<?xml version="1.0" encoding="UTF-8"?>
<?xml-model href="../../../Schema,%20CSS%20and%20Template%20Files/YB_schema2.rnc" type="application/relax-ng-compact-syntax"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0">
    <teiHeader>
        <fileDesc>
            <titleStmt>
                <title>Yellow Nineties 2.0</title>
                <title>The Yellow Book: An Illustrated Quarterly, Volume 5 April 1895</title>
                <title type="YBV5_crackanthorpe_haseltons"/>
                <editor>Lorraine Janzen Kooistra</editor>
            </titleStmt>
            <editionStmt>
                <p>
                    <date>2019</date>
                </p>
            </editionStmt>
            <publicationStmt>
                <idno>YBV5_20pr</idno>
                <publisher>Yellow Nineties 2.0</publisher>
                <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
                <address>
               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
            </address>
                <availability>
                    <p>Usable according to the Creative Commons License <ref
                            target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution
                            Non-commercial Share-alike</ref>.</p>
                </availability>
            </publicationStmt>
            <sourceDesc>
                <biblStruct>
                    <monogr>
                        <editor>
                            <persName>Henry Harland</persName>
                        </editor>
                        <author>Hubert Crackanthorpe</author>
                        <title>The Haseltons</title>
                        <imprint>
                            <publisher>John Lane</publisher>
                            <pubPlace> London </pubPlace>
                            <publisher>Copeland &amp; Day</publisher>
                            <pubPlace>Boston</pubPlace>
                            <date>April 1895</date>
                            <biblScope>Crackanthorpe, Hubert. "The Haseltons." <emph rend="italic"
                                    >The Yellow Book</emph>, vol. 5, April 1895, pp. 132-163.<emph
                                    rend="italic"> Yellow Book Digital Edition</emph>, edited by Dennis
                                Denisoff and Lorraine Janzen Kooistra, 2010-2014. <emph rend="italic">Yellow Nineties 2.0</emph>,
                                Ryerson University Centre for Digital Humanities, 2019.
                                https://1890s.ca/YBV5_crackanthorpe_haseltons/
                            </biblScope>
                        </imprint>
                    </monogr>
                </biblStruct>
            </sourceDesc>
        </fileDesc>
        <encodingDesc>
            <editorialDecl>
                <p>Our editorial method is informed by social-text editing principles. By “text” we mean
                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
            </editorialDecl>
        </encodingDesc>
        <profileDesc>
            <creation>
                <date>1895</date>
            </creation>
            <langUsage>
                <language ident="en">English</language>
            </langUsage>
            <textClass>
                <keywords scheme="#lcsh">
                    <list>
                        <item>English literature -- 19th century -- Periodicals</item>
                        <item>Great Britain -- Periodicals</item>
                    </list>
                </keywords>
                <keywords scheme="ninesGenre">
                    <list>
                        <item>Fiction</item>
                        <note>Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews),
                            "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography"
                            (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," 
                            "Travel Writing," "Music, Other,")
                            <!--Add items as necessary. Remove items not used.-->
                        </note>
                    </list>
                </keywords>
                
                <keywords scheme="ninesType">
                    <list>
                        <item>Periodical</item>
                        <note>Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, 
                            biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters,
                            prospecti)</note>
                        <!-- only choose one item-->
                    </list>
                </keywords>
                
                <keywords scheme="ninesDiscipline">
                    <list>
                        <item>Book History</item>
                        <item>Literature</item>
                        <note>Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies,"
                            "Musicology," "Philosophy," "Anthropology," "Science"</note>
                        <!--Add items as necessary. Remove items not used.-->
                    </list>
                </keywords>
            </textClass>
        </profileDesc>
    </teiHeader>
    <text>
        <body>
            <div n="YBV5_20pr" type="prose">
                <pb n="146"/>
                <head><title level="a">The Haseltons</title></head>

                <byline>By<docAuthor><ref target="#HCR"> Hubert
                    Crackanthorpe</ref></docAuthor></byline>

                <lb/>
                <lb/>
                <fw type="head">I</fw>
                <lb/>
                <p>SHE sat in a corner of a large London drawing-room, and the<lb/> two men stood
                    before her&#x2014;Hillier Haselton, her husband,<lb/> and George Swann, her
                    husband's cousin ; and, beyond them, the<lb/> mellow light of shaded candles,
                    vague groupings of black coats,<lb/> white shirt-fronts, and gay-tinted dresses,
                    and the noisy hum of<lb/> conversation.</p>

                <p>The subject that the two men were discussing&#x2014;and more<lb/> especially
                    Swann's blunt earnestness&#x2014;stirred her, though through-<lb/> out it she
                    had been unpleasantly conscious of a smallness, almost a<lb/> pettiness, in
                    Hillier's aspect.</p>

                <p>" Well, but why not, my dear Swann ? Why not be unjust :<lb/> man's been unjust
                    to woman for so many years."</p>

                <p>Hillier let his voice fall listlessly, as if to rebuke the other's<lb/> vehemence
                    ; and to hint that he was tired of the topic, looked<lb/> round at his wife,
                    noting at the same time that Swann was observ-<lb/> ing how he held her gaze in
                    his meaningly. And the unexpected-<lb/> ness of his own attitude charmed
                    him&#x2014;his hot defence of an<lb/> absurd theory, obviously evoked by a
                    lover-like desire to please her.<lb/> Others, whose admiration he could trust,
                    would, he surmised, have<lb/></p>

                <fw type="catchword">reckoned</fw>
                <pb n="147"/>


                <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">133</fw></fw>

                <p>reckoned it a pretty pose. And she, perceiving that Swann seemed<lb/> to take her
                    husband's sincerity for granted, felt a sting of quick<lb/> regret that she had
                    ever come to understand him, and that she<lb/> could not still view him as they
                    all viewed him.</p>

                <p>Hillier moved away across the room, and Swann drew a stool<lb/> beside her chair,
                    and asking her for news of Claude, her little boy,<lb/> talked to her of other
                    things&#x2014;quite simply, for they were grown<lb/> like old friends. He looked
                    at her steadily, stroking his rough fair<lb/> beard, as if he were anxious to
                    convey to her something which he<lb/> could not put into words. She divined ;
                    and, a little startled, tried<lb/> to thank him with her eyes ; but, embarrassed
                    by the clumsiness of<lb/> his own attempt at sympathetic perception, he
                    evidently noticed<lb/> nothing. And this obtuseness of his disappointed her,
                    since it<lb/> somehow seemed to confirm her isolation.</p>

                <p>She glanced round the room. Hillier stood on the hearth-rug,<lb/> his elbow on
                    the mantel-piece, busily talking, with slight deferen-<lb/> tial gestures, to
                    the great English actress in whose honour the<lb/> dinner had been given. The
                    light fell on his smooth glistening<lb/> hair, on his quick sensitive face ; for
                    the moment forcing herself<lb/> to realise him as he appeared to the rest, she
                    felt a thrill of jaded<lb/> pride in him, in his cleverness, in his reputation,
                    in his social<lb/> success.</p>

                <p>Swann, observing the direction of her gaze, said, almost apolo-<lb/> getically, "
                    You must be very proud of him."</p>

                <p>She nodded, smiled a faint, assumed smile ; then added, adopt-<lb/> ing his tone,
                    " His success has made him so happy."</p>

                <p>" And you too ? " he queried.</p>

                <p>" Of course," she answered quickly.</p>

                <p>He stayed silent, while she continued to watch her husband<lb/> absently.</p>
                <lb/>
                <fw type="catchword">Success,</fw>
                <pb n="148"/>


                <fw type="runningHead"><fw type="pageNum">134</fw> The Haseltons</fw>

                <lb/>
                <lb/>
                <fw type="head">II</fw>
                <lb/>
                <p>Success, an atmosphere of flattery, suited Hillier Haselton, and<lb/> stimulating
                    his weaknesses, continually encouraged him to display<lb/> the handsomer portion
                    of his nature. For though he was yet<lb/> young&#x2014;and looked still
                    younger&#x2014;there was always apparent,<lb/> beneath his frank boyish relish
                    of praise, a semblance of serious<lb/> modesty, a strain of genuine reserve. And
                    society&#x2014;the smart<lb/> literary society that had taken him
                    up&#x2014;found this combination<lb/> charming. So success had made life
                    pleasant for him in many<lb/> ways, and he rated its value accordingly ; he was
                    too able a man<lb/> to find pleasure in the facile forms of conceit, or to
                    accept, with<lb/> more than a certain cynical complacency, the world's
                    generous<lb/> judgment on his work. Indeed, the whole chorus of admiration<lb/>
                    did but strengthen his contempt for contemporary literary judg-<lb/> ments, a
                    contempt which&#x2014;lending the dignity of deliberate<lb/> purpose to his
                    indulgence of his own weakness for adulation&#x2014;<lb/> procured him a
                    refined, a private, and an altogether agreeable self-<lb/> satisfaction. When
                    people set him down as vastly clever, he was<lb/> pleased ; he was unreasonably
                    annoyed when they spoke of him as<lb/> a great genius.</p>

                <p>Life, he would repeat, was of larger moment than literature ;<lb/> and, despite
                    all the freshness of his success, his interest in himself,<lb/> in the play of
                    his own personality, remained keener, and, in its<lb/> essence, of more lasting
                    a nature, than his ambition for genuine<lb/> achievement. The
                    world&#x2014;people with whom he was brought<lb/> into
                    relation&#x2014;stimulated him so far as he could assimilate them<lb/> to his
                    conception of his own attitude ; most forms of art too, in<lb/> great
                    measure&#x2014;and music altogether&#x2014;attracted him in the pro-<lb/></p>
                <fw type="catchword">portion</fw>
                <pb n="149"/>


                <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">135</fw></fw>

                <p>portion that they played upon his intimate emotions. Similarly,<lb/> his
                    friendships ; and for this reason he preferred the companionship<lb/> of women.
                    But since his egoism was uncommonly dexterous, he<lb/> seemed endowed with a
                    rare gift of artistic perception, of psycho-<lb/> logical insight, of personal
                    charm.</p>

                <p>It had always been his nature to live almost exclusively in the<lb/> present ;
                    his recollection of past impressions was grown scanty<lb/> from habitual disuse.
                    His sordid actions in the past he forgot<lb/> with an ever-increasing facility ;
                    his moments of generosity or<lb/> self-sacrifice he remembered carelessly, and
                    enjoyed a secret pride<lb/> in their concealment ; and the conscious
                    embellishment of sub-<lb/> jective experience for the purpose of " copy," he had
                    instinctively<lb/> disdained.</p>

                <p>Since his boyhood, religion had been distasteful to him, though,<lb/> at rare
                    moments, it had stirred his sensibilities strangely. Now,<lb/> occasionally, the
                    thought of the nullity of life, of its great un-<lb/> satisfying quality, of the
                    horrid squalor of death, would descend<lb/> upon him with its crushing,
                    paralysing weight ; and he would<lb/> lament, with bitter, futile regret, his
                    lack of a secure stand-point,<lb/> and the continual limitations of his
                    self-absorption ; but even that,<lb/> perhaps, was a mere literary melancholy,
                    assimilated from certain<lb/> passages of Pierre Loti.</p>

                <p>But now he had published a stout volume of critical essays,<lb/> and an important
                    volume of poetry, and society had clamorously<lb/> ratified his own conception
                    of himself. Certainly, now, in the<lb/> eyes of the world, it was agreed beyond
                    dispute that she, his wife,<lb/> was of quite the lesser importance. " She was
                    nice and quiet,"<lb/> which meant that she seemed mildly insignificant ; "she
                    had a<lb/> sense of humour," which meant that an odd note of half-stifled<lb/>
                    cynicism sometimes escaped her. He was evidently very devoted<lb/> to her, and
                    on that account women trusted him&#x2014;all the more<lb/></p>

                <fw type="catchword">because</fw>
                <pb n="151"/>


                <fw type="runningHead"><fw type="pageNum">136</fw> The Haseltons</fw>

                <p>because her personality possessed no obvious glamour. Perhaps,<lb/> now and then,
                    his attentions to her in public seemed a little<lb/> ostentatious ; but then, in
                    these modern uncourtly days, that in<lb/> itself was distinctive. In private
                    too, especially at the moments<lb/> when he found life stimulating, he was still
                    tactful and expansive<lb/> with sympathetic impulse ; from habit ; from pride in
                    his com-<lb/> prehension of women ; from dislike to cheap hypocrisy. How<lb/>
                    could he have divined that bitter suppressed seriousness, with<lb/> which she
                    had taken her disillusionment ; when not once in three<lb/> months did he
                    consider her apart from the play of his own person-<lb/> ality ; otherwise than
                    in the light of her initial attitude towards<lb/> him ?</p>

                <p>And her disillusionment, how had it come ? Certainly not<lb/> with a rush of
                    sudden overwhelming revelation ; certainly it was<lb/> in no wise inspired by
                    the tragedy of Nora Helmer. It had been<lb/> a gradual growth, to whose obscure
                    and trivial beginnings she had<lb/> not had the learning to ascribe their true
                    significance. To sound<lb/> the current of life was not her way. She was naïve
                    by nature ;<lb/> and the ignorance of her girlhood had been due rather to a<lb/>
                    natural inobservance than to carefully managed surroundings.<lb/> And yet, she
                    had come to disbelieve in Hillier ; to discredit his<lb/> clever attractiveness
                    : she had become acutely sensitive to his<lb/> instability, and, with a secret,
                    instinctive obstinacy, to mistrust<lb/> the world's praise of his work. Perhaps,
                    had he made less effort<lb/> in the beginning to achieve a brilliancy of
                    attitude in her eyes,<lb/> had he schooled her to expect from him a lesser
                    loftiness of aspira-<lb/> tion, things might have been very different ; or, at
                    least, there<lb/> might have resulted from the process of her disillusionment
                    a<lb/> lesser bitterness of conviction. But she had taken her marriage<lb/> with
                    so keen an earnestness of ideal, had noted every turn in his<lb/> personality
                    with so intense an expectation. Perhaps, too, had he<lb/></p>

                <fw type="catchword">detected</fw>
                <pb n="151"/>


                <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">137</fw></fw>

                <p>detected the first totterings of her ideal conception of him, had<lb/> he aided
                    her, as it were, to descend his figure from that pedestal<lb/> where he himself
                    had originally planted it, together they might<lb/> have set it uninjured on a
                    lower and less exposed plane. But he<lb/> had never heeded her subtle
                    indications of its insecurity ; alone,<lb/> she had watched its peril, awaiting
                    with a frightened fascination<lb/> the day when it should roll headlong in the
                    dust. And, at inter-<lb/> vals, she would vaguely marvel, when she observed
                    others whose<lb/> superior perspicacity she assumed, display no perception of
                    his<lb/> insincerity. Then the oppressive sense that she&#x2014;she, his
                    wife,<lb/> the mother of his child&#x2014;was the only one who saw him
                    clearly,<lb/> and the unsurmountable shrinking from the relief of sharing
                    this<lb/> sense with any one, made her sourly sensitive to the pettiness,
                    the<lb/> meanness, the hidden tragic element in life.</p>

                <p>A gulf had grown between&#x2014;that was how she described it to <lb/> herself.
                    Outwardly their relations remained the same ; but,<lb/> frequently, in his
                    continuance of his former attitude, she detected<lb/> traces of deliberate
                    effort ; frequently when off his guard, he<lb/> would abandon all pretension to
                    it, and openly betray how little<lb/> she had come to mean to him. There were,
                    of course, moments<lb/> also, when, at the echo of his tenderness, she would
                    feverishly<lb/> compel herself to believe in its genuineness ; but a minute
                    later<lb/> he would have forgotten his exaltation, and, almost with
                    irritation,<lb/> would deliberately ignore the tense yearning that was
                    glowing<lb/> within her.</p>

                <p>And so, the coming of his success&#x2014;a brilliant blossoming into<lb/>
                    celebrity&#x2014;had stirred her but fitfully. Critics wrote of the fine<lb/>
                    sincerity of his poetry ; while she clung obstinately to her super-<lb/> stition
                    that fine poetry must be the outcome of a great nobility of<lb/> character. And,
                    sometimes, she hated all this success of his,<lb/> because it seemed to
                    emphasise the gulf between them, and in<lb/></p>

                <fw type="catchword">some </fw>
                <fw type="footer">The Yellow Book&#x2014;Vol. V. <emph>I</emph></fw>
                <pb n="152"/>


                <fw type="runningHead"><fw type="pageNum">138</fw> The Haseltons</fw>

                <p>some inexplicable way to lessen her value in his eyes : then<lb/> again, from an
                    impulse of sheer unselfishness, she would succeed<lb/> in almost welcoming it,
                    because, after all, he was her husband.</p>

                <p>But of all this he noted nothing : only now and then he would<lb/> remind himself
                    vaguely that she had no literary leanings.</p>

                <p>The little Claude was three years old. Before his birth, Hillier<lb/> had dilated
                    much on the mysterious beauty of childhood, had vied<lb/> with her own awed
                    expectation of the wonderful coming joy.<lb/> During her confinement, which had
                    been a severe one, for three<lb/> nights in succession he had sat, haggard with
                    sleepless anxiety, on<lb/> a stiff-backed dining-room chair, till all danger was
                    passed. But<lb/> afterwards the baby had disappointed him sorely ; and later
                    she<lb/> thought he came near actively disliking it. Still, reminding<lb/>
                    herself of the winsomeness of other children at the first awakening<lb/> of
                    intelligence, she waited with patient hopefulness, fondly fancying<lb/> a
                    beautiful boy-child ; wide baby eyes ; a delicious prattle.<lb/> Claude,
                    however, attained no prettiness, as he grew : from an<lb/> unattractive baby he
                    became an unattractive child, with lanky,<lb/> carroty hair ; a squat nose; an
                    ugly, formless mouth. And in<lb/> addition, he was fretful, mischievous,
                    self-willed. Hillier at this<lb/> time paid him but a perfunctory attention ;
                    avoided discussing<lb/> him ; and, when that was not possible, adopted a subtle,
                    aggrieved<lb/> tone that cut her to the quick. For she adored the child ;
                    adored<lb/> him because he was hers ; adored him for his very defects ;
                    adored<lb/> him because of her own suppressed sadness; adored him for the<lb/>
                    prospect of the future&#x2014;his education, his development, his gradual<lb/>
                    growth into manhood.</p>

                <p>From the house in Cromwell Road the Haseltons had moved to<lb/> a flat near
                    Victoria Station : their means were moderate ; but now,<lb/> through the death
                    of a relative, Hillier was no longer dependent<lb/> upon literature for a
                    living.<lb/></p>

                <fw type="catchword">George</fw>
                <pb n="153"/>


                <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">139</fw></fw>

                <lb/>
                <lb/>
                <fw type="head">III</fw>
                <lb/>
                <p>George Swann was her husband's cousin ; and besides, he had<lb/> stood godfather
                    to the little Claude. He was the elder by eight<lb/> years ; but Hillier always
                    treated him as if their ages were reversed,<lb/> and, before Ella, used to
                    nickname him the "Anglo-Saxon,"<lb/> because of his loose physical largeness,
                    his flaxen hair and beard,<lb/> his strong simplicity of nature. And Swann, with
                    a reticent<lb/> good-humour, acquiesced in Hillier's tone towards him ; out
                    of<lb/> vague regard for his cousin's ability ; out of respect for him as<lb/>
                    Ella's husband.</p>

                <p>Swann and Ella were near friends. Since their first meeting,<lb/> the combination
                    of his blunt self-possession and his uncouth<lb/> timidity with women, had
                    attracted her. Divining his simplicity,<lb/> she had felt at once at her ease
                    with him, and, treating him with<lb/> open cousinly friendliness, had encouraged
                    him to come often to <lb/> the house.</p>

                <p>A while later, a trivial incident confirmed her regard for him.<lb/> They had
                    been one evening to the theatre together&#x2014;she and<lb/> Hillier and
                    Swann&#x2014;and afterwards, since it was raining, she and<lb/> Hillier waited
                    under the door-way while he sallied out into the<lb/> Strand to find them a cab.
                    Pushing his way along the crowded<lb/> street, his eyes scanning the traffic for
                    an empty hansom, he<lb/> accidentally collided with a woman of the pavement,
                    jostling her<lb/> off the kerb into the mud of the gutter. Ella watched him
                    stop,<lb/> gaze ruefully at the woman's splashed skirt, take off his hat,
                    and<lb/> apologise with profuse, impulsive regret. The woman continued<lb/> her
                    walk, and presently passed the theatre door. She looked<lb/> middle-aged : her
                    face was hard and animal-like.<lb/></p>

                <fw type="catchword">One</fw>
                <pb n="154"/>


                <fw type="runningHead"><fw type="pageNum">140</fw> The Haseltons</fw>

                <p>One Sunday afternoon&#x2014;it was summer-time&#x2014;as she was cross-<lb/> ing
                    the park to pay a call in Gloucester Square, she came across<lb/> him sauntering
                    alone in Kensington Gardens. She stopped and<lb/> spoke to him : he seemed much
                    startled to meet her. Three-<lb/> quarters of an hour later, when she returned,
                    he was sitting on a<lb/> public bench beside her path ; and immediately, from
                    his manner,<lb/> she half-guessed that he had been waiting for her. It was
                    a<lb/> fortnight after Claude's christening : he started to speak to her<lb/> of
                    the child, and so, talking together gravely, they turned on to<lb/> the turf,
                    mounted the slope, and sat down on two chairs beneath<lb/> the trees.</p>

                <p>Touched by his waiting for her, she was anxious to make<lb/> friends with him ;
                    because he was the baby's godfather ;<lb/> because he seemed alone in the world
                    ; because she trusted in<lb/> his goodness. So she led him, directly and
                    indirectly, to talk of<lb/> himself. At first, in moody embarrassment, he
                    prodded the turf<lb/> with his stick ; and presently responded, unwillingly
                    breaking<lb/> down his troubled reserve, and alluding to his loneliness
                    con-<lb/> fidingly, as if sure of her sympathy.</p>

                <p>Unconsciously he made her feel privileged thus to obtain an<lb/> insight into the
                    inner workings of his heart, and gave her a<lb/> womanly, sentimental interest
                    in him.</p>

                <p>Comely cloud-billows were overhead, and there was not a<lb/> breath of
                    breeze.</p>

                <p>They paused in their talk, and he spoke to her of Kensington<lb/> Gardens,
                    lovingly, as of a spot which had signified much to him<lb/> in the
                    past&#x2014;Kensington Gardens, massively decorous ; cere-<lb/> moniously quiet
                    ; pompous, courtly as a king's leisure park ; the<lb/> slow, opulent contours of
                    portly foliage, sober-green, immobile<lb/> and indolent ; spacious groupings of
                    tree-trunks ; a low ceiling of<lb/> leaves ; broad shadows mottling the grass.
                    The Long Water,<lb/></p>

                <fw type="catchword">smooth</fw>
                <pb n="155"/>



                <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">141</fw></fw>

                <p>smooth and dark as a mirror ; lining its banks, the rhododendrons<lb/> swelling
                    with colour, cream, purple, and carmine. The peacock's<lb/> insolent scream ; a
                    silently skimming pigeon ; the joyous twitter-<lb/> ings of birds ; the patient
                    bleating of sheep. . . .</p>

                <p>At last she rose to go. He accompanied her as far as the<lb/> Albert Memorial,
                    and when he had left her, she realised, with a<lb/> thrill of contentment, that
                    he and she had become friends.</p>
                <lb/>
                <lb/>

                <fw type="head">IV</fw>
                <lb/>
                <p>That had been the beginning of George Swann's great love for<lb/> her. His was a
                    slowly-moving nature : it was gradually therefore<lb/> that he came to value, as
                    a matter of almost sacred concern, the<lb/> sense of her friendship ;
                    reverencing her with the single-hearted,<lb/> unquestioning reverence of a man
                    unfamiliar with women ; re-<lb/> garding altogether gravely her relations with
                    him&#x2014;their talks on<lb/> serious subjects, the little letters she wrote to
                    him, the books that<lb/> he had given to her&#x2014;<ref target="#ASW">Swinburne</ref>'s <emph
                        rend="italic">Century of Roundels</emph> ; a tiny<lb/> edition of Shelley,
                    bound in white parchment ; Mrs. Meynell's<lb/>
                    <emph rend="italic">Rhythm of Life</emph>. He took to studying her intellectual
                    tastes, the<lb/> topics that were congenial to her, her opinions on men and<lb/>
                    women, with a quiet, plodding earnestness ; almost as if it were<lb/> his duty.
                    Thus he learned her love of simple country things ;<lb/> gained a conception of
                    her girlhood's home ; of her father and<lb/> mother, staid country folk. He did
                    not know how to him alone<lb/> she could talk of these things ; or of the warm,
                    deep-seated<lb/> gratitude she bore him in consequence ; but he reverted
                    con-<lb/> stantly to the topic, because, under its influence, she always<lb/>
                    brightened, and it seemed to ratify the bond of sympathy between<lb/>
                    them.<lb/></p>

                <fw type="catchword">How</fw>
                <pb n="156"/>


                <fw type="runningHead"><fw type="pageNum">142</fw> The Haseltons</fw>

                <p>How much, as the months went by, she came to mean to him,<lb/> he had not in the
                    least realised : he had never thought of her as<lb/> playing a part in his own
                    life ; only as a beautiful-natured woman,<lb/> to whom he owed everything,
                    because, by some strange chance,<lb/> she had made him her friend.</p>

                <p>Not even in his moments of idle vagrant reverie, did he think<lb/> to ask more of
                    her than this. To intrude himself further into her<lb/> life, to offer her more
                    than exactly that which she was expecting<lb/> of him, naturally never occurred
                    to him. Yet, in a queer un-<lb/> comfortable way, he was jealous of other men's
                    familiarity with<lb/> her- -vaguely jealous lest they should supplant him,
                    mistrustful of<lb/> his own modesty. And there was no service which, if she
                    had<lb/> asked it of him, he would not have accomplished for her sake ; for<lb/>
                    he had no ties.</p>

                <p>But towards Hillier, since he belonged to her, Swann's heart<lb/> warmed
                    affectionately : she had loved and married him ; had<lb/> made him master of her
                    life. So he instinctively extended to his <lb/> cousin a portion of the unspoken
                    devotion inspired by Ella.<lb/> Such was the extent of his reverence for her,
                    and his diffidence<lb/> regarding himself, that he took for granted that Hillier
                    was an<lb/> ideal husband, tender, impelled by her to no ordinary daily de-<lb/>
                    votion : for, that it should be otherwise, would have seemed<lb/> to him a
                    monstrous improbability. Yet latterly, since the coming<lb/> of Hillier's
                    success, certain incidents had disconcerted him, filled<lb/> him with
                    ill-defined uneasiness.</p>

                <p>From the first, he had been one of Hillier's warmest admirers ;<lb/> praising,
                    whenever an opportunity offered, out of sheer loyalty to<lb/> Ella, and pride in
                    his cousin, the fineness of form that his poetry<lb/> revealed. To her, when
                    they were alone, he had talked in the<lb/> same enthusiastic strain : the first
                    time she had seemed listless<lb/> and tired, and afterwards he had blamed
                    himself for his want of<lb/></p>

                <fw type="catchword">tact ;</fw>
                <pb n="157"/>


                <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">143</fw></fw>

                <p>tact ; on another occasion, he had brought her a laudatory article,<lb/> and she
                    had turned the conversation brusquely into another<lb/> channel. And, since his
                    love for her&#x2014;of which as yet he was<lb/> himself
                    unconscious&#x2014;caused him to brood over means of pleasing<lb/> her (he lived
                    alone in the Temple), this indication that he had<lb/> jarred her sensibilities
                    was not lost upon him.</p>

                <p>Hillier's attitude towards the little Claude, and the pain that it<lb/> was
                    causing her, would in all probabiltity have escaped him, had<lb/> she not
                    alluded to it once openly, frankly assuming that he had per-<lb/> ceived it. It
                    was not indeed that she was in any way tempted to<lb/> indulge in the
                    transitional treachery of discussing Hillier with him ;<lb/> but that,
                    distressed, yearning for counsel, she was prompted almost<lb/> irresistibly to
                    turn to Swann, who had stood godfather to the child,<lb/> who was ready to join
                    her in forming anxious speculations concern-<lb/> ing the future.</p>

                <p>For of course he had extended his devotion to the child also,<lb/> who, at
                    Hillier's suggestion, was taught to call him Uncle George.<lb/> Naturally his
                    heart went out to children : the little Claude, since<lb/> the first awakening
                    of his intelligence, had exhibited a freakish,<lb/> childish liking for him ;
                    and, in his presence, always assumed some-<lb/> thing of the winsomeness of
                    other children.</p>

                <p>The child's preference for Swann, his shy mistrust of his father,<lb/> were
                    sometimes awkwardly apparent ; but Hillier, so it seemed to<lb/> Ella, so far
                    from resenting, readily accepted his cousin's predomi-<lb/> nance. " Children
                    always instinctively know a good man," he<lb/> would say ; and Ella would wince
                    inwardly, discerning, beneath<lb/> his air of complacent humility, how far apart
                    from her he had come<lb/> to stand.</p>

                <p>Thus, insensibly, Swann had become necessary to her, almost<lb/> the pivot, as it
                    were, of her life : to muse concerning the nature of<lb/> his feelings towards
                    her, to probe its sentimental aspects, to accept<lb/></p>

                <fw type="catchword">his</fw>
                <pb n="158"/>


                <fw type="runningHead"><fw type="pageNum">144</fw> The Haseltons</fw>

                <p>his friendship otherwise than with unconscious ease, that was not<lb/> her
                    way.</p>

                <p>But Hillier noted critically how things were drifting, and even<lb/> lent
                    encouragement to their progress in a way that was entirely<lb/> unostentatious ;
                    since so cynical an attitude seemed in some<lb/> measure to justify his own
                    conduct.</p>
                <lb/>
                <lb/>
                <lb/>
                <fw type="head">V</fw>
                <lb/>
                <p>For he was unfaithful to his wife, it was inevitable that the<lb/> temptation, in
                    the guise of a craving for change, should come&#x2014;<lb/> not from the
                    outside, but from within himself. And he had no<lb/> habit of stable purpose
                    with which to withstand it. Not alto-<lb/> gether was it a vagrant, generalised
                    lusting after women other than<lb/> his wife ; not a mere harking back to the
                    cruder experiences of his<lb/> bachelorhood ; though, at first it had seemed so
                    to manifest itself.<lb/> Rather was it the result of a moody restlessness, of a
                    dissatisfaction<lb/> (with her, consciously, no ; for the more that he sinned
                    against<lb/> her, the more lovable, precious her figure appeared to him)
                    kindled<lb/> by continual contact with her natural goodness. It was as if,
                    in<lb/> his effort to match his personality with hers, he had put too
                    severe<lb/> a strain upon the better part of him.</p>

                <p>He himself had never analysed the matter more exhaustively than<lb/> this. The
                    treacherous longing had gripped him at certain mo-<lb/> ments, holding him
                    helpless as in a vice. He had conceived no<lb/> reckless passion for another
                    woman : such an eventuality, he dimly<lb/> surmised, was well-nigh impossible.
                    In his case brain domineered<lb/> over heart ; to meet the first outbursting of
                    his adoration for his<lb/> wife, he had drained every resource of his
                    sentimentality.</p>

                <p>Was it then an idle craving for adventure, a school-boy curiosity<lb/></p>

                <fw type="catchword">clamouring</fw>
                <pb n="159"/>


                <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">145</fw></fw>

                <p>clamouring for fresh insight into the heart of women ? Mere<lb/> experience was
                    unnecessary for the attainment of comprehension :<lb/> "to have lived" did not
                    imply " to have understood " : the most<lb/> pregnant adventures, as he knew,
                    were those which entailed no<lb/> actual unfaithfulness.</p>

                <p>And for these&#x2014;subtle, psychological intimacies&#x2014;ample occasion<lb/>
                    offered. Yet the twist in his nature led him to profess to treat<lb/> them
                    heedlessly ; and, in reality, to prosecute them with no<lb/> genuine
                    strenuousness. They would have been obvious lapses ;<lb/> Ella would have been
                    pained, pitied perhaps : from that his vanity<lb/> and his sham chivalry alike
                    shrank.</p>

                <p>His unfaithfulness to her, then, had been prompted by no evident<lb/> motive.
                    Superficially considered, it seemed altogether gratuitous,<lb/> meaningless. The
                    world&#x2014;that is, people who knew him and her<lb/> &#x2014;would probably
                    have discredited the story, had it come to be<lb/> bruited. And this fact he had
                    not omitted to consider.</p>

                <p>She, the other woman, was of little importance. She belonged<lb/> to the higher
                    walks of the demi-monde : she was young ; beautiful,<lb/> too, in a manner ;
                    light-hearted ; altogether complaisant. She was<lb/> not the first : there had
                    been others before her ; but these were of<lb/> no account whatsoever : they had
                    but represented the bald fact of<lb/> his unfaithfulness. But <emph
                        rend="italic">she</emph> attracted him : he returned to her<lb/> again and
                    again ; though afterwards, at any rate in the beginning,<lb/> he was wont to
                    spare himself little in the matter of self-reproach,<lb/> and even to make some
                    show of resisting the temptation. The<lb/> discretion of her cynical
                    camaraderie, however, was to be trusted ;<lb/> and that was sufficient to
                    undermine all virtuous resolution. She<lb/> had the knack, too, of cheering him
                    when depressed, and, curiously<lb/> enough, of momentarily reinstating him in
                    his own conceit,<lb/> though later, on his return to Ella, he would suffer most
                    of the<lb/> pangs of remorse.<lb/></p>

                <fw type="catchword">There</fw>
                <pb n="160"/>


                <fw type="runningHead"><fw type="pageNum">146</fw> The Haseltons</fw>

                <p>There was something mannish about her&#x2014;not about her<lb/> physiognomy, but
                    about her mind&#x2014;derived, no doubt, from the<lb/> scantiness of her
                    intercourse with women. Her cynicism was<lb/> both human and humorous : she was
                    a person of little education,<lb/> and betrayed none of the conventionality of
                    her class : hence her<lb/> point of view often struck him as oddly direct and
                    unexpected.<lb/> He used to talk to her about himself, candidly discussing
                    all<lb/> manner of random and intimate matters before her, without<lb/> shyness
                    on his part, without surprise on hers&#x2014;almost at times as<lb/> if she were
                    not present&#x2014;and with an assumption of facile banter,<lb/> to listen to
                    which tickled his vanity. Only to Ella did he never<lb/> allude ; and in this,
                    of course, she tacitly acquiesced. She<lb/> possessed a certain quality of
                    sympathetic tact ; always attentive<lb/> to his talk, never critical of it ;
                    mindful of all that he had<lb/> previously recounted. He could always resume his
                    attitude at the<lb/> very point where he had abandoned it. Between them there
                    was<lb/> never any aping of sentimentality.</p>

                <p>That she comprehended him&#x2014;with so fatuous a delusion he<lb/> never
                    coquetted : nor that she interested him as a curious type.<lb/> She saw no
                    subtle significance in his talk : she understood nothing<lb/> of its complex
                    promptings : she was ordinary, uneducated, and yet<lb/> stimulating&#x2014;and
                    that was the contrast which attracted him<lb/> towards her. Concerning the
                    course of her own existence he did<lb/> not trouble himself: he accepted her as
                    he found her ; deriving a<lb/> sense of security from the fact that towards him
                    her manner<lb/> varied but little from visit to visit. But, as these
                    accumulated,<lb/> becoming more and more regular, and his faith in her
                    discretion<lb/> blunted the edge of his remorse, he came to notice how she<lb/>
                    braced him, reconciled him to his treachery (which, he argued,<lb/> in any case
                    was inevitable) ; lent to it a spice almost of pleasant-<lb/> ness. Neither had
                    he misgivings of the future, of how it would<lb/></p>

                <fw type="catchword">end.</fw>
                <pb n="161"/>


                <fw type="runningHead">By Hubert Crackanthorpe 1<fw type="pageNum">147</fw></fw>

                <p>end. One day she would pass out of his life as easily as she had<lb/> come into
                    it. His relations with her were odd, though not in the<lb/> obvious way. About
                    the whole thing he was insensibly coming<lb/> to feel composed.</p>

                <p>And its smoothness, its lack of a disquieting aspect, impelled<lb/> him to
                    persevere towards Ella in cheerfulness, courteous kindness,<lb/> and a show of
                    continuous affection ; and to repent altogether of<lb/> those lapses into
                    roughness which had marred the first months of<lb/> their marriage.</p>
                <lb/>
                <lb/>
                <fw type="head">VI</fw>
                <lb/>
                <p>The hansoms whirled their yellow, gleaming eyes down West :<lb/> hot, flapping
                    gusts went and returned aimlessly ; and the mirthless<lb/> twitterings of the
                    women fell abruptly on the sluggishly shuffling<lb/> crowd. All the sin of the
                    city seemed crushed to listlessness ;<lb/> vacantly wistful, the figures waited
                    by the street corners.</p>

                <p>Then the storm burst. Slow, ponderous drops : a clap of thez<lb/> thunder's wrath
                    ; a crinkled rim of light, unveiling a slab of sky,<lb/> throbbing, sullen and
                    violet ; small, giggling screams of alarm,<lb/> and a stampede of bunchy
                    silhouettes. The thunder clapped<lb/> again, impatient and imperious ; and the
                    rain responded, zealously<lb/> hissing. Bright stains of liquid gold straggled
                    across the road-<lb/> way ; a sound of splashing accompanied the thud of hoofs,
                    the<lb/> rumble of wheels, the clanking of chains, and the ceaseless rattle<lb/>
                    of the drops on the hurried procession of umbrellas.</p>

                <p>Swann, from the corner of a crowded omnibus, peered absently<lb/> through the
                    doorway, while the conductor, leaning into the street,<lb/> touted mechanically
                    for passengers.</p>

                <p>The vehicle stopped. A woman, bare-headed and cloaked,<lb/> escorted by the
                    umbrella of a restaurant official, hurried to the<lb/></p>

                <fw type="catchword">shelter</fw>
                <pb n="162"/>


                <fw type="runningHead"><fw type="pageNum">148</fw> The Haseltons</fw>

                <p>shelter of a cab, across the wet pavement. A man broke the<lb/> stream of the
                    hastening crowd ; halted beside the wheel to stare.<lb/> The woman laughed in
                    recognition, noisily. The man stepped<lb/> rapidly on to the foot-board, and an
                    instant stood there, directing<lb/> the driver across the roof. The light from a
                    lamp-post caught<lb/> his face : it was Hillier. The next moment he was seated
                    beside<lb/> the woman, who was still laughing (Swann could see the gleaming<lb/>
                    whiteness of her teeth) : the driver had loosened the window<lb/> strap, the
                    glass had slid down, shutting them in. The omnibus<lb/> jolted forward, and the
                    cab followed in its wake, impatiently, for<lb/> the street was blocked with
                    traffic.</p>

                <p>Immediately, with a fierce vividness, Ella's image sprang up<lb/> before Swann's
                    eyes&#x2014;her face with all its pure, natural, simple<lb/> sweetness. And
                    there&#x2014;not ten yards distant, behind the obscurity<lb/> of that blurred
                    glass, Hillier was sitting with another woman&#x2014;a<lb/> woman concerning
                    whose status he could not doubt.</p>

                <p>He clenched his gloved fists. The wild impulse spurted forth,<lb/> the impulse to
                    drag the cur from the cab, to bespatter him, to<lb/> throw him into the mud, to
                    handle him brutally, as he deserved.<lb/> It was as if Hillier had struck him a
                    cowardly blow in the face.</p>

                <p>Then the hansom started to creep past the omnibus. Swann<lb/> sprang into the
                    roadway. A moment later he was inside another<lb/> cab, whirling in pursuit down
                    Piccadilly hill.</p>

                <p>The horse's hoofs splashed with a rhythmical, accelerated<lb/> precision : he
                    noticed dully how the crupper-strap flapped from<lb/> side to side, across the
                    animal's back. Ahead, up the incline,<lb/> pairs of tiny specks, red and green,
                    were flitting.</p>

                <p>" It's the cab with the lady what come out of the restaurant,<lb/> ain't it, sir
                    ? "</p>

                <p>" Yes," Swann called back through the trap.</p>

                <p>The reins tightened : the horse quickened his trot.<lb/></p>

                <fw type="catchword">Hyde</fw>
                <pb n="163"/>


                <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">149</fw></fw>

                <p>Hyde Park Corner stood empty and resplendent with a glitter<lb/> of glamorous
                    gold. The cab turned the corner of Hamilton<lb/> Place, and the driver lashed
                    the horse into a canter up Park<lb/> Lane.</p>

                <p>" That's 'im&#x2014;jest in front&#x2014;"</p>

                <p>" All right. Follow." Swann heard himself answering. And,<lb/> amid his pain, he
                    was conscious that's the man's jaunty tone<lb/> seemed to indicate that this
                    sort of job was not unfamiliar.</p>

                <p>He struggled to tame the savageness of his indignation ; to<lb/> think out the
                    situation ; to realise things coolly, that he might do<lb/> what was best for
                    her. But the leaping recollection of all her<lb/> trustfulness, her goodness,
                    filled him with a burning, maddening<lb/> compassion. . . . He could see nothing
                    but the great wrong done<lb/> to her. . . .</p>

                <p>Where were they going&#x2014;the green lights of that cab in front<lb/>
                    &#x2014;that woman and Hillier ? . . . Where would it end, this<lb/> horrible
                    pursuit&#x2014;this whirling current which was sweeping him<lb/> forward.... It
                    was like a nightmare. . . .</p>

                <p>He must stop them&#x2014;prevent this thing . . . but, evidently,<lb/> this was
                    not the first time. . . . Hillier and this woman knew<lb/> one another. He had
                    stopped, on catching sight of her, and she<lb/> had recognised him. . . . The
                    thing might have been going on<lb/> for weeks&#x2014;for months. . . .</p>

                <p>. . . Yet he must stop them&#x2014;not here, in the crowded street<lb/> (they
                    were in the Edgware Road), but later, when they had<lb/> reached their
                    destination&#x2014;where there were no passers&#x2014;where it<lb/> could be
                    done without scandal. . . .</p>

                <p>. . . Yes, he must send Hillier back to her. . . . And she<lb/> believed in
                    him&#x2014;trusted him. . . . She must know nothing&#x2014;at<lb/> all costs, he
                    must spare her the hideous knowledge&#x2014;the pain of it.<lb/> . . . And
                    yet&#x2014;and yet? . . . Hillier&#x2014;the blackguard&#x2014;she
                    would<lb/></p>

                <fw type="catchword">have</fw>
                <pb n="164"/>


                <fw type="runningHead"><fw type="pageNum">150</fw> The Haseltons</fw>

                <p>have to go on living with him, trusting him, confiding in him,<lb/> loving him. .
                    . .</p>

                <p>And for relief he returned wearily to his indignation.</p>

                <p>How was it possible for any man&#x2014; married to her&#x2014;to be so<lb/> vile,
                    so false ? . . . The consummate hypocrisy of it all. . . .</p>

                <p>Swann remembered moments when Hillier's manner towards<lb/> her had appeared
                    redolent of deference, of suppressed affection.<lb/> And he&#x2014;a man of
                    refinement&#x2014;not a mere coarse-fibred, sensual<lb/> brute&#x2014;he who
                    wrote poetry&#x2014;Swann recalled a couplet full of fine<lb/>
                    aspiration&#x2014;that he should have done this loathsome thing&#x2014;done<lb/>
                    it callously, openly&#x2014;any one might have seen it&#x2014;deceived her<lb/>
                    for some common vulgar, public creature. . . .</p>

                <p>Suddenly the cab halted abruptly.</p>

                <p>" They're pulled up, across the street there," the driver<lb/> whispered
                    hoarsely, confidentially ; and for his tone Swann could<lb/> have struck
                    him.</p>

                <p>It was an ill-lit street, silent and empty. The houses were low,<lb/>
                    semi-detached, and separated from the pavement by railings and<lb/> small
                    gardens.</p>

                <p>The woman had got out of the cab and was pushing open the<lb/> swing-gate.
                    Hillier stood on the foot-board, paying the cab-<lb/> man. Swann, on the
                    opposite side of the street, hesitated.<lb/> Hillier stepped on to the pavement,
                    and ran lightly up the door-<lb/> step after the woman. She unlocked the door :
                    it closed behind<lb/> them. And the hansom which had brought them turned,
                    and<lb/> trotted away down the street.</p>

                <p>Swann stood a moment before the house, irresolute. Then re-<lb/> crossed the
                    street slowly. And a hansom, bearing a second<lb/> couple, drew up at the house
                    next door.<lb/></p>
                <lb/>
                <lb/>
                <lb/>
                <fw type="catchword">"You</fw>
                <pb n="165"/>


                <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">151</fw></fw>
                <lb/>
                <lb/>
                <lb/>
                <fw type="head">VII</fw>
                <lb/>
                <p>" You can go to bed, Hodgson. I will turn off the light."</p>

                <p>The man retired silently. It was a stage-phrase that rose <lb/> unconsciously to
                    her lips, a stage-situation with which she was<lb/> momentarily toying.</p>

                <p>Alone, she perceived its absurd unreality. Nothing, of course,<lb/> would happen
                    to-night : though so many days and nights she had<lb/> been waiting. The details
                    of life was clumsy, cumbersome : the<lb/> simplification of the stage, of
                    novels, of dozing dreams, seemed,<lb/> by contrast, bitterly impossible.</p>

                <p>She took up the book again, and read on, losing herself for a<lb/> while in the
                    passion of its pages&#x2014;a passion that was all glamorous,<lb/> sentimental
                    felicity, at once vague and penetrating. But, as she<lb/> paused to reach a
                    paper-knife, she remembered the irrevocable,<lb/> prosaic groove of existence,
                    and that slow drifting to a dreary<lb/> commonplace&#x2014;a commonplace that
                    was <emph rend="italic">hers</emph>&#x2014;brought back all<lb/> her aching
                    listlessness. She let the book slip to the carpet.</p>

                <p>Love, she repeated to herself, a silken web, opal-tinted, veiling<lb/> all life ;
                    love, bringing fragrance and radiance ; love with the<lb/> moonlight streaming
                    across the meadows ; love, amid summer-<lb/> leafed woods, a-sparkle in the
                    morning sun ; a simple clasping of<lb/> hands ; a happiness, child-like and
                    thoughtless, secure and<lb/> intimate. . . .</p>

                <p>And she&#x2014;she had nothing&#x2014;only the helpless child ; her soul<lb/> was
                    brave and dismantled and dismal ; and once again started the<lb/> gnawing of
                    humiliation&#x2014;inferior even to the common people,<lb/> who could be loved
                    and forget, in the midst of promiscuous<lb/> squalor. Without love, there seemed
                    no reason for life.<lb/></p>

                <fw type="catchword">Away</fw>
                <pb n="166"/>


                <fw type="runningHead"><fw type="pageNum">152</fw> The Haseltons</fw>

                <p>Away her thoughts sailed to the tale of the fairy-prince,<lb/> stepping to shore
                    in his silver armour, come to deliver and to<lb/> love. She would have been his
                    in all humility, waited on him in<lb/> fearful submission ; she would have asked
                    for nought but his<lb/> love.</p>

                <p>Years ago, once or twice, men had appeared to her like that.<lb/> And Hillier,
                    before they were married, when they were first<lb/> engaged. A strange girl she
                    must have been in those days !<lb/> And now&#x2014;now they were like any
                    husband and any wife.</p>

                <p>" It happened by chance," the old tale began. Chance ! Yes,<lb/> it was chance
                    that governed all life ; mocking, ironical chance,<lb/> daintily sportive
                    chance, hobbled to the clumsy mechanism of<lb/> daily existence.</p>

                <p>Twelve o'clock struck. Ten minutes more perhaps, and<lb/> Hillier would be home.
                    She could hear his tread ; she could see<lb/> him enter, take off his coat and
                    gloves gracefully, then lift her<lb/> face lightly in his two hands, and kiss
                    her on the forehead. He<lb/> would ask for an account of her day's doings ; but
                    he would <lb/> never heed her manner of answering, for he would have begun
                    to<lb/> talk of himself. And altogether complacently would he take up<lb/> the
                    well-worn threads of their common life.</p>

                <p>And she would go on waiting, and trifling with hopelessness,<lb/> for in real
                    life such things were impossible. Men were dull and<lb/> incomplete, and could
                    not understand a woman's heart. . . .</p>

                <p>And so she would wait till he came in, and when he had<lb/> played his part, just
                    as she had imagined he would play it, she<lb/> would follow him, in dumb
                    docility, up-stairs to bed.</p>
                <p> * * * * * </p>
                <p>It was past one o'clock when he appeared. She had fallen<lb/> asleep in the big
                    arm-chair : her book lay in a heap on the carpet<lb/> beside her. He crossed the
                    room, but she did not awake.<lb/></p>

                <fw type="catchword">One</fw>
                <pb n="166"/>


                <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">153</fw></fw>

                <p>One hand hung over the arm of the chair, limp and white and<lb/> fragile ; her
                    head, bent over her breast, was coyly resting in the<lb/> curve of her elbow ;
                    her hair was a little dishevelled ; her breathing<lb/> was soft and regular,
                    like a child's.</p>

                <p>He sat down noiselessly, awed by this vision of her. The cat,<lb/> which had lain
                    stretched on the hearth-rug, sprang into his lap,<lb/> purring and caressing. He
                    thought it strange that animals had<lb/> no sense of human sinfulness, and
                    recalled the devotion of the dog<lb/> of a prostitute, whom he had known years
                    and years ago. . . .</p>

                <p>He watched her, and her unconsciousness loosed within him<lb/> the sickening
                    pangs of remorse. . . . He mused vaguely on<lb/> suicide as the only fitting
                    termination. . . . And he descended<lb/> to cheap anathemas upon life. . . .</p>

                <p> * * * * *</p>

                <p>By-and-by she awoke, opening her eyes slowly, wonderingly.<lb/> He was kneeling
                    before her, kissing her hand with reverential<lb/> precaution.</p>

                <p>She saw tears in his eyes : she was still scarcely awake : she<lb/> made no
                    effort to comprehend ; only was impulsively grateful, and<lb/> slipping her arms
                    behind his head, drew him towards her and kissed<lb/> him on the eyes. He
                    submitted, and a tear moistened her lips.</p>

                <p>Then they went up-stairs.</p>

                <p>And she, passionately clutching at every memory of their love,<lb/> feverishly
                    cheated herself into bitter self-upbraiding, into attri-<lb/> buting to him a
                    nobility of nature that set him above all other<lb/> men. And he, at each
                    renewed outburst of her wild straining<lb/> towards her ideal, suffered, as if
                    she had cut his bare flesh with a<lb/> whip.</p>

                <p>It was his insistent attitude of resentful humility that finally<lb/> wearied her
                    of the fit of false exaltation. When she sank to<lb/> sleep, the old ache was at
                    her heart.<lb/></p>

                <fw type="catchword">Swann </fw>
                <fw type="footer">The Yellow Book&#x2014;Vol. V. <emph>K</emph></fw>
                <pb n="168"/>


                <fw type="runningHead"><fw type="pageNum">154</fw> The Haseltons</fw>
                <lb/>
                <lb/>
                <lb/>
                <fw type="head">VIII</fw>
                <lb/>
                <p>Swann strode into the room. Hillier looked up at him from<lb/> his writing-table
                    in unfeigned surprise ; greeted him cordially,<lb/> with a couple of trite,
                    cheery remarks concerning the weather,<lb/> then waited abruptly for an
                    explanation of this morning visit ; for<lb/> Swann's trouble was written on his
                    face.</p>

                <p>" You look worried. Is there anything wrong ? " Hillier<lb/> asked presently.</p>

                <p>" Yes."</p>

                <p>"Well, can I do anything ? If I can be of any service to you,<lb/> old fellow,
                    you know &#x2014;&#x2014;"</p>

                <p>" I discovered last night what a damned blackguard you are."<lb/> He spoke
                    savagely, as if his bluntness exulted him : his tone<lb/> quivered with
                    suppressed passion.</p>

                <p>Hillier, with a quick movement of his head, flinched as if he<lb/> had been
                    struck in the face. And the lines about his mouth were<lb/> set rigidly.</p>

                <p>There was a long, tense silence. Hillier was drawing circles<lb/> on a corner of
                    the blotting-pad ; Swann was standing over him,<lb/> glaring at him with a
                    fierce, hateful curiosity. Hillier be-<lb/> came conscious of the other's
                    expression, and his fist clenched<lb/> obviously.</p>

                <p>" I saw you get into a cab with that woman," Swann went on.<lb/> " I was in an
                    omnibus going home. I followed you&#x2014;drove after<lb/> you. I wanted to stop
                    you&#x2014;to stop it&#x2014;I was too late."</p>

                <p>" Ah !" An exasperated, sneering note underlined the ex-<lb/> clamation. Hillier
                    drove the pen-point_into the table. The nib<lb/> curled and snapped.<lb/></p>

                <fw type="catchword">The</fw>
                <pb n="169"/>


                <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">155</fw></fw>

                <p>The blood rushed to Swarm's forehead. In a flash he caught a<lb/> glimpse of the
                    thought that had crossed Hillier's mind. It was<lb/> like a personal indignity ;
                    he struggled desperately to control<lb/> himself.</p>

                <p>Hillier looked straight into his cousin's distorted face. At<lb/> the sight the
                    tightness about his own mouth slackened. His<lb/> composure returned.</p>

                <p>" I'm sorry. Forgive me," he said simply.</p>

                <p>" How can you be such a brute ? " Swann burst out unheeding.<lb/> " Don't you
                    care ? Is it nothing to you to wreck your wife's<lb/> whole happiness&#x2014;to
                    spoil her life, to break her heart, to deceive<lb/> her in the foulest way, to
                    lie to her. Haven't you any conscience,<lb/> any chivalry ? "</p>

                <p>The manly anguish in his voice was not lost upon Hillier.<lb/> He thought he
                    realised clearly how it was for Ella, and not for<lb/> him, that Swann was so
                    concerned. Once more he took stock<lb/> of his cousin's agitation, and a quick
                    glitter came into his eyes.<lb/> He felt as if a mysterious force had been
                    suddenly given to him.<lb/> Still he said nothing.</p>

                <p>" How could you, Hillier ? How came you to do it ? "</p>

                <p>" Sit down." He spoke coldly, clearly, as if he were playing a<lb/> part which he
                    knew well.</p>

                <p>Swann obeyed mechanically.</p>

                <p>" It's perfectly natural that you should speak to me like that.<lb/> You take the
                    view of the world. The view of the world I accept<lb/> absolutely. Certainly I
                    am utterly unworthy of Ella " (he men-<lb/> tioned her name with a curious
                    intonation of assertive pride).<lb/> " How I have sunk to this thing&#x2014;the
                    whole story of how I have<lb/> come to risk my whole happiness for the sake of
                    another woman,<lb/> who is nothing&#x2014;absolutely nothing&#x2014;to me, to
                    whom I am<lb/> nothing, I won't attempt to explain. Did I attempt to do
                    so,<lb/></p>

                <fw type="catchword">I see</fw>
                <pb n="170"/>


                <fw type="runningHead"><fw type="pageNum">156</fw> The Haseltons</fw>

                <p>I see little probability of your understanding it, and little to be<lb/> gained
                    even if you did so. <emph rend="italic">I</emph> choose to let it remain for
                    you<lb/> a piece of incomprehensible infamy : I have no wish to alter your<lb/>
                    view of me."</p>

                <p>" You don't care . . . you've no remorse . . . you're callous<lb/> and cynical. .
                    . . Good God ! it's awful."</p>

                <p>" Yes, Swann, I care," Hillier resumed, lowering his voice, and<lb/> speaking
                    with a slow distinctness, as if he were putting an<lb/> excessive restraint upon
                    his emotions. " <emph rend="italic">I</emph> care more than you<lb/> or any one
                    will ever know."</p>

                <p>" It's horrible.... I don't know what to think. . . . Don't<lb/> you see the
                    awfulness of your wife's position ? . . . Don't you<lb/> realise the hideousness
                    of what you've done ?"</p>

                <p>" My dear Swann, nobody is more alive to the consequences of<lb/> what I've done
                    than I am. I have behaved infamously&#x2014;I don't<lb/> need to be told that by
                    you. And whatever comes to me out of<lb/> this thing" (he spoke with a grave,
                    resigned sadness) "I shall<lb/> bear it."</p>

                <p>" Good God ! Can you think of nothing but yourself ?<lb/> Can't you see that
                    you've been a miserable, selfish beast&#x2014;that<lb/> what happens to you
                    matters nothing ? Can't you see that the<lb/> only thing that matters is your
                    wife ? You're a miserable, skulking<lb/> cur&#x2014;&#x2014; . . . She trusted
                    you&#x2014;she believed in you, and you've<lb/> done her an almost irreparable
                    wrong."</p>

                <p>Hillier stood suddenly erect.</p>

                <p>" What I have done, Swann, is more than a wrong. It is a<lb/> crime. Within an
                    hour of your leaving this room, I shall have<lb/> told Ella everything. That is
                    the only thing left for me to do,<lb/> and I shall not shirk it. I shall take
                    the full responsibility.<lb/> You did right to come to me as you did. You are
                    right to<lb/> consider me a miserable, skulking cur" (he brought the
                    words<lb/></p>

                <fw type="catchword">out</fw>
                <pb n="171"/>


                <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">157</fw></fw>

                <p>out with an emphasised bravery). " Now you can do no<lb/> more. The remainder of
                    the matter rests between me and my<lb/> wife&#x2014;&#x2014;"</p>

                <p>He paused.</p>

                <p>" And to think that you&#x2014;&#x2014;" Swann began passionately.</p>

                <p>" There is no object to be gained by our discussing the matter<lb/> further,"
                    Hillier interrupted a little loudly, but with a con-<lb/> centrated calm. "
                    There is no need for you to remain here<lb/> longer." He put his thumb to the
                    electric bell.</p>

                <p>"The maid will be here in a moment to show you out," he<lb/> added.</p>

                <p>Swann waited, blinking with hesitation. His personality seemed<lb/> to be
                    slipping from him.</p>

                <p>" You are going to tell her ? " he repeated slowly.</p>

                <p>The door opened : he hurried out of the room.</p>

                <p>The outer door slammed : Hillier's face turned a sickly white ;<lb/> his eyes
                    dilated, and he laughed excitedly&#x2014;a low, short, hysterical<lb/> laugh. He
                    looked at the clock : the whole scene had lasted but<lb/> ten minutes. He pulled
                    a chair to the fire, and sat staring at the<lb/> flames moodily. . . . The
                    tension of the dramatic situation<lb/> snapped. Before his new prospect, once
                    again he thought weakly<lb/> of suicide. . . .</p>
                <lb/>
                <fw type="head">IX</fw>
                <lb/>
                <p>He had told her&#x2014;not, of course, the whole story&#x2014;from that<lb/> his
                    sensitivity had shrunk. Still he had besmirched himself<lb/> bravely ; he had
                    gone through with the interview not without<lb/> dignity. Beforehand he had
                    nerved himself for a terrible ordeal ;<lb/> yet, somehow, as he reviewed it, now
                    that it was all over, the<lb/> scene seemed to have fallen flat. The tragedy of
                    her grief, of his<lb/></p>

                <fw type="catchword">own</fw>
                <pb n="172"/>


                <fw type="runningHead"><fw type="pageNum">158</fw> The Haseltons</fw>

                <p>own passionate repentance, which he had been expecting, had<lb/> proved
                    unaccountably tame. She had cried, and at the sight of<lb/> those tears of hers
                    he had suffered intensely ; but she had displayed<lb/> no suppressed, womanish
                    jealousy ; had not, in her despair, ap-<lb/> peared to regard his confession as
                    an overwhelming shattering of<lb/> her faith in him, and so provoked him to
                    reveal the depth of his<lb/> anguish. He had implored her forgiveness ; he had
                    vowed he<lb/> would efface the memory of his treachery ; she had acquiesced<lb/>
                    dreamily, with apparent heroism. There had been no mention of<lb/> a
                    separation.</p>

                <p>And now the whole thing was ended : to-night he and she<lb/> were dining out.</p>

                <p>He was vaguely uncomfortable ; yet his heart was full of a<lb/> sincere
                    repentance, because of the loosening of the strain of his<lb/> anxiety ; because
                    of the smarting sense of humiliation, when he<lb/> recollected Swann's words ;
                    because he had caused her to suffer in<lb/> a queer, inarticulate way, which he
                    did not altogether understand,<lb/> of which he was vaguely afraid. . . .</p>
                <lb/>
                <lb/>
                <lb/>
                <fw type="head">X</fw>
                <lb/>
                <p>When at last he had left her alone, it was with a curious calm-<lb/> ness that
                    she started to reflect upon it all. She supposed it was<lb/> very strange that
                    his confession had not wholly prostrated her ;<lb/> and glancing furtively
                    backwards, catching a glimpse of her old<lb/> girlish self, wondered listlessly
                    how it was that, insensibly, all<lb/> these months, she had grown so hardened. .
                    . .</p>

                <p> * * * * *</p>

                <p>By-and-by, the recent revelation of his unfaithfulness seemed<lb/> to recede
                    slowly into the misty past, and, fading, losing its sharp-<lb/></p>
                <fw type="catchword">ness</fw>
                <pb n="173"/>


                <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">159</fw></fw>

                <p>ness of outline, its distinctness of detail, to resemble an irreparable<lb/> fact
                    to which familiarity had inured her.</p>

                <p>And all the uneasiness of her mistrustfulness, and pain of her<lb/> fluctuating
                    doubtings ceased ; her comprehension of him was all<lb/> at once clarified,
                    rendered vivid and indisputable ; and she was<lb/> conscious of a certain sense
                    of relief. She was eased of those<lb/> feverish, spasmodic gaspings of her
                    half-starved love ; at first the<lb/> dulness of sentimental atrophy seemed the
                    more endurable. She<lb/> jibed at her own natural artlessness ; and insisted to
                    herself that<lb/> she wanted no fool's paradise, that she was even glad to see
                    him as<lb/> he really was, to terminate, once for all, this futile folly of love
                    ;<lb/> that, after all, his unfaithfulness was no unusual and terrible <lb/>
                    tragedy, but merely a commonplace chapter in the lives of smiling,<lb/>
                    chattering women, whom she met at dinners, evening parties, and<lb/> balls. . .
                    .</p>

                <p> * * * * *</p>

                <p>There were some who simpered to her over Hillier as a<lb/> model of modern
                    husbands ; and she must go on listening and<lb/> smiling. . . .</p>

                <p>. . . And the long years ahead would unroll themselves&#x2014; a slow<lb/> tale
                    of decorous lovelessness. . . .</p>

                <p>He would be always the same&#x2014;that was the hardest to face.<lb/> His nature
                    could never alter, grow into something different . . .<lb/> never, never change
                    . . . always, always the same. . . .</p>

                <p>Oh ! it made her dread it all&#x2014;the restless round of social enjoy-<lb/>
                    ments ; the greedy exposure of the petty weaknesses of common<lb/> acquaintance
                    ; the ill-natured atmosphere that she felt emanating<lb/> from people herded
                    together. . . . All the details of her London<lb/> life looked unreal, mean,
                    pitiful. . . .</p>

                <p>And she longed after the old days of her girlhood, of the smooth,<lb/> staid
                    country life ; she longed after the simple, restful companion-<lb/></p>
                <fw type="catchword">ship</fw>
                <pb n="174"/>


                <fw type="runningHead"><fw type="pageNum">160</fw> The Haseltons</fw>

                <p>ship of her old father and mother ; after the accumulation of little<lb/>
                    incidents that she had loved long ago. . . . She longed too&#x2014;and<lb/> the
                    straining at heart-strings grew tenser&#x2014;she longed after her own<lb/> lost
                    maidenhood ; she longed to be ignorant and careless ; to see<lb/> life once
                    again as a simple, easy matter ; to know nothing of evil ;<lb/> to understand
                    nothing of men ; to trust&#x2014;to trust unquestioningly.<lb/> ... All that was
                    gone ; she herself was all changed ; those days<lb/> could never come again. . .
                    .</p>

                <p>And she cried to herself a little, from weakness of spirit,<lb/> softly. . .
                    .</p>

                <p> * * * * *</p>

                <p>Then, gradually, out of the weary turmoil of her bitterness,<lb/> there came to
                    her a warm impulse of vague sympathy for the<lb/> countless, unknown tragedies
                    at work around her ; she thought of<lb/> the sufferings of outcast
                    women&#x2014;of loveless lives, full of<lb/> mirthless laughter ; she thought of
                    the long loneliness of childless<lb/> women. . . .</p>

                <p>She clutched for consolation at the unhappiness of others ; but<lb/> she only
                    discovered the greater ugliness of the world. And she<lb/> returned to a tired
                    contemplation of her own prospect. . . .</p>
                <p> * * * * *</p>

                <p>He had broken his vows to her&#x2014;not only the solemn vow he<lb/> had taken in
                    the church (she recalled how his voice had trembled<lb/> with emotion as he had
                    repeated the words)&#x2014;but all that passion-<lb/> ate series of vows he had
                    made to her during the spring-time of<lb/> their love. . . .</p>

                <p>. . . Yes, that seemed the worst part of it&#x2014;that, and not the<lb/> making
                    love to another woman. . . . What was she like ? . . .<lb/> What was it in her
                    that had attracted him ? . . . Oh ! but what<lb/> did that matter ? . . .
                    &#x2014;only why were men's natures so different<lb/> from women's ? . .
                    .<lb/></p>

                <fw type="catchword">Now,</fw>
                <pb n="175"/>


                <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">161</fw></fw>

                <p>. . . Now, she must go on&#x2014;go on alone. Since her marriage she<lb/> had
                    lost the habit of daily converse with Christ : here in London,<lb/> somehow, He
                    had seemed so distant, so difficult of approach. . . .</p>

                <p>. . . She must just go on. . . . She had the little Claude. . . .<lb/> It was to
                    help her that God had given her Claude. . . . Oh ! she<lb/> would pray to God to
                    make him good&#x2014;to give him a straight,<lb/> strong, upright, honest
                    nature. And herself, every day, she would<lb/> watch over his growth, guide him,
                    teach him. . . . Yes, he <emph rend="italic">must</emph><lb/> grow up good . . .
                    into boyhood . . . different from other boys<lb/> . . . into manhood, simple,
                    honourable manhood. . . . She would<lb/> be everything to him : he and she would
                    come to comprehend each<lb/> other, to read into each other's hearts. . . .
                    Perhaps, between them,<lb/> would spring up perfect love and trust. . . .</p>
                <lb/>
                <lb/>
                <lb/>
                <fw type="head">XI</fw>
                <lb/>
                <p>Swann had written to her :</p>

                <p>" You are in trouble : let me come."</p>

                <p>Gradually, between the lines of the note, she understood it all<lb/> &#x2014;she
                    read how his love for her had leapt up, now that he knew<lb/> that she was
                    unhappy ; how he wanted to be near her, to comfort<lb/> her, and perhaps . . .
                    perhaps . . .</p>

                <p>She was filled with great sorrow for him&#x2014;and warm gratitude,<lb/> too, for
                    his simple, single-hearted love&#x2014;but sorrow, that she could <lb/> give him
                    nothing in return, and because it seemed that, some-<lb/> how, he and she were
                    about to bid one another good-bye ; she<lb/> thought she dimly foresaw how their
                    friendship was doomed to<lb/> dwindle. . . .</p>

                <p>So she let him come.</p>

                <p> * * * * *</p>

                <fw type="catchword">And</fw>
                <pb n="176"/>


                <fw type="runningHead"><fw type="pageNum">162</fw> The Haseltons</fw>

                <p>. . . And all this she fancied she read again in the long, grave<lb/> glance of
                    his greeting, and the firm clasp of his big hand.</p>

                <p>When he spoke, his deep, steady voice dominated her : she knew<lb/> at once that
                    he would do what was right.</p>

                <p>"Ella, my poor Ella, how brave you are ! " She looked up at<lb/> him, smiling
                    tremulously, through her quick-starting tears. . . .<lb/> The next moment it was
                    as if the words had escaped him&#x2014;almost<lb/> as if he regretted them.</p>

                <p>He sat down opposite her, and, lightening his voice, asked&#x2014;just<lb/> as he
                    always did&#x2014;for news of the little Claude.</p>

                <p>And so their talk ran on.</p>

                <p>After awhile, she came to realise that he meant to say no more :<lb/> the
                    strength of his great reserve became apparent, and a sense of<lb/> peace stole
                    over her. He talked on, and to the restful sound of<lb/> his clear, strong
                    voice, she abandoned herself dreamily. . . . This<lb/> he had judged the better
                    course. . . . that he should have adopted<lb/> any other now seemed
                    inconceivable. Beside him she felt weak<lb/> and helpless : she remembered the
                    loneliness of his life : he<lb/> seemed to her altogether noble ; and she was
                    vaguely remorseful<lb/> that she had not perceived from the first that it was
                    from him that<lb/> her help would come. . . .</p>

                <p>She divined, too, the fineness of his sacrifice&#x2014;that manly,<lb/> human
                    struggle with himself, through which he had passed to<lb/> attain it&#x2014;how
                    he had longed for the right to make her his . . .<lb/> and how he had renounced.
                    The sureness of his victory, and the<lb/> hidden depths of his nature which it
                    revealed awed her . . .<lb/> now he would never swerve from what he knew to be
                    right. . . .<lb/> And on, through those years to come, she could trust him,
                    always,<lb/> always. . . .</p>

                <p>. . . At last he bade her good-bye : even at the last his tone<lb/> remained
                    unchanged.</p>

                <fw type="catchword">It</fw>
                <pb n="177"/>


                <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">163</fw></fw>

                <p>It was close upon seven o'clock. She went upstairs to dress<lb/> for dinner, and
                    kneeling beside the bed, prayed to God with an<lb/> outburst of passionate,
                    pulsing joy. . . .</p>

                <p>Ten minutes later Hillier came in from his dressing-room. He<lb/> clasped his
                    hands round her bare neck, kissing her hair again and<lb/> again.</p>

                <p>" I have been punished, Nellie," he began in a broken whisper.<lb/> " Good God !
                    it is hard to bear. . . . Help me, Nellie, . . . help<lb/> me to bear it."</p>

                <p>She unclasped his fingers, and started to stroke them ; a little<lb/>
                    mechanically, as if it were her duty to ease him of his pain. . . .</p>
            </div>
        </body>
    </text>
</TEI>
