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                <title>The Yellow Book: An Illustrated Quarterly, Volume 5 April 1895</title>
                <title type="YBV5_darcy_pleasure"/>
                <editor>Lorraine Janzen Kooistra</editor>
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                        <editor>
                            <persName>Henry Harland</persName>
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                        <author>Ella D'Arcy</author>
                        <title>The Pleasure-Pilgrim</title>
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                            <publisher>John Lane</publisher>
                            <pubPlace> London </pubPlace>
                            <publisher>Copeland &amp; Day</publisher>
                            <pubPlace>Boston</pubPlace>
                            <date>April 1895</date>
                            <biblScope>D'Arcy, Ella. "The Pleasure-Pilgrim." <emph rend="italic">The
                                    Yellow Book</emph>, vol. 5, April 1895, pp. 34-67. <emph rend="italic">
                                    Yellow Book Digital Edition</emph>, edited by Dennis Denisoff and Lorraine
                                Janzen Kooistra, 2010-2014. <emph rend="italic">Yellow Nineties 2.0</emph>,
                                Ryerson University Centre for Digital Humanities, 2019.
                                https://1890s.ca/YBV5_darcy_pleasure/
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                <pb n="42"/>
                <head><title level="a">The Pleasure-Pilgrim</title></head>

                <byline>By<docAuthor><ref target="#EDA"> Ella D'Arcy</ref></docAuthor></byline>



                <fw type="head">I</fw>
                <lb/>
                <p>CAMPBELL was on his way to Schloss Altenau, for a second<lb/> quiet season with
                    his work. He had spent three profitable<lb/> months there a year ago, and now he
                    was devoutly hoping for a<lb/> repetition of that good fortune. His thoughts
                    outran the train ;<lb/> and long before his arrival at the Hamelin railway
                    station, he was<lb/> enjoying his welcome by the Ritterhausens, was revelling in
                    the<lb/> ease and comfort of the old castle, and was contrasting the
                    pleasures<lb/> of his home-coming&#x2014;for he looked upon Schloss Altenau as a
                    sort<lb/> of temporary home&#x2014;with his recent cheerless experiences of<lb/>
                    lodging-houses in London, hotels in Berlin, and strange indifferent<lb/> faces
                    everywhere. He thought with especial satisfaction of the<lb/> Maynes, and of the
                    good talks Mayne and he would have together,<lb/> late at night, before the
                    great fire in the hall, after the rest of the<lb/> household had gone to bed. He
                    blessed the adverse circumstances<lb/> which had turned Schloss Altenau into a
                    boarding-house, and<lb/> had reduced the Freiherr Ritterhausen to eke out his
                    shrunken<lb/> revenues by the reception, as paying guests, of English and<lb/>
                    American pleasure-pilgrims.</p>

                <p>He rubbed the blurred window-pane with the fringed end of the<lb/></p>

                <fw type="catchword">strap</fw>
                <pb n="43"/>


                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">35</fw></fw>

                <p>strap hanging from it, and, in the snow-covered landscape reeling<lb/> towards
                    him, began to recognise objects that were familiar.<lb/> Hamelin could not be
                    far off..... In another ten minutes the<lb/> train came to a standstill.</p>

                <p>He stepped down from the overheated atmosphere of his com-<lb/> partment into the
                    cold bright February afternoon, and through<lb/> the open station doors saw one
                    of the Ritterhausen carriages<lb/> awaiting him, with Gottlieb in his
                    second-best livery on the<lb/> box. Gottlieb showed every reasonable
                    consideration for the<lb/> Baron's boarders, but he had various methods of
                    marking his sense of<lb/> the immense abyss separating them from the family. The
                    use of<lb/> his second-best livery was one of these methods. Nevertheless,
                    he<lb/> turned a friendly German eye up to Campbell, and in response<lb/> to his
                    cordial " Guten Tag, Gottlieb. Wie geht's ? Und die<lb/> Herrschaften ? "
                    expressed his pleasure at seeing the young man<lb/> back again.</p>

                <p>While Campbell stood at the top of the steps that led down to<lb/> the carriage
                    and the Platz, looking after the collection of his<lb/> luggage and its bestowal
                    by Gottlieb's side, he became aware of<lb/> two persons, ladies, advancing
                    towards him from the direction of<lb/> the Wartsaal. It was surprising to see
                    any one at any time in<lb/> Hamelin station. It was still more surprising when
                    one of these<lb/> ladies addressed him by name.</p>

                <p>"You are Mr. Campbell, are you not?" she said. "We<lb/> have been waiting for you
                    to go back in the carriage together.<lb/> When we found this morning that there
                    was only half-an-hour<lb/> between your train and ours, I told the Baroness it
                    would be<lb/> perfectly absurd to send to the station twice. I hope you
                    won't<lb/> mind our company ? "</p>

                <p>The first impression Campbell received was of the magnificent<lb/> apparel of the
                    lady before him ; it would have been noticeable in<lb/></p>
                <fw type="catchword">Paris</fw>
                <fw type="footer">The Yellow Book&#x2014;Vol. V. <emph>c</emph></fw>
                <pb n="44"/>


                <fw type="runningHead"><fw type="pageNum">36</fw> The Pleasure-Pilgrim</fw>

                <p>Paris or Vienna&#x2014;it was extravagant here. Next, he perceived<lb/> that the
                    face beneath the upstanding feathers and the curving hat-<lb/> brim was that of
                    so very young a girl as to make the furs and<lb/> velvets seem more incongruous
                    still. But the incongruity vanished<lb/> with the intonation of her first
                    phrase, which told him she was an<lb/> American. He had no standards for
                    American dress or manners.<lb/> It was clear that the speaker and her companion
                    were inmates of<lb/> the Schloss.</p>

                <p>Campbell bowed, and murmured the pleasure he did not feel.<lb/> A true Briton, he
                    was intolerably shy; and his heart sank at the<lb/> prospect of a three-mile
                    drive with two strangers who evidently<lb/> had the advantage of knowing all
                    about him, while he was in<lb/> ignorance of their very names. As he took his
                    place opposite to<lb/> them in the carriage, he unconsciously assumed a cold
                    blank stare,<lb/> pulling nervously at his moustache, as was his habit in
                    moments<lb/> of discomposure. Had his companions been British also, the<lb/>
                    ordeal of the drive would certainly have been a terrible one ; but<lb/> these
                    young American girls showed no sense of embarrassment<lb/> whatever.</p>

                <p>"We've just come back from Hanover," said the one who had<lb/> already spoken to
                    him. "I go over once a week for a singing<lb/> lesson, and my little sister
                    comes along to take care of me."</p>

                <p>She turned a narrow, smiling glance from Campbell to her<lb/> little sister, and
                    then back to Campbell again. She had red hair,<lb/> freckles on her nose, and
                    the most singular eyes he had ever seen ;<lb/> slit-like eyes, set obliquely in
                    her head, Chinese fashion.</p>

                <p>" Yes, Lulie requires a great deal of taking care of," assented<lb/> the little
                    sister, sedately, though the way in which she said it<lb/> seemed to imply
                    something less simple than the words themselves.<lb/> The speaker bore no
                    resemblance to Lulie. She was smaller,<lb/> thinner, paler. Her features were
                    straight, a trifle peaked ; her<lb/></p>

                <fw type="catchword">skin</fw>
                <pb n="45"/>


                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">37</fw></fw>

                <p>skin sallow ; her hair of a nondescript brown. She was much<lb/> less gorgeously
                    dressed. There was even a suggestion of shabbi-<lb/> ness in her attire, though
                    sundry isolated details of it were hand-<lb/> some too. She was also much less
                    young ; or so, at any rate,<lb/> Campbell began by pronouncing her. Yet
                    presently he wavered.<lb/> She had a face that defied you to fix her age.
                    Campbell never<lb/> fixed it to his own satisfaction, but veered in the course
                    of that drive<lb/> (as he was destined to do during the next few weeks) from
                    point<lb/> to point up and down the scale between eighteen and thirty-five.<lb/>
                    She wore a spotted veil, and beneath it a pince-nez, the lenses of<lb/> which
                    did something to temper the immense amount of humorous<lb/> meaning which lurked
                    in her gaze. When her pale prominent<lb/> eyes met Campbell's, it seemed to the
                    young man that they were<lb/> full of eagerness to add something at his expense
                    to the stores of<lb/> information they had already garnered up. They chilled
                    him<lb/> with misgivings ; there was more comfort to be found in her<lb/>
                    sister's shifting red-brown glances.</p>

                <p>" Hanover is a long way to go for lessons," he observed, forcing<lb/> himself to
                    be conversational. " I used to go myself about once a<lb/> week, when I first
                    came to Schloss Altenau, for tobacco, or note-<lb/> paper, or to get my hair
                    cut. But later on I did without, or<lb/> contented myself with what Hamelin, or
                    even the village, could<lb/> offer me."</p>

                <p>" Nannie and I," said the young girl, " meant to stay only a<lb/> week at
                    Altenau, on our way to Hanover, where we were going<lb/> to pass the winter ;
                    but the Castle is just too lovely for any-<lb/> thing," she added softly. She
                    raised her eyelids the least little bit<lb/> as she looked at him, and such a
                    warm and friendly gaze shot out<lb/> that Campbell was suddenly thrilled. Was
                    she pretty, after all ?<lb/> He glanced at Nannie ; she, at least, was
                    indubitably plain. " It's<lb/> the very first time we've ever stayed in a
                    castle," Lulie went on ;<lb/></p>

                <fw type="catchword">"and</fw>
                <pb n="46"/>


                <fw type="runningHead"><fw type="pageNum">38</fw> The Pleasure-Pilgrim</fw>

                <p>" and we're going to remain right along now, until we go home<lb/> in the spring.
                    Just imagine living in a house with a real moat,<lb/> and a drawbridge, and a
                    Rittersaal, and suits of armour that have<lb/> been actually worn in battle !
                    And oh, that delightful iron collar<lb/> and chain ! You remember it, Mr.
                    Campbell ? It hangs right<lb/> close to the gateway on the court-yard side. And
                    you know, in<lb/> old days, the Ritterhausens used it for the punishment of
                    their<lb/> serfs. There are horrible stories connected with it. Mr. Mayne<lb/>
                    can tell you them. But just think of being chained up there like<lb/> a dog ! So
                    wonderfully picturesque."</p>

                <p>" For the spectator perhaps," said Campbell, smiling. " I<lb/> doubt if the
                    victim appreciated the picturesque aspect of the<lb/> case."</p>



                <p>With this Lulie disagreed. " Oh, I think he must have been<lb/> interested," she
                    said. " It must have made him feel so absolutely<lb/> part and parcel of the
                    Middle Ages. I persuaded Mr. Mayne to<lb/> fix the collar round my neck the
                    other day ; and though it was<lb/> very uncomfortable, and I had to stand on
                    tiptoe, it seemed to me<lb/> that all at once the court-yard was filled with
                    knights in armour,<lb/> and crusaders, and palmers, and things ; and there were
                    flags flying<lb/> and trumpets sounding ; and all the dead and gone
                    Ritterhausens<lb/> had come down from their picture-frames, and were
                    walking<lb/> about in brocaded gowns and lace ruffles."</p>

                <p>" It seemed to require a good deal of persuasion to get Mr.<lb/> Mayne to unfix
                    the collar again," said the little sister. " How at<lb/> last did you manage it
                    ? "</p>

                <p>But Lulie replied irrelevantly : " And the Ritterhausens are<lb/> such perfectly
                    lovely people, aren't they, Mr. Campbell ? The<lb/> old Baron is a perfect dear.
                    He has such a grand manner. When<lb/> he kisses my hand I feel nothing less than
                    a princess. And the<lb/> Baroness is such a funny, busy, delicious little round
                    ball of a<lb/></p>

                <fw type="catchword">thing.</fw>
                <pb n="47"/>


                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">39</fw></fw>

                <p>thing. And she's always playing bagatelle, isn't she ? Or else<lb/> cutting up
                    skeins of wool for carpet-making." She meditated a<lb/> moment. "Some people
                    always <emph rend="italic">are</emph> cutting things up in order to<lb/> join
                    them together again," she announced, in her fresh drawling<lb/> little
                    voice.</p>

                <p>" And some people cut things up, and leave other people to do<lb/> all the
                    reparation," commented the little sister, enigmatically.</p>

                <p>And all this time the carriage had been rattling over the<lb/> cobble-paved
                    streets of the quaint mediæval town, where the<lb/> houses stand so near
                    together that you may shake hands with<lb/> your opposite neighbour ; where
                    allegorical figures, strange birds<lb/> and beasts, are carved and painted over
                    the windows and doors ;<lb/> and where to every distant sound you lean your ear
                    to catch the<lb/> fairy music of the Pied Piper, and at every street corner you
                    look<lb/> to see his tatterdemalion form with the frolicking children at
                    his<lb/> heels.</p>

                <p>Then the Weser bridge was crossed, beneath which the ice-<lb/> floes jostled and
                    ground themselves together, as they forced a way<lb/> down the river ; and the
                    carriage was rolling smoothly along<lb/> country roads, between vacant
                    snow-decked fields.</p>

                <p>Campbell's embarrassment was wearing off. Now that he was<lb/> getting accustomed
                    to the girls, he found neither of them awe-<lb/> inspiring. The red-haired one
                    had a simple child-like manner<lb/> that was charming. Her strange little face,
                    with its piquant<lb/> irregularity of line, its warmth of colour, began to
                    please him.<lb/> What though her hair was red, the uncurled wisp which
                    strayed<lb/> across her white forehead was soft and alluring ; he could see
                    soft<lb/> masses of it tucked up beneath her hat-brim as she turned her<lb/>
                    head. When she suddenly lifted her red-brown lashes, those<lb/> queer eyes of
                    hers had a velvety softness too. Decidedly, she<lb/> struck him as being
                    pretty&#x2014;in a peculiar way. He felt an<lb/></p>

                <fw type="catchword">immense</fw>
                <pb n="48"/>


                <fw type="runningHead"><fw type="pageNum">40</fw> The Pleasure-Pilgrim</fw>

                <p>immense accession of interest in her. It seemed to him that he<lb/> was the
                    discoverer of her possibilities. He did not doubt that the<lb/> rest of the
                    world called her plain, or at least odd-looking. He, at<lb/> first, had only
                    seen the freckles on her nose, her oblique-set eyes.<lb/> He wondered what she
                    thought of herself, and how she appeared<lb/> to Nannie. Probably as a very
                    commonplace little girl ; sisters<lb/> stand too close to see each other's
                    qualities. She was too young<lb/> to have had much opportunity of hearing
                    flattering truths from<lb/> strangers ; and, besides, the ordinary stranger
                    would see nothing<lb/> in her to call for flattering truths. Her charm was
                    something<lb/> subtle, out-of-the-common, in defiance of all known rules of
                    beauty.<lb/> Campbell saw superiority in himself for recognising it, for
                    formu-<lb/> lating it ; and he was not displeased to be aware that it
                    would,<lb/> always remain caviare to the multitude.</p>
                <lb/>
                <lb/>
                <lb/>
                <fw type="head">II</fw>
                <lb/>
                <p>" I'm jolly glad to have you back," Mayne said, that same<lb/> evening, when, the
                    rest of the boarders having retired to their<lb/> rooms, he and Campbell were
                    lingering over the hall-fire for a<lb/> talk and smoke. " I've missed you
                    awfully, old chap, and the<lb/> good times we used to have here. I've often
                    meant to write to<lb/> you, but you know how one shoves off letter-writing day
                    after<lb/> day, till at last one is too ashamed of one's indolence to write
                    at<lb/> all. But tell me&#x2014;you had a pleasant drive from Hamelin ?<lb/>
                    What do you think of our young ladies ? "</p>

                <p>"Those American girls? But they're charming," said Campbell,<lb/> with
                    enthusiasm. " The red-haired one is particularly charming."</p>

                <p>At this Mayne laughed so oddly that Campbell questioned him<lb/> in surprise. "
                    Isn't she charming ? "<lb/></p>

                <fw type="catchword">"My</fw>
                <pb n="49"/>


                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">41</fw></fw>

                <p>" My dear chap," said Mayne, " the red-haired one, as you call<lb/> her, is the
                    most remarkably charming young person I've ever met<lb/> or read of. We've had a
                    good many American girls here before<lb/> now&#x2014;you remember the good old
                    Clamp family, of course ?&#x2014;<lb/> they were here in your time, I think
                    ?&#x2014;but we've never had any-<lb/> thing like this Miss Lulie Thayer. She is
                    something altogether<lb/> unique."</p>

                <p>Campbell was struck with the name. " Lulie&#x2014; Lulie Thayer,"<lb/> he
                    repeated. " How pretty it is." And, full of his great discovery,<lb/> he felt he
                    must confide it to Mayne, at least. " Do you know,"<lb/> he went on, " <emph
                        rend="italic">she</emph> is really very pretty too ? I didn't think so
                    at<lb/> first, but after a bit I discovered that she is positively quite
                    pretty<lb/> &#x2014;in an odd sort of way."</p>

                <p>Mayne laughed again. " Pretty, pretty ! " he echoed in<lb/> derision. " Why,
                        <emph rend="italic">lieber Gott im Himmel</emph>, where are your eyes ?<lb/>
                    Pretty ! The girl is beautiful, gorgeously beautiful ; every trait,<lb/> every
                    tint, is in complete, in absolute harmony with the whole.<lb/> But the truth is,
                    of course, we've all grown accustomed to the<lb/> obvious, the commonplace ; to
                    violent contrasts ; blue eyes, black<lb/> eyebrows, yellow hair ; the things
                    that shout for recognition.<lb/> You speak of Miss Thayer's hair as red. What
                    other colour<lb/> would you have, with that warm creamy skin ? And then,
                    what<lb/> a red it is ! It looks as though it had been steeped in red<lb/>
                    wine."</p>

                <p>" Ah, what a good description," said Campbell, appreciatively.<lb/> " That's just
                    it&#x2014;steeped in red wine."</p>

                <p>"And yet it's not so much her beauty," Mayne continued.<lb/> " After all, one has
                    met beautiful women before now. It's her<lb/> wonderful generosity, her
                    complaisance. She doesn't keep her<lb/> good things to herself. She doesn't
                    condemn you to admire from<lb/> a distance."<lb/></p>

                <fw type="catchword">"How</fw>
                <pb n="50"/>


                <fw type="runningHead"><fw type="pageNum">42</fw> The Pleasure-Pilgrim</fw>

                <p>" How do you mean ? " Campbell asked, surprised again.<lb/></p>

                <p>"Why, she's the most egregious little flirt I've ever met.<lb/> And yet, she's
                    not exactly a flirt, either. I mean she doesn't flirt<lb/> in the ordinary way.
                    She doesn't talk much, or laugh, or appar-<lb/> ently make the least claims on
                    masculine attention. And so all<lb/> the women like her. I don't believe there's
                    one, except my wife,<lb/> who has an inkling as to her true character. The
                    Baroness, as<lb/> you know, never observes anything. <emph rend="italic"
                        >Seigneur Dieu !</emph> if she knew<lb/> the things I could tell her about
                    Miss Lulie ! For I've had<lb/> opportunities of studying her. You see, I'm a
                    married man, and<lb/> not in my first youth ; out of the running altogether.
                    The<lb/> looker-on gets the best view of the game. But you, who are<lb/> young
                    and charming and already famous&#x2014;we've had your book<lb/> here, by the
                    bye, and there's good stuff in it&#x2014;you're going to<lb/> have no end of
                    pleasant experiences. I can see she means to add<lb/> you to her ninety-and-nine
                    other spoils ; I saw it from the way<lb/> she looked at you at dinner. She
                    always begins with those<lb/> velvety red-brown glances. She began that way with
                    March and<lb/> Prendergast and Willie Anson, and all the men we've had here<lb/>
                    since her arrival. The next thing she'll do will be to press your<lb/> hand
                    under the tablecloth."</p>

                <p>" Oh, come, Mayne ; you're joking," cried Campbell, a little<lb/> brusquely. He
                    thought such jokes in bad taste. He had a high<lb/> ideal of Woman, an immense
                    respect for her ; he could not endure<lb/> to hear her belittled even in jest.
                    "Miss Thayer is refined and<lb/> charming. No girl of her class would do such
                    things."</p>

                <p>" What is her class ? Who knows anything about her ? All<lb/> we know is that she
                    and her uncanny little friend&#x2014;her little<lb/> sister, as she calls her,
                    though they're no more sisters than you<lb/> and I are&#x2014;they're not even
                    related&#x2014;all we know is that she<lb/> and Miss Dodge (that's the little
                    sister's name) arrived here<lb/></p>

                <fw type="catchword">one</fw>
                <pb n="51"/>


                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">43</fw></fw>

                <p>one memorable day last October from the Kronprinz Hotel at<lb/> Waldeck-Pyrmont.
                    By the bye, it was the Clamps, I believe,<lb/> who told her of the
                    Castle&#x2014;hotel acquaintances&#x2014;you know how<lb/> travelling Americans
                    always cotton to each other. And we've<lb/> picked up a few little biographical
                    notes from her and Miss Dodge<lb/> since. <emph rend="italic"> Zum
                        Beispiel</emph>, she's got a rich father somewhere away back<lb/> in
                    Michigan, who supplies her with all the money she wants.<lb/> And she's been
                    travelling about since last May : Paris, Vienna,<lb/> the Rhine, Düsseldorf, and
                    so on here. She must have had some<lb/> rich experiences, by Jove. For she's
                    done everything. Cycled in<lb/> Paris : you should see her in her cycling
                    costume ; she wears it<lb/> when the Baron takes her out shooting&#x2014;she's
                    an admirable shot,<lb/> by the way, an accomplishment learned, I suppose, from
                    some<lb/> American cow-boy. Then in Berlin she did a month's hospital<lb/>
                    nursing ; and now she's studying the higher branches of the<lb/> Terpsichorean
                    art. You know she was in Hanover to-day. Did<lb/> she tell you what she went for
                    ? "</p>

                <p>" To take a singing lesson," said Campbell, remembering the<lb/> reason she had
                    given.</p>

                <p>" A singing lesson ! Do you sing with your legs ? A dancing<lb/> lesson, <emph
                        rend="italic">mein lieber</emph>. A dancing lesson from the ballet-master of
                    the<lb/> Hof Theater. She could deposit a kiss on your forehead with her<lb/>
                    foot, I don't doubt. I wonder if she can do the <emph rend="italic">grand
                        écart</emph> yet."<lb/> And when Campbell, in astonishment, wondered why on
                    earth she<lb/> should wish to do such things, " Oh, to extend her
                    opportunities,"<lb/> Mayne explained, "and to acquire fresh sensations. She's
                    an<lb/> adventuress. Yes, an adventuress, but an end-of-the-century one.<lb/>
                    She doesn't travel for profit, but for pleasure. She has no desire to<lb/>
                    swindle her neighbour of dollars, but to amuse herself at his expense.<lb/> And
                    she's clever ; she's read a good deal ; she knows how to apply<lb/> her reading
                    to practical life. Thus, she's learned from Herrick<lb/></p>

                <fw type="catchword">not</fw>
                <pb n="52"/>


                <fw type="runningHead"><fw type="pageNum">44</fw> The Pleasure-Pilgrim</fw>

                <p>not to be coy ; and from Shakespeare that sweet-and-twenty is the<lb/> time for
                    kissing and being kissed. She honours her masters in the<lb/> observance. She
                    was not in the least abashed when, one day, I<lb/> suddenly came upon her
                    teaching that damned idiot, young Anson,<lb/> two new ways of kissing."</p>

                <p>Campbell's impressions of the girl were readjusting themselves<lb/> completely,
                    but for the moment he was unconscious of the change.<lb/> He only knew that he
                    was partly angry, partly incredulous, and<lb/> inclined to believe that Mayne
                    was chaffing him.</p>

                <p>" But Miss Dodge," he objected, " the little sister, she is older ;<lb/> old
                    enough to look after her friend. Surely she could not allow<lb/> a young girl
                    placed in her charge to behave in such a way&#x2014;"</p>

                <p>" Oh, that little Dodge girl," said Mayne contemptuously ;<lb/> " Miss Thayer
                    pays the whole shot, I understand, and Miss Dodge<lb/> plays gooseberry,
                    sheep-dog, jackal, what you will. She finds her<lb/> reward in the other's
                    cast-off finery. The silk blouse she was wear-<lb/> ing to-night, I've good
                    reason for remembering, belonged to Miss<lb/> Lulie. For, during a brief season,
                    I must tell you, my young lady<lb/> had the caprice to show attentions to your
                    humble servant. I suppose<lb/> my being a married man lent me a factitious
                    fascination. But I didn't<lb/> see it. That kind of girl doesn't appeal to me.
                    So she employed Miss<lb/> Dodge to do a little active canvassing. It was really
                    too funny ;<lb/> I was coming in one day after a walk in the woods ; my wife
                    was<lb/> trimming bonnets, or had neuralgia, or something. Anyhow, I<lb/> was
                    alone, and Miss Dodge contrived to waylay me in the middle<lb/> of the
                    court-yard. 'Don't you find it vurry dull walking all by<lb/> yourself ?' she
                    asked me ; and then blinking up in her strange<lb/> little short-sighted
                    way&#x2014;she's really the weirdest little creature&#x2014;<lb/> 'Why don't you
                    make love to Lulie ?' she said ; 'you'd find her<lb/> vurry charming.' It took
                    me a minute or two to recover presence<lb/> of mind enough to ask her whether
                    Miss Thayer had commissioned<lb/></p>

                <fw type="catchword">her</fw>
                <pb n="53"/>


                <fw type="runningHead">By Ella D'Arcy<fw type="pageNum"> 45</fw></fw>

                <p>her to tell me so. She looked at me with that cryptic smile of hers ;<lb/> 'She'd
                    like you to do so, I'm sure,' she finally remarked, and<lb/> pirouetted away.
                    Though it didn't come off, owing to my bash-<lb/> fulness, it was then that Miss
                    Dodge appropriated the silk bodice ;<lb/> and Providence, taking pity on Miss
                    Thayer's forced inactivity,<lb/> sent along March, a young fellow reading for
                    the army, with<lb/> whom she had great doings. She fooled him to the top of his
                    bent;<lb/> sat on his knee ; gave him a lock of her hair, which, having no<lb/>
                    scissors handy, she burned off with a cigarette taken from his<lb/> mouth ; and
                    got him to offer her marriage. Then she turned<lb/> round and laughed in his
                    face, and took up with a Dr. Weber, a<lb/> cousin of the Baron's, under the
                    other man's very eyes. You<lb/> never saw anything like the unblushing coolness
                    with which she<lb/> would permit March to catch her in Weber's arms."</p>

                <p>" Come," Campbell protested, "aren't you drawing it rather<lb/> strong ? "</p>

                <p>"On the contrary, I'm drawing it mild, as you'll discover pre-<lb/> sently for
                    yourself; and then you'll thank me for forewarning you.<lb/> For she makes
                    love&#x2014;desperate love, mind you&#x2014;to every man she<lb/> meets. And
                    goodness knows how many she hasn't met, in the<lb/> course of her career, which
                    began presumably at the age of ten,<lb/> in some 'Amur'can' hotel or
                    watering-place. Look at this."<lb/> Mayne fetched an alpenstock from a corner of
                    the hall ; it was<lb/> decorated with a long succession of names, which,
                    ribbon-like, were<lb/> twisted round and round it, carved in the wood. " Read
                    them,"<lb/> insisted Mayne, putting the stick in Campbell's hands. "You'll<lb/>
                    see they're not the names of the peaks she has climbed, or the<lb/> towns she
                    has passed through ; they're the names of the men she<lb/> has fooled. And
                    there's room for more ; there's still a good deal<lb/> of space, as you see.
                    There's room for yours."</p>

                <p>Campbell glanced down the alpenstock&#x2014;reading here a name,<lb/></p>

                <fw type="catchword">there</fw>
                <pb n="54"/>


                <fw type="runningHead"><fw type="pageNum">46</fw> The Pleasure-Pilgrim</fw>

                <p>there an initial, or just a date&#x2014;and jerked it impatiently from him<lb/>
                    on to a couch. He wished with all his heart that Mayne would stop,<lb/> would
                    talk of something else, would let him get away. The<lb/> young girl had
                    interested him so much ; he had felt himself so<lb/> drawn towards her ; he had
                    thought her so fresh, so innocent. But<lb/> Mayne, on the contrary, was warming
                    to his subject, was enchanted<lb/> to have some one to listen to his stories, to
                    discuss his theories, to<lb/> share his cynical amusement.</p>

                <p>" I don't think, mind you," he said, " that she is a bit interested<lb/> herself
                    in the men she flirts with. I don't think she gets any of<lb/> the usual
                    sensations from it, you know. I think she just does it<lb/> for devilry, for a
                    laugh. Sometimes I wonder whether she does it<lb/> with an idea of retribution.
                    Perhaps some woman she was fond<lb/> of, perhaps her mother even&#x2014;who
                    knows ?&#x2014;was badly treated at<lb/> the hands of a man. Perhaps this girl
                    has constituted herself the<lb/> Nemesis for her sex, and goes about seeing how
                    many masculine<lb/> hearts she can break by way of revenge. Or can it be that
                    she is<lb/> simply the newest development of the New Woman&#x2014;she who
                    in<lb/> England preaches and bores you, and in America practises and<lb/>
                    pleases ? Yes, I believe she's the American edition, and so new<lb/> that she
                    hasn't yet found her way into fiction. She's the pioneer<lb/> of the army coming
                    out of the West, that's going to destroy the<lb/> existing scheme of things and
                    rebuild it nearer to the heart's<lb/> desire."</p>

                <p>" Oh, damn it all, Mayne," cried Campbell, rising abruptly,<lb/> "why not say at
                    once that she's a wanton, and have done with it ?<lb/> Who wants to hear your
                    rotten theories ? " And he lighted his<lb/> candle without another word, and
                    went off to bed.<lb/></p>
                <lb/>
                <lb/>
                <lb/>
                <fw type="catchword">It</fw>



                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">47</fw></fw>

                <lb/>
                <lb/>
                <fw type="head">III</fw>
                <lb/>
                <p>It was four o'clock, and the Baron's boarders were drinking<lb/> their afternoon
                    coffee, drawn up in a circle round the hall fire.<lb/> All but Campbell, who had
                    carried his cup away to a side-table,<lb/> and, with a book open before him,
                    appeared to be reading assidu-<lb/> ously. In reality he could not follow a line
                    of what he read ; he<lb/> could not keep his thoughts from Miss Thayer. What
                    Mayne<lb/> had told him was germinating in his mind. Knowing his friend<lb/> as
                    he did, he could not on reflection doubt his word. In spite of<lb/> much
                    superficial cynicism, Mayne was incapable of speaking<lb/> lightly of any young
                    girl without good cause. It now seemed<lb/> to Campbell that, instead of
                    exaggerating the case, Mayne had<lb/> probably understated it. The girl repelled
                    him to-day as much<lb/> as she had charmed him yesterday. He asked himself with
                    horror,<lb/> what had she not already known, seen, permitted ? When now<lb/> and
                    again his eyes travelled over, perforce, to where she sat, her red<lb/> head
                    leaning against Miss Dodge's knee, seeming to attract and<lb/> concentrate all
                    the glow of the fire, his forehead set itself in<lb/> frowns, and he returned
                    with an increased sense of irritation to his<lb/> book.</p>

                <p>" I'm just sizzling up, Nannie," Miss Thayer presently com-<lb/> plained, in her
                    child-like, drawling little way ; " this fire is too hot<lb/> for anything." She
                    rose and shook straight her loose tea-gown,<lb/> a marvellous garment created in
                    Paris, which would have accused<lb/> a duchess of wilful extravagance. She stood
                    smiling round a<lb/> moment, pulling on and off with her right hand the big
                    diamond<lb/> ring which decorated the left. At the sound of her voice<lb/>
                    Campbell had looked up ; now his cold unfriendly eyes en-<lb/></p>
                <fw type="catchword">countered</fw>
                <pb n="56"/>


                <fw type="runningHead"><fw type="pageNum">48</fw> The Pleasure-Pilgrim</fw>

                <p>countered hers. He glanced rapidly past her, then back to his<lb/> book. But she,
                    undeterred, with a charming sinuous movement<lb/> and a frou-frou of trailing
                    silks, crossed over towards him. She<lb/> slipped into an empty chair next
                    his.</p>

                <p>" I'm going to do you the honour of sitting beside you, Mr.<lb/> Campbell," she
                    said sweetly.</p>

                <p>" It's an honour I've done nothing whatever to merit," he<lb/> answered, without
                    looking at her, and turned a page.</p>

                <p>" The right retort," she approved ; " but you might have said<lb/> it a little
                    more cordially."</p>

                <p>"I don't feel cordial."</p>

                <p>" But why not ? What has happened ? Yesterday you were<lb/> so nice."</p>

                <p>" Ah, a good deal of water has run under the bridge since<lb/> yesterday."</p>

                <p>" But still the river remains as full," she told him, smiling,<lb/> " and still
                    the sky is as blue. The thermometer has even risen<lb/> six degrees.
                    Out-of-doors, to-day, I could feel the spring-time<lb/> in the air. You, too,
                    love the spring, don't you ? I know that<lb/> from your books. And I wanted to
                    tell you, I think your books<lb/> perfectly lovely. I know them, most all. I've
                    read them away<lb/> home. They're very much thought of in America. Only
                    last<lb/> night I was saying to Nannie how glad I am to have met you,<lb/> for I
                    think we're going to be great friends ; aren't we, Mr.<lb/> Campbell ? At least,
                    I hope so, for you can do me so much<lb/> good, if you will. Your books always
                    make me feel real good ;<lb/> but you yourself can help me much more."</p>

                <p>She looked up at him with one of her warm, narrow red-<lb/> brown glances, which
                    yesterday would have thrilled his blood, and<lb/> to-day merely stirred it to
                    anger.</p>

                <p>"You over-estimate my abilities," he said coldly ; "and on the<lb/></p>

                <fw type="catchword">whole,</fw>
                <pb n="57"/>


                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">49</fw></fw>

                <p>whole, I fear you will find writers a very disappointing race.<lb/> You see, they
                    put their best into their books. So, not to dis-<lb/> illusion you too rapidly
                    "&#x2014;he rose&#x2014;" will you excuse me ? I<lb/> have some work to do." And
                    he left her sitting there alone.</p>

                <p>But he did no work when he got to his room. Whether<lb/> Lulie Thayer was
                    actually present or not, it seemed that her<lb/> influence was equally
                    disturbing to him. His mind was full of<lb/> her : of her singular eyes, her
                    quaint intonation, her sweet<lb/> seductive praise. Yesterday such praise would
                    have been delight-<lb/> ful to him : what young author is proof against
                    appreciation of<lb/> his books ? To-day, Campbell simply told himself that she
                    laid<lb/> the butter on too thick ; that it was in some analogous manner<lb/>
                    she had flattered up March, Anson, and all the rest of the men<lb/> that Mayne
                    had spoken of. He supposed it was the first step in<lb/> the process by which he
                    was to be fooled, twisted round her<lb/> finger, added to the list of victims
                    who strewed her conquering<lb/> path. He had a special fear of being fooled. For
                    beneath a<lb/> somewhat supercilious exterior, the dominant note of his
                    character<lb/> was timidity, distrust of his own merits ; and he knew he
                    was<lb/> single-minded&#x2014;one-idea'd almost ; if he were to let himself go,
                    to<lb/> get to care very much for a woman, for such a girl as this girl,<lb/>
                    for instance, he would lose himself completely, be at her mercy<lb/> absolutely.
                    Fortunately, Mayne had let him know her character :<lb/> he could feel nothing
                    but dislike for her&#x2014;disgust, even ; and yet<lb/> he was conscious how
                    pleasant it would be to believe in her<lb/> innocence, in her candour. For she
                    was so adorably pretty :<lb/> her flower-like beauty grew upon him ; her head,
                    drooping a<lb/> little on one side when she looked up, was so like a flower
                    bent<lb/> by its own weight. The texture of her cheeks, her lips, were<lb/>
                    delicious as the petals of a flower. He found he could recall with<lb/> perfect
                    accuracy every detail of her appearance : the manner in<lb/></p>

                <fw type="catchword">which</fw>
                <pb n="58"/>


                <fw type="runningHead"><fw type="pageNum">50</fw> The Pleasure-Pilgrim</fw>

                <p>which the red hair grew round her temples ; how it was loosely<lb/> and
                    gracefully fastened up behind with just a single tortoise-shell<lb/> pin. He
                    recalled the suspicion of a dimple which shadowed<lb/> itself in her cheek when
                    she spoke, and deepened into a delicious<lb/> reality every time she smiled. He
                    remembered her throat ; her<lb/> hands, of a beautiful whiteness, with pink
                    palms and pointed<lb/> fingers. It was impossible to write. He speculated long
                    on the<lb/> ring she wore on her engaged finger. He mentioned this ring to<lb/>
                    Mayne the next time he saw him.</p>

                <p>" Engaged ? very much so I should say. Has got a <emph rend="italic"
                        >fiancé</emph> in<lb/> every capital of Europe probably. But the ring-man is
                    the <emph rend="italic">fiancé<lb/> en titre</emph>. He writes to her by every
                    mail, and is tremendously in<lb/> love with her. She shows me his letters. When
                    she's had her<lb/> fling, I suppose, she'll go back and marry him. That's
                    what<lb/> these little American girls do, I'm told ; sow their wild oats
                    here<lb/> with us, and settle down into <emph rend="italic">bonnes
                        ménagères</emph> over yonder.<lb/> Meanwhile, are you having any fun with
                    her ? Aha, she presses<lb/> your hand ? The 'gesegnete Mahlzeit' business after
                    dinner is an<lb/> excellent institution, isn't it ? She'll tell you how much
                    she<lb/> loves you soon ; that's the next move in the game."</p>

                <p>But so far she had done none of these things, for Campbell<lb/> gave her no
                    opportunities. He was guarded in the extreme,<lb/> ungenial ; avoiding her even
                    at the cost of civility. Sometimes<lb/> he was downright rude. That especially
                    occurred when he felt<lb/> himself inclined to yield to her advances. For she
                    made him all<lb/> sorts of silent advances, speaking with her eyes, her sad
                    little<lb/> mouth, her beseeching attitude. And then one evening she went<lb/>
                    further still. It occurred after dinner in the little green drawing-<lb/> room.
                    The rest of the company were gathered together in the<lb/> big drawing-room
                    beyond. The small room has deep embrasures<lb/> to the windows. Each embrasure
                    holds two old faded green<lb/></p>

                <fw type="catchword">velvet</fw>
                <pb n="59"/>


                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">51</fw></fw>

                <p>velvet sofas in black oaken frames, and an oaken oblong table<lb/> stands between
                    them. Campbell had flung himself down on one<lb/> of these sofas in the corner
                    nearest the window. Miss Thayer,<lb/> passing through the room, saw him, and sat
                    down opposite.<lb/> She leaned her elbows on the table, the laces of her
                    sleeves<lb/> falling away from her round white arms, and clasped her<lb/>
                    hands.</p>

                <p>"Mr. Campbell, tell me what have I done? How have I<lb/> vexed you ? You have
                    hardly spoken two words to me all day.<lb/> You always try to avoid me." And
                    when he began to utter<lb/> evasive banalities, she stopped him with an
                    imploring " Don't ! I<lb/> love you. You know I love you. I love you so much I
                    can't<lb/> bear you to put me off with mere phrases."</p>

                <p>Campbell admired the well-simulated passion in her voice,<lb/> remembered Mayne's
                    prediction, and laughed aloud.</p>

                <p>" Oh, you may laugh," she said, " but I am serious. I love<lb/> you, I love you
                    with my whole soul." She slipped round the end<lb/> of the table, and came close
                    beside him. His first impulse was to<lb/> rise ; then he resigned himself to
                    stay. But it was not so much<lb/> resignation that was required, as
                    self-mastery, cool-headedness.<lb/> Her close proximity, her fragrance, those
                    wonderful eyes raised so<lb/> beseechingly to his, made his heart beat.</p>

                <p>" Why are you so cold ? " she said. " I love you so ; can't you<lb/> love me a
                    little too ? "</p>

                <p>"My dear young lady," said Campbell, gently repelling her,<lb/> " what do you
                    take me for ? A foolish boy like your friends<lb/> Anson and March ? What you
                    are saying is monstrous, pre-<lb/> posterous. Ten days ago you'd never even seen
                    me."</p>

                <p>" What has length of time to do with it ? " she said. " I loved<lb/> you at first
                    sight."</p>

                <p>" I wonder," he observed judicially, and again gently removed<lb/></p>
                <fw type="catchword">her</fw>
                <fw type="footer">The Yellow Book&#x2014;Vol. V. <emph>D</emph></fw>
                <pb n="60"/>


                <fw type="runningHead"><fw type="pageNum">52</fw> The Pleasure-Pilgrim</fw>

                <p>her hand from his, " to how many men you have not already said<lb/> the same
                    thing."</p>

                <p>"I've never meant it before," she said quite earnestly, and<lb/> nestled closer
                    to him, and kissed the breast of his coat, and held<lb/> her mouth up towards
                    his. But he kept his chin resolutely high,<lb/> and looked over her head.</p>

                <p>" How many men have you not already kissed, even since you've<lb/> been here ?
                    "</p>

                <p>"But there've not been many here to kiss!" she exclaimed<lb/> naïvely.</p>

                <p>" Well, there was March ; you kissed him ? "</p>
                <p>" No, I'm quite sure I didn't."</p>

                <p>" And young Anson ; what about him ? Ah, you don't<lb/> answer ! And then the
                    other fellow&#x2014;what's his name&#x2014;Pren-<lb/> dergast&#x2014;you've
                    kissed him ? "</p>

                <p>"But, after all, what is there in a kiss ? " she cried ingenuously.<lb/> " It
                    means nothing, absolutely nothing. Why, one has to kiss all<lb/> sorts of people
                    one doesn't care about."</p>

                <p>Campbell remembered how Mayne had said she had probably<lb/> known strange kisses
                    since the age of ten ; and a wave of anger<lb/> with her, of righteous
                    indignation, rose within him.</p>

                <p>" To me," said he, " to all right-thinking people, a young girl's<lb/> kisses are
                    something pure, something sacred, not to be offered in-<lb/> discriminately to
                    every fellow she meets. Ah, you don't know<lb/> what you have lost ! You have
                    seen a fruit that has been<lb/> handled, that has lost its bloom ? You have seen
                    primroses,<lb/> spring flowers gathered and thrown away in the dust ? And
                    who<lb/> enjoys the one, or picks up the others ? And this is what you<lb/>
                    remind me of&#x2014;only you have deliberately, of your own perverse<lb/> will,
                    tarnished your beauty, and thrown away all the modesty,<lb/> the reticence, the
                    delicacy, which make a young girl so infinitely<lb/></p>

                <fw type="catchword">dear.</fw>
                <pb n="61"/>


                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">53</fw></fw>

                <p>dear. You revolt me, you disgust me. I want nothing from you,<lb/> but to be let
                    alone. Kindly take your hands away, and let me go."</p>

                <p>He roughly shook her off and got up, then felt a moment's<lb/> curiosity to see
                    how she would take the repulse.</p>

                <p>Miss Thayer never blushed : had never, he imagined, in her<lb/> life done so. No
                    faintest trace of colour now stained the<lb/> warm pallor of her rose-leaf skin
                    ; but her eyes filled up with<lb/> tears ; two drops gathered on the
                    under-lashes, grew large,<lb/> trembled an instant, and then rolled unchecked
                    down her cheeks.<lb/> Those tears somehow put him in the wrong, and he felt he
                    had<lb/> behaved brutally to her for the rest of the night.</p>

                <p>He began to find excuses for her : after all, she meant no<lb/> harm : it was her
                    up-bringing, her <emph rend="italic">genre</emph> : it was a <emph rend="italic"
                        >genre</emph> he<lb/> loathed ; but perhaps he need not have spoken so
                    harshly to her.<lb/> He thought he would find a more friendly word for her
                    next<lb/> morning ; and he loitered about the Mahlsaal, where the boarders<lb/>
                    come in to breakfast as in an hotel, just when it suits them, till<lb/> past
                    eleven ; but the girl never turned up. Then, when he<lb/> was almost tired of
                    waiting, Miss Dodge put in an appear-<lb/> ance, in a flannel wrapper, and her
                    front hair twisted up in steel<lb/> pins.</p>

                <p>Campbell judged Miss Dodge with even more severity than he<lb/> did Miss Thayer ;
                    there was nothing in this weird little creature's<lb/> appearance to temper
                    justice with mercy. It was with difficulty<lb/> that he brought himself to
                    inquire after her friend.</p>

                <p>" Lulie is sick this morning," she told him. " I've come down<lb/> to order her
                    some broth. She couldn't sleep any last night,<lb/> because of your unkindness
                    to her. She's vurry, vurry unhappy<lb/> about it."</p>

                <p>" Yes, I'm sorry for what I said. I had no right to speak so<lb/> strongly, I
                    suppose. But I spoke strongly because I feel strongly.<lb/></p>

                <fw type="catchword">However,</fw>
                <pb n="62"/>


                <fw type="runningHead"><fw type="pageNum">54</fw> The Pleasure-Pilgrim</fw>

                <p>However, there's no reason why my bad manners should make her<lb/> unhappy."</p>

                <p>"Oh, yes, there's vurry good reason," said Miss Dodge.<lb/> " She's vurry much in
                    love with you."</p>

                <p>Campbell looked at the speaker long and earnestly to try and<lb/> read her mind ;
                    but the prominent blinking eyes, the cryptic<lb/> physiognomy, told him
                    nothing.</p>

                <p>" Look here," he said brusquely, " what's your object in trying<lb/> to fool me
                    like this ? I know all about your friend. Mayne has<lb/> told me. She has cried
                    'Wolf' too often before to expect to be<lb/> believed now."</p>

                <p>"But after all," argued Miss Dodge, blinking more than ever<lb/> behind her
                    glasses, " the wolf did really come at last, you know ;<lb/> didn't he ? Lulie
                    is really in love this time. We've all made<lb/> mistakes in our lives, haven't
                    we ? But that's no reason for not<lb/> being right at last. And Lulie has cried
                    herself sick."</p>

                <p>Campbell was a little shaken. He went and repeated the<lb/> conversation to
                    Mayne, who laughed derisively.</p>

                <p>" Capital, capital ! " he cried ; "excellently contrived. It quite<lb/> supports
                    my latest theory about our young friend. She's an<lb/> actress, a born
                    comédienne. She acts always, and to every one :<lb/> to you, to me, to the
                    Ritterhausens, to the Dodge girl&#x2014;even to<lb/> herself when she is quite
                    alone. And she has a great respect for<lb/> her art ; she'll carry out her rôle,
                        <emph rend="italic">côute que côute</emph>, to the bitter end.<lb/> She
                    chooses to pose as in love with you ; you don't respond ; the<lb/> part now
                    requires that she should sicken and pine. Consequently<lb/> she takes to her
                    bed, and sends her confidante to tell you so. Oh,<lb/> it's colossal, it's <emph
                        rend="italic">famos</emph>."<lb/></p>
                <lb/>
                <lb/>
                <lb/>


                <fw type="catchword">"If</fw>
                <pb n="63"/>


                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">55</fw></fw>

                <lb/>
                <lb/>
                <fw type="head">IV</fw>
                <lb/>
                <p>"If you can't really love me," said Lulie Thayer&#x2014;" and I know<lb/> I've
                    been a bad girl and don't deserve that you should&#x2014;at least,<lb/> will you
                    allow me to go on loving you ? "</p>

                <p>She walked by Campbell's side, through the solitary uncared-<lb/> for park of
                    Schloss Altenau. It was three weeks later in the<lb/> year, and the spring
                    feeling in the air stirred the blood. All<lb/> round were signs and tokens of
                    spring : in the busy gaiety of bird<lb/> and insect life ; in the purple
                    flower-tufts which thickened the<lb/> boughs of the ash trees ; in the young
                    green things pushing up<lb/> pointed heads from amidst last season's dead leaves
                    and grasses. The<lb/> snow-wreathes, that had for so long decorated the distant
                    hills, were<lb/> shrinking perceptibly away beneath the strong March
                    sunshine.</p>

                <p>There was every invitation to spend one's time out of doors,<lb/> and Campbell
                    passed long mornings in the park, or wandering<lb/> through the woods or the
                    surrounding villages. Miss Thayer<lb/> often accompanied him. He never invited
                    her to do so, but when<lb/> she offered him her company, he could not, or at
                    least did not,<lb/> refuse it.</p>

                <p>" May I love you ? Say," she entreated.</p>

                <p>" 'Wenn ich Dich liebe, was geht 's Dich an ?' " he quoted<lb/> lightly. " Oh,
                    no, it's nothing to me, of course. Only don't<lb/> expect me to believe
                    you&#x2014;that's all."</p>

                <p>This disbelief of his was the recurring decimal of their con-<lb/> versation. No
                    matter on what subject they began, they always<lb/> ended thus. And the more
                    sceptical he showed himself, the<lb/> more eager she became. She exhausted
                    herself in endeavours to<lb/> convince him.<lb/></p>

                <fw type="catchword">They</fw>
                <pb n="64"/>


                <fw type="runningHead"><fw type="pageNum">56</fw> The Pleasure-Pilgrim</fw>

                <p>They had reached the corner in the park where the road to the<lb/> castle turns
                    off at right angles from the road to Dürrendorf. The<lb/> ground rises gently on
                    the park-side to within three feet of the<lb/> top of the wall, although on the
                    other side there is a drop of at<lb/> least twenty feet. The broad wall-top
                    makes a convenient seat.<lb/> Campbell and the girl sat down on it. At his last
                    words she wrung<lb/> her hands together in her lap.</p>

                <p>"But how can you disbelieve me ? " she cried, "when I tell<lb/> you I love you, I
                    adore you ? When I swear it to you ? And<lb/> can't you see for yourself ? Why,
                    every one at the Castle<lb/> sees it."</p>



                <p>" Yes, you afford the Castle a good deal of unnecessary amuse-<lb/> ment. And
                    that shows you don't understand what love really is.<lb/> Real love is full of
                    delicacy, of reticences, and would feel itself<lb/> profaned if it became the
                    jest of the servants hall."</p>

                <p>" I think it's not so much my love for you," said Lulie gently,<lb/> " as your
                    rejection of it, which has made me talked about."</p>

                <p>" No ; isn't it rather on account of the favours you've lavished<lb/> on all my
                    predecessors ? "</p>

                <p>She sprang from the wall to her feet, and walked up and down<lb/> in
                    agitation.</p>

                <p>"But after all, surely, mistakes of that sort are not to be<lb/> counted against
                    us ? I did really think I was in love with Mr.<lb/> March. Willie Anson doesn't
                    count. He's an American too,<lb/> and he understands things. Besides, he is only
                    a boy. And how<lb/> could I know I should love you before I had met you ?
                    And<lb/> how can I help loving you now I have ? You're so different from<lb/>
                    other men. You're good. You're honourable, you treat women<lb/> with respect.
                    Oh, I do love you so, I do love you ! Ask Nannie<lb/> if I don't."</p>

                <p>The way in which Campbell shrugged his shoulders clearly<lb/></p>

                <fw type="catchword">expressed</fw>
                <pb n="65"/>


                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">57</fw></fw>

                <p>expressed the amount of reliance he would place on any testimony<lb/> from Miss
                    Dodge. He could not forget her " Why don't you<lb/> make love to Lulie ? "
                    addressed to a married man. Such a want<lb/> of principle argued an equal want
                    of truth.</p>

                <p>Lulie seemed on the brink of weeping.</p>

                <p>" Oh, I wish I were dead," she struggled to say ; " life's<lb/> impossible if you
                    won't believe me. I don't ask you to love me<lb/> any longer. I know I've been a
                    bad girl, and I don't deserve<lb/> that you should ; but if you won't believe
                    that I love you, I don't<lb/> want to live any longer."</p>

                <p>Campbell confessed to himself that she acted admirably, but that<lb/> the
                    damnable iteration of the one idea became monotonous. He<lb/> sought a change of
                    subject. " Look there," he said, " close by<lb/> the wall, what's that jolly
                    little blue flower ? It's the first I've<lb/> seen this year."</p>

                <p>He pointed to where a periwinkle grew at the base of the wall,<lb/> lifting its
                    bright petals gaily from out its dark glossy leaves.</p>

                <p>Lulie, all smiles again, picked it with child-like pleasure. " Oh,<lb/> if that's
                    the first you've seen," she cried, " you can take a wish.<lb/> Only you mustn't
                    speak until some one asks you a question."</p>

                <p>She began to fasten it in his coat. " It's just as blue as your<lb/> eyes," she
                    said, " You have such blue and boyish eyes, you know.<lb/> Stop, stop, that's
                    not a question," and seeing that he was about to<lb/> speak, she laid her finger
                    across his mouth. " You'll spoil the<lb/> charm."</p>

                <p>She stepped back, folded her arms, and seemed to dedicate<lb/> herself to eternal
                    silence ; then relenting suddenly :</p>

                <p>" Do you believe me ? " she entreated.</p>

                <p>" What's become of your ring ? " Campbell answered irrelevantly.<lb/> He had
                    noticed its absence from her finger while she had been<lb/> fixing in the
                    flower.<lb/></p>

                <fw type="catchword">"Oh,</fw>
                <pb n="66"/>


                <fw type="runningHead"><fw type="pageNum">58</fw> The Pleasure-Pilgrim</fw>

                <p>" Oh, my engagement's broken."</p>

                <p>Campbell asked how the fiancé would like that.</p>

                <p>" Oh, he won't mind. He knows I only got engaged because<lb/> he worried so. And
                    it was always understood between us, that I<lb/> was to be free if I ever met
                    any one I liked better."</p>

                <p>Campbell asked her what sort of fellow this accommodating<lb/> fiancé was.</p>

                <p>"Oh, he's all right. And he's very good too. But he's not a<lb/> bit clever, and
                    don't let us talk about him. He makes me<lb/> tired."</p>

                <p>" But you're wrong," Campbell told her, " to throw away a<lb/> good, a sincere
                    affection. If you really want to reform and turn<lb/> over a new leaf, as you
                    are always telling me, I should advise you<lb/> to go home and marry him."</p>

                <p>" What, when I'm in love with you ! " she cried reproachfully.<lb/> " Would that
                    be right ? "</p>

                <p>" It's going to rain," said Campbell. " Didn't you feel a drop<lb/> just then ?
                    And it's getting near lunch-time. Shall we go<lb/> in ? "</p>

                <p>Their shortest way led through the little cemetery in which<lb/> the dead and
                    gone Ritterhausens lay at peace, in the shadow of<lb/> their sometime home.</p>

                <p>" When I die the Baron has promised I shall be buried here," said<lb/> Lulie
                    pensively ; "just here, next to his first wife. Don't you<lb/> think it would be
                    lovely to be buried in a beautiful, peaceful<lb/> baronial graveyard instead of
                    in some horrid crowded city<lb/> cemetery ? "</p>

                <p>Mayne met them as they entered the hall. He noticed the<lb/> flower in his
                    friend's coat. " Ah, my dear chap, been treading<lb/> the periwinkle path of
                    dalliance, I see ? How many desirable<lb/> young men have I not witnessed, led
                    down the same broad way<lb/></p>

                <fw type="catchword">by</fw>
                <pb n="67"/>


                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">59</fw></fw>

                <p>by the same seductive lady ! Always the same thing, nothing<lb/> changed, but the
                    flower, according to the season."</p>

                <p>When Campbell reached his room and changed his coat, he<lb/> threw the flower
                    away into his stove.</p>

                <p>Had it not been for Mayne, Miss Thayer might have triumphed<lb/> after all ;
                    might have convinced Campbell of her passion, or have<lb/> added another victim
                    to her long list. But Mayne had set him-<lb/> self as determinedly to spoil her
                    game as she was bent on winning<lb/> it. He had always the cynical word, the apt
                    reminiscence ready,<lb/> whenever he saw signs on Campbell's part of yielding.
                    He was<lb/> very fond of Campbell. He did not wish to see him fall a prey
                    to<lb/> the wiles of this little American syren. He had watched her<lb/> conduct
                    in the past with a dozen different men ; he genuinely<lb/> believed she was only
                    acting now.</p>

                <p>Campbell, for his part, began to feel a curious and growing<lb/> irritation in
                    the girl's presence. Yet he did not avoid it ; he could<lb/> not well avoid it,
                    she followed him about so persistently ; but his<lb/> speech began to overflow
                    with bitterness towards her. He said the<lb/> cruellest things ; then
                    remembering them afterwards when alone,<lb/> he blushed at his brutalities. But
                    nothing he said ever altered her<lb/> sweetness of temper or weakened the
                    tenacity of her purpose. His<lb/> rebuffs made her beautiful eyes run over with
                    tears, but the harshest<lb/> of them never elicited the least sign of
                    resentment. There would<lb/> have been something touching as well as comic in
                    this dog-like<lb/> forgiveness, which accepted everything as welcome at his
                    hands,<lb/> had he not been imbued with Mayne's conviction that it was all
                    an<lb/> admirable piece of acting. When for a moment he forgot the<lb/>
                    histrionic theory, then invariably there would come a chance word<lb/> in her
                    conversation which would fill him with cold rage. They<lb/> would be talking of
                    books, travels, sport, what not, and she would<lb/> drop a reference to this man
                    or to that. So-and-so had taken her to<lb/></p>

                <fw type="catchword">Bullier's,</fw>
                <pb n="68"/>


                <fw type="runningHead"><fw type="pageNum">60</fw> The Pleasure-Pilgrim</fw>

                <p>Bullier's, she had learned skating with this other. She was a capital<lb/> shot,
                    Hiram P. Ladd had taught her ; and he got glimpses of long<lb/> vistas of
                    amourettes played in every State in America, and in every<lb/> country of
                    Europe, since the very beginning, when, as a mere<lb/> child, elderly men,
                    friends of her father's, had held her on their<lb/> knee and fed her with
                    sweetmeats and kisses. It was sickening to<lb/> think of ; it was pitiable. So
                    much youth and beauty tarnished :<lb/> the possibility for so much good thrown
                    away. For if one could<lb/> only blot out her record, forget it, accept her for
                    what she chose<lb/> to appear, a more endearing companion no man could
                    desire.</p>

                <lb/>
                <lb/>
                <fw type="head">V</fw>
                <lb/>
                <p>It was a wet afternoon. Mayne had accompanied his wife and the<lb/> Baroness into
                    Hamelin. " To take up a servant's character, and ex-<lb/> postulate with a
                    recalcitrant dressmaker," he explained to Campbell,<lb/> and wondered what women
                    would do to fill up their days, were it<lb/> not for the perennial villanies of
                    dressmakers and domestic servants.<lb/> He himself was going to look in at the
                    English Club ; wouldn't<lb/> Campbell come too ? There was a fourth seat in the
                    carriage.<lb/> But Campbell was in no social mood ; he felt his temper going
                    all<lb/> to pieces ; a quarter of an hour of Mrs. Mayne's society would <lb/>
                    have brought on an explosion. He felt he must be alone ; yet<lb/> when he had
                    read for half an hour in his room he wondered<lb/> vaguely what Lulie was doing
                    ; he had not seen her since luncheon.<lb/> She always gave him her society when
                    he could very well dispense<lb/> with it, but on a wet day like this, when a
                    little conversation would<lb/> be tolerable, of course she stayed away. Then
                    there came down the<lb/> long Rittersaal the tapping of high heels and a
                    well-known knock<lb/> at his door.</p>

                <fw type="catchword">"Am</fw>
                <pb n="69"/>


                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">61</fw></fw>

                <p>"Am I disturbing you?" she asked ; and his mood was so<lb/> capricious that, now
                    she was standing there on his threshold, he<lb/> thought he was annoyed at it. "
                    It's so dull," she said, persuasively :<lb/> " Nannie's got a sick headache, and
                    I daren't go downstairs, or the<lb/> Baron will annex me to play Halma. He
                    always wants to play<lb/> Halma on wet days."</p>

                <p>" And what do you want to do? " said Campbell, leaning against<lb/> the doorpost,
                    and letting his eyes rest on the strange piquant face<lb/> in its setting of red
                    hair.</p>

                <p>" To be with you, of course."</p>

                <p>" Well," said he, coming out and closing the door, " I'm at your<lb/> service.
                    What next ? "</p>

                <p>" What would you like to do ? Shall I fetch over my pistols,<lb/> and we'll
                    practise with them ? You've no notion how well I can<lb/> shoot. We couldn't
                    hurt anything here, could we ? "</p>

                <p>The Rittersaal is an immense room occupying all the space on<lb/> the first floor
                    that the hall and four drawing-rooms do on the floor<lb/> below. Wooden pillars
                    support the ceiling, and divide the room<lb/> lengthwise into three parts. Down
                    the centre are long tables,<lb/> used for ceremonial banquets. Six windows look
                    into the court-<lb/> yard, and six out over the open country. The centre pane
                    of<lb/> each window is emblazoned with a Ritterhausen shield. The sills<lb/> are
                    broad and low, and cushioned in faded velvet. Between the<lb/> windows hang
                    family portraits, and a fine stone-sculptured six-<lb/> teenth-century fireplace
                    and overmantel at one end of the <emph rend="italic">Saal</emph><lb/> faces a
                    magnificent black carved buffet at the other. Lulie,<lb/> bundling up her
                    duchess tea-gown over one arm, danced off down<lb/> the long room in very
                    unduchess-like fashion to fetch the case.<lb/> It was a charming little box of
                    cedar-wood and mother-o'-pearl,<lb/> lined with violet velvet ; and two tiny
                    revolvers lay inside, hardly<lb/> more than six inches long, with silver
                    engraved handles.<lb/></p>

                <fw type="catchword">" I won</fw>
                <pb n="70"/>


                <fw type="runningHead"><fw type="pageNum">62</fw> The Pleasure-Pilgrim</fw>

                <p>" I won them in a bet," she observed complacently, " with the<lb/> Hon. Billie
                    Thornton. He's an Englishman, you know, the son<lb/> of Lord Thornton. I knew
                    him in Washington two years ago<lb/> last fall. He bet I couldn't hit a
                    three-cent piece at twenty feet,<lb/> and I did. Aren't they perfectly sweet ?
                    Now, can't you con-<lb/> trive a target ? "</p>

                <p>Campbell went back to his room, drew out a rough diagram,<lb/> and pasted it down
                    on to a piece of stout cardboard. Then this<lb/> was fixed up by means of a
                    penknife driven into the wood against<lb/> one of the pillars, and Campbell,
                    with his walking-stick laid<lb/> down six successive times, measured off the
                    distance required,<lb/> and set a chalk mark across the floor. Lulie took the
                    first shot.<lb/> She held the little weapon out at arm's length&#x2014;pulled
                    the trigger.<lb/> There was the sharp report, and when Campbell went up to<lb/>
                    examine results, he found she had only missed the very centre by<lb/> half an
                    inch.</p>

                <p>Lulie was exultant. " I don't seem to have got out of practice<lb/> any," she
                    remarked. " I'm so glad, for I used to be a very good<lb/> shot. It was Hiram P.
                    Ladd who taught me. He's the crack<lb/> shot of Montana. What ! you don't know
                    Hiram P. ? Why, I<lb/> should have supposed every one must have heard of him. He
                    had<lb/> the next ranche to my Uncle Samuel's, where I used to go<lb/> summers,
                    and he made me do an hour's pistol practice every<lb/> morning after bathing. It
                    was he who taught me swimming too<lb/> &#x2014;in the river."</p>

                <p>" Damnation," said Campbell under his breath, then shot in his<lb/> turn, and
                    shot wide. Lulie made another bull's-eye, and after<lb/> that a white. She urged
                    Campbell to continue, which he sullenly<lb/> did, and again missed.</p>

                <p>" You see I don't come up to your Hiram P. Ladd," he<lb/> remarked savagely, and
                    after a few more shots on either side he<lb/></p>

                <fw type="catchword">put</fw>
                <pb n="71"/>


                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">63</fw></fw>

                <p>put the pistol down, and walked over to the window. He stood<lb/> with one foot
                    on the cushioned seat, staring out at the rain, and<lb/> pulling at his
                    moustache moodily.</p>

                <p>Lulie followed him, nestled up to him, lifted the hand that<lb/> hung passive by
                    his side, put it round her waist, and held it there.<lb/> Campbell, lost in
                    thought, let it remain so for a second : then<lb/> remembered how she had
                    doubtless done this very same thing<lb/> with other men in this very room. All
                    her apparently spontaneous<lb/> movements, he told himself, were but the
                    oft-used pieces in the<lb/> game she played so skilfully.</p>

                <p>" Let go," he said, and flung himself down on the window-<lb/> seat, looking up
                    at her with darkening eyes.</p>

                <p>She sat meekly in the other corner, and folded her offending<lb/> hands in her
                    lap.</p>

                <p>" Do you know, your eyes are not a bit nice when you're<lb/> cross ; " she said,
                    " they seem to become quite black."</p>

                <p>He maintained a discouraging silence.</p>

                <p>She looked over at him meditatively.</p>

                <p>" I never cared a bit for Hiram P., if that's what you mean,"<lb/> she remarked
                    presently.</p>

                <p>" Do you suppose I care a button if you did ? "</p>

                <p>" Then why did you leave off shooting, and why won't you<lb/> talk to me ? "</p>

                <p>He vouchsafed no reply.</p>

                <p>Lulie spent some moments wrapped in thought. Then she<lb/> sighed deeply, and
                    recommenced on a note of pensive regret :</p>

                <p>"Ah, if I'd only met you sooner in life, I should be a very<lb/> different
                    girl."</p>

                <p>The freshness which her quaint, drawling enunciation lent to<lb/> this
                    time-dishonoured formula, made Campbell smile. Then<lb/> remembering all its
                    implications, his face set in frowns again.<lb/></p>

                <fw type="catchword">Lulie</fw>
                <pb n="72"/>


                <fw type="runningHead"><fw type="pageNum">64</fw> The Pleasure-Pilgrim</fw>

                <p>Lulie continued her discourse. "You see," said she, "I never<lb/> had any one to
                    teach me what was right. My mother died when<lb/> I was quite a child, and my
                    father has always let me do exactly as<lb/> I pleased, so long as I didn't
                    bother him. Then I've never had a<lb/> home, but have always lived around in
                    hotels and places ; all<lb/> winter in New York or Washington, and summers out
                    at Long-<lb/> branch or Saratoga. It's true we own a house in Detroit on<lb/>
                    Lafayette Avenue, that we reckon as home, but we don't ever<lb/> go there. It's
                    a bad sort of life for a girl, isn't it ? " she questioned,<lb/> pleadingly.</p>

                <p>His mind was at work. The loose threads of his angers, his<lb/> irritations, his
                    desires were knitting themselves together, weaving<lb/> themselves into
                    something overmastering and definite.</p>

                <p>The young girl meanwhile was moving up towards him along<lb/> the seat, for the
                    effect which his sharpest rebuke produced on her<lb/> never lasted more than
                    four minutes. She now again possessed<lb/> herself of his hand, and holding it
                    between her own, began to<lb/> caress it in child-like fashion, pulling the
                    fingers apart and closing<lb/> them again ; spreading it, palm downwards on her
                    lap, and<lb/> laying her own little hand over it, to exemplify the
                    differences<lb/> between them. He let her be ; he seemed unconscious of her
                    pro-<lb/> ceedings.</p>

                <p>" And then," she continued, " I've always known a lot of<lb/> young fellows
                    who've liked to take me round ; and no one ever<lb/> objected to my going with
                    them, and so I went. And I liked it,<lb/> and there wasn't any harm in it, just
                    kissing and making believe,<lb/> and nonsense. And I never really cared for one
                    of them&#x2014;I can<lb/> see that now, when I compare them with you ; when I
                    compare<lb/> what I felt for them, with what I feel for you. Oh, I do love<lb/>
                    you so much," she said ; "don't you believe me ? " She lifted his<lb/> hand to
                    her lips and covered it with kisses.<lb/></p>

                <fw type="catchword">He</fw>
                <pb n="73"/>


                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">65</fw></fw>

                <p>He pulled it roughly away, got up, walked to the table, came<lb/> back again,
                    stood looking at her with sombre eyes and dilating<lb/> pupils.</p>

                <p>" I do love you," she repeated, rising and advancing towards<lb/> him.</p>

                <p>" For God's sake, drop that damned rot," he cried with sudden<lb/> fury. " It
                    wearies me, do you hear ? it sickens me. Love, love,<lb/> my God, what do you
                    know about it ? Why, if you really loved<lb/> me, really loved any man&#x2014;if
                    you had any conception of what the<lb/> passion of love is, how beautiful, how
                    fine, how sacred&#x2014;the mere<lb/> idea that you could not come to your lover
                    fresh, pure, untouched,<lb/> as a young girl should&#x2014;that you had been
                    handled, fondled, and<lb/> God knows what besides, by this man and the
                    other&#x2014;would fill<lb/> you with such horror for yourself, with such
                    supreme disgust&#x2014;you<lb/> would feel yourself so unworthy, so polluted . .
                    . that . . .<lb/> that . . . by God ! you would take up that pistol there,
                    and<lb/> blow your brains out ! "</p>

                <p>Lulie seemed to find the idea quite entertaining. She picked<lb/> the pistol up
                    from where it lay in the window, examined it with<lb/> her pretty head drooping
                    on one side, looked at it critically, and<lb/> then sent one of her long,
                    red-brown caressing glances up towards<lb/> him.</p>

                <p>" And suppose I were to," she asked lightly, " would you<lb/> believe me then ?
                    "</p>

                <p>" Oh, . . . well . . . then, perhaps ; if you showed suffi-<lb/> cient decency to
                    kill yourself, perhaps I might," said he, with<lb/> ironical laughter. His
                    ebullition had relieved him ; his nerves<lb/> were calmed again. "But nothing
                    short of that would ever<lb/> make me."</p>

                <p>With her little tragic air which seemed so like a smile dis-<lb/> guised, she
                    raised the weapon to the bosom of her gown. There<lb/></p>

                <fw type="catchword">came</fw>
                <pb n="74"/>


                <fw type="runningHead"><fw type="pageNum">66</fw> The Pleasure-Pilgrim</fw>

                <p>came a sudden, sharp crack, a tiny smoke film. She stood an<lb/> instant swaying
                    slightly, smiling certainly, distinctly outlined<lb/> against the background of
                    rain-washed window, of grey falling<lb/> rain, the top of her head cutting in
                    two the Ritterhausen<lb/> escutcheon. Then all at once there was nothing at all
                    between<lb/> him and the window ; he saw the coat-of-arms entire ; but a<lb/>
                    motionless, inert heap of plush and lace, and fallen wine-red hair,<lb/> lay at
                    his feet upon the floor.</p>

                <p>" Child, child, what have you done ? " he cried with anguish,<lb/> and kneeling
                    beside her, lifted her up, and looked into her<lb/> face.</p>

                <p> * * * * *</p>

                <p>When from a distance of time and place Campbell was at last<lb/> able to look
                    back with some degree of calmness on the catastrophe,<lb/> the element which
                    stung him most keenly was this : he could<lb/> never convince himself that Lulie
                    had really loved him after all.<lb/> And the only two persons who had known them
                    both, and the<lb/> circumstances of the case, sufficiently well to have
                    resolved<lb/> his doubts one way or the other, held diametrically opposite<lb/>
                    views.</p>

                <p>"Well, just listen, then, and I'll tell you how it was," Miss<lb/> Nannie Dodge
                    had said to him impressively, the day before he<lb/> left Schloss-Altenau for
                    ever, " Lulie was tremendously, terribly<lb/> in love with you. And when she
                    found that you wouldn't care<lb/> about her, she didn't want to live any more.
                    As to the way in<lb/> which it happened, you don't need to reproach yourself for
                    that.<lb/> She'd have done it, anyhow : if not then, why, later. But it's
                    all<lb/> the rest of your conduct to her that was so cruel. Your cold,<lb/>
                    complacent British unresponsiveness. I guess you'll never find<lb/> another
                    woman to love you as Lulie did. She was just the<lb/> darlingest, the sweetest,
                    the most loving girl in the world."<lb/></p>

                <fw type="catchword">Mayne,</fw>
                <pb n="75"/>


                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">67</fw></fw>

                <p>Mayne, on the other hand, summed it up in this way :<lb/> " Of course, old chap,
                    it's horrible to think of: horrible, horrible,<lb/> horrible ! I can't tell you
                    how badly I feel about it. For she<lb/> was a gorgeously beautiful creature.
                    That red hair of hers !<lb/> Good Lord ! You won't come across such hair as that
                    twice in a<lb/> lifetime. But, believe me, she was only fooling with you.
                    Once<lb/> she had you in her hunting-noose, once her buccaneering instincts<lb/>
                    satisfied, and she'd have chucked you as she did all the rest.<lb/> As to her
                    death, I've got three theories&#x2014;no, two&#x2014;for the first<lb/> is that
                    she compassed it in a moment of genuine emotion, and<lb/> that, I think, we may
                    dismiss as quite untenable. The second<lb/> is, that it arose from pure
                    misadventure. You'd both been<lb/> shooting, hadn't you ? Well, she took up the
                    pistol and pulled<lb/> the trigger from mere mischief, and quite forgetting one
                    barrel<lb/> was still loaded. And the third is, it was just her histrionic
                    sense<lb/> of the fitness of things. The rôle she had played so long and so<lb/>
                    well now demanded a sensational finale in the centre of the stage.<lb/> And it's
                    the third theory I give the preference to. She was the<lb/> most consummate
                    little actress I ever saw."<lb/></p>
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                <fw type="footer">The Yellow Book&#x2014;Vol. V. <emph>E</emph></fw>
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