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Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.
Literature
I. Hymn to the Sea . . By William Watson .
II. The Papers of Basil Fillimer
H. D. Traill . . . 19
III. A Song . . . . Richard Le
Gallienne . 33
IV. The Pleasure-Pilgrim
. Ella D'Arcy . . . 34
V. Two Songs . . . Rosamund
Marriott-Watson 71
VI. The Inner Ear
. . Kenneth Grahame . . 73
VII. Rosemary for Remembrance
Henry Harland . . 77
VIII. Three Poems . . Dauphin
Meunier . . 101
IX. Two Studies
. . . Mrs. Murray Hickson . 104
X. The Ring of Life . . Edmund
Gosse . . 117
XI. Pierre Gascon
. . Charles Kennett Burrow . 121
XII. Refrains . . . Leila Macdonald
. . 130
XIII. The Haseltons . . Hubert Crackanthorpe . 132
XIV. Perennial . . . Ernest
Wentworth . . 171
XV. For Ever and Ever
. . C. S. . . . . 172
XVI. Mr. Meredith in Little . G. S.
Street . . . 174
XVII. Shepherds' Song
. . Nora Hopper . . . 189
XVIII. The Phantasies of Philarete
James Ashcroft Noble . 195
XIX. Pro Patria . . . B. Paul
Neuman . . 226
XX. Puppies and
Otherwise . Evelyn Sharp . . . 235
XXI. Oliver Goldsmith's Grave
W. A. Mackenzie . . 247
XXII. Suggestion . . . Mrs. Ernest
Leverson . 249
XXIII. The Sword of
Cæsar Borgia
Richard Garnett, LL.D., C.B..... 258
XXIV. M. Anatole France . The Hon.
Maurice Baring 263
XXV. The Call
. . . Norman Gale . . . 280
XXVI. L'Evêché de Tourcoing . Anatole France . . 283
XXVII. A Fleet
Street Eclogue . John Davidson . . 299
Art
I. Bodley Heads. No. 3 : George Egerton By E. A. Walton . .
II. The Chrysanthemum Girl
R. Anning Bell . . 68
III. Trees . . . . Alfred Thornton
. . 97
IV. Study of Durham . . F. G. Cotman . . 118
V. Portrait of Mrs. James Welch
P. Wilson Steer . . 164
VI. The Mantelpiece .
VII. The Mirror . .
VIII. The Prodigal Son . . A. S.
Hartrick . . 186
IX. Portrait of a Girl
. . Robert Halls . . . 191
X. Portrait of Mrs. Ernest Leverson
Walter Sickert . . 229
XI. The Middlesex Music Hall
XII. A Sketch . . . Constantin Guys
. . 259
XIII. Study of a Head . .
Sydney Adamson . . 290
XIV. A Drawing . . . Patten Wilson
. . 293