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                <title>The Yellow Book: An Illustrated Quarterly, Volume 4 January 1895</title>
                <title type="YBV4_harland_bohemian"/>
                <editor>Lorraine Janzen Kooistra</editor>
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                    <date>2019</date>
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                            <persName>Henry Harland &amp; Aubrey Beardsley</persName>
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                        <author>Henry Harland</author>
                        <title>The Bohemian Girl</title>
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                            <publisher>John Lane</publisher>
                            <pubPlace>London</pubPlace>
                            <publisher>Copeland &amp; Day</publisher>
                            <pubPlace>Boston</pubPlace>
                            <date>January 1895</date>
                            <biblScope>Harland, Henry. "The Bohemian Girl." <emph rend="italic">The
                                    Yellow Book</emph>, vol. 4, January 1895, pp. 12-44. <emph rend="italic">
                                    Yellow Book Digital Edition</emph>, edited by Dennis Denisoff and Lorraine
                                Janzen Kooistra, 2010-2014. <emph rend="italic">Yellow Nineties 2.0</emph>,
                                Ryerson University Centre for Digital Humanities, 2019.
                                https://1890s.ca/YBV4_harland_bohemian/
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                <pb n="20"/>
                <head>
                    <title level="a">The Bohemian Girl</title>
                </head>
                <byline>By <docAuthor><ref target="#HHA">Henry Harland</ref></docAuthor></byline>

                <fw type="head">I</fw>

                <p>I WOKE up very gradually this morning, and it took me a little<lb/> while to
                    bethink myself where I had slept&#x2014;that it had not<lb/> been in my own room
                    in the Cromwell Road. I lay a-bed, with<lb/> eyes half-closed, drowsily looking
                    forward to the usual procession<lb/> of sober-hued London hours, and, for the
                    moment, quite forgot<lb/> the journey of yesterday, and how it had left me in
                    Paris, a guest<lb/> in the smart new house of my old friend, Nina Childe.
                    Indeed,<lb/> it was not until somebody tapped on my door, and I roused<lb/>
                    myself to call out, " Come in," that I noticed the strangeness of<lb/> the
                    wall-paper, and then, after an instant of perplexity, suddenly<lb/> remembered.
                    Oh, with a wonderful lightening of the spirit, I can<lb/> tell you.</p>

                <p>A white-capped, brisk young woman, with a fresh-coloured,<lb/> wholesome peasant
                    face, came in, bearing a tray&#x2014;Jeanne, Nina's<lb/> femme-de-chambre</p>

                <p>" Bonjour, monsieur," she cried cheerily. " I bring monsieur<lb/> his coffee."
                    And her announcement was followed by a fragrance<lb/> &#x2014;the softly-sung
                    response of the coffee-sprite. Her tray, with its<lb/> pretty freight of silver
                    and linen, primrose butter, and gently-</p>
                <fw type="catchword">browned</fw>
                <pb n="21"/>


                <fw type="runningHead">By Henry Harland <fw type="pageNum">13</fw></fw>

                <p>browned pain-de-gruau, she set down on the table at my elbow ;<lb/> then she
                    crossed the room and drew back the window-curtains,<lb/> making the rings tinkle
                    crisply on the metal rods, and letting in a<lb/> gush of dazzling sunshine. From
                    where I lay I could see the<lb/> house-fronts opposite glow pearly-grey in
                    shadow, and the crest of<lb/> the slate roofs sharply print itself on the sky,
                    like a black line on<lb/> a sheet of scintillant blue velvet. Yet, a few minutes
                    ago, I had<lb/> been fancying myself in the Cromwell Road.</p>

                <p>Jeanne, gathering up my scattered garments, to take them off<lb/> and brush them,
                    inquired, by the way, if monsieur had passed a<lb/> comfortable night.</p>

                <p>" As the chambermaid makes your bed, so must you lie in it,"<lb/> I answered. "
                    And you know whether my bed was smoothly made."</p>

                <p>Jeanne smiled indulgently. But her next remark&#x2014;did it imply<lb/> that she
                    found me rusty ? " Here's a long time that you haven't<lb/> been in Paris."</p>

                <p>" Yes," I admitted ; " not since May, and now we're in<lb/> November."</p>

                <p>" We have changed things a little, have we not? " she de-<lb/> manded, with a
                    gesture that left the room, and included the house,<lb/> the street, the
                    quarter.</p>

                <p>" In effect," assented I.</p>

                <p>" Monsieur desires his hot water? " she asked, abruptly irre-<lb/> levant.</p>

                <p>But I could be, or at least seem, abruptly irrelevant too.<lb/> "
                    Mademoiselle&#x2014;is she up ? "</p>

                <p>" Ah, yes, monsieur. Mademoiselle has been up since eight.<lb/> She awaits you in
                    the salon. La voilà qui joue," she added, point-<lb/> ing to the floor.</p>

                <p>Nina had begun to play scales in the room below.</p>

                <p>" Then you may bring me my hot water," I said.</p>

                <fw type="catchword">The</fw>
                <pb n="22"/>


                <fw type="runningHead"><fw type="pageNum">14</fw> The Bohemian Girl</fw>



                <fw type="head">II</fw>

                <p>The scales continued while I was dressing, and many desultory<lb/> reminiscences
                    of the player, and vague reflections upon the unlike-<lb/> lihood of her
                    adventures, went flitting through my mind to their<lb/> rhythm. Here she was,
                    scarcely turned thirty, beautiful, brilliant,<lb/> rich in her own right, as
                    free in all respects to follow her own will<lb/> as any man could be, with
                    Camille happily at her side, a well-<lb/> grown, rosy, merry miss of
                    twelve,&#x2014;here was Nina, thus, to-day ;<lb/> and yet, a mere little ten
                    years ago, I remembered her .... ah,<lb/> in a very different plight indeed.
                    True, she has got no more than<lb/> her deserts ; she has paid for her success,
                    every pennyweight of it,<lb/> in hard work and self-denial. But one is so
                    expectant, here below,<lb/> to see Fortune capricious, that, when for once in a
                    way she<lb/> bestows her favours where they are merited, one can't help
                    feeling<lb/> rather dazed. One is so inured to seeing honest Effort turn<lb/>
                    empty-handed from her door.</p>

                <p>Ten little years ago&#x2014;but no. I must begin further back. I<lb/> must tell
                    you something about Nina's father.</p>



                <fw type="head">III</fw>

                <p>He was an Englishman who lived for the greater part of his life<lb/> in Paris. I
                    would say he was a painter, if he had not been equally<lb/> a sculptor, a
                    musician, an architect, a writer of verse, and a<lb/> university coach. A doer
                    of so many things is inevitably suspect ;<lb/> you will imagine that he must
                    have bungled them all. On the</p>

                <fw type="catchword">contrary,</fw>
                <pb n="23"/>


                <fw type="runningHead">By Henry Harland <fw type="pageNum">15</fw></fw>

                <p>contrary, whatever he did, he did with a considerable degree of<lb/>
                    accomplishment. The landscapes he painted were very fresh and<lb/> pleasing,
                    delicately coloured, with lots of air in them, and a<lb/> dreamy, suggestive
                    sentiment. His brother sculptors declared<lb/> that his statuettes were modelled
                    with exceeding dash and direct-<lb/> ness ; they were certainly fanciful and
                    amusing. I remember one<lb/> that I used to like immensely&#x2014;Titania
                    driving to a tryst with<lb/> Bottom, her chariot a lily, daisies for wheels, and
                    for steeds a pair<lb/> of mettlesome field-mice. I doubt if he ever got a
                    commission<lb/> for a complete house ; but the staircases he designed, the
                    fire-<lb/> places, and other bits of buildings, everybody thought original
                    and<lb/> graceful. The tunes he wrote were lively and catching, the words<lb/>
                    never stupid, sometimes even strikingly happy, epigrammatic ; and<lb/> he sang
                    them delightfully, in a robust, hearty baritone. He<lb/> coached the youth of
                    France, for their examinations, in Latin and<lb/> Greek, in history,
                    mathematics, general literature&#x2014;in goodness<lb/> knows what not ; and his
                    pupils failed so rarely that, when one<lb/> did, the circumstance became a nine
                    days' wonder. The world<lb/> beyond the Students' Quarter had never heard of
                    him, but there<lb/> he was a celebrity and a favourite ; and, strangely enough
                    for a<lb/> man with so many strings to his bow, he contrived to pick up a<lb/>
                    sufficient living.</p>

                <p>He was a splendid creature to look at, tall, stalwart, full-<lb/> blooded, with a
                    ruddy open-air complexion ; a fine bold brow and<lb/> nose ; brown eyes,
                    humorous, intelligent, kindly, that always<lb/> brightened flatteringly when
                    they met you ; and a vast quantity<lb/> of bluish-grey hair and beard. In his
                    dress he affected (very<lb/> wisely, for they became him excellently) velvet
                    jackets, flannel<lb/> shirts, loosely-knotted ties, and wide-brimmed soft felt
                    hats.<lb/> Marching down the Boulevard St. Michel, his broad shoulders<lb/> well
                    thrown back, his head erect, chin high in air, his whole</p>

                <fw type="catchword">person</fw>
                <pb n="24"/>


                <fw type="runningHead"><fw type="pageNum">16</fw> The Bohemian Girl</fw>

                <p>person radiating health, power, contentment, and the pride of<lb/> them : he was
                    a sight worth seeing, spirited, picturesque, pre-<lb/> possessing. You could not
                    have passed him without noticing<lb/> him&#x2014;without wondering who he was,
                    confident he was somebody<lb/> &#x2014;without admiring him, and feeling that
                    there went a man it<lb/> would be interesting to know.</p>

                <p>He was, indeed, charming to know ; he was the hero, the idol,<lb/> of a little
                    sect of worshippers, young fellows who loved nothing<lb/> better than to sit at
                    his feet. On the Rive Gauche, to be sure,<lb/> we are, for the most part, birds
                    of passage ; a student arrives,<lb/> tarries a little, then departs. So, with
                    the exits and entrances of<lb/> seniors and <emph rend="italic">nouveaux</emph>,
                    the personnel of old Childe's following varied<lb/> from season to season ; but
                    numerically it remained pretty much<lb/> the same. He had a studio, with a few
                    living-rooms attached,<lb/> somewhere up in the fastnesses of Montparnasse,
                    though it was<lb/> seldom thither that one went to seek him. He received at his
                    café,<lb/> the Café Bleu&#x2014;the Café Bleu which has since blown into
                    the<lb/> monster café of the Quarter, the noisiest, the rowdiest, the most<lb/>
                    flamboyant. But I am writing (alas) of twelve, thirteen, fifteen<lb/> years ago
                    ; in those days the Café Bleu consisted of a single<lb/> oblong room&#x2014;with
                    a sanded floor, a dozen tables, and two<lb/> waiters, Eugène and
                    Hippolyte&#x2014;where Madame Chanve, the<lb/>
                    <emph rend="italic">patronne</emph>, in lofty insulation behind her counter,
                    reigned, if you<lb/> please, but where Childe, her principal client, governed.
                    The<lb/> bottom of the shop, at any rate, was reserved exclusively to his<lb/>
                    use. There he dined, wrote his letters, dispensed his hospitalities;<lb/> he had
                    his own piano there, if you can believe me, his foils and<lb/> boxing-gloves ;
                    from the absinthe hour till bed-time there was<lb/> his habitat, his den. And
                    woe to the passing stranger who, mis-<lb/> taking the Café Bleu for an ordinary
                    house of call, ventured,<lb/> during that consecrated period, to drop in.
                    Nothing would be </p>

                <fw type="catchword">said,</fw>
                <pb n="25"/>


                <fw type="runningHead">By Henry Harland <fw type="pageNum">17</fw></fw>

                <p>said, nothing done ; we would not even trouble to stare at the<lb/> intruder. Yet
                    he would seldom stop to finish his consommation,<lb/> or he would bolt it. He
                    would feel something in the air ; he<lb/> would know he was out of place. He
                    would fidget a little, frown<lb/> a little, and get up meekly, and slink into
                    the street. Human<lb/> magnetism is such a subtle force. And Madame Chanve
                    didn't<lb/> mind in the least ; she preferred a bird in the hand to a brace
                    in<lb/> the bush. From half a dozen to a score of us dined at her long<lb/>
                    table every evening ; as many more drank her appetisers in the<lb/> afternoon,
                    and came again at night for grog or coffee. You see,<lb/> it was a sort of club,
                    a club of which Childe was at once the<lb/> chairman and the object. If we had
                    had a written constitution,<lb/> it must have begun : " The purpose of this
                    association is the<lb/> enjoyment of the society of Alfred Childe."</p>

                <p>Ah, those afternoons, those dinners, those ambrosial nights !<lb/> If the weather
                    was kind, of course, we would begin our session on<lb/> the <emph rend="italic"
                        >terrasse</emph>, sipping our vermouth, puffing our cigarettes, laugh-<lb/>
                    ing our laughs, tossing hither and thither our light ball of gossip,<lb/>
                    vaguely conscious of the perpetual ebb and flow and murmur of<lb/> people in the
                    Boulevard, while the setting sun turned Paris to a<lb/> marvellous water-colour,
                    all pale lucent tints, amber and alabaster<lb/> and mother-of-pearl, with
                    amethystine shadows. Then, one by<lb/> one, those of us who were dining
                    elsewhere would slip away ;<lb/> and at a sign from Hippolyte the others would
                    move indoors,<lb/> and take their places down either side of the long narrow
                    table,<lb/> Childe at the head, his daughter Nina next him. And presently<lb/>
                    with what a clatter of knives and forks, clinking of glasses, and<lb/> babble of
                    human voices, the Café Bleu would echo. Madame<lb/> Chanve's kitchen was not a
                    thing to boast of, and her price, for<lb/> the Latin Quarter, was rather
                    high&#x2014;I think we paid three francs,<lb/> wine included, which would be for
                    most of us distinctly a <emph rend="italic">prix</emph>-</p>

                <fw type="catchword"><emph rend="italic">de-luxe.</emph></fw>
                <pb n="26"/>


                <fw type="runningHead"><fw type="pageNum">18</fw> The Bohemian Girl</fw>

                <p><emph rend="italic">de-luxe</emph>. But oh, it was such fun ; we were so young ;
                    Childe<lb/> was so delightful. The fun was best, of course, when we were<lb/>
                    few, and could all sit up near to him, and none need lose a word.<lb/> When we
                    were many there would be something like a scramble<lb/> for good seats.</p>

                <p>I ask myself whether, if I could hear him again to-day, I<lb/> should think his
                    talk as wondrous as I thought it then. Then I<lb/> could thrill at the verse of
                    Musset, and linger lovingly over the<lb/> prose of Théophile, I could laugh at
                    the wit of Gustave Droz,<lb/> and weep at the pathos .... it costs me a pang to
                    own it, but<lb/> yes, I m afraid .... I could weep at the pathos of Henry<lb/>
                    Mürger ; and these have all suffered such a sad sea-change since.<lb/> So I
                    could sit, hour after hour, in a sort of ecstasy, listening to<lb/> the talk of
                    Nina's father. It flowed from him like wine from a<lb/> full measure, easily,
                    smoothly, abundantly. He had a ripe,<lb/> genial voice, and an enunciation that
                    made crystals of his words ;<lb/> whilst his range of subjects was as wide as
                    the earth and the sky.<lb/> He would talk to you of God and man, of metaphysics,
                    ethics, the<lb/> last new play, murder, or change of ministry ; of books,
                    of<lb/> pictures, specifically, or of the general principles of literature
                    and<lb/> painting ; of people, of sunsets, of Italy, of the high seas, of
                    the<lb/> Paris streets&#x2014;of what, in fine, you pleased. Or he would
                    spin<lb/> you yarns, sober, farcical, veridical, or invented. And, with<lb/>
                    transitions infinitely rapid, he would be serious, jocose&#x2014;solemn,<lb/>
                    ribald&#x2014;earnest, flippant&#x2014;logical, whimsical, turn and turn
                    about.<lb/> And in every sentence, in its form or in its substance, he
                    would<lb/> wrap a surprise for you&#x2014;it was the unexpected word, the
                    un-<lb/> expected assertion, sentiment, conclusion, that constantly
                    arrived.<lb/> Meanwhile it would enhance your enjoyment mightily to watch<lb/>
                    his physiognomy, the movements of his great, grey, shaggy head,<lb/> the
                    lightening and darkening of his eyes, his smile, his frown,</p>

                <fw type="catchword">his</fw>
                <pb n="27"/>


                <fw type="runningHead">By Henry Harland <fw type="pageNum">19</fw></fw>

                <p>his occasional slight shrug or gesture. But the oddest thing was<lb/> this, that
                    he could take as well as give ; he could listen&#x2014;surely a<lb/> rare talent
                    in a monologist. Indeed, I have never known a man<lb/> who could make <emph
                        rend="italic">you</emph> feel so interesting.</p>

                <p>After dinner he would light an immense brown meerschaum<lb/> pipe, and smoke for
                    a quarter-hour or so in silence ; then he<lb/> would play a game or two of chess
                    with some one ; and by and by<lb/> he would open his piano, and sing to us till
                    midnight.</p>



                <fw type="head">IV</fw>

                <p>I speak of him as old, and indeed we always called him Old<lb/> Childe among
                    ourselves ; yet he was barely fifty. Nina, when I<lb/> first made their
                    acquaintance, must have been a girl of sixteen or<lb/> seventeen ;
                    though&#x2014;tall, with an amply rounded, mature-seeming<lb/> figure&#x2014;if
                    one had judged from her appearance, one would have<lb/> fancied her three or
                    four years older. For that matter, she looked<lb/> then very much as she looks
                    now ; I can perceive scarcely any<lb/> alteration. She had the same dark hair,
                    gathered up in a big<lb/> smooth knot behind, and breaking into a tumult of
                    little ringlets<lb/> over her forehead ; the same clear, sensitive complexion ;
                    the<lb/> same rather large, full-lipped mouth, tip-tilted nose, soft chin,
                    and<lb/> merry, mischievous eyes. She moved in the same way, with the<lb/> same
                    leisurely, almost lazy grace, that could, however, on<lb/> occasions, quicken to
                    an alert, elastic vivacity ; she had the same<lb/> voice, a trifle deeper than
                    most women's, and of a quality never so<lb/> delicately nasal, which made it
                    racy and characteristic ; the same<lb/> fresh, ready laughter. There was
                    something arch, something a<lb/> little sceptical, a little quizzical, in her
                    expression, as if, perhaps,</p>

                <fw type="catchword">she</fw>
                <fw type="footer">The Yellow Book&#x2014;Vol. IV. <emph>B</emph></fw>
                <pb n="28"/>


                <fw type="runningHead"><fw type="pageNum">20</fw> The Bohemian Girl</fw>

                <p>she were disposed to take the world, more or less, with a grain of<lb/> salt ; at
                    the same time there was something rich, warm-blooded,<lb/> luxurious, suggesting
                    that she would know how to savour its<lb/> pleasantnesses with complete
                    enjoyment. But if you felt that she<lb/> was by way of being the least bit
                    satirical in her view of things,<lb/> you felt too that she was altogether
                    good-natured, and even that,<lb/> at need, she could show herself spontaneously
                    kind, generous,<lb/> devoted. And if you inferred that her temperament
                    inclined<lb/> rather towards the sensuous than the ascetic, believe me, it did
                    not<lb/> lessen her attractiveness.</p>

                <p>At the time of which I am writing now, the sentiment that<lb/> reigned between
                    Nina and Old Childe's retinue of young men<lb/> was chiefly an <emph
                        rend="italic">esprit-de-corps</emph>. Later on we all fell in love with<lb/>
                    her ; but for the present we were simply amiably fraternal. We<lb/> were united
                    to her by a common enthusiasm ; we were fellow-<lb/> celebrants at her ancestral
                    altar&#x2014;or, rather, she was the high<lb/> priestess there, we were her
                    acolytes. For, with her, filial piety<lb/> did in very truth partake of the
                    nature of religion ; she really,<lb/> literally, idolised her father. One only
                    needed to watch her for<lb/> three minutes, as she sat beside him, to understand
                    the depth and<lb/> ardour of her emotion : how she adored him, how she
                    admired<lb/> him and believed in him, how proud of him she was, how she<lb/>
                    rejoiced in him. " Oh, you think you know my father," I<lb/> remember her saying
                    to us once. " Nobody knows him. No-<lb/> body is great enough to know him. If
                    people knew him they<lb/> would fall down and kiss the ground he walks on." It
                    is certain<lb/> she deemed him the wisest, the noblest, the handsomest, the
                    most<lb/> gifted, of human kind. That little gleam of mockery in her eye<lb/>
                    died out instantly when she looked at him, when she spoke of him<lb/> or
                    listened to him ; instead, there came a tender light of love and<lb/> her face
                    grew pale with the fervour of her affection. Yet, when</p>

                <fw type="catchword">he</fw>
                <pb n="29"/>



                <fw type="runningHead">By Henry Harland <fw type="pageNum">21</fw></fw>

                <p>he jested, no one laughed more promptly or more heartily than<lb/> she. In those
                    days I was perpetually trying to write fiction ; and<lb/> Old Childe was my
                    inveterate hero. I forget in how many<lb/> ineffectual manuscripts, under what
                    various dread disguises, he<lb/> was afterwards reduced to ashes ; I am afraid,
                    in one case, a<lb/> scandalous distortion of him got abroad in print. Publishers
                    are<lb/> sometimes ill-advised ; and thus the indiscretions of our youth
                    may<lb/> become the confusions of our age. The thing was in three<lb/> volumes,
                    and called itself a novel ; and of course the fatuous<lb/> author had to make a
                    bad business worse by presenting a copy to<lb/> his victim. I shall never forget
                    the look Nina gave me when I<lb/> asked her if she had read it ; I grow hot even
                    now as I recall it.<lb/> I had waited and waited, expecting her compliments ;
                    and at last<lb/> I could wait no longer, and so asked her ; and she answered
                    me<lb/> with a look ! It was weeks, I am not sure it wasn't months,<lb/> before
                    she took me back to her good graces. But Old Childe<lb/> was magnanimous ; he
                    sent me a little pencil-drawing of his<lb/> head, inscribed in the corner, " To
                    Frankenstein from his<lb/> Monster." </p>


                <fw type="head">V</fw>

                <p>It was a queer life for a girl to live, that happy-go-lucky life of<lb/> the
                    Latin Quarter, lawless and unpremeditated, with a café for her<lb/> school-room,
                    and none but men for comrades ; but Nina liked it ;<lb/> and her father had a
                    theory in his madness. He was a Bohemian,<lb/> not in practice only, but in
                    principle ; he preached Bohemianism<lb/> as the most rational manner of
                    existence, maintaining that it <lb/> developed what was intrinsic and authentic
                    in one's character,<lb/> saved one from the artificial, and brought one into
                    immediate </p>

                <fw type="catchword">contact</fw>
                <pb n="30"/>



                <fw type="runningHead"><fw type="pageNum">22</fw> The Bohemian Girl</fw>

                <p>contact with the realities of the world ; and he protested he could<lb/> see no
                    reason why a human being should be " cloistered and<lb/> contracted " because of
                    her sex. " What would not hurt my son,<lb/> if I had one, will not hurt my
                    daughter. It will make a man of<lb/> her&#x2014;without making her the less a
                    woman." So he took her<lb/> with him to the Café Bleu, and talked in her
                    presence quite as<lb/> freely as he might have talked had she been absent. As,
                    in the<lb/> greater number of his theological, political, and social
                    convictions,<lb/> he was exceedingly unorthodox, she heard a good deal, no
                    doubt,<lb/> that most of us would scarcely consider edifying for our
                    daughters'<lb/> ears ; but he had his system, he knew what he was about. "
                    The<lb/> question whether you can touch pitch and remain undefiled," he<lb/>
                    said, " depends altogether upon the spirit in which you approach<lb/> it. The
                    realities of the world, the realities of life, the real things<lb/> of God's
                    universe&#x2014;what have we eyes for, if not to envisage<lb/> them ? Do so
                    fearlessly, honestly, with a clean heart, and, man<lb/> or woman, you can only
                    be the better for it." Perhaps his<lb/> system was a shade too simple, a shade
                    too obvious, for this<lb/> complicated planet ; but he held to it in all
                    sincerity. It was in<lb/> pursuance of the same system, I daresay, that he
                    taught Nina to<lb/> fence, and to read Latin and Greek, as well as to play the
                    piano,<lb/> and turn an omelette. She could ply a foil against the best<lb/> of
                    us. </p>

                <p>And then, quite suddenly, he died.</p>

                <p>I think it was in March, or April ; anyhow, it was a premature<lb/> spring-like
                    day, and he had left off his overcoat. That evening<lb/> he went to the Odéon,
                    and when, after the play, he joined us for<lb/> supper at the Bleu, he said he
                    thought he had caught a cold, and<lb/> ordered hot grog. The next day he did not
                    turn up at all ; so<lb/> several of us, after dinner, presented ourselves at his
                    lodgings in<lb/> Montparnasse. We found him in bed, with Nina reading to
                    him.</p>

                <fw type="catchword">He</fw>
                <pb n="31"/>



                <fw type="runningHead">By Henry Harland <fw type="pageNum">23</fw></fw>

                <p>He was feverish, and Nina had insisted that he should stop at<lb/> home. He would
                    be all right to-morrow. He scoffed at our<lb/> suggestion that he should see a
                    doctor ; he was one of those men<lb/> who affect to despise the medical
                    profession. But early on the<lb/> following morning a commissionnaire brought me
                    a note from<lb/> Nina. " My father is very much worse. Can you come at<lb/> once
                    ? " He was delirious. Poor Nina, white, with frightened<lb/> eyes, moved about
                    like one distracted. We sent off for Dr.<lb/> Rénoult, we had in a Sister of
                    Charity. Everything that could<lb/> be done was done. Till the very end, none of
                    us for a moment<lb/> doubted he would recover. It was impossible to conceive
                    that<lb/> that strong, affirmative life could be extinguished. And even<lb/>
                    after the end had come, the end with its ugly suite of material<lb/>
                    circumstances, I don't think any of us realised what it meant. It<lb/> was as if
                    we had been told that one of the forces of Nature had<lb/> become inoperative.
                    And Nina, through it all, was like some<lb/> pale thing in marble, that breathed
                    and moved : white, dazed,<lb/> helpless, with aching, incredulous eyes,
                    suffering everything,<lb/> understanding nothing.</p>

                <p>When it came to the worst of the dreadful necessary businesses<lb/> that
                    followed, some of us, somehow, managed to draw her from<lb/> the death-chamber
                    into another room, and to keep her there,<lb/> while others of us got it over.
                    It was snowing that afternoon, I<lb/> remember, a melancholy, hesitating
                    snowstorm, with large moist<lb/> flakes, that fluttered down irresolutely, and
                    presently disintegrated<lb/> into rain ; but we had not far to go. Then we
                    returned to Nina,<lb/> and for many days and nights we never dared to leave her.
                    You<lb/> will guess whether the question of her future, especially of her<lb/>
                    immediate future, weighed heavily upon our minds. In the end,<lb/> however, it
                    appeared to have solved itself&#x2014;though I can't pretend<lb/> that the
                    solution was exactly all we could have wished.</p>

                <fw type="catchword">Her</fw>
                <pb n="32"/>



                <fw type="runningHead"><fw type="pageNum">24</fw> The Bohemian Girl</fw>

                <p>Her father had a half-brother (we learned this from his papers),<lb/> incumbent
                    of rather an important living in the north of England.<lb/> We also learned that
                    the brothers had scarcely seen each other<lb/> twice in a score of years, and
                    had kept up only the most fitful<lb/> correspondence. Nevertheless, we wrote to
                    the clergyman, de-<lb/> scribing the sad case of his niece ; and in reply we got
                    a letter,<lb/> addressed to Nina herself, saying that of course she must come
                    at<lb/> once to Yorkshire, and consider the rectory her home. I don't<lb/> need
                    to recount the difficulties we had in explaining to her, in<lb/> persuading her.
                    I have known few more painful moments than<lb/> that when, at the Gare du Nord,
                    half a dozen of us established<lb/> the poor, benumbed, bewildered child in her
                    compartment, and<lb/> sent her, with our godspeed, alone upon her long
                    journey&#x2014; to her<lb/> strange kindred, and the strange conditions of life
                    she would have<lb/> to encounter among them. From the Café Bleu to a
                    Yorkshire<lb/> parsonage ! And Nina's was not by any means a neutral<lb/>
                    personality, nor her mind a blank sheet of paper. She had a will<lb/> of her own
                    ; she had convictions, aspirations, traditions, prejudices,<lb/> which she would
                    hold to with enthusiasm because they had been<lb/> her father's, because her
                    father had taught them to her ; and she<lb/> had manners, habits, tastes. She
                    would be sure to horrify the<lb/> people she was going to ; she would be sure to
                    resent their criti-<lb/> cism, their slightest attempt at interference. Oh, my
                    heart was<lb/> full of misgivings ; yet&#x2014;she had no money, she was
                    eighteen<lb/> years old&#x2014;what else could we advise her to do ? All the
                    same,<lb/> her face, as it looked down upon us from the window of her rail-<lb/>
                    way carriage, white, with big terrified eyes fixed in a gaze of<lb/> blank
                    uncomprehending anguish, kept rising up to reproach me<lb/> for weeks
                    afterwards. I had her on my conscience as if I had<lb/> personally wronged
                    her.</p>



                <fw type="catchword">It</fw>
                <pb n="33"/>



                <fw type="runningHead">By Henry Harland <fw type="pageNum">25</fw></fw>



                <fw type="head">VI</fw>

                <p>It was characteristic of her that, during her absence, she hardly<lb/> wrote to
                    us. She is of far too hasty and impetuous a nature to<lb/> take kindly to the
                    task of letter-writing ; her moods are too incon-<lb/> stant ; her thoughts, her
                    fancies, supersede one another too<lb/> rapidly. Anyhow, beyond the telegram we
                    had made her promise<lb/> to send, announcing her safe arrival, the most
                    favoured of us got<lb/> nothing more than an occasional scrappy note, if he got
                    so much ;<lb/> while the greater number of the long epistles some of us felt
                    in<lb/> duty bound to address to her, elicited not even the semblance of an<lb/>
                    acknowledgment. Hence, about the particulars of her experience<lb/> we were
                    quite in the dark, though of its general features we were<lb/> informed,
                    succinctly, in a big, dashing, uncompromising hand,<lb/> that she " hated "
                    them.</p>



                <fw type="head">VII</fw>

                <p>I am not sure whether it was late in April or early in May that<lb/> Nina left
                    us. But one day towards the middle of October, coming<lb/> home from the
                    restaurant where I had lunched, I found in my<lb/> letter-box in the concierge's
                    room two half-sheets of paper, folded,<lb/> with the corners turned down, and my
                    name superscribed in pencil.<lb/> The handwriting startled me a
                    little&#x2014;and yet, no, it was im-<lb/> possible. Then I hastened to unfold
                    and read, and of course it<lb/> was the impossible which had happened.</p>

                <p>" Mon cher, I am sorry not to find you at home, but I'll wait at<lb/> the café at
                    the corner till half-past twelve. It is now midi juste."</p>

                <fw type="catchword">That</fw>
                <pb n="34"/>



                <fw type="runningHead"><fw type="pageNum">26</fw> The Bohemian Girl</fw>

                <p>That was the first. The second ran : " I have waited till a<lb/> quarter to one.
                    Now I am going to the Bleu for luncheon. I<lb/> shall be there till three." And
                    each was signed with the initials,<lb/> N. C.</p>

                <p>It was not yet two, so I had plenty of time. But you will<lb/> believe that I
                    didn't loiter on that account. I dashed out of the<lb/>
                    <emph rend="italic">loge</emph>&#x2014;into the street&#x2014;down the Boulevard
                    St. Michel&#x2014;into the<lb/> Bleu, breathlessly. At the far end Nina was
                    seated before a marble<lb/> table, with Madame Chanve in smiles and tears beside
                    her. I heard a<lb/> little cry ; I felt myself seized and enveloped for a moment
                    by some-<lb/> thing like a whirlwind&#x2014;oh, but a very pleasant whirlwind,
                    warm and<lb/> fresh, and fragrant of violets ; I received two vigorous kisses,
                    one on<lb/> either cheek ; and then I was held off at arm's length, and
                    examined<lb/> by a pair of laughing eyes.</p>

                <p>And at last a voice&#x2014;rather a deep voice for a woman's, with just<lb/> a
                    crisp edge to it, that might have been called slightly nasal, but<lb/> was
                    agreeable and individual&#x2014;a voice said : " En voilà assez.<lb/> Come and
                    sit down."</p>

                <p>She had finished her luncheon, and was taking coffee ; and if<lb/> the whole
                    truth must be told, I'm afraid she was taking it with a<lb/>
                    <emph rend="italic">petit-verre</emph> and a cigarette. She wore an exceedingly
                    simple black<lb/> frock, with a bunch of violets in her breast, and a hat with
                    a<lb/> sweeping black feather and a daring brim. Her dark luxurious<lb/> hair
                    broke into a riot of fluffy little curls about her forehead, and<lb/> thence
                    waved richly away to where it was massed behind ; her<lb/> cheeks glowed with a
                    lovely colour (thanks, doubtless, to Yorkshire<lb/> breezes ; sweet are the uses
                    of adversity) ; her eyes sparkled ; her<lb/> lips curved in a perpetual play of
                    smiles, letting her delicate little<lb/> teeth show themselves furtively ; and
                    suddenly I realised that this<lb/> girl, whom I had never thought of save as one
                    might think of<lb/> one's younger sister, suddenly I realised that she was a
                    woman,</p>

                <fw type="catchword">and</fw>
                <pb n="35"/>



                <fw type="runningHead">By Henry Harland <fw type="pageNum">27</fw></fw>

                <p>and a radiantly, perhaps even a dangerously handsome woman. I<lb/> saw suddenly
                    that she was not merely an attribute, an aspect of<lb/> another, not merely
                    Alfred Childe's daughter ; she was a person-<lb/> age in herself, a personage to
                    be reckoned with.</p>

                <p>This sufficiently obvious perception came upon me with such<lb/> force, and
                    brought me such emotion, that I dare say for a little<lb/> while I sat vacantly
                    staring at her, with an air of preoccupation.<lb/> Anyhow, all at once she
                    laughed, and cried out, " Well, when you<lb/> get back . . . ? " and, "
                    Perhaps," she questioned, " perhaps you<lb/> think it polite to go off
                    wool-gathering like that ? " Whereupon<lb/> I recovered myself with a start, and
                    laughed too.</p>

                <p>" But say that you are surprised, say that you are glad, at least,"<lb/> she went
                    on.</p>

                <p>Surprised! glad! But what did it mean? What was it all<lb/> about ?</p>

                <p>" I couldn't stand it any longer, that's all. I have come home.<lb/> Oh, que
                    c'est bon, que c'est bon, que c'est bon ! "</p>

                <p>" And&#x2014;England ?&#x2014;Yorkshire ?&#x2014;your people ? "</p>

                <p>" Don't speak of it. It was a bad dream. It is over. It<lb/> brings bad luck to
                    speak of bad dreams. I have forgotten it. I am<lb/> here&#x2014;in
                    Paris&#x2014;at home. Oh, que c'est bon ! " And she smiled<lb/> blissfully
                    through eyes filled with tears.</p>

                <p>Don't tell me that happiness is an illusion. It is her habit, if<lb/> you will,
                    to flee before us and elude us ; but sometimes, sometimes<lb/> we catch up with
                    her, and can hold her for long moments warm<lb/> against our hearts.</p>

                <p>" Oh, mon père ! It is enough&#x2014;to be here, where he lived,<lb/> where he
                    worked, where he was happy," Nina murmured afterwards.</p>

                <p>She had arrived the night before ; she had taken a room in the<lb/> Hôtel
                    d'Espagne, in the Rue de Médicis, opposite the Luxem-<lb/> bourg Garden. I was
                    as yet the only member of the old set she</p>

                <fw type="catchword">had</fw>
                <pb n="36"/>



                <fw type="runningHead"><fw type="pageNum">28</fw> The Bohemian Girl</fw>

                <p>had looked up. Of course I knew where she had gone first<lb/> &#x2014;but not to
                    cry&#x2014;to kiss it&#x2014;to place flowers on it. She<lb/> could not
                    cry&#x2014;not now. She was too happy, happy, happy.<lb/> Oh, to be back in
                    Paris, her home, where she had lived with<lb/> him, where every stick and stone
                    was dear to her because of<lb/> him !</p>

                <p>Then, glancing up at the clock, with an abrupt change of key,<lb/> " Mais allons
                    donc, paresseux !&#x2014;You must take me to see the<lb/> camarades. You must
                    take me to see Chalks."</p>

                <p>And in the street she put her arm through mine, laughing and<lb/> saying, " On
                    nous croira fiancés." She did not walk, she tripped,<lb/> she all but danced
                    beside me, chattering joyously in alternate<lb/> French and English. " I could
                    stop and kiss them all&#x2014;the men,<lb/> the women, the very pavement. Oh,
                    Paris ! Oh, these good,<lb/> gay, kind Parisians ! Look at the sky ! look at the
                    view&#x2014;down<lb/> that impasse&#x2014;the sunlight and shadows on the
                    houses, the door-<lb/> ways, the people. Oh, the air! Oh, the smells! Oue c'est
                    bon<lb/> &#x2014;que je suis contente ! Et dire que j'ai passé cinq mois,
                    mais<lb/> cinq grands mois, en Angleterre. Ah, veinard, you&#x2014;you
                    don't<lb/> know how you're blessed." Presently we found ourselves labour-<lb/>
                    ing knee-deep in a wave of black pinafores, and Nina had plucked<lb/> her bunch
                    of violets from her breast, and was dropping them<lb/> amongst eager fingers and
                    rosy cherubic smiles. And it was con-<lb/> stantly, " Tiens, there's Madame
                    Chose in her kiosque. Bonjour,<lb/> madame. Vous allez toujours bien ? " and "
                    Oh, look ! old<lb/> Perronet standing before his shop in his shirt-sleeves,
                    exactly as he<lb/> has stood at this hour every day, winter or summer, these
                    ten<lb/> years. Bonjour, M'sieu Perronet." And you may be sure that<lb/> the
                    kindly French Choses and Perronets returned her greetings<lb/> with beaming
                    faces. " Ah, mademoiselle, que c'est bon de vous<lb/> revoir ainsi. Que vous
                    avez bonne mine!" " It is so strange,"</p>

                <fw type="catchword">she</fw>
                <pb n="37"/>



                <fw type="runningHead">By Henry Harland <fw type="pageNum">29</fw></fw>

                <p>she said, " to find nothing changed. To think that everything<lb/> has gone on
                    quietly in the usual way. As if I hadn't spent an<lb/> eternity in exile ! " And
                    at the corner of one street, before a vast<lb/> flaunting " bazaar," with a
                    prodigality of tawdry Oriental wares<lb/> exhibited on the pavement, and little
                    black shopmen trailing like<lb/> beetles in and out amongst them, " Oh," she
                    cried, " the ' Mecque<lb/> du Quartier ' ! To think that I could weep for joy at
                    seeing the<lb/> ' Mecque du Quartier ' ! "</p>

                <p>By and by we plunged into a dark hallway, climbed a long,<lb/> unsavoury
                    corkscrew staircase, and knocked at a door. A gruff<lb/> voice having answered,
                    " 'Trez!" we entered Chalks's bare,<lb/> bleak, paint-smelling studio. He was
                    working (from a lay-figure)<lb/> with his back towards us ; and he went on
                    working for a minute<lb/> or two after our arrival, without speaking. Then he
                    demanded,<lb/> in a sort of grunt, " Eh bien, qu'est ce que c'est ? " always
                    with-<lb/> out pausing in his work or looking round. Nina gave two little<lb/>
                    <emph rend="italic">ahems</emph>, tense with suppressed mirth ; and slowly,
                    indifferently,<lb/> Chalks turned an absent-minded face in our direction. But,
                    next<lb/> instant, there was a shout&#x2014;a rush&#x2014;a confusion of forms
                    in the<lb/> middle of the floor&#x2014;and I realised that I was not the only
                    one to<lb/> be honoured by a kiss and an embrace. " Oh, you're covering<lb/> me
                    with paint," Nina protested suddenly ; and indeed he had<lb/> forgotten to drop
                    his brush and palette, and great dabs of colour<lb/> were clinging to her cloak.
                    While he was doing penance,<lb/> scrubbing the garment with rags soaked in
                    turpentine, he kept<lb/> shaking his head, and murmuring, from time to time, as
                    he<lb/> glanced up at her, " Well, I ll be dumned."</p>

                <p>" It's very nice and polite of you, Chalks," she said, by and by,<lb/> " a very
                    graceful concession to my sex. But, if you think it<lb/> would relieve you once
                    for all, you have my full permission to<lb/> pronounce it &#x2014;amned."</p>

                <fw type="catchword">Chalks</fw>
                <pb n="38"/>




                <fw type="runningHead"><fw type="pageNum">30</fw> The Bohemian Girl</fw>

                <p>Chalks did no more work that afternoon ; and that evening<lb/> quite twenty of us
                    dined at Madame Chanve's ; and it was almost<lb/> like old times.</p>



                <fw type="head">VIII</fw>

                <p>" Oh, yes," she explained to me afterwards, " my uncle is a good<lb/> man. My
                    aunt and cousins are very good women. But for me,<lb/> to live with
                    them&#x2014;pas possible, mon cher. Their thoughts were<lb/> not my thoughts, we
                    could not speak the same language. They<lb/> disapproved of me unutterably. They
                    suffered agonies, poor<lb/> things. Oh, they were very kind, very patient.
                    But&#x2014;! My<lb/> gods were their devils. My father&#x2014;my great, grand,
                    splendid<lb/> father&#x2014; was ' poor Alfred,' ' poor uncle Alfred.' Que
                    voulez-<lb/> vous ? And then&#x2014;the life, the society ! The
                    parishioners&#x2014;the<lb/> people who came to tea&#x2014;the houses where we
                    sometimes dined !<lb/> Are you interested in crops ? In the preservation of game
                    ? In<lb/> the diseases of cattle ? Olàlà ! (C'est bien le cas de s'en
                    servir,<lb/> de cette expression-là.) Olàlà, làlà ! And then&#x2014;have you
                    ever<lb/> been homesick ? Oh, I longed, I pined, for Paris, as one<lb/>
                    suffocating would long, would die, for air. Enfin, I could not<lb/> stand it any
                    longer. They thought it wicked to smoke cigarettes.<lb/> My poor
                    aunt&#x2014;when she smelt cigarette-smoke in my bed-room !<lb/> Oh, her face !
                    I had to sneak away, behind the shrubbery at the<lb/> end of the garden, for
                    stealthy whiffs. And it was impossible to<lb/> get French tobacco. At last I
                    took the bull by the horns, and<lb/> fled. It will have been a terrible shock
                    for them. But better<lb/> one good blow than endless little ones ; better a
                    lump-sum, than<lb/> instalments with interest."</p>

                <p>But what was she going to do ? How was she going to live ?</p>

                <fw type="catchword">For,</fw>
                <pb n="39"/>



                <fw type="runningHead">By Henry Harland <fw type="pageNum">31</fw></fw>

                <p>For, after all, much as she loved Paris, she couldn't subsist on its<lb/> air and
                    sunshine.</p>

                <p>" Oh, never fear! I'll manage somehow. I'll not die of<lb/> hunger," she said
                    confidently.</p>



                <fw type="head">IX </fw>

                <p>And, sure enough, she managed very well. She gave music<lb/> lessons to the
                    children of the Quarter, and English lessons to<lb/> clerks and shop-girls ; she
                    did a little translating ; she would pose<lb/> now and then for a painter
                    friend&#x2014;she was the original, for<lb/> instance, of Norton's " Woman
                    Dancing," which you know.<lb/> She even&#x2014;thanks to the employment by
                    Chalks of what he called<lb/> his " in<emph rend="italic">floo</emph>ence
                    "&#x2014;she even contributed a weekly column of Paris<lb/> gossip to the <emph
                        rend="italic">Palladium</emph>, a newspaper published at Battle Creek,<lb/>
                    Michigan, U.S.A., Chalks's native town. " Put in lots about<lb/> me, and talk as
                    if there were only two important centres of<lb/> civilisation on earth, Battle
                    Crick and Parus, and it'll be a boom,"<lb/> Chalks said. We used to have great
                    fun, concocting those<lb/> columns of Paris gossip. Nina, indeed, held the pen
                    and cast a<lb/> deciding vote ; but we all collaborated. And we put in lots
                    about<lb/> Chalks&#x2014;perhaps rather more than he had bargained for.
                    With<lb/> an irony (we trusted) too subtle to be suspected by the good<lb/>
                    people of Battle Creek, we would introduce their illustrious fellow-<lb/>
                    citizen, casually, between the Pope and the President of the<lb/> Republic ; we
                    would sketch him as he strolled in the Boulevard<lb/> arm-in-arm with Monsieur
                    Meissonier, as he dined with the Per-<lb/> petual Secretary of the French
                    Academy, or drank his bock in the<lb/> afternoon with the Grand Chancellor of
                    the Legion of Honour ;</p>

                <fw type="catchword">we</fw>
                <pb n="40"/>



                <fw type="runningHead"><fw type="pageNum">32</fw> The Bohemian Girl</fw>

                <p>we would compose solemn descriptive criticisms of his works,<lb/> which almost
                    made us die of laughing ; we would interview him<lb/> &#x2014;at
                    length&#x2014;about any subject ; we would give elaborate bulletins<lb/> of his
                    health, and brilliant pen-pictures of his toilets. Sometimes<lb/> we would
                    betroth him, marry him, divorce him ; sometimes,<lb/> when our muse impelled us
                    to a particularly daring flight, we<lb/> would insinuate, darkly, sorrowfully,
                    that perhaps the great man's<lb/> morals&#x2014;&#x2014; But no ! We were
                    persuaded that rumour accused him<lb/> falsely. The story that he had been seen
                    dancing at Bullier's<lb/> with the notorious Duchesse de Z&#x2014;&#x2014; was a
                    baseless fabrication.<lb/> Unprincipled ? Oh, we were nothing if not
                    unprincipled. And<lb/> our pleasure was so exquisite, and it worried our victim
                    so. " I<lb/> suppose you think it's funny, don't you ? " he used to ask, with
                    a<lb/> feint of superior scorn which put its fine flower to our hilarity.<lb/> "
                    Look out, or you'll bust," he would warn us, the only uncon-<lb/> vulsed member
                    present. " By gum, you're easily amused." We<lb/> always wrote of him
                    respectfully as Mr. Charles K. Smith ; we<lb/> never faintly hinted at his
                    sobriquet. We would have rewarded<lb/> liberally, at that time, any one who
                    could have told us what the K<lb/> stood for. We yearned to unite the cryptic
                    word to his surname<lb/> by a hyphen ; the mere abstract notion of doing so
                    filled us with<lb/> fearful joy. Chalks was right, I dare say ; we were easily
                    amused.<lb/> And Nina, at these moments of literary frenzy&#x2014;I can see
                    her<lb/> now : her head bent over the manuscript, her hair in some dis-<lb/>
                    array, a spiral of cigarette-smoke winding ceilingward from<lb/> between the
                    fingers of her idle hand, her lips parted, her eyes<lb/> gleaming with
                    mischievous inspirations, her face pale with the<lb/> intensity of her glee. I
                    can see her as she would look up, eagerly,<lb/> to listen to somebody's
                    suggestion, or as she would motion to us<lb/> to be silent, crying, "
                    Attendez&#x2014;I've got an idea." Then her<lb/> pen would dash swiftly,
                    noisily, over her paper for a little, whilst</p>

                <fw type="catchword">we</fw>
                <pb n="41"/>



                <fw type="runningHead">By Henry Harland <fw type="pageNum">33</fw></fw>

                <p>we all waited expectantly ; and at last she would lean back,<lb/> drawing a long
                    breath, and tossing the pen aside, to read her<lb/> paragraph out to us.</p>

                <p>In a word, she managed very well, and by no means died of<lb/> hunger. She could
                    scarcely afford Madame Chanve's three-franc<lb/> table d'hôte, it is true ; but
                    we could dine modestly at Leon's,<lb/> over the way, and return the Bleu for
                    coffee,&#x2014;though, it must<lb/> be added, that establishment no longer
                    enjoyed a monopoly of<lb/> our custom. We patronised it and the Vachette, the
                    Source, the<lb/> Ecoles, the Souris, indifferently. Or we would sometimes
                    spend<lb/> our evenings in Nina's rooms. She lived in a tremendously<lb/>
                    swagger house in the Avenue de l'Observatoire&#x2014;on the sixth<lb/> floor, to
                    be sure, but " there was a carpet all the way up." She<lb/> had a charming
                    little salon, with her own furniture and piano<lb/> (the same that had formerly
                    embellished our café), and no end<lb/> of books, pictures, draperies, and pretty
                    things, inherited from<lb/> her father or presented by her friends.</p>

                <p>By this time the inevitable had happened, and we were all in<lb/> love with
                    her&#x2014;hopelessly, resignedly so, and without internecine<lb/> rancour, for
                    she treated us, indiscriminately, with a serene, im-<lb/> partial, tolerant
                    derision ; but we were savagely, luridly, jealous<lb/> and suspicious of all
                    new-comers and of all outsiders. If <emph rend="italic">we</emph> could<lb/> not
                    win her, no one else should ; and we formed ourselves round<lb/> her in a ring
                    of fire. Oh, the maddening mock-sentimental,<lb/> mock-sympathetic face she
                    would pull, when one of us ventured<lb/> to sigh to her of his passion ! The way
                    she would lift her eye-<lb/> brows, and gaze at you with a travesty of pity,
                    shaking her head<lb/> pensively, and murmuring, " Mon pauvre ami ! Only fancy !
                    "<lb/> And then how the imp, lurking in the corners of her eyes, with<lb/> only
                    the barest pretence of trying to conceal himself, would<lb/> suddenly leap forth
                    in a peal of laughter ! She had lately read</p>

                <fw type="catchword">Mr. Howells's</fw>
                <pb n="42"/>



                <fw type="runningHead"><fw type="pageNum">34</fw> The Bohemian Girl</fw>

                <p>Mr. Howells's " Undiscovered Country," and had adopted the<lb/> Shakers'
                    paraphrase for love : " Feeling foolish."&#x2014;" Feeling pretty<lb/> foolish
                    to-day, air ye, gentlemen ? " she inquired, mimicking the<lb/> dialect of
                    Chalks. " Well, I guess you just ain't feeling any<lb/> more foolish than you
                    look ! "&#x2014;If she would but have taken us<lb/> seriously ! And the worst of
                    it was that we knew she was<lb/> anything but temperamentally cold. Chalks
                    formulated the<lb/> potentialities we divined in her, when he remarked,
                    regretfully,<lb/> wistfully, as he often did, " She could love like Hell."
                    Once,<lb/> in a reckless moment, he even went so far as to tell her this
                    point-<lb/> blank. " Oh, naughty Chalks ! " she remonstrated, shaking her<lb/>
                    ringer at him. " Do you think that's a pretty word ? But&#x2014;I<lb/> dare say
                    I could."</p>

                <p>" All the same, Lord help the man you marry," Chalks con-<lb/> tinued
                    gloomily.</p>

                <p>" Oh, I shall never marry," Nina cried. " Because, first, I<lb/> don't approve of
                    matrimony as an institution. And then&#x2014;as you<lb/> say&#x2014;Lord help my
                    husband. I should be such an uncomfortable<lb/> wife. So capricious, and
                    flighty, and tantalising, and unsettling,<lb/> and disobedient, and exacting,
                    and everything. Oh, but a horrid<lb/> wife ! No, I shall never marry. Marriage
                    is quite too out-of-date.<lb/> I shan't marry ; but, if I ever meet a man and
                    love him&#x2014;ah ! "<lb/> She placed two fingers upon her lips, and kissed
                    them, and waved<lb/> the kiss to the skies.</p>

                <p>This fragment of conversation passed in the Luxembourg<lb/> Garden ; and the
                    three or four of us by whom she was accom-<lb/> panied glared threateningly at
                    our mental image of that not-<lb/> impossible upstart whom she might some day
                    meet and love.<lb/> We were sure, of course, that he would be a beast ; we hated
                    him<lb/> not merely because he would have cut us out with her, but<lb/> because
                    he would be so distinctly our inferior, so hopelessly </p>

                <fw type="catchword">unworthy</fw>
                <pb n="43"/>



                <fw type="runningHead">By Henry Harland <fw type="pageNum">35</fw></fw>

                <p>unworthy of her, so helplessly incapable of appreciating her. I<lb/> think we
                    conceived of him as tall, with drooping fair moustaches,<lb/> and contemptibly
                    meticulous in his dress. He would probably<lb/> not be of the Quarter ; he would
                    sneer at <emph rend="italic">us</emph>.</p>

                <p>" He'll not understand her, he'll not respect her. Take her<lb/> peculiar views.
                    We know where she gets them. But he&#x2014;he'll<lb/> despise her for them, at
                    the very time he's profiting by 'em,"<lb/> some one said.</p>

                <p>Her peculiar views of the institution of matrimony, the speaker<lb/> meant. She
                    had got them from her father. " The relations of<lb/> the sexes should be as
                    free as friendship," he had taught. " If<lb/> a man and a woman love each other,
                    it is nobody's business but<lb/> their own. Neither the Law nor Society can,
                    with any show<lb/> of justice, interfere. That they do interfere, is a survival
                    of<lb/> feudalism, a survival of the system under which the individual,<lb/> the
                    subject, had no liberty, no rights. If a man and a woman<lb/> love each other,
                    they should be as free to determine for themselves<lb/> the character, extent,
                    and duration of their intercourse, as two<lb/> friends should be. If they wish
                    to live together under the same<lb/> roof, let them. If they wish to retain
                    their separate domiciles, let<lb/> them. If they wish to cleave to each other
                    till death severs them<lb/> &#x2014;if they wish to part on the morrow of their
                    union&#x2014;let<lb/> them, by heaven. But the couple who go before a priest or
                    a<lb/> magistrate, and bind themselves in ceremonial marriage, are<lb/> serving
                    to perpetuate tyranny, are insulting the dignity of human<lb/> nature." Such was
                    the gospel which Nina had absorbed (don't,<lb/> for goodness' sake, imagine that
                    I approve of it because I cite it),<lb/> and which she professed in entire good
                    faith. We felt that the<lb/> coming man would misapprehend both it and
                    her&#x2014;though he<lb/> would not hesitate to make a convenience of it. Ugh,
                    the<lb/> cynic !</p>

                <fw type="catchword">We</fw>
                <fw type="footer">The Yellow Book&#x2014;Vol. IV. <emph>c</emph></fw>
                <pb n="44"/>

                <fw type="runningHead"><fw type="pageNum">36</fw> The Bohemian Girl</fw>

                <p>We formed ourselves round her in a ring of fire, hoping to<lb/> frighten the
                    beast away. But we were miserably, fiercely<lb/> anxious, suspicious, jealous.
                    We were jealous of everything in<lb/> the shape of a man that came into any sort
                    of contact with her :<lb/> of the men who passed her in the street or rode with
                    her in the<lb/> omnibus ; of the little <emph rend="italic">employés de
                        commerce</emph> to whom she gave<lb/> English lessons ; of everybody. I
                    fancy we were always more or<lb/> less uneasy in our minds when she was out of
                    our sight. Who could<lb/> tell what might be happening ? With those lips of
                    hers, those<lb/> eyes of hers&#x2014;oh, we knew how she could love : Chalks had
                    said<lb/> it. Who could tell what might already have happened ? Who<lb/> could
                    tell that the coming man had not already come ? She was<lb/> entirely capable of
                    concealing him from us. Sometimes, in the<lb/> evening, she would seem absent,
                    preoccupied. How could we be<lb/> sure that she wasn't thinking of him ?
                    Savouring anew the hours<lb/> she had passed with him that very day ? Or
                    dreaming of those<lb/> she had promised him for to-morrow ? If she took leave of
                    us&#x2014;<lb/> might he not be waiting to join her round the corner ? If
                    she<lb/> spent an evening away from us.....</p>

                <p>And she&#x2014;she only laughed ; laughed at our jealousy, our fears,<lb/> our
                    precautions, as she laughed at our hankering flame. Not<lb/> a laugh that
                    reassured us, though ; an inscrutable, enigmatic<lb/> laugh, that might have
                    covered a multitude of sins. She had<lb/> taken to calling us collectively <emph
                        rend="italic">Loulou</emph> " Ah, le pauv' Loulou&#x2014;<lb/> so now he has
                    the pretension to be jealous." Then she would be<lb/> interrupted by a paroxysm
                    of laughter ; after which, " Oh, qu'il<lb/> est drôle," she would gasp. " Pourvu
                    qu'il ne devienne pas<lb/> gênant ! "</p>

                <p>It was all very well to laugh ; but some of us, our personal<lb/> equation quite
                    apart, could not help feeling that the joke was of a<lb/> precarious quality,
                    that the situation held tragic possibilities. A </p>

                <fw type="catchword">young</fw>
                <pb n="45"/>



                <fw type="runningHead">By Henry Harland <fw type="pageNum">37</fw></fw>

                <p>young and attractive girl, by no means constitutionally insus-<lb/> ceptible, and
                    imbued with heterodox ideas of marriage&#x2014;alone in<lb/> the Latin Quarter. </p>

                <fw type="head">X</fw>

                <p>I have heard it maintained that the man has yet to be born, who,<lb/> in his
                    heart of hearts, if he comes to think the matter over, won't<lb/> find himself
                    at something of a loss to conceive why any given<lb/> woman should experience
                    the passion of love for any other man ;<lb/> that a woman's choice, to all men
                    save the chosen, is, by its very<lb/> nature, as incomprehensible as the
                    postulates of Hegel. But, in<lb/> Nina's case, even when I regard it from this
                    distance of time, I<lb/> still feel, as we all felt then, that the mystery was
                    more than<lb/> ordinarily obscure. We had fancied ourselves prepared for
                    any-<lb/> thing ; the only thing we weren't prepared for was the thing that<lb/>
                    befell. We had expected " him " to be offensive, and he wasn't.<lb/> He was,
                    quite simply, insignificant. He was a South American,<lb/> a Brazilian, a member
                    of the School of Mines : a poor, undersized,<lb/> pale, spiritless, apologetic
                    creature, with rather a Teutonic-looking<lb/> name, Ernest Mayer. His father, or
                    uncle, was Minister of<lb/> Agriculture, or Commerce, or something, in his
                    native land ; and<lb/> he himself was attached in some nominal capacity to the
                    Brazilian<lb/> Legation, in the Rue de Téhéran, whence, on State occasions,
                    he<lb/> enjoyed the privilege of enveloping his meagre little person in a<lb/>
                    very gorgeous diplomatic uniform. He was beardless, with vague<lb/> features,
                    timid light-blue eyes, and a bluish an&#xE6;mic skin. In<lb/> manner he was nervous,
                    tremulous, deprecatory&#x2014;perpetually<lb/> bowing, wriggling, stepping back
                    to let you pass, waving his<lb/> hands, palms outward, as if to protest against
                    giving you trouble.</p>

                <fw type="catchword">And</fw>
                <pb n="46"/>



                <fw type="runningHead"><fw type="pageNum">38</fw> The Bohemian Girl</fw>

                <p>And in speech&#x2014;upon my word, I don't think I ever heard him<lb/> compromise
                    himself by any more dangerous assertion than that<lb/> the weather was fine, or
                    he wished you good-day. For the most<lb/> part he listened mutely, with a
                    flickering, perfunctory smile.<lb/> From time to time, with an air of casting
                    fear behind him and<lb/> dashing into the imminent deadly breach, he would
                    hazard an<lb/> " Ah, oui," or a " Pas mal." For the rest, he played the
                    piano<lb/> prettily enough, wrote colourless, correct French verse, and was<lb/>
                    reputed to be an industrious if not a brilliant student&#x2014;what we<lb/>
                    called <emph rend="italic">un sérieux</emph>.</p>

                <p>It was hard to believe that beautiful, sumptuous Nina Childe,<lb/> with her wit,
                    her humour, her imagination, loved this neutral little<lb/> fellow ; yet she
                    made no secret of doing so. We tried to frame<lb/> a theory that would account
                    for it. " It's the maternal instinct,"<lb/> suggested one. " It's her chivalry,"
                    said another ; " she's the sort<lb/> of woman who could never be very violently
                    interested by a man<lb/> of her own size. She would need one she could look up
                    to, or<lb/> else one she could protect and pat on the head." " 'God be<lb/>
                    thanked, the meanest of His creatures boasts two soul-sides, one to<lb/> face
                    the world with, one to show a woman when he loves her,'"<lb/> quoted a third. "
                    Perhaps Coco "&#x2014;we had nicknamed him Coco<lb/> &#x2014;" has luminous
                    qualities that we don't dream of, to which he<lb/> gives the rein when they're
                        <emph rend="italic">à deux</emph>."</p>

                <p>Anyhow, if we were mortified that she should have preferred<lb/> such a one to
                    us, we were relieved to think that she hadn't fallen<lb/> into the clutches of a
                    blackguard, as we had feared she would.<lb/> That Coco was a blackguard we never
                    guessed. We made the<lb/> best of him, because we had to choose between doing
                    that and<lb/> seeing less of Nina ; in time, I am afraid&#x2014;such is the
                    influence<lb/> of habit&#x2014;we rather got to like him, as one gets to like
                    any<lb/> innocuous, customary thing. And if we did not like the situation</p>

                <fw type="catchword">&#x2014;for</fw>
                <pb n="47"/>



                <fw type="runningHead">By Henry Harland <fw type="pageNum">39</fw></fw>

                <p>&#x2014;for none of us, whatever may have been our practice, shared<lb/> Nina's
                    hereditary theories anent the sexual conventions&#x2014; we<lb/> recognised that
                    we couldn't alter it, and we shrugged our shoulders<lb/> resignedly, trusting it
                    might be no worse.</p>

                <p>And then, one day, she announced, " Ernest and I are going to<lb/> be married."
                    And when we cried out why, she explained that&#x2014;<lb/> despite her own
                    conviction that marriage was a barbarous institu-<lb/> tion&#x2014;she felt, in
                    the present state of public opinion, people owed<lb/> legitimacy to their
                    children. So Ernest, who, according to both<lb/> French and Brazilian law, could
                    not, at his age, marry without<lb/> his parents' consent, was going home to
                    procure it. He would<lb/> sail next week ; he would be back before three months.
                    Ernest<lb/> sailed from Lisbon ; and the post, a day or two after he was
                    safe<lb/> at sea, brought Nina a letter from him. It was a wild,
                    hysterical,<lb/> remorseful letter, in which he called himself every sort of
                    name.<lb/> He said his parents would never dream of letting him marry her.<lb/>
                    They were Catholics, they were very devout, they had prejudices,<lb/> they had
                    old-fashioned notions. Besides, he had been as good as<lb/> affianced to a lady
                    of their election ever since he was born. He<lb/> was going home to marry his
                    second cousin.</p>



                <fw type="head">XI</fw>

                <p>Shortly after the birth of Camille I had to go to London, and<lb/> it was nearly
                    a year before I came back to Paris. Nina was<lb/> looking better than when I had
                    left, but still in nowise like her<lb/> old self&#x2014;pale and worn and
                    worried, with a smile that was the<lb/> ghost of her former one. She had been
                    waiting for my return,<lb/> she said, to have a long talk with me. " I have made
                    a little plan.</p>

                <fw type="catchword">I want</fw>
                <pb n="48"/>



                <fw type="runningHead"><fw type="pageNum">40</fw> The Bohemian Girl</fw>

                <p>I want you to advise me. Of course you must advise me to stick<lb/> to it."</p>

                <p>And when we had reached her lodgings, and were alone in the<lb/> salon, " It is
                    about Camille, it is about her bringing-up," she<lb/> explained. " The Latin
                    Quarter ? It is all very well for you,<lb/> for me ; but for a growing child ?
                    Oh, my case was different ;<lb/> I had my father. But Camille ? Restaurants,
                    cafés, studios, the<lb/> Boul' Miche, and this little garret&#x2014;do they form
                    a wholesome<lb/> environment ? Oh, no, no&#x2014;I am not a renegade. I am
                    a<lb/> Bohemian ; I shall always be ; it is bred in the bone. But my<lb/>
                    daughter&#x2014;ought she not to have the opportunity, at least, of being<lb/>
                    different, of being like other girls ? You see, I had my father ;<lb/> she will
                    have only me. And I distrust myself ; I have no<lb/> ' system.' Shall I not do
                    better, then, to adopt the system of the<lb/> world ? To give her the
                    conventional education, the conventional<lb/> ' advantages ' ? A home, what they
                    call home influences.<lb/> Then, when she has grown up, she can choose for
                    herself.<lb/> Besides, there is the question of francs and centimes. I have<lb/>
                    been able to earn a living for myself, it is true. But even that is<lb/> more
                    difficult now ; I can give less time to work ; I am in debt.<lb/> And we are two
                    ; and our expenses must naturally increase from<lb/> year to year. And I should
                    like to be able to put something<lb/> aside. Hand-to-mouth is a bad principle
                    when you have a growing<lb/> child."</p>

                <p>After a little pause she went on : "So my problem is, first, how<lb/> to earn our
                    livelihood, and, secondly, how to make something like<lb/> a home for Camille,
                    something better than this tobacco-smoky,<lb/> absinthe-scented atmosphere of
                    the Latin Quarter. And I can<lb/> see only one way of accomplishing the two
                    things. You will<lb/> smile&#x2014;but I have considered it from every point of
                    view. I have<lb/> examined myself, my own capabilities. I have weighed all
                    the</p>

                <fw type="catchword">chances.</fw>
                <pb n="49"/>



                <fw type="runningHead">By Henry Harland <fw type="pageNum">41</fw></fw>

                <p>chances. I wish to take a flat, in another quarter of the town,<lb/> near the
                    Etoile or the Pare Monceau, and&#x2014;open a <emph rend="italic"
                    >pension</emph>. There<lb/> is my plan."</p>

                <p>I had a much simpler and pleasanter plan of my own, but of<lb/> that, as I knew,
                    she would hear nothing. I did not smile at hers,<lb/> however ; though I confess
                    it was not easy to imagine madcap<lb/> Nina in the rôle of a landlady,
                    regulating the accounts and pre-<lb/> siding at the table of a boarding-house. I
                    can't pretend that I<lb/> believed there was the slightest likelihood of her
                    filling it with<lb/> success. But I said nothing to discourage her ; and the
                    fact that<lb/> she is rich to-day proves how little I divined the resources of
                    her<lb/> character. For the boarding-house she kept was an exceedingly<lb/> good
                    boarding-house ; she showed herself the most practical of<lb/> mistresses ; and
                    she prospered amazingly. Jeanselme, whose<lb/> father had recently died, leaving
                    him a fortune, lent her what<lb/> money she needed to begin with ; she took and
                    furnished a flat in<lb/> the Avenue de l'Alma ; and I&#x2014;I feel quite like
                    an historical<lb/> personage when I remember that I was her first boarder.
                    Others<lb/> soon followed me, though, for she had friends amongst all the<lb/>
                    peoples of the earth&#x2014;English and Americans, Russians, Italians,<lb/>
                    Austrians, even Roumanians and Servians, as well as French ;<lb/> and each did
                    what he could to help. At the end of a year she<lb/> overflowed into the flat
                    above ; then into that below ; then she<lb/> acquired the lease of the entire
                    house. She worked tremendously,<lb/> she was at it early and late, her eyes were
                    everywhere ; she set an<lb/> excellent table ; she employed admirable servants ;
                    and if her<lb/> prices were a bit stiff, she gave you your money's worth,
                    and<lb/> there were no " surprises." It was comfortable and quiet ; the<lb/>
                    street was bright, the neighbourhood convenient. You could<lb/> dine in the
                    common salle-à-manger if you liked, or in your<lb/> private sitting-room. And
                    you never saw your landlady except</p>

                <fw type="catchword">for</fw>
                <pb n="50"/>



                <fw type="runningHead"><fw type="pageNum">42</fw> The Bohemian Girl</fw>

                <p>for purposes of business. She lived apart, in the entresol, alone<lb/> with
                    Camille and her body-servant Jeanne. There was the<lb/> " home " she had set out
                    to make.</p>

                <p>Meanwhile another sort of success was steadily thrusting itself<lb/> upon
                    her&#x2014;she certainly never went out of her way to seek it ; she<lb/> was
                    much too busy to do that. Such of her old friends as remained<lb/> in Paris came
                    frequently to see her, and new friends gathered<lb/> round her. She was
                    beautiful, she was intelligent, responsive,<lb/> entertaining. In her salon, on
                    a Friday evening, you would meet<lb/> half the lions that were at large in the
                    town&#x2014;authors, painters,<lb/> actors, actresses, deputies, even an
                    occasional Cabinet minister.<lb/> Red ribbons and red rosettes shone from every
                    corner of the<lb/> room. She had become one of the oligarchs of <emph
                        rend="italic">la haute Bohème</emph>, she<lb/> had become one of the
                    celebrities of Paris. It would be tiresome<lb/> to count the novels, poems,
                    songs, that were dedicated to her, the<lb/> portraits of her, painted or
                    sculptured, that appeared at the<lb/> Mirlitons or the Palais de l'Industrie.
                    Numberless were the<lb/>
                    <emph rend="italic">partis</emph> who asked her to marry them (I know one, at
                    least, who<lb/> has returned to the charge again and again), but she only
                    laughed,<lb/> and vowed she would never marry. I don't say that she has<lb/>
                    never had her fancies, her experiences ; but she has consistently<lb/> scoffed
                    at marriage. At any rate, she has never affected the least<lb/> repentance for
                    what some people would call her " fault." Her<lb/> ideas of right and wrong have
                    undergone very little modification.<lb/> She was deceived in her estimate of the
                    character of Ernest Mayer,<lb/> if you please ; but she would indignantly deny
                    that there was<lb/> anything sinful, anything to be ashamed of, in her relations
                    with<lb/> him. And if, by reason of them, she at one time suffered a good<lb/>
                    deal of pain, I am sure she accounts Camille an exceeding great<lb/>
                    compensation. That Camille is her child she would scorn to<lb/> make a secret.
                    She has scorned to assume the conciliatory title</p>

                <fw type="catchword">of</fw>
                <pb n="51"/>



                <fw type="runningHead">By Henry Harland <fw type="pageNum">43</fw></fw>

                <p>of Madame. As plain Mademoiselle, with a daughter, you must<lb/> take her or
                    leave her. And, somehow, all this has not seemed to<lb/> make the faintest
                    difference to her <emph rend="italic">clientèle</emph>, not even to the<lb/>
                    primmest of the English. I can't think of one of them who<lb/> did not treat her
                    with deference, like her, and recommend<lb/> her house.</p>

                <p>But <emph rend="italic">her</emph> house they need recommend no more, for she has
                    sold it.<lb/> Last spring, when I was in Paris, she told me she was about to
                    do<lb/> so. " Ouf ! I have lived with my nose to the grindstone long<lb/>
                    enough. I am going to 'retire.'" What money she had saved from<lb/> season to
                    season, she explained, she had entrusted to her friend<lb/> Baron C * * * * *
                    for speculation. " He is a wizard, and so<lb/> I am a rich woman. I shall have
                    an income of something like<lb/> three thousand pounds, mon cher ! Oh, we will
                    roll in it. I have<lb/> had ten bad years&#x2014;ten hateful years. You don't
                    know how I<lb/> have hated it all, this business, this drudgery, this
                    cut-and-dried,<lb/> methodical existence&#x2014;moi, enfant de Bohème ! But,
                    enfin, it was<lb/> obligatory. Now we will change all that. Nous reviendrons
                    à<lb/> nos premières amours. I shall have ten good years&#x2014;ten years
                    of<lb/> barefaced pleasure. Then&#x2014;I will range myself&#x2014;perhaps.
                    There<lb/> is the darlingest little house for sale, a sort of châlet, built of
                    red<lb/> brick, with pointed windows and things, in the Rue de Lisbonne.<lb/> I
                    shall buy it&#x2014;furnish it&#x2014;decorate it. Oh, you will see. I
                    shall<lb/> have my carriage, I shall have toilets, I shall entertain, I
                    shall<lb/> give dinners&#x2014;olàlà ! No more boarders, no more bores,
                    cares,<lb/> responsibilities. Only, my friends and&#x2014;<emph rend="italic"
                        >life!</emph> I feel like one<lb/> emerging from ten years in the galleys,
                    ten years of penal<lb/> servitude. To the Pension Childe&#x2014;bonsoir ! "</p>

                <p>" That's all very well for you," her listener complained sombrely.<lb/> " But for
                    me ? Where shall I stop when I come to Paris ? "</p>

                <p>" With me. You shall be my guest. I will kill you if you</p>

                <fw type="catchword">ever</fw>
                <pb n="52"/>



                <fw type="runningHead"><fw type="pageNum">44</fw> The Bohemian Girl</fw>

                <p>ever go elsewhere. You shall pass your old age in a big chair in<lb/> the best
                    room, and Camille and I will nurse your gout and make<lb/> herb-tea for
                    you."</p>

                <p>" And I shall sit and think of what might have been."</p>

                <p>" Yes, we'll indulge all your little foibles. You shall sit and<lb/> ' feel
                    foolish '&#x2014;from dawn to dewy eve."</p>



                <fw type="head">XII</fw>

                <p>If you had chanced to be walking in the Bois-de-Boulogne this<lb/> afternoon, you
                    might have seen a smart little basket-phaeton flash<lb/> past, drawn by two
                    glossy bays, and driven by a woman&#x2014;a<lb/> woman with sparkling eyes, a
                    lovely colour, great quantities of<lb/> soft dark hair, and a figure&#x2014;</p>

                <p><emph rend="indent">" Hélas, mon père, la taille d'une déesse
                    "&#x2014;</emph></p>

                <p>a smiling woman, in a wonderful blue-grey toilet, grey driving-<lb/> gloves, and
                    a bold-brimmed grey-felt hat with waving plumes.<lb/> And in the man beside her
                    you would have recognised your<lb/> servant. You would have thought me in great
                    luck, perhaps you<lb/> would have envied me. But&#x2014;<emph rend="italic"
                        >esse, quam videri !</emph>&#x2014;I would I were<lb/> as enviable as I
                    looked.</p>
            </div>
        </body>
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</TEI>
