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            <title>Yellow Nineties 2.0</title>
            <title>The Yellow Book: An Illustrated Quarterly, Volume 3 October 1894</title>
            <title type="YBV3_smith_everyman"/>
            <editor>Lorraine Janzen Kooistra</editor>
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            <p>
               <date>2019</date>
            </p>
         </editionStmt>
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            <idno>YBV3_23pr</idno>
            <publisher>Yellow Nineties 2.0</publisher>
            <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
            <address>
               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
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               <p>Usable according to the Creative Commons License <ref
                     target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution
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                  <editor>
                     <persName>Henry Harland &amp; Aubrey Beardsley</persName>
                  </editor>
                  <author>C.S.</author>
                  <title>To Every Man a Damsel or Two</title>
                  <imprint>
                     <publisher>John Lane</publisher>
                     <pubPlace> London </pubPlace>
                     <publisher>Copeland &amp; Day</publisher>
                     <pubPlace>Boston</pubPlace>
                     <date>October 1894</date>
                     <biblScope>Smith, Arthur Cosslett. "To Every Man a Damsel or Two." <emph
                           rend="italic">The Yellow Book</emph>, vol 3, October 1894, pp. 155-157. <emph
                           rend="italic">Yellow Book Digital Edition</emph>, edited by Dennis Denisoff and
                        Lorraine Janzen Kooistra, 2010-2014. <emph rend="italic">Yellow Nineties 2.0</emph>,
                        Ryerson University Centre for Digital Humanities, 2019.
                        https://1890s.ca/YBV3_smith_everyman/ </biblScope>
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         	<p>Our editorial method is informed by social-text editing principles. By “text” we mean
         		verbal and visual printed material, including non-referential physical elements such as
         		bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
         		processes that have specific manifestations at precise historical moments.
         		The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
         		siècle aesthetic periodicals, together with paratexts of production and reception such as
         		cover designs, advertising materials, and reviews. This historical material is enhanced
         		by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
         		contributors and associates; and critical introductions to each title and volume by
         		experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
         		reviewed by them and/or an international board of advisors. The site as a whole is peer-
         		reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
         		Scholarship). Contributors to the site retain personal copyright in their material. The
         		site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
         		license. Both primary and secondary materials, including all visual images, are marked
         		up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
         		Language). To ensure maximum flexibility for users, magazines are available on the site
         		as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
         		downloading and collecting; and in XML for those who wish to review and/or adapt our
         		tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
         		pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
         		to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
         		website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
         		completed and Phase Two (2016-2021) is underway.</p>
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            <date>1894</date>
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                     "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography"
                     (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," 
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                  <item>Literature</item>
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            <head>
               <title level="a">To Every Man a Damsel or Two</title>
            </head>
            <byline>By <docAuthor>
                  <ref target="#ASM">C. S.</ref>
               </docAuthor>
            </byline>
            <p>HE wandered up the carpeted steps, rather afraid all the while of<lb/> the two tall
               men in uniform who opened the great doors wide<lb/> to let him into the soft warm
               light and babble of voices within. At<lb/> the top he paused, and slowly unbuttoned
               his overcoat, not know-<lb/> ing which way to turn ; but the crowd swept him up, and
               carried<lb/> him round, until he found himself leaning against a padded wall<lb/> of
               plush, looking over a sea of heads at the stage far beneath.<lb/> He turned round,
               and stood watching the happy crowd, which<lb/> laughed, and talked, and nodded
               ceaselessly to itself. Near him,<lb/> on a sofa, with a table before her, was a woman
               spreading herself<lb/> out like some great beautiful butterfly on a bed of velvet
               pansies.<lb/> He stood admiring her half unconsciously for some time, and at<lb/>
               last, remembering that he was tired and sleepy, and seeing that<lb/> there was still
               plenty of room, he threaded his way across and sat<lb/> down.</p>
            <p>The butterfly began tossing a wonderful little brown satin shoe,<lb/> and tapping it
               against the leg of the table. Then the parasol<lb/> slipped across him, and fell to
               the ground. He hastened to pick<lb/> it up, lifting his hat as he did so. She seemed
               surprised, and<lb/> glancing at a man leaning against the wall, caught his eye,
               and<lb/> they both laughed. He blushed a good deal, and wondered what<lb/>
            </p>
            <fw type="catchword">he </fw>
            <pb n="186"/>
            <fw type="runningHead">
               <fw type="pageNum">156</fw> "To Every Man a Damsel or Two"</fw>
            <p>he had done wrong. She spread herself out still further in his<lb/> direction, and
               cast side glances at him from under her Gains-<lb/> borough.</p>
            <p>"What were you laughing at just now ?" he said impulsively.</p>
            <p>"My dear boy, when ?"</p>
            <p>"With that man."</p>
            <p>"Which man ?"</p>
            <p>"It doesn't matter," he said, blushing again.</p>
            <p>She looked up, and winked at the man leaning against the<lb/> wall.</p>
            <p>"Have I offended you by speaking to you ?" he said, looking<lb/> with much concern
               into her eyes.</p>
            <p>She put a little scented net of a handkerchief up to her mouth,<lb/> and went into
               uncontrollable fits of laughter.</p>
            <p>"What a funny boy you are !" she gasped. "Do do it again."</p>
            <p>He looked at her in amazement, and moved a little further<lb/> away.</p>
            <p>"I'm going to tell the waiter to bring me a port—after that<lb/> last bit of
               business."</p>
            <p>"I don't understand all this," he said desperately : "I wish I<lb/> had never spoken
               to you ; I wish I had never come in here<lb/> at all."</p>
            <p>"You're very rude all of a sudden. Now don't be troublesome<lb/> and say you're too
               broke to pay for drinks," she added as the<lb/> waiter put the port down with great
               deliberation opposite her, and<lb/> held out the empty tray respectfully to him. He
               stared.</p>
            <p>"Why don't you pay, you cuckoo ?"</p>
            <p>Mechanically he put down a florin, and the waiter counted out<lb/> the change.</p>
            <p>There was a pause. She fingered the stem of her wine-glass,<lb/> taking little sips,
               and watching him all the while.</p>
            <fw type="catchword">"How</fw>
            <pb n="187"/>
            <fw type="runningHead">By C. S. <fw type="pageNum">157</fw>
            </fw>
            <p>"How often have you been here before ?" she said, suddenly<lb/> catching at his
               sleeve. "You must tell me. I fancy I know your<lb/> face : surely I've met you before
               somewhere ?"</p>
            <p>"This is the first time I have ever been to a music-hall," he<lb/> said doggedly.</p>
            <p>She drank off her port directly.</p>
            <p>"Come—come away at once. Yes, all right—I'm coming with<lb/> you ; so go along."</p>
            <p>"But I've only just paid to come in," he said hesitatingly.</p>
            <p>"Never mind the paying," and she stamped her little satin foot,<lb/> "but do as I
               tell you, and go." And taking his arm, she led him<lb/> through the doors down to the
               steps, where the wind blew cold,<lb/> and the gas jets roared fitfully above.</p>
            <p>"Go," she said, pushing him out, "and never come here again ;<lb/> stick to the
               theatres, you will like them best." And she ran up<lb/> the steps and was gone.</p>
            <p>He rushed after her. The two tall men in uniform stepped<lb/> before the doors.</p>
            <p>"No re-admission, sir," said one, bowing respectfully and<lb/> touching his cap.</p>
            <p>"But that lady," he said, bewildered, and looking from one to<lb/> the other.</p>
            <p>The men laughed, and one of them, shrugging his shoulders,<lb/> pointed to the
               box-office.</p>
            <p>He turned, and walked down the steps. Was it all a dream ?<lb/> He glanced at his
               coat. The flower in his buttonhole had gone. </p>
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