<?xml version="1.0" encoding="UTF-8"?>
<?xml-model href="../../../Schema,%20CSS%20and%20Template%20Files/YB_schema2.rnc" type="application/relax-ng-compact-syntax"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0">
    <teiHeader>
        <fileDesc>
            <titleStmt>
                <title>Yellow Nineties 2.0</title>
                <title>The Yellow Book: An Illustrated Quarterly, Volume 6 July 1895</title>
                <title type="YBV6_grahame_long"/>
                <editor>Lorraine Janzen Kooistra</editor>
            </titleStmt>
            <editionStmt>
                <p>
                    <date>2020</date>
                </p>
            </editionStmt>
            <publicationStmt>
                <idno>YBV6_10pr</idno>
                <publisher>Yellow Nineties 2.0</publisher>
                <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
                <address>
               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
            </address>
                <availability>
                    <p>Usable according to the Creative Commons License <ref
                            target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution
                            Non-commercial Share-alike</ref>.</p>
                </availability>
            </publicationStmt>
            <sourceDesc>
                <biblStruct>
                    <monogr>
                        <editor>
                            <persName>Henry Harland</persName>
                        </editor>
                        <author>Kenneth Grahame</author>
                        <title>Long Odds</title>
                        <imprint>
                            <publisher>John Lane</publisher>
                            <pubPlace>London</pubPlace>
                            <publisher>Copeland &amp; Day</publisher>
                            <pubPlace>Boston</pubPlace>
                            <date>July 1895</date>
                            <biblScope>Grahame, Kenneth. "Long Odds." <emph rend="italic">The Yellow
                                    Book</emph>, vol. 6, July 1895, pp. 78-86. <emph rend="italic">Yellow
                                    book Digital Edition</emph>, edited by Dennis Denisoff and Lorraine Janzen
                                Kooistra, 2010-2014. <emph rend="italic">Yellow Nineties 2.0</emph>,
                                Ryerson University Centre for Digital Humanities, 2020.
                                https://1890s.ca/YBV6_grahame_long/ </biblScope>
                        </imprint>
                    </monogr>
                </biblStruct>
            </sourceDesc>
        </fileDesc>
        <encodingDesc>
            <editorialDecl>
                <p>Our editorial method is informed by social-text editing principles. By “text” we mean
                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
            </editorialDecl>
        </encodingDesc>
        <profileDesc>
            <creation>
                <date>1895</date>
            </creation>
            <langUsage>
                <language ident="en">English</language>
                <language ident="it">Italian</language>
                <language ident="fr">French</language>
            </langUsage>
            <textClass>
                <keywords scheme="#lcsh">
                    <list>
                        <item>English literature -- 19th century -- Periodicals</item>
                        <item>Great Britain -- Periodicals</item>
                    </list>
                </keywords>
                <keywords scheme="ninesGenre">
                    <list>
                        <item>Essay</item>
                        <item>Periodical</item>
                        <item>Criticism</item>
                        <note>Possible genres: Architecture, Ephemera, Music, Poetry, Artifacts,
                            Fiction, Nonfiction, Religion, Bibliography, History, Paratext, Review,
                            Collection, Leisure, Periodical, Visual Art, Criticism, Letters,
                            Philosophy, Translation, Drama, Life Writing, Photograph, Travel,
                            Education, Manuscript, Citation, Book History, Politics, Reference
                            Works, Family Life, Law, Folklore, Humor. Please include as many as
                            apply. Place each in its own item tag </note>
                    </list>
                </keywords>
                
                <keywords scheme="ninesType">
                    <list>
                        <item>Periodical</item>
                        <note>Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, 
                            biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters,
                            prospecti)</note>
                        <!-- only choose one item-->
                    </list>
                </keywords>
                
                <keywords scheme="ninesDiscipline">
                    <list>
                        <item>Book History</item>
                        <item>Literature</item>
                        <note>Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies,"
                            "Musicology," "Philosophy," "Anthropology," "Science"</note>
                        <!--Add items as necessary. Remove items not used.-->
                    </list>
                </keywords>
                
            </textClass>
        </profileDesc>
    </teiHeader>
    <text>
        <body>
            <div n="YBV6_10pr" type="prose">
                <pb n="88"/>
                <head><title level="a">Long Odds</title></head>

                <byline>By <docAuthor><ref target="#KGR">Kenneth Grahame</ref></docAuthor></byline>

                <p>For every honest reader there exist some half-dozen honest <lb/> books, which he
                    re-reads at regular intervals of six months <lb/> or thereabouts. Whatever the
                    demands on him, however alarming <lb/> the arrears that gibber and grin in
                    menacing row, for these he <lb/> somehow generally manages to find time. Nay, as
                    the years flit <lb/> by, the day is only too apt to arrive when he reads no
                    others at <lb/> all ; the hour will even come, in certain instances, when the
                    <lb/> number falls to five, to four&#x2014;perhaps to three. With this <lb/>
                    same stride of time comes another practice too&#x2014;that of formu-<lb/> lating
                    general principles to account for or excuse one's own line <lb/> of action ; and
                    yet it ought not to be necessary to put forward <lb/> preface or apology for
                    finding oneself immersed in <emph rend="italic">Treasure Island</emph>
                    <lb/> for about the twentieth time. The captain's capacities for the <lb/>
                    consumption of rum must always be a new delight and surprise ; <lb/> the
                    approaching tap of the blind man's stick, the moment of <lb/> breathless waiting
                    in the dark and silent inn, are ever sure of their<lb/> thrill ; hence it came
                    about that the other night I laid down the <lb/> familiar book at the end of
                    Part the Second&#x2014;where vice and virtue <lb/> spar a moment ere the close
                    grip&#x2014;with the natural if common- <lb/> place reflection that nineteen to
                    six was good healthy odds. </p>

                <p>But somehow I was in no hurry to take the book up again.</p>

                <fw type="catchword">The</fw>
                <pb n="89"/>


                <fw type="runningHead">By Kenneth Grahame <fw type="pageNum">79</fw></fw>

                <p>The mental comment with which I had laid it down had set up a <lb/> yeasty
                    ferment and a bubble in my brain ; till at last, with a start, <lb/> I asked
                    myself how long was it since I had been satisfied with <lb/> such a pitiful
                    majority on the side of evil ? Why, a certain <lb/> number of years ago it would
                    have been no majority at all&#x2014;none, <lb/> at least, worth speaking of.
                    What a change must have been <lb/> taking place in me unsuspected all this time,
                    that I could tamely <lb/> accept, as I had just done, this pitiful compromise (I
                    can call it <lb/> nothing else) with the base law of probabilities ! What a
                    totally <lb/> different person I must have now become, from the hero who <lb/>
                    sallied out to deal with a horde of painted Indians, armed only <lb/> with his
                    virtue and his unerring smoothbore ! Well, there was <lb/> some little comfort
                    in the fact that the fault was not entirely my <lb/> own, nor even that of the
                    irresistible years. </p>

                <p>Frankly, in the days I look back to, this same <emph rend="italic">Treasure
                        Island</emph>
                    <lb/> would not have gone down at all. It was not that we were in <lb/> the
                    least exacting. We did not ask for style ; the evolution of <lb/> character
                    possessed no interest whatever for us ; and all scenery <lb/> and description we
                    sternly skipped. One thing we <emph rend="italic">did</emph> insist on <lb/>
                    having, and that was good long odds against the hero ; and in those <lb/>
                    fortunate days we generally got them. Just at present, however, <lb/> a sort of
                    moral cowardice seems to have set in among writers of <lb/> this noblest class
                    of fiction ; a truckling to likelihood, and a dirty <lb/> regard for statistics.
                    Needless to say, this state of things is <lb/> bringing about its inevitable
                    consequence. Already one hears <lb/> rumours that the boy of the period, instead
                    of cutting down im-<lb/> palpable bandits or blowing up imaginary mines and
                    magazines, is <lb/> moodily devoting himself to golf. The picture is a pitiful
                    one. <lb/> Heaven hath blessed him, this urchin, with a healthy appetite for
                    <lb/> pirates, a neat hand at the tomahawk, and a simple passion for <lb/> being
                    marooned ; instead of which, he now plods about the country </p>

                <fw type="catchword">playing</fw>
                <pb n="90"/>


                <fw type="runningHead"><fw type="pageNum">80</fw> Long Odds</fw>

                <p>playing golf. The fault is not his, of course ; the honest heart of <lb/> him
                    beats sound as ever. The real culprits are these defaulting <lb/> writers, who,
                    tainted by realism, basely shirk their duty, fall away <lb/> from the high
                    standard of former days, and endeavour to represent <lb/> things as they
                    possibly might have happened. Nineteen to six, <lb/> indeed ! No lad of spirit
                    will put up with this sort of thing. He <lb/> will even rather play golf; and
                    play golf he consequently does. </p>

                <p>The magnificent demand of youth for odds&#x2014;long odds, what-<lb/> ever the
                    cost !&#x2014;has a pathetic side to it, once one is in a position <lb/> to look
                    back, thereon squinting gloomily through the wrong end of <lb/> the telescope.
                    At the age of six or seven, the boy (in the person <lb/> of his hero of the
                    hour) can take on a Genie, an Afreet or two, a <lb/> few Sultans and a couple of
                    hostile armies, with a calmness re-<lb/> sembling indifference. At twelve he is
                    already less exacting. <lb/> Three hundred naked Redskins, mounted on mustangs
                    and yelling <lb/> like devils, pursue him across the prairie and completely
                    satisfy his <lb/> more modest wants. At fifteen, 'tis enough if he may only lay
                    his <lb/> frigate alongside of two French ships of the line ; and among the
                    <lb/> swords he shall subsequently receive on his quarter-deck he will <lb/> not
                    look for more than one Admiral's ; while a year or two later <lb/> it suffices
                    if he can but win fame and fortune at twenty-five, and <lb/> marry the Earl's
                    daughter in the face of a whole competitive <lb/> House of Lords. Henceforward
                    all is declension. One really has <lb/> not the heart to follow him, step by
                    dreary step, to the time when <lb/> he realises that a hero may think himself
                    lucky if he can only hold <lb/> his own, and so on to the point when it dawns on
                    him at last that <lb/> the gods have a nasty habit of turning the trump, and
                    have even <lb/> been accused of playing with loaded dice&#x2014;an aphorism any
                    honest <lb/> boy would laugh to scorn. </p>

                <p>Indeed, the boy may well be excused for rejecting with indigna-<lb/> tion these
                    unworthy sneers at the <emph rend="italic">bona fides</emph> of the autocrats
                    who, </p>

                <fw type="catchword">from</fw>
                <pb n="91"/>


                <fw type="runningHead">By Kenneth Grahame <fw type="pageNum">81</fw></fw>

                <p>from afar, shift the pieces on this little board, and chuck them<lb/> aside when
                    done with, one by one. For he but sees the world <lb/> without through the
                    chequered lattice of the printed page, and <lb/> there invariably the hero,
                    buffeted though he may be of men, <lb/> kicked by parents and guardians, reviled
                    by colonels and first <lb/> lieutenants, always has the trump card up his
                    sleeve, ready for <lb/> production in the penultimate chapter. What wonder,
                    then, that the <lb/> gods appear to him as his cheerful backers, ready to put
                    their money <lb/> on him whatever the starting price ? Nay, even willing to wink
                    <lb/> and look the other way when he, their darling, gets a quiet lift <lb/>
                    from one of themselves, who (perhaps) may " have a bit on ? " <lb/> Meanwhile,
                    to the wistful gazer through the lattice, his cloistral <lb/> life begins to irk
                    terribly. 'Tis full time he was up and doing. <lb/> Through the garden gate,
                    beyond the parish common, somewhere <lb/> over the encircling horizon, lie fame
                    and fortune, and the title <lb/> and the bride. Pacific seas are calling, the
                    thunder of their rollers <lb/> seems to thrill to him through the solid globe
                    that interposes <lb/> between. Savages are growing to dusky manhood solely that
                    he <lb/> may flesh his sword on them ; maidens are already entangling <lb/>
                    themselves in perilous situations that he, and he alone, may burst <lb/> the
                    bonds, eliminate the dragon, and swing them forth to freedom <lb/> and his side.
                    The scarlet sunsets scorn him, a laggard and a <lb/> recreant ; behind them lie
                    arrogant cities, plains of peril, and all the <lb/> tingling adventure of the
                    sea. The very nights are big with <lb/> reproach, in their tame freedom from the
                    watch-fire, the war- <lb/> whoop, the stealthy ambuscade ; and every hedgerow is
                    a boundary, <lb/> every fence another bond. From this point his decadence dates.
                    <lb/> At first the dice spring merrily out on the board. The gods <lb/> throw,
                    and he ; and they again, and then he, and still with no <lb/> misgivings ; those
                    blacklegs know enough to permit an occasional <lb/> win. All the same, early or
                    late, comes that period in the game </p>

                <fw type="catchword">when</fw>
                <pb n="92"/>


                <fw type="runningHead"><fw type="pageNum">82</fw> Long Odds</fw>

                <p>when suspicion grows a sickening certainty. He asked for long<lb/> odds against
                    him, and he has got them with a vengeance ; the <lb/> odds of the loaded dice.
                    While as for that curled darling he <lb/> dreamed of, who was to sweep the board
                    and declare himself the <lb/> chosen, where is he ? He has dropped by the
                    roadside, many a <lb/> mile behind. From henceforth on they must not look to
                    join hands <lb/> again. </p>

                <p>Some there are who have the rare courage, at the realising point, <lb/> to kick
                    the board over and declare against further play. Stout-<lb/> hearted ones they,
                    worthy of marble and brass ; but you meet them <lb/> not at every turn of the
                    way. Such a man I forgathered with <lb/> by accident, one late autumn, on the
                    almost deserted Lido. The <lb/> bathing-ladders were drawn up, the tramway was
                    under repair ; <lb/> but the slant sun was still hot on the crinkled sand, and
                    it was not <lb/> so much a case of paddling suggesting itself as of finding
                    oneself <lb/> barefoot and paddling without any conscious process of thought.
                    <lb/> So I paddled along dreamily, and thought of Ulysses, and how he <lb/>
                    might have run the prow of his galley up on these very sands, and <lb/> sprung
                    ashore and paddled ; and then it was that I met him&#x2014;not <lb/> Ulysses,
                    but the instance in point. </p>

                <p>He was barelegged also, this elderly man of sixty or thereabouts: <lb/> and he
                    had just found a <emph rend="italic">cavallo del mare</emph>, and exhibited it
                    with all <lb/> the delight of a boy ; and as we wandered together, cool-footed,
                    <lb/> eastwards, I learnt by degrees how such a man as this, with the <lb/> mark
                    of Cheapside still evident on him, came to be pacing the <lb/> sands of the Lido
                    that evening with me. He had been Secretary, <lb/> it transpired, to some
                    venerable Company or Corporation that <lb/> dated from Henry the Seventh ; and
                    among his duties, which were <lb/> various and engrossing, was in especial that
                    of ticking off, with a <lb/> blue pencil, the members of his governing body, as
                    they made their <lb/> appearance at their weekly meeting ; in accordance with
                    the practice</p>

                <fw type="catchword">dating</fw>
                <pb n="93"/>

                <fw type="runningHead">By Kenneth Grahame <fw type="pageNum">83</fw></fw>

                <p>dating from Henry the Seventh. His week, as I have said, was a <lb/> busy one,
                    and hinged on a Board day ; and as time went on these <lb/> Board days raced up
                    and disappeared with an ever-increasing <lb/> rapidity, till at last his life
                    seemed to consist of but fifty-two days <lb/> in the year&#x2014;all Board days.
                    And eternally he seemed to be tick-<lb/> ing off names with a feverish blue
                    pencil. These names, too, that <lb/> he ticked&#x2014;they flashed into sight
                    and vanished with the same <lb/> nightmare gallop ; the whole business was a
                    great humming <lb/> Zoetrope. Anon the Board would consist of Smith, Brown,
                    <lb/> Jackson, &amp;c., Life Members all ; in the briefest of spaces Smith <lb/>
                    would drop out, and on would come Price, a neophyte&#x2014;a mere <lb/>
                    youngling, this Price. A few more Board days flash by, and out <lb/> would go
                    Brown and maybe Jackson&#x2014;on would come Cattermole, <lb/> Fraser,
                    Davidson&#x2014;beardless juniors every one. Round spun the un-<lb/> ceasing
                    wheel ; in a twinkling Davidson, the fledgling, sat reverend <lb/> in the chair,
                    while as for those others&#x2014;&#x2014;! And all the time his blue <lb/>
                    pencil, with him, its slave, fastened to one end of it, ticked steadily <lb/>
                    on. To me, the hearer, it was evident that he must have been <lb/> gradually
                    getting into the same state of mind as Rudyard Kipling's <lb/> delightful
                    lighthouse keeper, whom solitude and the ceaseless tides <lb/> caused to see
                    streaks and lines in all things, till at last he barred a <lb/> waterway of the
                    world against the ships that persisted in making the <lb/> water streaky. And
                    this may account for an experience of his in <lb/> the Underground Railway one
                    evening, when he was travelling home <lb/> after a painful Board day on which he
                    had ticked up three new boys <lb/> into vacant places which seemed to have been
                    hardly filled an hour. <lb/> He was alone, he said, and rather sleepy, and he
                    hardly looked at <lb/> the stranger who got in at one of the stations, until he
                    saw him <lb/> deposit in the hat-rack&#x2014;where ordinary people put their
                    umbrellas <lb/> &#x2014;what might have been an umbrella, but looked, in the dim
                    light <lb/> of the Underground, far more like a scythe. Then he sat up and </p>

                <fw type="catchword">began</fw>
                <pb n="94"/>


                <fw type="runningHead"><fw type="pageNum">84</fw> Long Odds</fw>

                <p>began to take notice. The elderly stranger&#x2014;for he was both <lb/> gaunt and
                    elderly&#x2014;nay, as he looked at him longer he saw he was <lb/> old&#x2014;oh
                    so very old ! And one long white tuft of hair hung down <lb/> on his wrinkled
                    forehead from under his top hat,&#x2014;the stranger <lb/> squatted on the seat
                    opposite him, produced a note-book and a pen-<lb/> cil&#x2014;a <emph
                        rend="italic">blue</emph> pencil too!&#x2014;and leaning forward, with a
                    fiendish grin, <lb/> said, " <emph rend="italic">Now</emph> I'm going to tick
                    off all you fellows&#x2014;all you Secre-<lb/> taries&#x2014;right back from the
                    days of Henry the Seventh ! " </p>

                <p>The Secretary fell back helplessly in his seat. Terror-stricken,<lb/> he strove
                    to close his ears against the raucous voice that was already <lb/> rattling off
                    those quaint old Tudor names he remembered having <lb/> read on yellowing
                    parchment ; but all was of no avail. The <lb/> stranger went steadily on, and
                    each name as read was ruthlessly <lb/> scored out by the unerring blue pencil.
                    The pace was tremendous. <lb/> Already they were in the Commonwealth ; past flew
                    the Restora-<lb/> tion like a racehorse&#x2014;the blue pencil wagged steadily
                    like a night- <lb/> mare&#x2014;Queen Anne and her coffee-houses,&#x2014;in a
                    second they were <lb/> left far behind ; and as they turned the corner and sped
                    down the <lb/> straight of the Georgian era, the Secretary sweated, a doomed
                    man. <lb/> The gracious reign of Victoria was full in sight&#x2014;nay, on the
                    <lb/> stranger's lips was hovering the very name of Fladgate&#x2014;Fladgate
                    <lb/> whom the Secretary could himself just remember, a doddering old <lb/>
                    pensioner&#x2014;when the train shivered and squealed into St. James's <lb/>
                    Park Station. The Secretary flung the door open and fled like a <lb/> hare,
                    though it was not his right station. He ran as far as the <lb/> Park itself, and
                    there on the bridge over the water he halted, <lb/> mopped his brow, and
                    gradually recovered his peace of mind. The <lb/> evening was pleasant, full of
                    light and laughter and the sound of <lb/> distant barrel-organs. Before him,
                    calm and cool, rose the walls <lb/> of the India Office, which in his simple way
                    he had always con- <lb/> sidered a dream in stone. Beneath his feet a whole
                    family of ducks </p>

                <fw type="catchword">circled</fw>
                <pb n="95"/>


                <fw type="runningHead">By Kenneth Grahame <fw type="pageNum">85</fw></fw>

                <p>circled aimlessly, with content written on every feature ; or else, <lb/>
                    reversing themselves in a position denoting supreme contempt for <lb/> all
                    humanity above the surface, explored a new cool underworld a <lb/> few inches
                    below. It was then (he said) that a true sense of his <lb/> situation began to
                    steal over him ; and it was then that he awoke <lb/> to the face, of another
                    life open to him should he choose to grasp <lb/> it. Neither the ducks nor the
                    India Office (so he affirmed) carried <lb/> blue pencils, and why should he ?
                    The very next Board day he <lb/> sent in his resignation, and, with a
                    comfortable pension and some <lb/> reminiscence (perhaps) of that frontage of
                    the India Office, crossed <lb/> the Channel and worked South till he came to
                    Venice, where the <lb/> last trace of blue-pencil nightmare finally faded away. </p>

                <p>" And are you never bored ? " I tenderly inquired of him, as <lb/> we rocked
                    homewards in a gondola between an apricot sky and an <lb/> apricot sea. </p>

                <p>" During the first six months I was" he answered, frankly ;<lb/> " then it passed
                    away altogether, even as influenza does in time, or <lb/> the memory of a <emph
                        rend="italic">gaucherie</emph>. And now every day lasts as long as a <lb/>
                    year of those Board days of old, and is fifty-two times as interesting. <lb/>
                    Why, only take this afternoon, for example. I didn't get over <lb/> here till
                    two, but first I met some newly-arrived Americans, and <lb/> talked for a cycle
                    with them ; and you never know what an <lb/> American will be surprised at, or,
                    better still, what he will not be <lb/> surprised at ; and if you only think
                    what that means&#x2014;&#x2014; Well, <lb/> presently they left (they had to get
                    on to Rome), so I went up to <lb/> the platform over the sea and had oysters and
                    a bottle of that <lb/> delightful yellow wine I always forget the name of ; and
                    aeons <lb/> passed away in the consumption. Each oyster lasted a whole Board
                    <lb/> day, and each glass of yellow wine three. Then I strolled along <lb/> the
                    sands for a century or so, thinking of nothing in particular. <lb/> Lastly, I
                    met you, and for some twelve months I've been boring </p>

                <fw type="catchword">you</fw>

                <fw type="footer">The Yellow Book&#x2014;Vol. VI. <emph>F</emph></fw>

                <pb n="96"/>


                <fw type="runningHead"><fw type="pageNum">86</fw> Long Odds</fw>

                <p>you with my uninteresting story. And even yet there's the <lb/> whole evening to
                    come ! Oh, I had lots of leeway to make up <lb/> when I came over here ; but I
                    think I shall manage it yet&#x2014;in <lb/> Venice ! "</p>

                <p>I could not help thinking, as I parted from him at the Piazzetta <lb/> steps,
                    that (despite a certain incident in the Underground Rail-<lb/> way) here was one
                    of the sanest creatures I had ever yet happened <lb/> upon. </p>

                <p>But examples such as this (as I said) are rare ; the happy-starred <lb/> ones who
                    know when to cut their losses. The most of us prefer <lb/> to fight
                    on&#x2014;mainly, perhaps, from cowardice, and the dread of a <lb/> plunge into
                    a new element, new conditions, new surroundings&#x2014;a <lb/> fiery trial for
                    any humble, mistrustful creature of use-and-wont. <lb/> And yet it is not all
                    merely a matter of funk. For a grim love <lb/> grows up for the sword-play
                    itself, for the push and the hurtle of <lb/> battle, for the grips and the
                    give-and-take&#x2014;in fine, for the fight itself, <lb/> whatever the cause. In
                    this exaltation, far from ignoble, we push <lb/> and worry along until a certain
                    day of a mist and a choke, and we <lb/> are ticked off and done with. </p>

                <p>This is the better way ; and the history of our race is ready to <lb/> justify
                    us. With the tooth-and-claw business we began, and <lb/> we mastered it
                    thoroughly ere we learnt any other trade. Since <lb/> that time we may have
                    achieved a thing or two besides&#x2014;evolved <lb/> an art, even, here and
                    there, though the most of us bungled it. <lb/> But from first to last fighting
                    was the art we were always <lb/> handiest at ; and we are generally safe if we
                    stick to it, what-<lb/> ever the foe, whatever the weapons&#x2014;most of all,
                    whatever the <lb/> cause. </p>
            </div>
        </body>
    </text>
</TEI>
