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                <title>Yellow Nineties 2.0</title>
                <title>The Yellow Book: An Illustrated Quarterly, Volume 5 April 1895</title>
                <title type="YBV5_garnett_sword"/>
                <editor>Lorraine Janzen Kooistra</editor>
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                    <date>2019</date>
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                <idno>YBV5_35po</idno>
                <publisher>Yellow Nineties 2.0</publisher>
                <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
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               <addrLine>Toronto ON,</addrLine>
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                            <persName>Henry Harland</persName>
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                        <author>Richard Garnett</author>
                        <title>The Sword of Cæsar Borgia</title>
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                            <publisher>John Lane</publisher>
                            <pubPlace> London </pubPlace>
                            <publisher>Copeland &amp; Day</publisher>
                            <pubPlace>Boston</pubPlace>
                            <date>April 1895</date>
                            <biblScope>Garnett, Richard. "The Sword of Cæsar Borgia." <emph
                                    rend="italic">The Yellow Book</emph>, vol. 5, April 1895, p. 258. <emph
                                    rend="italic">Yellow Book Digital Edition</emph>, edited by Dennis
                                Denisoff and Lorraine Janzen Kooistra, 2010-2014. <emph rend="italic">Yellow Nineties 2.0</emph>,
                                Ryerson University Centre for Digital Humanities, 2019.
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                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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                <date>1895</date>
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                <head><title level="a">The Sword of Cæsar Borgia</title>
                </head>
                <byline><docAuthor><ref target="#RGAR">By Richard Garnett, LL.D.,
                        C.B.</ref></docAuthor></byline>
                <lb/>
                <lb/>
                <quote>"Aut Cæsar aut nihil "</quote>
                <lb/>
                <lg type="stanza">
                    <l>WELL hath the graver traced thee, sword of mine ! </l>
                    <l rend="indent">Here Cæsar by the Rubicon's slow deeps </l>
                    <l rend="indent">Ponders ; here resolute to empire leaps, </l>
                    <l>And far and near the smitten waters shine.</l>
                </lg>
                <lg type="stanza">
                    <l>The vanquished train's interminable line </l>
                    <l rend="indent">Wends at his wheels up Capitolian steeps ; </l>
                    <l rend="indent">And round the interlacing legend creeps, </l>
                    <l><emph rend="italic">Cæsar or nothing ! saith Duke Valentine</emph></l>
                </lg>
                <lg type="stanza">
                    <l>And did I bare thee to the sun, my blade, </l>
                    <l rend="indent">Fired at the flash all Italy should thrill, </l>
                    <l rend="indent">And many a city quake and province bow. </l>
                    <l>Yet is a drop within this vial stayed </l>
                    <l rend="indent">That should the might of marching armies still, </l>
                    <l rend="indent">And stainless sheathe ten thousand such as thou.</l>
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