a glow
          on her face. </p>

        <p>" How young and fresh you are," said the artist involuntarily. <lb/> " Is it only
          Hurlingham that can bring that look on to your face, <lb/> Margaret ?" </p>

        <p>" Mr. Marks ! what have I said ? I only meant that I enjoyed <lb/> myself rather," said
          Margaret, looking confused and blushing <lb/> furiously ; " the drive and the air, you
          know, and&#x2014;and the polo of <lb/> course&#x2014;"</p>

        <p>Adrian was silently rejoicing that she was, to the best of his <lb/> knowledge,
          completely untrammelled by any will. </p>

        <p>" Don't let me frighten you," he murmured in his softest tones ; <lb/> " I was thinking
          that the man who could make you look like that <lb/> would be the happiest man in the
          world." </p>

        <p>Margaret was a little bewildered at first ; then her face cleared <lb/> up and she smiled
          up at him happily. She remembered that <lb/> Dicky had been dining with him. </p>

        <p>" Do you think so really ?" she said, " do you think he <emph rend="italic">is</emph> ?" </p>

        <p>"Well," said Adrian, slightly startled, " that of course depends <lb/> on whether you
          will make him so." </p>

        <p>The words escaped his lips without reflection. The intoxi-<lb/> cating scent of the
          hothouse plants, the swing of the music in <lb/> the next room, his own
          dissatisfaction&#x2014;all combined to make him <lb/> seize the opportunity that she
          evidently meant to give him. </p>

        <p>" Why of course I will !" cried Margaret, turning to him <lb/> with another blush and
          smile. </p>

        <p>Adrian hardly allowed himself to breathe.</p>

        <p>" Do you really mean that, darling ?" he said, bending towards <lb/> her. </p>

        <p>" Dicky !" cried the astonished girl, springing up to meet <lb/> the ugly boy who was
          coming to claim her, " Dicky, tell </p>

        <fw type="catchword">him !</fw>

        <pb n="178"/>

        <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">163</fw></fw>

        <p>him ! I thought you had ; he doesn't understand ! Where's <lb/> auntie ?" </p>

        <p>And she fled across the tessellated floor and left the two friends <lb/> face to face. </p>

        <p>The ugly boy laughed exultantly. </p>

        <p>" Thought you'd guess, old man, after what I said at dinner. <lb/> Has she been trying to
          tell you, the little brick ? She knows <lb/> we're pals, you see, that's why." </p>

        <p>" Yes," said Adrian faintly, " I expect that's why. Congratu- <lb/> late you, Dicky." </p>

        <p>" Thanks awfully, old chap. I knew you'd be glad," laughed <lb/> Dicky, shaking his hand
          vigorously ; " I am beastly lucky, eh ? <lb/> See you for a drink after this dance." </p>

        <p>Adrian stood irresolute for a moment when the ugly boy had <lb/> gone. He picked one or
          two flowers to pieces, ground his heel <lb/> savagely into them as they lay on the floor,
          and then strolled aim- <lb/> lessly round the edge of azalea under which he had been
          sitting <lb/> with Margaret. </p>

        <p>On the opposite side of it he found Mrs. Angelo Milton sitting <lb/> alone. </p>

        <p>There were only two constructions to be placed on the situa-<lb/> tion and he desperately
          assumed the happiest. </p>

        <p>" Oh, here you are," he began, with a wretched attempt at<lb/> composure ; " I have been
          looking for you everywhere." </p>

        <p>Cynthia looked him from head to foot without moving.</p>

        <p>" I don't think I have the pleasure," she said, with a calm smile ; <lb/> " there seems
          to be some mistake." </p>

        <p>And Adrian took his dismissal and his departure simultaneously. </p>

        <p>" Well, how did your puny little wall-painter take it ?" asked <lb/> Willis Ruthven the
          next day. </p>

        <p>" He seemed surprised," said Cynthia, and concealed a smile.</p>
      </div>
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  </text>
</TEI>
