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                <title>Yellow Nineties 2.0</title>
                <title>The Yellow Book: An Illustrated Quarterly, Volume 5 April 1895</title>
                <title type="YBV5_cs_for"/>
                <editor>Lorraine Janzen Kooistra</editor>
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                    <date>2019</date>
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                <publisher>Yellow Nineties 2.0</publisher>
                <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
                <address>
               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
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                        <editor>
                            <persName>Henry Harland</persName>
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                        <author>C. S.</author>
                        <title>"For Ever and Ever"</title>
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                            <publisher>John Lane</publisher>
                            <pubPlace> London </pubPlace>
                            <publisher>Copeland &amp; Day</publisher>
                            <pubPlace>Boston</pubPlace>
                            <date>April 1895</date>
                            <biblScope>C. S. [Arthur Cosslett Smith]. "'For Ever and Ever.'" <emph
                                    rend="italic">The Yellow Book</emph>, vol. 5, April 1895, pp. 172-173.
                                    <emph rend="italic">Yellow Book Digital Edition</emph>, edited by
                                Dennis Denisoff and Lorraine Janzen Kooistra, 2010-2014. <emph rend="italic">Yellow Nineties 2.0</emph>,
                                Ryerson University Centre for Digital Humanities, 2019.
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                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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                <date>1895</date>
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                            (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," 
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                <pb n="192"/>
                <head>
                    <title level="a"> " For Ever and Ever "</title>
                </head>

                <byline>By <docAuthor><ref target="#ASM">C. S.</ref></docAuthor>
                </byline>

                <p> IN the cold grey dawn I sit up and look at the woman by my <lb/> side. One soft
                    little white hand peeps out from the dainty <lb/> lace, and on one ringer is a
                    gold ring. There is just such another <lb/> upon my own finger ; and these two
                    rings bind us to one another <lb/> for ever and ever. And I am tired already. </p>

                <p>She moves in her sleep, and buries her face deeper in the heavy <lb/> folds of
                    the bed-clothes. The little hand is still out, and lies so <lb/> near me (so
                    temptingly near, as I should have thought only a little <lb/> while ago) that I
                    can trace the faint blue lines in it as I have done <lb/> many a time before.
                    But now . . . how horrible it all seems ! </p>

                <p> She stirs again, and draws the hand into the lace so that it is <lb/> almost
                    hidden. How pretty she looks ! . . . with her silky <lb/> brown hair. Ah, why do
                    I find it so difficult to think of her, <lb/> even when she is before my eyes
                    thus ? Why do I never think of <lb/> her when she is absent ? Why do great
                    masses of tumbling black <lb/> hair come into my mind, while I watch this soft
                    brown tangle on <lb/> the pillow before me ? I have tried to beat down these
                    thoughts <lb/> &#x2014;but they will come . . . and how can I help myself? </p>

                <p> Look at her neck&#x2014;how white it is ! And yet&#x2014;and yet, why <lb/> does
                    a warm brown something continually haunt me ? A living <lb/> something which
                    brings with it the sun, the sky, and the sea ? </p>

                <fw type="catchword"> Our </fw>

                <pb n="193"/>

                <fw type="runningHead">By C. S. <fw type="pageNum">173</fw>
                </fw>

                <p> Our boy sleeps in a little room adjoining. I creep in and look <lb/> at him. He
                    is asleep, and has curled himself up almost into a ball, <lb/> with one tiny
                    fist in his mouth. I dare not move it to give him <lb/> more air, lest he should
                    wake and cry out. As I look a horrible <lb/> feeling of loneliness comes over
                    me. . . . He is <emph rend="italic">her</emph> child . . . <lb/>
                    <emph rend="italic">our</emph> child ... I creep back to bed. Thank Heaven her
                    eyes are <lb/> shut ! . . . Those eyes so solemn and blue. </p>
                <p> And in the morning she tells me a curious dream she had last <lb/> night. And
                    this is it : </p>

                <p>" I dreamed that a dark woman with wonderful black hair came <lb/> and stood by
                    our bed ; and stooping, put her arms about you and <lb/> kissed you passionately
                    many times, smoothing your forehead with <lb/> her hand. And I tried to cry out,
                    but could not from fear. And <lb/> suddenly looking up, she saw me watching her
                    ; and her face <lb/> grew hard and cruel. And she came round, and stood and
                    looked <lb/> at me ; and I trembled. And presently taking hold of me, she <lb/>
                    tried to pull me out of bed, but something held me down : and <lb/> she gave up,
                    and went and sat by the dull cold grate, and wept <lb/> bitterly. And I felt
                    sorry for her in spite of all, because she had <lb/> no one to comfort her as I
                    have : and I got up to go to her. But <lb/> the cruel hard look crept back into
                    her face&#x2014;and then I woke, <lb/> and saw you, and the empty chair, and the
                    bright sunlight darting <lb/> round the edges of the blinds, and found it was
                    only a dream." </p>

                <p>And what can I say ? . . . What can I do ? ... How can I <lb/> help myself? . . .
                </p>
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