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                <title>The Yellow Nineties Online</title>
                <title>The Yellow Book: An Illustrated Quarterly, Volume 3 October 1894</title>
                <title type="YBV3_all"/>
                <editor>Lorraine Janzen Kooistra</editor>
                <editor>Dennis Denisoff </editor>
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            <editionStmt>
                <p>
                    <date>2010</date>
                </p>
            </editionStmt>
            <publicationStmt>
                <idno>YBV3</idno>
                <publisher>The Yellow Nineties Online</publisher>
                <pubPlace>Ryerson University</pubPlace>
                <address>
               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
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                    <p>Usable according to the Creative Commons License <ref
                            target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution
                            Non-commercial Share-alike</ref>.</p>
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                        <editor>
                            <persName>Henry Harland &amp; Aubrey Beardsley</persName>
                        </editor>
                        <author>Various</author>
                        <title>The Yellow Book: An Illustrated Quarterly, Volume 3 October
                            1894</title>
                        <imprint>
                            <publisher>John Lane</publisher>
                            <pubPlace>London</pubPlace>
                            <publisher>Copeland &amp; Day</publisher>
                            <pubPlace>Boston</pubPlace>
                            <date>October 1894</date>
                            <biblScope><emph rend="italic">The Yellow Book</emph> 3 (Oct.
                                    1894).<emph rend="italic">The Yellow Nineties Online</emph>. Ed.
                                Dennis Denisoff and Lorraine Janzen Kooistra. Ryerson University,
                                2010. Web. [Date of access].
                                https://1890s.ca/HTML.aspx?s=YBV3_all.html </biblScope>
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                <p>Introduction. The Yellow Nineties Online publishes primary texts from the 1890s
                    and secondary texts written by critics of fin-de-siècle culture. Both kinds of
                    texts are marked up in TEI. As a dynamic structure, a scholarly website is
                    always in process. Our decisions in selecting and presenting materials on The
                    Yellow Nineties Online are governed by the following principles. Editorial
                    Principles 1. Primary materials Our editorial method for the facsimile editions
                    published here is informed by social-text editing principles. The editors
                    understand text as including visual and verbal printed material, including
                    non-referential physical elements such as page design, ornament, and binding. We
                    view any text as the outcome of a collaborative process that has specific
                    material manifestations at precise historical moments. We have chosen to
                    reproduce The Yellow Book in facsimile form at its moment of first publication.
                    The social moment—and our editorial horizon—is demarcated by the decade of the
                    1890s as experienced in and around the London contexts of The Yellow Book’s
                    contributors and associates. The project’s principal interest is in presenting
                    the text’s physical components in its first edition, with attention to its
                    production and reception. Copy-text for The Yellow Book and any other primary
                    material edited on The Yellow Nineties Online is the first edition unless
                    otherwise noted. The Yellow Book is presented in facsimile, using double-page
                    opening of the flip-book function. In addition, the physical features, verbal
                    texts, and visual images of each Yellow Book volume are marked up in TEI and
                    available in both xml and PDF formats. Annotations to the facsimile edition are
                    kept to a minimum. Commentary is available in the site’s associated secondary
                    materials. 2. Secondary materials In addition to providing the publication
                    vehicle for the marked-up facsimile edition of The Yellow Book, The Yellow
                    Nineties Online is also an electronic publishing site for peer-reviewed material
                    relating to The Yellow Book and fin-de-siècle cultural studies. Secondary
                    material published on the site has three levels of review. First, the editors
                    solicit and co-edit commentary from leading scholars in the field. Second, the
                    site is overseen by an international Editorial Board of experts. Third, the site
                    will be submitted to NINES (Networked Interface for Nineteenth-Century
                    Electronic Scholarship) for blind vetting in 2011. Once accepted by NINES, The
                    Yellow Nineties Online will be associated with a large consortium of electronic
                    scholarship and available for aggregated searches online. At this time, the
                    editors’ priority in selecting secondary material is to make available a
                    biography for each person who contributed to, or was associated with, the
                    individual volumes of The Yellow Book. Each of these biographies is accompanied
                    by a list of writings by, and about, the contributor. The editors also seek to
                    publish high-quality essays on relevant aspects of The Yellow Book’s production
                    and reception as an illustrated periodical. We are particularly interested in
                    material relating to the aesthetic, bibliographic, cultural, institutional,
                    personal, and technological contexts of its publication. Editorial Guidelines
                    for Contributors of Biographies 1. FORMAT and CONTENT TEMPLATE Person’s Name:
                    FIRST, LAST (BIRTH AND DEATH DATE) (flush left) i.e. Ella D’Arcy (1851-1939)
                    Biographical Entry: Begins flush left, immediately under person’s name. Left
                    justified, single-spaced. 500 - 1000 words. Entries should include the
                    following: a) Brief biographical details focusing on early education, training,
                    and important influences. b) Extended commentary on career, including important
                    contributions to literary, artistic, cultural, social and/or publishing history.
                    Keep quotations from other sources to a minimum. c) Connections to key works,
                    events, and participants of the Victorian fin de siècle particularly warrant
                    mention. 2. STYLE All notes, essays, and other editorial apparatuses in The
                    Yellow Nineties Online follow the MLA Style Guide (7th ed.). Book titles are
                    italicized, not underlined. Comma before “and” in a serial list (i.e. red, gold,
                    and green). The Yellow Book, not the Yellow Book. Acceptable abbrev.: YB
                    Preferred font is Arial 12. The spelling standard is Canadian. </p>
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                        <note>Possible genres: Architecture, Ephemera, Music, Poetry, Artifacts,
                            Fiction, Nonfiction, Religion, Bibliography, History, Paratext, Review,
                            Collection, Leisure, Periodical, Visual Art, Criticism, Letters,
                            Philosophy, Translation, Drama, Life Writing, Photograph, Travel,
                            Education, Manuscript, Citation, Book History, Politics, Reference
                            Works, Family Life, Law, Folklore, Humor. Please include as many as
                            apply. Place each in its own item tag </note>
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        <body>
            <div n="YBV3_1im" type="image">
                <pb n="1"/>
                <figure>
                    <graphic width="600px" height="850px"
                        url="MediumImageDocs/YB3icon1_beardsley_cover_edited.jpg"/>
                    <note n="YBV3_1im.n1">
                        <title>Front Cover</title>
                        <rs>YB3icon1</rs>YB3icon1 Front Cover Aubrey Beardsley October 1984 Front
                        Cover 21 cm x 15.9 cm Poster-style illustrative art Pen and ink 1890s indoor
                        setting dressing room theatre/stage toilette female figure person cosmetics
                        light mirror The Yellow Book An Illustrated Quarterly Volume III October
                        1894 London John Lane Boston Copeland &amp; Day Price 1 50 Net Price 5
                        Net</note>
                    <head>Front Cover</head>
                    <figDesc>Image is divided into three pieces horizontally: the central
                        illustration, the header and the footer. The central illustration takes up
                        more than half of the cover. It shows a woman in the right half of the
                        frame. She has long dark hair and she is wearing a black dressing gown with
                        white cuffs and collar. The gown is decorated with white flowers. She is
                        shown in profile, holding a powder puff. She is in front of a mirror
                        decorated with a garland and illuminated by two lamps. There are toiletry
                        articles on the dressing table in front of her. There is the suggestion of
                        curtains behind her. Immediately above her head, depending from a string, is
                        a bow. </figDesc>
                </figure>
                <pb n="2"/>
                <pb n="3"/>
                <pb n="4"/>
            </div>
            <div n="YBV3_2toc" type="tableOfContents">
                <pb n="5"/>
                <head>
                    <title level="a">Contents</title>
                </head>
                <p> Literature</p>
                <p> I. <ref target="#YBV3_5pr">Women &#x2014; Wives or <lb/><emph rend="indent"
                                ><emph rend="indent"/><emph rend="indent"/><emph rend="indent"
                                /><emph rend="indent"/><emph rend="indent"/>Mothers</emph>
                    </ref>
                    <emph rend="indent"> By <ref target="#FGR">A Woman</ref></emph> . . <emph
                        rend="italic">Page</emph> 11<lb/> II. <ref target="#YBV3_6po">"Tell Me Not
                        Now" </ref>
                    <emph rend="indent"><ref target="#WWA">William Watson</ref></emph> . . 19<lb/>
                    III. <ref target="#YBV3_8pr">The Headswoman</ref> . . <ref target="#KGR">Kenneth
                        Grahame</ref> . . 25<lb/> IV. <ref target="#YBV3_9po">Credo</ref> . . . .
                        <ref target="#ASY">Arthur Symons</ref> . . 48<lb/> V. <ref
                        target="#YBV3_11pr">White Magic</ref> . . . <ref target="#EDA">Ella
                        D'Arcy</ref> . . . 59<lb/> VI. <ref target="#YBV3_12po">Fleurs de Feu</ref>
                    . <ref target="#JHE">José Maria de Hérédia, of the French Academy</ref> .
                    69<lb/> VII. <ref target="#YBV3_12po">Flowers of Fire, a Translation </ref>
                    <emph rend="indent"><ref target="#ECL">Ellen M. Clerke</ref></emph> . . 70<lb/>
                    VIII. <ref target="#YBV3_13pr">When I am King</ref> . . <ref target="#HHA">Henry
                        Harland</ref> . . 71<lb/> IX. <ref target="#YBV3_14po">To a Bunch of
                        Lilac</ref> . <ref target="#TMA">Theo Marzials</ref> . . 87<lb/> X. <ref
                        target="#YBV3_16pr">Apple-Blossom in Brittany </ref>
                    <emph rend="indent"><ref target="#EDO"> Ernest Dowson</ref></emph> . . 93<lb/>
                    XI. <ref target="#YBV3_17po">To Salome at St. James's </ref>
                    <emph rend="indent"><ref target="#TWR">Theodore Wratislaw</ref></emph> .
                    110<lb/> XII. <ref target="#YBV3_18pr">Second Thoughts</ref> . . <ref
                        target="#AMO">Arthur Moore</ref> . . 112<lb/> XIII. <ref target="#YBV3_19po"
                        >Twilight</ref> . . . <ref target="#OCU">Olive Custance</ref> . . 134<lb/>
                    XIV. <ref target="#YBV3_21pr">Tobacco Clouds</ref> . . <ref target="#LJO">Lionel
                        Johnson</ref> . . 143<lb/> XV. <ref target="#YBV3_22po">Reiselust</ref> . .
                    . <ref target="#AMA">Annie Macdonell</ref> . . 153<lb/> XVI. <ref
                        target="#YBV3_23pr">To Every Man a Damsel <lb/><emph rend="indent"><emph
                                rend="indent"/><emph rend="indent"/><emph rend="indent"/><emph
                                rend="indent"/><emph rend="indent"/>or Two</emph>
                    </ref>
                    <emph rend="indent"><ref target="#ASM">C.S.</ref></emph> . . . . 155<lb/> XVII.
                        <ref target="#YBV3_24pr">A Song and a Tale</ref> . . <ref target="#NHO">Nora
                        Hopper</ref> . . . 158<lb/> XVIII. <ref target="#YBV3_25po">De
                        Profundis</ref> . . . <ref target="#SWA">S. Cornish Watkins</ref> . 167<lb/>
                    XIX. <ref target="#YBV3_26pr">A Study in Sentimentality </ref>
                    <emph rend="indent"><ref target="#HCR"> Hubert Crackanthorpe</ref></emph> .
                    175<lb/> XX. <ref target="#YBV3_27po">George Meredith</ref> . . <ref
                        target="#MFU">Morton Fullerton</ref> . . 210<lb/> XXI. <ref
                        target="#YBV3_28pr">Jeanne-Marie</ref> . . <ref target="#LMA">Leila
                        Macdonald</ref> . . 215<lb/> XXII. <ref target="#YBV3_29po">Parson Herrick's
                        Muse</ref> . <ref target="#CDA">C.W. Dalmon</ref> . . 241<lb/> XXIII. <ref
                        target="#YBV3_30pr">A Note on George the Fourth </ref>
                    <emph rend="indent"><ref target="#MBE">Max Beerbohm</ref></emph> . . 247<lb/>
                    XXIV. <ref target="#YBV3_32po">The Ballad of a Nun</ref> . <ref target="#JDA"
                        >John Davidson</ref> . . 273</p>
                <fw type="catchword">Art</fw>
                <fw type="footer">The Yellow Book—Vol. III.—October, 1894</fw>

                <pb n="6"/>
                <p>Art</p>
                <p>I. <ref target="#YBV3_4im">Mantegna</ref> . . . By <ref target="#ABE">Philip
                        Broughton </ref> . <emph rend="italic">Page</emph> 7<lb/> II. <ref
                        target="#YBV3_7im">From a Lithograph</ref> . . <ref target="#GTH">George
                        Thomson </ref> . . 21<lb/> III. <ref target="#YBV3_10aim">Portrait of
                        Himself</ref> . <emph rend="indent"><ref target="#ABE">Aubrey
                            Beardsley</ref></emph> . . 50<lb/> IV. <ref target="#YBV3_10bim">Lady
                        Gold's Escort</ref><lb/> V. <ref target="#YBV3_10cim">The Wagnerites</ref> .
                    <lb/> VI. <ref target="#YBV3_10dim">La Dame aux Camélias</ref>
                    <lb/> VII. <ref target="#YBV3_15im">From a Pastel</ref> . . <ref target="#ABE"
                        >Albert Foschter</ref> . . 89<lb/> VIII. <ref target="#YBV3_20aim">Collins'
                        Music Hall, Islington</ref><emph rend="indent"><ref target="#WSI">Walter
                            Sickert </ref></emph> . . 136 <lb/> IX. <ref target="#YBV3_20bim">The
                        Lion Comique</ref><lb/> X. <ref target="#YBV3_20cim">Charley's Aunt</ref> .
                    <lb/> XI. <ref target="#YBV3_25aim">The Mirror</ref> . .<ref target="#PST">P.
                        Wilson Steer </ref> . . 169<lb/> XII. <ref target="#YBV3_25bim"
                        >Skirt-Dancing</ref> .<lb/> XII. <ref target="#YBV3_28im">A Sunset</ref> . .
                    . <ref target="#WHY">William Hyde </ref> . . 211<lb/> XIV. <ref
                        target="#YBV3_30im">George the Fourth</ref> . . <ref target="#MBE">Max
                        Beerbohm </ref> . . 243<lb/> XV. <ref target="#YBV3_31im">Study of a
                        Head</ref> . . <ref target="#UAR">An Unknown Artist </ref> . 270<lb/>
                </p>
            </div>

            <div n="YBV3_3fm" type="frontMatter">
                <pb n="7"/>


                <p>The Yellow Book</p>
                <p>Volume III October, 1894</p>

                <pb n="8"/>



                <p> The Editor of THE YELLOW BOOK can in no case <lb/> hold himself responsible for
                    rejected manuscripts; <lb/> when, however, they are accompanied by stamped <lb/>
                    addressed envelopes, every effort will be made to <lb/> secure their prompt
                    return. </p>
                <pb n="9"/>
                <pb n="10"/>
            </div>
            <div n="YBV3_3im" type="image">
                <pb n="11"/>
                <figure>
                    <graphic width="600px" height="850px"
                        url="MediumImageDocs/YB3icon3_beardsley_titlepage_edited.jpg"/>
                    <note n="YBV3_3im.n1">
                        <title>Title Page</title>
                        <rs>YB3icon3</rs>YB3icon3 Title Page Aubrey Beardsley October 1894 Title
                        Page 9.5 cm x 5.1 cm Poster style illustrative art Pen and ink indoor
                        setting room theatre/stage female figure androgyn people checkered shoe
                        curtain The Yellow Book An Illustrated Quarterly Volume III October 1894
                        London John Lane The Bodley Head Vigo Street Boston Copeland &amp; Day
                        Agents for the Colonies Robt A Thompson &amp; Company </note>
                    <head>Title Page</head>
                    <figDesc>Image is of two people shown in profile looking to the right. The
                        people take up the majority of the image, filling almost the entire frame.
                        The woman on the left is dark-haired. She is wearing a long flounced white
                        dress with a black cape and a large white hat with an oversized feather. To
                        her right is a person of indeterminate or ambiguous gender. This person is
                        masked, wearing harlequin pants, a long black cape, a black hat and a cane.
                        Both figures are in front of a black, parted curtain. The image is outlined
                        by a double rectilinear border.</figDesc>
                </figure>
                <pb n="12"/>
                <fw type="footer">BALLANTYNE PRESS<lb/> LONDON &amp; EDINBURGH</fw>
            </div>
            <div>
                <pb n="13"/>
                <head>
                    <title level="a">Mantegna</title>
                </head>

                <byline> By <docAuthor>
                        <ref target="#ABE">Philip Broughton</ref>
                    </docAuthor>
                </byline>
                <pb n="14"/>
                <pb n="15"/>
                <pb n="16"/>
            </div>
            <div n="YBV3_4im" type="image">
                <pb n="17"/>
                <figure>
                    <graphic width="600px" height="850px"
                        url="MediumImageDocs/YB3icon4_broughton_mantegna_edited.jpg"/>
                    <note n="YBV3_4im.n1">
                        <title>Mantegna</title>
                        <rs>YB3icon4</rs>YB3icon4 Mantegna Philip Broughton Aubrey Beardsley I
                        October 1894 page 9 15.2 cm x 10.2 cm Portrait Pen and pencil 16th century
                        Renaissance Italy outdoor setting water day nature leaf plant flower
                        building male figure artist person Bottom right ANDREAS MANTEGNA PAINTER AND
                        ENGRAVER OF PADUA 1491 1506</note>
                    <head>Mantegna</head>
                    <figDesc>Image is of man in profile taking up about 3/4 of the frame. He is
                        wearing a Renaissance style black hat over light-coloured hair that reaches
                        his shoulders. He is wearing dark clothing with a narrow white collar. In
                        the foreground to his left are two thistles. In the background, there is a
                        ruined archway, trees, distant hills, and a river/stream. The sky above him
                        is clear and empty.</figDesc>
                </figure>
                <pb n="18"/>
            </div>
            <div n="YBV3_5pr" type="prose">
                <pb n="19"/>
                <head>
                    <title level="a">Women—Wives or Mothers</title>
                </head>
                <byline>By<docAuthor>
                        <ref target="#FGR"> A Woman</ref>
                    </docAuthor>
                </byline>
                <p>WE believe it to be well within the truth to say that most<lb/> men cherish,
                    hidden away in an inner pocket of conscious-<lb/>ness, their own particular
                    ideal of the perfect woman. Sole<lb/> sovereign she of that unseen kingdom, and
                    crowned and sceptred<lb/> she remains long after her faithful subject has put
                    aside the other<lb/> playthings of his youth. The fetish is from time to time
                    regarded<lb/> rapturously, though sorrowfully, by its possessor, but it is
                    never<lb/> brought forth for public exhibition. If to worship and adore<lb/>
                    were the beginning and end of the pastime, no cavilling word<lb/> need be said,
                    for the power to worship is a great and good gift,<lb/> and, save in the
                    fabulous region of politics, is nowadays so rare an<lb/> one, that when
                    discovered in the actual world its steady encour-<lb/> agement becomes a duty.
                    But to this apparently innocent diver-<lb/> sion there is another side. Somewhat
                    grave consequences are apt<lb/> to follow, and it is to this point of view that
                    we wish to call<lb/> attention.</p>
                <p>When the woman uncreate becomes the measuring rod by which<lb/> her unconscious
                    living rivals are judged, and are mostly found<lb/> wanting, then we are minded
                    to lift up our voice and put in<lb/> a plea for fair-play. To the shrined deity
                    are given by the acolo-<lb/> thyst, not only all the perfections of person
                    demanded by a severely<lb/>
                </p>
                <fw type="catchword">aesthetic</fw>
                <pb n="20"/>
                <fw type="runningHead">
                    <fw type="pageNum">12</fw> Women—Wives or Mothers</fw>
                <p>aesthetic sense, but all the moral qualities as well. Every grace of<lb/> every
                    fair woman he has ever met—the best attributes of his<lb/> mother, his sister,
                    and his aunt—are freely hers. None of the<lb/> slight blemishes which
                    occasionally tarnish the high lustre of<lb/> virtue, none of the caprices to
                    which sirens are constitutionally<lb/> liable, are permitted. Faultless wife and
                    faultless mother must she<lb/> be, faithful lover and long-suffering friend, or
                    he will have none<lb/> of her in his temple. Now, this is surely a wholly
                    unreasonable,<lb/> an utterly extravagant demand on the part of man, and if
                    analysed<lb/> carefully, will, we believe, be found to yield egoism and
                    gluttony<lb/> in about equal parts. How, we venture to inquire, would he
                    meet<lb/> a like claim, were it in turn presented to him ? A witty and
                    light-<lb/> hearted lady—a remnant yet remains, in spite of the advent of
                    the<lb/> leaping, bounding, new womanhood—once startled a selected<lb/> audience
                    by the general statement, "All men are widowers."<lb/> But even if this generous
                    utterance can be accepted as absolutely<lb/> accurate, it can hardly be taken as
                    a proof of man's fitness for<lb/> both the important roles involved.</p>
                <p>For our own part, we are convinced that, broadly speaking,<lb/> the exception
                    only proving the rule—whatever that supporting<lb/> phrase may mean—woman, fresh
                    from Nature's moulding, is, so far<lb/> as first intention is concerned, a
                    predestined wife <emph rend="italic">or</emph> mother. She<lb/> is not both,
                    though doubtless by constant endeavour, art and duty<lb/> taking it turn and
                    turn about, the dual end may, with hardness, be<lb/> attained unto. For Nature
                    is not economic. Far from her is<lb/> the fatal utilitarian spirit which too
                    often prompts the improver<lb/> man (or—dare we confess it ?—still more
                    frequently woman) to<lb/> attempt to make one object do the work of two. From
                    all such<lb/> sorry makeshifts Nature, the great modeller in clay, turns
                    contemp-<lb/> tuously away. Not long ago we read in a lady's journal of a<lb/>
                    'combination gown' which by some cunning arrangement, the<lb/>
                </p>
                <fw type="catchword">secret</fw>
                <pb n="21"/>
                <fw type="runningHead">By a Woman <fw type="pageNum">13</fw>
                </fw>
                <p>secret whereof was only known to its lucky possessor, would do<lb/> alternate day
                    and night duty with equal credit and despatch. We<lb/> have no desire to
                    disparage the varied merits of this ingenious con-<lb/> trivance, but at the
                    best it must remain an unlovely hybrid thing.<lb/> Probably it knew this well,
                    for gowns, too, have their feelings, and<lb/> before now have been seen to go
                    limp in a twinkling, overcome<lb/> by a sudden access of despondency. Such a
                    moment must certainly<lb/> have come to the omnibus garment referred to above,
                    when it<lb/> found itself breakfasting with a severe and one-idea'd
                    "tailor-made,"<lb/> or, more cruel experience still, dining skirt by skirt with
                    a<lb/> "mysterious miracle"—the latest label—in gossamer and satin.</p>
                <p>We dare to go even further, and to declare that every woman<lb/> knows in her
                    heart—though never, never will she admit it to you—<lb/> within which fold she
                    was intended to pass. Is it an exaggeration<lb/> to say that many a girl marries
                    out of the superabundance of the<lb/> maternal instinct, though she may the
                    while be absolutely ignorant<lb/> of the motive power at work ? Believing
                    herself to be wildly<lb/> enamoured of the man of her (or her parents') choice,
                    she is in<lb/> reality only in love with the nursery of an after-day. Of
                    worship<lb/> between husband and wife, as a factor in the transaction, she<lb/>
                    knows nothing, or likely enough she imagines it present when it<lb/> is the
                    sweet passion of pity, or the more subtle patronage of<lb/> bestowal, one or
                    both, which are urging her forward into marriage.<lb/> Gratitude, none the less
                    real because unrealised, towards the man<lb/> who thus enables her to fulfil her
                    true destiny—the saving of souls<lb/> alive—has also its share in the complex
                    energy. Well for the<lb/> husband of this wife if he allows himself gradually to
                    occupy the<lb/> position of eldest and most important of her children, to
                    whom<lb/> indeed a somewhat larger liberty is accorded, but from whom also<lb/>
                    more is required. In return for this submission boundless will be<lb/> the care
                    and devotion bestowed upon his upbringing day by day.<lb/>
                </p>
                <fw type="catchword">He</fw>
                <pb n="22"/>
                <fw type="runningHead">
                    <fw type="pageNum">14</fw> Women—Wives or Mothers</fw>
                <p>He will be foolish if he utters aloud, or even says in the silence of<lb/> his
                    heart, that motherhood is good, but that wifehood was what he<lb/> wanted. It
                    would be but a bootless kicking against the pricks.<lb/> For he has chosen the
                    mother-woman, and it is beyond his<lb/> power, or that of any other specialist,
                    to effect the fundamental<lb/> change for which his soul may long. It only
                    remains for him to<lb/> make the best of a very good bargain, and one to which
                    it is very<lb/> probable his strict personal merits may hardly have entitled
                    him.</p>
                <p>If such a marriage is childless, it may still be a very useful one.<lb/> Nature's
                    accommodations often verge on the miraculous. The<lb/> unemployed maternal
                    instincts of the wife easily work themselves<lb/> out in an unlimited and
                    universal auntdom. It must be confessed<lb/> that bad blunders are apt to ensue,
                    but where the intentions are<lb/> good, the pavement should not be too closely
                    scanned. In fiction<lb/> these are the Dinahs, the Romolas, the Dorotheas, the
                    Mary<lb/> Garths. Dear to the soul of the female writer is the maternal<lb/>
                    type. With loving, if tiresome frequency, she is presented to us<lb/> again and
                    yet again. In truth we sometimes grow a little weary<lb/> of her saintly
                    monotony. But as it is given to few of us to have<lb/> the courage of our
                    tastes, we bear with her, as we bear with other<lb/> not altogether pleasing
                    appliances, presented to us by earnest<lb/> friends, with the assurance that
                    they are for our good, or for our<lb/> education, or some other equally
                    superfluous purpose.</p>
                <p>With the male artist this female model is not nearly so popular.<lb/> It may be
                    that he feels himself wholly unequal to cope with her<lb/> countless
                    perfections. Certain it is that he makes but a sad<lb/> muddle of it when he
                    tries. Witness Thackeray's faded, bloodless<lb/> Lady Esmond, as set against his
                    glowing wayward Trix—she,<lb/> by the way, a beautifully-marked specimen of the
                    wife-woman—<lb/> though whether it would be pure wisdom to take her to wife<lb/>
                    must be left an open question. Still, we have in our time loved<lb/>
                </p>
                <fw type="catchword">her</fw>
                <pb n="23"/>
                <fw type="runningHead">By a Woman <fw type="pageNum">15</fw>
                </fw>
                <p>her well, and some of us have found it hard to forgive the black<lb/> treachery
                    done in bringing her back in her old age, a painted<lb/> and scolding harridan.
                    For these, well-loved of the gods, should, in<lb/> fiction at least, die
                    young.</p>
                <p> Truth compels us to own regretfully that man in his self-indul-<lb/> gence
                    shrinks from both the giving and receiving of dull moments,<lb/> whilst woman,
                    believing devoutly in their saving grace, is altruistic<lb/> enough to devote
                    herself with enthusiasm to the task of their ad-<lb/> ministration. Now, dull
                    moments are apt to lie hidden about the<lb/> creases of the severely classic
                    robe, which, in the story-books at<lb/> any rate, these heroines always wear. We
                    must all agree that<lb/> during the last twenty years this type, with its
                    portentous accumu-<lb/> lation of self-conscious responsibility has increased
                    alarmingly.<lb/> To what is the increase to be attributed ? The too rapid
                    growth<lb/> of the female population stands out plainly as prime cause.
                    Legis-<lb/> lators are athirst for things practical. Is it beyond their power
                    to<lb/> devise some method of dealing with this problem ? The Chinese<lb/> plan
                    is painfully obvious, but only as a last and despairful resource,<lb/> when the
                    wise men of Westminster sitting on committees and<lb/> commissions have failed,
                    can it be mentioned for adoption in<lb/> Europe. We are, alas ! Science-ridden,
                    and are likely to remain<lb/> thus bridled and saddled for weary years to come.
                    Every bush<lb/> and every bug grows its own specialist, and yet we, the
                    patient,<lb/> the long-suffering public, are left to endure both the fogs
                    that<lb/> make of London one murky pit, and the redundant female birth-<lb/>
                    rate which threatens more revolutions than all the forces of the<lb/> Anarchists
                    in active combination. Meanwhile these devotees of<lb/> the abstract play about
                    with all sorts of trifles, masquerading as<lb/> grave thinkers, hoping thus to
                    escape their certain judgment-day.<lb/> The identification of criminals by the
                    variation of thumb-prints<lb/> is a pretty conceit ; so too is the record of the
                    influence of the<lb/>
                </p>
                <fw type="catchword">moon</fw>
                <pb n="24"/>
                <fw type="runningHead">
                    <fw type="pageNum">16</fw> Women—Wives or Mothers</fw>
                <p>moon on the tides, which, we are informed, employs all to itself a<lb/> whole and
                    highly paid professor with a yearly average of three<lb/> pupils at Cambridge.
                    But what are these save mere fads, on a par<lb/> with leapfrog and skittles, in
                    the presence of the momentous<lb/> problems about and around us ? Let these
                    gentlemen jockeys look<lb/> to it. The hour is not far distant when public
                    opinion shall<lb/> discover their uselessness and send them about their
                    business.</p>
                <p>In humbler ways, too, much might be done to stem the morbid<lb/> activity of the
                    collective female conscience. Big sins lie at the<lb/> doors of the hosts of
                    good men and women who turn out year by<lb/> year tons of "books for the young"
                    to serve as nutriment for the<lb/> hungry nestlings of culpable, thoughtless
                    parents. It is hard to<lb/> overstate the pernicious effect of this class of
                        <emph rend="italic">motif</emph> literature.<lb/>
                    <emph rend="italic">Féerie</emph> in old or new dress is the only nourishing
                    food for the<lb/> happy child who is to remain happy. The little girl, aged
                    seven,<lb/> who lately wrote in her diary before going to bed, "Of what <emph
                        rend="italic">real</emph>
                    <lb/> use am I in the world ?" had, it is certain, been denied her<lb/>
                    Andersen, her Grimm, her Carroll, even her Blue fairy book.<lb/> Turned in to
                    browse on " Ministering Children," "Agatha's First<lb/> Prayer," and the fatal
                    "Eric"—into how many editions has this<lb/> last well-meaning but poisonous
                    romance not passed—the little<lb/> victim of parental stupidity is thus left
                    with an organ damaged for<lb/> life by over-much stimulation at the start. This
                    new massacre of<lb/> the innocents is of purely nineteenth-century growth. It
                    dates<lb/> from the era of the awakened conscience, and is coincident<lb/> with
                    the formation of all the societies for the regeneration of the<lb/> human
                    race.</p>
                <p>
                    <emph rend="italic">Per contra</emph>, the wife-woman, though but seldom to be
                    met<lb/> with in the multitudinous pages written by women, is the well-<lb/>
                    beloved, the chosen of the male artist. Week-days and Sundays<lb/> he paints her
                    portrait. Shakespeare returns to her again and again,<lb/>
                </p>
                <fw type="catchword">as</fw>
                <pb n="25"/>
                <fw type="runningHead">By a Woman <fw type="pageNum">17</fw>
                </fw>
                <p>as though it were hard to part from her. Wicked Trix stands out<lb/> as bold
                    leader of one bad band. Tess belongs to the family, though<lb/> she is of
                    another branch ; so does Cathy of Wuthering Heights,<lb/> and Lyndall of the
                    African Farm ; whilst latest and slightest scamp<lb/> of the lot comes dancing
                    Dodo of Lambeth. Save in a strictly<lb/> specialised sense, none of this class
                    can be said to contrive the<lb/> greatest good of the greatest number. These are
                    the women to<lb/> whom the nursery is at best but an interlude, and at worst a
                    real<lb/> interruption of their life's strongest interests. They are not<lb/>
                    skilled in dealing with early teething troubles, nor in the rival<lb/> merits of
                    Welsh and Saxony flannel stuffs. Their crass ignorance<lb/> of all this deep
                    lore may, it is true, go far to kill off superfluous<lb/> offspring, but, unjust
                    as it would appear, these are the mothers<lb/> who each succeeding year become
                    more and more adored of their<lb/> sons. Fribblers though they be, they sweeten
                    the world's corners<lb/> with the perfume of their charm. And the bit of world's
                    work in<lb/> which they excel is the keeping alive the tradition of woman's<lb/>
                    witchery. Who, then, can deny them their plain uses ? When<lb/> Fate is kind and
                    bestows the fitting partner, the fires of their love<lb/> never die down. They
                    remain lovers to the end. Their husbands<lb/> need fear no rival, not even in
                    the person of their own superior<lb/> son. When Fate is unkind and things go
                    crookedly, these are the<lb/> women whose wreckage strews life's high road, and
                    from whom<lb/> their wiser sisters turn reprovingly away. For the good
                    woman<lb/> who has to "work for her living," and who pretends to enjoy the<lb/>
                    healthful after-pains in her moral system, is rarely tolerant of the<lb/>
                    existence of the <emph rend="italic">leichtsinriige</emph> sister for whom, as
                    to Elijah at the<lb/> brook, dainty morsels without labour are cheerfully
                    provided by<lb/> that inconsequent raven, man. This lady goes gaily,
                    wearing<lb/> what she has not spun, reaping where she has not sown. Sad<lb/>
                    reflections these for the high-souled woman whose enlightened<lb/>
                </p>
                <fw type="catchword">demand</fw>
                <pb n="26"/>
                <fw type="runningHead">
                    <fw type="pageNum">18</fw> Women—Wives or Mothers</fw>
                <p>demand for justice turns in its present day impotency to wrath and<lb/>
                    bitterness.</p>
                <p>Wisdom and foresight are never the "attributes of the wife-<lb/> woman. Charm,
                    beguilement, fascination of sorts, form her poor<lb/> equipment for life's
                    selective struggle. These gifts cannot be said<lb/> to promise, save when the
                    stars are in happiest conjunction, long<lb/> life and useful days for her
                    intimates. Variations of the two types<lb/> of Primitive Woman may abound, but
                    the broad distinction<lb/> between them is clearly cut and readily to be made
                    out by<lb/> the dullest groper after truth. We can imagine a modern Daniel<lb/>
                    addressing (quite uselessly) a modem disciple thus :</p>
                <p>"Look to it now, O young man ! that your feet go straight, and<lb/> slip not in
                    search for the pearl that may be hid away for you.<lb/> For she who loveth you
                    best may work you all evil, and she who<lb/> loveth her own soul's travail best
                    will hardly fail you in the days<lb/> and the years. But Love remaineth, and the
                    way of return<lb/> is not."</p>
            </div>
            <div n="YBV3_6po" type="poetry">
                <pb n="27"/>
                <head>
                    <title level="a">"Tell me not Now"</title>
                </head>
                <byline>By<docAuthor>
                        <ref target="#WWA">William Watson</ref>
                    </docAuthor>
                </byline>
                <lg type="stanza">
                    <l>TELL me not now, if love for love</l>
                    <l>
                        <emph rend="indent"/>Thou canst return,</l>
                    <l>Now while around us and above</l>
                    <l>
                        <emph rend="indent"/>Day's flambeaux burn.</l>
                    <l>Not in clear noon, with speech as clear,</l>
                    <l>
                        <emph rend="indent"/>Thy heart avow,</l>
                    <l>For every gossip wind to hear ;</l>
                    <l>
                        <emph rend="indent"/>Tell me not now !</l>
                </lg>
                <lg type="stanza">
                    <l>Tell me not now the tidings sweet,</l>
                    <l>
                        <emph rend="indent"/>The news divine ;</l>
                    <l>A little longer at thy feet</l>
                    <l>
                        <emph rend="indent"/>Leave me to pine.</l>
                    <l>I would not have the gadding bird</l>
                    <l>
                        <emph rend="indent"/>Hear from his bough ;</l>
                    <l> Nay, though I famish for a word,</l>
                    <l>
                        <emph rend="indent"/>Tell me not now !</l>
                </lg>
                <fw type="footer">The Yellow Book—Vol. III. <emph>B</emph>
                </fw>
                <fw type="catchword">But</fw>
                <pb n="28"/>
                <fw type="runningHead">
                    <fw type="pageNum">20</fw> "Tell me not Now"</fw>
                <lg type="stanza">
                    <l>But when deep trances of delight</l>
                    <l>
                        <emph rend="indent"/>All Nature seal ;</l>
                    <l>When round the world the arms of Night</l>
                    <l>
                        <emph rend="indent"/>Caressing steal ;</l>
                    <l>When rose to dreaming rose says, "<emph rend="italic">Dear</emph>,</l>
                    <l>
                        <emph rend="indent"/>
                        <emph rend="italic">Dearest</emph> ;" and when</l>
                    <l>Heaven sighs her secret in Earth's ear,</l>
                    <l>
                        <emph rend="indent"/>Ah, tell me then !</l>
                </lg>
            </div>
            <div>
                <pb n="29"/>
                <head>
                    <title level="a">From a Lithograph</title>
                </head>

                <byline> By <docAuthor>
                        <ref target="#GTH">George Thomson</ref>
                    </docAuthor>
                </byline>
                <pb n="30"/>
                <pb n="31"/>
                <pb n="32"/>
            </div>
            <div n="YBV3_7im" type="image">
                <pb n="33"/>
                <figure>
                    <graphic width="600px" height="850px"
                        url="MediumImageDocs/YB3icon5_thomson_lithograph_edited.jpg"/>
                    <note n="YBV3_7im.n1">
                        <title>From a Lithograph</title>
                        <rs>YB3icon5</rs>YB3icon5 From a Lithograph George Thomson II October 1894
                        page 23 15.2 cm x 13.3 cm Portrait Lithograph indoor setting room female
                        figure person dress gown G Thomson 189(4?) </note>
                    <head>From a Lithograph</head>
                    <figDesc>Image is a half portrait of a seated woman with dark hair. She is
                        wearing a light-coloured dress and holding a hat on her lap. She is shown in
                        3/4 face with eyes looking down and to the left. She takes up approximately
                        3/4 of the image. There is a suggestion of a chair behind her. The
                        background is open and light-coloured. The artist's signature and date is to
                        the left of the woman's head.</figDesc>
                </figure>
                <pb n="34"/>
            </div>
            <div n="YBV3_8pr" type="prose">
                <pb n="35"/>
                <head>
                    <title level="a">The Headswoman</title>
                </head>
                <byline>By<docAuthor>
                        <ref target="#KGR">Kenneth Grahame</ref>
                    </docAuthor>
                </byline>
                <p>I</p>
                <p>IT was a bland sunny morning of a mediaeval May—an old-style<lb/> May of the most
                    typical quality ; and the Council of the little<lb/> town of St. Radegonde were
                    assembled, as was their wont at that<lb/> hour, in the picturesque upper chamber
                    of the Hotel de Ville, for<lb/> the dispatch of the usual municipal business.
                    Though the date was<lb/> early sixteenth century, the members of this particular
                    town-<lb/> council possessed some resemblance to those of similar
                    assemblies<lb/> in the seventeenth, eighteenth, and even the nineteenth
                    centuries,<lb/> in a general absence of any characteristic at all—unless a
                    pervading<lb/> hopeless insignificance can be considered as such. All the
                    character,<lb/> indeed, in the room seemed to be concentrated in the girl
                    who<lb/> stood before the table, erect, yet at her ease, facing the members
                    in<lb/> general and Mr. Mayor in particular ; a delicate-handed, handsome<lb/>
                    girl of some eighteen summers, whose tall, supple figure was well set<lb/> off
                    by the quiet, though tasteful mourning in which she was clad.</p>
                <p>"Well, gentlemen," the Mayor was saying ; "this little business<lb/> appears to
                    be—er—quite in order, and it only remains for me to—<lb/>er—review the facts.
                    You are aware that the town has lately had<lb/> the misfortune to lose its
                    executioner—a gentleman who, I may<lb/>
                </p>
                <fw type="catchword">say,</fw>
                <pb n="36"/>
                <fw type="runningHead">
                    <fw type="pageNum">26</fw> The Headswoman</fw>
                <p>say, performed the duties of his office with neatness and dispatch,<lb/> and gave
                    the fullest satisfaction to all with whom he—er—came in<lb/> contact. But the
                    Council has already, in a vote of condolence,<lb/> expressed its sense of
                    the—er—striking qualities of the deceased.<lb/> You are doubtless also aware
                    that the office is hereditary, being<lb/> secured to a particular family in this
                    town, so long as any one of its<lb/> members is ready and willing to take it up.
                    The deed lies before<lb/> me, and appears to be—er—quite in order. It is true
                    that on this<lb/> occasion the Council might have been called upon to consider
                    and<lb/> examine the title of the claimant, the late lamented official
                    having<lb/> only left a daughter—she who now stands before you ; but I am<lb/>
                    happy to say that Jeanne—the young lady in question—with what<lb/> I am bound to
                    call great good-feeling on her part, has saved us all<lb/> trouble in that
                    respect, by formally applying for the family post,<lb/> with all its—er—duties,
                    privileges, and emoluments ; and her<lb/> application appears to be—er—quite in
                    order. There is therefore,<lb/> under the circumstances, nothing left for us to
                    do but to declare<lb/> the said applicant duly elected. I would wish, however,
                    before I—<lb/>er—sit down, to make it quite clear to the—er—fair
                    petitioner,<lb/> that if a laudable desire to save the Council trouble in the
                    matter<lb/> has led her to a—er—hasty conclusion, it is quite open to her
                    to<lb/> reconsider her position. Should she determine not to press her<lb/>
                    claim, the succession to the post would then apparently devolve<lb/> upon her
                    cousin Enguerrand, well known to you all as a practising<lb/> advocate in the
                    courts of this town. Though the youth has not,<lb/> I admit, up to now proved a
                    conspicuous success in the profession<lb/> he has chosen, still there is no
                    reason why a bad lawyer should<lb/> not make an excellent executioner ; and in
                    view of the close friend-<lb/> ship—may I even say attachment ?—existing between
                    the cousins,<lb/> it is possible that this young lady may, in due course,
                    practically<lb/> enjoy the solid emoluments of the position without the
                    necessity<lb/>
                </p>
                <fw type="catchword">of</fw>
                <pb n="37"/>
                <fw type="runningHead">By Kenneth Grahame <fw type="pageNum">27</fw>
                </fw>
                <p>of discharging its (to some girls) uncongenial duties. And so,<lb/> though not
                    the rose herself, she would still be—er—near the<lb/> rose !" And the Mayor
                    resumed his seat, chuckling over his little<lb/> pleasantry, which the keener
                    wits of the Council proceeded to<lb/> explain at length to the more obtuse.</p>
                <p>"Permit me, Mr. Mayor," said the girl, quietly, "first to thank<lb/> you for what
                    was evidently the outcome of a kindly though mis-<lb/> directed feeling on your
                    part ; and then to set you right as to the<lb/> grounds of my application for
                    the post to which you admit my<lb/> hereditary claim. As to my cousin, your
                    conjecture as to the<lb/> feeling between us is greatly exaggerated ; and I may
                    further say<lb/> at once, from my knowledge of his character, that he is little
                    quali-<lb/> fied either to adorn or to dignify an important position such as
                    this.<lb/> A man who has achieved such indifferent success in a minor and<lb/>
                    less exacting walk of life, is hardly likely to shine in an occupation<lb/>
                    demanding punctuality, concentration, judgment—all the qualities,<lb/> in fine,
                    that go to make a good business man. But this is beside<lb/> the question. My
                    motives, gentlemen, in demanding what is my<lb/> due, are simple and (I trust)
                    honest, and I desire that you should<lb/> know them. It is my wish to be
                    dependent on no one. I am<lb/> both willing and able to work, and I only ask for
                    what is the<lb/> common right of humanity—admission to the labour market.<lb/>
                    How many poor toiling women would simply jump at a chance<lb/> like this which
                    fortune lays open to me ! And shall I, from any<lb/> false deference to that
                    conventional voice which proclaims this<lb/> thing as "nice," and that thing as
                    "not nice," reject a handicraft<lb/> which promises me both artistic
                    satisfaction and a competence ?<lb/> No, gentlemen ; my claim is a small
                    one—only a fair day's wage<lb/> for a fair day's work. But I can accept nothing
                    less, nor consent<lb/> to forgo my rights, even or any contingent remainder of
                    possible<lb/> cousinly favour !"</p>
                <fw type="catchword">There</fw>
                <pb n="38"/>
                <fw type="runningHead">
                    <fw type="pageNum">28</fw> The Headswoman</fw>
                <p>There was a touch of scorn in her fine contralto voice as she<lb/> finished
                    speaking ; the Mayor himself beamed approval. He was<lb/> not wealthy, and had a
                    large family of daughters ; so Jeanne's<lb/> sentiments seemed to him entirely
                    right and laudable.</p>
                <p>"Well, gentlemen," he began, briskly, "then all we've got to<lb/> do, is
                    to——"</p>
                <p>"Beg pardon, your worship," put in Master Robinet, the<lb/> tanner, who had been
                    sitting with a petrified, Bill-the-Lizard sort<lb/> of expression during the
                    speechifying ; "but are we to understand<lb/> as how this here young lady is
                    going to be the public<lb/> executioner ?"</p>
                <p>"Really, neighbour Robinet," said the Mayor somewhat<lb/> pettishly, "you've got
                    ears like the rest of us, I suppose ; and<lb/> you know the contents of the deed
                    ; and you ve had my assurance<lb/> that it's—er—quite in order ; and as it's
                    getting towards lunch-<lb/> time——"</p>
                <p>"But it's unheard-of," protested honest Robinet. "There<lb/> hasn't ever been no
                    such thing—leastways not as I've heard<lb/> tell."</p>
                <p>"Well, well, well," said the Mayor, "everything must have a<lb/> beginning, I
                    suppose. Times are different now, you know.<lb/> There's the march of intellect,
                    and—er—all that sort of thing.<lb/> We must advance with the times—don't you
                    see, Robinet ?—<lb/>advance with the times !"</p>
                <p>"Well I'm——" began the tanner.</p>
                <p>But no one heard, on this occasion, the tanner's opinion as to<lb/> his
                    condition, physical or spiritual ; for the clear contralto cut<lb/> short his
                    obtestations.</p>
                <p>"If there's really nothing more to be said, Mr. Mayor," she<lb/> remarked, "I
                    need not trespass longer on your valuable time. I<lb/> propose to take up the
                    duties of my office to-morrow morning, at<lb/>
                </p>
                <fw type="catchword">the</fw>
                <pb n="39"/>
                <fw type="runningHead">By Kenneth Grahame <fw type="pageNum">29</fw>
                </fw>
                <p>the usual hour. The salary will, I assume, be reckoned from the<lb/> same date ;
                    and I shall make the customary quarterly application<lb/> for such additional
                    emoluments as may have accrued to me during<lb/> that period. You see I am
                    familiar with the routine. Good<lb/> morning, gentlemen !" And as she passed
                    from the Council<lb/> chamber, her small head held erect, even the tanner felt
                    that she<lb/> took with her a large portion of the May sunshine which was<lb/>
                    condescending that morning to gild their deliberations.</p>
                <p>II</p>
                <p>One evening, a few weeks later, Jeanne was taking a stroll on<lb/> the ramparts
                    of the town, a favourite and customary walk of hers<lb/> when business cares
                    were over. The pleasant expanse of country<lb/> that lay spread beneath her—the
                    rich sunset, the gleaming sinuous<lb/> river, and the noble old château that
                    dominated both town and<lb/> pasture from its adjacent height—all served to stir
                    and bring out<lb/> in her those poetic impulses which had lain dormant during
                    the<lb/> working day ; while the cool evening breeze smoothed out and<lb/>
                    obliterated any little jars or worries which might have ensued<lb/> during the
                    practice of a profession in which she was still something<lb/> of a novice. This
                    evening she felt fairly happy and content.<lb/> True, business was rather brisk,
                    and her days had been fully<lb/> occupied ; but this mattered little so long as
                    her modest efforts<lb/> were appreciated, and she was now really beginning to
                    feel that,<lb/> with practice, her work was creditably and artistically done.
                    In<lb/> a satisfied, somewhat dreamy mood, she was drinking in the<lb/> various
                    sweet influences of the evening, when she perceived her<lb/> cousin
                    approaching.</p>
                <fw type="catchword">"Good</fw>
                <pb n="40"/>
                <fw type="runningHead">
                    <fw type="pageNum">30</fw> The Headswoman</fw>
                <p>"Good evening, Enguerrand," cried Jeanne pleasantly ; she<lb/> was thinking that
                    since she had begun to work for her living, she<lb/> had hardly seen him—and
                    they used to be such good friends.<lb/> Could anything have occurred to offend
                    him ?</p>
                <p>Enguerrand drew near somewhat moodily, but could not help<lb/> relaxing his
                    expression at sight of her fair young face, set in its<lb/> framework of rich
                    brown hair, wherein the sunset seemed to have<lb/> tangled itself and to cling,
                    reluctant to leave it.</p>
                <p>"Sit down, Enguerrand," continued Jeanne, "and tell me what<lb/> you've been
                    doing this long time. Been very busy, and winning<lb/> forensic fame and gold ?
                    "</p>
                <p>"Well, not exactly," said Enguerrand, moody once more.<lb/> "The fact is, there's
                    so much interest required nowadays at<lb/> the courts, that unassisted talent
                    never gets a chance. And you,<lb/> Jeanne ?"</p>
                <p>"Oh, I don't complain," answered Jeanne, lightly. "Of course<lb/> it's fair-time
                    just now, you know, and we're always busy then.<lb/> But work will be lighter
                    soon, and then I'll get a day off, and<lb/> we'll have a delightful ramble and
                    picnic in the woods, as we<lb/> used to do when we were children. What fun we
                    had in<lb/> those old days, Enguerrand ! Do you remember when we<lb/> were quite
                    little tots, and used to play at executions in the back-<lb/>garden, and you
                    were a bandit and a buccaneer, and all sorts of<lb/> dreadful things, and I used
                    to chop off your head with a paper-<lb/> knife ? How pleased dear father used to
                    be !"</p>
                <p>"Jeanne," said Enguerrand, with some hesitation, "you've<lb/> touched upon the
                    very subject that I came to speak to you about.<lb/> Do you know, dear, I can't
                    help feeling—it may be unreasonable,<lb/> but still the feeling is there—that
                    the profession you have adopted<lb/> is not quite—is just a little——"</p>
                <p>"Now, Enguerrand !" said Jeanne, an angry flash sparkling in<lb/>
                </p>
                <fw type="catchword">her</fw>
                <pb n="41"/>
                <fw type="runningHead">By Kenneth Grahame <fw type="pageNum">31</fw>
                </fw>
                <p>her eyes. She was a little touchy on this subject, the word she<lb/> most
                    affected to despise being also the one she most dreaded—the<lb/> adjective
                    "unladylike."</p>
                <p>"Don't misunderstand me, Jeanne," went on Enguerrand,<lb/> imploringly : "You may
                    naturally think that, because I should<lb/> have succeeded to the post, with its
                    income and perquisites, had<lb/> you relinquished your claim, there is therefore
                    some personal<lb/> feeling in my remonstrances. Believe me, it is not so. My
                    own<lb/> interests do not weigh with me for a moment. It is on your own<lb/>
                    account, Jeanne, and yours alone, that I ask you to consider<lb/> whether the
                    higher aesthetic qualities, which I know you possess,<lb/> may not become
                    cramped and thwarted by 'the trivial round, the<lb/> common task,' which you
                    have lightly undertaken. However<lb/> laudable a professional life may be, one
                    always feels that with a<lb/> delicate organism such as woman, some of the bloom
                    may possibly<lb/> get rubbed off the peach."</p>
                <p>"Well, Enguerrand," said Jeanne, composing herself with an<lb/> effort, though
                    her lips were set hard, "I will do you the justice<lb/> to belive that personal
                    advantage does not influence you, and I will<lb/> try to reason calmly with you,
                    and convince you that you are<lb/> simply hide-bound by old-world prejudice.
                    Now, take yourself,<lb/> for instance, who come here to instruct me : what does
                        <emph rend="italic">your</emph> pro-<lb/> fession amount to, when all's said
                    and done ? A mass of lies,<lb/> quibbles, dodges, and tricks, that would make
                    any self-respecting<lb/> executioner blush ! And even with the dirty weapons at
                    your<lb/> command, you make but a poor show of it. There was that<lb/> wretched
                    fellow you defended only two days ago. (I was in<lb/> court during the trial
                    professional interest, you know.) Well,<lb/> he had his regular <emph
                        rend="italic">alibi</emph> all ready, as clear as clear could be ; only<lb/>
                    you must needs go and mess and bungle the thing up, so that, as I<lb/> expected
                    all along, he was passed on to me for treatment in due<lb/>
                </p>
                <fw type="catchword">course.</fw>
                <pb n="42"/>
                <fw type="runningHead">
                    <fw type="pageNum">32</fw> The Headswoman</fw>
                <p>course. You may like to have his opinion—that of a shrewd,<lb/> though unlettered
                    person. 'It's a real pleasure, miss,' he said,<lb/> 'to be handled by you. You
                        <emph rend="italic">knows</emph> your work, and you <emph rend="italic"
                        >does</emph> your<lb/> work—though p'raps I ses it as shouldn't. If that
                    blooming fool<lb/> of a mouthpiece of mine'—he was referring to you, dear, in
                    your<lb/> capacity of advocate—'had known his business half as well as you<lb/>
                    do yours, I shouldn't a bin here now !' And you know,<lb/> Enguerrand, he was
                    perfectly right."</p>
                <p>"Well, perhaps he was," admitted Enguerrand. "You see, I<lb/> had been working at
                    a sonnet the night before, and I couldn't get<lb/> the rhymes right, and they
                    would keep coming into my head in<lb/> court and mixing themselves up with the
                        <emph rend="italic">alibi</emph>. But look here,<lb/> Jeanne, when you saw I
                    was going off the track, you might have<lb/> given me a friendly hint, you
                    know—for old times' sake, if not<lb/> for the prisoner's !"</p>
                <p>"I daresay," replied Jeanne, calmly : "perhaps you'll tell me<lb/> why I should
                    sacrifice my interests because you're unable to look<lb/> after yours. You
                    forget that I receive a bonus, over and above<lb/> my salary, upon each exercise
                    of my functions !"</p>
                <p>"True," said Enguerrand, gloomily : "I did forget that. I<lb/> wish I had your
                    business aptitudes, Jeanne."</p>
                <p>"I daresay you do," remarked Jeanne. "But you see, dear,<lb/> how all your
                    arguments fall to the ground. You mistake a<lb/> prepossession for a logical
                    base. Now if I had gone, like that<lb/> Clairette you used to dangle after, and
                    been waiting-woman to<lb/> some grand lady in a château—a thin-blooded compound
                    of drudge<lb/> and sycophant—then, I suppose, you'd have been perfectly
                    satisfied.<lb/> So feminine ! So genteel !"</p>
                <p>"She's not a bad sort of girl, little Claire," said Enguerrand,<lb/> reflectively
                    (thereby angering Jeanne afresh) : "but putting her<lb/> aside,—of course you
                    could always beat me at argument, Jeanne ;<lb/>
                </p>
                <fw type="catchword">you'd</fw>
                <pb n="43"/>
                <fw type="runningHead">By Kenneth Grahame <fw type="pageNum">33</fw>
                </fw>
                <p>you'd have made a much better lawyer than I. But you know,<lb/> dear, how much I
                    care about you ; and I did hope that on that<lb/> account even a prejudice,
                    however unreasonable, might have some<lb/> little weight. And I'm not alone, let
                    me tell you, in my views.<lb/> There was a fellow in court only to-day, who was
                    saying that<lb/> yours was only a <emph rend="italic">succès d'estime</emph> and
                    that woman, as a naturally<lb/> talkative and hopelessly unpunctual animal,
                    could never be more<lb/> than a clever amateur in the profession you have
                    chosen."</p>
                <p>"That will do, Enguerrand," said Jeanne, proudly ; "it seems<lb/> that when
                    argument fails, you can stoop so low as to insult me<lb/> through my sex. You
                    men are all alike—steeped in brutish<lb/> masculine prejudice. Now go away, and
                    don't mention the<lb/> subject to me again till you're quite reasonable and
                    nice."</p>
                <p>III</p>
                <p>Jeanne passed a somewhat restless night after her small scene<lb/> with her
                    cousin, waking depressed and unrefreshed. Though she<lb/> had carried matters
                    with so high a hand, and had scored so<lb/> distinctly all around, she had been
                    more agitated than she had<lb/> cared to show. She liked Enguerrand ; and more
                    especially did<lb/> she like his admiration for her ; and that chance allusion
                    to<lb/> Clairette contained possibilities that were alarming. In embracing<lb/>
                    a professional career, she had never thought for a moment that it<lb/> could
                    militate against that due share of admiration to which, as a<lb/> girl, she was
                    justly entitled ; and Enguerrand's views seemed this<lb/> morning all the more
                    narrow and inexcusable. She rose languidly,<lb/> and as soon as she was dressed
                    sent off a little note to the Mayor,<lb/> saying that she had a nervous headache
                    and felt out of sorts, and<lb/>
                </p>
                <fw type="catchword">begging</fw>
                <pb n="44"/>
                <fw type="runningHead">
                    <fw type="pageNum">34</fw> The Headswoman</fw>
                <p>begging to be excused from attendance on that day ; and the<lb/> missive reached
                    the Mayor just as he was taking his usual place at<lb/> the head of the
                    Board.</p>
                <p>"Dear, dear," said the kind-hearted old man, as soon as he had<lb/> read the
                    letter to his fellow-councilmen : "I'm very sorry. Poor<lb/> girl ! Here, one of
                    you fellows, just run round and tell the gaoler<lb/> there won't be any business
                    to-day. Jeanne's seedy. It's put off<lb/> till to-morrow. And now, gentlemen,
                    the agenda——"</p>
                <p>"Really, your worship," exploded Robinet, "this is simply<lb/> ridiculous !" </p>
                <p>"Upon my word, Robinet," said the Mayor, "I don't know<lb/> what's the matter
                    with you. Here's a poor girl unwell—and a<lb/> more hardworking girl isn't in
                    the town—and instead of sym-<lb/> pathising with her, and saying you re sorry,
                    you call it ridiculous !<lb/> Suppose you had a headache yourself! You wouldn't
                    like——"</p>
                <p>"But it <emph rend="italic">is</emph> ridiculous," maintained the tanner stoutly.
                    "Who<lb/> ever heard of an executioner having a nervous headache ? There's<lb/>
                    no precedent for it. And 'out of sorts,' too! Suppose the<lb/> criminals said
                    they were out of sorts, and didn't feel up to being<lb/> executed ?"</p>
                <p>"Well, suppose they did," replied the Mayor, "we'd try and<lb/> meet them
                    halfway, I daresay. They'd have to be executed<lb/> some time or other, you
                    know. Why on earth are you so<lb/> captious about trifles ? The prisoners won't
                    mind, and <emph rend="italic">I</emph> don't<lb/> mind : nobody's
                    inconvenienced, and everybody's happy !"</p>
                <p>"You're right there, Mr. Mayor," put in another councilman.<lb/> "This executing
                    business used to give the town a lot of trouble<lb/> and bother ; now it's all
                    as easy as kiss-your-hand. Instead of<lb/> objecting, as they used to do, and
                    wanting to argue the point and<lb/> kick up a row, the fellows as is told off
                    for execution come<lb/> skipping along in the morning, like a lot of lambs in
                    Maytime.<lb/>
                </p>
                <fw type="catchword">And</fw>
                <pb n="45"/>
                <fw type="runningHead">By Kenneth Grahame <fw type="pageNum">35</fw>
                </fw>
                <p> And then the fun there is on the scaffold ! The jokes, the back-<lb/> answers,
                    the repartees ! And never a word to shock a baby !<lb/> Why, my little girl, as
                    goes through the market-place every morn-<lb/> ing—on her way to school, you
                    know—she says to me only<lb/> yesterday, she says, 'Why, father,' she says,
                    'it's as good as the<lb/> play-actors,' she says."</p>
                <p>"There again," persisted Robinet, "I object to that too.<lb/> They ought to show
                    a properer feeling. Playing at mummers is<lb/> one thing, and being executed is
                    another, and people ought to<lb/> keep 'em separate. In my father's time, that
                    sort of thing wasn't<lb/> thought good taste, and I don't hold with new-fangled
                    notions."</p>
                <p>"Well, really, neighbour," said the Mayor, "I think you're out<lb/> of sorts
                    yourself to-day. You must have got out of bed the<lb/> wrong side this morning.
                    As for a little joke, more or less, we<lb/> all know a maiden loves a merry jest
                    when she's certain of having<lb/> the last word ! But I'll tell you what I'll
                    do, if it'll please you ;<lb/> I'll go round and see Jeanne myself on my way
                    home, and tell<lb/> her—quite nicely, you know—that once in a way doesn't
                    matter,<lb/> but that if she feels her health won't let her keep regular<lb/>
                    business hours, she mustn't think of going on with anything that's<lb/> bad for
                    her. Like that, don't you see ? And now, gentlemen,<lb/> let's read the minutes
                    !"</p>
                <p>Thus it came about that Jeanne took her usual walk that<lb/> evening with a
                    ruffled brow and a swelling heart ; and her little<lb/> hand opened and shut
                    angrily as she paced the ramparts. She<lb/> couldn't stand being found fault
                    with. How could she help<lb/> having a headache ? Those clods of citizens didn't
                    know what a<lb/> highly-strung sensitive organisation was. Absorbed in her
                    re-<lb/> flections, she had taken several turns up and down the grassy
                    foot-<lb/> way, before she became aware that she was not alone. A youth,<lb/> of
                    richer dress and more elegant bearing than the general run of<lb/>
                </p>
                <fw type="catchword">the</fw>
                <pb n="46"/>
                <fw type="runningHead">
                    <fw type="pageNum">36</fw> The Headswoman</fw>
                <p>the Radegundians, was leaning in an embrasure, watching the<lb/> graceful figure
                    with evident interest.</p>
                <p>"Something has vexed you, fair maiden ?" he observed, coming<lb/> forward
                    deferentially as soon as he perceived he was noticed ;<lb/> "and care sits but
                    awkwardly on that smooth young brow."</p>
                <p>"Nay, it is nothing, kind sir," replied Jeanne ; "we girls who<lb/> work for our
                    living must not be too sensitive. My employers<lb/> have been somewhat exigent,
                    that is all. I did wrong to take it<lb/> to heart."</p>
                <p>"Tis the way of the bloated capitalist," rejoined the young<lb/> man lightly, as
                    he turned to walk by her side. "They grind us,<lb/> they grind us ; perhaps some
                    day they will come under your hands<lb/> in turn, and then you can pay them out.
                    And so you toil and<lb/> spin, fair lily ! And yet methinks those delicate hands
                    show little<lb/> trace of labour ?"</p>
                <p>"You wrong me, indeed, sir," replied Jeanne merrily. "These<lb/> hands of mine,
                    that you are so good as to admire, do great execu-<lb/> tion !"</p>
                <p>"I can well believe that your victims are numerous," he<lb/> replied ; "may I be
                    permitted to rank myself among the latest of<lb/> them ?"</p>
                <p>"I wish you a better fortune, kind sir," answered Jeanne<lb/> demurely.</p>
                <p>"I can imagine no more delightful one," he replied; "and<lb/> where do you ply
                    your daily task, fair mistress ? Not entirely out<lb/> of sight and access, I
                    trust ?"</p>
                <p>"Nay, sir," laughed Jeanne, "I work in the market-place most<lb/> mornings, and
                    there is no charge for admission ; and access is far<lb/> from difficult.
                    Indeed, some complain—but that is no business<lb/> of mine. And now I must be
                    wishing you a good evening.<lb/> Nay"—for he would have detained her—"it is not
                    seemly for an<lb/>
                </p>
                <fw type="catchword">unprotected</fw>
                <pb n="47"/>
                <fw type="runningHead">By Kenneth Grahame <fw type="pageNum">37</fw>
                </fw>
                <p>unprotected maiden to tarry in converse with a stranger at this<lb/> hour. <emph
                        rend="italic">Au revoir</emph>, sir ! If you should happen to be in the
                    market-<lb/> place any morning"——And she tripped lightly away. The youth,<lb/>
                    gazing after her retreating figure, confessed himself strangely<lb/> fascinated
                    by this fair unknown, whose particular employment, by<lb/> the way, he had
                    forgotten to ask ; while Jeanne, as she sped<lb/> homewards, could not help
                    reflecting that for style and distinction,<lb/> this new acquaintance threw into
                    the shade all the Enguerrands<lb/> and others she had met hitherto—even in the
                    course of business.</p>
                <p>IV</p>
                <p>The next morning was bright and breezy, and Jeanne was early<lb/> at her post,
                    feeling quite a different girl. The busy little market-<lb/> place was full of
                    colour and movement, and the gay patches of<lb/> flowers and fruit, the strings
                    of fluttering kerchiefs, and the piles<lb/> of red and yellow pottery, formed an
                    artistic setting to the quiet<lb/> impressive scaffold which they framed. Jeanne
                    was in short<lb/> sleeves, according to the etiquette of her office, and her
                    round<lb/> graceful arms showed snowily against her dark blue skirt and<lb/>
                    scarlet tight-fitting bodice. Her assistant looked at her with<lb/>
                    admiration.</p>
                <p>"Hope you're better, miss," he said respectfully. "It was just<lb/> as well you
                    didn't put yourself out to come yesterday ; there was<lb/> nothing particular to
                    do. Only one fellow, and he said <emph rend="italic">he</emph> didn't<lb/> care
                    ; anything to oblige a lady !"</p>
                <p>"Well, I wish he'd hurry up now, to oblige a lady," said<lb/> Jeanne, swinging
                    her axe carelessly to and fro : "ten minutes past<lb/> the hour ; I shall have
                    to talk to the Mayor about this."</p>
                <fw type="footer">The Yellow Book—Vol. III.<emph>C</emph>
                </fw>
                <fw type="catchword">"It's</fw>
                <pb n="48"/>
                <fw type="runningHead">
                    <fw type="pageNum">38</fw> The Headswoman</fw>
                <p>"It's a pity there ain't a better show this morning," pursued<lb/> the assistant,
                    as he leant over the rail of the scaffold and spat<lb/> meditatively into the
                    busy throng below. "They do say as how<lb/> the young Seigneur arrived at the
                    Château yesterday—him as has<lb/> been finishing his education in Paris, you
                    know. He's as likely as<lb/> not to be in the market-place to-day ; and if he's
                    disappointed, he<lb/> may go off to Paris again, which would be a pity, seeing
                    the<lb/> Château's been empty so long. But he may go to Paris, or<lb/> anywheres
                    else he's a mind to, he won t see better workmanship<lb/> than in this here
                    little town !"</p>
                <p>"Well, my good Raoul," said Jeanne, colouring slightly at the<lb/> obvious
                    compliment, "quality, not quantity, is what we aim at<lb/> here, you know. If a
                    Paris education has been properly assimi-<lb/> lated by the Seigneur, he will
                    not fail to make all the necessary<lb/> allowances. But see, the prison-doors
                    are opening at last !"</p>
                <p>They both looked across the little square to the prison, which<lb/> fronted the
                    scaffold ; and sure enough, a small body of men, the<lb/> Sheriff at their head,
                    was issuing from the building, conveying, or<lb/> endeavouring to convey, the
                    tardy prisoner to the scaffold. That<lb/> gentleman, however, seemed to be in a
                    different and less obliging<lb/> frame of mind from that of the previous day ;
                    and at every pace<lb/> one or other of the guards was shot violently into the
                    middle of<lb/> the square, propelled by a vigorous kick or blow from the
                    struggling<lb/> captive. The crowd, unaccustomed of late to such
                    demonstrations<lb/> of feeling, and resenting the prisoner's want of taste,
                    hooted<lb/> loudly ; but it was not until that ingenious mediaeval
                    arrangement<lb/> known as <emph rend="italic">la marche aux crapauds</emph> had
                    been brought to bear<lb/> on him, that the reluctant convict could be prevailed
                    upon<lb/> to present himself before the young lady he had already so<lb/>
                    unwarrantably detained.</p>
                <p>Jeanne's profession had both accustomed her to surprises<lb/>
                </p>
                <fw type="catchword">and</fw>
                <pb n="49"/>
                <fw type="runningHead">By Kenneth Grahame <fw type="pageNum">39</fw>
                </fw>
                <p>and taught her the futility of considering her clients as drawn<lb/> from any one
                    particular class : yet she could hardly hel<lb/> feeling some astonishment on
                    recognising her new acquaintance<lb/> of the previous evening. That, with all
                    his evident amiability of<lb/> character, he should come to this end, was not in
                    itself a special<lb/> subject for wonder ; but that he should have been
                    conversing with<lb/> her on the ramparts at the hour when—after courteously
                    excusing<lb/> her attendance on the scaffold— he was cooling his heels in
                    prison<lb/> for another day, seemed hardly to be accounted for, at first
                    sight.<lb/> Jeanne, however, reflected that the reconciling of apparent
                    contra-<lb/> dictions was not included in her official duties.</p>
                <p> The Sheriff, wiping his heated brow, now read the formal<lb/>
                    <emph rend="italic">procѐs</emph> delivering over the prisoner to the
                    executioner's hands ;<lb/> "and a nice job we've had to get him here," he added
                    on<lb/> his own account. And the young man, who had remained<lb/> perfectly
                    tractable since his arrival, stepped forward and bowed<lb/> politely.</p>
                <p>"Now that we have been properly introduced," said he<lb/> courteously, "allow me
                    to apologise for any inconvenience you<lb/> have been put to by my delay. The
                    fault was entirely mine, and<lb/> these gentlemen are in no way to blame. Had I
                    known whom I<lb/> was to have the pleasure of meeting, wings could not have
                    con-<lb/> veyed me swiftly enough."</p>
                <p>"Do not mention, I pray, the word inconvenience," replied<lb/> Jeanne with that
                    timid grace which so well became her : "I only<lb/> trust that any slight
                    discomfort it may be my duty to cause you<lb/> before we part, will be as easily
                    pardoned. And now—for the<lb/> morning, alas ! advances—any little advice or
                    assistance that I<lb/> can offer is quite at your service ; for the situation is
                    possibly new,<lb/> and you may have had but little experience."</p>
                <p>"Faith, none worth mentioning," said the prisoner, gaily.<lb/>
                </p>
                <fw type="catchword">"Treat</fw>
                <pb n="50"/>
                <fw type="runningHead">
                    <fw type="pageNum">40</fw> The Headswoman</fw>
                <p>"Treat me as a raw beginner. Though our acquaintance has been<lb/> but brief, I
                    have the utmost confidence in you."</p>
                <p> "Then, sir," said Jeanne, blushing, "suppose I were to assist<lb/> you in
                    removing this gay doublet, so as to give both of us more<lb/> freedom and less
                    responsibility ?"</p>
                <p>"A perquisite of the office ?" queried the prisoner with a smile,<lb/> as he
                    slipped one arm out of the sleeve.</p>
                <p>A flush came over Jeanne's fair brow. "That was un-<lb/> generous," she said.</p>
                <p>"Nay, pardon me, sweet one," said he, laughing : "twas but a<lb/> poor jest of
                    mine—in bad taste, I willingly admit."</p>
                <p>"I was sure you did not mean to hurt me," she replied kindly,<lb/> while her
                    fingers were busy in turning back the collar of his shirt.<lb/> It was composed,
                    she noticed, of the finest point lace ; and she<lb/> could not help a feeling of
                    regret that some slight error—as must,<lb/> from what she knew, exist
                    somewhere—should compel her to take<lb/> a course so at variance with her real
                    feelings. Her only comfort<lb/> was that the youth himself seemed entirely
                    satisfied with his<lb/> situation. He hummed the last air from Paris during her
                    minis-<lb/> trations, and when she had quite finished, kissed the pretty
                    fingers<lb/> with a metropolitan grace.</p>
                <p>"And now, sir," said Jeanne, "if you will kindly come this<lb/> way : and please
                    to mind the step—so. Now, if you will have<lb/> the goodness to kneel here—nay,
                    the sawdust is perfectly clean ;<lb/> you are my first client this morning. On
                    the other side of the<lb/> block you will find a nick, more or less adapted to
                    the human chin,<lb/> though a perfect fit cannot of course be guaranteed in
                    every case.<lb/> So ! Are you pretty comfortable ?"</p>
                <p>"A bed of roses," replied the prisoner. "And what a really<lb/> admirable view
                    one gets of the valley and the river, from just this<lb/> particular point
                    !"</p>
                <fw type="catchword">"Charming</fw>
                <pb n="51"/>
                <fw type="runningHead">By Kenneth Grahame <fw type="pageNum">41</fw>
                </fw>
                <p>"Charming, is it not ?" replied Jeanne. " I'm so glad you do<lb/> justice to it.
                    Some of your predecessors have really quite vexed<lb/> me by their inability to
                    appreciate that view. It's worth coming<lb/> here to see it. And now, to return
                    to business for one moment,<lb/>—would you prefer to give the word yourself ?
                    Some people do ;<lb/> it's a mere matter of taste. Or will you leave yourself
                    entirely<lb/> in my hands ?"</p>
                <p>"Oh, in your fair hands," replied her client, "which I beg you<lb/> to consider
                    respectfully kissed once more by your faithful servant<lb/> to command."</p>
                <p>Jeanne, blushing rosily, stepped back a pace, moistening her<lb/> palms as she
                    grasped her axe, when a puffing and blowing behind<lb/> caused her to turn her
                    head, and she perceived the Mayor hastily<lb/> ascending the scaffold.</p>
                <p>"Hold on a minute, Jeanne, my girl," he gasped. "Don't be<lb/> in a hurry.
                    There's been some little mistake."</p>
                <p>Jeanne drew herself up with dignity. "I'm afraid I don't<lb/> quite understand
                    you, Mr. Mayor," she replied in freezing<lb/> accents. "There's been no little
                    mistake on my part that I'm<lb/> aware of."</p>
                <p>"No, no, no," said the Mayor, apologetically ; "but on some-<lb/> body else's
                    there has. You see it happened in this way : this<lb/> here young fellow was
                    going round the town last night ; and he'd<lb/> been dining, I should say, and
                    he was carrying on rather free. I<lb/> will only say so much in your presence,
                    that he was carrying on<lb/> decidedly free. So the town-guard happened to come
                    across him,<lb/> and he was very high and very haughty, he was, and
                    wouldn't<lb/> give his name nor yet his address—as a gentleman should, you<lb/>
                    know, when he's been dining and carrying on free. So our<lb/> fellows just ran
                    him in—and it took the pick of them all their<lb/> time to do it, too. Well,
                    then, the other chap who was in prison—<lb/>
                </p>
                <fw type="catchword">the</fw>
                <pb n="52"/>
                <fw type="runningHead">
                    <fw type="pageNum">42</fw> The Headswoman</fw>
                <p>the gentleman who obliged you yesterday, you know—what does<lb/> he do but slip
                    out and run away in the middle of all the row<lb/> and confusion ; and very
                    inconsiderate and ungentlemanly it was<lb/> of him to take advantage of us in
                    that mean way, just when we<lb/> wanted a little sympathy and forbearance. Well,
                    the Sheriff<lb/> comes this morning to fetch out his man for execution, and
                    he<lb/> knows there's only one man to execute, and he sees there's only<lb/> one
                    man in prison, and it all seems as simple as A B C—he never<lb/> was much of a
                    mathematician, you know—so he fetches our friend<lb/> here along, quite gaily.
                    And—and that's how it came about, you<lb/> see ; <emph rend="italic">hinc illae
                        lachrymae</emph> as the Roman poet has it. So now I<lb/> shall just give
                    this young fellow a good talking to, and discharge<lb/> him with a caution ; and
                    we shan't require you any more to-day,<lb/> Jeanne, my girl."</p>
                <p>"Now, look here, Mr. Mayor," said Jeanne severely, "you<lb/> utterly fail to
                    grasp the situation in its true light. All these little<lb/> details may be
                    interesting in themselves, and doubtless the press<lb/> will take note of them ;
                    but they are entirely beside the point.<lb/> With the muddleheadedness of your
                    officials (which I have<lb/> frequently remarked upon) I have nothing whatever
                    to do. All I<lb/> know is, that this young gentleman has been formally handed
                    over<lb/> to me for execution, with all the necessary legal requirements ;
                    and<lb/> executed he has got to be. When my duty has been performed,<lb/> you
                    are at liberty to re-open the case if you like ; and any 'little<lb/> mistake'
                    that may have occurred through your stupidity you can<lb/> then rectify at your
                    leisure. Meantime, you've no <emph rend="italic">locus standi</emph>
                    <lb/> here at all ; in fact, you've no business whatever lumbering up my<lb/>
                    scaffold. So shut up and clear out."</p>
                <p>"Now, Jeanne, do be reasonable," implored the Mayor. "You<lb/> women are so
                    precise. You never will make any allowance for<lb/> the necessary margin of
                    error in things."</p>
                <fw type="catchword">"If</fw>
                <pb n="53"/>
                <fw type="runningHead">By Kenneth Grahame <fw type="pageNum">43</fw>
                </fw>
                <p>"If I were to allow the necessary margin for all <emph rend="italic">your</emph>
                    errors,<lb/> Mayor," replied Jeanne, coolly, " the edition would have to be
                    a<lb/> large-paper one, and even then the text would stand a poor chance.<lb/>
                    And now, if you don t allow me the necessary margin to swing<lb/> my axe, there
                    may be another 'little mistake'—"</p>
                <p>But at this point a hubbub arose at the foot of the scaffold, and<lb/> Jeanne,
                    leaning over, perceived sundry tall fellows, clad in the<lb/> livery of the
                    Seigneur, engaged in dispersing the municipal guard<lb/> by the agency of
                    well-directed kicks, applied with heartiness<lb/> and anatomical knowledge. A
                    moment later, there strode on to the<lb/> scaffold, clad in black velvet, and
                    adorned with his gold chain of<lb/> office, the stately old seneschal of the
                    Château, evidently in a<lb/> towering passion.</p>
                <p>"Now, mark my words, you miserable little bladder-o'-lard," he<lb/> roared at the
                    Mayor (whose bald head certainly shone provokingly<lb/> in the morning sun),
                    "see if I don't take this out of your skin<lb/> presently !" And he passed on to
                    where the youth was still<lb/> kneeling, apparently quite absorbed in the
                    view.</p>
                <p>"My lord," he said, firmly though respectfully, "your hair-<lb/> brained folly
                    really passes all bounds. Have you entirely lost your<lb/> head ?"</p>
                <p>"Faith, nearly," said the young man, rising and stretching him-<lb/> self. "Is
                    that you, old Thibault ? Ow, what a crick I've got<lb/> in my neck ! But that
                    view of the valley was really de-<lb/> lightful !"</p>
                <p>"Did you come here simply to admire the view, my lord ?"<lb/> inquired Thibault
                    severely.</p>
                <p>"I came because my horse would come," replied the young<lb/> Seigneur lightly :
                    "that is, these gentlemen here were so pressing ;<lb/> they would not hear of
                    any refusal ; and besides, they forgot to<lb/> mention what my attendance was
                    required in such a hurry for.<lb/>
                </p>
                <fw type="catchword">And</fw>
                <pb n="54"/>
                <fw type="runningHead">
                    <fw type="pageNum">44</fw> The Headswoman</fw>
                <p>And when I got here, Thibault, old fellow, and saw that divine<lb/> creature—nay,
                    a goddess, <emph rend="italic">dea certé</emph>—so graceful, so modest, so<lb/>
                    anxious to acquit herself with credit—— Well, you know my<lb/> weakness ; I
                    never could bear to disappoint a woman. She had<lb/> evidently set her heart on
                    taking my head ; and as she had my<lb/> heart already——"</p>
                <p>"I think, my lord," said Thibault with some severity, "you<lb/> had better let me
                    escort you back to the Château. This appears<lb/> to be hardly a safe place for
                    light-headed and susceptible persons !"</p>
                <p>Jeanne, as was natural, had the last word. "Understand me,<lb/> Mr. Mayor," said
                    she, " these proceedings are entirely irregular.<lb/> I decline to recognise
                    them, and when the quarter expires I shall<lb/> claim the usual bonus !"</p>
                <p>V</p>
                <p>When, an hour or two later, an invitation arrived—courteously<lb/> worded, but
                    significantly backed by an escort of half-a-dozen tall<lb/> archers—for both
                    Jeanne and the Mayor to attend at the Château<lb/> without delay, Jeanne for her
                    part received it with neither sur-<lb/> prise nor reluctance. She had felt it
                    especially hard that the only<lb/> two interviews fate had granted her with the
                    one man who had<lb/> made some impression on her heart, should be hampered, the
                    one<lb/> by considerations of propriety, the other by the conflicting
                    claims<lb/> of her profession and its duties. On this occasion, now, she<lb/>
                    would have an excellent chaperon in the Mayor ; and business<lb/> being over for
                    the day, they could meet and unbend on a common<lb/> social footing. The Mayor
                    was not at all surprised either, consider-<lb/> ing what had gone before ; but
                    he was exceedingly terrified, and<lb/> sought some consolation from Jeanne as
                    they proceeded together<lb/>
                </p>
                <fw type="catchword">to</fw>
                <pb n="55"/>
                <fw type="runningHead">By Kenneth Grahame <fw type="pageNum">45</fw>
                </fw>
                <p>to the Château. That young lady's remarks, however, could<lb/> hardly be called
                    exactly comforting.</p>
                <p>"I always thought you'd put your foot in it some day, Mayor,"<lb/> she said. "You
                    are so hopelessly wanting in system and method.<lb/> Really, under the present
                    happy-go-lucky police arrangements, I<lb/> never know whom I may not be called
                    upon to execute. Between<lb/> you and my cousin Enguerrand, life is hardly safe
                    in this town.<lb/> And the worst of it is, that we other officials on the staff
                    have to<lb/> share in the discredit."</p>
                <p>"What do you think they'll do to me, Jeanne ?" whimpered<lb/> the Mayor,
                    perspiring freely.</p>
                <p>"Can't say, I'm sure," pursued the candid Jeanne. "Of course,<lb/> if it's
                    anything in the <emph rend="italic">rack</emph> line of business, I shall have
                    to super-<lb/> intend the arrangements, and then you can feel sure you're
                    in<lb/> capable hands. But probably they'll only fine you pretty smartly,<lb/>
                    give you a month or two in the dungeons, and dismiss you from<lb/> your post ;
                    and you will hardly grudge any slight personal incon-<lb/> venience resulting
                    from an arrangement so much to the advantage<lb/> of the town."</p>
                <p>This was hardly reassuring, but the Mayor's official reprimand<lb/> of the
                    previous day still rankled in this unforgiving young person's<lb/> mind.</p>
                <p>On their reaching the Château, the Mayor was conducted aside,<lb/> to be dealt
                    with by Thibault ; and from the sounds of agonised<lb/> protestation and lament
                    which shortly reached Jeanne's ears, it<lb/> was evident that he was having a
                        <emph rend="italic">mauvais quart d'heure</emph>. The<lb/> young lady was
                    shown respectfully into a chamber apart, where<lb/> she had hardly had time to
                    admire sufficiently the good taste of<lb/> the furniture and the magnificence of
                    the tapestry with which the<lb/> walls were hung, when the Seigneur entered and
                    welcomed her<lb/> with a cordial grace that put her entirely at her ease.</p>
                <fw type="catchword">"Your</fw>
                <pb n="56"/>
                <fw type="runningHead">
                    <fw type="pageNum">46</fw> The Headswoman</fw>
                <p>"Your punctuality puts me to shame, fair mistress," he said,<lb/> "considering
                    how unwarrantably I kept you waiting this morning,<lb/> and how I tested your
                    patience by my ignorance and awkward-<lb/> ness."</p>
                <p>He had changed his dress, and the lace round his neck was even<lb/> richer than
                    before. Jeanne had always considered one of the<lb/> chief marks of a well-bred
                    man to be a fine disregard for the<lb/> amount of his washing-bill ; and then
                    with what good taste he<lb/> referred to recent events—putting himself in the
                    wrong, as a<lb/> gentleman should !</p>
                <p>"Indeed, my lord," she replied modestly, "I was only too<lb/> anxious to hear
                    from your own lips that you bore me no ill-will<lb/> for the part forced on me
                    by circumstances in our recent interview.<lb/> Your lordship has sufficient
                    critical good sense, I feel sure, to<lb/> distinguish between the woman and the
                    official."</p>
                <p>"True, Jeanne," he replied, drawing nearer; "and while I<lb/> shrink from
                    expressing, in their fulness, all the feelings that the<lb/> woman inspires in
                    me, I have no hesitation—for I know it will<lb/> give you pleasure—in
                    acquainting you with the entire artistic<lb/> satisfaction with which I watched
                    you at your task !"</p>
                <p>"But, indeed" said Jeanne, "you did not see me at my best.<lb/> In fact, I can't
                    help wishing—it's ridiculous, I know, because the<lb/> thing is hardly
                    practicable—but if I could only have carried my<lb/> performance quite through,
                    and put the last finishing touches to<lb/> it, you would not have been judging
                    me now by the mere<lb/> 'blocking-in' of what promised to be a masterpiece
                    !"</p>
                <p>"Yes, I wish it could have been arranged somehow," said the<lb/> Seigneur
                    reflectively; "but perhaps it's better as it is. I am con-<lb/> tent to let the
                    artist remain for the present on trust, if I may only<lb/> take over, fully paid
                    up, the woman I adore !"</p>
                <p>Jeanne felt strangely weak. The official seemed oozing out at<lb/>
                </p>
                <fw type="catchword">her</fw>
                <pb n="57"/>
                <fw type="runningHead">By Kenneth Grahame <fw type="pageNum">47</fw>
                </fw>
                <p>her fingers and toes, while the woman's heart beat even more dis-<lb/>
                    tressingly.</p>
                <p>"I have one little question to ask," he murmured (his arm<lb/> was about her
                    now). "Do I understand that you still claim your<lb/> bonus ?"</p>
                <p>Jeanne felt like water in his strong embrace ; but she nerved<lb/> herself to
                    answer faintly but firmly : "Yes !"</p>
                <p>"Then so do I," he replied, as his lips met hers.</p>
                <p>*****</p>
                <p>Executions continued to occur in St. Radegonde ; the Rade-<lb/> gundians being
                    conservative and very human. But much of the<lb/> innocent enjoyment that
                    formerly attended them departed after<lb/> the fair Chatelaine had ceased to
                    officiate. Enguerrand, on suc-<lb/> ceeding to the post, wedded Clairette, she
                    being (he was heard to<lb/> say) a more suitable match in mind and temper than
                    others of<lb/> whom he would name no names. Rumour had it, that he found<lb/>
                    his match and something over ; while as for temper—and mind<lb/> (which she gave
                    him in bits)—— But the domestic trials of high-<lb/> placed officials have a
                    right to be held sacred. The profession, in<lb/> spite of his best endeavours,
                    languished nevertheless. Some said<lb/> that the scaffold lacked its old
                    attraction for criminals of spirit ;<lb/> others, more unkindly, that the
                    headsman was the innocent cause,<lb/> and that Enguerrand was less fatal in his
                    new sphere than<lb/> formerly, when practising in the criminal court as advocate
                    for<lb/> the defence.</p>
            </div>
            <div n="YBV3_9po" type="poetry">
                <pb n="58"/>
                <head>
                    <title level="a">Credo</title>
                </head>
                <byline>By <docAuthor>
                        <ref target="#ASY">Arthur Symons</ref>
                    </docAuthor>
                </byline>
                <lg type="stanza">
                    <l>EACH, in himself, his hour to be and cease</l>
                    <l rend="indent">Endures alone, yet few there be who dare</l>
                    <l rend="indent">Sole with himself his single burden bear,</l>
                    <l>All the long day until the night's release.</l>
                </lg>
                <lg type="stanza">
                    <l>Yet, ere the night fall, and the shadows close,</l>
                    <l rend="indent">This labour of himself is each man's lot ;</l>
                    <l rend="indent">All a man hath, yet living, is forgot,</l>
                    <l>Himself he leaves behind him when he goes.</l>
                </lg>
                <lg type="stanza">
                    <l>If he have any valiancy within,</l>
                    <l rend="indent">If he have made his life his very own,</l>
                    <l rend="indent">If he have loved and laboured, and have known</l>
                    <l>A strenuous virtue, and the joy of sin ;</l>
                </lg>
                <lg type="stanza">
                    <l>Then, being dead, he has not lived in vain,</l>
                    <l rend="indent">For he has saved what most desire to lose,</l>
                    <l rend="indent">And he has chosen what the few must choose,</l>
                    <l>Since life, once lived, returns no more again.</l>
                </lg>
                <fw type="catchword">For</fw>
                <pb n="59"/>
                <fw type="runningHead">By Arthur Symons <fw type="pageNum">49</fw>
                </fw>
                <lg type="stanza">
                    <l>For of our time we lose so large a part</l>
                    <l rend="indent">In serious trifles, and so oft let slip</l>
                    <l rend="indent">The wine of every moment at the lip</l>
                    <l>Its moment, and the moment of the heart.</l>
                </lg>
                <lg type="stanza">
                    <l>We are awake so little on the earth,</l>
                    <l rend="indent">And we shall sleep so long, and rise so late,</l>
                    <l rend="indent">If there is any knocking at that gate</l>
                    <l>Which is the gate of death, the gate of birth. </l>
                </lg>
            </div>
            <div>
                <pb n="60"/>
                <head>
                    <title level="a">Four Drawings</title>
                </head>

                <byline> By <docAuthor>
                        <ref target="#ABE">Aubrey Beardsley</ref>
                    </docAuthor>
                </byline>
                <p><title level="a"><emph rend="indent">I. Portrait of Himself</emph></title></p>
                <p><title level="a"><emph rend="indent">II. Lady Gold's Escort</emph></title></p>
                <p><title level="a"><emph rend="indent">III. The Wagnerites</emph></title></p>
                <p><title level="a"><emph rend="indent">IV. La Dame aux Camélias</emph></title></p>
                <pb n="61"/>
                <pb n="62"/>
            </div>
            <div n="YBV3_10aim" type="image">
                <pb n="63"/>
                <figure>
                    <graphic width="600px" height="850px"
                        url="MediumImageDocs/YB3icon6_beardsley_himself_edited.jpg"/>
                    <note n="YBV3_10aim.n1">
                        <title>Portrait of Himself</title>
                        <rs>YB3icon6</rs>YB3icon6 Portrait of Himself Aubrey Beardsley III page 51
                        16.5 cm x 10.5 cm Poster-style illustrative art Pen and ink 1890s indoor
                        setting room male figure artist person hat bed pillow blanket upper left
                        corner PAR LES DIEUX JUMEAUX TOUS LES MONSTRES NE SONT PAS EN AFRIQUE </note>
                    <head>Portrait of Himself</head>
                    <figDesc>Image is of a small sleeping man in an enormous white bed. He has the
                        blankets pulled up to his chin, with his tiny turbaned head resting on a
                        pillow. Black bed curtains divide the image in half vertically. The curtains
                        are decorated with flowers and tassels. Through the curtain's opening, there
                        is a small figurine of a topless woman attached to what seems to be a bell
                        pull.</figDesc>
                </figure>
                <pb n="64"/>
                <pb n="65"/>
                <pb n="66"/>
            </div>
            <div n="YBV3_10bim" type="image">
                <pb n="67"/>
                <figure>
                    <graphic width="600px" height="850px"
                        url="MediumImageDocs/YB3icon7_beardsley_lady gold_edited.jpg"/>
                    <note n="YBV3_10bim.n1">
                        <title>Lady Gold's Escort</title>
                        <rs>YB3icon7</rs>YB3icon7 Lady Gold's Escort Aubrey Beardsley Carl Hentschel
                        and Company IV October 1894 page 53 16.5 cm x 10.8 cm Poster-style
                        illustrative art Pen and ink outdoor setting night theatre/stage female
                        figure male figure people dress/gown androgyn shoes facial hair </note>
                    <head>Lady Gold's Escort</head>
                    <figDesc>The central figure is an elderly woman, in a long dress holding a
                        furled fan walking between two rows of men in black evening suits. The old
                        woman is wearing a large hat with three feathers, a white evening gown, and
                        a black shawl with a flower pattern. All of these people are in the lower
                        half of the image, dividing it in half horizontally. Several men are wearing
                        top hats, holding gloves and canes. The first figure in the row at right is
                        a woman holding a white muff. In the centre background, behind the crowd, is
                        a carriage with a coachman in livery and a top hat. To the left of the
                        carriage is a large white pillar and a light. A small section of a sign
                        (Lyceum Theatre?) is evident in the background.</figDesc>
                </figure>
                <pb n="68"/>
                <pb n="69"/>
                <pb n="70"/>
            </div>
            <div n="YBV3_10cim" type="image">
                <pb n="71"/>
                <figure>
                    <graphic width="600px" height="850px"
                        url="MediumImageDocs/YB3icon8_beardsley_wagnerites_edited.jpg"/>
                    <note n="YBV3_10cim.n1">
                        <title>The Wagnerites</title>
                        <rs>YB3icon8</rs>YB3icon8 The Wagnerites Aubrey Beardsley V October 1894
                        page 55 15.2 cm x 12.7 cm Poster-style illustrative art Pen and ink indoor
                        setting theatre/stage room flower people female figure male figure audience
                        dress/gown bow necklace woman chair Program TRISTAN UND ISOLDE </note>
                    <head>The Wagnerites</head>
                    <figDesc>Image is of an audience sitting in rows at an opera. In the foreground,
                        there are women with elaborate hair and bare shoulders, as well as one bald
                        man with glasses. In the background, there are three opera boxes with
                        standing men and seated women. Each opera box is separated by pillars and
                        flowered curtains. In audience at far right, there is a seated woman holding
                        an enormous muff. On the ground in bottom right corner, there is a program
                        for "TRISTAN UND ISOLDE."</figDesc>
                </figure>
                <pb n="72"/>
                <pb n="73"/>
                <pb n="74"/>
            </div>
            <div n="YBV3_10dim" type="image">
                <pb n="75"/>
                <figure>
                    <graphic width="600px" height="850px"
                        url="MediumImageDocs/YB3icon9_beardsley_camelias_edited.jpg"/>
                    <note n="YBV3_10dim.n1">
                        <title>La Dame aux Camélias </title>
                        <rs>YB3icon9</rs>YB3icon9 La Dame aux Camélias Aubrey Beardsley Carl
                        Hentschel and Company VI October 1894 page 57 16.5 cm x 10.8 cm Poster-style
                        illustrative art Pen and ink 1890s indoor setting room toilette female
                        figure person dress/gown candelabra cosmetics </note>
                    <head>La Dame aux Camélias </head>
                    <figDesc>Image is of a full-length woman standing at a dressing table in a bare
                        room decorated with striped floral wallpaper. She is in the middle of the
                        frame, dividing the image in half vertically. She has black hair and is
                        wearing a very large white bed jacket over a formal dress with train. The
                        woman is shown in profile, looking to the left at what may be a mirror. The
                        dressing table is decorated with bows and lit by two tall candles.
                    </figDesc>
                </figure>
                <pb n="76"/>
            </div>
            <div n="YBV3_11pr" type="prose">
                <pb n="81"/>
                <head>
                    <title level="a">White Magic</title>
                </head>
                <byline>By<docAuthor>
                        <ref target="#EDA">Ella D'Arcy</ref>
                    </docAuthor>
                </byline>
                <p>I SPENT one evening last summer with my friend Mauger,<lb/>
                    <emph rend="italic">pharmacien</emph> in the little town of Jacques-le-Port. He
                    pro-<lb/> nounces his name Major, by-the-bye, it being a quaint custom of<lb/>
                    the Islands to write proper names one way and speak them another,<lb/> thus
                    serving to bolster up that old, old story of the German<lb/> savant's account of
                    the difficulties of the English language "where<lb/> you spell a man's name
                    Verulam," says he reproachfully, "and<lb/> pronounce it Bacon."</p>
                <p>Mauger and I sat in the pleasant wood-panelled parlour behind<lb/> the shop, from
                    whence all sorts of aromatic odours found their<lb/> way in through the closed
                    door to mingle with the fragrance of<lb/> figs, Ceylon tea, and hot <emph
                        rend="italic">gôches-à-beurre</emph> constituting the excellent<lb/> meal
                    spread before us. The large old-fashioned windows were<lb/> wide open, and I
                    looked straight out upon the harbour, filled with<lb/> holiday yachts, and the
                    wonderful azure sea.</p>
                <p>Over against the other islands, opposite, a gleam of white<lb/> streaked the
                    water, white clouds hung motionless in the blue sky,<lb/> and a tiny boat with
                    white sails passed out round Falla Point. A<lb/> white butterfly entered the
                    room to flicker in gay uncertain curves<lb/> above the cloth, and a warm
                    reflected light played over the slender<lb/> rat-tailed forks and spoons, and
                    raised by a tone or two the colour<lb/>
                </p>
                <fw type="catchword">of</fw>
                <pb n="82"/>
                <fw type="runningHead">
                    <fw type="pageNum">60</fw> White Magic</fw>
                <p>of Mauger's tanned face and yellow beard. For, in spite of a<lb/> sedentary
                    profession, his preferences lie with an out-of-door life,<lb/> and he takes an
                    afternoon off whenever practicable, as he had done<lb/> that day, to follow his
                    favourite pursuit over the golf-links at Les<lb/> Landes.</p>
                <p>While he had been deep in the mysteries of teeing and putting,<lb/> with no
                    subtler problem to be solved than the judicious selection of<lb/> mashie and
                    cleek, I had explored some of the curious cromlechs or<lb/>
                    <emph rend="italic">pouquelayes</emph> scattered over this part of the island,
                    and my thoughts<lb/> and speech harked back irresistibly to the strange old
                    religions and<lb/> usages of the past.</p>
                <p>"Science is all very well in its way," said I ; "and of course<lb/> it's an
                    inestimable advantage to inhabit this so-called nineteenth<lb/> century ; but
                    the mediaeval want of science was far more pic-<lb/> turesque. The once
                    universal belief in charms and portents, in<lb/> wandering saints, and fighting
                    fairies, must have lent an interest<lb/> to life which these prosaic days sadly
                    lack. Madelon then would<lb/> steal from her bed on moonlight nights in May, and
                    slip across the<lb/> dewy grass with naked feet, to seek the reflection of her
                    future<lb/> husband's face in the first running stream she passed ; now,
                    Miss<lb/> Mary Jones puts on her bonnet and steps round the corner, on<lb/> no
                    more romantic errand than the investment of her month's<lb/> wages in the
                    savings bank at two and a half per cent."</p>
                <p>Mauger laughed. "I wish she did anything half so prudent !<lb/> That has not been
                    my experience of the Mary Joneses."</p>
                <p>"Well, anyhow," I insisted, "the Board school has rationalised<lb/> them. It has
                    pulled up the innate poetry of their nature to replace<lb/> it by decimal
                    fractions."</p>
                <p>To which Mauger answered "Rot !" and offered me his<lb/> cigarette-case. After
                    the first few silent whiffs, he went on as<lb/> follows : "The innate poetry of
                    Woman ! Confess now, there is<lb/>
                </p>
                <fw type="catchword">no</fw>
                <pb n="83"/>
                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">61</fw>
                </fw>
                <p> no more unpoetic creature under the sun. Offer her the sublimest<lb/> poetry
                    ever written and the <emph rend="italic">Daily Telegraph's</emph> latest article
                    on<lb/> fashions, or a good sound murder or reliable divorce, and there's
                    no<lb/> betting on her choice, for it's a dead certainty. Many men have<lb/> a
                    love of poetry, but I'm inclined to think that a hundred women<lb/> out of
                    ninety-nine positively dislike it."</p>
                <p>Which struck me as true. "We'll drop the poetry, then," I<lb/> answered ; "but my
                    point remains, that if the girl of to-day has no<lb/> superstitions, the girl of
                    to-morrow will have no beliefs. Teach<lb/> her to sit down thirteen to table, to
                    spill the salt, and walk under<lb/> a ladder with equanimity, and you open the
                    door for Spencer and<lb/> Huxley, and—and all the rest of it," said I, coming to
                    an impotent<lb/> conclusion.</p>
                <p>"Oh, if superstition were the salvation of woman—but you are<lb/> thinking of
                    young ladies in London, I suppose ? Here, in the<lb/> Islands, I can show you as
                    much superstition as you please. I'm<lb/> not sure that the country-people in
                    their heart of hearts don't still<lb/> worship the old gods of the <emph
                        rend="italic">pouquelayes</emph>. You would not, of<lb/> course, find any
                    one to own up to it, or to betray the least glimmer<lb/> of an idea as to your
                    meaning, were you to question him, for ours is<lb/> a shrewd folk, wearing their
                    orthodoxy bravely ; but possibly the<lb/> old beliefs are cherished with the
                    more ardour for not being openly<lb/> avowed. Now you like bits of actuality.
                    I'll give you one, and<lb/> a proof, too, that the modern maiden is still
                    separated by many a<lb/> fathom of salt sea-water from these fortunate
                    isles.</p>
                <p>"Some time ago, on a market morning, a girl came into<lb/> the shop, and asked
                    for some blood from a dragon. 'Some what ?'<lb/> said I, not catching her words.
                    'Well, just a little blood from a<lb/> dragon,' she answered very tremulously,
                    and blushing. She meant<lb/> of course, 'dragon's blood,' a resinous powder,
                    formerly much used<lb/> in medicine, though out of fashion now.</p>
                <fw type="footer">The Yellow Book—Vol. III. <emph>D</emph>
                </fw>
                <fw type="catchword">"She</fw>
                <pb n="84"/>
                <fw type="runningHead">
                    <fw type="pageNum">62</fw> White Magic</fw>
                <p>"She was a pretty young creature, with pink cheeks and dark<lb/> eyes, and a
                    forlorn expression of countenance which didn't seem at<lb/> all to fit in with
                    her blooming health. Not from the town, or I<lb/> should have known her face ;
                    evidently come from one of the<lb/> country parishes to sell her butter and
                    eggs. I was interested to<lb/> discover what she wanted the 'dragon's blood'
                    for, and after a<lb/> certain amount of hesitation she told me. 'They do say
                    it's good,<lb/> sir, if anything should have happened betwixt you an' your
                    young<lb/> man. 'Then you have a young man ?' said I. 'Yes, sir.'<lb/> 'And
                    you've fallen out with him ?' 'Yes, sir.' And tears rose<lb/> to her eyes at the
                    admission, while her mouth rounded with awe<lb/> at my amazing perspicacity. And
                    you mean to send him some<lb/> dragon's blood as a love potion ?' 'No, sir ;
                    you've got to mix<lb/> it with water you ve fetched from the Three Sisters Well,
                    and<lb/> drink it yourself in nine sips on nine nights running, and get
                    into<lb/> bed without once looking in the glass, and then if you've done<lb/>
                    everything properly, and haven't made any mistake, he'll come<lb/> back to you,
                    an' love you twice as much as before.' 'And la<lb/> mѐre Todevinn (Tostevin)
                    gave you that precious recipe, and<lb/> made you cross her hand with silver into
                    the bargain,' said I<lb/> severely ; on which the tears began to flow
                    outright.</p>
                <p>"You know the old lady," said Mauger, breaking off his narra-<lb/> tion, " who
                    lives in the curious stone house at the corner of the<lb/> market-place ? A
                    reputed witch who learned both black and<lb/> white magic from her mother, who
                    was a daughter of Hélier<lb/> Mouton, the famous sorcerer of Cakeuro. I could
                    tell you some<lb/> funny stories relating to la Mѐre Todevinn, who numbers
                    more<lb/> clients among the officers and fine ladies here than in any other<lb/>
                    class ; and very curious, too, is the history of that stone house, with<lb/> the
                    Brancourt arms still sculptured on the side. You can see them,<lb/> if you turn
                    down by the Water-gate. This old sinister-looking<lb/>
                </p>
                <fw type="catchword">building,</fw>
                <pb n="85"/>
                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">63</fw>
                </fw>
                <p>building, or rather portion of a building, for more modern houses<lb/> have been
                    built over the greater portion of the site, and now press<lb/> upon it from
                    either hand, once belonged to one of the finest man-<lb/> sions in the islands,
                    but through a curse and a crime has been<lb/> brought down to its present
                    condition ; while the Brancourt<lb/> family have long since been utterly
                    extinct. But all this isn't the<lb/> story of Elsie Mahy, which turned out to be
                    the name of my little<lb/> customer.</p>
                <p>"The Mahys are of the Vauvert parish, and Pierre Jean, the<lb/> father of this
                    girl, began life as a day-labourer, took to tomato-<lb/> growing on borrowed
                    capital, and now owns a dozen glass-houses<lb/> of his own. Mrs. Mahy does some
                    dairy-farming on a minute<lb/> scale, the profits of which she and Miss Elsie
                    share as pin-money.<lb/> The young man who is courting Elsie is a son of Toumes
                    the<lb/> builder. He probably had something to do with the putting up of<lb/>
                    Mahy's greenhouses, but anyhow, he has been constantly over at<lb/> Vauvert
                    during the last six months, superintending the alterations<lb/> at de
                    Câterelle's place.</p>
                <p>"Toumes, it would seem, is a devoted but imperious lover, and<lb/> the Persian
                    and Median laws are as butter compared with the<lb/> inflexibility of his
                    decisions. The little rift within the lute, which<lb/> has lately turned all the
                    music to discord, occurred last Monday<lb/> week—bank-holiday, as you may
                    remember. The Sunday school<lb/> to which Elsie belongs—and it's a strange
                    anomaly, isn't it, that<lb/> a girl going to Sunday school should still have a
                    rooted belief in<lb/> white magic ?—the school was to go for an outing to Prawn
                    Bay,<lb/> and Toumes had arranged to join his sweetheart at the starting-<lb/>
                    point. But he had made her promise that if by any chance he<lb/> should be
                    delayed, she would not go with the others, but would<lb/> wait until he came to
                    fetch her.</p>
                <p>"Of course, it so happened that he was detained, and, equally of<lb/>
                </p>
                <fw type="catchword">course.</fw>
                <pb n="86"/>
                <fw type="runningHead">
                    <fw type="pageNum">64</fw> White Magic</fw>
                <p>course, Elsie, like a true woman, went off without him. She did<lb/> all she knew
                    to make me believe she went quite against her own<lb/> wishes, that her
                    companions forced her to go. The beautifully<lb/> yielding nature of a woman
                    never comes out so conspicuously as<lb/> when she is being coerced into
                    following her own secret desires.<lb/> Anyhow, Toumes, arriving some time later,
                    found her gone. He<lb/> followed on, and under ordinary circumstances, I
                    suppose, a sharp<lb/> reprimand would have been considered sufficient.
                    Unfortunately,<lb/> the young man arrived on the scene to find his truant love
                    deep<lb/> in the frolics of kiss-in-the-ring. After tea in the Câterelle<lb/>
                    Arms, the whole party had adjourned to a neighbouring meadow,<lb/> and were thus
                    whiling away the time to the exhilarating strains of<lb/> a French horn and a
                    concertina. Elsie was led into the centre of<lb/> the ring by various country
                    bumpkins, and kissed beneath the eyes<lb/> of heaven, of her neighbours, and of
                    her embittered swain.</p>
                <p>"You may have been amongst us long enough to know that<lb/> the Toumes family are
                    of a higher social grade than the Mahys,<lb/> and I suppose the Misses Toumes
                    never in their lives stooped to<lb/> anything so ungenteel as public
                    kiss-in-the-ring. It was not sur-<lb/> prising, therefore, to hear that after
                    this incident 'me an' my<lb/> young man had words,' as Elsie put it.</p>
                <p>"Note," said Mauger, "the descriptive truth of this expression<lb/> 'having
                    words.' Among the unlettered, lovers only do have<lb/> words when vexed. At
                    other times they will sit holding hands<lb/> throughout a long summer's
                    afternoon, and not exchange two<lb/> remarks an hour. Love seals their tongue ;
                    anger alone unlooses<lb/> it, and, naturally, when unloosened, it runs on, from
                    sheer want of<lb/> practice, a great deal faster and farther than they
                    desire.</p>
                <p>"So, life being thorny and youth being vain, they parted late<lb/> that same
                    evening, with the understanding that they would meet<lb/> no more ; and to be
                    wroth with one we love worked its usual<lb/>
                </p>
                <fw type="catchword">harrowing</fw>
                <pb n="87"/>
                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">65</fw>
                </fw>
                <p>harrowing effects. Toumes took to billiards and brandy, Elsie to<lb/> tears and
                    invocations of Beelzebub ; then came Mѐre Todevinn's<lb/> recipe, my own more
                    powerful potion, and now once more all is<lb/> silence and balmy peace."</p>
                <p>"Do you mean to tell me you sold the child a charm, and<lb/> didn't enlighten her
                    as to its futility ?"</p>
                <p> "I sold her some bicarbonate of soda worth a couple of<lb/>
                    <emph rend="italic">doubles</emph>, and charged her five shillings for it into
                    the bargain,"<lb/> said Mauger unblushingly. " A wrinkle I learned from once
                    over-<lb/> hearing an old lady I had treated for nothing expatiating to a<lb/>
                    crony, 'Eh, but, my good, my good ! dat Mr. Major, I don't<lb/> t'ink much of
                    him. He give away his add-vice an' his meddecines<lb/> for nuddin. Dey not wort
                    nuddin' neider, for sure.' So I<lb/> made Elsie hand me over five British
                    shillings, and gave her the<lb/> powder, and told her to drink it with her
                    meals. But I threw<lb/> in another prescription, which, if less important, must
                    nevertheless<lb/> be punctiliously carried out, if the charm was to have any
                    effect.<lb/> 'The very next time,' I told her, 'that you meet your young<lb/>
                    man in the street, walk straight up to him without looking to the<lb/> right or
                    to the left, and hold out your hand, saying these words :<lb/> "Please, I so
                    want to be friends again !" Then if you've been a<lb/> good girl, have taken the
                    powder regularly, and not forgotten<lb/> one of my directions, you'll find that
                    all will come right.'</p>
                <p>"Now, little as you may credit it," said Mauger, smiling, "the<lb/> charm worked,
                    for all that we live in the so-called nineteenth<lb/> century. Elsie came into
                    the shop only yesterday to tell me the<lb/> results, and to thank me very
                    prettily. 'I shall always come to<lb/> you now, sir,' she was good enough to
                    say, 'I mean, if anything<lb/> was to go wrong again. You know a great deal more
                    than Mѐre<lb/> Todevinn, I'm sure.' 'Yes, I'm a famous sorcerer,' said I,
                    'but<lb/> you had better not speak about the powder. You are wise enough<lb/>
                </p>
                <fw type="catchword">to</fw>
                <pb n="88"/>
                <fw type="runningHead">
                    <fw type="pageNum">66</fw> White Magic</fw>
                <p>to see that it was just your own conduct in meeting your young<lb/> man rather
                    more than halfway, that did the trick—eh ?' She<lb/> looked at me with eyes
                    brimming over with wisdom. 'You<lb/> needn't be afraid, sir, I'll not speak of
                    it. Mѐre Todevinn<lb/> always made me promise to keep silence too. But of course
                    I<lb/> know it was the powder that worked the charm.'</p>
                <p>"And to that belief the dear creature will stick to the last day<lb/> of her
                    life. Women are wonderful enigmas. Explain to them<lb/> that tight-lacing
                    displaces all the internal organs, and show them<lb/> diagrams to illustrate
                    your point, they smile sweetly, say, 'Oh,<lb/> how funny !' and go out to buy
                    their new stays half an inch<lb/> smaller than their old ones. But tell them
                    they must never pass<lb/> a pin in the street for luck's sake, if it lies with
                    its point towards<lb/> them, and they will sedulously look for and pick up every
                    such<lb/> confounded pin they see. Talk to a woman of the marvels of<lb/>
                    science, and she turns a deaf ear, or refuses point-blank to believe<lb/> you ;
                    yet she is absolutely all ear for any old wife's tale, drinks<lb/> it greedily
                    in, and never loses hold of it for the rest of her<lb/> days."</p>
                <p>"But does she ?" said I; "that's the point in dispute, and<lb/> though your story
                    shows there's still a commendable amount of<lb/> superstition in the Islands,
                    I'm afraid if you were to come to<lb/> London, you would not find sufficient to
                    cover a threepenny-<lb/> piece."</p>
                <p>"Woman is woman all the world over," said Mauger senten-<lb/> tiously, "no matter
                    what mental garb happens to be in fashion at<lb/> the time. <emph rend="italic"
                        >Grattez la femme et vous trouvez la folle</emph>. For see here :<lb/> if I
                    had said to Mademoiselle Elsie, 'Well, you were in the wrong ;<lb/> it's your
                    place to take the first step towards reconciliation,' she<lb/> would have
                    laughed in my face, or flung out of the shop in a rage.<lb/> But because I sold
                    her a little humbugging powder under the<lb/>
                </p>
                <fw type="catchword">guise</fw>
                <pb n="89"/>
                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">67</fw>
                </fw>
                <p>guise of a charm, she submitted herself with the docility of a pet<lb/> lambkin.
                    No ; one need never hope to prevail through wisdom<lb/> with a woman, and if I
                    could have realised that ten years ago, it<lb/> would have been better for
                    me."</p>
                <p>He fell silent, thinking of his past, which to me, who knew it,<lb/> seemed
                    almost an excuse for his cynicism. I sought a change of<lb/> idea. The splendour
                    of the pageant outside supplied me with<lb/> one.</p>
                <p>The sun had set ; and all the eastern world of sky and water,<lb/> stretching
                    before us, was steeped in the glories of the after-glow.<lb/> The ripples seemed
                    painted in dabs of metallic gold upon a<lb/> surface of polished blue-grey
                    steel. Over the islands opposite hung<lb/> a far-reaching golden cloud, with
                    faint-drawn, up-curled edges, as<lb/> though thinned out upon the sky by some
                    monster brush ; and<lb/> while I watched it, this cloud changed from gold to
                    rose-colour,<lb/> and instantly the steel mirror of the sea glowed rosy too, and
                    was<lb/> streaked and shaded with a wonderful rosy-brown. As the colour<lb/>
                    grew momentarily more intense in the sky above, so did the sea<lb/> appear to
                    pulse to a more vivid copperish-rose, until at last it was<lb/> like nothing so
                    much as a sea of flowing fire. And the cloud<lb/> flamed fiery too, yet all the
                    while its up-curled edges rested<lb/> in exquisite contrast upon a background of
                    most cool cerulean<lb/> blue.</p>
                <p>The little sailing-boat, which I had noticed an hour previously,<lb/> reappeared
                    from behind the Point. The sail was lowered as it<lb/> entered the harbour, and
                    the boatman took to his oars. I watched<lb/> it creep over the glittering water
                    until it vanished beneath the<lb/> window-sill. I got up and went over to the
                    window to hold it<lb/> still in sight. It was sculled by a young man in rosy
                    shirt-sleeves,<lb/> and opposite to him, in the stern, sat a girl in a rosy
                    gown.</p>
                <p>So long as I had observed them, not one word had either spoken.<lb/>
                </p>
                <fw type="catchword">In</fw>
                <pb n="90"/>
                <fw type="runningHead">
                    <fw type="pageNum">68</fw> White Magic</fw>
                <p>In silence they had crossed the harbour, in silence the sculler had<lb/> brought
                    his craft alongside the landing-stage, and secured her to a<lb/> ring in the
                    stones. Still silent, he helped his companion to step<lb/> out upon the
                    quay.</p>
                <p>"Here," said I, to Mauger, "is a couple confirming your<lb/> 'silent' theory with
                    a vengeance. We must suppose that much<lb/> love has rendered them absolutely
                    dumb."</p>
                <p>He came, and leaned from the window too.</p>
                <p>"It's not <emph rend="italic">a</emph> couple, but <emph rend="italic">the</emph>
                    couple," said he ; "and after all, in<lb/> spite of cheap jesting, there are
                    some things more eloquent<lb/> than speech." For at this instant, finding
                    themselves alone upon<lb/> the jetty, the young man had taken the girl into his
                    arms, and she had<lb/> lifted a frank responsive mouth to return his kiss.</p>
                <p>Five minutes later the sea had faded into dull greys and sober<lb/> browns,
                    starved white clouds moved dispiritedly over a vacant sky,<lb/> and by cricking
                    the back of my neck I was able to follow<lb/> Toumes' black coat and the white
                    frock of Miss Elsie until they<lb/> reached Poidevin's wine-vaults, and, turning
                    up the Water-gate,<lb/> were lost to view. </p>
            </div>
            <div n="YBV3_12po" type="poetry">
                <pb n="91"/>
                <head>
                    <title level="a">Fleurs de Feu</title>
                </head>
                <byline>By <docAuthor>
                        <ref target="#JHE">José Maria de Hérédia</ref>
                    </docAuthor> of the French Academy</byline>
                <lg type="stanza">
                    <l>BIEN des siѐcles depuis les siѐcles du Chaos,</l>
                    <l>La flamme par torrents jaillit de ce cratѐre</l>
                    <l>Et le panache igné du volcan solitaire</l>
                    <l>Flamba encore plus haut que les Chimborazos.</l>
                </lg>
                <lg type="stanza">
                    <l>Nul bruit n'éveille plus la cime sans échos.</l>
                    <l>Où la cendre pleuvait l'oiseau se désaltѐre ;</l>
                    <l>Le sol est immobile, et le sang de la Terre</l>
                    <l>La lave, en se figeant, lui laissa le repos.</l>
                </lg>
                <lg type="stanza">
                    <l>Pourtant, suprême effort de l'antique incendie,</l>
                    <l>A l'orle de la gueule à jamais refroidie,</l>
                    <l>Éclatant a travers les rocs pulvérisés.</l>
                </lg>
                <lg type="stanza">
                    <l>Comme un coup de tonnerre au milieu du silence,</l>
                    <l>Dans le poudroîement d'or du pollen qu'elle lance,</l>
                    <l>S'épanouit la fleur des cactus embrasés.</l>
                </lg>
            </div>
            <pb n="92"/>
            <div>
                <head>
                    <title level="a">Flowers of Fire</title>
                </head>
                <byline>A Translation, by <docAuthor>
                        <ref target="#ECL">Ellen M. Clerke</ref>
                    </docAuthor>
                </byline>
                <lg type="stanza">
                    <l>FOR ages since the age of Chaos passed,</l>
                    <l>Flame shot in torrents from this crater pyre,</l>
                    <l>And the red plume of the volcano's ire</l>
                    <l>Higher than Chimborazo's crown was cast.</l>
                </lg>
                <lg type="stanza">
                    <l>No sound awakes the summit, voiceless, vast,</l>
                    <l>The bird now sips where rained the ashes dire,</l>
                    <l>The soil is moveless, and Earth's blood on fire,</l>
                    <l>The lava—hardening—gives it peace at last.</l>
                </lg>
                <lg type="stanza">
                    <l>But, crowning effort of the fires of old,</l>
                    <l>Close by the gaping jaws, for ever cold,</l>
                    <l>Gleaming 'mid rocks that crumble in the gloom,</l>
                </lg>
                <lg type="stanza">
                    <l>As with a thunderclap in hush profound,</l>
                    <l>'Mid golden dust of pollen hurled around,</l>
                    <l>The burning cactus blazes into bloom.</l>
                </lg>
            </div>
            <div n="YBV3_13pr" type="prose">
                <pb n="93"/>
                <head>
                    <title level="a">When I am King</title>
                </head>
                <byline>By<docAuthor>
                        <ref target="#HHA"> Henry Harland</ref>
                    </docAuthor>
                </byline>
                <epigraph>
                    <quote>
                        <emph rend="italic">"Qu'y faire, mon Dieu, qu'y faire ? "</emph>
                    </quote>
                </epigraph>
                <p>I HAD wandered into a tangle of slummy streets, and began to<lb/> think it time
                    to inquire my way back to the hotel ; then,<lb/> turning a corner, I came out
                    upon the quays. At one hand there<lb/> was the open night, with the dim forms of
                    many ships, and stars<lb/> hanging in a web of masts and cordage ; at the other,
                    the garish<lb/> illumination of a row of public-houses : <emph rend="italic">Au
                        Bonheur du Matelot</emph>,<lb/>
                    <emph rend="italic">Café de la Marine</emph>, <emph rend="italic">Brasserie des
                        Quatre Vents</emph>, and so forth ;<lb/> rowdy-looking shops enough,
                    designed for the entertainment of<lb/> the forecastle. But they seemed to
                    promise something in the<lb/> nature of local colour ; and I entered the <emph
                        rend="italic">Brasserie des Quatre<lb/> Vents.</emph>
                </p>
                <p>It proved to be a <emph rend="italic">brasserie-à-femmes</emph> ; you were waited
                    upon by<lb/> ladies, lavishly rouged and in regardless toilets, who would
                    sit<lb/> with you and chat, and partake of refreshments at your expense.<lb/>
                    The front part of the room was filled up with tables, where half a<lb/> hundred
                    customers, talking at the top of their voices, raised a<lb/> horrid din—sailors,
                    soldiers, a few who might be clerks or trades-<lb/> men, and an occasional
                    workman in his blouse. Beyond, there<lb/> was a cleared space, reserved for
                    dancing, occupied by a dozen<lb/>
                </p>
                <fw type="catchword">couples,</fw>
                <pb n="94"/>
                <fw type="runningHead">
                    <fw type="pageNum">72</fw> When I am King</fw>
                <p>couples, clumsily toeing it ; and on a platform, at the far end, a<lb/> man
                    pounded a piano. All this in an atmosphere hot as a furnace-<lb/> blast, and
                    poisonous with the fumes of gas, the smells of bad<lb/> tobacco, of musk,
                    alcohol, and humanity.</p>
                <p>The musician faced away from the company, so that only his<lb/> shoulders and the
                    back of his grey head were visible, bent over his<lb/> keyboard. It was sad to
                    see a grey head in that situation ; and<lb/> one wondered what had brought it
                    there, what story of vice or<lb/> weakness or evil fortune. Though his
                    instrument was harsh, and<lb/> he had to bang it violently to be heard above the
                    roar of conversa-<lb/> tion, the man played with a kind of cleverness, and with
                    certain<lb/> fugitive suggestions of good style. He had once studied an
                    art,<lb/> and had hopes and aspirations, who now, in his age, was come to<lb/>
                    serve the revels of a set of drunken sailors, in a disreputable tavern,<lb/>
                    where they danced with prostitutes. I don't know why, but from<lb/> the first he
                    drew my attention ; and I left my handmaid to count<lb/> her charms neglected,
                    while I sat and watched him, speculating<lb/> about him in a melancholy way,
                    with a sort of vicarious shame.</p>
                <p>But presently something happened to make me forget him—<lb/> something of his own
                    doing. A dance had ended, and after a<lb/> breathing spell he began to play an
                    interlude. It was an instance<lb/> of how tunes, like perfumes, have the power
                    to wake sleeping<lb/> memories. The tune he was playing now, simple and
                    dreamy<lb/> like a lullaby, and strangely at variance with the
                    surroundings,<lb/> whisked me off in a twinkling, far from the actual—ten,
                    fifteen<lb/> years backwards—to my student life in Paris, and set me to<lb/>
                    thinking, as I had not thought for many a long day, of my hero,<lb/> friend, and
                    comrade, Edmund Pair ; for it was a tune of Pair's<lb/> composition, a melody he
                    had written to a nursery rhyme, and<lb/> used to sing a good deal, half in fun,
                    half in earnest, to his lady-<lb/> love, Godelinette :</p>
                <fw type="catchword">"Lavender's</fw>
                <pb n="95"/>
                <fw type="runningHead">By Henry Harland <fw type="pageNum">73</fw>
                </fw>
                <lg type="stanza">
                    <l>"Lavender's blue, diddle-diddle,</l>
                    <l>Lavender's green ;</l>
                    <l>When I am king, diddle-diddle,</l>
                    <l>You shall be queen."</l>
                </lg>
                <p>It is certain he meant very seriously that if he ever came into his<lb/> kingdom
                    Godelinette should be queen. The song had been<lb/> printed, but, so far as I
                    knew, had never had much vogue ; and it<lb/> seemed an odd chance that this
                    evening, in a French seaport town<lb/> where I was passing a single night, I
                    should stray by hazard into<lb/> a sailors pothouse and hear it again.</p>
                <p>Edmund Pair lived in the Latin Quarter when I did, but he<lb/> was no longer a
                    mere student. He had published a good many<lb/> songs ; articles had been
                    written about them in the newspapers ;<lb/> and at his rooms you would meet the
                    men who had "arrived"—<lb/>actors, painters, musicians, authors, and now and
                    then a politician<lb/>— who thus recognised him as more or less one of
                    themselves.<lb/> Everybody liked him ; everybody said, "He is splendidly gifted
                    ;<lb/> he will go far." A few of us already addressed him, half-playfully<lb/>
                    perhaps, as <emph rend="italic">cher maître</emph>.</p>
                <p>He was three or four years older than I—eight or nine<lb/> and twenty to my
                    twenty-five—and I was still in the schools ; but for<lb/> all that we were great
                    chums. Quite apart from his special talent,<lb/> he was a remarkable man—amusing
                    in talk, good-looking, generous,<lb/> affectionate. He had read ; he had
                    travelled ; he had hob-and-<lb/> nobbed with all sorts and conditions of people.
                    He had wit,<lb/> imagination, humour, and a voice that made whatever he said
                    a<lb/> cordial to the ear. For myself I admired him, enjoyed him, loved<lb/>
                    him, with equal fervour ; he had all of my hero-worship and the<lb/> lion's
                    share of my friendship ; perhaps I was vain as well as glad<lb/> to be
                    distinguished by his intimacy. We used to spend two or<lb/>
                </p>
                <fw type="catchword">three</fw>
                <pb n="96"/>
                <fw type="runningHead">
                    <fw type="pageNum">74</fw> When I am King</fw>
                <p>three evenings a week together, at his place or at mine, or over<lb/> the table
                    of a café, talking till the small hours—Elysian sessions,<lb/> at which we
                    smoked more cigarettes and emptied more <emph rend="italic">bocks</emph>
                    than<lb/> I should care to count. On Sundays and holidays we would take<lb/>
                    long walks arm-in-arm in the Bois, or, accompanied by Gode-<lb/> linette, go to
                    Viroflay or Fontainebleau, lunch in the open, bedeck<lb/> our hats with
                    wildflowers, and romp like children. He was tall<lb/> and slender, with dark
                    waving hair, a delicate aquiline profile, a<lb/> clear brown skin, and grey
                    eyes, alert, intelligent, kindly. I fancy<lb/> the Boulevard St. Michel, flooded
                    with sunshine, broken here and<lb/> there by long crisp shadows ; trams and
                    omnibuses toiling up the<lb/> hill, tooting their horns ; students and <emph
                        rend="italic">étudiantes</emph> sauntering gaily<lb/> backwards and forwards
                    on the <emph rend="italic">trottoir</emph> ; an odour of asphalte, of<lb/>
                    caporal tobacco ; myself one of the multitude on the terrace of a<lb/> café ;
                    and Edmund and Godelinette coming to join me—he with<lb/> his swinging stride, a
                    gesture of salutation, a laughing face ; she<lb/> in the freshest of
                    bright-coloured spring toilets : I fancy this, and<lb/> it seems an adventure of
                    the golden age. Then we would drink<lb/> our <emph rend="italic"
                        >apéritifs</emph>, our Turin bitter, perhaps our absinthe, and go off
                    to<lb/> dine together in the garden at Lavenue's.</p>
                <p>Godelinette was a child of the people, but Pair had done<lb/> wonders by way of
                    civilising her. She had learned English, and<lb/> prattled it with an accent so
                    quaint and sprightly as to give point<lb/> to her otherwise perhaps somewhat
                    commonplace observations.<lb/> She was fond of reading ; she could play a little
                    ; she was an<lb/> excellent housewife, and generally a very good-natured and
                    quite<lb/> presentable little person. She was Parisian and adaptable. To<lb/>
                    meet her, you would never have suspected her origin ; you would<lb/> have found
                    it hard to believe that she had been the wife of a<lb/> drunken tailor, who used
                    to beat her. One January night, four<lb/> or five years before, Pair had
                    surprised this gentleman publicly<lb/>
                </p>
                <fw type="catchword">pummelling</fw>
                <pb n="97"/>
                <fw type="runningHead">By Henry Harland <fw type="pageNum">75</fw>
                </fw>
                <p>pummelling her in the Rue Gay-Lussac. He hastened to remon-<lb/> strate ; and the
                    husband went off, hiccoughing of his outraged<lb/> rights, and calling the
                    universe to witness that he would have the<lb/> law of the meddling stranger.
                    Pair picked the girl up (she was<lb/> scarcely eighteen then, and had only been
                    married a sixmonth), he<lb/> picked her up from where she had fallen, half
                    fainting, on the<lb/> pavement, carried her to his lodgings, which were at hand,
                    and<lb/> sent for a doctor. In his manuscript-littered study for rather<lb/>
                    more than nine weeks she lay on a bed of fever, the consequence<lb/> of blows,
                    exhaustion, and exposure. When she got well there<lb/> was no talk of her
                    leaving. Pair couldn't let her go back to her<lb/> tailor ; he couldn't turn her
                    into the streets. Besides, during the<lb/> months that he had nursed her, he had
                    somehow conceived a great<lb/> tenderness for her ; it made his heart burn with
                    grief and anger<lb/> to think of what she had suffered in the past, and he
                    yearned to<lb/> sustain and protect and comfort her for the future. This
                    perhaps<lb/> was no more than natural ; but, what rather upset the
                    calculations<lb/> of his friends, she, towards whom he had established himself
                    in the<lb/> relation of a benefactor, bore him, instead of a grudge therefor,
                    a<lb/> passionate gratitude and affection. So, Pair said, they were only<lb/>
                    waiting till her tailor should drink himself to death, to get married;<lb/> and
                    meanwhile, he exacted for her all the respect that would have<lb/> been due to
                    his wife ; and everybody called her by his name. She<lb/> was a pretty little
                    thing, very daintily formed, with tiny hands and<lb/> feet, and big gipsyish
                    brown eyes ; and very delicate, very fragile—<lb/> she looked as if anything
                    might carry her off. Her name, Gode-<lb/> leine, seeming much too grand and
                    mediaeval for so small and actual<lb/> a person, Pair had turned it into
                    Godelinette.</p>
                <p>We all said, "He is splendidly gifted ; he will do great things."<lb/> He had
                    studied at Cambridge and at Leipsic before coming to<lb/> Paris. He was learned,
                    enlightened, and extremely modern ; he<lb/>
                </p>
                <fw type="catchword">was</fw>
                <pb n="98"/>
                <fw type="runningHead">
                    <fw type="pageNum">76</fw> When I am King</fw>
                <p>was a hard worker. We said he would do great things ; but I<lb/> thought in those
                    days, and indeed I still think—and, what is more<lb/> to the purpose, men who
                    were themselves musicians and composers,<lb/> men whose names are known, were
                    before me in thinking—that<lb/> he had already done great things, that the songs
                    he had already<lb/> published were achievements. They seemed to us original
                    in<lb/> conception, accomplished and felicitous in treatment ; they were<lb/>
                    full of melody and movement, full of harmonic surprises ; they had<lb/> style
                    and they had "go." One would have imagined they must<lb/> please at once the
                    cultivated and the general public. I could never<lb/> understand why they
                    weren't popular. They would be printed ;<lb/> they would be praised at length,
                    and under distinguished signatures,<lb/> in the reviews ; they would enjoy an
                    unusual success of appro-<lb/> bation ; but—they wouldn't <emph rend="italic"
                        >sell</emph>, and they wouldn't get themselves<lb/> sung at concerts. If
                    they had been too good, if they had been<lb/> over the heads of people—but they
                    weren't. Plenty of work quite<lb/> as good, quite as modern, yet no whit more
                    tuneful or interesting,<lb/> was making its authors rich. We couldn't understand
                    it, we had<lb/> to conclude it was a fluke, a question of chance, of accident.
                    Pair<lb/> was still a very young man ; he must go on knocking, and some<lb/>
                    day—to-morrow, next week, next year, but some day certainly—<lb/> the door of
                    public favour would be opened to him. Meanwhile<lb/> his position was by no
                    means an unenviable one, goodness knows.<lb/> To have your orbit in the art
                    world of Paris, and to be recognised<lb/> there as a star ; to be written about
                    in the <emph rend="italic">Revue des Deux-<lb/> Mondes</emph> ; to possess the
                    friendship of the masters, to know that<lb/> they believe in you, to hear them
                    prophesy, "He will do great<lb/> things"—all that is something, even if your
                    wares don't "take<lb/> on" in the market-place.</p>
                <p>"It's a good job, though, that I haven't got to live by them,"<lb/> Pair said ;
                    and there indeed he touched a salient point. His<lb/>
                </p>
                <fw type="catchword">people</fw>
                <pb n="99"/>
                <fw type="runningHead">By Henry Harland <fw type="pageNum"> 77</fw>
                </fw>
                <p>people were dead ; his father had been a younger son ; he had<lb/> no money of
                    his own. But his father's elder brother, a squire<lb/> in Hampshire, made him
                    rather a liberal allowance, something like<lb/> six hundred a year, I believe,
                    which was opulence in the Latin<lb/> Quarter. Now, the squire had been aware of
                    Pair's relation with<lb/> Godelinette from its inception, and had not
                    disapproved. On his<lb/> visits to Paris he had dined with them, given them
                    dinners, and<lb/> treated her with the utmost complaisance. But when, one
                    fine<lb/> morning, her tailor died, and my quixotic friend announced his<lb/>
                    intention of marrying her, <emph rend="italic">dans les délais légaux</emph>,
                    the squire<lb/> protested. I think I read the whole correspondence, and I<lb/>
                    remember that in the beginning the elder man took the tone of<lb/> paradox and
                    banter." Behave dishonourably, my dear fellow. I<lb/> have winked at your
                    mistress heretofore, because boys will be<lb/> boys ; but it is the <emph
                        rend="italic">man</emph> who marries. And, anyhow, a woman is<lb/> so much
                    more interesting in a false position." But he soon<lb/> became serious,
                    presently furious, and, when the marriage was an<lb/> accomplished fact, cut off
                    the funds.</p>
                <p>"Never mind, my dear," said Pair. "We will go to London<lb/> and seek our
                    fortune. We will write the songs of the people,<lb/> and let who will make the
                    laws. We will grow rich and famous,<lb/> and<lb/>
                </p>
                <lg type="stanza">
                    <l>'When I am king, diddle-diddle,</l>
                    <l>You shall be queen !'"</l>
                </lg>
                <p> So they went to London to seek their fortune, and—that was the<lb/> last I ever
                    saw of them, nearly the last I heard. I had two letters<lb/> from Pair, written
                    within a month of their hegira—gossipy,<lb/> light-hearted letters, describing
                    the people they were meeting,<lb/> reporting Godelinette's quaint observations
                    upon England and<lb/> English things, explaining his hopes, his intentions, all
                    very<lb/>
                </p>
                <fw type="footer">The Yellow Book—Vol. III.<emph>E</emph>
                </fw>
                <fw type="catchword">confidently</fw>
                <pb n="100"/>
                <fw type="runningHead">
                    <fw type="pageNum">78</fw> When I am King </fw>
                <p>confidently—and then I had no more. I wrote again, and still<lb/> again, till,
                    getting no answer, of course I ceased to write. I<lb/> was hurt and puzzled ;
                    but in the spring we should meet in<lb/> London, and could have it out. When the
                    spring came, however,<lb/> my plans were altered : I had to go to America. I
                    went by way<lb/> of Havre, expecting to stay six weeks, and was gone six
                    years.</p>
                <p>On my return to England I said to people, "You have a<lb/> brilliant young
                    composer named Pair. Can you put me in the<lb/> way of procuring his address ?"
                    The fortune he had come to<lb/> seek he would surely have found ; he would be a
                    known man.<lb/> But people looked blank, and declared they had never heard of
                    him.<lb/> I applied to music-publishers—with the same result. I wrote to<lb/>
                    his uncle in Hampshire ; the squire did not reply. When I<lb/> reached Paris I
                    inquired of our friends there ; they were as<lb/> ignorant as I. "He must be
                    dead," I concluded. "If he had<lb/> lived, it is impossible we should not have
                    heard of him." And I<lb/> wondered what had become of Godelinette.</p>
                <p>Then another eight or ten years passed, and now, in a water-<lb/> side public at
                    Bordeaux, an obscure old pianist was playing Pair's<lb/> setting of "Lavender's
                    blue," and stirring a hundred bitter-sweet<lb/> far-away memories of my friend.
                    It was as if fifteen years were<lb/> erased from my life. The face of
                    Godelinette was palpable before<lb/> me—pale, with its sad little smile, its
                    bright appealing eyes.<lb/> Edmund might have been smoking across the table—I
                    could hear<lb/> his voice, I could have put out my hand and touched him.
                    And<lb/> all round me were the streets, the lights, the smells, the busy<lb/>
                    youthful <emph rend="italic">va-et-vient</emph> of the Latin Quarter ; and in my
                    heart the<lb/> yearning, half joy and all despair and anguish, with which
                    we<lb/> think of the old days when we were young, of how real and dear<lb/> they
                    were, of how irrecoverable they are.</p>
                <p> And then the music stopped, the Brasserie des Quatre Vents<lb/>
                </p>
                <fw type="catchword">became</fw>
                <pb n="101"/>
                <fw type="runningHead">By Henry Harland <fw type="pageNum">79</fw>
                </fw>
                <p>became a glaring reality, and the painted female sipping <emph rend="italic"
                        >eau-de-vie</emph>
                    <lb/> at my elbow remarked plaintively, "Tu n'es pas rigolo, toi.<lb/> Vieux-tu
                    faire une valse ?"</p>
                <p>"I must speak to your musician," I said. " Excuse me."</p>
                <p>He had played a bit of Pair's music. It was one chance in a<lb/> thousand, but I
                    wanted to ask him whether he could tell me<lb/> anything about the composer. So
                    I penetrated to the bottom<lb/> of the shop, and approached his platform. He was
                    bending<lb/> over some sheets of music—making his next selection, doubt-<lb/>
                    less.</p>
                <p>"I beg your pardon——" I began.</p>
                <p>He turned towards me. You will not be surprised—I was<lb/> looking into Pair's
                    own face.</p>
                <p>You will not be surprised, but you will imagine what it was<lb/> for me. Oh, yes,
                    I recognised him instantly ; there could be no<lb/> mistake. And he recognised
                    me, for he flushed, and winced, and<lb/> started back.</p>
                <p>I suppose for a little while we were both of us speechless,<lb/> speechless and
                    motionless, while our hearts stopped beating. By-<lb/> and-by I think I
                    said—something had to be said to break the<lb/> situation—I think I said, "It's
                    you, Edmund?" I remember he<lb/> fumbled with a sheet of music, and kept his
                    eyes bent on it, and<lb/> muttered something inarticulate. Then there was
                    another speech-<lb/> less, helpless suspension. He continued to fumble his
                    music,<lb/> without looking up. At last I remember saying, through a sort<lb/>
                    of sickness and giddiness, "Let us get out of here—where we<lb/> can talk."</p>
                <p>"I can't leave yet. I've got another dance," he answered.</p>
                <p>"Well, I'll wait," said I.</p>
                <p>I sat down near him and waited, trying to create some kind of<lb/>
                </p>
                <fw type="catchword">order</fw>
                <pb n="102"/>
                <fw type="runningHead">
                    <fw type="pageNum">80</fw> When I am King</fw>
                <p>order out of the chaos in my mind, and half automatically watching<lb/> and
                    considering him as he played his dance—Edmund Pair playing<lb/> a dance for
                    prostitutes and drunken sailors. He was not greatly<lb/> changed. There were the
                    same grey eyes, deep-set and wide<lb/> apart, under the same broad forehead ;
                    the same fine nose and<lb/> chin, the same sensitive mouth. The whole face was
                    pretty much<lb/> the same, only thinner perhaps, and with a look of apathy,
                    of<lb/> inanimation, that was foreign to my recollection of it. His hair<lb/>
                    had turned quite white, but otherwise he appeared no older than<lb/> his years.
                    His figure, tall, slender, well-knit, retained its vigour<lb/> and its
                    distinction. Though he wore a shabby brown Norfolk<lb/> jacket, and his beard
                    was two days old, you could in no circum-<lb/> stances have taken him for
                    anything but a gentleman. I waited<lb/> anxiously for the time when we should be
                    alone—anxiously,<lb/> yet with a sort of terror. I was burning to understand,
                    and yet<lb/> I shrunk from doing so. If to conjecture even vaguely what<lb/>
                    experiences could have brought him to this, what dark things<lb/> suffered or
                    done, had been melancholy when he was a nameless<lb/> old musician, now it was
                    appalling, and I dreaded the explana-<lb/> tion that I longed to hear.</p>
                <p>At last he struck his final chord, and rose from the piano. Then<lb/> he turned
                    to me and said, composedly enough, "Well, I'm ready."<lb/> He, apparently, had
                    in some measure pulled himself together. In<lb/> the street he took my arm.
                    "Let's walk in this direction," he<lb/> said, leading off, "towards the
                    Christian quarter of the town."<lb/> And in a moment he went on : "This has been
                    an odd meeting.<lb/> What brings you to Bordeaux ?"</p>
                <p>I explained that I was on my way to Biarritz, stopping for the<lb/> night between
                    two trains.</p>
                <p>"Then it's all the more surprising that you should have<lb/> stumbled into the
                    Brasserie des Quatre Vents. You've altered<lb/>
                </p>
                <fw type="catchword">very</fw>
                <pb n="103"/>
                <fw type="runningHead">By Henry Harland <fw type="pageNum">81</fw>
                </fw>
                <p>very slightly. The world wags well with you ? You look<lb/> prosperous."</p>
                <p>I cried out some incoherent protest. Afterwards I said, "You<lb/> know what I
                    want to hear. What does this mean ?"</p>
                <p>He laughed nervously. "Oh, the meaning's clear enough. It<lb/> speaks for
                    itself."</p>
                <p>"I don't understand," said I.</p>
                <p>"I'm pianist to the Brasserie des Quatre Vents. You saw me<lb/> in the discharge
                    of my duties."</p>
                <p>"I don't understand," I repeated helplessly.</p>
                <p>"And yet the inference is plain. What could have brought a<lb/> man to such a
                    pass save drink or evil courses ?"</p>
                <p>"Oh, don't trifle," I implored him.</p>
                <p>"I'm not trifling. That's the worst of it. For I don't drink,<lb/> and I'm not
                    conscious of having pursued any especially evil courses."</p>
                <p>"Well ?" I questioned. "Well ?"</p>
                <p>"The fact of the matter simply is that I m what they call a<lb/> failure. I never
                    came off."</p>
                <p>"I don't understand," I repeated for a third time.</p>
                <p>"No more do I, if you come to that. It's the will of Heaven,<lb/> I suppose.
                    Anyhow, it can't puzzle you more than it puzzles<lb/> me. It seems contrary to
                    the whole logic of circumstances, but<lb/> it's the fact."</p>
                <p>Thus far he had spoken listlessly, with a sort of bitter levity,<lb/> an
                    affectation of indifference ; but after a little silence his mood<lb/> appeared
                    to change. His hand upon my arm tightened its grasp,<lb/> and he began to speak
                    rapidly, feelingly.</p>
                <p>"Do you realise that it is nearly fifteen years since we have<lb/> seen each
                    other ? The history of those fifteen years, so far as I<lb/> am concerned, has
                    been the history of a single uninterrupted<lb/>
                    <emph rend="italic">déveine</emph>—one continuous run of ill-luck, against every
                    probability<lb/>
                </p>
                <fw type="catchword">of</fw>
                <pb n="104"/>
                <fw type="runningHead">
                    <fw type="pageNum">82</fw> When I am King</fw>
                <p>of the game, against every effort I could make to play my cards<lb/> effectively.
                    When I started out, one might have thought, I had<lb/> the best of chances. I
                    had studied hard ; I worked hard. I<lb/> surely had as much general
                    intelligence, as much special know-<lb/> ledge, as much apparent talent, as my
                    competitors. And the<lb/> stuff I produced seemed good to you, to my friends,
                    and not<lb/> wholly bad to me. It was musicianly, it was melodious, it was<lb/>
                    sincere ; the critics all praised it ; but—it never took on ! The<lb/> public
                    wouldn't have it. What did it lack ? I don't know. At<lb/> last I couldn't even
                    get it published—invisible ink ! And I had a<lb/> wife to support."</p>
                <p>He paused for a minute ; then : "You see," he said, "we made<lb/> the mistake,
                    when we were young, of believing, against wise<lb/> authority, that it <emph
                        rend="italic">was</emph> in mortals to command success, that he<lb/> could
                    command it who deserved it. We believed that the race<lb/> would be to the
                    swift, the battle to the strong ; that a man was<lb/> responsible for his own
                    destiny, that he'd get what he merited.<lb/> We believed that honest labour
                    couldn t go unrewarded. An<lb/> immense mistake. Success is an affair of
                    temperament, like faith,<lb/> like love, like the colour of your hair. Oh, the
                    old story about<lb/> industry, resolution, and no vices ! I was industrious, I
                    was<lb/> resolute, and I had no more than the common share of vices.<lb/> But I
                    had the unsuccessful temperament ; and here I am. If my<lb/> motives had been
                    ignoble—but I can't see that they were. I<lb/> wanted to earn a decent living ;
                    I wanted to justify my existence<lb/> by doing something worthy of the world's
                    acceptance. But the<lb/> stars in their courses fought against me. I have tried
                    hard to con-<lb/> vince myself that the music I wrote was rubbish. It had
                    its<lb/> faults, no doubt. It wasn't great, it wasn't epoch-making. But,<lb/> as
                    music goes nowadays, it was jolly good. It was a jolly sight<lb/> better than
                    the average."</p>
                <fw type="catchword">"Oh,</fw>
                <pb n="105"/>
                <fw type="runningHead">By Henry Harland <fw type="pageNum">83</fw>
                </fw>
                <p>"Oh, that is certain, that is certain," I exclaimed, as he paused<lb/> again.</p>
                <p>"Well, anyhow, it didn't sell, and at last I couldn't even get it<lb/> published.
                    So then I tried to find other work. I tried every-<lb/> thing. I tried to
                    teach—harmony and the theory of composition.<lb/> I couldn't get pupils. So few
                    people want to study that sort of<lb/> thing, and there were good masters
                    already in the place. If I had<lb/> known how to play, indeed ! But I was never
                    better than a fifth-<lb/> rate executant ; I had never gone in for that ; my
                    'lay' was com-<lb/> position. I couldn't give piano lessons, I couldn't play in
                    public—<lb/>unless in a <emph rend="italic">gargotte</emph> like the hole we
                    have just left. Oh, I tried<lb/> everything. I tried to get musical criticism to
                    do for the news-<lb/> papers. Surely I was competent to do musical criticism.
                    But<lb/> no—they wouldn't employ me. I had ill luck, ill luck, ill luck—<lb/>
                    nothing but ill luck, defeat, disappointment. Was it the will of<lb/> Heaven ? I
                    wondered what unforgiveable sin I had committed to<lb/> be punished so. Do you
                    know what it is like to work and pray<lb/> and wait, day after day, and watch
                    day after day come and go and<lb/> bring you nothing ? Oh, I tasted the whole
                    heart-sickness of<lb/> hope deferred ; Giant Despair was my constant
                    bed-fellow."</p>
                <p>"But—with your connections——" I began.</p>
                <p>"Oh, my connections !" he cried. "There was the rub,<lb/> London is the cruellest
                    town in Europe. For sheer cold blood<lb/> and heartlessness give Londoners the
                    palm. I had connections<lb/> enough for the first month or so, and then people
                    found out<lb/> things that didn't concern them. They found out some things<lb/>
                    that were true, and they imagined other things that were false.<lb/> They
                    wouldn't have my wife ; they told the most infamous lies<lb/> about her ; and I
                    wouldn't have <emph rend="italic">them</emph>. Could I be civil to people<lb/>
                    who insulted and slandered <emph rend="italic">her</emph> ? I had no connections
                    in London,<lb/> except with the underworld. I got down to copying parts for<lb/>
                </p>
                <fw type="catchword">theatrical</fw>
                <pb n="106"/>
                <fw type="runningHead">
                    <fw type="pageNum">84</fw> When I am King</fw>
                <p>theatrical orchestras ; and working twelve hours a day, earned<lb/> about thirty
                    shillings a week."</p>
                <p>"You might have come back to Paris."</p>
                <p>"And fared worse. I couldn't have earned thirty pence in<lb/> Paris. Mind you,
                    the only trade I had learned was that of a<lb/> musical composer ; and I
                    couldn't compose music that people<lb/> would buy. I should have starved as a
                    copyist in Paris, where<lb/> copyists are more numerous and worse paid. Teach
                    there ? But<lb/> to one competent master of harmony in London there are ten
                    in<lb/> Paris. No ; it was a hopeless case."</p>
                <p>"It is incomprehensible—incomprehensible," said I.</p>
                <p>"But wait—wait till you've heard the end. One would think<lb/> I had had
                    enough—not so ? One would think my cup of bitterness<lb/> was full. No fear !
                    There was a stronger cup still a-brewing<lb/> for me. When Fortune takes a
                    grudge against a man, she never lets<lb/> up. She exacts the uttermost farthing.
                    I was pretty badly off,<lb/> but I had one treasure left—I had Godelinette. I
                    used to think<lb/> that she was my compensation. I would say to myself, 'A
                    fellow<lb/> can't have all blessings. How can you expect others, when
                    you've<lb/> got her ? And I would accuse myself of ingratitude for com-<lb/>
                    plaining of my unsuccess. Then she fell ill. My God, how I<lb/> watched over,
                    prayed over her ! It seemed impossible—I could<lb/> not believe—that she would
                    be taken from me. Yet, Harry, do<lb/> you know what that poor child was thinking
                    ? Do you know<lb/> what her dying thoughts were—her wishes ? Throughout her<lb/>
                    long painful illness she was thinking that she was an obstacle in<lb/> my way, a
                    weight upon me ; that if it weren't for her, I should<lb/> get on, have friends,
                    a position ; that it would be a good thing for<lb/> me if she should die ; and
                    she was hoping in her poor little heart<lb/> that she wouldn't get well ! Oh, I
                    know it, I knew it—and you<lb/> see me here alive. She let herself die for my
                    sake—as if I could<lb/>
                </p>
                <fw type="catchword">care</fw>
                <pb n="107"/>
                <fw type="runningHead">By Henry Harland <fw type="pageNum">85</fw>
                </fw>
                <p>care for anything without her ! That's what brought us here, to<lb/> France, to
                    Bordeaux—her illness. The doctors said she must pass<lb/> the spring out of
                    England, away from the March winds, in the<lb/> South ; and I begged and
                    borrowed money enough to take her.<lb/> And we were on our way to Arcachon ; but
                    when we reached<lb/> Bordeaux she was too ill to continue the journey, and—she
                    died<lb/> here."</p>
                <p>We walked on for some distance in silence, then he added :<lb/> "That was four
                    years ago. You wonder why I live to tell you<lb/> of it, why I haven't cut my
                    throat. I don't know whether it's<lb/> cowardice or conscientious scruples. It
                    seems rather inconsequent<lb/> to say that I believe in a God, doesn't it ?—that
                    I believe one's life<lb/> is not one's own to make an end of? Anyhow, here I am,
                    keeping<lb/> body and soul together as musician to a <emph rend="italic"
                        >brasserie-à-femmes</emph>. I<lb/> can't go back to England, I can't leave
                    Bordeaux—she's buried<lb/> here. I've hunted high and low for work, and found it
                    nowhere<lb/> save in the <emph rend="italic">brasserie-à-femmes</emph>. With
                    that, and a little copying<lb/> now and then, I manage to pay my way."</p>
                <p>"But your uncle ?" I asked.</p>
                <p>"Do you think I would touch a penny of his money ?" Pair<lb/> retorted, almost
                    fiercely. "It was he who began it. My wife<lb/> let herself die. It was virtual
                    suicide. It was he who created the<lb/> situation that drove her to it."</p>
                <p>"You are his heir, though, aren't you ?"</p>
                <p>"No, the estates are not entailed."</p>
                <p>We had arrived at the door of my hotel. "Well, good-night<lb/> and <emph
                        rend="italic">bon voyage</emph>," he said.</p>
                <p>"You needn't wish me <emph rend="italic">bon voyage</emph>," I answered. "Of
                    course<lb/> I'm not leaving Bordeaux for the present."</p>
                <p>"Oh, yes, you are. You're going on to Biarritz to-morrow<lb/> morning, as you
                    intended."</p>
                <fw type="catchword">And</fw>
                <pb n="108"/>
                <fw type="runningHead">
                    <fw type="pageNum">86</fw> When I am King</fw>
                <p>And herewith began a long and most painful struggle. I could<lb/> persuade him to
                    accept no help of any sort from me. "What I<lb/> can't do for myself," he
                    declared, "I'll do without. My dear fellow,<lb/> all that you propose is
                    contrary to the laws of Nature. One man<lb/> can't keep another—it's an
                    impossible relation. And I won't be<lb/> kept ; I won't be a burden. Besides, to
                    tell you the truth, I've<lb/> got past caring. The situation you find me in
                    seems terrible to<lb/> you ; to me it's no worse than another. You see, I'm
                    hardened ;<lb/> I ve got past caring."</p>
                <p>"At any rate," I insisted, "I shan't go on to Biarritz. I'll<lb/> spend my
                    holiday here, and we can see each other every day.<lb/> What time shall we meet
                    to-morrow ?"</p>
                <p>"No, no, I can't meet you again. Don't ask me to ; you<lb/> mean it kindly, I
                    know, but you're mistaken. It's done me good<lb/> to talk it all out to you, but
                    I can't meet you again. I've got<lb/> no heart for friendship, and—you remind me
                    too keenly of many<lb/> things."</p>
                <p>"But if I come to the <emph rend="italic">brasserie</emph> to-morrow night ?"</p>
                <p>"Oh, if you do that, you'll oblige me to throw up my employ-<lb/> ment there, and
                    hide from you. You must promise not to come<lb/> again—you must respect my
                    wishes."</p>
                <p>"You're cruel, you know."</p>
                <p>"Perhaps, perhaps. But I think I'm only reasonable. Any-<lb/> how, good-bye."</p>
                <p> He shook my hand hurriedly, and moved off. What could I<lb/> do ? I stood
                    looking after him till he had vanished in the night,<lb/> with a miserable
                    baffled recognition of my helplessness to help<lb/> him.</p>
            </div>
            <div n="YBV3_14po" type="poetry">
                <pb n="109"/>
                <head>
                    <title level="a">To a Bunch of Lilac</title>
                </head>
                <byline>By <docAuthor>
                        <ref target="#TMA">Theo Marzials</ref>
                    </docAuthor>
                </byline>
                <epigraph>
                    <quote>
                        <emph rend="italic">"Dis-moi la fleur, je te dirai la femme "</emph>
                    </quote>
                </epigraph>
                <lg type="stanza">
                    <l>Is it the April springing,</l>
                    <l>Or the bird in the breeze above ?</l>
                    <l>My throat is full of singing,</l>
                    <l>My heart is full of love.</l>
                </lg>
                <lg type="stanza">
                    <l>O heart, are you not yet broken ?</l>
                    <l>O dream, so done with and dead,</l>
                    <l>Is life's one word not spoken,</l>
                    <l>And the rede of it all not read ?</l>
                </lg>
                <lg type="stanza">
                    <l>No hope in the whole world over !</l>
                    <l>No hope in the infinite blue !</l>
                    <l>Yet I sing and laugh out like a lover—</l>
                    <l>Oh, who is it, April—who ?</l>
                </lg>
                <lg type="stanza">
                    <l>And the glad young year is springing ;</l>
                    <l>And the birds, and the breeze above,</l>
                    <l>And the shrill tree-tops, are singing—</l>
                    <l>And I am singing—of love.</l>
                </lg>
                <p>* * * *</p>
                <fw type="catchword">O beautiful</fw>
                <pb n="110"/>
                <fw type="runningHead">
                    <fw type="pageNum">88</fw> To a Bunch of Lilac</fw>
                <lg type="stanza">
                    <l>O beautiful lilac flowers,</l>
                    <l>Oh, say, is it you, is it you</l>
                    <l>The sun-struck, love-sick hours</l>
                    <l>Go faint for murmuring through ?</l>
                </lg>
                <lg type="stanza">
                    <l>O full of ineffable yearning,</l>
                    <l>So balmy, mystical, deep,</l>
                    <l>And faint beyond any discerning,</l>
                    <l>Like far-off voices in sleep—</l>
                </lg>
                <lg type="stanza">
                    <l>1 love you, O lilac, I love you !</l>
                    <l>Till life goes swooning by,</l>
                    <l>I breathe and enwreathe and enfold you,</l>
                    <l>And long but to love, and die.</l>
                </lg>
            </div>
            <div>
                <pb n="111"/>
                <head>
                    <title level="a">From a Pastel</title>
                </head>

                <byline> By <docAuthor>
                        <ref target="#ABE">Albert Foschter</ref>
                    </docAuthor>
                </byline>
                <pb n="112"/>
                <pb n="113"/>
                <pb n="114"/>
            </div>
            <div n="YBV3_15im" type="image">
                <pb n="115"/>
                <figure>
                    <graphic width="600px" height="850px"
                        url="MediumImageDocs/YB3icon10_foschter_pastel_edited.jpg"/>
                    <note n="YBV3_15im.n1">
                        <title>From a Pastel</title>
                        <rs>YB3icon10</rs>YB3icon10 From a Pastel Albert Foschter Aubrey Beardsley
                        VII October 1894 page 91 15.2 cm x 10.8 cm Portrait Pastel 18th century
                        female figure person bow dress/gown hat</note>
                    <head>From a Pastel</head>
                    <figDesc>Image is a portrait study of a woman. She is in profile, looking
                        towards the left, dividing the image in half vertically. She is wearing a
                        white mob cap tied with a black ribbon over dark curls and a décolleté dress
                        edged with black lace. She takes up approximately 2/3 of the
                        image.</figDesc>
                </figure>
                <pb n="116"/>
            </div>
            <div n="YBV3_16pr" type="prose">
                <pb n="117"/>
                <head>
                    <title level="a">Apple Blossom in Brittany</title>
                </head>
                <byline>By<docAuthor>
                        <ref target="#EDO"> Ernest Dowson</ref>
                    </docAuthor>
                </byline>
                <p>I</p>
                <p>IT was the feast of the Assumption in Ploumariel, at the hottest<lb/> part of the
                    afternoon. Benedict Campion, who had just<lb/> assisted at vespers, in the
                    little dove-cotted church—like every-<lb/> thing else in Ploumariel, even
                    vespers were said earlier than is the<lb/> usage in towns—took up his station in
                    the market-place to watch<lb/> the procession pass by. The head of it was just
                    then emerging<lb/> into the Square : a long file of men from the
                    neighbouring<lb/> villages, bare-headed and chaunting, followed the crucifer.
                    They<lb/> were all clad in the picturesque garb of the Morbihan peasantry,<lb/>
                    and were many of them imposing, quite noble figures with their<lb/> clear-cut
                    Breton features, and their austere type of face. After<lb/> them a troop of
                    young girls, with white veils over their heads,<lb/> carrying banners—children
                    from the convent school of the<lb/> Ursulines ; and then, two and two in motley
                    assemblage (peasant<lb/> women with their white coifs walking with the wives
                    and<lb/> daughters of prosperous <emph rend="italic">bourgeois</emph> in
                    costumes more civilised but<lb/> far less pictorial) half the inhabitants of
                    Ploumariel—all, indeed,<lb/> who had not, with Campion, preferred to be
                    spectators, taking<lb/> refuge from a broiling sun under the grateful shadow of
                    the chest-<lb/>
                </p>
                <fw type="catchword">nuts</fw>
                <pb n="118"/>
                <fw type="runningHead">
                    <fw type="pageNum">94</fw> Apple Blossom in Brittany</fw>
                <p>nuts in the market-place. Last of all a muster of clergy, four<lb/> or five
                    strong, a small choir of bullet-headed boys, and the Curé or<lb/> the parish
                    himself, Monsieur Letêtre chaunting from his book,<lb/> who brought up the
                    rear.</p>
                <p>Campion, leaning against his chestnut tree, watched them<lb/> defile. Once a
                    smile of recognition flashed across his face, which<lb/> was answered by a girl
                    in the procession. She just glanced from<lb/> her book, and the smile with which
                    she let her eyes rest upon him<lb/> for a moment, before she dropped them, did
                    not seem to detract<lb/> from her devotional air. She was very young and
                    slight—she<lb/> might have been sixteen—and she had a singularly pretty face
                    ;<lb/> her white dress was very simple, and her little straw hat, but both<lb/>
                    of these she wore with an air which at once set her apart from her<lb/>
                    companions, with their provincial finery and their rather common-<lb/> place
                    charms. Campion's eyes followed the little figure until it<lb/> was lost in the
                    distance, disappearing with the procession down a<lb/> by-street on its return
                    journey to the church. And after they<lb/> had all passed, the singing, the last
                    verse of the "Ave Maris<lb/> Stella," was borne across to him, through the still
                    air, the voices of<lb/> children pleasantly predominating. He put on his hat at
                    last, and<lb/> moved away ; every now and then he exchanged a greeting with<lb/>
                    somebody—the communal doctor, the mayor ; while here and there<lb/> a woman
                    explained him to her gossip in whispers as he passed, "It<lb/> is the Englishman
                    of Mademoiselle Marie-Ursule—it is M. le<lb/> Curé's guest." It was to the
                    dwelling of M. le Curé, indeed,<lb/> that Campion now made his way. Five
                    minutes' walk brought<lb/> him to it ; an unpretentious white house, lying back
                    in its large<lb/> garden, away from the dusty road. It was an untidy
                    garden,<lb/> rather useful than ornamental ; a very little shade was offered
                    by<lb/> one incongruous plane-tree, under which a wooden table was placed<lb/>
                    and some chairs. After <emph rend="italic">déjeûner</emph>, on those hot August
                    days,<lb/>
                </p>
                <fw type="catchword">Campion</fw>
                <pb n="119"/>
                <fw type="runningHead">By Ernest Dowson<fw type="pageNum"> 95</fw>
                </fw>
                <p>Campion and the Curé took their coffee here ; and in the evening<lb/> it was here
                    that they sat and talked while Mademoiselle Hortense,<lb/> the Curé's sister,
                    knitted, or appeared to knit, an interminable<lb/> shawl ; the young girl,
                    Marie-Ursule, placidly completing<lb/> the quartet with her silent, felicitous
                    smile of a convent-bred child,<lb/> which seemed sometimes, at least to Campion,
                    to be after all a<lb/> finer mode of conversation. He threw himself down now on
                    the<lb/> bench, wondering when his hosts would have finished their de-<lb/>
                    votions, and drew a book from his pocket as if he would read.<lb/> But he did
                    not open it, but sat for a long time holding it idly in<lb/> his hand, and
                    gazing out at the village, at the expanse of dark pine-<lb/> covered hills, and
                    at the one trenchant object in the foreground,<lb/> the white façade of the
                    convent of the Ursuline nuns. Once and<lb/> again he smiled, as though his
                    thoughts, which had wandered a<lb/> long way, had fallen upon extraordinarily
                    pleasant things. He was<lb/> a man of barely forty, though he looked slightly
                    older than his<lb/> age : his little, peaked beard was grizzled, and a life
                    spent in<lb/> literature, and very studiously, had given him the scholar's<lb/>
                    premature stoop. He was not handsome, but, when he smiled,<lb/> his smile was so
                    pleasant that people credited him with good looks.<lb/> It brought, moreover,
                    such a light of youth into his eyes, as to<lb/> suggest that if his avocations
                    had unjustly aged his body, that had<lb/> not been without its compensations—his
                    soul had remained re-<lb/> markably young. Altogether, he looked shrewd, kindly
                    and<lb/> successful, and he was all these things, while if there was also a<lb/>
                    certain sadness in his eyes—lines of lassitude about his mouth—<lb/>this was an
                    idiosyncracy of his temperament, and hardly justified<lb/> by his history, which
                    had always been honourable and smooth.<lb/> He was sitting in the same calm and
                    presumably agreeable reverie,<lb/> when the garden gate opened, and a girl—the
                    young girl of the<lb/> procession, fluttered towards him.</p>
                <fw type="footer">The Yellow Book.—Vol. III. <emph>F</emph>
                </fw>
                <fw type="catchword">"Are</fw>
                <pb n="120"/>
                <fw type="runningHead">
                    <fw type="pageNum">96</fw> Apple Blossom in Brittany</fw>
                <p>"Are you quite alone?" she asked brightly, seating herself at<lb/> his side. "Has
                    not Aunt Hortense come back ?"</p>
                <p>Campion shook his head, and she continued speaking in English,<lb/> very
                    correctly, but with a slight accent, which gave to her pretty<lb/> young voice
                    the last charm.</p>
                <p>"I suppose she has gone to see <emph rend="italic">la mѐre Guémené</emph>. She
                    will not<lb/> live another night they say. Ah ! what a pity," she cried,
                    clasping<lb/> her hands ; "to die on the Assumption—that is hard."</p>
                <p>Campion smiled softly. "Dear child, when one's time comes,<lb/> when one is old
                    as that, the day does not matter much." Then<lb/> he went on : "But how is it
                    you are back ; were you not going to<lb/> your nuns ?"</p>
                <p>She hesitated a moment. "It is your last day, and I wanted to<lb/> make tea for
                    you. You have had no tea this year. Do you think<lb/> I have forgotten how to
                    make it, while you have been away, as I<lb/> forget my English words ?"</p>
                <p>"It's I who am forgetting such an English habit," he pro-<lb/> tested. "But run
                    away and make it, if you like. I am sure it<lb/> will be very good."</p>
                <p>She stood for a moment looking down at him, her fingers<lb/> smoothing a little
                    bunch of palest blue ribbons on her white dress.<lb/> In spite of her youth, her
                    brightness, the expression of her face in<lb/> repose was serious and
                    thoughtful, full of unconscious wistfulness.<lb/> This, together with her placid
                    manner, the manner of a child who<lb/> has lived chiefly with old people and
                    quiet nuns, made her beauty<lb/> to Campion a peculiarly touching thing. Just
                    then her eyes fell<lb/> upon Campion's wide-awake, lying on the seat at his
                    side, and<lb/> travelled to his uncovered head. She uttered a protesting cry
                    :<lb/> "Are you not afraid of a <emph rend="italic">coup de soleil</emph>?
                    See—you are not<lb/> fit to be a guardian if you can be so foolish as that. It
                    is I<lb/> who have to look after you." She took up the great grey hat and<lb/>
                </p>
                <fw type="catchword">set</fw>
                <pb n="121"/>
                <fw type="runningHead">By Ernest Dowson <fw type="pageNum">97</fw>
                </fw>
                <p>set it daintily on his head ; then with a little laugh she disappeared<lb/> into
                    the house.</p>
                <p>When Campion raised his head again, his eyes were smiling,<lb/> and in the light
                    of a sudden flush which just died out of it, his<lb/> face looked almost
                    young.</p>
                <p>II</p>
                <p>This girl, so foreign in her education and traditions, so foreign<lb/> in the
                    grace of her movements, in everything except the shade of<lb/> her dark blue
                    eyes, was the child of an English father ; and she<lb/> was Benedict Campion's
                    ward. This relation, which many<lb/> persons found incongruous, had befallen
                    naturally enough. Her<lb/> father had been Campion's oldest and most familiar
                    friend ; and<lb/> when Richard Heath's romantic marriage had isolated him from
                    so<lb/> many others, from his family and from his native land, Campion's<lb/>
                    attachment to him had, if possible, only been increased. From<lb/> his heart he
                    had approved, had prophesied nothing but good of an<lb/> alliance, which
                    certainly, while it lasted, had been an wholly ideal<lb/> relation. There had
                    seemed no cloud on the horizon—and yet<lb/> less than two years had seen the end
                    of it. The birth of the<lb/> child, Marie-Ursule, had been her mother's death ;
                    and six months<lb/> later, Richard Heath, dying less from any defined malady
                    than<lb/> because he lacked any longer the necessary motive to live,<lb/> was
                    laid by the side of his wife. The helpless child remained, in<lb/> the
                    guardianship of Hortense, her mother's sister, and elder by<lb/> some ten years,
                    who had already composed herself contentedly, as<lb/> some women do, to the
                    prospect of perpetual spinsterhood, and the<lb/> care of her brother's house—an
                    ecclesiastic just appointed curé<lb/> of Ploumariel. And here, ever since, in
                    this quiet corner of Brittany,<lb/>
                </p>
                <fw type="catchword">in</fw>
                <pb n="122"/>
                <fw type="runningHead">
                    <fw type="pageNum">98</fw> Apple Blossom in Brittany</fw>
                <p>in the tranquil custody of the priest and his sister, Marie-Ursule<lb/> had grown
                    up.</p>
                <p>Campion's share in her guardianship had not been onerous,<lb/> although it was
                    necessarily maintained ; for the child had inherited,<lb/> and what small
                    property would come to her was in England, and<lb/> in English funds. To
                    Hortense Letêtre and her brother such<lb/> responsibilities in an alien land
                    were not for a moment to be<lb/> entertained. And gradually, this connection, at
                    first formal and<lb/> impersonal, between Campion and the Breton presbytery,
                    had<lb/> developed into an intimacy, into a friendship singularly
                    satisfying<lb/> on both sides. Separate as their interests seemed, those of
                    the<lb/> French country-priest, and of the Englishman of letters, famous<lb/>
                    already in his own department, they had, nevertheless, much<lb/> community of
                    feeling apart from their common affection for a<lb/> child. Now, for many years,
                    he had been established in their<lb/> good graces, so that it had become an
                    habit with him to spend his<lb/> holiday—it was often a very extended one—at
                    Ploumariel ;<lb/> while to the Letêtres, as well as to Marie-Ursule herself,
                    this<lb/> annual sojourn of Campion's had become the occasion of the year,<lb/>
                    the one event which pleasantly relieved the monotony of life in<lb/> this remote
                    village ; though that, too, was a not unpleasant routine.<lb/> Insensibly
                    Campion had come to find his chief pleasure in con-<lb/> sideration of this
                    child of an old friend, whose gradual growth<lb/> beneath influences which
                    seemed to him singularly exquisite and<lb/> fine, he had watched so long ; whose
                    future, now that her child-<lb/> hood, her schooldays at the convent had come to
                    an end, threatened<lb/> to occupy him with an anxiety more intimate than any
                    which<lb/> hitherto he had known. Marie-Ursule's future ! They had<lb/> talked
                    much of it that summer, the priest and the Englishman,<lb/> who accompanied him
                    in his long morning walks, through green<lb/> lanes, and over white, dusty
                    roads, and past fields perfumed with<lb/>
                </p>
                <fw type="catchword">the</fw>
                <pb n="123"/>
                <fw type="runningHead">By Ernest Dowson <fw type="pageNum">99 </fw>
                </fw>
                <p>the pungently pleasant smell of the blood-red <emph rend="italic"
                    >sarrasin</emph>, when he<lb/> paid visits to the sick who lived on the
                    outskirts of his scattered<lb/> parish. Campion became aware then of an
                    increasing difficulty<lb/> in discussing this matter impersonally, in the
                    impartial manner<lb/> becoming a guardian. Odd thrills of jealousy stirred
                    within him<lb/> when he was asked to contemplate Marie-Ursule's possible
                    suitors.<lb/> And yet, it was with a very genuine surprise, at least for
                    the<lb/> moment, that he met the Curé's sudden pressing home of a more<lb/>
                    personal contingency—he took this freedom of an old friend with<lb/> a shrewd
                    twinkle in his eye, which suggested that all along this<lb/> had been chiefly in
                    his mind. "<emph rend="italic">Mon bon ami</emph>, why should you<lb/> not marry
                    her yourself ? That would please all of us so much."<lb/> And he insisted, with
                    kindly insistence, on the propriety of the<lb/> thing : dwelling on Campion's
                    established position, their long<lb/> habit of friendship, his own and his
                    sister's confidence and esteem,<lb/> taking for granted, with that sure insight
                    which is the gift of many<lb/> women and of most priests, that on the ground of
                    affection alone the<lb/> justification was too obvious to be pressed. And he
                    finished with<lb/> a smile, stopping to take a pinch of snuff with a sigh of
                    relief—<lb/>the relief of a man who has at least seasonably unburdened him-<lb/>
                    self.</p>
                <p>"Surely, <emph rend="italic">mon ami</emph>, some such possibility must have been
                    in your<lb/> mind ?"</p>
                <p>Campion hesitated for a moment ; then he proffered his hand,<lb/> which the other
                    warmly grasped. "You read me aright," he said<lb/> slowly, "only I hardly
                    realised it before. Even now—no, how<lb/> can I believe it possible—that she
                    should care for me. <emph rend="italic">Non sum<lb/> dignus, non sum
                        dignus</emph>. Consider her youth, her inexperience ;<lb/> the best part of
                    my life is behind me."</p>
                <p>But the Curé smiled reassuringly. "The best part is before<lb/> you, Campion ;
                    you have the heart of a boy. Do we not know<lb/>
                </p>
                <fw type="catchword">you ?</fw>
                <pb n="124"/>
                <fw type="runningHead">
                    <fw type="pageNum">100</fw> Apple Blossom in Brittany</fw>
                <p>you ? And for the child—rest tranquil there ! I have the word of<lb/> my sister,
                    who is a wise woman, that she is sincerely attached to<lb/> you ; not to speak
                    of the evidence of my own eyes. She will be<lb/> seventeen shortly, then she can
                    speak for herself. And to whom<lb/> else can we trust her ?"</p>
                <p>The shadow of these confidences hung over Campion when he<lb/> next saw
                    Marie-Ursule, and troubled him vaguely during the<lb/> remainder of his visit,
                    which this year, indeed, he considerably<lb/> curtailed. Inevitably he was
                    thrown much with the young girl,<lb/> and if daily the charm which he found in
                    her presence was<lb/> sensibly increased, as he studied her from a fresh point
                    of view, he<lb/> was none the less disquieted at the part which he might be
                    called<lb/> upon to play. Diffident and scrupulous, a shy man, knowing<lb/>
                    little of women ; and at least by temperament, a sad man, he<lb/> trembled
                    before felicity, as many at the palpable breath of mis-<lb/> fortune. And his
                    difficulty was increased by the conviction,<lb/> forced upon him irresistibly,
                    little as he could accuse himself of<lb/> vanity, that the decision rested with
                    himself. Her liking for him<lb/> was genuine and deep, her confidence implicit.
                    He had but to<lb/> ask her and she would place her hand in his and go forth
                    with<lb/> him, as trustfully as a child. And when they came to celebrate<lb/>
                    her <emph rend="italic">fête</emph>, Marie-Ursule's seventeenth birthday—it
                    occurred a little<lb/> before the Assumption— it was almost disinterestedly that
                    he had<lb/> determined upon his course. At least it was security which he<lb/>
                    could promise her, as a younger man might not ; a constant and<lb/>
                    single-minded kindness ; a devotion not the less valuable, because<lb/> it was
                    mature and reticent, lacking, perhaps, the jealous ardours of<lb/> youth.
                    Nevertheless, he was going back to England without<lb/> having revealed himself;
                    there should be no unseasonable haste in<lb/> the matter ; he would give her
                    another year. The Curé smiled<lb/> deprecatingly at the procrastination ; but on
                    this point Campion</p>
                <fw type="catchword">was</fw>
                <pb n="125"/>
                <fw type="runningHead">By Ernest Dowson <fw type="pageNum">101</fw>
                </fw>
                <p>was firm. And on this, his last evening, he spoke only of trivial<lb/> things to
                    Marie-Ursule, as they sat presently over the tea—a mild<lb/> and flavourless
                    beverage— which the young girl had prepared.<lb/> Yet he noticed later, after
                    their early supper, when she strolled up<lb/> with him to the hill overlooking
                    the village, a certain new shyness<lb/> in her manner, a shadow, half timid,
                    half expectant in her clear<lb/> eyes which permitted him to believe that she
                    was partly prepared.<lb/> When they reached the summit, stood clear of the pine
                    trees by<lb/> an ancient stone Calvary, Ploumariel lay below them, very
                    fair<lb/> in the light of the setting sun ; and they stopped to rest
                    themselves,<lb/> to admire.</p>
                <p>"Ploumariel is very beautiful," said Campion after a while.<lb/> "Ah !
                    Marie-Ursule, you are fortunate to be here."</p>
                <p>"Yes." She accepted his statement simply, then suddenly:<lb/> "You should not go
                    away." He smiled, his eyes turning from<lb/> the village in the valley to rest
                    upon her face : after all, she was<lb/> the daintiest picture, and Ploumariel
                    with its tall slate roofs, its<lb/> sleeping houses, her appropriate frame.</p>
                <p>"I shall come back, I shall come back," he murmured. She<lb/> had gathered a
                    bunch of ruddy heather as they walked, and her<lb/> fingers played with it now
                    nervously. Campion stretched out his<lb/> hand for it. She gave it him without a
                    word.</p>
                <p>"I will take it with me to London," he said ; "I will have<lb/> Morbihan in my
                    rooms."</p>
                <p>"It will remind you—make you think of us sometimes ?"</p>
                <p>For answer he could only touch her hand lightly with his lips.<lb/> "Do you think
                    that was necessary ?" And they resumed their<lb/> homeward way silently,
                    although to both of them the air seemed<lb/> heavy with unspoken words.</p>
                <fw type="catchword">When</fw>
                <pb n="126"/>
                <fw type="runningHead">
                    <fw type="pageNum">102</fw> Apple Blossom in Brittany</fw>
                <p>III</p>
                <p>When he was in London—and it was in London that for nine<lb/> months out of the
                    twelve Benedict Campion was to be found—he<lb/> lived in the Temple, at the top
                    of Hare Court, in the very same<lb/> rooms in which he had installed himself,
                    years ago, when he gave<lb/> up his Oxford fellowship, electing to follow the
                    profession of<lb/> letters. Returning there from Ploumariel, he resumed at
                    once,<lb/> easily, his old avocations. He had always been a secluded man,<lb/>
                    living chiefly in books and in the past ; but this year he seemed<lb/> less than
                    ever inclined to knock at the hospitable doors which were<lb/> open to him. For
                    in spite of his reserve, his diffidence, Campion's<lb/> success might have been
                    social, had he cared for it, and not purely<lb/> academic. His had come to be a
                    name in letters, in the higher<lb/> paths of criticism ; and he had made no
                    enemies. To his success<lb/> indeed, gradual and quiet as this was, he had never
                    grown quite<lb/> accustomed, contrasting the little he had actually achieved
                    with all<lb/> that he had desired to do. His original work was of the
                    slightest,<lb/> and a book that was in his head he had never found time to
                    write.<lb/> His name was known in other ways, as a man of ripe knowledge,<lb/>
                    of impeccable taste ; as a born editor of choice reprints, of<lb/> inaccessible
                    classics : above all, as an authority—the greatest, upon<lb/> the literature and
                    the life (its flavour at once courtly, and<lb/> mystical, had to him an unique
                    charm) of the seventeenth century.<lb/> His heart was in that age, and from much
                    lingering over it, he<lb/> had come to view modern life with a curious
                    detachment, a sense<lb/> of remote hostility : Democracy, the Salvation Army,
                    the novels of<lb/> M. Zola—he disliked them all impartially. A Catholic by
                    long<lb/> inheritance, he held his religion for something more than an<lb/>
                </p>
                <fw type="catchword">heirloom ;</fw>
                <pb n="127"/>
                <fw type="runningHead">By Ernest Dowson <fw type="pageNum">103</fw>
                </fw>
                <p>heirloom ; he exhaled it, like an intimate quality ; his mind being<lb/>
                    essentially of that kind to which a mystical view of things comes<lb/>
                    easiest.</p>
                <p>This year passed with him much as any other of the last ten years<lb/> had passed
                    ; at least the routine of his daily existence admitted little<lb/> outward
                    change. And yet inwardly, he was conscious of alteration,<lb/> of a certain
                    quiet illumination which was a new thing to him.</p>
                <p>Although at Ploumariel when the prospect of such a marriage<lb/> had dawned on
                    him, his first impression had been one of strange-<lb/> ness, he could reflect
                    now that it was some such possibility as this<lb/> which he had always kept
                    vaguely in view. He had prided himself<lb/> upon few things more than his
                    patience ; and now it appeared that<lb/> this was to be rewarded ; he was glad
                    that he had known how<lb/> to wait. This girl, Marie-Ursule, had an immense
                    personal charm<lb/> for him, but, beyond that, she was representative—her
                    traditions<lb/> were exactly those which the ideal girl of Campion's
                    imagination<lb/> would possess. She was not only personally adorable; she was
                    also<lb/> generically of the type which he admired. It was possibly because<lb/>
                    this type was, after all, so rare, that looking back, Campion in his<lb/> middle
                    age, could drag out of the recesses of his memory no<lb/> spectre to compete
                    with her. She was his first love precisely<lb/> because the conditions, so
                    choice and admirable, which rendered it<lb/> inevitable for him to love her, had
                    never occurred before. And<lb/> he could watch the time of his probation gliding
                    away with a<lb/> pleased expectancy which contained no alloy of impatience.
                    An<lb/> illumination—a quite tranquil illumination : yes, it was under<lb/> some
                    such figure, without heart-burning, or adolescent fever,<lb/> that love as it
                    came to Campion was best expressed. Yet if<lb/> this love was lucent rather than
                    turbulent, that it was also deep<lb/> he could remind himself, when a letter
                    from the priest, while<lb/> the spring was yet young, had sent him to Brittany,
                    a month<lb/>
                </p>
                <fw type="catchword">or</fw>
                <pb n="128"/>
                <fw type="runningHead">
                    <fw type="pageNum">104</fw> Apple Blossom in Brittany</fw>
                <p>or two before his accustomed time, with an anxiety that was<lb/> not solely due
                    to bewilderment.</p>
                <p>
                    <emph rend="italic">"Our child is well, mon bon, "</emph> so he wrote. <emph
                        rend="italic">"Do not alarm<lb/> yourself. But it will be good for you to
                        come, if it be only because of<lb/> an idea she has, that you may remove. An
                        idea ! Call it rather a<lb/> fancy—at least your coming will dispel it.
                        Petites entêtées : I have<lb/> no patience with these mystical little
                        girls.</emph>"</p>
                <p>His musings on the phrase, with its interpretation varying to<lb/> his mood,
                    lengthened his long sea-passage, and the interminable<lb/> leagues of railway
                    which separated him from Pontivy, whence he<lb/> had still some twenty miles to
                    travel by the <emph rend="italic">Courrier</emph>, before he<lb/> reached his
                    destination. But at Pontivy, the round, ruddy face<lb/> of M. Letêtre greeting
                    him on the platform dispelled any serious<lb/> misgiving. Outside the
                    post-office the familiar conveyance<lb/> awaited them : its yellow inscription
                    "Pontivy-Ploumariel,"<lb/> touched Campion electrically, as did the cheery
                    greeting of the<lb/> driver, which was that of an old friend. They shared the
                    interior<lb/> of the rusty trap—a fossil among vehicles—they chanced to be<lb/>
                    the only travellers, and to the accompaniment of jingling harness,<lb/> and the
                    clattering hoofs of the brisk little Carhaix horses,<lb/> M. Letêtre explained
                    himself.</p>
                <p>"A vocation, <emph rend="italic">mon Dieu</emph> ! if all the little girls who
                    fancied them-<lb/> selves with one, were to have their way, to whom would our
                    poor<lb/> France look for children ? They are good women, <emph rend="italic"
                        >nos Ursulines</emph>,<lb/> ah, yes ; but our Marie-Ursule is a good child,
                    and blessed<lb/> matrimony also is a sacrament. You shall talk to her, my
                    Campion.<lb/> It is a little fancy, you see, such as will come to young girls;
                    a<lb/> convent ague, but when she sees you"... He took snuff with<lb/> emphasis,
                    and flipped his broad fingers suggestively. "<emph rend="italic">Craque</emph>
                    !<lb/> it is a betrothal, and a <emph rend="italic">trousseau</emph>, and not
                    the habit of religion, that<lb/> Mademoiselle is full of. You will talk to her
                    ?"</p>
                <fw type="catchword">Campion</fw>
                <pb n="129"/>
                <fw type="runningHead">By Ernest Dowson <fw type="pageNum">105</fw>
                </fw>
                <p>Campion assented silently, absently, his eyes had wandered<lb/> away, and looked
                    through the little square of window at the sad-<lb/> coloured Breton country, at
                    the rows of tall poplars, which<lb/> guarded the miles of dusty road like sombre
                    sentinels. And the<lb/> priest with a reassured air pulled out his breviary, and
                    began to<lb/> say his office in an imperceptible undertone. After a while
                    he<lb/> crossed himself, shut the book, and pillowing his head against the<lb/>
                    hot, shiny leather of the carriage, sought repose ; very soon his<lb/> regular,
                    stertorous breathing, assured his companion that he was<lb/> asleep. Campion
                    closed his eyes also, not indeed in search of<lb/> slumber, though he was travel
                    weary ; rather the better to isolate<lb/> himself with the perplexity of his own
                    thoughts. An indefinable<lb/> sadness invaded him, and he could envy the
                    priest's simple logic,<lb/> which gave such short shrift to obstacles that
                    Campion, with his<lb/> subtle melancholy, which made life to him almost morbidly
                    an<lb/> affair of fine shades and nice distinctions, might easily
                    exaggerate.</p>
                <p>Of the two, perhaps the priest had really the more secular mind,<lb/> as it
                    certainly excelled Campion's in that practical wisdom, or<lb/> common sense,
                    which may be of more avail than subtlety in the<lb/> mere economy of life. And
                    what to the Curé was a simple matter<lb/> enough, the removal of the idle fancy
                    of a girl, might be to<lb/> Campion, in his scrupulous temper, and his
                    overweening tender-<lb/> ness towards just those pieties and renunciations which
                    such a<lb/> fancy implied, a task to be undertaken hardly with relish,
                    perhaps<lb/> without any real conviction, deeply as his personal wishes
                    might<lb/> be implicated in success. And the heart had gone out of his<lb/>
                    journey long before a turn of the road brought them in sight of<lb/>
                    Ploumariel.</p>
                <fw type="catchword">Up</fw>
                <pb n="130"/>
                <fw type="runningHead">
                    <fw type="pageNum">106</fw> Apple Blossom in Brittany</fw>
                <p>IV</p>
                <p>Up by the great, stone Calvary, where they had climbed nearly<lb/> a year before,
                    Campion stood, his face deliberately averted, while<lb/> the young girl uttered
                    her hesitating confidences ; hesitating, yet<lb/> candid, with a candour which
                    seemed to separate him from the<lb/> child by more than a measurable space of
                    years, to set him with<lb/> an appealing trustfulness in the seat of
                    judgment—for him, for her.<lb/> They had wandered there insensibly, through
                    apple-orchards white<lb/> with the promise of a bountiful harvest, and up the
                    pine-clad hill,<lb/> talking of little things—trifles to beguile their
                    way—perhaps, in a<lb/> sort of vain procrastination. Once, Marie-Ursule had
                    plucked a<lb/> branch of the snowy blossom, and he had playfully chided her<lb/>
                    that the cider would be less by a <emph rend="italic">litre</emph> that year in
                    Brittany.<lb/> "But the blossom is so much prettier," she protested ; "and
                    there<lb/> will be apples and apples—always enough apples. But I like the<lb/>
                    blossom best—and it is so soon over."</p>
                <p>And then, emerging clear of the trees, with Ploumariel lying in<lb/> its quietude
                    in the serene sunshine below them, a sudden strenuous-<lb/> ness had supervened,
                    and the girl had unburdened herself, speaking<lb/> tremulously, quickly, in an
                    undertone almost passionate ; and<lb/> Campion, perforce, had listened. ... A
                    fancy ? a whim ? Yes,<lb/> he reflected ; to the normal, entirely healthy mind,
                    any choice of<lb/> exceptional conditions, any special self-consecration or
                    withdrawal<lb/> from the common lot of men and women must draw down upon<lb/> it
                    some such reproach, seeming the mere pedantry of inexperience.<lb/> Yet, against
                    his reason, and what he would fain call his better<lb/> judgment, something in
                    his heart of hearts stirred sympathetically<lb/> with this notion of the girl.
                    And it was no fixed resolution, no<lb/>
                </p>
                <fw type="catchword">deliberate</fw>
                <pb n="131"/>
                <fw type="runningHead">By Ernest Dowson <fw type="pageNum">107</fw>
                </fw>
                <p>deliberate justification which she pleaded. She was soft, and<lb/> pliable, and
                    even her plea for renunciation contained pretty,<lb/> feminine inconsequences ;
                    and it touched Campion strangely.<lb/> Argument he could have met with argument
                    ; an ardent con-<lb/> viction he might have assailed with pleading ; but that
                    note of<lb/> appeal in her pathetic young voice, for advice, for sympathy,<lb/>
                    disarmed him.</p>
                <p>"Yet the world," he protested at last, but half-heartedly, with<lb/> a sense of
                    self-imposture ; "the world, Marie-Ursule, it has its<lb/> disappointments ; but
                    there are compensations."</p>
                <p>"I am afraid, afraid," she murmured.</p>
                <p>Their eyes alike sought instinctively the Convent of the<lb/> Ursulines, white
                    and sequestered in the valley—a visible symbol<lb/> of security, of peace,
                    perhaps of happiness.</p>
                <p>"Even there they have their bad days : do not doubt it."</p>
                <p>"But nothing happens," she said simply; "one day is like<lb/> another. They can
                    never be very sad, you know."</p>
                <p>They were silent for a time: the girl, shading her eyes with one<lb/> small white
                    hand, continued to regard the convent ; and Campion<lb/> considered her
                    fondly.</p>
                <p>"What can I say ?" he exclaimed at last. "What would you<lb/> put on me ? Your
                    uncle—he is a priest—surely the most natural<lb/> adviser—you know his
                    wishes."</p>
                <p>She shook her head. "With him it is different—I am one of<lb/> his family—he is
                    not a priest for me. And he considers me a<lb/> little girl—and yet I am old
                    enough to marry. Many young<lb/> girls have had a vocation before my age. Ah,
                    help me, decide<lb/> for me !" she pleaded ; "you are my <emph rend="italic"
                        >tuteur</emph>."</p>
                <p>"And a very old friend, Marie-Ursule." He smiled rather<lb/> sadly. Last year
                    seemed so long ago, and the word, which he had<lb/> almost spoken then, was no
                    longer seasonable. A note in his<lb/>
                </p>
                <fw type="catchword">voice,</fw>
                <pb n="132"/>
                <fw type="runningHead">
                    <fw type="pageNum">108</fw> Apple Blossom in Brittany</fw>
                <p>voice, inexplicable, might have touched her. She took his hand<lb/> impulsively,
                    but he withdrew it quickly, as though her touch had<lb/> scalded him.</p>
                <p>"You look very tired ; you are not used to our Breton rambles<lb/> in this sun.
                    See, I will run down to the cottage by the chapel<lb/> and fetch you some milk.
                    Then you shall tell me."</p>
                <p>When he was alone the smile faded from his face and was<lb/> succeeded by a look
                    of lassitude, as he sat himself beneath the<lb/> shadow of the Calvary to
                    wrestle with his responsibility. Perhaps<lb/> it was a vocation : the phrase,
                    sounding strangely on modern ears,<lb/> to him, at least, was no anachronism.
                    Women of his race, from<lb/> generation to generation, had heard some such voice
                    and had<lb/> obeyed it. That it went unheeded now was, perhaps, less a<lb/>
                    proof that it was silent, than that people had grown hard and deaf,<lb/> in a
                    world that had deteriorated. Certainly the convent had to<lb/> him no vulgar,
                    Protestant significance, to be combated for its<lb/> intrinsic barbarism ; it
                    suggested nothing cold nor narrow nor<lb/> mean, was veritably a gracious
                    choice, a generous effort after<lb/> perfection. Then it was for his own sake,
                    on an egoistic impulse,<lb/> that he should dissuade her ? And it rested with
                    him ; he had no<lb/> doubt that he could mould her, even yet, to his purpose.
                    The<lb/> child ! how he loved her.... But would it ever be quite the<lb/> same
                    with them after that morning ? Or must there be hence-<lb/> forth a shadow
                    between them ; the knowledge of something<lb/> missed, of the lower end pursued,
                    the higher slighted ? Yet, if<lb/> she loved him ? He let his head drop on his
                    hands, murmured<lb/> aloud at the hard chance which made him at once judge
                    and<lb/> advocate in his own cause. He was not conscious of praying, but<lb/>
                    his mind fell into that condition of aching blankness which is,<lb/> perhaps, an
                    extreme prayer. Presently he looked down again at<lb/> Ploumariel, with its
                    coronal of faint smoke ascending in the<lb/>
                </p>
                <fw type="catchword">perfectly</fw>
                <pb n="133"/>
                <fw type="runningHead">By Ernest Dowson <fw type="pageNum">109</fw>
                </fw>
                <p>perfectly still air, at the white convent of the Dames Ursulines,<lb/> which
                    seemed to dominate and protect it. How peaceful it was !<lb/> And his thought
                    wandered to London : to its bustle and noise, its<lb/> squalid streets, to his
                    life there, to its literary coteries, its politics,<lb/> its society ; vulgar
                    and trivial and sordid they all seemed from<lb/> this point of vantage. That was
                    the world he had pleaded for, and<lb/> it was into that he would bring the
                    child.... And suddenly,<lb/> with a strange reaction, he was seized with a sense
                    of the wisdom<lb/> of her choice, its pictorial fitness, its benefit for both of
                    them.<lb/> He felt at once and finally, that he acquiesced in it ; that any<lb/>
                    other ending to his love had been an impossible grossness, and that<lb/> to lose
                    her in just that fashion was the only way in which he<lb/> could keep her
                    always. And his acquiescence was without bitter-<lb/> ness, and attended only by
                    that indefinable sadness which to a<lb/> man of his temper was but the last
                    refinement of pleasure. He<lb/> had renounced, but he had triumphed ; for it
                    seemed to him that<lb/> his renunciation would be an aegis to him always against
                    the<lb/> sordid facts of life, a protest against the vulgarity of instinct,
                    the<lb/> tyranny of institutions. And he thought of the girl's life, as it<lb/>
                    should be, with a tender appreciation—as of something precious<lb/> laid away in
                    lavender. He looked up to find her waiting before<lb/> him with a basin half
                    full of milk, warm still, fresh from the cow ;<lb/> and she watched him in
                    silence while he drank. Then their eyes<lb/> met, and she gave a little cry.</p>
                <p>"You will help me ? Ah, I see that you will ! And you<lb/> think I am right
                    ?"</p>
                <p>"I think you are right, Marie-Ursule."</p>
                <p>"And you will persuade my uncle ?"</p>
                <p>"I will persuade him."</p>
                <p>She took his hand in silence, and they stood so for a minute,<lb/> gravely
                    regarding each other. Then they prepared to descend. </p>
            </div>
            <div n="YBV3_17po" type="poetry">
                <pb n="134"/>
                <head>
                    <title level="a">To Salomé at St. James's</title>
                </head>
                <byline>By<docAuthor>
                        <ref target="#TWR"> Theodore Wratislaw</ref>
                    </docAuthor>
                </byline>
                <lg type="stanza">
                    <l>FLOWER of the ballet's nightly mirth,</l>
                    <l rend="indent">Pleased with a trinket or a gown,</l>
                    <l>Eternal as eternal earth</l>
                    <l rend="indent">You dance the centuries down.</l>
                </lg>
                <lg type="stanza">
                    <l>For you, my plaything, slight and light,</l>
                    <l rend="indent">Capricious, petulant and proud,</l>
                    <l>With whom I sit and sup to-night</l>
                    <l rend="indent">Among the tawdry crowd,</l>
                </lg>
                <lg type="stanza">
                    <l>Are she whose swift and sandalled feet</l>
                    <l rend="indent">And postured girlish beauty won</l>
                    <l>A pagan prize, for you unmeet,</l>
                    <l rend="indent">The head of Baptist John.</l>
                </lg>
                <lg type="stanza">
                    <l>And after ages, when you sit</l>
                    <l rend="indent">A princess less in birth than power,</l>
                    <l>Freed from the theatre's fume and heat</l>
                    <l rend="indent">To kill an idle hour,</l>
                </lg>
                <fw type="catchword">Here</fw>
                <pb n="135"/>
                <fw type="runningHead">By Theodore Wratislaw <fw type="pageNum">111</fw>
                </fw>
                <lg type="stanza">
                    <l>Here in the babbling room agleam</l>
                    <l rend="indent">With scarlet lips and naked arms</l>
                    <l>And such rich jewels as beseem</l>
                    <l rend="indent">The painted damzel's charms,</l>
                </lg>
                <lg type="stanza">
                    <l>Even now your tired and subtle face</l>
                    <l rend="indent">Bears record to the wondrous time</l>
                    <l>When from your limbs' lascivious grace</l>
                    <l rend="indent">Sprang forth your splendid crime.</l>
                </lg>
                <lg type="stanza">
                    <l>And though none deem it true, of those</l>
                    <l rend="indent">Who watch you in our banal age</l>
                    <l>Like some stray fairy glide and pose</l>
                    <l rend="indent">Upon a London stage,</l>
                </lg>
                <lg type="stanza">
                    <l>Yet I to whom your frail caprice</l>
                    <l rend="indent">Turns for the moment ardent eyes</l>
                    <l>Have seen the strength of love release</l>
                    <l rend="indent">Your sleeping memories.</l>
                </lg>
                <lg type="stanza">
                    <l>I too am servant to your glance,</l>
                    <l rend="indent">I too am bent beneath your sway,</l>
                    <l>My wonder ! My desire ! who dance</l>
                    <l rend="indent">Men's heads and hearts away.</l>
                </lg>
                <lg type="stanza">
                    <l>Sweet arbitress of love and death,</l>
                    <l rend="indent">Unchanging on time's changing sands,</l>
                    <l>You hold more lightly than a breath</l>
                    <l rend="indent">The world between your hands !</l>
                </lg>
                <fw type="footer">The Yellow Book—Vol. III. <emph>G</emph>
                </fw>
            </div>
            <div n="YBV3_18pr" type="prose">
                <pb n="136"/>
                <head>
                    <title level="a">Second Thoughts</title>
                </head>
                <byline>By <docAuthor>
                        <ref target="#AMO">Arthur Moore</ref>
                    </docAuthor>
                </byline>
                <p>I</p>
                <p>As the clock struck eight Sir Geoffrey Vincent cast aside the<lb/> dull society
                    journal with which he had been beguiling the<lb/> solitude of his after-dinner
                    coffee and cigar, and abandoned, with<lb/> an alacrity eloquent of long boredom,
                    his possession of one of the<lb/> capacious chairs which invited repose in the
                    dingy smoking-room<lb/> of an old-fashioned club. It had been reserved for him,
                    after<lb/> twenty monotonous years of almost unbroken exile, spent, for the<lb/>
                    most part, amid the jungles and swamps of Lower Burma, to<lb/> realise that a
                    friendless man, alone in the most populous city of the<lb/> world, may encounter
                    among thousands of his peers a desolation<lb/> more supreme than the solitude of
                    the most ultimate wilderness ;<lb/> and he found himself wondering, a little
                    savagely, why, after all,<lb/> he had expected his home-coming to be so
                    different from the<lb/> reality that now confronted him. When he landed at
                    Brindisi, a<lb/> short ten days ago, misgivings had already assailed him vaguely
                    ;<lb/> the fact that he was practically homeless, that, although not<lb/>
                    altogether bereft of kith and kin, he had no family circle to<lb/> welcome him
                    as an addition to its circumference, had made it<lb/> inevitable that his rapid
                    passage across the Continent should be<lb/>
                </p>
                <fw type="catchword">haunted</fw>
                <pb n="137"/>
                <fw type="runningHead">By Arthur Moore <fw type="pageNum">113</fw>
                </fw>
                <p>haunted by forebodings to which he had not cared to assign a<lb/> shape too
                    definite ; phantoms which he exorcised hopefully, with<lb/> a tacit reliance on
                    a trick of falling on his feet which had seldom<lb/> failed his need. He
                    consoled himself with the thought that<lb/> London was home, England was home ;
                    he would meet old<lb/> comrades in the streets perhaps, assuredly at his club,
                    and such<lb/> encounters would be so much the more delightful if they were<lb/>
                    fortuitous, unexpected. The plans which he had laid so carefully<lb/> pacing the
                    long deck of the P. and O. boat in the starlight, or,<lb/> more remotely, lying
                    awake through the hot night hours under a<lb/> whining punkah in his lonely
                    bungalow, had all implied, however<lb/> vaguely and impersonally, a certain
                    companionship. He was dimly<lb/> conscious that he had cousins somewhere in the
                    background ; he<lb/> had long since lost touch with them, but he would look them
                    up.<lb/> He had two nieces, still in their teens, the children of his only<lb/>
                    sister who had died ten years ago ; he had never seen them, but<lb/> their
                    photographs were charming—they should be overwhelmed<lb/> with such benefactions
                    as a bachelor uncle with a well-lined purse<lb/> may pleasantly bestow. His
                    friends—the dim legion that was to<lb/> rise about his path—should take him to
                    see Sarah Bernhardt (a<lb/> mere name to him as yet) at the Gaiety, to the new
                    Gilbert and<lb/> Sullivan opera at the Savoy ; they should enlighten him as to
                    the<lb/> latent merits of the pictures at Burlington House ; they should<lb/>
                    dine with him, shoot with him, be introduced to his Indian<lb/> falcons ; in a
                    word, he would keep open house, in town and<lb/> country too, for all good
                    fellows and their pretty wives. It had<lb/> even occurred to him, as a
                    possibility neither remote nor unattrac-<lb/> tive, that he might himself one
                    day possess a pretty wife to<lb/> welcome them.</p>
                <p>His sanguine expectations encountered their first rebuff when<lb/> he found the
                    Piccadilly Club, which had figured so often in the<lb/>
                </p>
                <fw type="catchword">dreams</fw>
                <pb n="138"/>
                <fw type="runningHead">
                    <fw type="pageNum">114</fw> Second Thoughts</fw>
                <p>dreams of its exiled member, abandoned to a horde of workmen,<lb/> a mere
                    wilderness of paint and whitewash ; and it was with a<lb/> touch of resentment
                    that he accepted the direction of an indifferent<lb/> hall-porter to an
                    unfamiliar edifice in Pall Mall as its temporary<lb/> substitute. Entering the
                    smoking-room, a little diffidently, on<lb/> the evening of his arrival in
                    London, he found himself eyed, at<lb/> first with faint curiosity, by two or
                    three of the men upon whom<lb/> his gaze rested expectantly, but in no case was
                    this curiosity—<lb/> prompted doubtless by that touch of the exotic which
                    sometimes<lb/> clings to dwellers in the East—the precursor of the kindly<lb/>
                    recognition, the surprised, incredulous greeting which he had<lb/> hoped for.
                    After a few days he was simply ignored ; his face,<lb/> rather stern, with its
                    distinctive Indian tan through which the<lb/> grey eyes looked almost blue, his
                    erect figure, and dark hair<lb/> sparsely flecked with a frosty white, had
                    become familiar ; he had<lb/> visited his tailor, and his garments no longer
                    betrayed him to the<lb/> curious by their fashion of Rangoon.</p>
                <p>The Blue-book, which he had been quick to interrogate,<lb/> informed him that his
                    old friend Hibbert lived in Portman Square,<lb/> and that the old lady who was
                    the guardian of his nieces had a<lb/> house at Hampstead : further inquiry at
                    the addresses thus<lb/> obtained left him baffled by the intelligence that
                    Colonel<lb/> Hibbert was in Norway, his nieces at school in Switzerland.<lb/>
                    Mackinnon, late of the Woods and Forests, whom he met at<lb/> Burlington House,
                    raised his hopes for an instant by a greeting<lb/> which sounded precisely the
                    note of cordiality that he yearned for,<lb/> only to dash them by expressing a
                    hope that he should see more<lb/> of his old friend in the autumn ; he was off
                    to Southampton to<lb/> join a friend's yacht on the morrow, and after his cruise
                    he had<lb/> designs on Scotland and the grouse.</p>
                <p>Sir Geoffrey, chained to the neighbourhood of London by legal<lb/>
                </p>
                <fw type="catchword">business</fw>
                <pb n="139"/>
                <fw type="runningHead">By Arthur Moore <fw type="pageNum">115</fw>
                </fw>
                <p>business, already too long deferred, connected with the succession<lb/> which had
                    made him a rich man and brought him home, could<lb/> only rebel mutely against
                    the ill-fortune which left him solitary<lb/> at a time when he most longed for
                    fellowship, acknowledging the<lb/> while, with a touch of self-reproach, that
                    the position which he<lb/> resented was very largely due to his own shortcomings
                    ; he had<lb/> always figured as a lamentably bad correspondent, and his
                    invete-<lb/> rate aversion to letter-writing had allowed the links of many
                    old<lb/> friendships to fall asunder, had operated to leave such friends as<lb/>
                    were still in touch with him in ignorance of his home-coming.</p>
                <p>Now, as he paused in the hall of his club to light a cigarette<lb/> before
                    passing out into the pleasant July twilight, he told himself<lb/> that for the
                    present he had done with London ; he would shake<lb/> the dust of the
                    inhospitable city from off his feet, and go down to<lb/> the place in Wiltshire
                    which was learning to call him master, to<lb/> await better days in company with
                    his beloved falcons. He even<lb/> found himself taking comfort from this
                    prospect while a hansom<lb/> bore him swiftly to the Savoy Theatre, and when he
                    was safely<lb/> ensconced in his stall he beguiled the interval before the
                    rising of<lb/> the curtain—a period which his impatience to escape from the
                    club<lb/> rather than any undue passion for punctuality had made somewhat<lb/>
                    lengthy—by considering, speculatively, the chances of society<lb/> which the
                    Willescombe neighbourhood seemed to afford. He<lb/> enjoyed the first act of the
                    extravaganza with the zest of a man to<lb/> whom the work of the famous
                    collaborators was an entire novelty,<lb/> his pleasure unalloyed by the fact, of
                    which he was blissfully uncon-<lb/> scious, that one of the principal parts was
                    played by an understudy.<lb/> His <emph rend="italic">ennui</emph> returning
                    with the fall of the curtain, he prepared to<lb/> spend the entr'acte in
                    contemplation of the people who composed<lb/> the house, rather than to incur
                    the resentment of the placid<lb/> dowagers who were his neighbours, by passing
                    and repassing, like<lb/>
                </p>
                <fw type="catchword">the</fw>
                <pb n="140"/>
                <fw type="runningHead">
                    <fw type="pageNum">116</fw> Second Thoughts</fw>
                <p>the majority of his fellow-men, in search of the distant haven where<lb/>
                    cigarettes and drinks, obtained with difficulty, could be hastily<lb/>
                    appreciated. More than once his wandering eyes returned to a<lb/> box next the
                    stage on a dress-circle tier, and finally they rested<lb/> rather wistfully on
                    its occupants, or, to be more accurate, on the<lb/> younger of the two ladies
                    who were seated in front. It was not<lb/> simply because the girl was pretty,
                    though her beauty, the flower-<lb/> like charm of a young Englishwoman fresh
                    from the schoolroom,<lb/> a fine example of a type not particularly rare, would
                    have furnished<lb/> a sufficient pretext : he was struck by a resemblance, a
                    haunting<lb/> reminiscence, which at first exercised his curiosity, and ended
                    by<lb/> baffling and tantalising him. There was something vaguely<lb/> familiar,
                    he thought, in the manner of her smile, the inclination of<lb/> her head as she
                    turned now and then to address a remark to her<lb/> companion, the lady in grey,
                    whose face was hidden from him by<lb/> the drapery at the side of the box. When
                    she laughed, furling a<lb/> feathery fan, and throwing a bright glance back at
                    the gentleman<lb/> whose white shirt-front was dimly visible in the background,
                    Sir<lb/> Geoffrey felt himself on the verge of solving his riddle, but at
                    this<lb/> point, while a name seemed to tremble on his lips, the lights of
                    the<lb/> auditorium were lowered, and the rising of the curtain on the<lb/>
                    fairyland of the second scene diverted his attention to the stage.<lb/> Later,
                    when he had passed into the crowded lobby, and was making<lb/> his way slowly
                    through a jungle of pretty dresses towards the<lb/> door, he recognised in front
                    of him the amber-coloured hair and<lb/> dainty, pale-blue opera cloak of the
                    damsel who had puzzled him.<lb/> The two ladies (her companion of the grey dress
                    was close at<lb/> hand) halted near the door while their cavalier passed out in
                    search<lb/> of their carriage ; the elder lady turned, adjusting a cloud of
                    soft<lb/> lace about her shoulders, and Sir Geoffrey was struck on the
                    instant<lb/> by a swift thrill. Here, at last, was an old friend—that face
                    could<lb/>
                </p>
                <fw type="catchword">belong</fw>
                <pb n="141"/>
                <fw type="runningHead">By Arthur Moore <fw type="pageNum">117</fw>
                </fw>
                <p>belong to no one else than Margaret Addison. It was natural that<lb/> her maiden
                    name should first occur to him, but he remembered, as<lb/> he edged his way
                    laboriously towards her, that she had married just<lb/> after he sailed for
                    Burma ; yes, she had married that amiable scape-<lb/> grace Dick Vandeleur, who
                    had met his death in the hunting-field<lb/> nearly fifteen years ago.</p>
                <p> As he drew near, Mrs. Vandeleur's gaze fell upon him for a<lb/> brief instant ;
                    he thought that she had not recognised him, but<lb/> before his spirits had time
                    to suffer any consequent depression, her<lb/> eyes returned to him, and as he
                    smiled in answer to the surprise<lb/> which he read in them, he saw her face
                    flush, and then grow a little<lb/> pale, before a responsive light of
                    recognition dawned upon it. She<lb/> took his hand silently when he offered it,
                    eyeing him with the<lb/> same faint smile, an expression in which welcome seemed
                    to be<lb/> gleaming through a cloud of apprehension.</p>
                <p>"I'm not a ghost," he said, laughing ; "I'm Geoffrey Vincent.<lb/> Don't be
                    ashamed of owning that you had quite forgotten me !"</p>
                <p>"I knew you at once," she said simply. "So you are home at<lb/> last : you must
                    come and see me as soon as you can. This is my<lb/> daughter Dorothy, and here
                    is my brother—of course you re-<lb/> member Philip ?—coming to tell us that the
                    carriage is waiting.<lb/> You will come, to-morrow—to prove that you are not a
                    ghost ?<lb/> We shall expect you."</p>
                <p>II</p>
                <p>A fortnight later Sir Geoffrey was sitting in a punt, beguiling<lb/> the
                    afternoon of a rainy day by luring unwary roach to their de-<lb/> struction with
                    a hair-line and pellets of paste, delicately kneaded<lb/> by the taper fingers
                    of Miss Dorothy Vandeleur. He was the<lb/>
                </p>
                <fw type="catchword">guest</fw>
                <pb n="142"/>
                <fw type="runningHead">
                    <fw type="pageNum">118</fw> Second Thoughts</fw>
                <p>guest of Mrs. Vandeleur's brother, his school friend, Philip Addison<lb/> the
                    Q.C., and Mrs. Vandeleur and her daughter were also staying<lb/> at the
                    delighful old Elizabethan house which nestled, with such an<lb/> air of
                    immemorial occupation, halfway down the wooded side of<lb/> one of the Streatley
                    hills, its spotless lawn sloping steeply to the<lb/> margin of the fairest river
                    in the world. Miss Vandeleur had<lb/> enshrined herself among a pile of rugs and
                    cushions at the stern of<lb/> the punt, where the roof of her uncle's boat-house
                    afforded shelter<lb/> from the persistent rain. She was arrayed in the blue
                    serge dear<lb/> to the modern water-nymph ; and at intervals she relieved her
                    feel-<lb/> ings by shaking a small fist at the leaden vault of sky. For the<lb/>
                    rest, her attention was divided impartially between her novel, with<lb/> which
                    she did not seem to make much progress, her fox-terrier<lb/> Sancho, and the
                    slowly decreasing lump of paste, artfully compounded<lb/> with cotton-wool for
                    consistency, with which, as occasion arose, she<lb/> ministered to her
                    companion's predatory needs. The capture of a<lb/> fish was followed inevitably
                    by a disarrangement of her nest of<lb/> cushions, and a pathetic petition for
                    its instant release and restora-<lb/> tion to the element from which it had been
                    untimely inveigled.<lb/> Occasionally, the rain varied the monotony of the
                    dolorous drizzle<lb/> by a vehement and spirited downpour, lasting for some
                    minutes,<lb/> prompting one of the occupants of the punt to remark, with
                    mis-<lb/> placed confidence, that it must clear up soon, after that. Then<lb/>
                    Sir Geoffrey would abandon his rod, and beat a retreat to the stern<lb/> of the
                    punt ; and during these interludes, much desultory conver-<lb/> sation ensued.
                    Once, Miss Vandeleur startled her companion by<lb/> asking, suddenly, how it was
                    that he seemed so absurdly young ?</p>
                <p>"I hope I am not rude ?" she added, "but really you do strike<lb/> me as almost
                    the youngest person I know. You are much younger<lb/> than Jack—Mr. Wilgress—for
                    instance, and it's only about three<lb/> years since he left Eton."</p>
                <fw type="catchword">Sir</fw>
                <pb n="143"/>
                <fw type="runningHead">By Arthur Moore <fw type="pageNum">119</fw>
                </fw>
                <p>Sir Geoffrey smiled, wondering a little whether the girl was<lb/> laughing at him
                    ; for though a man of forty-seven, who has for<lb/> twenty years successfully
                    resisted a trying climate, may consider<lb/> himself as very far from the burden
                    of old age, it was conceivable<lb/> that the views of a maiden in her teens
                    might be very different.</p>
                <p>"It's because I am having such a good time," he hazarded.<lb/> "You and your
                    mother are responsible, you know ; before I met<lb/> you at the Savoy, on that
                    memorable evening, I was feeling as<lb/> blue as—as the sky ought to be if it
                    had any decency, and at least<lb/> as old as the river. I suppose it's true that
                    youth and good spirits<lb/> are contagious."</p>
                <p>Dorothy gazed at him for a moment reflectively."How lucky<lb/> it was that Uncle
                    Philip took us to the theatre on that evening !<lb/> It was just a chance. And
                    we might never have met you."</p>
                <p>"It was lucky for me!" declared the other simply. "But<lb/> would you have cared
                    ?"</p>
                <p>"Of course!" said the girl promptly, but lowering her blue<lb/> eyes. "You see, I
                    have never known a real live hero before.<lb/> Do tell me about your fight in
                    the hill-fort, or how you caught<lb/> the Dacoits ! Uncle Philip says that you
                    ought to have had the<lb/> V.C."</p>
                <p>Sir Geoffrey replied by a little disparaging murmur. "Oh, it<lb/> was quite a
                    commonplace affair—all in the day's work. Any one<lb/> else would have done the
                    same."</p>
                <p>Dorothy settled herself back among her cushions resentfully,<lb/> clasping her
                    hands, rather sunburned, across her knees.</p>
                <p>"I should like to see them !" she declared contemptuously.<lb/> "That's just what
                    that Jack Wilgress said—at least he implied<lb/> it. It is true, he apologised
                    afterwards. How I despise Oxford<lb/> boys !"</p>
                <p>"I thought he was a very good fellow," said Sir Geoffrey,<lb/>
                </p>
                <fw type="catchword">diplomatically</fw>
                <pb n="144"/>
                <fw type="runningHead">
                    <fw type="pageNum">120</fw> Second Thoughts</fw>
                <p>diplomatically turning the subject from his own achievements, <lb/>"I suppose it
                    might improve him to have something to do ; but he<lb/> strikes me as a very
                    good specimen of the ornamental young<lb/> man."</p>
                <p>"Ornamental !" echoed Dorothy sarcastically. " It would do<lb/> him good to have
                    to work for his living."</p>
                <p>"Poor beggar, he couldn't help being born with a silver spoon<lb/> in his
                    mouth—it isn't his fault."</p>
                <p>"Spoon!" exclaimed Miss Vandeleur. "A whole dinner<lb/> service I should think. A
                    soup-ladle at the very least. It's quite<lb/> big enough : perhaps that accounts
                    for it !"</p>
                <p>The girl laughed, swaying back, with the grace of her years,<lb/> against her
                    cushions ; then, observing that her companion's grave<lb/> grey eyes were fixed
                    upon her, she grew suddenlv demure, sighing<lb/> with a little air of
                    penitence.</p>
                <p>"I am very wicked to-day," she confessed. "It's the rain, I<lb/> suppose, and
                    want of exercise. Do you ever feel like that, Sir<lb/> Geoffrey ? Do you ever
                    get into an omnibus and simply loathe<lb/> and detest every single person in it
                    ? Do you long to swear—<lb/> real swears, like our army in Flanders—at everybody
                    you meet,<lb/> just because it's rainy or foggy, and because they are all so
                    ugly<lb/> and horrid ? I do, frequently."</p>
                <p>"I know, I know," said the other sympathetically, while he<lb/> reeled in his
                    line and deftly untied the tiny hook. "Only, the<lb/> omnibus has not figured
                    very often in my case ; it has generally<lb/> been a hot court-house, or a dusty
                    dak-bungalow full of com-<lb/> mercial travellers. But I don't feel like that
                    now, at all. I hope<lb/> I am not responsible for your frame of mind ?"</p>
                <p>"Oh," protested Dorothy, "don't make me feel such an<lb/> abandoned wretch ! I
                    should have been much worse if you had<lb/> not been here. I should have
                    quarrelled with Uncle Phil, or<lb/>
                </p>
                <fw type="catchword">been</fw>
                <pb n="145"/>
                <fw type="runningHead">By Arthur Moore <fw type="pageNum">121</fw>
                </fw>
                <p>been rude to my mother, or something dreadful. I'm perfectly<lb/> horrid to her
                    sometimes. And as it is, I have let her go up to<lb/> town all alone—to see my
                    dressmaker."</p>
                <p>Sir Geoffrey stood up and began to take his rod to pieces.<lb/> "And are you
                    quite sure that you haven't been 'loathing and<lb/> detesting' me all the
                    afternoon ?"</p>
                <p>Dorothy picked up her novel and smoothed its leaves reflectively.</p>
                <p>"I—— But no. I won't make you too conceited. Look, the<lb/> sun is actually
                    coming out ! Don't you think we might take the<lb/> Canadian up to the weir ?
                    You really ought to be introduced to<lb/> the big chub under the bridge."</p>
                <p>The rain had almost ceased, and when they had transferred<lb/> themselves into
                    the dainty canoe, a few strokes of the paddle<lb/> which Miss Vandeleur wielded
                    with such effective grace swept<lb/> them out into a full flood of delicate
                    evening sunlight. The sky<lb/> smiled blue through rapidly increasing breaks in
                    the clouds ; the<lb/> sunbeams, slanting from the west, touched with pale gold
                    the<lb/> quivering trees, which seemed to lift their wet branches and<lb/>
                    spread their leaves to court the warm caress. A new radiance of<lb/> colour
                    crept into the landscape, as if it had been a picture from<lb/> which a smoky
                    glass was withdrawn ; the water grew very still—<lb/> this too was in the manner
                    of a picture—with the peace of a<lb/> summer evening, brimming with an unbroken
                    surface luminously<lb/> from bank to bank. Strange guttural cries of
                    water-birds<lb/> sounded from the reed-beds ; from the next reach came the<lb/>
                    rhythmic pulse of oars, faint splashes, and the brisk rattle of row-<lb/> locks
                    ; voices and laughter floated down from the lock, travelling<lb/> far beyond
                    belief in the hushed stillness of the evening. The<lb/> wake of the light canoe
                    trailed unbroken to the shadows of the<lb/> boathouse, and the wet paddle
                    gleamed as it slid through the<lb/> water. Presently Dorothy stayed her
                    hand.</p>
                <fw type="catchword">"What</fw>
                <pb n="146"/>
                <fw type="runningHead">
                    <fw type="pageNum">122</fw> Second Thoughts</fw>
                <p>"What an enchanting world it is !" she murmured, with wide eyes<lb/> full of the
                    glamour of the setting sun. "Beautiful, beautiful——!<lb/> How soon one forgets
                    the fogs, and rain, and cold ! I feel as if I<lb/> had lived in this fairyland
                    always."</p>
                <p>Her lips trembled a little as she spoke, and Sir Geoffrey found<lb/> something in
                    the pathos of her youth which held him silent.<lb/> When they broke the spell of
                    silence, their words were trivial,<lb/> perhaps, but the language was that of
                    old friends, simple and<lb/> direct. Sir Geoffrey at least, for whom the charm
                    of the occasion<lb/> was a gift so rare that he scarcely dared to desecrate it
                    by mental<lb/> criticism, was far from welcoming the interruption which
                    presently<lb/> occurred, in the shape of a youth, arrayed in immaculate flannels
                    and<lb/> the colours of a popular rowing club, who hailed them cheerfully<lb/>
                    from a light skiff, resting on his sculls and drifting alongside while<lb/> he
                    rolled a cigarette.</p>
                <p>III</p>
                <p>Dorothy sank down, rather wearily, in the low basket-chair<lb/> which stood near
                    the open window of her mother's bedroom—<lb/> a tall French window, with a wide
                    balcony overrun by climbing<lb/> roses, and a view of the river, and waited for
                    Mrs. Vandeleur to<lb/> dismiss her maid. As she lay there, adjusting absently
                    the loose<lb/> tresses of her hair, she could feel the breath of the faint
                    breeze as<lb/> it wandered, gathering a light burden of fragrance, through
                    the<lb/> dusky roses ; she could see the river, dimly, where the moonbeams<lb/>
                    touched its ripples, and once or twice the sound of voices reached<lb/> her from
                    the distant smoking-room. The closing of the door as<lb/> the maid went out
                    disturbed her reverie, and turning a little in her<lb/> chair she found her
                    mother regarding her thoughtfully.</p>
                <fw type="catchword">"No,"</fw>
                <pb n="147"/>
                <fw type="runningHead">By Arthur Moore <fw type="pageNum">123</fw>
                </fw>
                <p>"No," said Dorothy, swiftly interpreting her mother's glance.<lb/> "You mustn't
                    send me away, my pretty little mother. I'll promise<lb/> not to catch cold. I
                    haven't been able to talk to you all day."</p>
                <p>Mrs. Vandeleur half closed the window, and then seated herself<lb/> with an
                    expression of resignation on the arm of her daughter's<lb/> chair. In the dim
                    light shed by the two candles on the dressing-<lb/> table, one would have
                    thought them two sisters, plotting innocently<lb/> the discomfiture of man. The
                    occasion did not prove so stimu-<lb/> lating to conversation as might have been
                    expected. For a few<lb/> minutes both were silent ; Dorothy began to hum an air
                    from the<lb/> Savoy opera, rather recklessly ; she kicked off one of her
                    slippers,<lb/> and it fell on the polished oak floor with a little clatter.</p>
                <p>"Little donkey !" murmured her mother sweetly. "So much<lb/> for your talking.
                    I'm going to bed at once." Then she added,<lb/> carelessly, "Did you see Jack
                    to-day ?"</p>
                <p>The humming paused abruptly ; then it went on for a second,<lb/> and paused
                    again.</p>
                <p>"Oh yes, the inevitable Mr. Wilgress was on the river, as<lb/> usual. He nearly
                    ran us down in that idiotic skiff of his."</p>
                <p>Mrs. Vandeleur raised her eyebrows, gazing at her unconscious<lb/> daughter
                    reflectively.</p>
                <p>"You didn't see him alone, then ?" she inquired presently.</p>
                <p>"Who ? Mr. Wilgress ? Ye-es, I think so. When we got<lb/> back to the boathouse
                    he insisted on taking me out again in the<lb/> canoe, to show me the correct
                    Indian stroke. Much he knows<lb/> about it ! That's why I was so late for
                    dinner. Oh, please<lb/> don't talk about Mr. Wilgress."</p>
                <p>"Mr. Wilgress again?" murmured Mrs. Vandeleur. "I<lb/> thought it always used to
                    be 'Jack.'"</p>
                <p>"Only, only by accident, said the girl weakly. "And when<lb/> he wasn't
                    there."</p>
                <fw type="catchword">"Well,</fw>
                <pb n="148"/>
                <fw type="runningHead">
                    <fw type="pageNum">124</fw> Second Thoughts</fw>
                <p>"Well, he isn't here now. At least I hope not. You—you<lb/> haven't quarrelled,
                    have you Dolly ?"</p>
                <p>"No—yes. I don't know. He—he asked me—oh, he was<lb/> ridiculous. How I hate
                    boys—and jealousy."</p>
                <p>Mrs. Vandeleur shivered, then rose abruptly and closed the<lb/> window against
                    which she leaned, gazing down at the formless<lb/> mass of the shrubs which
                    cowered over their shadows on the lawn.<lb/> Her mind, vaguely troubled for some
                    days past, and now keenly on<lb/> the alert, travelled swiftly back, bridging a
                    space of nearly twenty<lb/> years, to a scene strangely like this, in which she
                    and her mother<lb/> had held the stage. She too, a girl then of Dorothy's
                    eighteen<lb/> years, had brought the halting story of her doubts and scruples
                    to<lb/> her natural counsellor : she could remember still how the instinct<lb/>
                    of reticence had struggled with the yearning for sympathy, for the<lb/> comfort
                    of the confessional. She could recall now and appreciate<lb/> her mother's tact
                    and patient questioning, her own perversity, the<lb/> dumbness which seemed
                    independent of her own volition. A<lb/> commonplace page of life. Two men at her
                    feet, and the girl<lb/> unskilled to read her heart : one had spoken—that was
                    Dick<lb/> Vandeleur, careless, brilliant, the heir to half a county ; the
                    other<lb/>— her old friend ; she could not bear to think of him now.<lb/>
                    Knowledge had come too late, and the light which made her<lb/> wonder scornfully
                    at her blindness. And her mother—she of<lb/> course had played the worldly part
                    ; but her counsel had been<lb/> honest, without bias : it were cruel to blame
                    her now. Loyal<lb/> though she was, Margaret Vandeleur had asked herself an
                    hundred<lb/> times, yielding to that love of threading a labyrinth which
                    rules<lb/> most women, what would have been the story of her life if she
                    had<lb/> steeled herself to stand or fall by her own judgment, if she had<lb/>
                    refused to allow her mother to drop into the wavering scale the<lb/> words which
                    had turned it, ever so slightly, in favour of the<lb/>
                </p>
                <fw type="catchword">richer</fw>
                <pb n="149"/>
                <fw type="runningHead">By Arthur Moore <fw type="pageNum">125</fw>
                </fw>
                <p>richer man, the man whom she had married, whose name she<lb/> bore.</p>
                <p>It seemed plain enough, to a woman's keen vision—what sense<lb/> so subtle, yet
                    so easily beguiled—that Dorothy's choice was<lb/> embarrassed, just as her own
                    had been. The girl and her two<lb/> admirers—how the old story repeated itself
                    !—one, Jack Wilgress,<lb/> the good-natured, good-looking idler, whose devotion
                    to the river<lb/> threatened to make him amphibious, and whose passion for<lb/>
                    scribbling verse bade fair to launch him adrift among the cockle-<lb/> shell
                    fleet of Minor Poets ; the other—Geoffrey Vincent ! To<lb/> call upon Margaret
                    Vandeleur to guide her daughter's choice<lb/> between two men of whom Geoffrey
                    Vincent was one—surely<lb/> here was the end and crown of Fate's relentless
                    irony. She felt<lb/> herself blushing as she pressed her forehead against the
                    cool<lb/> window-pane, put to shame by the thoughts which the comparison<lb/>
                    suggested, which would not be stifled. Right or wrong, at least<lb/> her mother
                    had been impartial : there was a sting in this, a<lb/> failure of her precedent.
                    She sighed, concluding mutely that silence<lb/> was her only course ; even if
                    she would, she could not follow in her<lb/> mother's footsteps—the girl must
                    abide by her own judgment.</p>
                <p>When she turned, smiling faintly, the light of the flickering<lb/> candles fell
                    upon her face, betraying a pallor which startled<lb/> Dorothy from her reverie.
                    She sprang from her chair, reproaching<lb/> her selfishness.</p>
                <p>"You poor, tired, little mother," she murmured penitently, with<lb/> a hasty
                    kiss. "How could I be so cruel as to keep you up after<lb/> your journey ! I'm a
                    wretch, but I'm really going now. Good-<lb/> night."</p>
                <p>"Good-night," said her mother, caressing the vagrant coils of the<lb/> girl's
                    amber-coloured hair. "Don't worry yourself; everything<lb/> will come right
                    if—if you listen to your own heart."</p>
                <fw type="catchword">Dorothy's</fw>
                <pb n="150"/>
                <fw type="runningHead">
                    <fw type="pageNum">126</fw> Second Thoughts </fw>
                <p> Dorothy's answer was precluded by another kiss. "It's so full<lb/> of you that
                    it can't be bothered to think of any one else," she<lb/> declared plaintively,
                    as she turned towards the door. Then she<lb/> paused, fingering nervously a
                    little heap of books which lay upon<lb/> a table. "He—he isn't so very old, you
                    know," she murmured<lb/> softly before she made her escape.</p>
                <p>When she was alone Mrs. Vandeleur sank into the chair which<lb/> her daughter had
                    just quitted, nestling among the cushions and<lb/> knitting her brows in
                    thought. The clock on the mantelpiece<lb/> had struck twelve before she rose,
                    and then she paused for an<lb/> instant in front of the looking-glass, gazing
                    into it half timidly<lb/> before she extinguished the candles. The face which
                    she saw<lb/> there was manifestly pretty, in spite of the trouble which lurked
                    in<lb/> the tired eyes, and when she turned away, a hovering smile was<lb/>
                    struggling with the depression at the corners of the delicate,<lb/> mobile
                    lips.</p>
                <p>IV</p>
                <p>When Sir Geoffrey returned to Riverside, three days later,<lb/> after a brief
                    sojourn in London, spent for the most part at the<lb/> office of his solicitor
                    in Lincoln's Inn, he found Mrs. Vandeleur<lb/> presiding over a solitary
                    tea-table in a shady corner of the garden.<lb/> A few chairs sociably disposed
                    under the gnarled walnut-tree, and<lb/> a corresponding number of empty
                    tea-cups, suggested that her<lb/> solitude had not been of long duration, and
                    this impression was<lb/> confirmed when Mrs. Vandeleur told her guest that if he
                    had<lb/> presented himself a short quarter of an hour earlier he would have<lb/>
                    been welcomed in a manner more worthy of his deserts.</p>
                <p>Sir Geoffrey drew one of the low basket chairs up to the table,<lb/>
                </p>
                <fw type="catchword">protesting,</fw>
                <pb n="151"/>
                <fw type="runningHead">By Arthur Moore <fw type="pageNum">127</fw>
                </fw>
                <p>protesting, as he accepted a cup of tea, that he could not have<lb/> wished for
                    better fortune.</p>
                <p>"This is very delightful," he declared. "I don't regret the<lb/> tardiness of my
                    train in the least. The other charming people are<lb/> on the river, I suppose
                    ?"</p>
                <p> Mrs. Vandeleur nodded. "Yes, the Patersons have just taken<lb/> up their
                    quarters in that house-boat, which you must have noticed,<lb/> near the lock,
                    and my brother and Dorothy have gone with Jack<lb/> Wilgress and his sisters to
                    call upon them. You ought to have<lb/> seen Daisy Wilgress ; she is very
                    pretty."</p>
                <p>Sir Geoffrey smiled gravely, sipping his tea.</p>
                <p>"If she is prettier than your daughter, Miss Wilgress must be<lb/> very
                    dangerous. But I must see her with my own eyes before I<lb/> believe that."</p>
                <p>"Oh, she is !" declared Mrs. Vandeleur, laughing lightly, but<lb/> throwing a
                    quick glance at him. "Ask Philip; he is more<lb/> wrapped up in her than he has
                    been in anything since his first<lb/> brief."</p>
                <p>"Poor Philip !" said the other quietly, stooping to pick a fallen<lb/> leaf from
                    the grass at his feet. "I—I have a fellow-feeling for<lb/> him."</p>
                <p>"You know you may smoke if you want to," interposed Mrs.<lb/> Vandeleur, rather
                    hurriedly. "And perhaps—if you really won't<lb/> have any more tea—you might
                    like to go in pursuit of the other<lb/> people ; I don't think they have taken
                    all the boats. But I<lb/> daresay you are tired ? London is so fatiguing—and
                    business."</p>
                <p>Sir Geoffrey smiled, his white teeth showing pleasantly against<lb/> the tan of
                    his lean, good-humoured face.</p>
                <p>"I <emph rend="italic">am</emph> rather tired, I believe," he owned. "I have
                    been<lb/> spending a great deal of time in my solicitor's waiting-room,<lb/>
                    pretending to read <emph rend="italic">The Times</emph>. And I have been
                    thinking—that is<lb/>
                </p>
                <fw type="footer">The Yellow Book—Vol. III. <emph>H</emph>
                </fw>
                <fw type="catchword">always</fw>
                <pb n="152"/>
                <fw type="runningHead">
                    <fw type="pageNum">128 </fw> Second Thoughts</fw>
                <p>always fatiguing. If I am not in your way, I should like to stay<lb/> here."</p>
                <p>Mrs. Vandeleur professed her satisfaction by a polite little<lb/> murmur, leaning
                    forward in her chair to marshal the scattered<lb/> tea-cups on the tray, while
                    Sir Geoffrey watched her askance,<lb/> rather timidly, with a keen appreciation
                    of the subtle charm of her<lb/> personality ; her face, like a perfect cameo, or
                    some rare pale flower,<lb/> seeming to have gained rather in beauty by the
                    deliberate passage<lb/> from youth ; winning, just as some pictures do, an added
                    grace of<lb/> refinement, a delicacy, which the slight modification of
                    contours<lb/> served only to intensify.</p>
                <p>"I told you just now that I had been thinking," he said<lb/> presently, when she
                    had resumed her task of embroidering initials<lb/> in the corner of a
                    handkerchief : "would it surprise you if I said<lb/> that I had been thinking of
                    you ?"</p>
                <p>Mrs. Vandeleur raised her eyebrows slightly, her gaze still intent<lb/> upon her
                    patient needle.</p>
                <p>"Perhaps it was natural that you should think of us," she<lb/> hazarded.</p>
                <p>"But I meant you," he continued ; "you, the Margaret of the<lb/> old days, before
                    I went away. For I used to call you 'Margaret'<lb/> then. We were great friends,
                    you know."</p>
                <p>"I have always thought of you as a friend," she said simply.<lb/> "Yes, we were
                    great friends before—before you went away."</p>
                <p>"It doesn't seem so long ago to me," he declared, almost plain-<lb/> tively,
                    struck by something in the tone of her voice. Mrs.<lb/> Vandeleur smiled
                    tolerantly, scrutinising her embroidery, with<lb/> her head poised on one side,
                    a little after the manner of a<lb/> bird.</p>
                <p>"And now that I have found you again," he added with inten-<lb/> tion, dropping
                    his eyes till they rested on the river, rippling past<lb/>
                </p>
                <fw type="catchword">the</fw>
                <pb n="153"/>
                <fw type="runningHead">By Arthur Moore <fw type="pageNum">129</fw>
                </fw>
                <p>the wooden landing-stage below in the sunshine, "I—I don't<lb/> want to lose you,
                    Margaret !"</p>
                <p>Mrs. Vandeleur met this declaration with a smile, which was<lb/> courteous rather
                    than cordial, merely acknowledging, as of right,<lb/> the propriety of the
                    aspiration, treating it as quite conventional.<lb/> The simplicity of the
                    gesture testified eloquently of the discipline<lb/> of twenty years ; only a
                    woman would have detected the shadow<lb/> of apprehension in her eyes, the
                    trembling of the hands which<lb/> seemed so placidly occupied. Her mind was
                    already anxiously on the<lb/> alert, racing rapidly over the now familiar ground
                    which she had<lb/> quartered of late so heedfully. For her, his words were
                    ominous ;<lb/> it was of Dorothy surely that he wished to speak, and yet——!<lb/>
                    In the stress of expectation her thoughts took strange flights,<lb/> following
                    vague clues fantastically. The inveterate habit of retro-<lb/> spection carried
                    her back, in spite of her scruples; her honest desire<lb/> to think singly of
                    Dorothy, regarding the fortune of her own<lb/> life as irrevocably settled,
                    impelled her irresistibly to call to the<lb/> stage of her imagination a scene
                    which she had often set upon it,<lb/> a duologue, entirely fictive, which might,
                    but for her perversity,<lb/> have been enacted—twenty years ago.</p>
                <p>Sir Geoffrey rose, and stood leaning with one hand on the back<lb/> of his chair.
                    This interruption—or perhaps it was the sound of<lb/> oars and voices which
                    floated in growing volume from the river—<lb/> served to recall his companion to
                    the present. The silence, of<lb/> brief duration actually, seemed intolerable.
                    She must break it,<lb/> and when she spoke it was to name her daughter,
                    aimlessly.</p>
                <p>"Dorothy ?" repeated Sir Geoffrey, as she paused. "She is<lb/> extraordinarily
                    like you were before I went away. Not that you<lb/> are changed—it is delightful
                    to come back and find you the same.<lb/> It's only when she is with you that I
                    can realise that there is a<lb/> difference, a——"</p>
                <fw type="catchword">"I was</fw>
                <pb n="154"/>
                <fw type="runningHead">
                    <fw type="pageNum">130 </fw> Second Thoughts</fw>
                <p>"I was never so good as Dorothy," put in Mrs. Vandeleur<lb/> quickly ; "she will
                    never have the same reason to blame her-<lb/> self—— I don't think you could
                    imagine what she has been<lb/> to me."</p>
                <p>"I think I can," said Sir Geoffrey simply. Then he added,<lb/> rather shyly :
                    "Really, we seem to be very good friends already :<lb/> it's very nice of her—it
                    would be so natural for her to—to resent<lb/> the intrusion of an old fellow
                    like me."</p>
                <p>"You need not be afraid of that ; she looks upon you as—as a<lb/> friend
                    already."</p>
                <p>"Thank you !" murmured the other. "And you think she<lb/> might grow to—to like
                    me, in time ?"</p>
                <p> Mrs. Vandeleur nodded mutely. Sir Geoffrey followed for a<lb/> moment the
                    deliberate entry and re-entry of her needle, reflect-<lb/> ively ; then, as his
                    eyes wandered, he realised vaguely that a boat<lb/> had reached the
                    landing-stage, and that people were there : he<lb/> recognised young Wilgress
                    and Miss Vandeleur.</p>
                <p>"You said just now that you always thought of me as a friend,"<lb/> he began. "I
                    wonder—— Oh ! it's no good," he added quickly,<lb/> with a nervous movement of
                    his hands, "I can't make pretty<lb/> speeches ! After all, it's simple ; why
                    should I play the coward ?<lb/> I can take 'no' for answer, if the worst comes
                    to the worst,<lb/> and—— Margaret, I know it's asking a great deal, but—I<lb/>
                    want you to marry me."</p>
                <p>She cast a swift, startled glance at him, turning in her chair,<lb/> and then
                    dropped her eyes, asking herself bewilderedly whether this<lb/> was still some
                    fantasy. The words which he murmured now,<lb/> pleading incoherently with her
                    silence, confirmed the hopes which,<lb/> in spite of her scrupulous devotion,
                    refused to be gainsaid, thrusting<lb/> themselves shamelessly into the
                    foreground of her troubled thoughts.<lb/> An inward voice, condemned by her
                    wavering resolution as a<lb/>
                </p>
                <fw type="catchword">whisper</fw>
                <pb n="155"/>
                <fw type="runningHead">By Arthur Moore <fw type="pageNum">131</fw>
                </fw>
                <p>whisper from the lips of treachery, suggested plausibly that after<lb/> all
                    Dorothy might have made a mistake ; she repelled it fiercely,<lb/> taking a
                    savage pleasure in her pain, accusing herself, with vehe-<lb/> ment blame, as
                    one who would fain stand in the way of her<lb/> daughter's happiness. Even if
                    she had deserved these fruits of late<lb/> harvest which seemed to dangle within
                    her grasp, even if her<lb/> right to garner them had not been forfeited long ago
                    by her<lb/> folly of the past, how could she endure to figure as a rival,<lb/>
                    triumphing in her own daughter's discomfiture ? Womanly<lb/> pride and a
                    thousand scruples barred the way.</p>
                <p>"I love you," she heard him say again ; "I believe I have<lb/> always loved you
                    since—— But you know how it was in the<lb/> old days."</p>
                <p>"Don't remind me of that !" she pleaded, almost fiercely ; "I<lb/> was—I can't
                    bear to think of what I did ! You ought not to<lb/> forgive me ; I don't deserve
                    it."</p>
                <p>"Forgive ?" he echoed, blankly.</p>
                <p>"Oh, you are generous—but it is impossible, impossible ; it is<lb/> all a mistake
                    ; let us forget it."</p>
                <p>"I don't understand ! Is it that—that you don't care for me ?"</p>
                <p>Margaret gave a despairing little sigh, dropping her hands on<lb/> the sides of
                    her chair.</p>
                <p>"You don't know," she murmured. "It isn't right. No—<lb/> oh, it must be No
                    !"</p>
                <p>Sir Geoffrey echoed her sigh. As he watched her silently, the<lb/> instinct of
                    long reticence making his forbearance natural, he saw<lb/> a new expression dawn
                    into her troubled face. Her eyes were<lb/> fixed intently on the river ; that
                    they should be fixed was not<lb/> strange, but there was a light of interest in
                    them which induced<lb/> Sir Geoffrey, half involuntarily, to bend his gaze in
                    the same<lb/> direction. He saw that Dorothy had now disembarked, and was<lb/>
                </p>
                <fw type="catchword">standing,</fw>
                <pb n="156"/>
                <fw type="runningHead">
                    <fw type="pageNum">132</fw> Second Thoughts</fw>
                <p>standing, a solitary figure, close to the edge of the landing-stage.<lb/>
                    Something in her pose seemed to imply that she was talking, and<lb/> just at
                    this moment she moved to one side, revealing the head and<lb/> shoulders of Jack
                    Wilgress, which overtopped the river-bank in<lb/> such a manner as to suggest
                    that he was standing in the punt, of<lb/> which the bamboo pole rose like a
                    slender mast above his head.<lb/> The group was certainly pictorial : the
                    silhouette of Dorothy's<lb/> pretty figure telling well against the silvery
                    river, and the young<lb/> man's pose, too, lending itself to an effective bit of
                    composition ;<lb/> but Sir Geoffrey felt puzzled, and even a little hurt, by the
                    interest<lb/> that Margaret displayed at a moment which he at least had
                    found<lb/> sufficiently strenuous. He turned, stooping to pick up his hat ;<lb/>
                    then he paused, and was about to speak, when Mrs. Vandeleur<lb/> interrupted
                    him, mutely, with a glance, followed swiftly by the<lb/> return of her eyes to
                    the river. Acquiescing patiently, Sir<lb/> Geoffrey perceived that a change had
                    occurred in the grouping of<lb/> the two young people. Wilgress had drawn nearer
                    to the girl ;<lb/> his figure stood higher against the watery background,
                    apparently<lb/> he had one foot on the step of the landing-stage. Dorothy<lb/>
                    extended a hand, which he clasped and held longer than one would<lb/> have
                    reckoned for in the ordinary farewell. The girl shook her<lb/> head ; another
                    movement, and the punt began to glide reluctantly<lb/> from the shore ; then it
                    turned slowly, swinging round and<lb/> heading down-stream. Dorothy raised one
                    hand to the bosom of<lb/> her dress, and before she dropped it to her side threw
                    something<lb/> maladroitly towards her departing companion. Wilgress caught<lb/>
                    the flower—it was evidently a flower—making a dash which<lb/> involved the loss
                    of his punt-pole ; a ripple of laughter, and<lb/> Dorothy, unconscious of the
                    four eyes which watched her from<lb/> the shadows of the walnut tree, turned
                    slowly, and began to climb<lb/> the grassy slope.</p>
                <fw type="catchword">Mrs. Vandeleur's</fw>
                <pb n="157"/>
                <fw type="runningHead">By Arthur Moore <fw type="pageNum">133</fw>
                </fw>
                <p>Mrs. Vandeleur's eyelids drooped, and her lips, which had been<lb/> parted for an
                    instant in a pensive smile, trembled a little ; she<lb/> sighed, tapping the
                    ground lightly with her foot, then sank back in<lb/> her chair and seemed lost
                    in contemplation of the needlework that<lb/> lay upon her lap. Sir Geoffrey
                    began to move away, but turned<lb/> suddenly, and stooping, took one of her
                    hands reverently in his<lb/> own, clasping it as it lay upon the arm of her
                    chair.</p>
                <p>"Margaret," he said, "forgive me; but must it be good-bye,<lb/> after all these
                    years, or is there a chance for me ?"</p>
                <p>Mrs. Vandeleur's reply was inaudible ; but her hand, though it<lb/> fluttered for
                    a moment, was not withdrawn. </p>
            </div>
            <div n="YBV3_19po" type="poetry">
                <pb n="158"/>
                <head>
                    <title level="a">Twilight</title>
                </head>
                <byline>By<docAuthor>
                        <ref target="#OCU"> Olive Custance</ref>
                    </docAuthor>
                </byline>
                <epigraph>
                    <quote>Mother of the dews, dark eyelashed Twilight !<lb/> Low-lidded Twilight
                        o'er the valley's brim.<lb/> MEREDITH.</quote>
                </epigraph>
                <lg type="stanza">
                    <l>SPIRIT of Twilight, through your folded wings</l>
                    <l rend="indent">I catch a glimpse of your averted face,</l>
                    <l>And rapturous on a sudden, my soul sings</l>
                    <l rend="indent">"Is not this common earth a holy place ?"</l>
                </lg>
                <lg type="stanza">
                    <l>Spirit of Twilight, you are like a song</l>
                    <l rend="indent">That sleeps, and waits a singer, like a hymn</l>
                    <l>That God finds lovely and keeps near Him long,</l>
                    <l rend="indent">Till it is choired by aureoled cherubim.</l>
                </lg>
                <lg type="stanza">
                    <l>Spirit of Twilight, in the golden gloom</l>
                    <l rend="indent">Of dreamland dim I sought you, and I found</l>
                    <l>A woman sitting in a silent room</l>
                    <l rend="indent">Full of white flowers that moved and made no sound.</l>
                </lg>
                <fw type="catchword">These</fw>
                <pb n="159"/>
                <fw type="runningHead">By Olive Custance <fw type="pageNum">135</fw>
                </fw>
                <lg type="stanza">
                    <l>These white flowers were the thoughts you bring to all,</l>
                    <l rend="indent">And the room's name is Mystery where you sit,</l>
                    <l>Woman whom we call Twilight, when night's pall</l>
                    <l rend="indent">You lift across our Earth to cover it.</l>
                </lg>
            </div>
            <div>
                <pb n="160"/>
                <head>
                    <title level="a">Three Pictures</title>
                </head>

                <byline> By <docAuthor>
                        <ref target="#WSI">Walter Sickert</ref>
                    </docAuthor>
                </byline>
                <p><title level="a"><emph rend="indent">I. Collins's Music Hall,
                        Islington</emph></title></p>
                <p><title level="a"><emph rend="indent">II. The Lion Comique</emph></title></p>
                <p><title level="a"><emph rend="indent">III. Charley's Aunt</emph></title></p>
                <pb n="161"/>
                <pb n="162"/>
            </div>
            <div n="YBV3_20aim" type="image">
                <pb n="163"/>
                <figure>
                    <graphic width="600px" height="850px"
                        url="MediumImageDocs/YB3icon11_sickert_collins music hall_edited.jpg"/>
                    <note n="YBV3_20aim.n1">
                        <title>Collins' Music Hall, Islington</title>
                        <rs>YB3icon11</rs>YB3icon 11 Collins Music Hall Islington Walter Sickert
                        VIII October 1984 page 137 15.6 cm x 11.5 cm Impressionist Chalk 1890s
                        indoor setting room theatre/stage people female figure male figure audience
                        singer dress/gown</note>
                    <head>Collins' Music Hall, Islington</head>
                    <figDesc>Image is of the interior of a music hall. In the foreground, there are
                        the backs of men's heads in the audience. They are all seated in darkness.
                        To the right of the men, there is a large pole that divides the image
                        vertically. The stage cuts the image in half horizontally, separating the
                        foreground from the background. In the background, there is a light-haired
                        woman standing on the left side of the stage, a spotlight illuminating her.
                        She is wearing white.</figDesc>
                </figure>
                <pb n="164"/>
                <pb n="165"/>
                <pb n="166"/>
            </div>
            <div n="YBV3_20bim" type="image">
                <pb n="167"/>
                <figure>
                    <graphic width="600px" height="850px"
                        url="MediumImageDocs/YB3icon12_sickert_lion comique_edited.jpg"/>
                    <note n="YBV3_20bim.n1">
                        <title>The Lion Comique</title>
                        <rs>YB3icon12</rs>YB3icon12 The Lion Comique Walter Sickert IX October 1894
                        page 139 15.6 cm x 9.5 cm Impressionist Watercolour 1890s indoor setting,
                        theatre/stage room landscape mountain nature plant male figure people suit
                        musical instrument strings</note>
                    <head>The Lion Comique</head>
                    <figDesc>Image is of an interior performance scene. In the foreground, there is
                        a man playing violin who is standing with his back to viewer, facing an open
                        book on his music stand. Another violin is visible in the bottom right
                        corner. The musician and the two violins take up approximately 3/4 of the
                        lower portion of the image. In the middle ground, there is a male singer in
                        evening dress standing above the musician on stage; his mouth is open in
                        mid-song. He is holding his hands in mid-air, clenching them in fists. The
                        stage divides the image in half horizontally. In the background. there is a
                        painted stage set; it shows an arched wall, a tree, a body of water, and
                        several hills. </figDesc>
                </figure>
                <pb n="168"/>
                <pb n="169"/>
                <pb n="170"/>
            </div>
            <div n="YBV3_20cim" type="image">
                <pb n="171"/>
                <figure>
                    <graphic width="600px" height="850px"
                        url="MediumImageDocs/YB3icon13_sickert_charley's aunt_edited.jpg"/>
                    <note n="YBV3_20cim.n1">
                        <title>Charley's Aunt</title>
                        <rs>YBV3icon13</rs>YBV3icon 13 Charley's Aunt Walter Sickert X October 1894
                        page 141 15.6 cm x 9.5 cm Portrait Watercolour Wash drawing 1890s indoor
                        setting theatre stage androgyn female figure actor person dress gown hat
                        feather Sickert S</note>
                    <head>Charley's Aunt</head>
                    <figDesc>Image is a portrait of a woman (or perhaps of a man dressed as a
                        woman), seated, wearing a lace shawl over a black dress. Her hair is
                        dark-coloured, styled in braids. She takes up approximately 3/4 of the
                        image. The black dress she is wearing blends into the background, which is
                        open. The artist's signature is in the upper right hand corner.</figDesc>
                </figure>
                <pb n="172"/>
            </div>
            <div n="YBV3_21pr" type="prose">
                <pb n="173"/>
                <head>
                    <title level="a">Tobacco Clouds</title>
                </head>
                <byline>By<docAuthor>
                        <ref target="#LJO">Lionel Johnson</ref>
                    </docAuthor>
                </byline>
                <p>CLOUD upon cloud : and, if I were to think that an image of<lb/> life can lie in
                    wreathing, blue tobacco smoke, pleasant<lb/> were the life so fancied. Its fair
                    changes in air, its gentle<lb/> motions, its quiet dying out and away at last,
                    should symbolise<lb/> something more than perfect idleness. Cloud upon cloud :
                    and I<lb/> will think, as I have said : it is amusing to think so.</p>
                <p>It is that death, out and away upon the air, which charms me :<lb/> charms more
                    than the manner of the blown red rose, full of dew<lb/> at morning, upon the
                    grass at sunset. The clouds' end, their<lb/> death in air, fills me with a very
                    beauty of desire ; it has no<lb/> violence in it, and it is almost invisible.
                    Think of it ! While<lb/> the cloud lived, it was seemly and various ; and with a
                    graceful<lb/> change it passed away : the image of a reasonable life is
                    there,<lb/> hanging among tobacco clouds. An image and a test : an image,<lb/>
                    because elaborated by fancy : a true and appealing image, and so,<lb/> to my
                    present way of life, a test.</p>
                <p>That way is, to walk about the old city, with "a spirit in my<lb/> feet," as
                    Shelley and Catullus have it, of joyous aims and energies ;<lb/> and to speed
                    home to my solitary room over the steep High<lb/> Street ; in an arm-chair, to
                    read Milton and Lucretius, with<lb/> others. There is nothing unworthy in all
                    this : there is open air,<lb/>
                </p>
                <fw type="catchword">an</fw>
                <pb n="174"/>
                <fw type="runningHead">
                    <fw type="pageNum">144</fw> Tobacco Clouds</fw>
                <p>an ancient city, a lonely chamber, perfect poets. Those should<lb/> make up a
                    passing life well : for death ! I can watch tobacco<lb/> clouds, exploring the
                    secret of their beautiful conclusion. And,<lb/> indeed, I think that already
                    this life has something of their<lb/> manner, those wheeling clouds ! It has
                    their light touch upon<lb/> the world, and certainly their harmlessness. Early
                    morning,<lb/> when the dew sparkles red ; honey, and coffee, and eggs for a<lb/>
                    breakfast ; the quick, eager walk between the limes, through the<lb/> Close of
                    fine grass, to the river fields ; then the blithe return to<lb/> my poets ; all
                    that, together, comes to resemble the pleasant<lb/> spheres of tobacco cloud ; I
                    mean, the circling hours, in their<lb/> passage, and in their change, have
                    something of a dreamy order<lb/> and progression. Such little incidents ! Now,
                    grey air and<lb/> whistling leaves : now, a marketing crowd of country folk<lb/>
                    round the Cross : and presently, clear candles ; with Milton, in<lb/> rich
                    Baskervile type, or Lucretius, in the exquisite print of early<lb/> Italy.</p>
                <p>Such little incidents, in a world of battles and of plagues : of<lb/> violent
                    death by sea and land ! Yet this quiet life, too, has diffi-<lb/> culties and
                    needs : its changes must be gone through with a<lb/> ready pleasure and a mind
                    unhesitating. For, trivial though they<lb/> be in aspect and amount, yet the
                    consecration of them, to be an<lb/> holy discipline of experience, is so much
                    the greater an attempt :<lb/> it is an art. Each thing, be it man, or book, or
                    place, should<lb/> have its rights, when it encounters me : each has its
                    proper<lb/> quality, its peculiar spirit, not to be misinterpreted by me in<lb/>
                    carelessness, nor overlooked with impatience. That is clear : but<lb/> neither
                    must I vaunt my just view of common life. Meditation,<lb/> at twilight, by the
                    window looking toward the bare downs, is<lb/> very different from that anxious
                    examination of motives, dear to<lb/> sedulous souls. My meditation is only still
                    life : the clouds of<lb/>
                </p>
                <fw type="catchword">smoke</fw>
                <pb n="175"/>
                <fw type="runningHead">By Lionel Johnson <fw type="pageNum">145</fw>
                </fw>
                <p>smoke go up, grey and blue ; the earlier stars come out, above<lb/> the sunset
                    and the melancholy downs ; and deep, mournful bells<lb/> ring slowly among the
                    valley trees. Then, if my day have been<lb/> successful, what peace follows, and
                    how profound a charm ! The<lb/> little things of the day, sudden glances of
                    light upon grey stone,<lb/> pleasant snatches of organ music from the church,
                    quaint rustic<lb/> sights in some near village : they come back upon me,
                    gentle<lb/> touches of happiness, airs of repose. And when the mysteries<lb/>
                    come about me, the fearfulness of life, and the shadow of night ;<lb/> then,
                    have I not still the blue, grey clouds, <emph rend="italic">occultis de rebus
                        quo<lb/> referam</emph>? So I escape the tribulations of doubt, those
                    gloomy<lb/> tribulations : and I live in the strength of dreams, which
                    never<lb/> doubt.</p>
                <p>Is it all a delusion ? But that is a foolish wonder : nothing is<lb/> a delusion,
                    except the extremes of pleasure and of pain. Take<lb/> what you will of the
                    world ; its crowds, or its calms : there is<lb/> nothing altogether wrong to
                    every one. Lucretius, upon his<lb/> watch-tower, deny it as he may, found some
                    exultation and<lb/> delight in the lamentable prospect below : it filled him
                    with a<lb/> magnificent darkness of soul, a princely compassion at heart.<lb/>
                    And Milton, in his evil days, felt himself to be tragic and austere :<lb/> he
                    knew it, not as a proud boast, but as a proud fact. No ! life<lb/> is never
                    wrong, altogether, to every one : you and I, he and she,<lb/> priest and
                    penitent, master and slave : one with another, we<lb/> compose a very glory of
                    existence before the unseen Powers.<lb/> Therefore, I believe in my measured way
                    of life ; its careful<lb/> felicities, fashioned out of little things : to you,
                    the change of<lb/> Ministries, and the accomplishment of conquests, bring
                    their<lb/> wealth of rich emotion : to me, who am apart from the louder<lb/>
                    concerns of life, the flowering of the limes, and the warm autumn<lb/> rains,
                    bring their pensive beauty and a store of memories.</p>
                <fw type="catchword">Is</fw>
                <pb n="176"/>
                <fw type="runningHead">
                    <fw type="pageNum">146 </fw> Tobacco Clouds</fw>
                <p>Is it I, am indolent ? Is it you, are clamorous ? Why should<lb/> it be either ?
                    Let us say, I am the lover of quiet things, and<lb/> you are enamoured of mighty
                    events. Each, without undue<lb/> absorption in his taste, relishes the savour of
                    a different ex-<lb/> perience.</p>
                <p>But I think, I am no egoist : no melancholy spectator of<lb/> things, cultivating
                    his intellect with old poetry, nourishing his<lb/> senses upon rural nature.
                    There are times, when the swarms of<lb/> men press hard upon a solitary ; he
                    hears the noise of the streets,<lb/> the heavy vans of merchandise, the cry of
                    the railway whistle :<lb/> and in a moment, his thoughts travel away, to London,
                    to Liver-<lb/> pool ; to great docks and to great ships ; and away, till he
                    is<lb/> watching the dissimilar bustle of Eastern harbours, and hearing the<lb/>
                    discordant sounds of Chinese workmen. The blue smoke curls<lb/> and glides away,
                    with blue pagodas, and snowy almond bloom, and<lb/> cherry flowers, circling and
                    gleaming in it, like a narcotic vision.<lb/> O magic of tobacco ! Dreams are
                    there, and superb images, and<lb/> a somnolent paradise. Sometimes, the swarms
                    of humanity press<lb/> wearily and hardly ; with a cruel insistence, crushing
                    out my right<lb/> to happiness. I think, rather I brood, upon the fingers
                    that<lb/> deftly rolled the cigarette, upon the people in tobacco
                    plantations,<lb/> upon all the various commerce involved in its history : how
                    do<lb/> they all fare, those many workers ? Strolling up and down,<lb/>
                    devouring my books through their lettered backs ; remembering<lb/> the workers
                    with leather, paper, ink, who toiled at them, they<lb/> frighten me from the
                    peace. What a full world it is ! What<lb/> endless activities there are ! And,
                    oh, Nicomachean Ethics !<lb/> how much conscious pleasure is in them all !
                    Things, mere<lb/> tangible things, have a terrible power of education : of
                    calling out<lb/> from the mind innumerable thoughts and sympathies. Like<lb/>
                    childish catechisms and categories—<emph rend="italic">Whence have we
                        sago?</emph>—plain<lb/>
                </p>
                <fw type="catchword">substances</fw>
                <pb n="177"/>
                <fw type="runningHead">By Lionel Johnson <fw type="pageNum">147</fw>
                </fw>
                <p>substances introduce me to swarms of men, before unrealised.<lb/> And they all
                    lived and died, and cared for their children, or not,<lb/> and led reasonable
                    lives, or not : and, without any alternative, had<lb/> casual thoughts and
                    constant passions. Did each one of them<lb/> ever stop in his work, and think
                    that the world revolved about<lb/> him alone ; and all was his, and for him ?
                    Most men may have<lb/> thought so, and shivered a little afterwards ; and worked
                    on<lb/> steadily. Or did each one of them ever think that he was always<lb/>
                    beset with companions, hordes of men and women, necessary and<lb/> inevitable ?
                    Then, he must have struggled a little in his mind, as<lb/> a man fights for air,
                    and worked on steadily. It does not do :<lb/> this interrogation of mysteries,
                    which are also facts. Nor am I<lb/> called upon, from without or from within, to
                    write an Essay upon<lb/> the Problem of Economic Distribution. <emph
                        rend="italic">Praesentia temnis</emph> !<lb/> Nature says to me : it is the
                    stir of the world, and the great play<lb/> of forces, that I am wailing, to no
                    end. Let the great life<lb/> continue, and the sun shine upon bright palaces ;
                    and geraniums,<lb/> red geraniums, glow at the windows of dingy courts ; death
                    and<lb/> sorrow come upon both, and upon me. And on all sides there is<lb/>
                    infinite tenderness ; the invincible good-will, which says kind and<lb/>
                    cheerful things to every one sometimes, by a friend's mouth ; the<lb/> humane
                    pieties of the world, which make glad the <emph rend="italic">Civitas
                    Dei</emph>,<lb/> and make endurable the <emph rend="italic">Regnum
                        Hominis</emph>. I need not make<lb/> myself miserable.</p>
                <p>Full night at last ; the dead of night, as dull folk have it ;<lb/> ignorant
                    persons, who know nothing of nocturnal beauty, of night's<lb/> lively magic. It
                    was a good thought, to come out of my lonely<lb/> room, to look at the cloisters
                    by moonlight, and to wander round<lb/> the Close, under the black shadows of the
                    buttresses, while the<lb/> moon is white upon their strange pinnacles. There is
                    no noise,<lb/> but only a silence, which seems very old ; old, as the grey
                    monu-<lb/>
                </p>
                <fw type="catchword">ments</fw>
                <pb n="178"/>
                <fw type="runningHead">
                    <fw type="pageNum">148</fw> Tobacco Clouds</fw>
                <p>ments and the weathered arches. The wreathing, blue tobacco<lb/> clouds look thin
                    and pale, like breath upon a dark frosty night ;<lb/> they drift about these old
                    precincts, with a kind of uncertainty and<lb/> discomfort ; one would think,
                    they wanted a rich Mediterranean<lb/> night, heavy odours of roses, and very
                    fiery stars. Instead, they break<lb/> upon mouldering traceries, and doleful
                    cherubs of the last century;<lb/> upon sunken headstones, and black oak doors
                    with ironwork over<lb/> them. Perhaps the cigarette is southern and Latin,
                    southern and<lb/> Oriental, after all; and I am a dreamer, out of place in this
                    northern<lb/> grey antiquity. If it be so, I can taste the subtle pleasures of
                    contrast:<lb/> and, dwelling upon the singular features of this old town, I
                    can<lb/> make myself a place in it, as its conscious critic and adopted<lb/>
                    alien. There is a curious apprehension of enjoyment, a genuine<lb/> touch of
                    luxury, in this nocturnal visit to these old northern<lb/> things ! I consider,
                    with satisfaction, how the Stuart king, who<lb/> spurned tobacco contumeliously,
                    put a devoted faith in witches,<lb/> those northern daughters of the devil ;
                    northern, and very different<lb/> from the dames of Thessaly ; from the crones
                    of Propertius, and<lb/> of Horace, and of Apuleius the Golden. Who knows, but I
                    may<lb/> hear strange voices in the near aisle before cockcrow ? By<lb/> night,
                    night in the north, happen cold and dismal things ; and<lb/> then, what a night
                    is this ! Chilly stars, and wild, grey clouds,<lb/> flying over a misty
                    moon.</p>
                <p>At last, here comes a great and solemn sound ; the commanding<lb/> bells of the
                    cathedral tower, in their iron, midnight toll. Through<lb/> the sombre strokes,
                    and striking into their long echoes, pierce<lb/> the thin cries of bats, that
                    wheel in air, like lost creatures who<lb/> hate themselves ; the uncanny
                    flitter-mice ! They trace superb,<lb/> invisibles circles on the night ; crying
                    out faintly and plaintively,<lb/> with no sort of delight in their voices :
                    things of keen teeth, furry<lb/> bodies, and skeleton wings covered scantily in
                    leather. The big<lb/>
                </p>
                <fw type="catchword">moths</fw>
                <pb n="179"/>
                <fw type="runningHead">By Lionel Johnson <fw type="pageNum">149</fw>
                </fw>
                <p>moths, too : they blunder against my face, and dash red trails of<lb/> fire off
                    my cigarette ; so busily they spin about the darkness.<lb/>
                    <emph rend="italic">Sadducismus triumphatus</emph> ! Yes, truly : here are
                    little, white<lb/> spirits awake and at some faery work ; white, as heather upon
                    the<lb/> Cornish cliffs is white, and all innocent, rare things in heaven
                    and<lb/> earth. There is nothing dreadful, it seems, about this night, and<lb/>
                    this place ; no glorious fury of evil spirits, doing foul and ugly<lb/> things ;
                    only the quiet town asleep under a wild sky, and gentle<lb/> creatures of the
                    night moving about ancient places. And the<lb/> wind rises, with a sound of the
                    sea, murmuring over the earth<lb/> and sighing away to the sea : the trembling
                    sea, beyond the downs,<lb/> which steals into the land by great creeks and
                    glimmering<lb/> channels ; with swaying, taper masts along them, and
                    lantern<lb/> lights upon black barges. Certainly, this is no Lucretian night
                    :<lb/> not that tremendous</p>
                <lg type="stanza">
                    <l>
                        <emph rend="italic">Nox, et noctis signa severa</emph>
                    </l>
                    <l>
                        <emph rend="italic">Noctivagaeque faces caeli, flammaeque volantes.</emph>
                    </l>
                </lg>
                <p>Rather, it reminds me of the Miltonic night, which is peopled<lb/> alluringly
                    with</p>
                <lg type="stanza">
                    <l>"faery elves,</l>
                    <l>Whose midnight revels by a forest side</l>
                    <l>Or fountain, some belated peasant sees,</l>
                    <l>Or dreams he sees, while overhead the moon</l>
                    <l>Sits arbitress :"</l>
                </lg>
                <p>a Miltonic night, and a Shakespearean dawn ; for the white<lb/> morning has just
                    peered along the horizon, white morning, with<lb/> dusky flames behind it ; and
                    the spirits, the visions, vanish away,<lb/> "following darkness, like a
                    dream."</p>
                <p>The streets are very still, with that silence of sleeping cities,<lb/> which
                    seems ready to start into confused cries ; as though the<lb/>
                </p>
                <fw type="footer">The Yellow Book—Vol. III. <emph>I</emph>
                </fw>
                <fw type="catchword">Smiter</fw>
                <pb n="180"/>
                <fw type="runningHead">
                    <fw type="pageNum">150</fw> Tobacco Clouds</fw>
                <p>Smiter of the Firstborn were travelling through the households.<lb/> There is the
                    Catholic chapel, in its Georgian, quaint humility ;<lb/> recalling an age of
                    beautiful, despised simplicity ; the age of<lb/> French emigrant old priests and
                    vicars-apostolic, who stood for<lb/> the Supreme Pontiff, in grey wigs. The
                    sweet limes are swaying<lb/> against its singular, umbered windows, with their
                    holy saints and<lb/> prophets in last-century design ; ruffled, querulous
                    persons looking<lb/> very bluff and blown. I wonder, how it would be inside ;
                    I<lb/> suppose, night has a little weakened that lingering smell of daily<lb/>
                    incense, which seems so immemorial and so sad. Wonderful<lb/> grace of the
                    mighty Roman Church ! This low square place,<lb/> where the sanctuary is poor
                    and open, without any mystical touch<lb/> of retirement and of loftiness, has
                    yet the unfailing charm, the<lb/> venerable mystery, which attend the footsteps
                    of the Church ; the<lb/> same air of command, the same look of pleading, fill
                    this homely,<lb/> comfortable shrine, which simple country gentlemen set up for
                    the<lb/> ministrations of harassed priests, in an age of no enthusiasm. I
                    like<lb/> to think that this quiet chapel, in the obedience of Rome, in<lb/>
                    communion with that supreme apostolate, is always open to me<lb/> upon this
                    winding little by-street ; it fills me with perfect<lb/> memories, and it seems
                    to bless me.</p>
                <p>But here is a benediction of light ! the quick sun, reddening<lb/> half the
                    heavens, and rising gloriously. In the valley, clusters of<lb/> elm rock and
                    swing with the breeze, quivering for joy : far away,<lb/> the bare uplands roll
                    against the sunrise, calm and pastoral; <emph rend="italic">otia dia</emph>
                    <lb/> of the morning. Surely the hours have gone well, and according<lb/> to my
                    preference ; one dying into another, as the tobacco clouds<lb/> die. My
                    meditations, too, have been peaceful enough ; and,<lb/> though solitary, I have
                    had fine companions. What would the<lb/> moral philosophers, those puzzled
                    sages, think of me ? An harm-<lb/> less hedonist ? An amateur in morals, who
                    means well, though<lb/>
                </p>
                <fw type="catchword">meaning</fw>
                <pb n="181"/>
                <fw type="runningHead">By Lionel Johnson <fw type="pageNum">151</fw>
                </fw>
                <p>meaning very little ? Nay ! let the moralist by profession give, to<lb/> whom he
                    will, <emph rend="italic">sa musique, sa flamme</emph> : to any practical
                    person, who<lb/> is a wise shareholder and zealous vestryman. For myself,
                    my<lb/> limited and dreamy self, I eschew these upright businesses ;
                    upright<lb/> memories and meditations please me more, and to live with as<lb/>
                    little action as may be. Action : why do they talk of action ?<lb/> Match me,
                    for pure activity, one evening of my dreams, when life<lb/> and death fill my
                    mind with their messengers, and the days of old<lb/> come back to me. And now,
                    homewards, for a little sleep ; that<lb/> profound and rich slumber at early
                    dawn which is my choice<lb/> delight. A sleep, bathed in musical impressions,
                    and filled with<lb/> fresh dreams, all impossible and happy ; four hours, and
                    five, and<lb/> six perhaps : then the cathedral matin bell will chime in with
                    my<lb/> fancies, and I shall wake harmoniously. I shall feel infinitely<lb/>
                    cheerful, after the spirit of the <emph rend="italic">Compleat Angler</emph> ; I
                    shall remember<lb/> that I was once at Ware, and at Am well, those placid haunts
                    of<lb/> Walton. A conviction of beauty, and contentment in life will lay<lb/>
                    hold on me, more than commonly ; it is probable that I shall read<lb/>
                    <emph rend="italic">The Spectator</emph>, and Addison, rather than Steele, at
                    breakfast. And<lb/> I know which paper it will be : it will be about <emph
                        rend="italic">Will Wimble</emph>
                    <lb/> coming up to the house, with two or three hazel twigs in his hand,<lb/>
                    fresh cut in <emph rend="italic">Sir Roger'</emph>s woods. Or, if I prove
                    faithful to my great<lb/> Lucretius : the man, not the book, for I read him in
                    the Giuntine :<lb/> I will read that marvellous <emph rend="italic">It ver et
                        Venus</emph> ; that dancing masque<lb/> of beauty. For <emph rend="italic"
                        >L'Allegro</emph>, I do not read that ; it is read aloud to<lb/> me by the
                    morning, with exquisite, bright cadences. After my<lb/> honey from the flowers
                    of a very rustic farm, and my coffee, from<lb/> some wonderful Eastern place ;
                    and my eggs, marked by the careful<lb/> housewife as she took them from her
                    henhouse, covered with<lb/> stonecrop over its old tiles ; after all these
                    delicates, now comes the<lb/> first cigarette, pungent and exhilarating. As the
                    grey blue<lb/>
                </p>
                <fw type="catchword">clouds</fw>
                <pb n="182"/>
                <fw type="runningHead">
                    <fw type="pageNum">152 </fw>Tobacco Clouds</fw>
                <p>clouds go up, the ruddy sunlight glows through them, straight as<lb/> an arrow
                    through the gold. Away they wander, out of the window,<lb/> flung back upon the
                    air, against the roses, and disappear in the<lb/> buoyant morning.</p>
                <p>My thoughts go with them, into the morning, into all the<lb/> mornings over the
                    world. They travel through the lands, and<lb/> across the seas, and are
                    everywhere at home, enjoying the presence<lb/> of life. And past things, old
                    histories, are turned to pleasant<lb/> recollections : a <emph rend="italic"
                        >pot-pourri</emph>, justly seasoned, and subtly scented ;<lb/> the evil
                    humours and the monstrous tyrannies pass away, and leave<lb/> only the happiness
                    and the peace.</p>
                <p>Call me, my dear friend, what reproachful name you please ;<lb/> but, by your
                    leave, the world is better for my cheerfulness. True,<lb/> should the terrible
                    issues come upon me, demanding high courage,<lb/> and finding but good temper,
                    then give me your prayers, for I<lb/> have my misdoubts. Till then, let me
                    cultivate my place in life,<lb/> nurturing its comelier flowers ; taking the
                    little things of time<lb/> with a grateful relish and a mind at rest. So hours
                    and years pass<lb/> into hours and years, gently, and surely, and orderly ; as
                    these<lb/> clouds, grey and blue clouds, of tobacco smoke, pass up to the<lb/>
                    air, and away upon the wind ; incense of a goodly savour, cheering<lb/> the
                    thoughts of my heart, before passing away, to disappear at<lb/> last.</p>
            </div>
            <div n="YBV3_22po" type="poetry">
                <pb n="183"/>
                <head>
                    <title level="a">Reiselust</title>
                </head>
                <byline>By <docAuthor>
                        <ref target="#AMA">Annie Macdonell</ref>
                    </docAuthor>
                </byline>
                <lg type="stanza">
                    <l rend="indent">NAY, Love, but stay thy blame ;</l>
                    <l rend="indent">For if men have their claim,</l>
                    <l rend="indent">The day's but theirs—</l>
                    <l>Poor gift, the day of heat and cares !</l>
                    <l>Thou hast the night, the calm cool night,</l>
                    <l>When the soul's garden blooms in sight,</l>
                    <l>With roses tinted by the moon's soft smile,</l>
                    <l>On that far fringed horizon isle.</l>
                    <l>The night, the long sweet night is thine,</l>
                    <l>Then I awake, and find thee, soul of mine.</l>
                </lg>
                <lg type="stanza">
                    <l rend="indent">Ah, rushing hours beneath the sun !</l>
                    <l rend="indent">Ah, fevered crying haste, have done !</l>
                    <l rend="indent">Yet let your coursing swifter run !</l>
                    <l>Now let the still night fall.</l>
                    <l>I hear the water lapping 'gainst the wall,</l>
                    <l>I open wide my door unto the sea</l>
                    <l>Whence Death, thy keeper, brings thee back to me.</l>
                    <l>So mild he waits without, yet laughs at Life,</l>
                    <l>That cannot give her hirelings such a wife.</l>
                </lg>
                <fw type="catchword">Day</fw>
                <pb n="184"/>
                <fw type="runningHead">
                    <fw type="pageNum">154</fw> Reiselust</fw>
                <lg type="stanza">
                    <l rend="indent">Day, have I not paid the toll ?</l>
                    <l rend="indent">My body given the whole</l>
                    <l rend="indent">That will let pass my soul ?</l>
                    <l>The roses of the morn lie thick on my Love's bier,</l>
                    <l>And she is risen ; she is no longer here.</l>
                    <l>A star upon the stern she beckons me.</l>
                    <l>Sweet Death, one dawn, let me go back with thee,</l>
                    <l>Sweet Death, take me from out the noisy light</l>
                    <l>Into thy night, thy comforting still night.</l>
                </lg>
                <lg type="stanza">
                    <l rend="indent">Yea, soon, for my Love's sake,</l>
                    <l rend="indent">Sweet Death my hand will take,</l>
                    <l rend="indent">And I shall not awake</l>
                    <l>Till past the blooming isle.</l>
                    <l>Then shall my eyelids quiver 'neath her smile,</l>
                    <l>And I shall gaze, and from my Love's clear eyes</l>
                    <l>Shall learn her slow wide learning, and be wise,</l>
                    <l>Shall learn the speech they speak across the sea :</l>
                    <l>Tis a large language my Love speaks to me.</l>
                </lg>
                <lg type="stanza">
                    <l rend="indent">Then far beyond to sail,</l>
                    <l rend="indent">And further further coasts to hail,</l>
                    <l rend="indent">And ventures shall not fail.</l>
                    <l>And missionary dreams my Love and I</l>
                    <l>We ll hover mid the world's troubled sky,</l>
                    <l>And sleeping men to discontent shall tease,</l>
                    <l>To venture further skies and wider seas.</l>
                </lg>
                <lg type="stanza">
                    <l rend="indent">Have I not guessed the meaning of the dark ?</l>
                    <l rend="indent">Thy hand, O Death ! To-night let me embark.</l>
                </lg>
            </div>
            <div n="YBV3_23pr" type="prose">
                <pb n="185"/>
                <head>
                    <title level="a">"To Every Man a Damsel or Two"</title>
                </head>
                <byline>By <docAuthor>
                        <ref target="#ASM">C. S.</ref>
                    </docAuthor>
                </byline>
                <p>HE wandered up the carpeted steps, rather afraid all the while of<lb/> the two
                    tall men in uniform who opened the great doors wide<lb/> to let him into the
                    soft warm light and babble of voices within. At<lb/> the top he paused, and
                    slowly unbuttoned his overcoat, not know-<lb/> ing which way to turn ; but the
                    crowd swept him up, and carried<lb/> him round, until he found himself leaning
                    against a padded wall<lb/> of plush, looking over a sea of heads at the stage
                    far beneath.<lb/> He turned round, and stood watching the happy crowd,
                    which<lb/> laughed, and talked, and nodded ceaselessly to itself. Near him,<lb/>
                    on a sofa, with a table before her, was a woman spreading herself<lb/> out like
                    some great beautiful butterfly on a bed of velvet pansies.<lb/> He stood
                    admiring her half unconsciously for some time, and at<lb/> last, remembering
                    that he was tired and sleepy, and seeing that<lb/> there was still plenty of
                    room, he threaded his way across and sat<lb/> down.</p>
                <p>The butterfly began tossing a wonderful little brown satin shoe,<lb/> and tapping
                    it against the leg of the table. Then the parasol<lb/> slipped across him, and
                    fell to the ground. He hastened to pick<lb/> it up, lifting his hat as he did
                    so. She seemed surprised, and<lb/> glancing at a man leaning against the wall,
                    caught his eye, and<lb/> they both laughed. He blushed a good deal, and wondered
                    what<lb/>
                </p>
                <fw type="catchword">he </fw>
                <pb n="186"/>
                <fw type="runningHead">
                    <fw type="pageNum">156</fw> "To Every Man a Damsel or Two"</fw>
                <p>he had done wrong. She spread herself out still further in his<lb/> direction,
                    and cast side glances at him from under her Gains-<lb/> borough.</p>
                <p>"What were you laughing at just now ?" he said impulsively.</p>
                <p>"My dear boy, when ?"</p>
                <p>"With that man."</p>
                <p>"Which man ?"</p>
                <p>"It doesn't matter," he said, blushing again.</p>
                <p>She looked up, and winked at the man leaning against the<lb/> wall.</p>
                <p>"Have I offended you by speaking to you ?" he said, looking<lb/> with much
                    concern into her eyes.</p>
                <p>She put a little scented net of a handkerchief up to her mouth,<lb/> and went
                    into uncontrollable fits of laughter.</p>
                <p>"What a funny boy you are !" she gasped. "Do do it again."</p>
                <p>He looked at her in amazement, and moved a little further<lb/> away.</p>
                <p>"I'm going to tell the waiter to bring me a port—after that<lb/> last bit of
                    business."</p>
                <p>"I don't understand all this," he said desperately : "I wish I<lb/> had never
                    spoken to you ; I wish I had never come in here<lb/> at all."</p>
                <p>"You're very rude all of a sudden. Now don't be troublesome<lb/> and say you're
                    too broke to pay for drinks," she added as the<lb/> waiter put the port down
                    with great deliberation opposite her, and<lb/> held out the empty tray
                    respectfully to him. He stared.</p>
                <p>"Why don't you pay, you cuckoo ?"</p>
                <p>Mechanically he put down a florin, and the waiter counted out<lb/> the
                    change.</p>
                <p>There was a pause. She fingered the stem of her wine-glass,<lb/> taking little
                    sips, and watching him all the while.</p>
                <fw type="catchword">"How</fw>
                <pb n="187"/>
                <fw type="runningHead">By C. S. <fw type="pageNum">157</fw>
                </fw>
                <p>"How often have you been here before ?" she said, suddenly<lb/> catching at his
                    sleeve. "You must tell me. I fancy I know your<lb/> face : surely I've met you
                    before somewhere ?"</p>
                <p>"This is the first time I have ever been to a music-hall," he<lb/> said
                    doggedly.</p>
                <p>She drank off her port directly.</p>
                <p>"Come—come away at once. Yes, all right—I'm coming with<lb/> you ; so go
                    along."</p>
                <p>"But I've only just paid to come in," he said hesitatingly.</p>
                <p>"Never mind the paying," and she stamped her little satin foot,<lb/> "but do as I
                    tell you, and go." And taking his arm, she led him<lb/> through the doors down
                    to the steps, where the wind blew cold,<lb/> and the gas jets roared fitfully
                    above.</p>
                <p>"Go," she said, pushing him out, "and never come here again ;<lb/> stick to the
                    theatres, you will like them best." And she ran up<lb/> the steps and was
                    gone.</p>
                <p>He rushed after her. The two tall men in uniform stepped<lb/> before the
                    doors.</p>
                <p>"No re-admission, sir," said one, bowing respectfully and<lb/> touching his
                    cap.</p>
                <p>"But that lady," he said, bewildered, and looking from one to<lb/> the other.</p>
                <p>The men laughed, and one of them, shrugging his shoulders,<lb/> pointed to the
                    box-office.</p>
                <p>He turned, and walked down the steps. Was it all a dream ?<lb/> He glanced at his
                    coat. The flower in his buttonhole had gone. </p>
            </div>
            <div n="YBV3_24pr" type="prose">
                <pb n="188"/>
                <head>
                    <title level="a">A Song and a Tale</title>
                </head>
                <byline>By <docAuthor>
                        <ref target="#NHO">Nora Hopper</ref>
                    </docAuthor>
                </byline>
                <div n="YBV3_24po" type="poetry">
                    <head>
                        <title level="a">I—Lament of the Last Leprechaun</title>
                    </head>
                    <lg type="stanza">
                        <l>FOR the red shoon of the Shee,</l>
                        <l rend="indent">For the falling o' the leaf,</l>
                        <l>For the wind among the reeds,</l>
                        <l rend="indent">My grief !</l>
                    </lg>
                    <lg type="stanza">
                        <l>For the sorrow of the sea,</l>
                        <l>For the song's unquickened seeds,</l>
                        <l>For the sleeping of the Shee,</l>
                        <l rend="indent">My grief !</l>
                    </lg>
                    <lg type="stanza">
                        <l>For dishonoured whitethorn-tree,</l>
                        <l>For the runes that no man reads,</l>
                        <l>Where the grey stones face the sea,</l>
                        <l rend="indent">My grief !</l>
                    </lg>
                    <lg type="stanza">
                        <l>Lissakeole, that used to be</l>
                        <l>Filled with music night and noon,</l>
                        <l>For their ancient revelry,</l>
                        <l rend="indent">My grief !</l>
                    </lg>
                    <fw type="catchword">For</fw>
                    <pb n="189"/>
                    <fw type="runningHead">By Nora Hopper <fw type="pageNum">159</fw>
                    </fw>
                    <lg type="stanza">
                        <l>For the empty fairy shoon,</l>
                        <l>Hollow rath and yellow leaf;</l>
                        <l>Hands unkissed to sun or moon :</l>
                        <l rend="indent">My grief—my grief !</l>
                    </lg>
                </div>
                <div>
                    <head>
                        <title level="a">II—Aonan-na-Righ</title>
                    </head>
                    <p>AINAN-NA-RIGH they called him in Tir Ailella*—"Darling<lb/> of the King"—but
                        it was in idle sport, for Cathal the Red<lb/> hated the son of his old age
                        as men now have forgotten to hate ;<lb/> and once Aonan had sprung from his
                        sleep with a sharp skene<lb/> thrust through his arm, that had meant to
                        drink his life-blood ;<lb/> and once again he had found himself alone in the
                        heart of the<lb/> battle, and he had scarcely won out of the press with his
                        life—and<lb/> with the standard of the Danish enemy. Thus it was seen
                        that<lb/> neither did the Danish spears love the "King's Darling"; and<lb/>
                        the sennachies made a song of this, and it was chanted before the<lb/> King
                        for the first time when he sat robed and crowned for the<lb/> Beltane feast,
                        and Aonan stood at his left hand, pouring out<lb/> honey-wine into his
                        father's cup. And before he drank, Cathal<lb/> the King stared hard at the
                        cup-bearer, and the red light that<lb/> burned in his eyes was darkened
                        because of the likeness in<lb/> Aonan's face to his mother Acaill (dead and
                        buried long since),<lb/> whom Cathal had loved better than his first wife
                        Eiver, who was<lb/> a king's daughter, and better than the Danish slave
                        Astrild, who<lb/> bore him five sons, elder and better-loved than Aonan, for
                        all the<lb/> base blood in their veins. And of these, two were dead in
                        the<lb/> battle that had spared Aonan, and there were left to Cathal
                        the<lb/>
                    </p>
                    <fw type="footer">* Now Tirerrill, Co. Sligo.</fw>
                    <fw type="catchword">King</fw>
                    <pb n="190"/>
                    <fw type="runningHead">
                        <fw type="pageNum">160</fw> A Song and a Tale</fw>
                    <p>King only the Druid Coloman, and Toran the boaster, and<lb/> Guthbinn of the
                        sweet voice, who as yet was too young to fight.</p>
                    <p>"Drink, Aonan-na-Righ," shrilled Astrild from her seat at the<lb/> King's
                        left hand. "Drink : lest there be death in the cup."</p>
                    <p>Aonan took up the golden cup, and gave her back smile for<lb/> smile. "I
                        drink," he said, "to my mother, Acaill of Orgiall."</p>
                    <p>But the King snatched the cup from his fingers, and dashed it<lb/> down on
                        the board, so that the yellow mead spilled and stained<lb/> Astrild's cloak
                        ; but she did not dare complain, for there was the<lb/> red light in
                        Cathal's eyes that was wont to make the boldest<lb/> afraid.</p>
                    <p>"Bring me another cup," he said to one that stood near.<lb/> "And now, will
                        none of ye do honour to the toast of Aonan-na-<lb/> Righ ? Bring ye also a
                        cup for the prince ; and, Guthbinn, put<lb/> your harp aside."</p>
                    <p>So in silence they drank to the memory of Acaill of Orgiall,<lb/> and
                        afterwards they sought to spin together the threads of their<lb/> broken
                        mirth, but not easily, for Astrild, who was wont to be<lb/> gayest, sat
                        pale, with her hand on the knife hidden in her breast ;<lb/> and the King
                        sat dumb and frowning, thinking, as Astrild knew,<lb/> of dead Acaill : how
                        he had loved and hated her, and, having slain<lb/> her father and brothers,
                        and brought her to Dunna Scaith a Golden<lb/> Hostage wearing a golden
                        chain, he had wedded her for her<lb/> beauty's sake ; and how until her
                        child was born she had never so<lb/> much as smiled or frowned for him ; and
                        how, when her babe lay<lb/> in her arms, she sent for her husband, and said
                        : "I thank thee,<lb/> Cathal, who hast set me free by means of this babe. I
                        bless thee<lb/> for this last gift of thine, who for all thine other gifts
                        have cursed<lb/> thee." And Cathal remembered how he had held babe and<lb/>
                        mother to his heart, and said : "Good to hear soft words from thy<lb/> mouth
                        at last, O Acaill ! Speak again to me, and softly. But<lb/>
                    </p>
                    <fw type="catchword">she</fw>
                    <pb n="191"/>
                    <fw type="runningHead">By Nora Hopper <fw type="pageNum">161</fw>
                    </fw>
                    <p>she had not answered, for her first soft words to him were her<lb/> last. And
                        Astrild, watching him, saw his face grow black and<lb/> angry, and she
                        smiled softly to herself, and aloud she said :</p>
                    <p>"Oh, Guthbinn, sing again, and sing of thy brothers who fell<lb/> to-day—sing
                        of Oscar, the swift in battle, and Uaithne, of the<lb/> dark eyes. And will
                        my lord give leave that I, their mother, go<lb/> to weep for them in my own
                        poor house where they were born ?"</p>
                    <p>"No," said Cathal. "I bought you and your tears, girl, with<lb/> gold rings,
                        from Ocaill of Connaught. Sing to me now, and keep<lb/> thy tears for
                        to-morrow." So Astrild drove back her sorrow, and<lb/> began to sing, while
                        her son Guthbinn plucked slow music from his<lb/> harpstrings.</p>
                    <lg type="stanza">
                        <l>"Earrach, Samhradh, Foghmhar, and Geimhridh,</l>
                        <l rend="indent">Are over all and done :</l>
                        <l>And now the web forgets the weaver,</l>
                        <l rend="indent">And earth forgets the sun.</l>
                        <l>I sowed no seed, and pulled no blossom,</l>
                        <l rend="indent">Ate not of the green corn :</l>
                        <l>With empty hands and empty bosom,</l>
                        <l rend="indent">Behold, I stand forlorn.</l>
                        <l>Windflower I sang, and Flower o' Sorrow,</l>
                        <l rend="indent">Half-Summer, World's Delight :</l>
                        <l>I took no thought o' the coming morrow,</l>
                        <l rend="indent">No care for the coming night."</l>
                    </lg>
                    <p>Guthbinn's hand faltered on the harpstrings, and the singer stopped<lb/>
                        swiftly : but King Cathal stayed the tears in her heart with an<lb/> angry
                        word. "Have I had not always had my will ? And it is<lb/> not my will now
                        for you to weep." So Astrild sat still, and she<lb/> looked at her sons :
                        but Toran was busy boasting of the white<lb/> neck and blue eyes of the new
                        slave-girl he had won, and Coloman<lb/>
                    </p>
                    <fw type="catchword">was</fw>
                    <pb n="192"/>
                    <fw type="runningHead">
                        <fw type="pageNum">162</fw> A Song and a Tale</fw>
                    <p>was dreaming, as he sat with his eyes on the stars that showed<lb/> through
                        the open door : and only Guthbinn met her eyes and<lb/> answered them,
                        though he seemed to be busy with his harp. And<lb/> presently Cathal rose
                        up, bidding all keep their seats and finish<lb/> out the feast, but Astrild
                        and Aonan he bade follow him. And<lb/> so they went into the farthest
                        chamber of the House of Shields,<lb/> which looked upon a deep ditch. Now
                        the end of the chamber<lb/> was a wall of wattles, and here there was cut a
                        door that led out<lb/> on a high bank which overlooked the ditch. And the
                        King went<lb/> out upon the bank, where there was a chair placed ready for
                        him,<lb/> and Astrild sat at his knee, and Aonan-na-Righ stood a little<lb/>
                        way off. And Cathal sat still for a time, holding Astrild's hand<lb/> in
                        his, and presently he said : "Who put the death in the cup<lb/> to-night,
                        Astrild, thou or Guthbinn ?" And Astrild tried to<lb/> draw her hand away
                        and to rise, but he held her in her place, and<lb/> asked again, "Guthbinn,
                        or thou ?" until she answered him<lb/> sullenly as she knelt, "King, it was
                        I."</p>
                    <p>"Belike, Guthbinn's hand did thy bidding," he said, in laughing<lb/> fashion.
                        "Was the death for me or for Aonan yonder, thou Red-<lb/> Hair ?"</p>
                    <p>And Astrild laughed as she answered, "For Aonan-na-Righ,<lb/> my lord." And
                        then she shrieked and sought to rise, for she saw<lb/> death in the king's
                        face as it bent over her.</p>
                    <p>"If thou hadst sought to slay thy master, Red-Hair, I might<lb/> have
                        forgiven thee," Cathal said ; "but what had my son to do<lb/> with thee, my
                        light-o'-love ?"</p>
                    <p>"Give me a day," Astrild said desperately, "and I will kill father<lb/> and
                        son, and set the light-o'-love's children on your throne, Cathal."</p>
                    <p>"I doubt it not, my wild-cat, but I will not give ye the day :"<lb/> Cathal
                        laughed. "Good courage, girl—and call thy Danish gods<lb/> to aid, for there
                        is none other to help thee, now."</p>
                    <fw type="catchword">"What</fw>
                    <pb n="193"/>
                    <fw type="runningHead">By Nora Hopper <fw type="pageNum">163</fw>
                    </fw>
                    <p>"What will my lord do?" Aonan said quickly, as the Dane<lb/> turned a white
                        face and flaming eyes to him. "Wouldst kill<lb/> her ?"</p>
                    <p>"Ay," said Cathal the King. "But first she shall leave her<lb/> beauty behind
                        her, lest she meet thy mother in the Land of Youth,<lb/> and Acaill be
                        jealous."</p>
                    <p>"Leave her beauty and breath, lord," Aonan said, drawing<lb/> nearer. "If my
                        mother Acaill lived she would not have her slain.<lb/> My king, she pleased
                        thee once ; put her from thee if she vexes<lb/> thee now ; but leave her
                        life, since something thou owest<lb/> her."</p>
                    <p>"She would have slain thee to-day, Aonan, and if I have dealt<lb/> ill by
                        thee, I let no other deal thus. Yet if thou prayest me for<lb/> thy life,
                        girl, for love of Acaill I will give it thee."</p>
                    <p>And Cathal laughed, for he knew the Dane would not plead in<lb/> that name.
                        Astrild laughed too. "Spare thy breath, son of<lb/> Acaill," she said
                        scornfully. "To-morrow the cord may be round<lb/> thy neck, and thou be in
                        need of breath ; now lord, the cord for<lb/> mine——"</p>
                    <p>Cathal smiled grimly.</p>
                    <p>"Blackheart," he said, "thou hast no lack of courage. Now<lb/> up," and he
                        loosened her hands, "and fly if thou wilt—swim the<lb/> ditch, and get thee
                        to Drumcoll-choille—and Guthbinn shall die<lb/> in thy stead. What ! Thou
                        wouldst liefer die ? Back then to<lb/> yonder chamber, where my men will
                        deal with thee as I have<lb/> ordered, and be as patient as in thee lies. A
                        kiss first, Red-Hair ;<lb/> and hearken from yonder chamber if thou wilt,
                        while Aonan sings<lb/> a dirge for thee."</p>
                    <p>She went ; and presently there rang from within the chamber<lb/> the shrill
                        scream of a woman's agony, and Cathal laughed to see<lb/> Aonan's face turn
                        white. "She is not as patient as thou," he<lb/>
                    </p>
                    <fw type="catchword">said,</fw>
                    <pb n="194"/>
                    <fw type="runningHead">
                        <fw type="pageNum">164 </fw>A Song and a Tale</fw>
                    <p>said, "but she will learn. Keep thou my word to her, Aonan ;<lb/> sing a
                        dirge for her beauty a-dying."</p>
                    <p>"I cannot sing," Aonan-na-Righ said, shivering as there rose<lb/> another
                        shriek. "Let them slay her, my lord, and have done."</p>
                    <p>"My will runs otherwise," said Cathal, smiling. "Sing, if<lb/> thou lovest
                        thy life."</p>
                    <p>"My lord knows that I do not," Aonan answered ; and Cathal<lb/> smiled
                        again.</p>
                    <p>"Belike not ; but sing and lessen the Dane's punishment.<lb/> When the song
                        is finished she shall be released, and even tended<lb/> well."</p>
                    <p>So Aonan sang the song of the Dane-land over the water, and<lb/> the Danes
                        that died in the Valley of Keening—which is now called<lb/> Waterford ; of
                        the white skin and red hair of Astrild ; of her<lb/> grace and daring ; of
                        the sons that lay dead on the battle-place ;<lb/> of Coloman the dreamer
                        that read the stars ; and of the beautiful<lb/> boy whose breast was a nest
                        of nightingales. And then he sang—<lb/> more softly—of the Isle of the Noble
                        where Acaill dwelt, and how<lb/> she would have shadowed Astrild with her
                        pity if she had lived ;<lb/> and then he stopped singing and knelt before
                        the King, dumb for<lb/> a moment with the passion of his pity, for from the
                        open door<lb/> they could hear a woman moaning still.</p>
                    <p>"Lord," he said, "make an end. My life for hers—if a life<lb/> the King must
                        have ; or my pain for hers—if the King must needs<lb/> feed his ears with
                        cries."</p>
                    <p>"Graciously spoken, and like Acaill's son," King Cathal said.<lb/> "And
                        Astrild shall be set free. You within the chamber take<lb/> the Dane to her
                        son the lord Coloman's keeping ; and thou, my<lb/> son Aonan, tarry here
                        till I return. I may have a fancy to send<lb/> thee with a message to thy
                        mother before dawn. Nay, but come<lb/> with me, and we will go see Coloman,
                        and ask how his mother<lb/>
                    </p>
                    <fw type="catchword">does.</fw>
                    <pb n="195"/>
                    <fw type="runningHead">By Nora Hopper <fw type="pageNum">165</fw>
                    </fw>
                    <p>does. Give me thine arm to lean on ; I am tired, Aonan, I am old,<lb/> and an
                        end has come to my pleasure in slaying .... Coloman !"<lb/>
                    </p>
                    <p>They were in Coloman's chamber now, and the Druid turned<lb/> from
                        star-gazing to greet the King, with a new dark look in his<lb/> gentle face.
                        "Coloman, how does thy mother do now ? She had<lb/> grown too bold in her
                        pride, but we did not slay her because of<lb/> Aonan here. How works our
                        medicine that we designed to<lb/> temper her beauty ?"</p>
                    <p>"Well, lord. No man will kiss my mother's beauty more."</p>
                    <p>"Good : now she will turn her feet into ways of gentleness,<lb/> perhaps.
                        Thou boldest me a grudge for this medicine o' mine,<lb/> my son Coloman
                        ?"</p>
                    <p>"Lord, she is my mother," the Druid said, looking down.</p>
                    <p>"The scars will heal," Cathal said ; "but—Aonan here has only<lb/> seen her
                        beautiful. Coloman, wouldst thou have him see her<lb/> scarred and foul to
                        see ?"</p>
                    <p>"No, lord," the Druid said fiercely. Cathal laughed.</p>
                    <p>"Have a gift of me, then, O Coloman," he said. "Spare him<lb/> from sight of
                        a marred beauty, in what way thou canst. I give<lb/> thee his eyes for thy
                        mother's scars."</p>
                    <p>The two young men looked at each other steadily : then<lb/> Aonan spoke.
                        "Take the payment that the King offers thee,<lb/> Coloman, without fear : a
                        debt is a debt."</p>
                    <p>"And the debt is heavy."</p>
                    <p>Coloman said hoarsely : "Lord, wilt thou go and leave Aonan-<lb/> na-Righ to
                        me ? And wilt thou send to me thy cunning men,<lb/> Flathartach and Fadhar ?
                        I must have help."</p>
                    <p>"Aonan-na-Righ will not hinder thee, Coloman," said the<lb/> King, mockingly.
                        "He desires greatly to meet with his mother :<lb/> and do thou commend me
                        also to the Lady Eivir, whom I wedded<lb/> first, and who loved me
                        well."</p>
                    <fw type="footer">The Yellow Book—Vol. III. <emph>K</emph>
                    </fw>
                    <fw type="catchword">"Call</fw>
                    <pb n="196"/>
                    <fw type="runningHead">
                        <fw type="pageNum">166</fw> A Song and a Tale</fw>
                    <p>"Call me also to thy mother's memory," Toran the boaster<lb/> cried
                        presently, when all was made ready, and Coloman bade draw<lb/> the irons
                        from the brazier—"if thou goest so far, Darling of the<lb/> King."</p>
                    <p>"I will remember," Aonan said : and then fire and flesh met.</p>
                    <p> * * * * * </p>
                    <p>At the next Beltane feast Cathal the Red slept beside Acaill in<lb/> the
                        burial-place of the kings at Brugh, and Guthbinn sat in the<lb/> high seat,
                        Toran the boaster at his right hand. But Coloman the<lb/> Druid stood on the
                        tower-top, reading the faces of the stars ; and<lb/> along the road that
                        wound its dusty way to the country of the<lb/> Golden Hostages there toiled
                        two dark figures : a woman and a<lb/> man. Now the woman was hooded and
                        masked, but under the<lb/> grey hood the moonlight found a gleam of ruddy
                        hair ; and the<lb/> man she led by the hand and watched over as a mother
                        watches<lb/> her son. Yet the woman was Danish Astrild, and the blind
                        man<lb/> was Aonan-na-Righ. </p>
                </div>
                <div n="YBV3_25po" type="poetry">
                    <pb n="197"/>
                    <head>
                        <title level="a">"De Profundis"</title>
                    </head>
                    <byline>By <docAuthor>
                            <ref target="#SWA">S. Cornish Watkins</ref>
                        </docAuthor>
                    </byline>
                    <lg type="stanza">
                        <l>THE hot white road winds on and on before,</l>
                        <l rend="indent">The hot white road fades into haze behind,</l>
                        <l>With clinging dust each hedge is powdered o'er,</l>
                        <l rend="indent">The sun is high, no shelter can we find.</l>
                        <l>A dusty bird upon a dusty spray</l>
                        <l rend="indent">Sings o'er and o'er a little dreary song,</l>
                        <l>There is no rest, no rest, the livelong day,</l>
                        <l rend="indent">And we are weary, and the way is long.</l>
                    </lg>
                    <lg type="stanza">
                        <l>We know not whence we come, or whither wend,</l>
                        <l rend="indent">What goal may be to which our journey draws,</l>
                        <l>Fate binds this burden on us, and the end</l>
                        <l rend="indent">We know not, care not, and we must not pause.</l>
                        <l>A motley train we move. The young, the old,</l>
                        <l rend="indent">Women and men, with feeble steps or strong,</l>
                        <l>Driven, like herded sheep, from fold to fold—</l>
                        <l rend="indent">Oh, we are weary, and the way is long.</l>
                    </lg>
                    <lg type="stanza">
                        <l>Vain whispers have we known, and hopes as vain ;</l>
                        <l rend="indent">And one, he bore a banner with a cross,</l>
                        <l>And spake wild words of comfort after pain,</l>
                        <l rend="indent">And future gain to balance present loss.</l>
                    </lg>
                    <fw type="catchword">But</fw>
                    <pb n="198"/>
                    <fw type="runningHead">
                        <fw type="pageNum">168</fw> "De Profundis"</fw>
                    <lg type="stanza">
                        <l>But where he is we wot not. We have lost</l>
                        <l rend="indent">All hopes we had, all faiths or right or wrong,</l>
                        <l>We have been shaken, shattered, tempest-tost,</l>
                        <l rend="indent">And we are weary, and the way is long.</l>
                    </lg>
                    <lg type="stanza">
                        <l>Yet still, within each bosom smoulders there</l>
                        <l rend="indent">Some little spark that might have been divine,</l>
                        <l>Something that will not let us quite despair,</l>
                        <l rend="indent">Something we cannot, if we would, resign.</l>
                        <l>Some day the spark may quicken and may guide,</l>
                        <l rend="indent">And fire the soul within us, dead so long,</l>
                        <l>So may there be, when falls the eventide,</l>
                        <l rend="indent">A joyous ending to a grievous song.</l>
                    </lg>
                </div>
                <div>
                    <pb n="199"/>
                    <head>
                        <title level="a">Two Pictures</title>
                    </head>

                    <byline> By <docAuthor>
                            <ref target="#PST">P. Wilson Steer</ref>
                        </docAuthor>
                    </byline>
                    <p><title level="a"><emph rend="indent">I. The Mirror</emph></title></p>
                    <p><title level="a"><emph rend="indent">II. Skirt Dancing</emph></title></p>
                    <pb n="200"/>
                    <pb n="201"/>
                    <pb n="202"/>
                </div>
                <div n="YBV3_25aim" type="image">
                    <pb n="203"/>
                    <figure>
                        <graphic width="600px" height="850px"
                            url="MediumImageDocs/YB3icon14_steer_mirror_edited.jpg"/>
                        <note n="YBV3_25aim.n1">
                            <title>The Mirror</title>
                            <rs>YB3icon14</rs>YB3icon14 The Mirror P Wilson Steer XI October 1894
                            page 171 15.2 cm x 8.6 cm Figure Drawing Wash Drawing 1890s indoor
                            setting room female figure person dress/gown </note>
                        <head>The Mirror</head>
                        <figDesc>Image is of a young, dark-haired woman standing before a framed
                            mirror, fastening white skirt at the waist. Her back is toward the
                            viewer, but her face is visible through the reflection of the mirror.
                            She is shown from the hemline up, with her body taking up approximately
                            3/4 of the image. The walls of the room are unadorned and
                            light-coloured.</figDesc>
                    </figure>
                    <pb n="204"/>
                    <pb n="205"/>
                    <pb n="206"/>
                </div>
                <div n="YBV3_25bim" type="image">
                    <pb n="207"/>
                    <figure>
                        <graphic width="600px" height="850px"
                            url="MediumImageDocs/YB3icon15_steer_skirt dancing_edited.jpg"/>
                        <note n="YBV3_25bim.n1">
                            <title>Skirt-Dancing</title>
                            <rs>YB3icon15</rs>YB3icon15 Skirt-Dancing P. Wilson Steer XII October
                            1894 page 173 10.5 cm x 15.6 cm Figure Drawing Wash Drawing 1890s indoor
                            setting room theatre/stage female figure person dancer dress/gown Steer
                            shoe</note>
                        <head>Skirt-Dancing</head>
                        <figDesc>Image is of a young woman dancing in a white skirt and black
                            stockings, viewed from the back. She is holding the skirt out at the
                            edges while she kicks her left leg to the side. Her head is cut off at
                            the top, but her shoulder-length dark hair is visible. There is the
                            suggestion of both a stage and a spot light. The background is open and
                            undefined. The artist's signature is in the bottom right
                            corner.</figDesc>
                    </figure>
                    <pb n="208"/>

                </div>
                <div n="YBV3_26pr" type="prose">
                    <pb n="209"/>
                    <head>
                        <title level="a">A Study in Sentimentality</title>
                    </head>
                    <byline>By <docAuthor>
                            <ref target="#HCR">Hubert Crackanthorpe</ref>
                        </docAuthor>
                    </byline>
                    <p>A PHANTOM regiment of giant mist-pillars swept silently<lb/> across the
                        valley ; beaded drops loaded each tuft of coarse,<lb/> dull-tinted grass ;
                        the peat-hags gaped like black, dripping flesh-<lb/> wounds in the earth's
                        side; the distance suggested rectangular fields<lb/> and wooded
                        slopes—vague, grey, phantasmagoric ; and down over<lb/> everything floated
                        the damp of fine rain.</p>
                    <p>Alec's heavy tread crunched the turfed bridle-path rhythmically,<lb/> and
                        from the stiff rim of his clerical hat the water dribbled on to<lb/> his
                        shoulders.</p>
                    <p>It was a rugged, irregular, almost uncouth face, and now the<lb/> features
                        were vacantly huddled in a set expression, obviously<lb/> habitual. The
                        cheeks were hunched up, almost concealing the<lb/> small eyes ; a wet wisp
                        of hair straggled over the puckered<lb/> forehead, and the ragged, fair
                        moustache was spangled by the<lb/> rain.</p>
                    <p>At his approach the sheep scampered up the fell-side ; then,<lb/> stood
                        staring through the mist in anxious stupidity. And Alec,<lb/> shaking the
                        water from his hat, strode forward with an almost<lb/> imperceptible gleam
                        on his face. It was so that he liked the valley<lb/>—all colourless and
                        blurred, with the sky close overhead, like a low,<lb/> leaden ceiling.</p>
                    <fw type="catchword">By-and-by</fw>
                    <pb n="210"/>
                    <fw type="runningHead">
                        <fw type="pageNum">176 </fw> A Study in Sentimentality</fw>
                    <p>By-and-by, a cluster of cottages loomed ahead—a choppy pool<lb/> of black
                        slate roofs, wanly a-glimmer in the wet. As he entered<lb/> the village, a
                        group of hard-featured men threw him a curt<lb/> chorus of greetings, to
                        which he raised his stick in response,<lb/> mechanically.</p>
                    <p>He mounted the hill. Three furnace-chimneys craned their<lb/> thin necks to
                        grime the sky with a dribbling, smoky breath ;<lb/> high on a bank of
                        coal-dust, blurred silhouettes of trucks stood<lb/> waiting in forlorn
                        strings ; women, limp, with unkempt hair,<lb/> and loose, bedraggled skirts,
                        stood round the doorways in gossiping<lb/> groups.</p>
                    <p>"Which is Mrs. Matheson's ?" he stopped to ask.</p>
                    <p>"There—oop there, Mr. Burkett—by yon ash—where them<lb/> childer's standin',"
                        they answered, all speaking together, eagerly.<lb/> "Look ye ! that be Mrs.
                        Matheson herself."</p>
                    <p>Alec went up to the woman. His face clouded a little, and the<lb/> puffs from
                        his pipe came briskly in rapid succession.</p>
                    <p>"Mrs. Matheson, I've only just heard——Tell me, how did<lb/> it happen ?" he
                        asked gently.</p>
                    <p>She was a stout, red-faced woman, and her eyes were all bloodshot<lb/> with
                        much crying. She wiped them hastily with the corner of<lb/> her apron before
                        answering.</p>
                    <p>"It was there, Mr. Burkett, by them rails. He was jest playin'<lb/> aboot in
                        t'road wi' Arnison's childer. At half-past one, t'grand-<lb/> moother
                        stepped across to fetch me a jug o' fresh water an'<lb/> she see'd him
                        settin' in door there. Then—mabbee twenty minutes<lb/> later—t' rain coome
                        on an' I thought to go to fetch him in.<lb/> But I could'na see na sign of
                        him anywhere. We looked oop<lb/> and doon, and thought, mabbee, he'd toddled
                        roond to t' back.<lb/> An' then, all at once, Dan Arnison called to us that
                        he was leein'<lb/> in t' water, doon in beck-pool. An' Dan ran straight
                        doon, an'<lb/>
                    </p>
                    <fw type="catchword">carried</fw>
                    <pb n="211"/>
                    <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">177</fw>
                    </fw>
                    <p>carried him oop to me ; but t'was na use. He was quite cold<lb/> and
                        drownded. An' I went——" But the sobs, rising thickly,<lb/> swallowed the
                        rest.</p>
                    <p>Alec put his hand on her shoulder soothingly.</p>
                    <p>"Ay, I know'd ye'd be grieved, Mr. Burkett. He was the<lb/> bonniest boy in
                        all t' parish."</p>
                    <p>She lifted the apron to her eyes again, while he crossed to the<lb/>
                        railings. The wood of the posts was splintered and worm-eaten,<lb/> and the
                        lower rail was broken away. Below, the rock shelved<lb/> down some fifteen
                        feet to the beck-pool, black and oily-looking.</p>
                    <p>"It's a very dangerous place," he said, half to himself.</p>
                    <p>"Ay, Mr. Burkett, you're right," interrupted a bent and<lb/> wizened old
                        woman, tottering forward.</p>
                    <p>"This be grandmoother, Mr. Burkett," Mrs. Matheson ex-<lb/> plained. "'Twas
                        grandmoother that see'd him last——"</p>
                    <p>"Ay, Mr. Burkett," the old woman began in a high, tremulous<lb/> treble.
                        "When I went fer to fill t' jug fer Maggie he was<lb/> a-settin' on t' steps
                        there playin with t' kitten, an' he called after<lb/> me, 'Nanny !' quite
                        happy-like ; but I took na notice, but jest<lb/> went on fer t' water. I
                        shawed Mr. Allison the broken rail<lb/> last month, when he was gittin' t'
                        rents, and I told him he<lb/> ought to put it into repair, with all them wee
                        childer playin' all<lb/> daytime on t' road. Didn't I, Maggie?" Mrs.
                        Matheson<lb/> assented incoherently. "An' he was very civil-like, was
                        Mr.<lb/> Allison, and he said he'd hev' it seen to. It's alus that way,<lb/>
                        Mr. Burkett," the old woman concluded, shaking her head wisely.<lb/> "Folks
                        wait till some accident occurs, and then they think to<lb/> bestir
                        themselves."</p>
                    <p>Alec turned to the mother, and touched her thick, nerveless hand.</p>
                    <p>"There, there, Mrs. Matheson, don't take on so," he said.</p>
                    <fw type="catchword">At</fw>
                    <pb n="212"/>
                    <fw type="runningHead">
                        <fw type="pageNum">178</fw> A Study in Sentimentality</fw>
                    <p>At his touch her sobbing suddenly ceased, and she let her apron<lb/>
                        fall.</p>
                    <p>"Will ye na coome inside, Mr. Burkett ?" she asked.</p>
                    <p>And they all three went in together.</p>
                    <p>The little room had been scrubbed and tidied, and a number of<lb/> chairs,
                        ranged round the table, blocked the floor.</p>
                    <p>"We've bin busy all marnin', gitting' things a bit smartened<lb/> oop for
                        t'inquest. T' coroner's cooming at twelve," the grand-<lb/> mother
                        explained.</p>
                    <p>"Will ye coome oopstairs, Mr. Burkett—jest—jest to tak' a<lb/> look at him ?
                        " Mrs. Matheson asked in a subdued voice.</p>
                    <p>Alec followed her, squeezing his burly frame up the narrow,<lb/> creaking
                        staircase.</p>
                    <p>The child lay on the clean, white bed. A look of still serenity<lb/> slept on
                        his pallid face. His tawny curls were smoothed back,<lb/> and some snowdrops
                        were scattered over the coverlet. All was<lb/> quite simple.</p>
                    <p>Mrs. Matheson stood in the doorway, struggling noisily with<lb/> her
                        sobs.</p>
                    <p>"It is God's will," Alec said quietly.</p>
                    <p>"He was turned four last week," she blurted out. "Ye'll<lb/> excuse me, Mr.
                        Burkett, but I'm that overdone that I jest canna'<lb/> help myself," and she
                        sank into a chair.</p>
                    <p>He knelt by the dead child's side and prayed, while the slow<lb/> rise and
                        fall of the mother's sobs rilled the room. When he rose<lb/> his eyes were
                        all moist.</p>
                    <p>"God will help you, if you ask Him. His ways are secret. We<lb/> cannot
                        understand His purpose. But have faith in Him. He has<lb/> done it for the
                        best," he said.</p>
                    <p>"Ay, I know, I know, Mr. Burkett. But ye see he was the<lb/> youngest, and
                        that bonny——"</p>
                    <fw type="catchword">"Let</fw>
                    <pb n="213"/>
                    <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">179</fw>
                    </fw>
                    <p>"Let me try to comfort you," he said.</p>
                    <p>*****</p>
                    <p>When they came downstairs again, her face was calmer and her<lb/> voice
                        steadier. The coroner, a dapper man with a bright-red tie,<lb/> was taking
                        off his gloves and macintosh ; the room was fast filling<lb/> with silent
                        figures, and the old grandmother was hobbling to and<lb/> fro with noisy,
                        excited importance.</p>
                    <p>"Will ye na' stay for t' inquest ?"</p>
                    <p>Alec shook his head. "No, I can't stop now. I have a School-<lb/> board
                        meeting to go to. But I will come up this afternoon."</p>
                    <p>"Thank'ee, Mr. Burkett, God bless thee," said Mrs. Matheson.</p>
                    <p>He shook hands with the coroner, who was grumbling con-<lb/> cerning the
                        weather ; then strode out back down the valley.</p>
                    <p>Though long since he had grown familiar with the aspects of<lb/> suffering,
                        that scene in the cottage, by reason of its very simplicity,<lb/> had
                        affected him strangely. His heart was full of slow sorrow for<lb/> the
                        woman's trouble, and the image of the child, lying beautiful<lb/> in its
                        death-sleep, passed and repassed in his mind.</p>
                    <p>By-and-bye, the moaning of the wind, the whirling of lost<lb/> leaves, the
                        inky shingle-beds that stained the fell-sides, inclined his<lb/> thoughts to
                        a listless brooding.</p>
                    <p>Life seemed dull, inevitable, draped in sombre, drifting shadows,<lb/> like
                        the valley-head. Yet in all good he saw the hand of God, a<lb/> mysterious,
                        invisible force, ever imperiously at work beneath the<lb/> ravages of
                        suffering and of sin.</p>
                    <p>It was close upon six o' clock when he reached home. He was<lb/> drenched to
                        the skin, and as he sat before the fire, dense clouds of<lb/> steam rose
                        from his mud-stained boots and trousers.</p>
                    <p>"Now, Mr. Burkett, jest ye gang and tak off them things,<lb/> while I make
                        yer tea. Ye'll catch yer death one of these days—<lb/> I know ye will. I
                        sometimes think ye haven't more sense than<lb/>
                    </p>
                    <fw type="catchword">a boy,</fw>
                    <pb n="214"/>
                    <fw type="runningHead">
                        <fw type="pageNum">180</fw> A Study in Sentimentality</fw>
                    <p>a boy, traipsin' about all t' day in t' wet, and niver takin' yer meals<lb/>
                        proper-like."</p>
                    <p>A faint smile flickered across his face. He was used to his<lb/> landlady's
                        scoldings.</p>
                    <p>"A child was drowned yesterday in the beck up at Beda<lb/> Cottages. I had to
                        go back there this afternoon to arrange about<lb/> the funeral," he mumbled,
                        half-apologetically.</p>
                    <p>Mrs. Parkin snorted defiantly, bustling round the table as she<lb/> spread
                        the cloth. Presently she broke out again :</p>
                    <p>"An' noo, ye set there lookin' as white as a bogle. Why<lb/> don't ye go an'
                        git them wet clothes off. Ye're fair wringin'."</p>
                    <p>He obeyed ; though the effort to rise was great. He felt<lb/> curiously cold
                        : his teeth were clacking, and the warmth from the<lb/> flames seemed
                        delicious.</p>
                    <p>In his bedroom a dizziness caught him, and it was a moment<lb/> before he
                        could recognise the familiar objects. And he realised<lb/> that he was ill,
                        and looked at himself in the glass with a dull, scared<lb/> expression. He
                        struggled through his dressing however, and went<lb/> back to his tea. But,
                        though he had eaten nothing since the<lb/> morning, he had no appetite ; so,
                        from sheer force of habit, he lit<lb/> a pipe, wheeling his chair close to
                        the fire.</p>
                    <p>And, as the heat penetrated him, his thoughts spun aimlessly<lb/> round the
                        day's events, till these gradually drifted into the back-<lb/> ground of his
                        mind, as it were, and he and they seemed to have<lb/> become altogether
                        detached. His forehead was burning, and a<lb/> drowsy, delicious sense of
                        physical weakness was stealing over his<lb/> limbs. He was going to be ill,
                        he remembered ; and it was with<lb/> vague relief that he looked forward to
                        the prospect of long days of<lb/> monotonous inactivity, long days of repose
                        from the daily routine<lb/> of fatigue. The details of each day's work, the
                        accomplishment<lb/> of which, before, had appeared so indispensable, now, he
                        felt in his<lb/>
                    </p>
                    <fw type="catchword">lassitude,</fw>
                    <pb n="215"/>
                    <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">181</fw>
                    </fw>
                    <p>lassitude, had faded to insignificance. Mrs. Parkin was right :<lb/> he had
                        been overdoing himself; and with a clear conscience he<lb/> would take a
                        forced holiday in bed. Things in the parish would<lb/> get along without him
                        till the end of the week. There was<lb/> only the drowned child's funeral,
                        and, if he could not go, Milner,<lb/> the neighbouring vicar, would take it
                        for him. His pipe slipped<lb/> from his hand to the hearthrug noiselessly,
                        and his head sank<lb/> forward. . . .</p>
                    <p>He was dreaming of the old churchyard. The trees were<lb/> rocking their
                        slim, bare arms ; drip, drip, drip, the drops pattered<lb/> on to the
                        tombstones, tight-huddled in the white, wet light of the<lb/> moon ; the
                        breath of the old churchyard tasted warm and moist,<lb/> like the reek of
                        horses after a long journey.</p>
                    <p>The child's funeral was finished. Mrs. Matheson had cried<lb/> noisily into
                        her apron ; the mourners were all gone now ; and<lb/> alone, he sat down on
                        the fresh-dug grave. By the moonlight he<lb/> tried to decipher the names
                        carved on the slabs ; but most of the<lb/> letters had faded away, and
                        moss-cushions had hidden the rest.<lb/> Then he found it—"George Matheson,
                        aged four years and five<lb/> days," and underneath were carved Mrs.
                        Matheson's words :<lb/> "He was the bonniest boy in all the parish." He sat
                        on, with<lb/> the dread of death upon him, the thought of that black
                        senseless-<lb/> ness ahead, possessing him, so sudden, so near, so intimate,
                        that it<lb/> seemed entirely strange to have lived on, forgetful of it.
                        By-<lb/> and-bye, he saw her coming towards him—Ethel, like a figure<lb/>
                        from a picture, wearing a white dress that trailed behind her,<lb/> a red
                        rose pinned at the waist, and the old smile on her lips. And<lb/> she came
                        beside, him, and told him how her husband had gone<lb/> away for ever, and
                        he understood at once that he and she were<lb/> betrothed again, as it had
                        been five years ago. He tried to answer<lb/> her, but somehow the words
                        would not come ; and, as he was<lb/>
                    </p>
                    <fw type="catchword">striving</fw>
                    <pb n="216"/>
                    <fw type="runningHead">
                        <fw type="pageNum">182</fw> A Study in Sentimentality</fw>
                    <p>striving to frame them, there came a great crash. A bough<lb/> clattered down
                        on the tombstones ; and with a start he awoke.</p>
                    <p>A half-burned coal was smoking in the fender. He felt as if he<lb/> had been
                        sleeping for many hours.</p>
                    <p>He fell to stupidly watching the red-heat, as it pulsed through<lb/> the
                        caves of coal, to imagining himself climbing their ashen<lb/>
                        mountain-ridges, across dark defiles, up the face of treacherous<lb/>
                        precipices. . . .</p>
                    <p>Hundreds of times, here, in this room, in this chair, before this<lb/> fire,
                        he had sat smoking, picturing the old scenes to himself,<lb/> musing of
                        Ethel Fulton (Ethel Winn she had been then ; but,<lb/> after her marriage,
                        he had forced himself to think of her as bearing<lb/> her husband's
                        name—that was a mortification from which he had<lb/> derived a sort of
                        bitter satisfaction). But now, with the long<lb/> accumulation of his
                        solitude—five years he had been vicar of<lb/> Scarsdale—he had grown so
                        unconscious of self, so indifferent to<lb/> the course of his own existence,
                        that every process of his mind<lb/> had, from sheer lack of external
                        stimulation, stagnated, till, little<lb/> by little, the growth of
                        mechanical habit had come to mould its<lb/> shape and determine its
                        limitations. And hence, not for a<lb/> moment had he ever realised the grip
                        that this habit of senti-<lb/> mental reminiscence had taken on him, nor the
                        grotesque extent<lb/> of its futile repetition. Such was the fervour of his
                        attitude<lb/> towards his single chapter of romance.</p>
                    <p>Five years ago, she and he had promised their lives to one<lb/> another. And
                        the future had beckoned them onward, gaily,<lb/> belittling every obstacle
                        in its suffusion of glad, alluring colour.<lb/> He was poor : he had but his
                        curate's stipend, and she was used to<lb/> a regular routine of ease. But he
                        would have tended her wants,<lb/> waiting on her, watching over her,
                        indefatigably ; chastening all<lb/> the best that was in him, that he might
                        lay it at her feet. And<lb/>
                    </p>
                    <fw type="catchword">together,</fw>
                    <pb n="217"/>
                    <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">183</fw>
                    </fw>
                    <p>together, hand in hand, they would have laboured in God's service.<lb/> At
                        least so it seemed to him now.</p>
                    <p>Then had come an enforced separation ; and later, after a<lb/> prolonged,
                        unaccountable delay, a letter from her explaining, in<lb/> trite, discursive
                        phrases, how it could never be—it was a mistake<lb/>—she had not known her
                        own mind—now she could see things<lb/> clearer—she hoped he would forgive
                        and forget her.</p>
                    <p>A wild determination to go at once to her, to plead with her,<lb/> gripped
                        him ; but for three days he was helpless, bound fast by<lb/> parish duties.
                        And when at last he found himself free, he had<lb/> already begun to
                        perceive the hopelessness of such an errand, and,<lb/> with crushed and
                        dogged despair, to accept his fate as irrevocable.</p>
                    <p>In his boyhood—at the local grammar-school, where his ugli-<lb/> ness had
                        made him the butt of his class, and later, at an insignificant<lb/> Oxford
                        college, where, to spare his father, whose glebe was at the<lb/> time
                        untenanted, he had set himself grimly to live on an impossibly<lb/> slender
                        allowance—at every turn of his life, he had found himself<lb/> at a
                        disadvantage with his fellows. Thus he had suffered much,<lb/> dumbly—meekly
                        many would have said—without a sign of resent-<lb/> ment, or desire for
                        retaliation. But all the while, in his tenacious,<lb/> long-suffering way,
                        he was stubbornly inuring himself to an<lb/> acceptance of his own
                        disqualifications. And so, once rudely<lb/> awakened from his dream of love,
                        he wondered with heavy<lb/> curiosity at his faith in its glamorous reality,
                        and, remembering<lb/> the tenour of his life, suffered bitterly like a man
                        befooled by his<lb/> own conceit.</p>
                    <p>Some months after the shattering of his romance, the rumour<lb/> reached him
                        that James Fulton, a prosperous solicitor in the town,<lb/> was courting
                        her. The thing was impossible, a piece of idle<lb/> gossip, he reasoned with
                        himself. Before long, however, he heard<lb/> it again, in a manner that left
                        no outlet for doubt.</p>
                    <fw type="catchword">It</fw>
                    <pb n="218"/>
                    <fw type="runningHead">
                        <fw type="pageNum">184</fw> A Study in Sentimentality</fw>
                    <p>It seemed utterly strange, unaccountable, that she, whose eager<lb/> echoing
                        of all his own spiritual fervour and enthusiasm for the<lb/> work of the
                        Church still rang in his ears, should have chosen a<lb/> man, whose sole
                        talk had seemed to be of dogs and of horses, of<lb/> guns and of game ; a
                        man thick-minded, unthinking, self-com-<lb/> placent ; a man whom he himself
                        had carelessly despised as devoid<lb/> of any spark of spirituality.</p>
                    <p>And, at this moment, when the first smartings of bitter bewil-<lb/> derment
                        were upon him, the little living of Scarsdale fell vacant,<lb/> and his
                        rector, perhaps not unmindful of his trouble, suggested<lb/> that he should
                        apply for it.</p>
                    <p>The valley was desolate and full of sombre beauty ; the parish,<lb/>
                        sparsely-peopled but extensive ; the life there would be monotonous,<lb/>
                        almost grim, with long hours of lonely brooding. The living was<lb/> offered
                        to him. He accepted it excitedly.</p>
                    <p>And there, busied with his new responsibilities, throwing him-<lb/> self into
                        the work with a suppressed, ascetic ardour, news of the<lb/> outside world
                        reached him vaguely, as if from afar.</p>
                    <p>He read of her wedding in the local newspaper : later, a few<lb/> trite
                        details of her surroundings ; and then, nothing more.</p>
                    <p>But her figure remained still resplendent in his memory, and, as<lb/> time
                        slipped by, grew into a sort of gleaming shrine, incarnating<lb/> for him
                        all the beauty of womanhood. And gradually, this incar-<lb/> nation grew
                        detached, as it were, from her real personality, so that,<lb/> when twice a
                        year he went back to spend Sunday with his old<lb/> rector, to preach a
                        sermon in the parish church, he felt no shrink-<lb/> ing dread lest he
                        should meet her. He had long ceased to bear any<lb/> resentment against her,
                        or to doubt that she had done what was<lb/> right. The part that had been
                        his in the little drama seemed<lb/> altogether of lesser importance.</p>
                    <p>*****</p>
                    <fw type="catchword">All</fw>
                    <pb n="219"/>
                    <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">185</fw>
                    </fw>
                    <p>All night he lay feverishly tossing, turning his pillow aglow<lb/> with heat,
                        from side to side ; anxiously reiterating whole inco-<lb/> herent
                        conversations and jumbled incidents.</p>
                    <p>At intervals, he was dimly conscious of the hiss of wind-swept<lb/> leaves
                        outside, and of rain-gusts rattling the window-panes ; and<lb/> later, of
                        the sickly light of early morning streaking the ceiling<lb/> with curious
                        patterns. By-and-bye, he dropped into a fitful sleep,<lb/> and forgot the
                        stifling heat of his bed.</p>
                    <p>Then the room had grown half full of daylight, and Mrs.<lb/> Parkin was
                        there, fidgetting with the curtains. She said some-<lb/> thing which he did
                        not hear, and he mumbled that he had slept<lb/> badly, and that his head was
                        aching.</p>
                    <p>Some time later—how long he did not know—she appeared again,<lb/> and a man,
                        whom he presently understood to be a doctor, and who<lb/> put a thermometer,
                        the touch of which was deliciously cool, under<lb/> his armpit, and sat down
                        at the table to write. Mrs. Parkin<lb/> and he talked in whispers at the
                        foot of the bed : they went away ;<lb/> Mrs. Parkin brought him a cup of
                        beef-tea and some toast ; and<lb/> then he remembered only the blurred
                        memories of queer, un-<lb/> finished dreams.</p>
                    <p>Consciousness seemed to return to him all of a sudden ; and,<lb/> when it was
                        come, he understood dimly that, somehow, the fatigue of<lb/> long pain was
                        over, and he tasted the peaceful calm of utter lassitude.<lb/>
                    </p>
                    <p>He lay quite still, his gaze following Mrs. Parkin, as she moved<lb/> to and
                        fro across the room, till it fell on a basket-full of grapes<lb/> that stood
                        by the bedside. They were unfamiliar, inexplicable ;<lb/> they puzzled him ;
                        and for awhile he feebly turned the matter<lb/> over in his mind. Presently
                        she glanced at him, and he lifted his<lb/> hand towards the basket.</p>
                    <p>"Would ye fancy a morsel o' fruit noo ? 'Twas Mrs. Fulton<lb/> that sent
                        'em," she said.</p>
                    <fw type="footer">The Yellow Book—Vol. III. <emph>L</emph>
                    </fw>
                    <fw type="catchword">She</fw>
                    <pb n="220"/>
                    <fw type="runningHead">
                        <fw type="pageNum">186</fw> A Study in Sentimentality</fw>
                    <p>She held the basket towards him, and he lifted a bunch from it.<lb/> They
                        were purple grapes, large and luscious-looking. Ethel had<lb/> sent them.
                        How strange that was ! For an instant he doubted<lb/> if he were awake, and
                        clutched the pillow to make sure that it was<lb/> real.</p>
                    <p>"Mrs. Fulton sent them ?" he repeated.</p>
                    <p>"Ay, her coachman came yesterday in t' forenoon to inquire<lb/> how ye were
                        farin', and left that fruit for ye. Ay, Mr. Burkett,<lb/> but ye've had a
                        mighty quantity o' callers. Most all t' parish has<lb/> been askin for news
                        o' ye. An' that poor woman from t' factory<lb/> cottages has been doon
                        forenoon and night."</p>
                    <p>"How long have I been in bed ?" he asked after a pause.</p>
                    <p>"Five days and five nights. Ye've bin nigh at death's door,<lb/> ravin' and
                        moanin' like a madman. But, noo, I must'na keep ye<lb/> chatterin'. Ye
                        should jest keep yeself quiet till t' doctor coomes.<lb/> He'll be mighty
                        surprised to find ye so much improved, and in<lb/> possession of yer
                        faculties."</p>
                    <p>And she left him alone.</p>
                    <p>He lay staring at the grapes, while excitement quickened every<lb/> pulse.
                        Ethel had sent them—they were from Ethel—Ethel had<lb/> sent them through
                        his brain, to and fro, boisterously, the thought<lb/> danced. And then, he
                        started to review the past, dispassionately,<lb/> critically, as if it were
                        another man's ; and soon, every detail, as he<lb/> lingered on it, seemed to
                        disentangle itself, till it all achieved a curious<lb/> simplification. The
                        five years at Scarsdale became all blurred : they<lb/> resembled an
                        eventless waste-level, through which he had been<lb/> mechanically trudging.
                        But the other day, it seemed, he was with<lb/> her—he and she betrothed to
                        one another. A dozen scenes passed<lb/> before his eyes : with a flush of
                        hot, intolerable shame, he saw<lb/> himself, clumsy, uncouth, devoid of
                        personal charm, viewing her<lb/> bluntly, selfishly through the cumbrous
                        medium of his own<lb/>
                    </p>
                    <fw type="catchword">personality.</fw>
                    <pb n="221"/>
                    <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">187</fw>
                    </fw>
                    <p>personality. And her attitude was clear too : the glamour, woven<lb/> of
                        habitual, sentimental reminiscence, faded, as it were, from her<lb/> figure,
                        and she appeared to him simply and beautifully human ;<lb/> living,
                        vibrating, frail. <emph rend="italic">Now</emph> he knew the meaning of that
                        last<lb/> letter of hers—the promptings of each phrase ; the outpourings
                        of<lb/> his ideals, enthusiasms, aspirations—callow, blatant, crude, he<lb/>
                        named them bitterly—had scared her : she had felt herself unequal<lb/> to
                        the strain of the life he had offered her : in her loveable,<lb/> womanish
                        frailty, she had grown to dread it ; and he realised all<lb/> that she had
                        suffered before she had brought herself to end it—the<lb/> long struggles
                        with doubt and suspense. The veil that had<lb/> clogged his view was lifted
                        : he knew her now : he could read<lb/> the writing on her soul : he was
                        securely equipped for loving her ;<lb/> and now, she had passed out of his
                        life, beyond recall. In his<lb/> blindness he had not recognised her, and
                        had driven her away.</p>
                    <p>How came it that to-day, for the first time, all these things were<lb/> made
                        clear ?</p>
                    <p>The clock struck ; and while he was listening to its fading<lb/> note, the
                        door-handle clicked briskly, and the doctor walked in.<lb/> He talked
                        cheerily of the crops damaged by the storm, and the<lb/> sound of his voice
                        seemed to vibrate harshly through the<lb/> room.</p>
                    <p>"There's a heavy shower coming up," he remarked. "By the<lb/> way, you're
                        quite alone here, Mr. Burkett, I believe. Have you<lb/> no relatives whom
                        you would like to send for ?"</p>
                    <p>"No—no one," Alec answered. "Mrs. Parkin will look after<lb/> me."</p>
                    <p>"Yes—but you see," and he came and sat down by the bedside,<lb/> "I don't say
                        there's any immediate danger ; but you've had a very<lb/> near touch of it.
                        Now isn't there any old friend ?—you ought<lb/> not to be alone like this."
                        He spoke the last words with emphasis.<lb/>
                    </p>
                    <fw type="catchword">Alec</fw>
                    <pb n="222"/>
                    <fw type="runningHead">
                        <fw type="pageNum">188 </fw>A Study in Sentimentality</fw>
                    <p>Alec shook his head. His gaze had fallen on the basket of<lb/> grapes again :
                        he was incoherently musing of Ethel.</p>
                    <p>"Mind, I don't say there's any immediate danger," he heard the<lb/> man
                        repeating; "but I must tell you that you're not altogether<lb/> out of the
                        wood yet."</p>
                    <p>He paused.</p>
                    <p>"You ought to be prepared for the worst, Mr. Burkett."</p>
                    <p>The last phrase lingered in Alec's mind ; and slowly its<lb/> meaning dawned
                        upon him.</p>
                    <p>"You mean I might die at any moment ? " he asked.</p>
                    <p>"No, no—I don't say that," the other answered evasively.<lb/> "But you see
                        the fever has left you very weak ; and of course in<lb/> such cases one can
                        never be quite sure——"</p>
                    <p>The rest did not reach Alec's ears ; he was only vaguely aware<lb/> of the
                        murmur of the man's voice.</p>
                    <p> Presently he perceived that he had risen.</p>
                    <p>"I will come back in the afternoon," he was saying. "I'll tell<lb/> Mrs.—Mrs.
                        Parker to bring you in some breakfast."</p>
                    <p>After the doctor had gone he dozed a little . . .</p>
                    <p>Then remembered the man's words—"No immediate danger,<lb/> but you must be
                        prepared for the worst." The sense of it all<lb/> flashed upon him : he
                        understood what the man had meant : that<lb/> was the way doctors always
                        told such things he guessed. So the<lb/> end was near . . . He wondered, a
                        little curiously, if it would<lb/> come before to-night, or to-morrow ... It
                        was near, quite near,<lb/> he repeated to himself; and gradually, a
                        peacefulness permeated<lb/> his whole being, and he was vaguely glad to be
                        alone. . . .</p>
                    <p>A little while, and he would be near God. He felt himself<lb/> detached from
                        the world, and at peace with all men.</p>
                    <p>His life, as he regarded it trailing behind him, across the stretch<lb/> of
                        past years, seemed inadequate, useless, pitiable almost ; of his<lb/>
                    </p>
                    <fw type="catchword">own</fw>
                    <pb n="223"/>
                    <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">189</fw>
                    </fw>
                    <p>own personality, as he now realised it, he was ashamed—petty<lb/>
                        mortifications, groping efforts, a grotesque capacity for futile,<lb/>
                        melancholy brooding—he rejoiced that he was to have done with<lb/> it. The
                        end was near, quite near, he repeated once again.</p>
                    <p>Then, afterwards, would come rest—the infinite rest of the<lb/> Saviour's
                        tenderness, and the strange, wonderful expectation<lb/> of the mysterious
                        life to come . . . A glimpse of his own serenity, of<lb/> his own
                        fearlessness, came to him ; and he was moved by a quick<lb/> flush of
                        gratitude towards God. He thought of the terror of the<lb/> atheist's
                        death—the world, a clod of dead matter blindly careering<lb/> through space
                        ; humanity, a casual, senseless growth, like the<lb/> pullulating insects on
                        a rottening tree. . . .</p>
                    <p>A little while, only a little while, and he would be near God.<lb/> And,
                        softly, under his breath, he implored pardon for the countless<lb/>
                        shortcomings of his service. . . .</p>
                    <p>The German clock on the mantel-piece ticked with methodical<lb/> fussiness :
                        the flames in the grate flickered lower and lower ; and one<lb/> by one
                        dropped, leaving dull-red cinders. Through the window,<lb/> under the
                        half-drawn blind, was the sky, cold with the hard, white<lb/> glare of the
                        winter sun, flashing above the bare, bony mountain-<lb/> backs ; and he
                        called to mind spots in the little, desolate parish,<lb/> which, with a
                        grim, clinging love, he had come to regard as his<lb/> own for always. Who
                        would come after him, live in this house<lb/> of his, officiate in the
                        square, grey-walled church, move and work<lb/> in God's service among the
                        people ? . . .</p>
                    <p>And, while he lay drowsily musing on the unfinished dream,<lb/> a muffled
                        murmur of women's voices reached his ears. By an<lb/> intuition, akin
                        perhaps to animal instinct, he knew all at once<lb/> that it was she,
                        talking with Mrs. Parkin down in the room below.<lb/> Prompted by a rush of
                        imperious impulse he raised himself on his<lb/> elbow to listen.</p>
                    <fw type="catchword">There</fw>
                    <pb n="224"/>
                    <fw type="runningHead">
                        <fw type="pageNum">190 </fw>A Study in Sentimentality</fw>
                    <p>There was a rustling of skirts in the passage and the sound of<lb/> the
                        voices grew clearer.</p>
                    <p>"Good day, ma'am, and thank ye very kindly, I'm sure," Mrs.<lb/> Parkin was
                        saying.</p>
                    <p>No reply came, though he was straining every nerve to<lb/> catch it ... At
                        last, subdued, but altogether distinct, <emph rend="italic">her</emph>
                        <lb/> voice :</p>
                    <p>"You're sure there's nothing else I can send ?"</p>
                    <p>The door of his room was ajar. He dug his nails into the<lb/> panel-edge, and
                        tried to swing it open. But he could scarcely<lb/> move it, and in a moment
                        she would be gone.</p>
                    <p>Suddenly he heard his own voice—loud and queer it sounded:</p>
                    <p>"Ethel—Ethel."</p>
                    <p>Hurried steps mounted the stairs, and Mrs. Parkin's white cap<lb/> and
                        spectacled face appeared.</p>
                    <p>"What be t'matter, Mr. Burkett ?" she asked breathlessly.</p>
                    <p>"Stop her—tell her."</p>
                    <p>"Dearie, dearie me, he's off wanderin' agin."</p>
                    <p>"No, no ; I'm all right—tell—ask Mrs. Fulton if she would<lb/> come up to see
                        me ?"</p>
                    <p>"There, there, Mr. Burkett, don't ye excite yeself. Ye're not<lb/> fit to see
                        any one, ye know that. Lie ye doon agin, or ye'll be<lb/> catchin' yer death
                        o' cauld."</p>
                    <p>"Ask her to come, please—just for a minute."</p>
                    <p>"For Heaven's sake lie doon. Ye'll be workin' yeself into a<lb/> fever next.
                        There, there, I'll ask her for ye, though I've na<lb/> notion what t'doctor
                        'ud say."</p>
                    <p>She drew down the blind and retired, closing the door quietly<lb/> behind
                        her.</p>
                    <p>The next thing he saw was Ethel standing by his bedside.</p>
                    <p>He lay watching her without speaking. She wore a red dress<lb/>
                    </p>
                    <fw type="catchword">trimmed</fw>
                    <pb n="225"/>
                    <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">191</fw>
                    </fw>
                    <p>trimmed with fur ; a gold bracelet was round her gloved wrist, and<lb/> a
                        veil half-hid her features.</p>
                    <p>Presently he perceived that she was very white, that her mouth<lb/> was
                        twitching, and that her eyes were full of tears.</p>
                    <p>"Alec—I'm so sorry you're so ill ... Are you in pain ?"</p>
                    <p>He shook his head absently. Her veil and the fur on her cloak<lb/> looked
                        odd, he thought, in the half-light of the room.</p>
                    <p>"You will be better soon : the worst is over."</p>
                    <p>"No," he answered, with a dreary smile. "I am going to<lb/> die."</p>
                    <p>She burst into sobs.</p>
                    <p>"No, no, Alec . . . You must not think that."</p>
                    <p>He stretched his arm over the coverlet towards her, and felt the<lb/> soft
                        pressure of her gloved hand.</p>
                    <p>"Forgive me, Ethel, I'm sorry. I didn't mean to pain you.<lb/> But it is so ;
                        the doctor told me this morning."</p>
                    <p>She sat down by the bedside, still crying, pressing her handker-<lb/> chief
                        to her eyes.</p>
                    <p>"Ethel, how strange it seems. Do you know I haven't seen<lb/> you since I
                        left Cockermouth ?" The words came deliberately,<lb/> for his mind had grown
                        quite calm. "How the time has<lb/> flown !"</p>
                    <p>Her grasp on his hand tightened, but she made no answer.</p>
                    <p>"It was very kind of you to come all this way, Ethel, to<lb/> see me. Will
                        you stay a little and let me talk to you ? It's<lb/> more than five years
                        since we ve talked together, you know," and<lb/> he smiled faintly. "Don't
                        cry so, Ethel, dear. I did not mean<lb/> to make you cry. There's no cause
                        to cry, dear ; you've made<lb/> me so happy."</p>
                    <p>"My poor, poor Alec," she sobbed.</p>
                    <p>"You'd almost forgotten the old days, perhaps," he continued<lb/>
                    </p>
                    <fw type="catchword">dreamily,</fw>
                    <pb n="226"/>
                    <fw type="runningHead">
                        <fw type="pageNum">192</fw> A Study in Sentimentality</fw>
                    <p>dreamily, talking half to himself; "for it's a long while ago now.<lb/> But
                        to me it seems as if it had all just happened. You see I've<lb/> been
                        vegetating rather, here in this lonely, little place . . . Don't<lb/> go on
                        crying, Ethel dear ... let me tell you about things a little.<lb/> There's
                        no harm in it now, because you know I'm——"</p>
                    <p>"Oh ! don't—don't say that. You'll get better. I know you<lb/> will."</p>
                    <p>"No, Ethel, I sha'n't. Something within me tells me that my<lb/> course is
                        done. Besides, I don't want to get better. I'm so<lb/> happy . . . Stay a
                        little with me, Ethel ... I wanted to<lb/> explain ... I was stupid,
                        selfish, in the old days——"</p>
                    <p>"It was I—I who—" she protested through her tears.</p>
                    <p>"No, you were quite right to write me that letter. I've<lb/> thought that
                        almost from the first . . . I'm sure of it," he added,<lb/> as if convincing
                        himself definitely. "It could never be . . . it was<lb/> my fault ... I was
                        stupid and boorish and wrapped up in myself.<lb/> I did not try to
                        understand your nature ... I didn't understand<lb/> anything about women ...
                        I never had a sister ... I took<lb/> for granted that you were always
                        thinking and feeling just as I<lb/> was. I never tried to understand you,
                        Ethel ... I was not fit<lb/> to be entrusted with you."</p>
                    <p>"Alec, Alec, it is not true. You were too good, too noble-<lb/> hearted. I
                        felt you were far above me. Beside you I felt I<lb/> was silly and
                        frivolous. Your standards about everything seemed<lb/> so high——"</p>
                    <p>But he interrupted, unheeding her :</p>
                    <p>"You don't know, Ethel, how happy you've made me. ... I<lb/> have thought of
                        you every day. In the evenings, I used to sit<lb/> alone, remembering you
                        and all the happy days we had together,<lb/> and the remembrance of them has
                        been a great joy to me. I used<lb/> to go over them all, again and again.
                        The day that we all went<lb/>
                    </p>
                    <fw type="catchword">to</fw>
                    <pb n="227"/>
                    <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">193</fw>
                    </fw>
                    <p>to Morecambe, and that walk along the seashore, when the tide<lb/> caught us,
                        and I carried you across the water . . . the time that<lb/> we went to those
                        ruins, and you wore the primroses I picked for<lb/> you. And I used to read
                        over all your letters, and remember all<lb/> the things you used to say.
                        Downstairs, under the writing-table,<lb/> there is a black, tin cash-box—the
                        key is on my bunch—Mrs.<lb/> Parkin will give it you. It's where I've kept
                        everything that has<lb/> reminded me of you, all this time. Will you take it
                        back with<lb/> you ? . . . You don't know how you've helped me all these
                        years—<lb/> I wanted to tell you that . . . When I was in difficulties, I
                        used to<lb/> wonder how you would have liked me to act . . . When I was<lb/>
                        lonely and low-spirited, I used to tell myself that you were happy."<lb/> He
                        paused for breath, and his voice died slowly in the stillness of<lb/> the
                        room. "You were quite right," he murmured almost inaudibly,<lb/> "I see it
                        all quite clearly now."</p>
                    <p>She was bending over him, and was framing his face in her two<lb/> hands.</p>
                    <p>"Say I was wrong," she pleaded passionately. "Say I was<lb/> wicked, wrong. I
                        loved you, Alec ... I was promised to you. I<lb/> should have been so happy
                        with you, dear . . . Alec, my Alec,<lb/> do not die . . . God will not let
                        you die . . . He cannot be so<lb/> cruel . . . Come back, Alec ... I love
                        you . . . Do you hear,<lb/> my Alec ? I love you . . . Ethel loves you . . .
                        Before God I<lb/> love you ... I was promised to you ... I broke my word . .
                        .<lb/> I loved you all the time, but I did not know it ... Forgive me,<lb/>
                        my Alec . . . forgive me ... I shall love you always."</p>
                    <p>He passed his fingers over her forehead tentatively, as if he were<lb/> in
                        darkness.</p>
                    <p>"Ethel, every day, every hour, all these years, you have been<lb/> with me.
                        And now I am going away. Kiss me—just once—<lb/> just once. There can be no
                        wrong in it now."</p>
                    <fw type="catchword">She</fw>
                    <pb n="228"/>
                    <fw type="runningHead">
                        <fw type="pageNum">194</fw> A Study in Sentimentality</fw>
                    <p>She tore her veil from her face : their lips met, and her head<lb/> rested a
                        moment, sobbing on his shoulder.</p>
                    <p>"Hush ! don't cry, Ethel dear, don't cry. You have made me<lb/> so glad. . .
                        . And you will remember to take the box . . . And<lb/> you will think of me
                        sometimes . . . And I shall pray God to<lb/> make you happy, and I shall
                        wait for you, Ethel, and be with you<lb/> in thought, and if you have
                        trouble, you will know that I shall be<lb/> sorrowing with you. Isn't it so,
                        dear ? . . . Now, good-bye,<lb/> dear one—good-bye. May God watch over
                        you."</p>
                    <p>She had moved away. She came back again, however, and<lb/> kissed his
                        forehead reverently. But he was not aware of her<lb/> return, for his mind
                        had begun to wander.</p>
                    <p>She brushed past Mrs. Parkin in the passage, bidding her an<lb/> incoherent
                        good-bye : she was instinctively impatient to escape to<lb/> the protection
                        of familiar surroundings. Inside the house, she felt<lb/> helpless, dizzy :
                        the melodrama of the whole scene had stunned<lb/> her senses, and pity for
                        him was rushing through her in waves of<lb/> pulsing emotion.</p>
                    <p>As she passed the various landmarks, which she had noted on<lb/> her outward
                        journey—a group of Scotch firs, a roofless cattle-shed,<lb/> a pile of
                        felled trees—each seemed to wear an altered aspect.<lb/> With what a strange
                        suddenness it had all happened ! Yesterday<lb/> the groom had brought back
                        word that he was in delirium, and<lb/> had told her of the loneliness of the
                        house. It had seemed so sad,<lb/> his lying ill, all alone : the thought had
                        preyed on her conscience,<lb/> till she had started to drive out there to
                        inquire if there were any-<lb/> thing she could do to help him. Now, every
                        corner round which<lb/> the cart swung, lengthened the stretch of road that
                        separated her<lb/> from that tragic scene in his room . . . Perhaps it was
                        not right for<lb/> her to drive home and leave him? But she couldn't bear to
                        stay :<lb/> it was all so dreadful. Besides, she assured herself, she could
                        do<lb/>
                    </p>
                    <fw type="catchword">no</fw>
                    <pb n="229"/>
                    <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">195</fw>
                    </fw>
                    <p>no good. There was the doctor, and that old woman who nursed<lb/> him—they
                        would see to everything . . . Poor, poor Alec—alone in<lb/> that grey-walled
                        cottage, pitched at the far end of this long, bleak<lb/> valley—the
                        half-darkened room—his wasted, feverish face—and his<lb/>
                        <emph rend="italic">knowing</emph> that he could not live—it all came back
                        to her vividly, and<lb/> she shivered as if with cold. Death seemed hideous,
                        awful, almost<lb/> wicked in the cruelty of its ruthlessness. And the
                        homeward<lb/> drive loomed ahead, interminably—for two hours she would
                        have<lb/> to wait with the dreadful, flaring remembrance of it all—two<lb/>
                        hours—for the horse was tired, and it was thirteen miles, a man by<lb/> the
                        roadside had told her. . . .</p>
                    <p>He was noble-hearted, saint-like . . . Her pity for him welled up<lb/> once
                        more, and she convinced herself that she could have loved<lb/> him,
                        worshipped him, been worthy of him as a husband—and now<lb/> he lay dying.
                        He had revealed his whole nature to her, it seemed.<lb/> No one had ever
                        understood, as she did now, what a fine character<lb/> he was in reality.
                        Her cheeks grew hot with indignation and<lb/> shame, as she remembered how
                        she had heard people laugh at him<lb/> behind his back, refer to him
                        mockingly as the 'love-sick curate.'<lb/> And all this while—for five whole
                        years—he had gone on caring<lb/> for her—thinking of her each day, reading
                        her letters, recalling<lb/> the things she used to say—yes, those were his
                        very words.<lb/> Before, she had never suspected that it was in his nature
                        to<lb/> take it so horribly tragically ; yet, somehow, directly he had<lb/>
                        fixed his eyes on her in that excited way, she had half-guessed<lb/> it. . .
                        .</p>
                    <p>The horse's trot slackened to a walk, and the wheels crunched<lb/> over a bed
                        of newly-strewn stones . . . She was considering how<lb/> much of what had
                        happened she could relate to Jim. Oh ! the<lb/> awfulness of his <emph
                            rend="italic">knowing beforehand</emph> like that ! She had kissed<lb/>
                        him : she had told him that she cared for him : she hadn't<lb/>
                    </p>
                    <fw type="catchword">been</fw>
                    <pb n="230"/>
                    <fw type="runningHead">
                        <fw type="pageNum">196 </fw>A Study in Sentimentality</fw>
                    <p>been able to help doing that. There was no harm in it ;<lb/> she had made him
                        happier—he had said so himself . . . But<lb/> Jim wouldn't understand : he
                        would be angry with her for<lb/> having gone, perhaps. He wouldn't see that
                        she couldn't have<lb/> done anything else. No, she couldn't bear to tell him
                        : besides,<lb/> it seemed somehow like treachery to Alec . . . Oh ! it must
                        be<lb/> awful to <emph rend="italic">know beforehand</emph> like that ! . .
                        . The doctor should never<lb/> have told him. It was horrible, cruel ... In
                        the past how she<lb/> had been to blame—she saw that now : thoughtless,
                        selfish, alto-<lb/> gether beneath him.</p>
                    <p>It was like a chapter in a novel. His loving her silently all<lb/> these
                        years, and telling her about it on his deathbed. At the<lb/> thought of it
                        she thrilled with subtle pride : it illuminated the<lb/> whole ordinariness
                        of her life. The next moment the train of<lb/> her own thoughts shamed her.
                        Poor, poor Alec. . . . And to<lb/> reinforce her pity, she recalled the
                        tragic setting of the scene.</p>
                    <p>That woman—his landlady—could she have heard anything, she<lb/> wondered with
                        a twinge of dread ? No, the door was shut, and<lb/> his voice had been very
                        low.</p>
                    <p>The horse turned on to the main road, and pricking his ears,<lb/> quickened
                        his pace.</p>
                    <p>She would remember him always. Every day, she would think<lb/> of him, as he
                        had asked her to do—she would never forget to do<lb/> that. And, if she were
                        in trouble, or difficulty, she would turn<lb/> her thoughts towards him,
                        just as he had told her he used to do.<lb/> She would try to become
                        better—more religious—for his sake.<lb/> She would read her Bible each
                        morning, as she knew had been his<lb/> habit. These little things were all
                        she could do now. Her<lb/> attitude in the future she would make worthy of
                        his in the<lb/> past ... He would become the secret guiding-star of her life
                        : <emph rend="italic">it</emph>
                        <lb/> would be her hidden chapter of romance. . . .</p>
                    <fw type="catchword">The</fw>
                    <pb n="231"/>
                    <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">197</fw>
                    </fw>
                    <p>The box that box which he had asked her to take. She had<lb/> promised, and
                        she had forgotten it. How could she get it ? It<lb/> was too late to turn
                        back now. Jim would be waiting for her.<lb/> She would only just be in time
                        for dinner as it was . . . How<lb/> could she get it ? If she wrote to his
                        landlady, and asked her to<lb/> send it it was under the writing-table in
                        the sitting-room he<lb/> had said . . . She <emph rend="italic">must</emph>
                        get it, somehow. . . .</p>
                    <p>It was dark before she reached home. Jim was angry with her<lb/> for being
                        late, and for having driven all the way without a servant.<lb/> She paid no
                        heed to his upbraiding ; but told him shortly that<lb/> Alec was still in
                        great danger. He muttered some perfunctory<lb/> expression of regret, and
                        went off to the stables to order a bran-<lb/> mash for the horse. His
                        insensibility to the importance of the<lb/> tragedy she had been witnessing,
                        exasperated her : she felt bitterly<lb/> mortified that he could not divine
                        all that she had been suffering.</p>
                    <p>*****</p>
                    <p>The last of the winter months went, and life in the valley swept<lb/> its
                        sluggish course onwards. The bleak, spring winds rollicked,<lb/> hooting
                        from hill to hill. The cattle waited for evening, huddled<lb/> under the
                        walls of untrimmed stone ; and before the fireside, in<lb/> every farmhouse,
                        new-born lambs lay helplessly bleating. On<lb/> Sundays the men would loaf
                        in churlish groups about the church<lb/> door, jerk curt greetings at one
                        another, and ask for news of<lb/> Parson Burkett. It was a curate from
                        Cockermouth who took<lb/> the services in his stead—one of the new-fangled
                        sort ; a young<lb/> gentleman from London way, who mouthed his words like a
                        girl,<lb/> carried company manners, and had a sight of strange clerical<lb/>
                        practices.</p>
                    <p>Alec was slowly recovering. The fever had altogether left<lb/> him : a
                        straw-coloured beard now covered his chin, and his cheeks<lb/> were grown
                        hollow and peaky-looking. But by the hay-harvest,<lb/>
                    </p>
                    <fw type="catchword">the</fw>
                    <pb n="232"/>
                    <fw type="runningHead">
                        <fw type="pageNum">198 </fw>A Study in Sentimentality</fw>
                    <p>the doctor reckoned, he would be as strong as ever again—so it was<lb/>
                        commonly reported.</p>
                    <p>Mrs. Parkin declared that the illness had done him a world o'<lb/> good.
                        "It's rested his mind like, and kept him from frettin'.<lb/> He was alus
                        ower given to studyin' on his own thoughts, till he got<lb/> dazed like and
                        took na notice o' things. An' noo," she would<lb/> conclude, "ye should jest
                        see him, smilin' as free as a child."</p>
                    <p>So, day after day, floated vaguely by, and to Alec the calm of<lb/> their
                        unbroken regularity was delicious. He was content to lie<lb/> still for
                        hours, thinking of nothing, remembering nothing, tasting<lb/> the torpor of
                        dreamy contemplation ; watching through the<lb/> window the slow drifting of
                        the shadows ; listening to the cackling<lb/> of geese, and the plaintive
                        bleating of sheep. . . .</p>
                    <p>By-and-bye, with returning strength, his senses quickened, and<lb/> grew
                        sensitive to every passing impression. To eat with elaborate<lb/>
                        deliberation his invalid meals ; to watch the myriad specks of gold<lb/>
                        dancing across a bar of sunlight—these were sources of keen,<lb/> exciting
                        delight. But in the foreground of his mind, transfiguring<lb/> with its
                        glamour every trivial thought, flashed the memory of Ethel's<lb/> visit. He
                        lived through the whole scene again and again, picturing<lb/> her veiled
                        figure as it had stood by the bedside, wrapped in the red,<lb/> fur cloak ;
                        and her protesting words, her passionate tears, seemed<lb/> to form a
                        mystic, indissoluble bond between them, that brightened<lb/> all the future
                        with rainbow colours.</p>
                    <p>God had given him back to her. Whether circumstances<lb/> brought them
                        together frequently, or whether they were forced to<lb/> live their lives
                        almost wholly apart, would, he told himself, matter<lb/> but little. Their
                        spiritual communion would remain unbroken.<lb/> Indeed, the prospect of such
                        separations, proving, as it did to him,<lb/> the sureness of the bond
                        between them, almost elated him. There<lb/> would be unquestioning trust
                        between them, and, though the<lb/>
                    </p>
                    <fw type="catchword">world</fw>
                    <pb n="233"/>
                    <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">199</fw>
                    </fw>
                    <p>world had separated them, the best that was in him belonged to<lb/> her. When
                        at length they met, there would be no need for<lb/> insistance on common
                        points of feeling, for repeated handling of<lb/> past threads, as was
                        customary with ordinary friendships. Since<lb/> each could read the other's
                        heart, that sure intuition born of<lb/> chastened, spiritual love would be
                        theirs. If trouble came to her,<lb/> he would be there to sacrifice all at a
                        moment's bidding, after the<lb/> fashion of the knights of old. Because she
                        knew him, she would<lb/> have faith in him. To do her service would be his
                        greatest<lb/> joy.</p>
                    <p>At first the immobile, isolated hours of his convalescence made<lb/> all
                        these things appear simple and inevitable, like the events of a<lb/> great
                        dream. As time went on, however, he grew to chafe<lb/> against his long
                        confinement, to weary of his weakness, and of the<lb/> familiar sight of
                        every object in the room ; and in the mornings,<lb/> when Mrs. Parkin
                        brought him his breakfast, he found himself<lb/> longing for a letter from
                        her—some brief word of joy that he was<lb/> recovering. He yearned for some
                        material object, the touch of<lb/> which would recall her to him, as if a
                        particle of her personality<lb/> had impregnated the atoms.</p>
                    <p>Sometimes, he would force himself into believing that she would<lb/> appear
                        again, drive out to learn the progress of his recovery . . .<lb/> After
                        luncheon she would leave home . . . about half-past one,<lb/> probably . . .
                        soon after three, he would see her . . . Now,<lb/> she was nearing the
                        cross-roads . . . now climbing the hill past<lb/> Longrigg's farm . . . she
                        would have to walk the horse there . . .<lb/> now, crossing the old bridge.
                        He would lie watching the clock ;<lb/> and when the suspense grew
                        intolerable, to cheat it, he would bury<lb/> his head in the pillow to count
                        up to a thousand, before glancing at<lb/> the hands again. So would slip by
                        the hour of her arrival ; still,<lb/> he would struggle to delude himself
                        with all manner of excuses<lb/>
                    </p>
                    <fw type="catchword">for</fw>
                    <pb n="234"/>
                    <fw type="runningHead">
                        <fw type="pageNum">200</fw> A Study in Sentimentality</fw>
                    <p>for her—she had been delayed—she had missed the turning, and<lb/> had been
                        compelled to retrace her steps. And, when at length<lb/> the twilight had
                        come, he would start to assure himself that<lb/> it was to be to-morrow, and
                        sink into a fitful dozing, recounting<lb/> waking dreams of her, subtly
                        intoxicating. . . .</p>
                    <p>*****</p>
                    <p>In April came a foretaste of summer, and, for an hour or two<lb/> every day,
                        he was able to hobble downstairs. He perceived the<lb/> box at once, lying
                        in its accustomed place, and concluded that on<lb/> learning that he was out
                        of danger, she had sent it back to him.<lb/> The sight of it cheered him
                        with indefinable hope : it seemed to<lb/> signify a fresh token of her faith
                        in him: it had travelled with her<lb/> back to Cockermouth on that wonderful
                        day which had brought<lb/> them together ; and now, in his eyes, it was
                        invested with a new<lb/> preciousness. He unlocked it, and, somehow, to
                        discover that its<lb/> contents had not been disturbed, was a keen
                        disappointment. He<lb/> longed for proof that she had been curious to look
                        into it, that she<lb/> had thus been able to realise how he had prized every
                        tiny object<lb/> that had been consecrated for him by her. Then it flashed
                        across<lb/> him that she herself might have brought the box back, and<lb/>
                        fearing to disturb him, had gone home again without asking to<lb/> see him.
                        All that evening he brooded over this supposition ; yet<lb/> shrank from
                        putting any question to Mrs. Parkin. But the<lb/> following morning, a
                        sudden impulse overcame his repugnance ;<lb/> and the next moment he had
                        learned the truth. Untouched,<lb/> unmoved, the box had remained all the
                        while—she had never<lb/> taken it—she had forgotten it. And depression swept
                        through<lb/> him ; for it seemed that his ideal had tottered.</p>
                    <p>His prolonged isolation and his physical lassitude had quickened<lb/> his
                        emotions to an abnormal sensibility, and had led him to a<lb/> constant
                        fingering, as it were, of his successive sentimental phases.<lb/>
                    </p>
                    <fw type="catchword">And</fw>
                    <pb n="235"/>
                    <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">201</fw>
                    </fw>
                    <p>And these, since they constituted his sole diversion, he had un-<lb/>
                        consciously come to regard as of supreme importance. The cum-<lb/> bersome,
                        complex details of life in the outside world had assumed<lb/> the
                        simplification of an indistinct background : in his vision of<lb/> her
                        figure he had perceived no perspective.</p>
                    <p>But now the grain of doubt was sown : it germinated in-<lb/> sidiously ; and
                        soon, the whole complexion of his attitude<lb/> towards her was transformed.
                        All at once he saw a whole net-<lb/> work of unforeseen obstacles, besetting
                        each detail of the prospect<lb/> he had been planning. Swarming uncertainty
                        fastened on him at<lb/> every turn ; till at last, goaded to desperation, he
                        stripped the gilding<lb/> from the accumulated fabric of his idealised
                        future.</p>
                    <p>And then his passion for her flamed up—ardent, unreasoning,<lb/> human. After
                        all, he loved as other men loved—that was the<lb/> truth : the rest was mere
                        calfish meandering. Stubbornly he<lb/> vindicated to himself his right to
                        love her . . . He was a man—<lb/> a creature of flesh and blood, and every
                        fibre within him was<lb/> crying out for her—for the sight of her face ; the
                        sound of her<lb/> voice ; the clasp of her hand. Body and soul he loved her
                        ; body<lb/> and soul he yearned for her . . . She had come back to him—<lb/>
                        she was his again—with passionate tears she had told him that she<lb/> loved
                        him. To fight for her, he was ready to abandon all else.<lb/> At the world's
                        laws he jibed bitterly ; before God they were man<lb/> and wife.</p>
                    <p>The knowledge that it lay in his power to make her his for life,<lb/> to bind
                        her to him irrevocably, brought him intoxicating relief.<lb/> Henceforward
                        he would live on, but for that end. Existence<lb/> without her would be
                        dreary, unbearable. He would resign his<lb/> living and leave the church.
                        Together they would go away,<lb/> abroad : he would find some work to do in
                        the great cities of<lb/> Australia . . . She was another man's wife—but the
                        sin would<lb/>
                    </p>
                    <fw type="footer">The Yellow Book.—Vol. III. <emph>M</emph>
                    </fw>
                    <fw type="catchword">be</fw>
                    <pb n="236"/>
                    <fw type="runningHead">
                        <fw type="pageNum">202</fw> A Study in Sentimentality</fw>
                    <p>be his—<emph rend="italic">his</emph>, not hers—God would so judge it ; and
                        for her sake he<lb/> would suffer the punishment. Besides, he told himself
                        exultantly,<lb/> the sin was it not already committed ? "Whosoever looketh
                        on a<lb/> woman to lust after her, hath committed adultery with her
                        already<lb/> in his heart."</p>
                    <p>He would go to her, say to her simply that he was come for<lb/> her. It
                        should be done openly, honestly in the full light of day.<lb/> New strength
                        and deep-rooted confidence glowed within him.<lb/> The wretched vacillation
                        of his former self was put away like an<lb/> old garment. Once more he sent
                        her words of love sounding<lb/> in his ears—the words that had made them man
                        and wife before<lb/> God. And on, the train of his thoughts whirled :
                        visions<lb/> of a hundred scenes flitted before his eyes—he and she together
                        as<lb/> man and wife, in a new home across the seas, where the past<lb/> was
                        all forgotten, and the present was redolent of the sure joy of<lb/> perfect
                        love. . . .</p>
                    <p>*****</p>
                    <p>He was growing steadily stronger. Pacing the floor of his<lb/> room, or the
                        gravel-path before the house, when the sun was<lb/> shining, each day he
                        would methodically measure the progress of<lb/> his strength. He hinted of a
                        long sea voyage to the doctor : the<lb/> man declared that it would be
                        madness to start before ten days had<lb/> elapsed. Ten days—the stretch of
                        time seemed absurd, intolerable.<lb/> But a quantity of small matters
                        relating to the parish remained to<lb/> be set in order : he had determined
                        to leave no confusion behind<lb/> him. So he mapped out a daily task for
                        himself: thus he could<lb/> already begin to work for her : thus each day's
                        accomplishment<lb/> would bring him doubly nearer to her. The curate, who
                        had<lb/> been taking his duty, came once or twice at his request to help him
                        ;<lb/> for he was jealously nursing his small stock of strength. He
                        broke<lb/> the news of his approaching departure to Mrs. Parkin, and asked
                        her<lb/>
                    </p>
                    <fw type="catchword">to</fw>
                    <pb n="237"/>
                    <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">203</fw>
                    </fw>
                    <p>to accept the greater portion of his furniture, as an inadequate token<lb/>
                        of his gratitude towards her for all she had done for him. The<lb/> good
                        creature wept copiously, pestered him with questions<lb/> concerning his
                        destination, and begged him to give her news of<lb/> him in the future. Next
                        he sent for a dealer from Cockermouth<lb/> to buy the remainder, and
                        disputed with him the price of each<lb/> object tenaciously.</p>
                    <p>One afternoon his former rector appeared, and with tremulous<lb/> cordiality
                        wished him God-speed, assuming that the sea voyage<lb/> was the result of
                        doctor's advice. And it was when the old man<lb/> was gone, and he was alone
                        again, that, for the first time, with a<lb/> spasm of pain, he caught a
                        glimpse of the deception he was prac-<lb/> tising. But some irresistible
                        force within him urged him forward—<lb/> he was powerless—to look back was
                        impossible now—there was<lb/> more yet to be done—he must go on—there was no
                        time to stop<lb/> to think. So to deaden the rising conscience-pangs, he
                        fiercely<lb/> reminded himself that now, but five days more separated her
                        from<lb/> him. He sat down to write to his bishop and resign his
                        living,<lb/> struggling with ambiguous, formal phrases, impetuously
                        attributing<lb/> to his physical weakness his inability to frame them.</p>
                    <p>The letter at length finished, instinctively dreading fresh<lb/> gnawings of
                        uneasiness, he forced himself feverishly into thinking<lb/> of plans for the
                        future, busying his mind with, time-tables, searching<lb/> for particulars
                        of steamers, turning over the leaves of his bank-<lb/> book. All the money
                        which his father had left to him had<lb/> remained untouched : for three
                        years they could live comfortably on<lb/> the capital ; meanwhile he would
                        have found some work.</p>
                    <p>At last, when, with the growing twilight, the hills outside were<lb/>
                        hurriedly darkening, he sank back wearily in his chair. And all<lb/> at once
                        he perceived with dismay that nothing remained for him<lb/> to do, nothing
                        with which he could occupy his mind. For the<lb/>
                    </p>
                    <fw type="catchword">moment</fw>
                    <pb n="238"/>
                    <fw type="runningHead">
                        <fw type="pageNum">204</fw> A Study in Sentimentality</fw>
                    <p>moment he was alone with himself, and looking backwards,<lb/> realisation of
                        the eager facility with which he had successively<lb/> severed each link,
                        and the rapidity with which he had set himself<lb/> drifting towards a
                        future, impenetrable, with mysterious uncertainty,<lb/> stole over him. He
                        had done it all, he told himself, deliberately,<lb/> unaided ; bewildered,
                        he tried to bring himself face to face with<lb/> his former self, to survey
                        himself as he had been before the fever—<lb/> that afternoon when he had
                        gone up to Beda Cottages—plodding<lb/> indifferently through life in the
                        joyless, walled-in valley, which, he<lb/> now understood, had in a measure
                        reflected the spirit of his own<lb/> listless broodings. Scared remorse
                        seized him. The prospect of<lb/> departure, now that it was close at hand,
                        frightened him ; left him<lb/> aching as with the burden of dead weight, so
                        that, for a while, he<lb/> remained inert, dully acquiescing in his
                        accumulating disquietude.</p>
                    <p>Then, in desperation, he invoked her figure, imagining a dozen<lb/>
                        incoherent versions of the coming scene—the tense words of<lb/> greeting,
                        his passionate pleading, her impulsive yielding, and the<lb/> acknowledgment
                        of her trust in him. . . .</p>
                    <p>By-and-bye, Mrs. Parkin brought him his dinner. He chatted<lb/> to her with
                        apparent unconcern, jested regarding his appetite ; for<lb/> a curious calm,
                        the lucidity evoked by suppressed elation, pervaded<lb/> him.</p>
                    <p>But through the night he tossed restlessly, waking in the dark-<lb/> ness to
                        find himself throbbing with triumphant exhilaration ; each<lb/> time
                        striking matches to examine the face of his watch, and<lb/> beginning afresh
                        to calculate the hours that separated him from the<lb/> moment that was to
                        bind them together—the irrevocable starting<lb/> towards the future
                        years.</p>
                    <p>*****</p>
                    <p>She stood in the bow-window of her drawing-room, arranging<lb/> some cut
                        flowers in slender pink and blue vases, striped with enamel<lb/>
                    </p>
                    <fw type="catchword">of</fw>
                    <pb n="239"/>
                    <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">205</fw>
                    </fw>
                    <p>of imitation gold. Behind her, the room, uncomfortably orna-<lb/> mental,
                        repeated the three notes of colour—gilt paper shavings<lb/> filling the
                        grate ; gilt-legged chairs and tables ; stiff, shiny, pink<lb/> chintzes
                        encasing the furniture ; on the wall a blue-patterned<lb/> paper, all
                        speckled with stars of gold.</p>
                    <p>Outside, the little lawn, bathed in the fresh morning sunlight,<lb/> glowed a
                        luscious green, and the trim flower-beds swelled with<lb/> heightened
                        colours. A white fox-terrier came waddling along the<lb/> garden path : she
                        lifted the animal inside the window, stroking his<lb/> sleek sides with an
                        effusive demonstration of affection. Would<lb/> Jim remember to be home in
                        good time, she was idly wondering ;<lb/> she had forgotten to remind him
                        before he went to his office, that<lb/> to-night she was to sing at a local
                        concert.</p>
                    <p>Suddenly, she caught sight of a man's figure crossing the lawn.<lb/> For an
                        instant she thought it was an old clerk, whom Jim some-<lb/> times employed
                        to carry messages. Then she saw that it was<lb/> Alec—coming straight
                        towards her. Her first impulse was to<lb/> escape from him ; but noticing
                        that his gaze was fixed on the<lb/> ground, she retreated behind an angle of
                        the window, and stood<lb/> watching him . . . Poor Alec ! He was going away
                        on a sea-<lb/> voyage for his health, so Jim had heard it said in the town ;
                        and<lb/> she formed a hasty resolve to be very kind to the poor fellow.<lb/>
                        Yet her vanity felt a prick of pique, as she noticed that his gait<lb/> was
                        grown more gaunt, more ungainly than ever ; and she resented<lb/> that his
                        haggard face, his stubbly beard, which, when he lay ill,<lb/> had signified
                        tense tragedy, should now seem simply uncouth.<lb/> Still, she awaited his
                        appearance excitedly ; anticipating a renewed<lb/> proof of his touching,
                        dog-like devotion to her, and with a fresh<lb/> thrill of unconscious
                        gratitude to him for having supplied that<lb/> scene to which she could look
                        back with secret, sentimental pride.<lb/>
                    </p>
                    <p>The maid let him into the room. As he advanced towards <lb/>
                    </p>
                    <fw type="catchword">her,</fw>
                    <pb n="240"/>
                    <fw type="runningHead">
                        <fw type="pageNum">206</fw> A Study in Sentimentality</fw>
                    <p>her, she saw him brush his forehead with his hand impatiently,<lb/> as if to
                        rid his brain of an importunate thought. He took her<lb/> outstretched hand
                        : the forced cheeriness of her phrase of<lb/> greeting died away, as she
                        felt his gaze searching her face.</p>
                    <p>"Let us sit down," he said abruptly.</p>
                    <p>"I'm all right again, now," he began with a brisk, level laugh ;<lb/> and it
                        occurred to her that perhaps the illness had affected his mind.</p>
                    <p>"I'm so glad of that," she stammered in reply ; "so very glad.<lb/> . . . And
                        you're going away, aren't you, for a long sea voyage ?<lb/> That will do you
                        ever so much good——"</p>
                    <p>But before she had finished speaking, he was kneeling on the<lb/> carpet
                        before her, pouring out incoherent phrases. Bewildered,<lb/> she gazed at
                        him, only noticing the clumsy breadth of his shoulders.</p>
                    <p>"Listen to me, Ethel, listen," he was saying. "Everything<lb/> is ready—I've
                        given it all up—my living—the Church. I<lb/> can't bear it any longer—life
                        without you, I mean . . . You are<lb/> everything to me—I only want you—I
                        care for nothing else<lb/> now. I am going away to Australia. You will come
                        with me,<lb/> Ethel—you said you loved me . . . We love one
                        another—come<lb/> with me—let us start life afresh. I can't go on living
                        without<lb/> you ... I thought it would be easy for you to come ; I see
                        now<lb/> that perhaps it's difficult. You have your home : I see that . .
                        .<lb/> But have trust in me—I will make it up to you. Together we<lb/> will
                        start afresh— make a new home—a new life. I will give you<lb/> every moment
                        ; I will be your slave . . . Listen to me, Ethel ; let<lb/> us go away.
                        Everything is ready—I've got money—I've arranged<lb/> everything. We can go
                        up to London to-morrow. The steamer<lb/> starts on Thursday."</p>
                    <p>The sound of his voice ceased. She was staring at the door,<lb/> filled with
                        dread lest it should open, and the maid should see him<lb/> kneeling on the
                        carpet.</p>
                    <fw type="catchword">"Don't,</fw>
                    <pb n="241"/>
                    <fw type="runningHead">By Hubert Crackanthorpe <fw type="pageNum">207</fw>
                    </fw>
                    <p>"Don't," she exclaimed, grasping his coat. "Get up, quick."</p>
                    <p>He rose, awkwardly she thought, and stood before her.</p>
                    <p>"We were so happy together once, dear—do you remember—<lb/> in the first
                        days, when you promised yourself to me ? And now I<lb/> know that in your
                        heart you still care for me. You said so. Say<lb/> you will come—say you
                        will trust me—you will start to-morrow.<lb/> If you can't come so soon I
                        will wait, wait till you can come,"<lb/> he added, and she felt the
                        trembling touch of his hands on hers,<lb/> and his breath beating on her
                        face.</p>
                    <p>"Don't, please," and she pushed back his hands. "Some one<lb/> might
                        see."</p>
                    <p>"What does it matter, my darling ? We are going to belong<lb/> to one another
                        for always. I am going to wait for you, darling—<lb/> to be your slave—to
                        give up every moment of my life to you . . .<lb/> It's the thought of you
                        that's made me live, dear . . . You<lb/> brought me back to life, that day
                        you came . . . I've thought of<lb/> nothing but you since. I've been
                        arranging it all——"</p>
                    <p>"It's impossible," she interrupted.</p>
                    <p>"No, dear, it's not impossible," he pleaded.</p>
                    <p>"You've resigned your living—left the Church?" she asked<lb/>
                        incredulously.</p>
                    <p>"Yes, everything," he answered proudly.</p>
                    <p>"And all because you cared so for me ?"</p>
                    <p>"I can't begin to live again without you. I would suffer<lb/> eternal
                        punishment gladly to win you . . . You will trust yourself<lb/> to me
                        darling ; say you will trust me."</p>
                    <p>"Of course, Alec, I trust you. But you ve no right to——"</p>
                    <p>"Oh ! because you're married, and it's a sin, and I'm a<lb/> clergyman. But
                        I'm a man first. And for you I've given it<lb/> all up—everything. You don't
                        understand my love for you."</p>
                    <p>"Yes, yes, I do," she answered quickly, alarmed by the earnest-<lb/>
                    </p>
                    <fw type="catchword">ness</fw>
                    <pb n="242"/>
                    <fw type="runningHead">
                        <fw type="pageNum">208</fw> A Study in Sentimentality</fw>
                    <p>ness of his passion, yet remembering vaguely that she had read of<lb/> such
                        things in books.</p>
                    <p>"You will come to-morrow, darling—you will have trust in<lb/> me ?"</p>
                    <p>"You are mad, Alec. You don't know what you are saying.<lb/> It would be
                        absurd."</p>
                    <p>"It's because you don't understand how I love you, that you<lb/> say that,"
                        he broke out fiercely. "You can't understand—you<lb/> can't understand.</p>
                    <p> "Yes, I can," she protested, instinctively eager to vie with his<lb/>
                        display of emotion.</p>
                    <p>"Then say you will come—promise it promise it," he cried ;<lb/> and his
                        features were all distorted by suspense.</p>
                    <p>But at this climax of his insistance, she lost consciousness of<lb/> her own
                        attitude. She seemed suddenly to see all that clumsiness<lb/> which had made
                        her refuse him before.</p>
                    <p>"It's altogether ridiculous," she answered shortly.</p>
                    <p>He recoiled from her: he seemed to stiffen a little all over ;<lb/> and she
                        felt rising impatience at his grotesque denseness in per-<lb/> sisting.</p>
                    <p>"You say it's altogether ridiculous ?" he repeated after her<lb/> slowly.</p>
                    <p>"Yes, of course it's ridiculous," she repeated with uneasy<lb/> emphasis.
                        "I'm very sorry you should mind—feel it so—but it<lb/> isn't my fault."</p>
                    <p>"Why did you say than that before God you loved me,<lb/> when you came that
                        day ?" he burst out with concentrated<lb/> bitterness.</p>
                    <p>"Because I thought you were dying." The bald statement<lb/> of the truth
                        sprang to her lips—a spontaneous, irresistible<lb/> betrayal.</p>
                    <fw type="catchword">"I see</fw>
                    <pb n="243"/>
                    <fw type="runningHead">By Hubert Crackenthorpe <fw type="pageNum">209</fw>
                    </fw>
                    <p>"I see—I see," he muttered. His hands clenched till<lb/> the knuckles showed
                        white.</p>
                    <p>"I'm very sorry," she added lamely. Her tone was gentler, for<lb/> his dumb
                        suffering moved her sensibilities. In her agitation, the<lb/> crudity of her
                        avowal had slipped her notice.</p>
                    <p>"That's no use," he answered wearily.</p>
                    <p>"Alec, don't be angry with me. Can't we be friends? Don't<lb/> you see
                        yourself now that it was mad, absurd?" she argued, eager<lb/> to reinstate
                        herself in his eyes. Then, as he made no answer,<lb/> "Let us be friends,
                        Alec, and you will go back to Scarsdale, when<lb/> you are well and strong.
                        You will give up nothing for my sake.<lb/> I should not wish that, you know,
                        Alec."</p>
                    <p> "Yes," he assented mechanically, "I shall go back."</p>
                    <p>"I shall always think of this morning," she continued,<lb/> growing
                        sentimentally remorseful as the sensation of rising relief pervaded<lb/>
                        her. "And you will soon forget all about it," she added, with a<lb/>
                        cheeriness of tone that rang false ; and pause, awaiting his answer.</p>
                    <p>"And I shall forget all about it," he repeated after her.</p>
                    <p>To mask her disappointment, she assumed a silly, nervous<lb/> gaiety.</p>
                    <p>"And I shall keep it quite secret that you were so naughty as<lb/> to ask me
                        to run away with you. I sha'n't even tell Jim."</p>
                    <p>He nodded stupidly.</p>
                    <p>With a thin, empty smile on her face, she was debating how best<lb/> to part
                        with him, when, of a sudden, he rose, and, without a word,<lb/> walked out
                        of the room.</p>
                    <p>He strode away across the lawn, and, as she watched his retreating<lb/>
                        figure, she felt for him a shallow compassion, not unmingled with<lb/>
                        contempt.</p>
                </div>
                <div n="YBV3_27po" type="poetry">
                    <pb/>
                    <head>
                        <title level="a">George Meredith</title>
                    </head>
                    <byline>By <docAuthor>
                            <ref target="#WFU">Morton Fullerton</ref>
                        </docAuthor>
                    </byline>
                    <lg type="stanza">
                        <l>DEEPEST and keenest of our time who pace</l>
                        <l rend="indent">The variant by-paths of the uncertain heart,</l>
                        <l rend="indent">In undiscerned mysterious ways apart,</l>
                        <l>Thou huntest on the Assyrian monster's trace :</l>
                        <l>That sweeping-pinioned Thing—with human face,</l>
                        <l rend="indent">Poor Man, with wings hoof-weighted lest they start</l>
                        <l rend="indent">To try the breeze above this human mart,</l>
                        <l>In heights pre-occupied of a god-like race.</l>
                    </lg>
                    <lg type="stanza">
                        <l>Among the stammering sophists of the age</l>
                        <l rend="indent">Thy words are absolute, thy vision true ;</l>
                        <l>No hand but thine is found to fit the gage</l>
                        <l rend="indent">The Titan, Shakespeare, to a whole world threw.</l>
                        <l>Till thou hadst boldly to his challenge sprung,</l>
                        <l>No rival had he in our English tongue.</l>
                    </lg>
                </div>
                <div>
                    <pb/>
                    <head>
                        <title level="a">A Sunset</title>
                    </head>

                    <byline> By <docAuthor>
                            <ref target="#WHY">William Hyde</ref>
                        </docAuthor>
                    </byline>
                    <pb/>
                    <pb/>
                    <pb/>
                </div>
                <div n="YBV3_28im" type="image">
                    <pb/>
                    <figure>
                        <graphic width="600px" height="850px"
                            url="MediumImageDocs/YB3icon16_hyde_sunset_edited.jpg"/>
                        <note n="YBV3_28im.n1">
                            <title>A Sunset</title>
                            <rs>YB3icon16</rs>YB3icon16 A Sunset William Hyde XIII October 1894 page
                            213 15.2 cm x 7.8 cm Landscape outdoor setting evening water nature tree
                            grass sun shadow cloud animal</note>
                        <head>A Sunset</head>
                        <figDesc>Image is of a field at sunset. There are dozens of sheep on either
                            side of the river/stream, which starts in the middle of the image before
                            forking into two directions, dividing the image vertically. The two
                            streams end at the bottom middle and the bottom right of the image. A
                            line of trees at the edge of the field divides the image in half
                            horizontally.</figDesc>
                    </figure>
                    <pb/>
                </div>
                <div n="YBV3_28pr" type="prose">
                    <pb/>
                    <head>
                        <title level="a">Jeanne-Marie</title>
                    </head>
                    <byline>By <docAuthor>
                            <ref target="#LMA">Leila Macdonald</ref>
                        </docAuthor>
                    </byline>
                    <p>I</p>
                    <p>JEANNE-MARIE lived alone in the white cottage at the far end of<lb/> the
                        village street.</p>
                    <p>It was a long narrow street of tall houses, stretching each side<lb/> of the
                        white shining road, for two hundred yards or more. A<lb/> street that was
                        cool and shadeful even in the shadeless summer<lb/> days, when the sun
                        burned most hotly, when the broad roads<lb/> dazzled between their avenues
                        of plane-tree and poplar, and the<lb/> mountains disappeared from the
                        horizon in the blue haze of<lb/> heat.</p>
                    <p>From her little garden Jeanne-Marie liked to look at the<lb/> mountains each
                        morning, and, when for two or three days follow-<lb/> ing they were not to
                        be seen, she would shake her head reproach-<lb/> fully, as at the failing of
                        old friends.</p>
                    <p>"My boys, Jeanne-Marie is only thirty-seven," Bourdet the<lb/> innkeeper said
                        to his companions, as they sat, one May afternoon,<lb/> smoking under the
                        chestnut-trees in front of the café. They all<lb/> looked up as he spoke,
                        and watched Jeanne-Marie, as she walked<lb/> slowly past them to her
                        cottage.</p>
                    <p>"Bourdet has been paying court," said Leguillon, the fat, red-<lb/>
                    </p>
                    <fw type="catchword">faced</fw>
                    <pb n="252"/>
                    <fw type="runningHead">
                        <fw type="pageNum">216 </fw>Jeanne-Marie</fw>
                    <p>faced butcher, with a chuckle, as he puffed at his long pipe.<lb/> "You see,
                        he is anxious we should think her of an age suitable,<lb/> before he tells
                        us the betrothals are arranged."</p>
                    <p>"For my part I should give many congratulations," said the<lb/> village
                        postman and tobacconist, gruffly. "Jeanne-Marie is worth<lb/> any of our
                        girls of the village, with their bright dresses and silly<lb/> giggles."</p>
                    <p>Bourdet laughed. "You shall come to the wedding, my<lb/> friends," he said,
                        with a wink and a nod of the head to the<lb/> retreating figure ; "and since
                        our friend Minaud there finds the<lb/> girls so distasteful, he shall wait
                        till our babies are old enough, and<lb/> be betrothed to one of them."</p>
                    <p>The postmaster laughed with the rest. "But seriously," he<lb/> said, "Bourdet
                        will pardon me if I tell him our Jeanne-Marie is a<lb/> good deal past the
                        thirties."</p>
                    <p>Laurent, the good-looking young farmer, who stood leaning<lb/> against the
                        tree round which their chairs were gathered, answered<lb/> him gravely.
                        "Wait, <emph rend="italic">beau-pѐre</emph>, till you see her on Sunday<lb/>
                        coming from Mass on M. Bourdet's arm ; the cap that hides the<lb/> grey knot
                        of hair at the back of the head is neat and bright—oh !<lb/> so bright—pink
                        or blue for choice, and if M. Bourdet chances<lb/> to compliment the colour
                        of the stockings—he is gay, you know,<lb/> always—the yellow face turns rosy
                        and all the wrinkles go."<lb/> And laughing maliciously at Bourdet, the
                        young fellow turned<lb/> away homewards.</p>
                    <p>Bourdet looked grave. "'Tis your son-in-law that speaks like<lb/> that,
                        Minaud," he said, "otherwise I would say that in my day<lb/> the young
                        fellows found it better to amuse themselves with the<lb/> young girls than
                        to mock at the old ones."</p>
                    <p>"You are right, my friend," said Minaud. "Tis the regiment<lb/> that taught
                        Laurent this, and many other things. But it is a<lb/>
                    </p>
                    <fw type="catchword">good</fw>
                    <pb n="253"/>
                    <fw type="runningHead">By Leila Macdonald <fw type="pageNum">217</fw>
                    </fw>
                    <p>good boy, though with a sharp tongue. To these young ones it<lb/> seems all
                        foolishness to be an old girl."</p>
                    <p>And the others nodded agreement.</p>
                    <p>So they sat, chatting, and drawing at their long pipes, while the<lb/>
                        afternoon sun gleamed on the little gardens and on the closed<lb/> green
                        shutters of the houses ; and the slow, large oxen lumbered<lb/> through the
                        village street, their yoked heads pressed well down,<lb/> and their tails
                        flicking unceasingly at the swarm of flies.</p>
                    <p>Jeanne-Marie stood in her garden, blinking thoughtfully at the<lb/> flowers,
                        while she shaded her eyes with her hand. On her bare<lb/> head the sparse
                        brown hair was parted severely and neatly to each<lb/> side, and the deep
                        southern eyes looked steadily out of the tanned<lb/> and wrinkled face. Her
                        light cotton bodice fell away from the<lb/> thin lines of her neck and
                        shoulders, and her sabots clicked harshly<lb/> as she moved about the
                        garden.</p>
                    <p>"At least the good God has given me a fine crab-apple bloom<lb/> this year,"
                        Jeanne-Marie said, as she looked at the masses of rich<lb/> blossom. On the
                        wall the monthly roses were flowering thickly,<lb/> and the Guelder roses
                        bent their heads under the weight of their<lb/> heavy bunches. " In six days
                        I shall have the peonies, and the<lb/> white rose-bush in the corner is
                        coming soon," said Jeanne-Marie<lb/> contentedly.</p>
                    <p>II</p>
                    <p>It was four and a half years ago that Jeanne-Marie had come to<lb/> the white
                        cottage next to the mill, with the communal school<lb/> opposite. Till that
                        autumn day, when a pair of stout oxen had<lb/> brought her goods to the
                        door, she had lived with her brother, who<lb/> was <emph rend="italic"
                            >métayer</emph> to M. François, the owner of the big villa a
                        quarter<lb/>
                    </p>
                    <fw type="catchword">of</fw>
                    <pb n="254"/>
                    <fw type="runningHead">
                        <fw type="pageNum">218</fw> Jeanne-Marie</fw>
                    <p>of a mile beyond the village. Her father had been <emph rend="italic"
                            >métayer</emph> ; and<lb/> when he died, his son Firman—a fine-looking
                        young man, not<lb/> long home from his service—had taken his place. So the
                        change<lb/> at the <emph rend="italic">métairie</emph> had very little
                        affected Jeanne-Marie.</p>
                    <p>But she missed her father sorely every day at mid-day, when she<lb/>
                        remembered that there was one less to cook for ; that the tall,<lb/>
                        straight old figure would not come in at the door, and that the<lb/> black
                        pudding might remain uncooked for all Firman's noticing ;<lb/> and
                        Jeanne-Marie would put the bouillon by the fire, and sit down<lb/> and cry
                        softly to herself.</p>
                    <p>They were very kind to her at the villa, and at night, when<lb/> Firman was
                        at the café, she would take the stockings and the<lb/> linen and darn them
                        in the kitchen, while she listened to the<lb/> servants' talk, and
                        suppressed her <emph rend="italic">patois</emph> as much as possible,
                        for<lb/> they were from the North, and would not understand.</p>
                    <p>Two years after her father's death, Jeanne-Marie began to<lb/> notice that
                        Firman went no more to the café in the evening,<lb/> and had always his
                        shirt clean, and his best black smocked<lb/> cape for the market in the town
                        on Mondays, and for Mass on<lb/> Sundays.</p>
                    <p> "It astonishes me," she had said, when she was helping<lb/> M. François'
                        cook that day the château-folk had come to<lb/>
                        <emph rend="italic">déjeûner</emph>, unexpectedly—for Jeanne-Marie's cooking
                        was very<lb/> good indeed— "because, you understand, that is not his way
                        at<lb/> all. Now, if it were Paul Puyoo or the young André, it would<lb/> be
                        quite ordinary ; but with Firman, I doubt with him it is a<lb/> different
                        thing."</p>
                    <p>And Anna had nodded her black head sagely over the <emph rend="italic"
                            >omelette<lb/> aux fines herbes</emph> as she answered : "Jeanne-Marie,
                        Firman wishes<lb/> to marry ; Jeanne-Marie, for my own part, I say it's that
                        little<lb/> fat blue-eyed Suzanne from the <emph rend="italic"
                            >métairie</emph> on the hill."</p>
                    <fw type="catchword">Suzanne</fw>
                    <pb n="255"/>
                    <fw type="runningHead">By Leila Macdonald <fw type="pageNum">219</fw>
                    </fw>
                    <p>III</p>
                    <p>Suzanne looked very pretty the day she came home to Mr.<lb/> François' <emph
                            rend="italic">métairie</emph>, leaning on her husband's arm ; but
                        Jeanne-Marie<lb/> was not there to see ; she was sitting in the large chair
                        in the<lb/> kitchen of the white cottage, and she was sobbing with her
                        head<lb/> in her hands. "And indeed the blessed Virgin herself must
                        have<lb/> thought me crazy, to see me sitting sobbing there, with the
                        house<lb/> in confusion, and not a thing to cook with in the kitchen,"
                        she<lb/> said, shamefacedly, to Marthe Legrand from the mill, when she<lb/>
                        came in, later, to help her. "You should have remained," Marthe<lb/>
                        answered, nodding at her pityingly. "You should have remained,<lb/>
                        Jeanne-Marie ; the old house is the old house, and the good God<lb/> never
                        meant the wedding of the young ones to drive away the old<lb/> ones from the
                        door."</p>
                    <p>Jeanne-Marie drew in her breath at the words "old ones."<lb/> "But the book
                        says I am only thirty-four!" she told herself;<lb/> and that night she
                        looked in the old Mass-book, to be sure if it<lb/> could be true ; and there
                        was the date set down very clearly, in<lb/> the handwriting of Dubois, her
                        father's oldest friend ; for Jeanne-<lb/> Marie's father himself could
                        neither read nor write—he was, as he<lb/> said with pride, of the old
                        school, "that kissed our sweethearts,<lb/> and found that better than
                        writing them long scribbles on white<lb/> paper, as the young ones do now ;
                        and thought a chat with a<lb/> friend on Sundays and holidays worth more
                        than sitting cramped<lb/> up, reading the murders and the adulteries in the
                        newspapers."<lb/> So it was Dubois who wrote down the children's births in
                        the old<lb/> Mass book. Yes, there they were. Catherine first of all ;
                        poor<lb/> Catherine, who was so bright and pretty, and died that rainy<lb/>
                    </p>
                    <fw type="footer">The Yellow Book—Vol. III. <emph>N</emph>
                    </fw>
                    <fw type="catchword">winter</fw>
                    <pb n="256"/>
                    <fw type="runningHead">
                        <fw type="pageNum">220 </fw>Jeanne-Marie</fw>
                    <p>winter when she was just twelve years old. Then "Jeanne-Marie,<lb/> née le 28
                        Novembre 1854, à minuit," and added, in the same hand-<lb/> writing, "On
                        nous raconte qu'à cette heure-là nous étions en<lb/> train de gagner une
                        grande bataille en Russie ! Que ça lui porte<lb/> bonheur !" Eight years
                        later; "Jacques Firman, né le 12<lb/> Fѐvrier à midi." It all came back to
                        Jeanne-Marie as she read ;<lb/> that scene of his birth, when she was just
                        eight years old. She<lb/> was sitting alone in the kitchen, crying, for they
                        had told her her<lb/> mother was very ill, and had been ill all the night,
                        and just as the<lb/> big clock was striking twelve she heard the voice of
                        the neighbour<lb/> who had spent the night there, calling to her ;
                        "Jeanne-Marie,<lb/> viens vite, ta mere veut te voir" ; and she had gone,
                        timid and<lb/> hesitating, into the darkened room. The first thing she
                        noticed<lb/> was the large fire blazing on the open hearth—she had
                        never<lb/> known her father and mother have a fire before—and she
                        wondered<lb/> much whether it was being too cold that had made her mother
                        ill,<lb/> as it had little Catherine. She looked towards the bed and
                        saw<lb/> her mother lying there, her eyes closed, and very pale—so pale<lb/>
                        that Jeanne-Marie was frightened and ran towards her father ; but<lb/> he
                        was smiling where he stood by the bed, and the child was<lb/> reassured. She
                        saw him stoop and kiss his wife on the forehead,<lb/> and call her his
                        "bonne petite femme," and taking Jeanne-Marie<lb/> by the hand he showed her
                        the <emph rend="italic">sage-femme</emph>—the <emph rend="italic"
                            >sage-femme</emph> who<lb/> had come the night before to make her mother
                        well—sitting near<lb/> the fire with a white bundle in her arms, and thanked
                        the good<lb/> God aloud that he had sent him a fine boy at last. Old
                        Dubois<lb/> had come in gently, his béret in his hand, as Jeanne-Marie's
                        father<lb/> was speaking, and turning to the bed had reiterated
                        emphatically,<lb/> "Tu as bien fait, chѐre dame, tu as bien fait."</p>
                    <p>Jeanne-Marie sat silently going over it all in her mind. "Té,"<lb/> she
                        murmured, "how quickly they all go ; the father, the mother,<lb/>
                    </p>
                    <fw type="catchword">old</fw>
                    <pb n="257"/>
                    <fw type="runningHead">By Leila Macdonald <fw type="pageNum">221</fw>
                    </fw>
                    <p>old Dubois, even Jeanne the <emph rend="italic">voisine</emph>, is gone. I
                        alone am left,<lb/> and the good God knows if there will be any to cry for
                        me when<lb/> my turn comes to go." She shut the old Mass-book, and put
                        it<lb/> carefully back on the shelf, and she went to the old
                        looking-glass<lb/> and the tanned wrinkled face met its reflection very
                        calmly and<lb/> patiently. "I think it was the hard work in the fields when
                        I<lb/> was young," she said; "certainly Marthe was right. It is the<lb/>
                        face of an old woman, a face more worn than hers, though she is<lb/> beyond
                        forty and has borne so many children."</p>
                    <p>IV</p>
                    <p>Firman had urged his sister to stay on at the <emph rend="italic"
                            >métairie</emph> after his<lb/> marriage. "You should not go, it is not
                        natural," he said one<lb/> evening a few weeks before his wedding, while
                        they were piling<lb/> the small wood in the shed. "The old house will not be
                        the old<lb/> house without you. Suzanne wishes it also. <emph rend="italic"
                            >Parbleu</emph> ! Is it<lb/> the custom for the fathers to turn their
                        sons out, when they marry ?<lb/> Then, why should I let the old sister go,
                        now my time for<lb/> marrying has come ? Suzanne is a good girl and pretty ;
                        and has<lb/> never even looked at any young fellow in the village—for I, as
                        you<lb/> know, am particular, and I like not the manners in some
                        villages,<lb/> where a girl's modesty is counted nothing—but blood is worth
                        the<lb/> most, <emph rend="italic">ma foi</emph>, as the old father used to
                        say ; and badly must he<lb/> think of me to see the old sister making room
                        even for the little<lb/> Suzanne."</p>
                    <p>But Jeanne-Marie shook her head. "I cannot well explain it,<lb/> Firman," she
                        said. "It's not that your Suzanne comes unwelcome<lb/> to me—no, the good
                        God knows it's not that—but it would be<lb/>
                    </p>
                    <fw type="catchword">so</fw>
                    <pb n="258"/>
                    <fw type="runningHead">
                        <fw type="pageNum">222</fw> Jeanne-Marie</fw>
                    <p>so strange. I should see the old mother's shadow, at the table<lb/> where you
                        sat, and in the bed where you lay. I might get foolish,<lb/> and angry,
                        Firman. So let me go, and, when the little ones come,<lb/> I shall be their
                        grandmother, and Suzanne will forgive me."</p>
                    <p>That was four and a half years ago, and it was a very lonely<lb/> four and a
                        half years at the white cottage. Even the cooking,<lb/> when it was for
                        herself alone, became uninteresting, and the zest<lb/> went out of it.
                        Jeanne-Marie, in her loneliness, hungered for the<lb/> animal life that had
                        unconsciously formed a great part of her<lb/> existence at the <emph
                            rend="italic">métairie</emph>. Every springtime she would sit,
                        some-<lb/> times for hours, in her garden, watching the flocks of callow
                        geese,<lb/> as they wandered along the road in front of the mill, pecking
                        at<lb/> the ground as they went, and uttering all the time their little<lb/>
                        plaintive cries, that soothed her with its echo of the old home.<lb/> When
                        the boys in their bérets, with their long poles and their loud<lb/> cries of
                        "guà, guà," drove the cows and the oxen home from the<lb/> fields at sunset,
                        Jeanne-Marie would come out of her cottage, and<lb/> watch the patient,
                        sleek beasts, as they dawdled along. And she<lb/> would think longingly of
                        the evenings at the <emph rend="italic">métairie</emph>, when she<lb/> never
                        missed going out to see the oxen, as they lay contentedly on<lb/> their
                        prickly bedding, moving their heavy jaws slowly up<lb/> and down, too lazy
                        even to look up as she entered.</p>
                    <p>Firman loved his oxen, for they were well trained and strong,<lb/> and did
                        good work ; but Jeanne-Marie would have laughed in<lb/> those days, had she
                        been told she loved the animals of the farm.<lb/> "I remember," she said to
                        Marthe of the mill one day, "how I<lb/> said to the old father years ago :
                        When the children of M.<lb/> François came to the <emph rend="italic"
                            >métairie</emph>, it is—"Oh, Jeanne-Marie, you will<lb/> not kill that
                        pretty little grey hen with the feathered legs," and "Oh !<lb/>
                        Jeanne-Marie, you must not drown so many kittens this time" :<lb/> but I say
                        to them always : "My children, the rich have their toys<lb/>
                    </p>
                    <fw type="catchword">and</fw>
                    <pb n="259"/>
                    <fw type="runningHead">By Leila Macdonald <fw type="pageNum">223</fw>
                    </fw>
                    <p>and have the time and money to make toys of their animals ; but<lb/> to us
                        poor folk they are the useful creatures God has given us<lb/> for food and
                        work, and they are not playthings."' : So I said then ; but<lb/> now, ah,
                        now Marthe, it is different. Do you remember how<lb/> old Dubois for ever
                        quarrelled with young Baptiste, but when they<lb/> wrote from the regiment
                        to tell him the boy was dead of fever,<lb/> during the great manoeuvres, do
                        you remember how the old father<lb/> mourned, and lay on his bed for a whole
                        day, fasting ? So it<lb/> always is, Marthe. The cow butts the calf with her
                        horns, but<lb/> when the calf is gone, the mother moans for it all the
                        day."</p>
                    <p>Firman was too busy with his farm and his new family ties to<lb/> come much
                        to see his sister, or to notice how rarely she came<lb/> up to the <emph
                            rend="italic">métairie</emph> now. For Suzanne had never forgiven,
                        and<lb/> that was why Jeanne-Marie walked up so seldom to M. François's<lb/>
                        <emph rend="italic">métairie</emph>.</p>
                    <p>Did not all the village say that it was Suzanne's doing that<lb/> Firman's
                        sister left the farm on his marriage ? That Suzanne's<lb/> jealousy had
                        driven Jeanne-Marie away ? And when this came<lb/> to the ears of Firman's
                        wife, and the old folks shook their heads in<lb/> her presence over the
                        strange doings of young couples now-a-<lb/> days, the relief that the
                        dreaded division of supremacy with her<lb/> husband's sister was spared her,
                        was lost in anger against Jeanne-<lb/> Marie, as the cause of this village
                        scandal. The jealousy that she<lb/> had always felt for the "chѐre soeur,"
                        whom Firman loved and<lb/> respected, leapt up within her. "People say he
                        loves his sister,<lb/> and that it is I who part them ; they shall see—yes,
                        they shall<lb/> see."</p>
                    <p>And bit by bit, with all a woman's subtle diplomacy, she drew<lb/> her
                        husband away from his sister's affection, until in a year or two<lb/> their
                        close intimacy had weakened to a gradually slackening<lb/> friendship.</p>
                    <fw type="catchword">At</fw>
                    <pb n="260"/>
                    <fw type="runningHead">
                        <fw type="pageNum">224</fw> Jeanne-Marie</fw>
                    <p>At night-time, when Firman's passionate southern nature lay<lb/> under the
                        thrall of his wife's beauty, she would whisper to him in<lb/> her soft <emph
                            rend="italic">patois</emph>, "Love me well, my husband, for I have only
                        you<lb/> to love ; others are jealous of my happiness, and even Jeanne-<lb/>
                        Marie is envious of your wife, and of the babe that is to come."</p>
                    <p>And the hot Spanish blood, that his mother had given him,<lb/> would leap to
                        Firman's face as he took her in his arms, and swore<lb/> that all he loved,
                        loved her ; and those who angered her, he cared<lb/> not for.</p>
                    <p>In the first year of their marriage, when Jeanne-Marie came<lb/> almost every
                        day, Suzanne would show her with pride all the<lb/> changes and alterations
                        in the old house. "See here, my sister,"<lb/> she said to her one day, only
                        six months after the wedding, when<lb/> she was taking her over the house,
                        "this room that was yours, we<lb/> have dismantled for the time ; did it not
                        seem a pity to keep an<lb/> unused room all furnished, for the sun to
                        tarnish, and the damp to<lb/> spoil ?" And Jeanne-Marie, as she looked round
                        on the bare<lb/> walls and the empty corners of the little room, where she
                        and<lb/> Catherine had slept together in the old days, answered
                        quietly,<lb/> "Quite true, Suzanne, quite true ; it would be a great
                        pity."</p>
                    <p>That night when she and Marthe sat together in the kitchen<lb/> she told her
                        of the incident.</p>
                    <p>"But, Jeanne-Marie," Marthe interrupted eagerly, "how was<lb/> it you had
                        left your furniture there, since it was yours ?" </p>
                    <p>"How was it? But because little Catherine had slept in the<lb/> old bed, and
                        sat in the old chairs, and how could I take them<lb/> away from the room
                        ?"</p>
                    <p>"Better that than let Suzanne break them up for firewood,"<lb/> Marthe
                        replied shortly.</p>
                    <p>When little Henri was born, a year after the marriage, Suzanne<lb/> would not
                        let Jeanne-Marie be at the <emph rend="italic">métairie</emph>, and she
                        sent<lb/>
                    </p>
                    <fw type="catchword">Firman</fw>
                    <pb n="261"/>
                    <fw type="runningHead">By Leila Macdonald <fw type="pageNum">225</fw>
                    </fw>
                    <p>Firman down beforehand to tell her that she feared the excitement<lb/> of her
                        presence. Jeanne-Marie knew she was disliked and dis-<lb/> trusted ; but
                        this blow fell very heavily : though she raised her<lb/> head proudly and
                        looked her brother full in the face when he<lb/> stammered out his wife's
                        wishes.</p>
                    <p>"For the sake of our name, and what they will say in the<lb/> village, I am
                        sorry for this," she said ; and Firman went without a<lb/> word.</p>
                    <p>But when he was gone Jeanne-Marie's pride broke down, and<lb/> in the
                        darkness of the evening she gathered her shawl round her,<lb/> and crept up
                        to the <emph rend="italic">métairie</emph> door.</p>
                    <p>Hour after hour she sat there, not heeding the cold or the damp,<lb/> her
                        head buried in her hands, her body rocked backwards and<lb/> forwards. "I
                        pray for Firman's child," she muttered without<lb/> ceasing. "O dear Virgin!
                        O blessed Virgin! I pray for my<lb/> brother's child." And when at length an
                        infant's feeble cry pierced<lb/> through the darkness, Jeanne-Marie rose and
                        tottered home, saying<lb/> to herself contentedly, "The good God himself
                        tells me that all is<lb/> well."</p>
                    <p>Perhaps the pangs of maternity quickened the capabilities for<lb/> compassion
                        in Suzanne's peasant mind. She sent for Jeanne-<lb/> Marie two days later,
                        and watched her with silent wonder, but<lb/> without a sneer, as she knelt
                        weeping and trembling before the<lb/> small new bundle of humanity.</p>
                    <p>From that day little Henri was the idol of Jeanne-Marie's<lb/> heart. All the
                        sane instincts of wifehood and motherhood, shut<lb/> up irrevocably within
                        the prison of her maiden life, found vent in<lb/> her devotion to her
                        brother's child. The natural impulses, so<lb/> long denied freedom, of whose
                        existence and force she was not<lb/> even aware, avenged their long
                        suppression in this worship of<lb/> Firman's boy.</p>
                    <fw type="catchword">To</fw>
                    <pb n="262"/>
                    <fw type="runningHead">
                        <fw type="pageNum">226</fw> Jeanne-Marie</fw>
                    <p>To watch the growth of the childish being, the unveiling of<lb/> his physical
                        comeliness, and the gradual awakening of his percep-<lb/> tions, became the
                        interest and fascination of her life. Every<lb/> morning at eleven o'clock,
                        when the cottage showed within the<lb/> open door all white and shining
                        after her energetic scrubbings, she<lb/> would put on a clean bodice, and a
                        fresh pink handkerchief for<lb/> the little coil of hair at the back of her
                        head, and sit ready and<lb/> impatient, knitting away the time, till one
                        o'clock struck, and she<lb/> could start for the farm.</p>
                    <p>She would always arrive at the same hour, when the <emph rend="italic"
                            >métairie</emph>
                        <lb/> dinner was finished, and Suzanne's fretful complaints: "Jeanne-<lb/>
                        Marie, you are so proud, you will not come for the dinner or stay<lb/> for
                        the supper," met only a smile and a deprecating shake of the<lb/> head.</p>
                    <p>On her arrival, if Suzanne were in a good temper, she would<lb/> surrender
                        Henri to her, and Jeanne-Marie's hour of heaven<lb/> reached her. If it were
                        cold, she would sit in the kitchen,<lb/> crooning snatches of old tunes, or
                        chattering soft nothings in<lb/>
                        <emph rend="italic">patois</emph> to the sleeping child. If fine, she would
                        wander round the<lb/> garden with him in her arms, sometimes as far as the
                        road, where<lb/> a chance passer's exclamation of "Oh, le beau bébé !"
                        would<lb/> flush her face with pleasure.</p>
                    <p>If Suzanne's temper chanced to be ruffled, if Firman had dis-<lb/> pleased
                        her, or if the fitful jealousy that sprang up at times against<lb/> her
                            <emph rend="italic">belle-soeur</emph>, happened to be roused, she would
                        insist that little<lb/> Henri was tired, and must not be moved ; and
                        Jeanne-Marie would<lb/> sit for hours sadly watching the cot, in which the
                        child lay, not<lb/> daring to touch him or comfort him, even when he moaned
                        and<lb/> moved his arms restlessly in his sleep.</p>
                    <p>So her life went on till Henri was about a year old, when<lb/> Suzanne's
                        gradually increasing exasperation reached an ungovern-<lb/>
                    </p>
                    <fw type="catchword">able</fw>
                    <pb n="263"/>
                    <fw type="runningHead">By Leila Macdonald <fw type="pageNum">227</fw>
                    </fw>
                    <p>able pitch. To her jealous imagination it had seemed for some<lb/> time that
                        the boy clung more to her sister than to her, and one<lb/> day things
                        reached a climax.</p>
                    <p>Jeanne-Marie had arrived with a toy bought for three sous from<lb/> a
                        travelling pedlar, and the child had screamed, and cried, because<lb/> his
                        mother, alleging that he was tired, refused to allow Jeanne-<lb/> Marie to
                        take him or show him the toy. The boy screamed<lb/> louder and louder, and
                        Jeanne-Marie sat, silent and troubled, in her<lb/> corner. Even Firman, who
                        was yoking his oxen in the yard,<lb/> came in hurriedly, hearing the noise,
                        and finding nothing wrong,<lb/> pleaded with his wife. "Mais, voyons,
                        Suzanne," he began,<lb/> persuasively, "if le petit wants to see his toy, la
                        tante may show<lb/> it him, n'est ce pas ?" And Suzanne, unable to bear it
                        any<lb/> longer, almost threw her child into Jeanne-Marie's lap,
                        bursting<lb/> out, "Take him, then, and draw my baby's love from me, as
                        you<lb/> please. I want no child who hates his mother." And sobbing<lb/>
                        loudly, she rushed out. Firman followed her, his handsome face<lb/> puckered
                        with perplexity, and Jeanne-Marie and the baby were<lb/> left alone. She
                        bent low down over the deep Spanish eyes that<lb/> were so like her own,
                        and, while her tears dropped on his face,<lb/> she held him to her
                        feverishly. "Adieu," she whispered,<lb/> "adieu, petit Henri. La tante must
                        not come to see him any<lb/> more, and Henri must be a good boy and love his
                        mother."<lb/> And with one long look at the child's eyes fixed on her
                        so<lb/> wonderingly, Jeanne-Marie rose softly and left the farm.</p>
                    <p>From that day started the great conflict between her love and<lb/> her pride.
                        Though, to her simple nature, the jealousy of a woman<lb/> who seemed to her
                        to have in abundance everything that made life<lb/> worth living, was
                        utterly incomprehensible, she said to herself<lb/> over and over as she went
                        home, that such a scene as that should<lb/> never happen again. And as she
                        lay in her narrow bed that night,<lb/>
                    </p>
                    <fw type="catchword">and</fw>
                    <pb n="264"/>
                    <fw type="runningHead">
                        <fw type="pageNum">228</fw> Jeanne-Marie</fw>
                    <p>and made her resolution for the future, she seemed to feel the very<lb/>
                        fibres of her heart break within her.</p>
                    <p>Firman came down next day to beg his sister to behave as if<lb/> nothing had
                        happened. "You are pale and your face is all drawn,<lb/>
                        <emph rend="italic">chѐre soeur</emph>," he told her reproachfully ; "but
                        you must not take<lb/> the things like that. If poor Suzanne were herself
                        and well, she<lb/> would never have spoken as she did." But Jeanne-Marie
                        smiled<lb/> at him.</p>
                    <p>"If I am pale, Firman, it is not for worrying over Suzanne.<lb/> Tell her
                        from me, I have been selfish all this time. I will not be<lb/> so again.
                        When she can spare the little Henri, she shall send him<lb/> to play here
                        with me, by Anna." Anna was Suzanne's sixteen-<lb/> year-old sister, who
                        lived almost entirely at the <emph rend="italic">métairie</emph> since
                        her<lb/> sister's marriage. "And every Sunday afternoon I will come up,<lb/>
                        and will sit with him in the garden as I used to do. Tell this to<lb/>
                        Suzanne, with my love."</p>
                    <p>And Firman told her ; and mingled with the relief that<lb/> Suzanne felt,
                        that the face and figure which had become like a<lb/> nightmare to her
                        strained nerves, would appear only once a week<lb/> at the farm, was
                        gratitude that her sister had taken things so well.<lb/> "Anna shall take
                        him every other day," she observed to Firman,<lb/> "she shall see I am not
                        jealous; it was the pain that took me<lb/> suddenly yesterday, while you
                        were speaking. For that matter,<lb/> in the afternoon there is always much
                        for me to do, and little<lb/> Henri can very well go with Anna to the
                        cottage."</p>
                    <p>And no doubt she meant to keep her promise, but she was<lb/> occupied mind
                        and body with other things. The second baby<lb/> would be born in a month,
                        and in the afternoons, when she sat,<lb/> languid and tired, she liked to
                        have her sister Anna by her, and<lb/> Henri playing by her side.</p>
                    <p>And after little Catherine was born, there was much for Anna<lb/>
                    </p>
                    <fw type="catchword">to</fw>
                    <pb n="265"/>
                    <fw type="runningHead">By Leila Macdonald <fw type="pageNum">229</fw>
                    </fw>
                    <p>to do. "I could not well spare her if I would," Suzanne would<lb/> say to
                        herself; "what with two babies and me so long in getting<lb/> on my feet
                        this time."</p>
                    <p>And Jeanne-Marie put on the clean white bodice every day<lb/> before her
                        dinner, and sat in the little garden with her eyes fixed<lb/> on the turning
                        in the white road that led to M. François's <emph rend="italic"
                            >métairie</emph>,<lb/> but it was not more than one day a week that Anna
                        would come<lb/> in sight, with little Henri in her arms. The other days
                        Jeanne-<lb/> Marie would sit, shading her eyes and watching, till long after
                        the<lb/> hour when she could expect them to appear.</p>
                    <p>At first, after the quarrel, she had believed in Suzanne's reiterated<lb/>
                        assurances that "Anna would come every other day or so," and<lb/> many were
                        the wasted afternoons of disappointment that she courted<lb/> in her little
                        garden. Sometimes she would rise to her feet, and a<lb/> sudden impulse to
                        go up to the farm, not a mile away, if only to<lb/> kiss <emph rend="italic"
                            >le petit</emph> and come home again, laid hold of her ; but the
                        memory<lb/> of Suzanne's cold looks of surprise, and the "Is anything
                        wrong,<lb/> Jeanne-Marie ?" that would meet her, was sufficient to force
                        her<lb/> into her chair again with a little hopeless sigh. "When the
                        calf<lb/> is gone, the mother mourns for it all the day," Marthe said
                        grimly,<lb/> when she surprised her one day watching the white turning.<lb/>
                        But Jeanne-Marie answered her miserably: "Ah, but I never<lb/> butt at my
                        calf, and they have taken it from me all the<lb/> same."</p>
                    <p>There was great rejoicing in the cottage the day that Anna's<lb/> white
                        blouse and large green umbrella came in sight, and the three<lb/> sat in the
                        kitchen together : Anna eating smilingly the cakes and<lb/> biscuits that
                        grateful Jeanne-Marie made specially for her, and<lb/> Henri crawling
                        happily on the floor. "He said 'Maman' to<lb/> Suzanne yesterday," Anna
                        would announce, as Jeanne-Marie<lb/> hurried to meet her at the gate ; or,
                        "Firman says he heard<lb/>
                    </p>
                    <fw type="catchword">him</fw>
                    <pb n="266"/>
                    <fw type="runningHead">
                        <fw type="pageNum">230</fw> Jeanne-Marie</fw>
                    <p>him say 'Menou,' when the white cat ran across the yard this<lb/> morning."
                        And many were the attempts to induce Henri to<lb/> make these utterances
                        again. "Je t'aime, je t'aime," Jeanne-<lb/> Marie would murmur to him, as
                        she kissed him again and again,<lb/> and the little boy would look up at her
                        with his dark eyes, and<lb/> smile encouragingly.</p>
                    <p>All too quickly the time would go, and all too soon would come<lb/> Anna's
                        glance at the clock, and the dreaded words : "Suzanne<lb/> will make herself
                        angry ; we must go."</p>
                    <p>And as Jeanne-Marie watched them disappear along the white<lb/> road, the
                        clouds of her loneliness would gather round her again.</p>
                    <p>The Sunday afternoons at the farm were looked forward to<lb/> through all the
                        week. There was little Catherine to admire,<lb/> and in the summer days
                        there was the orchard, where<lb/> Henri loved to play, and where he and his
                        aunt would sit<lb/> together all the afternoon. If Suzanne were in a good
                        temper,<lb/> she would bring Catherine out in her arms, and the children
                        would<lb/> tumble about together in the long grass.</p>
                    <p>And so the time wore on, and as Henri grew in mind and<lb/> body, and was
                        able to prattle and run about the fields, Jeanne-<lb/> Marie hungered for
                        him with a love more absorbing than<lb/> ever.</p>
                    <p>Two years had passed since Catherine's birth, and for the last<lb/> year Anna
                        would often bring her, when she came down to Jeanne-<lb/> Marie's cottage.
                        The one day a week had dropped gradually to<lb/> every ten days ; it was
                        sometimes only every fortnight that one<lb/> or both children would appear,
                        and the days that little Henri came<lb/> were marked white days on the
                        simple calendar of Jeanne-Marie's<lb/> heart.</p>
                    <fw type="catchword">Now,</fw>
                    <pb n="267"/>
                    <fw type="runningHead">By Leila Macdonald <fw type="pageNum">231</fw>
                    </fw>
                    <p>V</p>
                    <p>Now, as Jeanne-Marie stood in her garden this hot May after-<lb/> noon, and
                        shaded her eyes, as she gazed at the broad white road, her<lb/> face was
                        troubled, and there was a drawn line of apprehension round<lb/> the corners
                        of her mouth. For lately Suzanne's jealous temper<lb/> had flamed up again,
                        and this alert jealousy boded evil days for<lb/> Jeanne-Marie.</p>
                    <p>Several times within the last two months, little Henri—now<lb/> going on for
                        four years old—had come toddling down to the<lb/> cottage by himself, to his
                        aunt's unbounded amazement and delight.<lb/> "Maman is at market," he
                        explained with dignity the first time,<lb/> in answer to the wondering
                        queries. "Papa yoked the oxen to<lb/> the big cart after dinner, and they
                        went ; Anna is talking all the<lb/> afternoon to Pierre Puyoo in the road ;
                        and Henri was alone. So<lb/> Henri came ; Henri loves his aunt, and would
                        like some biscuits."<lb/> Great was the content of that hour in the cottage,
                        when Jeanne-<lb/> Marie sat in the big arm-chair, and the boy prattled and
                        ate his<lb/> biscuits on her knee. Anna's hard young smile, that
                        scorned<lb/> emotion, was always a <emph rend="italic">gêne</emph> to this
                        harmony of old and young ;<lb/> also, there was no need to glance anxiously
                        at the clock ;<lb/> for the oxen take two hours to get home from the market,
                        and<lb/> who leaves the town till late in the afternoon ? "Anna will miss<lb/>
                        <emph rend="italic">le petit</emph>," Jeanne-Marie suggested the first time
                        ; but he answered<lb/> proudly : "She will think <emph rend="italic">le
                            petit</emph> takes care of the geese in<lb/> the meadow ; do I not have
                        charge of all the geese many<lb/> afternoons ? And when I am six years old,
                        papa has pro-<lb/> mised I may guard the cows, and bring them home to
                        milk<lb/> at sundown, as André Puyoo and Georges Vidal do, each<lb/>
                    </p>
                    <fw type="catchword">day.</fw>
                    <pb n="268"/>
                    <fw type="runningHead">
                        <fw type="pageNum">232</fw> Jeanne-Marie</fw>
                    <p>day. Also, why cannot Henri come to see <emph rend="italic">la tante</emph>
                        when he<lb/> likes ?"</p>
                    <p>But nevertheless, the second and third occasions of these happy<lb/> visits,
                        always on market-days, Jeanne-Marie became uneasy. Did<lb/> Suzanne know of
                        the boy's absences ? Were those fitful jealousies<lb/> she now displayed
                        almost every Sunday, the result of her know-<lb/> ledge ? And if she did not
                        know, would there not be a burst of<lb/> rage when she heard ? Should
                        Jeanne-Marie risk this joy by<lb/> telling her of its existence, and asking
                        her permission for its con-<lb/> tinuance ? How well the hard tones of
                        Suzanne's voice, framing<lb/> each plausible objection, came to her mind, as
                        she thought. No,<lb/> she could not do it. Let the child come, and go on
                        coming every<lb/> market-day, for as long as he could. She would say no word
                        to<lb/> encourage his keeping it secret from his mother ; he would tell
                        her<lb/> one day, if he had not told her already, and then, if anger
                        there<lb/> was, surely the simple words, "May not your child visit his
                        aunt<lb/> alone ?" must bring peace again.</p>
                    <p>So Jeanne-Marie reasoned away her fears. But now, as she<lb/> stood in her
                        garden, her lips were trembling with anxiety.</p>
                    <p>Last Sunday she had been too ill to go up to the farm. A<lb/> sudden
                        agonising breathlessness, together with great dizziness,<lb/> had forced her
                        to bed, and Marthe's boy had gone up with the<lb/> message. But neither that
                        day nor the next, which was market-<lb/> day, nor any following day, had
                        Suzanne, or Anna, or little Henri<lb/> come to see her. And to-day was
                        Saturday. And she realised<lb/> wearily that to-morrow she could not get to
                        the farm ; she felt too<lb/> ill and feeble. "My heart aches," she said to
                        Marthe each day,<lb/> "my heart aches."</p>
                    <p>The afternoon waned slowly, and the little group at the café<lb/> increased
                        in numbers, as the men sauntered through the village at<lb/> sundown. The
                        women stood at their doors, laughing and chatting<lb/>
                    </p>
                    <fw type="catchword">with</fw>
                    <pb n="269"/>
                    <fw type="runningHead">By Leila Macdonald <fw type="pageNum">233</fw>
                    </fw>
                    <p>with one another. M. le Curé passed down the street, smiling at<lb/> the
                        children. From the meadows came the cows and oxen, driven<lb/> slowly along,
                        their bells beating low harmonies as they went.<lb/> The festive air of
                        evening after a hot day touched all the tiny<lb/> town. And Jeanne-Marie
                        stood in her garden, waiting.</p>
                    <p>Suddenly, while she watched, her heart bounded within her,<lb/> and a spasm
                        of sudden pain drove the colour from her face, for she<lb/> recognised the
                        figure that was passing from the white turning<lb/> into the broad road.
                        Suzanne—Suzanne, who had not been near<lb/> her cottage for a year—Suzanne,
                        alone. She pressed her two hands<lb/> under her left breast, and moved
                        forward to the gate. She felt<lb/> now she had known it for long. All the
                        suspense of many days<lb/> had given way to a dull certainty : little Henri
                        was ill, was<lb/> dying perhaps, and Suzanne had come with the news.</p>
                    <p>Jeanne-Marie had her hand on the latch to let her through ;<lb/> but she
                        stood outside the gate, and said hoarsely, "I will not come<lb/> in." Her
                        face was flushed, there was no cap over her coil of<lb/> brown hair, and she
                        had on the dark dress she never wore except<lb/> at the farm. All this
                        Jeanne-Marie noticed mechanically, while<lb/> that suffocating hurry at her
                        heart seemed to eat away her energy<lb/> and her power of speech.</p>
                    <p>But Suzanne was going to speak. The colour flamed into her<lb/> face, and her
                        teeth ground together, as if to force down the violence<lb/> of her feeling,
                        and then she spoke : "Jeanne-Marie, you have<lb/> done your work well. We
                        knew you loved our boy. You were<lb/> careful always to show us how far
                        greater was your love for him<lb/> than ours. And as you could not well turn
                        him against me<lb/> before my eyes, you waited—<emph rend="italic">ma
                            foi</emph>, how well you did it !—you<lb/> waited till I was well away,
                        and then, you taught him to sneak<lb/> down to see you, and sneak home again
                        before my return. <emph rend="italic">Mon<lb/> Dieu</emph> ! it was a worthy
                        son to us you wished to make of him.<lb/>
                    </p>
                    <fw type="catchword">But</fw>
                    <pb n="270"/>
                    <fw type="runningHead">
                        <fw type="pageNum">234</fw> Jeanne-Marie</fw>
                    <p>But it could not be, Jeanne-Marie. Your good God, you love <lb/>so well,
                        would not have it and so ;"—there came a sob in her voice<lb/> that she
                        choked down, and Jeanne-Marie's face went a shade greyer<lb/> as she
                        listened—"it happened that I was long at the market last<lb/> week, and you,
                        knowing this would be so, because it was a big<lb/> market, brought him home
                        late, when the fever was springing<lb/> from the marshes—it was Marguerite
                        Vallée saw him and came<lb/> and told me—and now these four days he has lain
                        with fever, and<lb/> the officier de santé tells us there grows something in
                        his throat<lb/> that may kill him in four days."</p>
                    <p>The hard tones left her voice in the last phrase. A shadow<lb/> of the love
                        she persuaded herself she felt for Henri sprang up, and<lb/> choked her
                        anger. She forgot Jeanne-Marie for the moment, and<lb/> saw only the little
                        figure tossing with fever and delirium, and<lb/> pity for her own sorrow
                        filled her eyes with tears. She was<lb/> surprised at the calm cruelty of
                        her own words. Looking up<lb/> curiously to see how her sister would take
                        it, she started, for<lb/> Jeanne-Marie's face seemed suddenly to have grown
                        old and grey.<lb/> She was struggling breathlessly to speak, and when her
                        voice<lb/> came, it sounded far off, and weak like the voice of a sick child
                        :</p>
                    <p>"You know well that in your anger you have lied to me.<lb/> Henri may be
                        ill—and dying ; it is not I who have made him so.<lb/> You shall listen to
                        me now, though I will not keep you here<lb/> long ; for the hand that struck
                        my mother suddenly through<lb/> the heart, struck me while you were
                        speaking. You have kept<lb/> me all these days in suspense, and now you have
                        given the<lb/> blow. Be satisfied, Suzanne."</p>
                    <p>She paused, and the sound of her heavy breathing struck<lb/> Suzanne's
                        frightened senses like the knell of a doom.</p>
                    <p>"Listen to me. Henri came to me of his own will, and<lb/> never did I
                        persuade him or suggest to him to come. Never<lb/>
                    </p>
                    <fw type="catchword">did</fw>
                    <pb n="271"/>
                    <fw type="runningHead">By Leila Macdonald <fw type="pageNum">235</fw>
                    </fw>
                    <p>did he go home later than four o'clock; there was nothing done in<lb/> secret
                        ; neither I, nor any in the village, thought it a crime he<lb/> came to
                        visit me. Often I have seen him keeping the geese in<lb/> the long grass of
                        the meadows at six, at seven o'clock. Seek<lb/> the fever there—not on the
                        village road before the sunset. As<lb/> the good God hears me, never have I
                        stood between that boy<lb/> and his mother. Gradually you took from me every
                        privilege<lb/> my affection knew ; but I said nothing. Ah, I loved him<lb/>
                        dearly ; I was content to wait. But all that is over. If God<lb/> grants me
                        life—but He is good, and I think He knows my<lb/> suffering all these
                        years—I swear before Him your house shall be<lb/> to me a house of
                        strangers, Henri the child of strangers, and my<lb/> brother's face unknown
                        to me. Never shall my father's daughter<lb/> hear again what I have heard
                        from you to-day. All these years<lb/> you have played upon my heart. You
                        have watched the suffering;<lb/> you have known how each word seemed so
                        innocent, but stabbed<lb/> so deep. You have seen your child wind himself
                        round my<lb/> heart, and every day, every hour, you have struggled to
                        pluck<lb/> him from me. Now, I tell you I tear your children from my<lb/>
                        heart ; you have killed not only my body, but my love. Go,<lb/> and leave me
                        for ever, or by my father, I will curse you where<lb/> you stand."</p>
                    <p>She tottered forward, and with one horrified look at the agony of<lb/> her
                        menacing face, Suzanne turned and ran.</p>
                    <p>And Jeanne-Marie fell all her length on the garden soil.</p>
                    <fw type="footer">The Yellow Book—Vol. III. <emph>o</emph>
                    </fw>
                    <fw type="catchword">The</fw>
                    <pb n="272"/>
                    <fw type="runningHead">
                        <fw type="pageNum">236 </fw> Jeanne-Marie</fw>
                    <p>VI</p>
                    <p>The miller's boy saw her there, when he came past a few<lb/> minutes later,
                        and not daring to touch her, ran to the mill<lb/> for help. Marthe and her
                        husband came immediately and carried<lb/> her into the cottage. At first,
                        they thought she was dead, her<lb/> face was so grey and sunken ; but she
                        came to herself, as they<lb/> laid her on the bed, and shook her head
                        faintly when Marthe<lb/> suggested fetching the officier de santé.</p>
                    <p>As soon as she could speak she whispered : "No, Marthe, it<lb/> is the
                        illness of the heart that killed my mother. The doctor<lb/> told her she
                        might have lived to be old, with much care, and if<lb/> no great trouble or
                        excitement had come to her ; but, you see, I<lb/> was much troubled just
                        now, and so it has come earlier. Do<lb/> not send for any doctor ; he could
                        but call it by the long name<lb/> they called it when my mother died, and
                        trouble one with vain<lb/> touches and questions."</p>
                    <p>So Marthe helped her to undress, and to get to bed quickly.<lb/> The
                        breathlessness and the pain had gone for a time, though she<lb/> was very
                        feeble, and could scarcely stand on her feet. But it was<lb/> the grey look
                        of her face that frightened Marthe, and her strained<lb/> quietness. No
                        questions could get out of her the story of the<lb/> afternoon.</p>
                    <p>"Suzanne came to tell me little Henri was ill," was all she<lb/> would say ;
                        but Marthe only shook her head, and made her own<lb/> deductions.</p>
                    <p>Jeanne-Marie would not hear of her staying with her for the<lb/> night, and
                        leaving her young children alone, and so it was settled<lb/> the miller's
                        boy should sleep below in the kitchen, and if Jeanne-<lb/>
                    </p>
                    <fw type="catchword">Marie</fw>
                    <pb n="273"/>
                    <fw type="runningHead">By Leila Macdonald <fw type="pageNum">237</fw>
                    </fw>
                    <p>Marie felt ill in the night, she would call to him, and he would<lb/> fetch
                        Marthe immediately.</p>
                    <p>Also, Marthe promised to call at the house of M. le Curé on<lb/> her way
                        home. He would be out late, since he had started only an<lb/> hour ago to
                        take the Host to old Goupé, who lay dying four<lb/> kilometres away ; but
                        she would leave a message, and certainly,<lb/> when he returned, however
                        late, he would come round. It was<lb/> nine o'clock before Marthe would
                        leave, and even then she<lb/> stopped reluctantly at the door, with a last
                        look at the thin figure<lb/> propped up on her pillows. "Let me stay,
                        Jeanne-Marie," she<lb/> said ; "you are so pale, and yet your eyes burn. I
                        do not like to<lb/> think of the long night and you sitting here."</p>
                    <p>"It is easier than when I lie down, which brings the breathless-<lb/> ness.
                        Do not worry yourself, Marthe, I shall sleep perhaps, and<lb/> if I need
                        anything, I have but to call to Jean below. Good-night,<lb/> and thank you,
                        Marthe."</p>
                    <p>The little house was very quiet. Jean had been asleep on his<lb/> chair this
                        hour past, and not a sound came from the slumbering<lb/> village. There was
                        no blind to the window of the bedroom, and<lb/> Jeanne-Marie watched the
                        moon, as it escaped slowly from the<lb/> unwilling clouds, and threw its
                        light on to the foot of the narrow bed.</p>
                    <p>For a long while she lay there, without moving, while through<lb/> all her
                        troubled, confused thoughts ran like an under-current the<lb/> dull pain
                        that wrenched at her heart. It seemed to take the<lb/> coherency from her
                        thinking, and to be the one unquiet factor in<lb/> the calm that had come
                        over her. She was surprised, herself, at<lb/> this strange fatigue that had
                        swept away even her suffering.<lb/> She thought of little Henri and his
                        illness without a pang. He<lb/> seemed like some far-off person she had read
                        about, or heard of,<lb/> long ago.</p>
                    <fw type="catchword">She</fw>
                    <pb n="274"/>
                    <fw type="runningHead">
                        <fw type="pageNum">238</fw> Jeanne-Marie</fw>
                    <p>She thought to herself, vaguely, that she must be dying, since<lb/> she
                        seemed to have lost all feeling.</p>
                    <p>Bit by bit, various little scenes between her and Henri came to<lb/> her
                        mind, with an extraordinary vividness. He was sitting on her<lb/> knee in
                        the cottage, and his clear child's voice rang like a bell in<lb/> the silent
                        room—so clearly, that Jeanne-Marie started, and<lb/> wondered if she were
                        light-headed or had been dreaming. Then<lb/> the voice faded away, and she
                        saw the cool, high grass of the<lb/> orchard, and there was Henri laughing
                        at her, and rolling among<lb/> the flowers. How cool and fresh it looked ;
                        and Henri was<lb/> asking her to come and play : "Tante Jeanne-Marie, viens
                        jouer<lb/> avec ton petit. Tante Jeanne-Marie, tante Jeanne-Marie !"
                        She<lb/> must throw herself on the grass with him—on the cool, waving<lb/>
                        grass. And she bent forward with outstretched arms ; but the<lb/> movement
                        brought her to herself, and as she lay back on her<lb/> pillows, suddenly
                        the reality of suffering rushed back upon her,<lb/> with the agonising sense
                        of separation and of loss. Little Henri<lb/> was dying ; was dead perhaps ;
                        never to hear his voice, or feel his<lb/> warm little arms round her neck.
                        She could do nothing for him ;<lb/> he must die without her. "Tante
                        Jeanne-Marie ! Tante Jeanne-<lb/> Marie !" Was he calling her, from his
                        feverish little bed ? If he<lb/> called, she must go to him, she could not
                        lie here, this suffering<lb/> was choking her. She must have air, and space
                        to breathe in; this<lb/> room was suffocating her. She must go to Henri.
                        With a<lb/> desperate effort she struggled to her feet, and stood
                        supporting<lb/> herself by the bed-post. The moon, that had hidden itself in
                        the<lb/> clouds, struggled out, the long, old-fashioned glass hanging on
                        the<lb/> wall opposite the bed became one streak of light, and Jeanne-<lb/>
                        Marie, gazing at herself, met the reflection of her own face, and<lb/> knew
                        that no power on earth could make her reach the farm where<lb/> little Henri
                        lay.</p>
                    <fw type="catchword">She</fw>
                    <pb n="275"/>
                    <fw type="runningHead">By Leila Macdonald <fw type="pageNum">239</fw>
                    </fw>
                    <p>She stood, as if spell-bound, marking the sunken look of the<lb/> eyes, the
                        grey-blue colour of the cheeks, the face that was the face<lb/> of an old
                        woman.</p>
                    <p>A sudden, fierce revolt against her starved life swept through<lb/> her at
                        the sight, and conquered even the physical pain raging at<lb/> her heart.
                        Still struggling for breath, she threw up her arms and<lb/> tore the cotton
                        nightgown from her shoulders, and stood there<lb/> beating her breast with
                        her hands.</p>
                    <p>"Oh, good God ! good God ! see here what I am. How old<lb/> and shrunken
                        before my time ! Cursed be these breasts, that no<lb/> child has ever
                        suckled ; cursed be this withered body, that no man<lb/> has ever embraced.
                        I could have loved, and lived long, and been<lb/> made beautiful by
                        happiness. Ah, why am I accursed ? I die,<lb/> unloved and neglected by my
                        own people. No children's tears,<lb/> no husband to close my eyes ; old,
                        worn out, before my time. A<lb/> woman only in name—not wife, not mother.
                        Despised and<lb/> hideous before God and men—God and men."</p>
                    <p>Her voice died away in a moan, her head fell forward on her<lb/> breast, and
                        she stumbled against the bed. For a long time she<lb/> lay crouched there,
                        insensible from mere exhaustion, until, just<lb/> as the clocks were
                        striking midnight, the door opened gently,<lb/> and Marthe and M. le Curé
                        came in. Jean, awakened by the<lb/> sounds overhead, had run quickly for
                        Marthe, and coming back<lb/> together, they had met M. le Curé on his
                        way.</p>
                    <p>They raised her gently, and laid her on the bed, and finding<lb/> she still
                        breathed, Marthe ran to fetch brandy, and the Curé knelt<lb/> by the bed in
                        prayer.</p>
                    <p>Presently, the eyes opened quietly, and M. le Curé saw her<lb/> lips move. He
                        bent over her, and whispered : "You are troubled,<lb/> Jeanne-Marie ; you
                        wish for the absolution ?"</p>
                    <p>But her voice came back to her, and she said clearly :<lb/>
                    </p>
                    <fw type="catchword">"To</fw>
                    <pb n="276"/>
                    <fw type="runningHead">
                        <fw type="pageNum">240</fw> Jeanne-Marie</fw>
                    <p>"To die unloved, unmourned ; a woman, but no wife ; no<lb/> mother."</p>
                    <p>She closed her eyes again. There were noises singing in her<lb/> head, louder
                        and louder ; but the pain at her heart had ceased,<lb/> She was conscious
                        only of a great loneliness, as if a curtain had<lb/> risen, and shut her off
                        from the room ; and again the words came,<lb/> whispered from her lips : "A
                        woman, accursed and wasted ; no<lb/> mother and no wife."</p>
                    <p>But some one was speaking, speaking so loudly that the sounds<lb/> in her
                        head seemed to die away. She opened her eyes, and saw<lb/> M. le Curé, where
                        he knelt, with his eyes shining on her face, and<lb/> heard his voice saying
                        : "And God said, 'Blessed be the virgins<lb/> above all women ; give unto
                        them the holy places ; let them be<lb/> exalted and praised by My church,
                        before all men, and before Me.<lb/> Worthy are they to sit at My feet—worthy
                        are they above all<lb/> women.'"</p>
                    <p>A smile of infinite happiness and of supreme relief lit up Jeanne-<lb/>
                        Marie's face.</p>
                    <p>"Above all women," she whispered : "above all women."</p>
                    <p>And Jeanne-Marie bowed her head, and died. </p>
                </div>
                <div n="YBV3_29po" type="poetry">
                    <pb/>
                    <head>
                        <title level="a">Parson Herrick's Muse</title>
                    </head>
                    <byline>By <docAuthor>
                            <ref target="#CDA">C. W. Dalmon</ref>
                        </docAuthor>
                    </byline>
                    <lg type="stanza">
                        <l>THE parson dubs us, in our cups,</l>
                        <l>"A tipsy, good-for-nothing crew !"</l>
                        <l>It matters not—it may be false ;</l>
                        <l>It matters not—it may be true.</l>
                        <l>But here's to parson Herrick's Muse !</l>
                        <l>Drink to it, dear old comrades, please !</l>
                        <l>And, prithee, for my tombstone choose</l>
                        <l>A verse from his "Hesperides."</l>
                    </lg>
                    <lg type="stanza">
                        <l>The parson's rich, but we are poor ;</l>
                        <l>And we are wrong, but he is right—</l>
                        <l>Who knows how much his cellar holds,</l>
                        <l>Or how he goes to bed at night ?</l>
                        <l>But here's to parson Herrick's Muse !</l>
                        <l>Drink to it, dear old comrades, please !</l>
                        <l>And, prithee, for my tombstone choose</l>
                        <l>A verse from his "Hesperides."</l>
                    </lg>
                    <fw type="catchword">The</fw>
                    <pb n="278"/>
                    <fw type="runningHead">
                        <fw type="pageNum">242</fw> Parson Herrick's Muse</fw>
                    <lg type="stanza">
                        <l>The landlord shall our parson be ;</l>
                        <l>The tavern-door our churchyard gate ;</l>
                        <l>And we will fill the landlord's till</l>
                        <l>Before we fill the parson's plate !</l>
                        <l>But here's to parson Herrick's Muse !</l>
                        <l>Drink to it, dear old comrades, please !</l>
                        <l>And, prithee, for my tombstone choose</l>
                        <l>A verse from his "Hesperides."</l>
                    </lg>
                </div>
                <div>
                    <pb/>
                    <head>
                        <title level="a">George the Fourth</title>
                    </head>

                    <byline> By <docAuthor>
                            <ref target="#MBE">Max Beerbohm</ref>
                        </docAuthor>
                    </byline>
                    <pb/>
                    <pb/>
                    <pb/>
                </div>
                <div n="YBV3_30im" type="image">
                    <pb/>
                    <figure>
                        <graphic width="600px" height="850px"
                            url="MediumImageDocs/YB3icon17_beerbohm_george_edited.jpg"/>
                        <note n="YBV3_30im.n1">
                            <title>George the Fourth</title>
                            <rs>YB3icon17</rs>YB3icon17 George the Fourth Max Beerbohm XIV October
                            1894 page 245 15.2 cm x 9.8 cm Portrait Caricature Pencil 19th century
                            male figure person royalty scarf MAX</note>
                        <head>George the Fourth</head>
                        <figDesc>Image is of a man shown full frontal with curly black hair and a
                            large body, taking up almost all the space in the image. His face is
                            also quite large and full; folds of skin are visible under his chin. He
                            is walking with a tassled walking stick. The man is wearing a tailcoat,
                            a waistcoat and an ascot. The lines of the figure are curvy but quite
                            faint, allowing for the outline of the man to blend in with the
                            background, which is open and light-coloured. This image appears to be a
                            caricature of Oscar Wilde. The artist's signature is to the right of the
                            mans leg.</figDesc>
                    </figure>
                    <pb/>
                </div>
                <div n="YBV3_30pr" type="prose">
                    <pb/>
                    <head>
                        <title level="a">A Note on George the Fourth</title>
                    </head>
                    <byline>By <docAuthor>
                            <ref target="#MBE">Max Beerbohm</ref>
                        </docAuthor>
                    </byline>
                    <p>THEY say that when King George was dying, a special form<lb/> of prayer for
                        his recovery, composed by one of the Arch-<lb/> bishops, was read aloud to
                        him, and that his Majesty, after saying<lb/> Amen "thrice, with great
                        fervour," begged that his thanks<lb/> might be conveyed to its author. To
                        the student of royalty in<lb/> modern times there is something rather
                        suggestive in this<lb/> incident. I like to think of the drug-scented room
                        at Windsor,<lb/> and of the King, livid and immobile among his pillows,
                        waiting,<lb/> in superstitious awe, for the near moment when he must stand,
                        a<lb/> spirit, in the presence of a perpetual King. I like to think of
                        him<lb/> following the futile prayer with eyes and lips, and then,
                        custom<lb/> resurgent in him and a touch of pride that, so long as the<lb/>
                        blood moved ever so little in his veins, he was still a king,<lb/>
                        expressing a desire that the dutiful feeling and admirable taste of<lb/> the
                        Prelate should receive a suitable acknowledgment. It would<lb/> have been
                        impossible for a real monarch like George, even after<lb/> the gout had
                        turned his thoughts heavenward, really to abase him-<lb/> self before his
                        Maker. But he could, so to say, treat with him,<lb/> as he might have
                        treated with a fellow-sovereign, long after<lb/> diplomacy was quite
                        useless. How strange it must be to be a king !<lb/> How delicate and
                        difficult a task it is to judge him ! So far<lb/>
                    </p>
                    <fw type="catchword">as</fw>
                    <pb n="286"/>
                    <fw type="runningHead">
                        <fw type="pageNum">248</fw> A Note on George the Fourth</fw>
                    <p>as I know, no fair attempt has been made to form an estimate<lb/> of George
                        the Fourth. The hundred and one eulogies and<lb/> lampoons, published
                        irresponsibly during and immediately after<lb/> his reign, are not worth a
                        wooden hoop in Hades. Mr. Percy<lb/> Fitzgerald has published a history of
                        George's reign, in which<lb/> he has so artistically subordinated his own
                        personality to his<lb/> subject, that I can scarcely find from beginning to
                        end of the<lb/> two bulky volumes a single opinion expressed, a single idea,
                        a<lb/> single deduction from the admirably arranged facts. All that<lb/>
                        most of us know of George is from Thackeray's brilliant denun-<lb/> ciation.
                        Now, I yield to few in my admiration of Thackeray's<lb/> powers. He had a
                        charming style. We never find him searching<lb/> for the <emph rend="italic"
                            >mot juste</emph> as for a needle in a bottle of hay. Could he<lb/> have
                        looked through a certain window by the river at Croisset,<lb/> or in the
                        quadrangle at Brasenose, how he would have laughed !<lb/> He blew on his
                        pipe, and words came tripping round him, like<lb/> children, like pretty
                        little children who are perfectly drilled for<lb/> the dance, or came, did
                        he will it, treading in their precedence,<lb/> like kings, gloomily. And I
                        think it is to the credit of the<lb/> reading mob that, by reason of his
                        beautiful style, all that he<lb/> said was taken for the truth, without
                        questioning. But truth<lb/> after all is eternal, and style transient, and
                        now that Thackeray's<lb/> style is becoming, if I may say so, a trifle 1860,
                        it may not<lb/> be amiss that we should inquire whether his estimate of
                        George<lb/> is in substance and fact worth anything at all. It seems to
                        me<lb/> that, as in his novels, so in his history of the four Georges,<lb/>
                        Thackeray made no attempt at psychology. He dealt simply<lb/> with types.
                        One George he insisted upon regarding as a buffoon,<lb/> another as a yokel.
                        The Fourth George he chose to hold up<lb/> for reprobation as a drunken,
                        vapid cad. Every action, every<lb/> phase of his life that went to disprove
                        this view, he either<lb/>
                    </p>
                    <fw type="catchword">suppressed</fw>
                    <pb n="287"/>
                    <fw type="runningHead">By Max Beerbohm <fw type="pageNum">249</fw>
                    </fw>
                    <p>suppressed or distorted utterly. "History," he would seem to<lb/> have
                        chuckled, "has nothing to do with the First Gentleman.<lb/> But I will give
                        him a niche in Natural History. He shall be<lb/> king of the Beasts." He
                        made no allowance for the extraordinary<lb/> conditions under which any
                        monarch finds himself, none for the<lb/> unfortunate circumstances by which
                        George was from the first<lb/> hampered. He judged him as he judged Barnes
                        Newcome and<lb/> all the scoundrels he created. Moreover, he judged him by
                        the<lb/> moral standard of the Victorian Age. In fact he applied to<lb/> his
                        subject the wrong method in the wrong manner, and at the<lb/> wrong time.
                        And yet every one has taken him at his word. I<lb/> feel that my essay may
                        be scouted as a paradox ; but I hope<lb/> that many may recognise that I am
                        not, out of mere boredom,<lb/> endeavouring to stop my ears against popular
                        platitude, but rather,<lb/> in a spirit of real earnestness, to point out to
                        the mob how it has<lb/> been cruel to George. I do not despair of success. I
                        think I<lb/> shall make converts. For the mob is notoriously fickle, and
                        so<lb/> occasionally cheers the truth.</p>
                    <p>None, at all events, will deny that England to-day stands other-<lb/> wise
                        than she stood a hundred and thirty-two years ago, when<lb/> George was
                        born. We to-day are living a decadent life. All<lb/> the while that we are
                        prating of progress, we are really so deterio-<lb/> rate ! There is nothing
                        but feebleness in us. Our youths who<lb/> spend their days in trying to
                        build up their constitutions by sport or<lb/> athletics, and their evenings
                        in undermining them with poisonous<lb/> and dyed drinks, our daughters who
                        are ever searching for some<lb/> new quack remedy for new imaginary megrim,
                        what strength is<lb/> there in them ? We have our societies for the
                        prevention of this<lb/> and the promotion of that and the propagation of the
                        other, because<lb/> there are no individuals among us. Our sexes are already
                        nearly<lb/> assimilate. Real women are becoming nearly as rare as real
                        ladies,<lb/>
                    </p>
                    <fw type="catchword">and</fw>
                    <pb n="288"/>
                    <fw type="runningHead">
                        <fw type="pageNum">250</fw> A Note on George the Fourth</fw>
                    <p>and it is only at the music halls that we are privileged to see<lb/> strong
                        men. We are born into a poor, weak age. We are not<lb/> strong enough to be
                        wicked, and the Nonconformist Conscience<lb/> makes cowards of us all.</p>
                    <p>But this was not so in the days when George was walking by<lb/> his tutor's
                        side in the gardens of Kew or of Windsor. London<lb/> must have been a
                        splendid place in those days—full of life and<lb/> colour and wrong and
                        revelry. There was no absurd press nor<lb/> vestry to see that everything
                        should be neatly ordered, nor to<lb/> protect the poor at the expense of the
                        rich. Every man had to<lb/> shift for himself and, in consequence, men were,
                        as Mr. Clement<lb/> Scott would say, manly, and women, as Mr. Clement Scott
                        would<lb/> say, womanly. A young man of wealth and family in that
                        period<lb/> found open to him a vista of such license as had been
                        unknown<lb/> to any since the barbatuli of the Roman Empire. To spend
                        the<lb/> early morning with his valet, gradually assuming the rich
                        apparel<lb/> that was not then tabooed by a false sumptuary standard ;
                        to<lb/> saunter round to White's for ale and tittle-tattle and the
                        making<lb/> of wagers ; to attend a "drunken déjeûner" in honour of "la<lb/>
                        très belle Rosaline" or the Strappini ; to drive a friend out into<lb/> the
                        country in his pretty curricle, "followed by two well-dressed<lb/> and
                        well-mounted grooms, of singular elegance certainly," and stop<lb/> at every
                        tavern on the road to curse the host for not keeping better<lb/> ale and a
                        wench of more charm ; to reach St. James' in time for<lb/> a random toilet
                        and so off to dinner. Which of <emph rend="italic">our</emph> dandies
                        could<lb/> survive a day of pleasures such as this ? Which would be
                        ready,<lb/> dinner done, to scamper off again to Ranelagh and dance and
                        skip<lb/> and sup in the rotunda there ? Yet the youth of this period
                        would<lb/> not dream of going to bed before he had looked in at White's
                        or<lb/> Crockford's for a few hours' faro.</p>
                    <p>This was the kind of life that young George found opened to<lb/>
                    </p>
                    <fw type="catchword">him,</fw>
                    <pb n="289"/>
                    <fw type="runningHead">By Max Beerbohm <fw type="pageNum">251</fw>
                    </fw>
                    <p>him, when, in his nineteenth year, he at length was given an estab-<lb/>
                        lishment of his own in Buckingham House. How his young eyes<lb/> must have
                        sparkled, and with what glad gasps must he have taken<lb/> the air of
                        freedom into his lungs. Rumour had long been busy<lb/> with the confounded
                        surveillance under which his childhood had<lb/> been passed. A paper of the
                        time says significantly that "the<lb/> Prince of Wales, with a spirit which
                        does him honour, has three<lb/> times requested a change in that system."
                        For a long time King<lb/> George had postponed permission for his son to
                        appear at any balls,<lb/> and the year before had only given it, lest he
                        should offend the<lb/> Spanish Minister, who begged it as a personal favour.
                        I know few<lb/> pictures more pathetic than that of George, then an
                        overgrown<lb/> boy of fourteen, tearing the childish frill from around his
                        neck<lb/> and crying to one of the royal servants, "See how they treat<lb/>
                        me !" Childhood has always seemed to me the tragic period of<lb/> life—to be
                        subject to the most odious espionage at the one age when<lb/> you never
                        dream of doing wrong, to be deceived by your parents,<lb/> thwarted of your
                        smallest wish, oppressed by the terrors of manhood<lb/> and of the world to
                        come, and to believe, as you are told, that child-<lb/>hood is the only
                        happiness known : all this is quite terrible. And all<lb/> Royal children,
                        of whom I have read, particularly George, seem to<lb/> have passed through
                        greater trials in childhood than do the children<lb/> of any other class.
                        Mr. Fitzgerald, hazarding for once an opinion,<lb/> thinks that "the stupid,
                        odious, German, sergeant-system of disci-<lb/> pline that had been so
                        rigorously applied, was, in fact, responsible for<lb/> the blemishes of the
                        young Prince's character." Even Thackeray,<lb/> in his essay upon George
                        III., asks what wonder that the son,<lb/> finding himself free at last,
                        should have plunged, without looking,<lb/> into the vortex of dissipation.
                        In Torrens's "Life of Lord Mel-<lb/> bourne" we learn that Lord Essex,
                        riding one day with the King,<lb/> met the young prince wearing a wig, and
                        that the culprit, being<lb/>
                    </p>
                    <fw type="catchword">sternly</fw>
                    <pb n="290"/>
                    <fw type="runningHead">
                        <fw type="pageNum">252 </fw>A Note on George the Fourth</fw>
                    <p>sternly reprimanded by his father, replied that he had "been<lb/> ordered by
                        his doctor to wear a wig, for he was subject to cold."<lb/> Whereupon the
                        King, whether to vent the aversion he already felt<lb/> for his son or in
                        complacence at the satisfactory result of his<lb/> discipline, turned to
                        Lord Essex and remarked, "A lie is ever<lb/> ready when it is wanted."
                        George never lost this early-engrained<lb/> habit of lies. It is to George's
                        childish fear of his guardians<lb/> that we must trace that extraordinary
                        power of bamboozling his<lb/> courtiers, his ministry and his mistresses
                        that distinguished him<lb/> through his long life. It is characteristic of
                        the man that he<lb/> should himself have bitterly deplored his own
                        untruthfulness.<lb/> When, in after years, he was consulting Lady Spencer
                        upon the<lb/> choice of a governess for his child he made this remarkable
                        speech,<lb/> "Above all, she must be taught the truth. You know that I<lb/>
                        don't speak the truth and my brothers don't, and I find it a great<lb/>
                        defect, from which I would have my daughter free. <emph rend="italic">We
                            have<lb/> been brought up badly, the Queen having taught us to
                            equivocate</emph>."<lb/> You may laugh at the picture of the little
                        chubby, curly-heeded<lb/> fellows learning to equivocate at their mother's
                        knee, but you<lb/> must remember that the wisest master of ethics himself,
                        in his<lb/> theory of έξεις άποϭείκτικαι, similarly raised virtues, such as
                        telling<lb/> the truth, to the level of regular accomplishments, and before
                        you<lb/> judge poor George harshly, in his entanglements of lying, re-<lb/>
                        member the cruelly unwise education he had undergone.</p>
                    <p>However much we may deplore this exaggerated tyranny, by<lb/> reason of its
                        evil effect upon his moral nature, we cannot but feel<lb/> glad that it
                        existed, to afford a piquant contrast to the life awaiting<lb/> him. Had he
                        passed through the callow dissipations of Eton and<lb/> Oxford, like other
                        young men of his age, he would assuredly have<lb/> lacked much of that
                        splendid pent vigour with which he rushed<lb/> headlong into London life. He
                        was so young and so handsome,<lb/>
                    </p>
                    <fw type="catchword">and</fw>
                    <pb n="291"/>
                    <fw type="runningHead">By Max Beerbohm <fw type="pageNum">253</fw>
                    </fw>
                    <p>and so strong, that can we wonder if all the women fell at his feet ?<lb/>
                        "The graces of his person," says one whom he honoured by an<lb/> intrigue,
                        "the irresistible sweetness of his smile, the tenderness of<lb/> his
                        melodious, yet manly voice, will be remembered by me till every<lb/> vision
                        of this changing scene are forgotten. The polished and<lb/> fascinating
                        ingenuousness of his manners contributed not a little<lb/> to enliven our
                        promenade. He sang with exquisite taste, and the<lb/> tones of his voice,
                        breaking on the silence of the night, have often<lb/> appeared to my
                        entranced senses like more than mortal melody."<lb/> But besides his graces
                        of person, he had a most delightful wit, he<lb/> was a scholar who could
                        bandy quotations with Fox or Sheridan ;<lb/> and, like the young men of
                        to-day, he knew all about Art. He<lb/> spoke French, Italian, and German
                        perfectly, and Crossdill had<lb/> taught him the violoncello. At first, as
                        was right for one of<lb/> his age, he cared more for the pleasures of the
                        table and of the<lb/> ring, for cards and love. He was wont to go down to
                        Ranelagh<lb/> surrounded by a retinue of bruisers—rapscallions, such as used
                        to<lb/> follow Clodius through the streets of Rome, and he loved to
                        join<lb/> in the scuffles like any commoner. He learnt to box from
                        Angelo,<lb/> and was considered by some to be a fine performer. On one<lb/>
                        occasion, too, at an <emph rend="italic">exposition d'escrime</emph>, he
                        handled the foils against<lb/> the <emph rend="italic">maître</emph>, and
                        "was highly complimented upon his graceful<lb/> postures." In fact, in spite
                        of his accomplishments, he seems to<lb/> have been a thoroughly manly young
                        fellow. He was just the<lb/> kind of figure-head Society had long been in
                        need of. A certain<lb/> lack of tone had crept into the amusements of the
                            <emph rend="italic">haut monde</emph>,<lb/> and this was doubtless due
                        to the lack of an acknowledged<lb/> leader. The King was not yet mad, but he
                        was always bucolic,<lb/> and socially out of the question. So at the coming
                        of his son<lb/> Society broke into a gallop. Balls and masquerades were
                        given in<lb/> his honour night after night. Good Samaritans must have<lb/>
                    </p>
                    <fw type="footer">The Yellow Book—Vol. III. <emph>P</emph>
                    </fw>
                    <fw type="catchword">approved</fw>
                    <pb n="292"/>
                    <fw type="runningHead">
                        <fw type="pageNum">254</fw> A Note on George the Fourth</fw>
                    <p>approved when they found that at these entertainments great<lb/> ladies and
                        courtesans brushed beautiful shoulders in utmost<lb/> familiarity, but those
                        who delighted in the high charm of society<lb/> doubtless shook their heads.
                        We need not, however, find it a<lb/> flaw in George's social bearing that he
                        did not check this kind of<lb/> freedom. At the first, as a young man full
                        of life, of course he<lb/> took everything as it came, joyfully. No one knew
                        better than<lb/> he did, in later life, that there is a time for laughing
                        with great<lb/> ladies and a time for laughing with courtesans. But as yet
                        it<lb/> was not possible for him to exert influence. How great that<lb/>
                        influence became I will indicate later on.</p>
                    <p> I like to think of him as he was at this period, charging about,<lb/> in
                        pursuit of pleasure, like a young bull. The splendid taste for<lb/> building
                        had not yet come to him. His father would not hear of<lb/> him patronising
                        the turf. But already he was implected with a<lb/> passion for dress, and
                        seems to have erred somewhat on the side<lb/> of dressing up, as is the way
                        of young men. It is fearful to think<lb/> of him, as Cyrus Redding saw him,
                        "arrayed in deep-brown<lb/> velvet, silver embroidered, with cut-steel
                        buttons, and a gold net<lb/> thrown over all." Before that "gold net thrown
                        over all," all the<lb/> mistakes of his after-life seem to me to grow almost
                        insignificant.<lb/> Time, however, toned his too florid sense of costume,
                        and we<lb/> should at any rate be thankful that his imagination never
                        deserted<lb/> him. All the delightful munditis? that we find in the
                        contem-<lb/> porary "fashion-plates for gentlemen" can be traced to
                        George<lb/> himself. His were the much-approved "quadruple stock of
                        great<lb/> dimension," the "cocked grey-beaver," the pantaloons of
                        mauve<lb/> silk "negligently crinkled" and any number of other little
                        pomps<lb/> and foibles of the kind. As he grew older and was obliged to<lb/>
                        abandon many of his more vigorous pastimes, he grew more and<lb/> more
                        enamoured of the pleasures of the wardrobe. He would<lb/>
                    </p>
                    <fw type="catchword">spend</fw>
                    <pb n="293"/>
                    <fw type="runningHead">By Max Beerbohm <fw type="pageNum">255</fw>
                    </fw>
                    <p>spend hours, it is said, in designing coats for his friends and<lb/> liveries
                        for his servants, and even uniforms. Nor did he ever<lb/> make the mistake
                        of giving away outmoded clothes to his valets,<lb/> but kept them to form
                        what must have been the finest collection<lb/> of clothes that has been seen
                        in modern times. With a sentiment-<lb/> ality that is characteristic of him
                        he would often, as he sat,<lb/> crippled by gout, in his room at Windsor,
                        direct his servant to<lb/> bring him this or that coat, which he had worn
                        ten or twenty or<lb/> thirty years before, and, when it was brought to him,
                        spend much<lb/> time in laughing or sobbing over the memories that lay in
                        its<lb/> folds. It is pleasant to know that George, during his long and<lb/>
                        various life, never forgot a coat, however long ago worn, however<lb/>
                        seldom.</p>
                    <p>But in the early days of which I speak he had not yet touched<lb/> that
                        self-conscious note which, in manner and mode of life, as well<lb/> as in
                        costume, he was to touch later. He was too violently<lb/> enamoured of all
                        around him to think very deeply of himself.<lb/> But he had already realised
                        the tragedy of the voluptuary, which<lb/> is, after a little time, not that
                        he must go on living, but that he<lb/> cannot live in two places at once. We
                        have, at this end of the<lb/> century, tempered this tragedy by the
                        perfection of railways,<lb/> and it is possible for that splendid exemplar
                        of the delectable life,<lb/> our good Prince, whom Heaven bless, to waken to
                        the sound of the<lb/> Braemar bagpipes, while the music of Mdlle. Guilbert's
                        latest song,<lb/> cooed over the footlights of the Concerts Parisiens, still
                        rings in his<lb/> ears. But in the time of our Prince's illustrious
                        great-uncle there<lb/> were not railways ; and we find George perpetually
                        driving, for<lb/> wagers, to Brighton and back (he had already acquired that
                        taste<lb/> for Brighton which was one of his most loveable qualities)
                        in<lb/> incredibly short periods of time. The rustics who lived along
                        the<lb/> road were well accustomed to the sight of a high, tremulous<lb/>
                    </p>
                    <fw type="catchword">phaeton,</fw>
                    <pb n="294"/>
                    <fw type="runningHead">
                        <fw type="pageNum">256</fw> A Note on George the Fourth</fw>
                    <p>phaeton, flashing past them, and the crimson face of the young<lb/> prince
                        bending over the horses. There is something absurd in<lb/> representing
                        George as, even before he came of age, a hardened<lb/> and cynical
                        profligate, an Elagabalus in trousers. His blood<lb/> flowed fast enough
                        through his veins. All his escapades were those<lb/> of a healthful young
                        man of the time. Need we blame him if<lb/> he sought, every day, to live
                        faster and more fully ?</p>
                    <p>In a brief essay like this, I cannot attempt to write, as I hope<lb/> one day
                        to do, in any detail a history of George's career, during<lb/> the time when
                        he was successively Prince of Wales and Regent<lb/> and King. Merely is it
                        my wish at present to examine some of the<lb/> principal accusations that
                        have been brought against him, and<lb/> to point out in what ways he has
                        been harshly and hastily judged.<lb/> Perhaps the greatest indignation
                        against him was, and is to this<lb/> day, felt by reason of his treatment of
                        his two wives, Mrs.<lb/> Fitzherbert and Queen Caroline. There are some
                        scandals that<lb/> never grow old, and I think the story of George's married
                        life is<lb/> one of them. I can feel it. It has vitality. Often have I<lb/>
                        wondered whether the blood with which the young Prince's shirt<lb/> was
                        covered when Mrs. Fitzherbert first was induced to visit<lb/> him at Carlton
                        House, was merely red paint, or if, in a frenzy<lb/> of love, he had truly
                        gashed himself with a razor. Certain<lb/> it is that his passion for the
                        virtuous and obdurate lady was<lb/> a very real one. Lord Holland describes
                        how the Prince used<lb/> to visit Mrs. Fox, and there indulge in "the most
                        extravagant<lb/> expressions and actions—rolling on the floor, striking his
                        fore-<lb/> head, tearing his hair, falling into hysterics, and swearing
                        that<lb/> he would abandon the country, forego the crown, &amp;c." He<lb/>
                        was indeed still a child, for royalties, not being ever brought<lb/> inco
                        contact with the realities of life, remain young longer than<lb/> most
                        people. He had a truly royal lack of self-control, and<lb/>
                    </p>
                    <fw type="catchword">was</fw>
                    <pb n="295"/>
                    <fw type="runningHead">By Max Beerbohm <fw type="pageNum">257</fw>
                    </fw>
                    <p>was unable to bear the idea of being thwarted in any wish. Every<lb/> day he
                        sent off couriers to Holland, whither Mrs. Fitzherbert<lb/> had retreated,
                        imploring her to return to him, offering her formal<lb/> marriage. At
                        length, as we know, she yielded to his importunity<lb/> and returned. It is
                        difficult indeed to realise exactly what was<lb/> Mrs. Fitzherbert's feeling
                        in the matter. The marriage must be,<lb/> as she knew, illegal, and would
                        lead, as Charles James Fox pointed<lb/> out in his powerful letter to the
                        Prince, to endless and intricate<lb/> difficulties. For the present she
                        could only live with him as his<lb/> mistress. If, when he reached the legal
                        age of twenty-five, he<lb/> were to apply to Parliament for permission to
                        marry her, how<lb/> could permission be given, when she had been living with
                        him<lb/> irregularly ? Doubtless, she was flattered by the attentions of
                        the<lb/> Heir to the Throne, but, had she really returned his passion,
                        she<lb/> would surely have preferred "any other species of connection<lb/>
                        with His Royal Highness to one leading to so much misery and<lb/> mischief."
                        Really to understand her marriage, one must look at<lb/> the portraits of
                        her that are extant. That beautiful and silly face<lb/> explains much. One
                        can well fancy such a lady being pleased to<lb/> live after the performance
                        of a mock-ceremony with a prince for<lb/> whom she felt no passion. Her view
                        of the matter can only<lb/> have been social, for, in the eyes of the
                        Church, she could<lb/> only live with the Prince as his mistress. Society,
                        however, once<lb/> satisfied that a ceremony of some kind had been enacted,
                        never<lb/> regarded her as anything but his wife. The day after Fox,<lb/>
                        inspired by the Prince, had formally denied that any ceremony<lb/> had taken
                        place, "the knocker of her door," to quote her own<lb/> complacent phrase,
                        "was never still." The Duchesses of<lb/> Portland, Devonshire, and
                        Cumberland were among her visitors.</p>
                    <p>Now, much pop-limbo has been talked about the Prince's<lb/> denial of the
                        marriage. I grant that it was highly improper<lb/>
                    </p>
                    <fw type="catchword">to</fw>
                    <pb n="296"/>
                    <fw type="runningHead">
                        <fw type="pageNum">258</fw> A Note on George the Fourth</fw>
                    <p>to marry Mrs. Fitzherbert at all. But George was always weak<lb/> and
                        wayward, and he did, in his great passion, marry her. That<lb/> he should
                        afterwards deny it officially seems to me to have been<lb/> utterly
                        inevitable. His denial did her not the faintest damage, as<lb/> I have
                        pointed out. It was, so to speak, an official quibble,<lb/> rendered
                        necessary by the circumstances of the case. Not to<lb/> have denied the
                        marriage in the House of Commons would have<lb/> meant ruin to both of them.
                        As months passed, more serious<lb/> difficulties awaited the unhappily
                        wedded pair. The story of the<lb/> Prince's great debts and desperation need
                        not be repeated. It was<lb/> clear that there was but one way of getting his
                        head above water,<lb/> and that was to yield to his father's wishes and
                        contract a real<lb/> marriage with a foreign princess. Fate was dogging his
                        footsteps<lb/> relentlessly. Placed as he was, George could not but offer
                        to<lb/> marry, as his father willed. It is well, also, to remember that<lb/>
                        George was not ruthlessly and suddenly turning his shoulder upon<lb/> Mrs.
                        Fitzherbert. For some time before the British pleni-<lb/> potentiary went to
                        fetch him a bride from over the waters, his<lb/> name had been associated
                        with that of the beautiful and un-<lb/> scrupulous Countess of Jersey.</p>
                    <p>Poor George ! Half-married to a woman whom he no longer<lb/> worshipped,
                        compelled to marry a woman whom he was to hate at<lb/> first sight ! Surely
                        we should not judge a prince harshly.<lb/> "Princess Caroline very <emph
                            rend="italic">gauche</emph> at cards," "Princess Caroline<lb/> very
                            <emph rend="italic">missish</emph> at supper," are among the entries
                        made in his diary<lb/> by Lord Malmesbury while he was at the little German
                        Court.<lb/> I can conceive no scene more tragic than that of her
                        presentation<lb/> to the Prince, as related by the same nobleman. "I,
                        accordingly<lb/> to the established etiquette," so he writers, "introduced
                        the<lb/> Princess Caroline to him. She, very properly, in consequence
                        of<lb/> my saying it was the right mode of proceeding, attempted to<lb/>
                    </p>
                    <fw type="catchword">kneel</fw>
                    <pb n="297"/>
                    <fw type="runningHead">By Max Beerbohm <fw type="pageNum">259</fw>
                    </fw>
                    <p>kneel to him. He raised her gracefully enough, and embraced<lb/> her, said
                        barely one word, turned round, retired to a distant part of<lb/> the
                        apartment, and, calling to me, said: 'Harris, I am not well :<lb/> pray get
                        me a glass of brandy.'" At dinner that evening, in the<lb/> presence of her
                        betrothed, the Princess was "flippant, rattling,<lb/> affecting wit." Poor
                        George, I say again ! Deportment was<lb/> his ruling passion, and his bride
                        did not know how to behave.<lb/> Vulgarity—hard, implacable, German
                        vulgarity—was in every-<lb/> thing she did to the very day of her death. The
                        marriage was<lb/> solemnised on Wednesday, April 8th, 1795, and the royal
                        bride-<lb/> groom was drunk.</p>
                    <p>So soon as they were seperated, George became implected with<lb/> a morbid
                        hatred for his wife, that was hardly in accord with his<lb/> light and
                        variant nature, and shows how bitterly he had been<lb/> mortified by his
                        marriage of necessity. It is sad that so much of<lb/> his life should have
                        been wasted in futile strainings after divorce.<lb/> Yet we can scrcely
                        blame him for seizing upon every scrap of<lb/> scandal that was whispered of
                        his wife. Besides his not unnatural<lb/> wish to be free, it was derogatory
                        to the dignity of a Prince and a<lb/> Regent that his wife should be living
                        an eccentric life at Black-<lb/> heath with a family of singers named Sapio.
                        Indeed, Caroline's<lb/> conduct during this time was as indiscreet as ever.
                        Wherever<lb/> she went she made ribald jokes about her husband, "in such
                        a<lb/> voice that all, by-standing, might hear." "After dinner," writes<lb/>
                        one of her servants, "Her Royal Highness made a wax figure as<lb/> usual,
                        and gave it an amiable pair of large horns ; then took three<lb/> pins out
                        of her garment and stuck them through and through, and<lb/> put the figure
                        to roast and melt at the fire. What a silly piece of<lb/> spite! Yet it is
                        impossible not to laugh when one sees it done."<lb/> Imagine the feelings of
                        the First Gentleman in Europe when<lb/> such pranks were whispered to
                        him!</p>
                    <fw type="catchword">For</fw>
                    <pb n="298"/>
                    <fw type="runningHead">
                        <fw type="pageNum">260</fw> A Note on George the Fourth</fw>
                    <p>For my own part, I fancy Caroline was innocent of any in-<lb/> fidelity to
                        her unhappy husband. But that is neither here nor<lb/> there. Her behaviour
                        was certainly not above suspicion. It<lb/> fully justified him in trying to
                        establish a case for her divorce.<lb/> When, at length, she went abroad, her
                        vagaries were such that<lb/> the whole of her English suite left her, and we
                        hear of her<lb/> travelling about the Holy Land attended by another
                        family,<lb/> named Bergami. When her husband succeeded to the throne,<lb/>
                        and her name was struck out of the liturgy, she despatched<lb/>
                        expostulations in absurd English to Lord Liverpool. Receiving<lb/> no
                        answer, she decided to return and claim her right to be<lb/> crowned Queen
                        of England. Whatever the unhappy lady did,<lb/> she always was ridiculous.
                        One cannot but smile as one reads of<lb/> her posting along the French roads
                        in a yellow travelling-chariot<lb/> drawn by cart-horses, with a retinue
                        that included an alderman, a<lb/> reclaimed lady-in-waiting, an Italian
                        Count, the eldest son of the<lb/> alderman, and "a fine little female child,
                        about three years old,<lb/> whom her Majesty, in conformity with her
                        benevolent practices<lb/> on former occasions, had adopted." The breakdown
                        of her<lb/> impeachment, and her acceptance of an income, formed a
                        fitting<lb/> anti-climax to the terrible absurdities of her position. She
                        died<lb/> from the effects of a chill caught when she was trying vainly<lb/>
                        to force a way to her husband's coronation. Unhappy woman !<lb/> Our
                        sympathy for her is not misplaced. Fate wrote her a most<lb/> tremendous
                        tragedy, and she played it in tights. Let us pity<lb/> her, but not forget
                        to pity her husband, the King, also. It is<lb/> another common accusation
                        against George that he was an<lb/> undutiful and unfeeling son. If this was
                        so, it is certain that not<lb/> all the blame is to be laid upon him alone.
                        There is more than<lb/> one anecdote which shows that King George disliked
                        his eldest<lb/> son, and took no trouble to conceal his dislike, long before
                        the<lb/>
                    </p>
                    <fw type="catchword">boy</fw>
                    <pb n="299"/>
                    <fw type="runningHead">By Max Beerbohm <fw type="pageNum">261</fw>
                    </fw>
                    <p>boy had been freed from his tutors. It was the coldness of his<lb/> father
                        and the petty restrictions he loved to enforce that first<lb/> drove George
                        to seek the companionship of such men as the<lb/> Duke of Cumberland and the
                        Duc d'Orleans, each of whom were<lb/> quick to inflame his impressionable
                        mind to angry resentment.<lb/> Yet when Margaret Nicholson attempted the
                        life of the King, the<lb/> Prince immediately posted off from Brighton that
                        he might wait<lb/> upon his father at Windsor—a graceful act of piety that
                        was<lb/> rewarded by his father's refusal to see him. Hated by the
                        Queen,<lb/> who at this time did all she could to keep her husband and his
                        son<lb/> apart, surrounded by intriguers, who did all they could to set
                        him<lb/> against his father, George seems to have behaved with great<lb/>
                        discretion. In the years that follow, I can conceive no position<lb/> more
                        difficult than that in which he found himself every time his<lb/> father
                        relapsed into lunacy. That he should have by every means<lb/> opposed those
                        who through jealousy stood between him and the<lb/> regency was only
                        natural. It cannot be said that at any time did<lb/> he show anxiety to
                        rule, so long as there was any immediate<lb/> chance of the King's recovery.
                        On the contrary, all impartial<lb/> seers of that chaotic Court agreed that
                        the Prince bore himself<lb/> throughout the intrigues, wherein he himself
                        was bound to be, in<lb/> a notably filial way.</p>
                    <p>There are many things that I regret in the career of George IV.,<lb/> and
                        what I most of all regret is the part that he played in<lb/> the politics of
                        the period. Englishmen to-day have at length<lb/> decided that royalty shall
                        not set foot in the political arena. I do<lb/> not despair that some day we
                        shall place politics upon a sound<lb/> commercial basis, as they have
                        already done in America and<lb/> France, or leave them entirely in the hands
                        of the police, as they<lb/> do in Russia. It is horrible to think that under
                        our existing<lb/>
                        <emph rend="italic">régime</emph> all the men of noblest blood and highest
                        intellect should<lb/>
                    </p>
                    <fw type="catchword">waste</fw>
                    <pb n="300"/>
                    <fw type="runningHead">
                        <fw type="pageNum">262 </fw>A Note on George the Fourth</fw>
                    <p>waste their time in the sordid atmosphere of the House of<lb/> Commons,
                        listening for hours to nonentities talking nonsense, or<lb/> searching
                        enormous volumes to prove that somebody said some-<lb/> thing some years ago
                        that does not quite tally with something he<lb/> said the other day, or
                        standing tremulous before the whips in the<lb/> lobbies and the scorpions in
                        the constituencies. In the political<lb/> machine are crushed and lost all
                        our best men. That Mr. Glad-<lb/> stone did not choose to be a cardinal is a
                        blow under which the<lb/> Roman Catholic Church still staggers. In Mr.
                        Chamberlain<lb/> Scotland Yard missed its smartest detective. What a fine
                        volup-<lb/> tuary might Lord Rosebery have been ! It is a platitude
                        that<lb/> the country is ruled best by the permanent officials, and I
                        look<lb/> forward to the time when Mr. Keir Hardie shall hang his cap<lb/>
                        in the hall of No. 10 Downing Street, and a Conservative<lb/> working man
                        shall lead her Majesty's Opposition. In the life-<lb/> time of George,
                        politics were not a whit finer than they are<lb/> to-day. I feel a genuine
                        indignation that he should have<lb/> wasted so much of tissue in mean
                        intrigues about ministries and<lb/> bills. That he should have been
                        fascinated by that splendid<lb/> fellow, Fox, is quite right. That he should
                        have thrown himself<lb/> with all his heart into the storm of the
                        Westminster election is<lb/> most natural. But it is inverideed sad to find
                        him, long after<lb/> he had reached man's estate, indulging in back-stair
                        intrigues with<lb/> Whigs and Tories. It is, of course, absurd to charge him
                        with<lb/> deserting his first friends, the Whigs. His love and fidelity
                        were<lb/> given, not to the Whigs, but to the men who led them. Even<lb/>
                        after the death of Fox, he did, in misplaced piety, do all he could<lb/> for
                        Fox's party. What wonder that, when he found he was<lb/> ignored by the
                        Ministry that owed its existence to him, he turned<lb/> his back upon that
                        sombre couple, the "Lords G. and G.," whom<lb/> he had always hated, and
                        went over to the Tories ? Among the<lb/>
                    </p>
                    <fw type="catchword">Tories</fw>
                    <pb n="301"/>
                    <fw type="runningHead">By Max Beerbohm <fw type="pageNum">263</fw>
                    </fw>
                    <p>Tories he hoped to find men who would faithfully perform their<lb/> duties
                        and leave him leisure to live his own beautiful life. I<lb/> regret
                        immensely that his part in politics did not cease here.<lb/> The state of
                        the country and of his own finances, and also, I<lb/> fear, a certain love
                        that he had imbibed for political manipula-<lb/>tion, prevented him from
                        standing aside. How useless was all the<lb/> finesse he displayed in the
                        long-drawn question of Catholic<lb/> Emancipation ! How lamentable his
                        terror of Lord Wellesley's<lb/> rude dragooning ! And is there not something
                        pitiable in the<lb/> thought of the Regent at a time of ministerial
                        complications<lb/> lying prone on his bed with a sprained ankle, and taking,
                        as was<lb/> whispered, in one day as many as seven hundred drops of
                        lauda-<lb/> num ? Some said he took these doses to deaden the pain. But<lb/>
                        others, and among them his brother Cumberland, declared that<lb/> the sprain
                        was all a sham. I hope it was. The thought of a<lb/> voluptuary in pain is
                        very terrible. In any case, I cannot but<lb/> feel angry, for George's own
                        sake and that of his kingdom,<lb/> that he found it impossible to keep
                        further aloof from the<lb/> wearisome troubles of political life. His
                        wretched indecision<lb/> of character made him an easy prey to unscrupulous
                        ministers,<lb/> while his extraordinary diplomatic powers and almost
                        extrava-<lb/> gant tact made them, in their turn, an easy prey to him.
                        In<lb/> these two processes much of his genius was uselessly spent. I<lb/>
                        must confess that he did not quite realise where his duties ended.<lb/> He
                        wished always to do too much. If you read his repeated<lb/> appeals to his
                        father that he might be permitted to serve actively<lb/> in the British army
                        against the French, you will acknowledge<lb/> that it was through no fault
                        of his own that he did not fight. It<lb/> touches me to think that in his
                        declining years he actually thought<lb/> that he had led one of the charges
                        at Waterloo. He would often<lb/> describe the whole scene as it appeared to
                        him at that supreme<lb/>
                    </p>
                    <fw type="catchword">moment,</fw>
                    <pb n="302"/>
                    <fw type="runningHead">
                        <fw type="pageNum">264</fw> A Note on George the Fourth</fw>
                    <p>moment, and refer to the Duke of Wellington, saying, "Was it<lb/> not so,
                        Duke ?" "I have often heard you say so, your Majesty,"<lb/> the old soldier
                        would reply, grimly. I am not sure that the old<lb/> soldier was at Waterloo
                        himself. In a room full of people he<lb/> once referred to the battle as
                        having been won upon the playing-<lb/> fields of Eton. This was certainly a
                        most unfortunate slip,<lb/> seeing that all historians are agreed that it
                        was fought on a<lb/> certain field situate a few miles from Brussels.</p>
                    <p>In one of his letters to the King, craving for a military appoint-<lb/> ment,
                        George urges that, whilst his next brother, the Duke of<lb/> York, commanded
                        the army, and the younger branches of the<lb/> family were either generals
                        or lieutenant-generals, he, who was<lb/> Prince of Wales, remained colonel
                        of dragoons. And herein,<lb/> could he have known it, lay the right limiting
                        of his life. As<lb/> royalty was and is constituted, it is for the younger
                        sons to take<lb/> an active part in the services, whilst the eldest son is
                        left as the<lb/> ruler of Society. Thousands and thousands of guineas were
                        given<lb/> by the nation that the Prince of Wales, the Regent, the
                        King,<lb/> might be, in the best sense of the word, ornamental. It is not
                        for<lb/> us, at this moment, to consider whether Royalty, as a wholly
                        Pagan<lb/> institution, is not out of place in a community of Christians.
                        It<lb/> is enough that we should inquire whether the god whom our<lb/>
                        grandfathers set up and worshipped and crowned with offerings,<lb/> gave
                        grace to his worshippers.</p>
                    <p>That George was a moral man, in our modern sense, I do not for<lb/> one
                        moment pretend. When he died there were found in one of<lb/> his cabinets
                        more than a hundred locks of women's hair. Some of<lb/> these were still
                        plastered with powder and pomatum, others were<lb/> mere little golden
                        curls, such as grow low down upon a girl's neck,<lb/> others were streaked
                        with grey. The whole of this collection<lb/> subsequently passed into the
                        hands of Adam, the famous Scotch<lb/>
                    </p>
                    <fw type="catchword">henchman</fw>
                    <pb n="303"/>
                    <fw type="runningHead">By Max Beerbohm <fw type="pageNum">265</fw>
                    </fw>
                    <p>henchman of the Regent, and in his family, now resident in<lb/> Glasgow, it
                        is treasured as an heirloom. I myself have been<lb/> privileged to look at
                        all these locks of hair, and I have seen a<lb/>
                        <emph rend="italic">clairvoyante</emph> take them one by one, and, pinching
                        them between<lb/> her lithe fingers, tell of the love that each symbolised.
                        I have<lb/> heard her tell of long rides by night, of a boudoir hung
                        with<lb/> grass-green satin, and of a tryst at Windsor ; of one, the wife of
                        a<lb/> hussar at York, whose little lap-dog used to bark angrily
                        whenever<lb/> the Regent came near his mistress ; of a milk-maid who, in
                        her<lb/> great simpleness, thought that her child would one day be king
                        of<lb/> England ; of an arch-duchess with blue eyes, and a silly little<lb/>
                        flautist from Portugal ; of women that were wantons and fought<lb/> for his
                        favour, great ladies that he loved dearly, girls that gave<lb/> themselves
                        to him humbly. If we lay all pleasures at the feet of<lb/> our prince, we
                        can scarcely hope he will remain virtuous. Indeed,<lb/> we do not wish our
                        prince to be an exemplar of godliness, but a<lb/> perfect type of happiness.
                        It may be foolish of us to insist upon<lb/> apolaustic happiness, but that
                        is the kind of happiness that we can<lb/> ourselves, most of us, best
                        understand, and so we offer it to our<lb/> ideal. In Royalty we find our
                        Bacchus, our Venus.</p>
                    <p>Certainly George was, in the practical sense of the word, a fine<lb/> king.
                        His wonderful physique, his wealth, his brilliant talents, he<lb/> gave them
                        all without stint to Society. His development from the<lb/> time when, at
                        Madame Cornely's, he gallivanted with rips and<lb/> demireps, to the time
                        when he sat, a stout and solitary old king,<lb/> fishing in the artificial
                        pond at Windsor, was beautifully ordered.<lb/> During his life he indulged
                        himself to the full in all the delights<lb/> that life could offer him. That
                        he should have, in his old age,<lb/> suddenly abandoned his career of
                        vigorous enjoyment is, I confess,<lb/> rather surprising. The royal
                        voluptuary generally remains young<lb/> to the last. No one ever tires of
                        pleasure. It is the pursuit of<lb/>
                    </p>
                    <fw type="catchword">pleasure,</fw>
                    <pb n="304"/>
                    <fw type="runningHead">
                        <fw type="pageNum">266</fw> A Note on George the Fourth</fw>
                    <p>pleasure, the trouble to grasp it, that makes us old. Only the<lb/> soldiers
                        who enter Capua with wounded feet leave it demoralised.<lb/> And yet George,
                        who never had to wait or fight for a pleasure,<lb/> most certainly broke up
                        long before his death. I can but attribute<lb/> this to the constant
                        persecution to which he was subjected by<lb/> duns and ministers, parents
                        and wives.</p>
                    <p>Not that I regret the manner in which he spent his last years.<lb/> On the
                        contrary, I think it was exceedingly cosy. I like to think<lb/> of the King,
                        at Windsor, lying a-bed all the morning in his dark-<lb/> ened room, with
                        all the newspapers scattered over his quilt, and a<lb/> little decanter of
                        the favourite cherry-brandy within easy reach.<lb/> I like to think of him
                        sitting by his fire in the afternoon and<lb/> hearing his ministers asking
                        for him at the door and piling<lb/> another log upon the fire, as he hears
                        them sent away by his ser-<lb/> vant. After all, he had lived his life ; he
                        had lived more fully than<lb/> any other man.</p>
                    <p> And it is right that we should remember him first as a<lb/> voluptuary. Only
                        let us note that his nature never became, as do<lb/> the natures of most
                        voluptuaries, corroded by a cruel indifference<lb/> to the happiness of
                        others. When all the town was agog for the<lb/>
                        <emph rend="italic">fête</emph> to be given by the Regent in honour of the
                        French King,<lb/> Sheridan sent a forged card of invitation to Romeo Coates,
                        the<lb/> half-witted dandy, who used at this time to walk about in
                        absurd<lb/> ribbons and buckles, and was the butt of all the streetsters.
                        When<lb/> the poor fellow arrived at the entrance of Carlton House, proud
                        as<lb/> a peacock, he was greeted with a tremendous cheer from the by-<lb/>
                        standing mob, but when he came to the lacqueys he was told that<lb/> his
                        card was a hoax, and was sent about his business. The tears<lb/> were
                        rolling down his cheeks as he shambled back into the street.<lb/> The Regent
                        heard later in the evening of this sorry joke, and next<lb/> day despatched
                        a kindly-worded message, in which he prayed that<lb/>
                    </p>
                    <fw type="catchword">Mr. Coates</fw>
                    <pb n="305"/>
                    <fw type="runningHead">By Max Beerbohm <fw type="pageNum">267</fw>
                    </fw>
                    <p>Mr. Coates would not refuse to come and "view the decorations,<lb/>
                        nevertheless." Though he does not appear to have treated his<lb/> inferiors
                        with that extreme servility that is now in vogue, George<lb/> was beloved by
                        the whole of his household, and many are the little<lb/> tales that are told
                        to illustrate the kindliness and consideration<lb/> he showed to his valets
                        and his jockeys and his stable-boys. That<lb/> from time to time he dropped
                        certain of his favourites is no cause<lb/> for blaming him. Remember that a
                        Great Personage, like a great<lb/> genius, is dangerous to his
                        fellow-creatures. The favourites of<lb/> Royalty live in an intoxicant
                        atmosphere. They become<lb/> unaccountable for their behaviour. Either they
                        get beyond them-<lb/> selves, and, like Brummel, forget that the King, their
                        friend,<lb/> is also their master ; or they outrun the constable, and go
                        bankrupt,<lb/> or cheat at cards in order to keep up their position, or do
                        some<lb/> other foolish thing that makes it impossible for the King to<lb/>
                        favour them more. Remember, too, that old friends are generally<lb/> the
                        refuge of unsociable persons, and how great must be the<lb/> temptation
                        besetting the head of Society to form fresh friendships,<lb/> when all the
                        cleverest and most charming persons in the land are<lb/> standing ready,
                        like supers at the wings, to come on and please<lb/> him. At Carlton House
                        there was a constant succession of wits.<lb/> Minds were preserved for the
                        Prince of Wales, as coverts are<lb/> preserved for him to-day. For him
                        Sheridan would say his best<lb/> bon-mot, and Theodore Hook contrive his
                        most practical jokes,<lb/> his swiftest chansonette. And Fox would talk, as
                        only he could,<lb/> of Liberty and of Patriotism, and Byron would look more
                        than<lb/> ever like Isidore de Lara as he recited his own bad verses, and
                        Sir<lb/> Walter Scott would "pour out with an endless generosity his<lb/>
                        store of old-world learning, kindness, and humour." Of such men<lb/> George
                        was a splendid patron. He did not merely sit in his chair,<lb/> gaping
                        princely at their wit and their wisdom, but quoted with the<lb/>
                    </p>
                    <fw type="catchword">scholars</fw>
                    <pb n="306"/>
                    <fw type="runningHead">
                        <fw type="pageNum">268</fw> A Note on George the Fourth</fw>
                    <p>scholars, and argued with the statesmen, and jested with the wits.<lb/>
                        Doctor Burney, an impartial observer, says that he was amazed by<lb/> the
                        knowledge of music that the Regent displayed in a half-<lb/> hour's
                        discussion over the wine. Croker says that "the Prince<lb/> and Scott were
                        the two most brilliant story-tellers, in their<lb/> several ways, he had
                        ever happened to meet. Both exerted them-<lb/> selves, and it was hard to
                        say which shone the most." The<lb/> Prince seems indeed to have been a fine
                        conversationalist, with a<lb/> wide range of knowledge and great humour. We,
                        who have<lb/> come at length to look upon stupidity as one of the most
                        sacred<lb/> prerogatives of Royalty, can scarcely realise that, if
                        George's<lb/> birth had been never so humble, he would have been known to
                        us<lb/> as a fine scholar and wit or as a connoisseur of the arts. It
                        is<lb/> pleasing to think of his love for the Flemish school of
                        painting,<lb/> for Wilkie and Sir Thomas Lawrence. The splendid portraits
                        of<lb/> foreign potentates that hang in the Banqueting Room at Windsor<lb/>
                        bear witness to his sense of the canvas. In his later years he<lb/> exerted
                        himself strenuously in raising the tone of the drama.<lb/> His love of the
                        classics never left him. We know he was fond of<lb/> quoting those
                        incomparable poets, Homer, at great length, and<lb/> that he was prominent
                        in the "papyrus-craze." Indeed, he<lb/> inspired Society with a love of
                        something more than mere<lb/> pleasure, a love of the "humaner delights." He
                        was a giver of<lb/> tone. The bluff, disgusting ways of the Tom and Jerry
                        period<lb/> gave way to those florid graces that are still called
                        Georgian.</p>
                    <p>A pity that George's predecessor was not a man, like the Prince<lb/> Consort,
                        of strong chastening influence ! Then might the bright<lb/> flamboyance
                        which George gave to Society have made his reign<lb/> more beautiful than
                        any other—a real renaissance. But he found<lb/> London a wild city of
                        taverns and cock-pits, and the grace which<lb/> in the course of years he
                        gave to his subjects never really entered<lb/>
                    </p>
                    <fw type="catchword">into</fw>
                    <pb n="307"/>
                    <fw type="runningHead">By Max Beerbohm <fw type="pageNum">269</fw>
                    </fw>
                    <p>into them. The cock-pits were gilded and the taverns painted<lb/> with
                        colour, but the heart of the city was vulgar, even as before.<lb/> The
                        simulation of higher things did indeed give the note of a<lb/> very
                        interesting period, but how shallow that simulation was, and<lb/> how merely
                        it was due to George's own influence, we may see in<lb/> the light of what
                        happened after his death. The good that he<lb/> had done died with him. The
                        refinement he had laid upon vul-<lb/> garity fell away, like enamel from
                        withered cheeks. It was only<lb/> George himself who had made the sham
                        endure. The Victorian<lb/> Era came soon, and the angels rushed in and drove
                        the nymphs<lb/> away and hung the land with reps.</p>
                    <p>I have often wondered whether it was with a feeling that his<lb/> influence
                        would be no more than life-long, that George allowed<lb/> Carlton House,
                        that dear structure, the very work of his life and<lb/> symbol of his being,
                        to be rased. I wish that Carlton House were<lb/> still standing. I wish we
                        could still walk through those corridors,<lb/> whose walls were "crusted
                        with ormolu," and parquet-floors were<lb/> "so glossy that, were Narcissus
                        to come down from heaven, he<lb/> would, I maintain, need no other mirror
                        for his <emph rend="italic">beauté</emph>." I wish<lb/> that we could see
                        the pier-glasses and the girandoles and the<lb/> twisted sofas, the fauns
                        foisted upon the ceiling and the rident<lb/> goddesses along the wall. These
                        things would make George's<lb/> memory dearer to us, help us to a fuller
                        knowledge of him. I am<lb/> glad that the Pavilion still stands here in
                        Brighton. Its trite<lb/> lawns and cheeky minarets have taught me much. As I
                        write<lb/> this essay, I can see them from my window. Last night I sat<lb/>
                        there in a crowd of vulgar people, whilst a band played us tunes.<lb/> Once
                        I fancied I saw the shade of a swaying figure and of a wine-<lb/> red
                        face.</p>
                    <fw type="footer">The Yellow Book—Vol. III. <emph>Q</emph>
                    </fw>
                </div>
                <div>
                    <pb/>
                    <head>
                        <title level="a">Study of a Head</title>
                    </head>

                    <byline> By <docAuthor>
                            <ref>an Unknown Artist</ref>
                        </docAuthor>
                    </byline>
                    <pb/>
                    <pb/>
                </div>
                <div n="YBV3_31im" type="image">
                    <pb/>
                    <figure>
                        <graphic width="600px" height="850px"
                            url="MediumImageDocs/YB3icon18_unknown_study_edited.jpg"/>
                        <note n="YBV3_31im.n1">
                            <title>Study of a Head</title>
                            <rs>YB3icon18</rs>YB3icon18 Study of a Head An Unknown Artist XV October
                            1894 page 271 15.6 cm x 11.1 cm Portrait Charcoal 1890s indoor setting
                            room female figure person dress/gown</note>
                        <head>Study of a Head</head>
                        <figDesc>Image is a half portrait of a seated woman looking to the left,
                            taking up approximately 3/4 of the image. Her hands are crossed on her
                            lap, only partially shown. She is wearing her dark hair done up and has
                            a lace jabot at her throat. The background is light-coloured and
                            open.</figDesc>
                    </figure>
                    <pb/>
                </div>
                <div n="YBV3_32po" type="poetry">
                    <pb/>
                    <head>
                        <title level="a">A Ballad of a Nun</title>
                    </head>
                    <byline>By <docAuthor>
                            <ref target="#JDA">John Davidson</ref>
                        </docAuthor>
                    </byline>
                    <lg type="stanza">
                        <l>FROM Eastertide to Eastertide</l>
                        <l rend="indent">For ten long years her patient knees</l>
                        <l>Engraved the stones—the fittest bride</l>
                        <l rend="indent">Of Christ in all the diocese.</l>
                    </lg>
                    <lg type="stanza">
                        <l>She conquered every earthly lust ;</l>
                        <l rend="indent">The abbess loved her more and more ;</l>
                        <l>And, as a mark of perfect trust,</l>
                        <l rend="indent">Made her the keeper of the door.</l>
                    </lg>
                    <lg type="stanza">
                        <l>High on a hill the convent hung</l>
                        <l rend="indent">Across a duchy looking down,</l>
                        <l>Where everlasting mountains flung</l>
                        <l rend="indent">Their shadows over tower and town.</l>
                    </lg>
                    <lg type="stanza">
                        <l>The jewels of their lofty snows</l>
                        <l rend="indent">In constellations flashed at night ;</l>
                        <l>Above their crests the moon arose ;</l>
                        <l rend="indent">The deep earth shuddered with delight.</l>
                    </lg>
                    <fw type="catchword">Long</fw>
                    <pb n="314"/>
                    <fw type="runningHead">
                        <fw type="pageNum">274</fw> A Ballad of a Nun</fw>
                    <lg type="stanza">
                        <l>Long ere she left her cloudy bed,</l>
                        <l rend="indent">Still dreaming in the orient land,</l>
                        <l>On many a mountain's happy head</l>
                        <l rend="indent">Dawn lightly laid her rosy hand.</l>
                    </lg>
                    <lg type="stanza">
                        <l>The adventurous sun took Heaven by storm ;</l>
                        <l rend="indent">Clouds scattered largesses of rain ;</l>
                        <l>The sounding cities rich and warm,</l>
                        <l rend="indent">Smouldered and glittered in the plain.</l>
                    </lg>
                    <lg type="stanza">
                        <l>Sometimes it was a wandering wind,</l>
                        <l rend="indent">Sometimes the fragrance of the pine,</l>
                        <l>Sometimes the thought how others sinned,</l>
                        <l rend="indent">That turned her sweet blood into wine.</l>
                    </lg>
                    <lg type="stanza">
                        <l>Sometimes she heard a serenade</l>
                        <l rend="indent">Complaining sweetly far away :</l>
                        <l>She said, "A young man woos a maid" ;</l>
                        <l rend="indent">And dreamt of love till break of day.</l>
                    </lg>
                    <lg>
                        <l>Then would she ply her knotted scourge</l>
                        <l rend="indent">Until she swooned ; but evermore</l>
                        <l>She had the same red sin to purge,</l>
                        <l rend="indent">Poor, passionate keeper of the door !</l>
                    </lg>
                    <lg type="stanz">
                        <l>For still night's starry scroll unfurled,</l>
                        <l rend="indent">And still the day came like a flood :</l>
                        <l>It was the greatness of the world</l>
                        <l rend="indent">That made her long to use her blood.</l>
                    </lg>
                    <fw type="catchword">In</fw>
                    <pb n="315"/>
                    <fw type="runningHead">By John Davidson <fw type="pageNum">275</fw>
                    </fw>
                    <lg type="stanza">
                        <l>In winter-time when Lent drew nigh,</l>
                        <l rend="indent">And hill and plain were wrapped in snow,</l>
                        <l>She watched beneath the frosty sky</l>
                        <l rend="indent">The nearest city nightly glow.</l>
                    </lg>
                    <lg type="stanza">
                        <l>Like peals of airy bells outworn</l>
                        <l rend="indent">Faint laughter died above her head</l>
                        <l>In gusts of broken music borne :</l>
                        <l rend="indent">"They keep the Carnival," she said.</l>
                    </lg>
                    <lg type="stanza">
                        <l>Her hungry heart devoured the town :</l>
                        <l rend="indent">"Heaven save me by a miracle !</l>
                        <l>Unless God sends an angel down,</l>
                        <l rend="indent">Thither I go though it were Hell."</l>
                    </lg>
                    <lg type="stanza">
                        <l>She dug her nails deep in her breast,</l>
                        <l rend="indent">Sobbed, shrieked, and straight withdrew the bar :</l>
                        <l>A fledgling flying from the nest,</l>
                        <l rend="indent">A pale moth rushing to a star.</l>
                    </lg>
                    <lg type="stanza">
                        <l>Fillet and veil in strips she tore ;</l>
                        <l rend="indent">Her golden tresses floated wide ;</l>
                        <l>The ring and bracelet that she wore</l>
                        <l rend="indent">As Christ's betrothed, she cast aside.</l>
                    </lg>
                    <lg type="stanza">
                        <l>"Life's dearest meaning I shall probe ;</l>
                        <l rend="indent">Lo ! I shall taste of love at last !</l>
                        <l>Away !" She doffed her outer robe,</l>
                        <l rend="indent">And sent it sailing down the blast.</l>
                    </lg>
                    <fw type="catchword">Her</fw>
                    <pb n="316"/>
                    <fw type="runningHead">
                        <fw type="pageNum">276</fw> A Ballad of a Nun</fw>
                    <lg type="stanza">
                        <l>Her body seemed to warm the wind ;</l>
                        <l rend="indent">With bleeding feet o'er ice she ran :</l>
                        <l>"I leave the righteous God behind ;</l>
                        <l rend="indent">I go to worship sinful man."</l>
                    </lg>
                    <lg type="stanza">
                        <l>She reached the sounding city's gate ;</l>
                        <l rend="indent">No question did the warder ask :</l>
                        <l>He passed her in : "Welcome, wild mate !"</l>
                        <l rend="indent">He thought her some fantastic mask.</l>
                    </lg>
                    <lg type="stanza">
                        <l>Half-naked through the town she went ;</l>
                        <l rend="indent">Each footstep left a bloody mark ;</l>
                        <l>Crowds followed her with looks intent ;</l>
                        <l rend="indent">Her bright eyes made the torches dark.</l>
                    </lg>
                    <lg type="stanza">
                        <l>Alone and watching in the street</l>
                        <l rend="indent">There stood a grave youth nobly dressed ;</l>
                        <l>To him she knelt and kissed his feet ;</l>
                        <l rend="indent">Her face her great desire confessed.</l>
                    </lg>
                    <lg type="stanza">
                        <l>Straight to his house the nun he led :</l>
                        <l rend="indent">"Strange lady, what would you with me ?"</l>
                        <l>"Your love, your love, sweet lord," she said ;</l>
                        <l rend="indent">"I bring you my virginity."</l>
                    </lg>
                    <lg type="stanza">
                        <l>He healed her bosom with a kiss ;</l>
                        <l rend="indent">She gave him all her passion's hoard ;</l>
                        <l>And sobbed and murmured ever, "This</l>
                        <l rend="indent">Is life's great meaning, dear, my lord.</l>
                    </lg>
                    <fw type="catchword">"I care</fw>
                    <pb n="317"/>
                    <fw type="runningHead">By John Davidson <fw type="pageNum">277</fw>
                    </fw>
                    <lg type="stanza">
                        <l>"I care not for my broken vow,</l>
                        <l rend="indent">Though God should come in thunder soon ;</l>
                        <l>I am sister to the mountains now,</l>
                        <l rend="indent">And sister to the sun and moon."</l>
                    </lg>
                    <lg type="stanza">
                        <l>Through all the towns of Belmarie,</l>
                        <l rend="indent">She made a progress like a queen.</l>
                        <l>"She is," they said, "whate'er she be,</l>
                        <l rend="indent">The strangest woman ever seen.</l>
                    </lg>
                    <lg type="stanza">
                        <l>"From fairyland she must have come,</l>
                        <l rend="indent">Or else she is a mermaiden."</l>
                        <l>Some said she was a ghoul, and some</l>
                        <l rend="indent">A heathen goddess born again.</l>
                    </lg>
                    <lg type="stanza">
                        <l>But soon her fire to ashes burned ;</l>
                        <l rend="indent">Her beauty changed to haggardness ;</l>
                        <l>Her golden hair to silver turned ;</l>
                        <l rend="indent">The hour came of her last caress.</l>
                    </lg>
                    <lg type="stanza">
                        <l>At midnight from her lonely bed</l>
                        <l rend="indent">She rose, and said : "I have had my will."</l>
                        <l>The old ragged robe she donned, and fled</l>
                        <l rend="indent">Back to the convent on the hill.</l>
                    </lg>
                    <lg type="stanza">
                        <l>Half-naked as she went before,</l>
                        <l rend="indent">She hurried to the city wall,</l>
                        <l>Unnoticed in the rush and roar</l>
                        <l rend="indent">And splendour of the Carnival.</l>
                    </lg>
                    <fw type="catchword">"No</fw>
                    <pb n="318"/>
                    <fw type="runningHead">
                        <fw type="pageNum">278</fw> A Ballad of a Nun</fw>
                    <lg type="stanza">
                        <l>No question did the warder ask :</l>
                        <l rend="indent">Her ragged robe, her shrunken limb,</l>
                        <l>Her dreadful eyes ! "It is no mask ;</l>
                        <l rend="indent">It is a she-wolf, gaunt and grim !"</l>
                    </lg>
                    <lg type="stanza">
                        <l>She ran across the icy plain ;</l>
                        <l rend="indent">Her worn blood curdled in the blast ;</l>
                        <l>Each footstep left a crimson stain ;</l>
                        <l rend="indent">The white-faced moon looked on aghast.</l>
                    </lg>
                    <lg type="stanza">
                        <l>She said between her chattering jaws,</l>
                        <l rend="indent">"Deep peace is mine, I cease to strive ;</l>
                        <l>Oh, comfortable convent laws,</l>
                        <l rend="indent">That bury foolish nuns alive !</l>
                    </lg>
                    <lg type="stanza">
                        <l>"A trowel for my passing-bell,</l>
                        <l rend="indent">A little bed within the wall,</l>
                        <l>A coverlet of stones ; how well</l>
                        <l rend="indent">I there shall keep the Carnival !"</l>
                    </lg>
                    <lg type="stanza">
                        <l>Like tired bells chiming in their sleep,</l>
                        <l rend="indent">The wind faint peals of laughter bore ;</l>
                        <l>She stopped her ears and climbed the steep,</l>
                        <l rend="indent">And thundered at the convent door.</l>
                    </lg>
                    <lg type="stanza">
                        <l>It opened straight : she entered in,</l>
                        <l rend="indent">And at the wardress' feet fell prone :</l>
                        <l>"I come to purge away my sin,</l>
                        <l rend="indent">Bury me, close me up in stone."</l>
                    </lg>
                    <fw type="catchword">The</fw>
                    <pb n="319"/>
                    <fw type="runningHead">By John Davidson <fw type="pageNum">279</fw>
                    </fw>
                    <lg type="stanza">
                        <l>The wardress raised her tenderly ;</l>
                        <l rend="indent">She touched her wet and fast-shut eyes ;</l>
                        <l>"Look, sister ; sister, look at me ;</l>
                        <l rend="indent">Look ; can you see through my disguise ?"</l>
                    </lg>
                    <lg type="stanza">
                        <l>She looked and saw her own sad face,</l>
                        <l rend="indent">And trembled, wondering, "Who art thou ?"</l>
                        <l>"God sent me down to fill your place :</l>
                        <l rend="indent">I am the Virgin Mary now."</l>
                    </lg>
                    <lg type="stanza">
                        <l>And with the word, God's mother shone ;</l>
                        <l rend="indent">The wanderer whispered, "Mary, hail !"</l>
                        <l>The vision helped her to put on</l>
                        <l rend="indent">Bracelet and fillet, ring and veil.</l>
                    </lg>
                    <lg type="stanza">
                        <l>"You are sister to the mountains now,</l>
                        <l rend="indent">And sister to the day and night ;</l>
                        <l>Sister to God ;" and on the brow</l>
                        <l rend="indent">She kissed her thrice, and left her sight.</l>
                    </lg>
                    <lg type="stanza">
                        <l>While dreaming in her cloudy bed,</l>
                        <l rend="indent">Far in the crimson orient land,</l>
                        <l>On many a mountain's happy head</l>
                        <l rend="indent">Dawn lightly laid her rosy hand.</l>
                    </lg>
                    <pb n="320"/>
                </div>
                <div n="YBV3_33bm" type="backMatter">
                    <pb n="321"/>
                    <head><title level="a">The Yellow Book<lb/>Index to Publisher's
                            Announcements</title></head>
                    <p><emph rend="indent"/><emph rend="indent"/><emph rend="indent"/><emph
                            rend="italic">Page</emph><lb/>W. Heinemann . . . . . . . 2<lb/>Hurst
                        &amp; Blackett . . . . . . . 3<lb/>Virtue &amp; Co. . . . . . . . 4<lb/>G.
                        Bell &amp; Sons . . . . . . . 5<lb/>Dean &amp; Son . . . . . . .
                        6<lb/>Contents of Yellow Book, Vol. I. . . . 7<lb/>Contents of Yellow Book,
                        Vol. II. . . . 8 </p>
                    <pb n="322"/>
                    <fw type="runningHead">
                        <fw type="pageNum">2</fw> The Yellow Book Advertisements</fw>
                    <p>MR. WM. HEINEMANN'S PUBLICATIONS.</p>
                    <p><emph rend="italic">ANNOUNCEMENTS FOR OCTOBER</emph>.</p>
                    <p>NAPOLEON AND THE FAIR SEX. (Napoléon et les Femmes.)<lb/>By FRÉDಁRIC MASSON.
                        With 10 Portraits. In One Volume, demy 8vo.<lb/>IN RUSSET AND SILVER. POEMS.
                        By EDMUND GOSSE Crown 8vo.<lb/>A CENTURY OF GERMAN LYRICS. Selected,
                        Arranged, and<lb/>Translated by K. F. KROEKER. Foolscap 8vo, 3s.
                        6d.<lb/>HANNELE: A Dream Poem. By GERHART HAUPTMANN. Translated<lb/>by
                        WILLIAM ARCHER, with an Introduction by the same hand. Small 4to,<lb/>with
                        Portrait. 5s.<lb/>A CATALOGUE OF THE ACCADEMIA DELLE BELLE ARTI
                        AT<lb/>VENICE. Compiled by E. M. KEARY. With Biographical Notes of
                        the<lb/>Painters and 25 Engraved Reproductions of the Principal Pictures.
                        Crown 8vo.<lb/>A DRAMA IN DUTCH: A Novel. By Z. Z. In Two Volumes.
                            12s.<lb/><emph rend="indent"/><emph rend="indent"/><emph rend="italic"
                            >[October 5</emph>.<lb/>A BATTLE AND A BOY. By BLANCHE WILLIS HOWARD.
                        Author<lb/>of "Guenn," &amp;c. With 40 Illustrations by A.
                        MACNIELL-BARBOUR.<lb/>SYNNOVE SÖLBAKKEN. By BJÖRNSTJERNE BJÖRNSON. Given
                        in<lb/>English by JULIE SUTTER. With a Critical Introduction by EDMUND
                        GOSSE,<lb/>and a Portrait. Being Volume I. of the BJÖRNSON SERIES.<lb/>A
                        HOUSE OF GENTLEFOLK. By IVAN TURGENEV. Translated<lb/>from the Russian by
                        CONSTANCE GARNETT. With an Introduction by STEP-<lb/>NIAK. Being Volume II.
                        of the TURGENEV SERIES. Cloth, 3s. net.<lb/>AN ALTAR OF EARTH. By THYMOL
                        MONK. Being Volume V. of<lb/> the PIONEER SERIES. Cloth, 3s. net; Ornamental
                        Wrapper, 2s. 6d. net.<lb/>THE WEAKER SEX: A Play. By A. W. PINERO. With an
                        Intro-<lb/>duction by MALCOLM C. SALAMAN. Being Volume X. of the PINERO
                        SERIES.<lb/>Cloth, as. 6d.; Paper Cover, 1s. 6d.<lb/>A DAUGHTER OF THIS
                        WORLD. By FLETCHER BATTERSHALL.<lb/>In One Volume. 6s.<lb/>A DAUGHTER OF
                        MUSIC. By G. COLMORE, Author of "A Con-<lb/>spiracy of Silence." New
                        Edition. Price 3s. 6d.</p>
                    <p>LONDON: WILLIAM HEINEMANN, 21 BEDFORD STREET, W.C. </p>
                    <pb n="323"/>
                    <fw type="runningHead">The Yellow Book Advertisements<fw type="pageNum"> 3</fw>
                    </fw>
                    <p>Hurst &amp; Blackett's Publications.</p>
                    <p>Hurst &amp; Blackett's Three-and-Sixpenny Series.<lb/>Crown 8vo, uniformly
                        bound, bevelled board, each 3s. 6d.<lb/>MARY FENWICK'S DAUGHTER. By BEATRICE
                        WHITBY.<lb/>THUNDERBOLT. An Australian Bushranging Story. By the Rev.<lb/>J.
                        M1DDLETON MACDONALD.<lb/>THE AWAKENING OF MARY<lb/>FENWICK. By BEATRICE
                        WHITBY.<lb/>TWO ENGLISH GIRLS. By MABEL<lb/>HART.<lb/>HIS LITTLE MOTHER. By
                        the<lb/>Author of John Halifax, Gentleman."<lb/>MISTRESS BEATRICE
                        COPE.<lb/>By M. E. LE CLERC.<lb/>A MARCH IN THE RANKS. By<lb/>JESSIE
                        FOTHERGILL.<lb/>NINETTE. By the Author of "Véra,"<lb/>"Blue Roses,"
                        &amp;c.<lb/>A CROOKED PATH. By Mrs.<lb/>ALEXANDER.<lb/>ONE REASON WHY. By
                        BEATRICE<lb/>WHITBY.<lb/>MAHME NOUSIE. By G. MANVILLE<lb/>FENN.<lb/>THE IDES
                        OF MARCH. By G.<lb/>M. ROBINS.<lb/>PART OF THE PROPERTY. By<lb/>BEATRICE
                        WHITBY.<lb/>CASPAR BROOKE'S DAUGHTER.<lb/>By ADELINE SERGEANT.<lb/>JANET. A
                        Novel. By Mrs. OLIPHANT.<lb/>A RAINBOW AT NIGHT. By the<lb/>Author of
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                        WHITBY.<lb/>MISS BOUVERIE. By Mrs. MOLES-<lb/>WORTH.<lb/>FROM HARVEST TO
                        HAYTIME.<lb/>By the Author of "Two English Girls."<lb/>THE WINNING OF MAY.
                        By the<lb/>Author of "Dr. Edith Romney."<lb/>SIR ANTHONY. By ADELINE
                        SER-<lb/>GEANT.</p>
                    <p>A SELECTION OF HURST &amp; BLACKETT'S<lb/><emph rend="italic">Standard
                            Library of Cheap Editions of Popular Modern Works</emph>.<lb/>Each work
                        complete in one volume, price 5s. each.<lb/>By the Author of "John
                        Halifax."<lb/>JOHN HALIFAX, GENTLEMAN.<lb/>A WOMAN'S THOUGHTS ABOUT
                        WOMEN.<lb/>A LIFE FOR A LIFE.<lb/>NOTHING NEW.<lb/>MISTRESS AND
                        MAID.<lb/>THE WOMAN'S KINGDOM.<lb/>CHRISTIAN'S MISTAKE.<lb/>A NOBLE LIFE |
                        HANNAH.<lb/>THE UNKIND WORD.<lb/>A BRAVE LADY.<lb/>STUDIES FROM
                        LIFE<lb/>YOUNG MRS. JARDINE.<lb/>By the Author of "Sam Slick."<lb/>NATURE
                        AND HUMAN NATURE.<lb/>WISE SAWS AND MODERN INSTANCES.<lb/>THE OLD JUDGE, or,
                        Life in a Colony.<lb/>TRAITS OF AMERICAN HUMOUR.<lb/>THE AMERICANS AT
                        HOME.<lb/>By Dr. George Macdonald.<lb/>DAVID ELGINBROD.<lb/>ROBERT
                        FALCONER.<lb/>ALEC FORBES.<lb/>SIR GIBBIE.<lb/>By Mrs. Oliphant.<lb/>ADAM
                        GRÆME.<lb/>LAIRD OF NORLAW.<lb/>AGNES.<lb/>LIFE OF IRVING.<lb/>A ROSE IN
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                    <p>LONDON: HURST &amp; BLACKETT, LTD., 13 GREAT MARLBOROUGH STREET, W. </p>
                    <pb n="324"/>
                    <fw type="runningHead">
                        <fw type="pageNum">4</fw> The Yellow Book Advertisements</fw>
                    <p>Ready with the NOVEMBER Magazines.<lb/><emph rend="italic">Price 2s. 6d.
                            Cloth gilt, gilt edges, 5s</emph>.<lb/>The Art Annual for
                        1894.<lb/>(Being the CHRISTMAS NUMBER of THE ART JOURNAL).</p>
                    <p>The Life and Work of<lb/>SIR EDWARD BURNE-JONES,<lb/>BART.<lb/>By JULIA
                        CARTWRIGHT<lb/>(MRS. HENRY ADY).<lb/><emph rend="italic">With Numerous
                            Illustrations of his Principal Works, Views of his Studio<lb/>and
                            Working-Room, and Garden Views of his Residence, including
                            the<lb/>following</emph><lb/>SIX FULL-PAGE ILLUSTRATIONS:<lb/>"THE
                        GOLDEN STAIRS" - - - PHOTOGRAVURE PLATE.<lb/>"THE MIRROR OF VENUS" - - -
                        PHOTOGRAVURE PLATE.<lb/>"CHANT D'AMOUR" - - - - FULL-PAGE PLATE, PRINTED IN
                        TINT.<lb/>"THE STAR OF BETHLEHEM" - FULL-PAGE PLATE, PRINTED IN
                        TINT.<lb/>"THE BRIAR ROSE." "LOVE AMONG THE RUINS."</p>
                    <p>NEW EDITION.<lb/><emph rend="italic">Crown 4to, bound in Buckram, gilt top,
                            7s. 6d.<lb/>THE PILGRIM'S WAY</emph><lb/>From Winchester to
                        Canterbury.<lb/>By JULIA CARTWRIGHT (Mrs. HENRY ADY).<lb/>With 46
                        Illustrations by A. QUINTON, and<lb/>2 Maps of the Route.<lb/>"A delightful
                        monograph.....The excellent<lb/>drawings of Mr. Quinton do full justice to
                        the text,<lb/>embracing every kind of subject from gloomy<lb/>church crypts
                        and silent pools to breezy landscapes<lb/>and sunny village greens."—<emph
                            rend="italic">Times</emph>.<lb/>SECOND EDITION.<lb/>ENLARGED WITH
                        ADDITIONAL CHAPTER.<lb/><emph rend="italic">Small Royal 8vo, cloth, 12s.
                            6d.<lb/>CAIRO:</emph><lb/>Sketches of its History, Monuments &amp;
                        Social Life.<lb/>By STANLEY LANE-POOLE.<lb/>Author of "The Art of the
                        Saracens in Egypt,"<lb/>"Studies in a Mosque," &amp;c.<lb/>With numerous
                        Illustrations on Wood.<lb/>"Will prove most useful to the innumerable
                        tra<lb/>vellers who now every winter visit the Nile Valley."<lb/><emph
                            rend="indent"/><emph rend="indent"/><emph rend="italic">Saturday
                            Review</emph>.</p>
                    <p>LONDON: J.S. VIRTUE &amp; CO., LTD., 26 Ivy Lane, Paternoster Row, E.C. </p>
                    <pb n="325"/>
                    <fw type="runningHead">The Yellow Book Advertisements<fw type="pageNum"> 5</fw>
                    </fw>
                    <p><emph rend="italic">Messers. BELL'S NEW &amp; FORTHCOMING WORKS</emph>.</p>
                    <p>ALBERT MOORE,<lb/>His Life and Works. By A. LYS BALDRY.<lb/><emph
                            rend="italic">Illustrated with 10 Photogravures and about 70 other
                            Illustrations. Super-<lb/>royal 4to, £3 3s.Also 50 Copies on Large
                            Paper, with the Plates in duplicate,<lb/>printed on India paper and on
                            Japanese vellum, £5 5s. net</emph>.<lb/>RAPHAEL'S MADONNAS<lb/>And other
                        Great Pictures. Reproduced from the Original Paintings. With a<lb/>Life of
                        Raphael, and an account of his chief works. By KARL KÁROLY,<lb/>Author of "A
                        Guide to the Paintings of Florence."<lb/><emph rend="italic">In One Volume,
                            with 53 Illustrations, including 9 Photogravures. Small<lb/>Colombier
                            8vo, in special binding designed by</emph> GLEESON WHITE,<emph
                            rend="italic"> 21s. net. A<lb/>few copies on Large Paper, with the
                            Plates on India Paper, £2 2s. net. (all sold.)</emph><lb/>JOHN RUSSELL,
                        R.A.,<lb/>"The Prince of Crayon Portrait Painters." By GEORGE C.
                        WILLIAMSON,<lb/>D.Litt. With an Introduction by Lord RONALD GOWER,
                            F.S.A.<lb/><emph rend="italic">With 101 Illustrations, including Two
                            Photogravures. Small Colombier 8vo,<lb/>handsomely bound, 250 copies
                            only, 25s. net. Large Paper Edition, 100 copies<lb/>only, £2 2s.
                            net</emph>.<lb/>SIR EDWARD BURNE-JONES, BART.,<lb/>A Record and Review.
                        By MALCOLM BELL.<lb/><emph rend="italic">Third Edition, in special binding
                            designed by</emph> GLEESON WHITE. <emph rend="italic"
                            >Small<lb/>Colombier 8vo, 21s. net</emph>.<lb/>THE BRITISH
                        FLEET:<lb/>The Growth, Achievements, and Duties of the Navy of the Empire.
                        By<lb/>Commander CHARLES N. ROBINSON, R.N.<lb/><emph rend="italic">With
                            about 150 reproductions of paintings, prints, and drawings
                            illustrative<lb/>of battles, ships, persons, customs, and social life in
                            the Navy.</emph> DEDICATED BY<lb/>PERMISSION TO H.R.H. THE DUKE OF
                            YORK.<lb/><emph rend="italic">Ordinary Edition. Crown 8vo, 7s. 6d. 150
                            copies in fcap. 4to, with extra<lb/>Engravings, 21s.
                        net</emph>.<lb/>EROS AND PSYCHE.<lb/>A Poem in Twelve Measures. By ROBERT
                        BRIDGES. Second Edition,<lb/>thoroughly revised.<lb/><emph rend="italic"
                            >Printed on Hand-made Paper at the Chiswick Press, with binding designed
                            by</emph><lb/>GLEESON WHITE.<lb/>NEW VOLUME OF THE "EX-LIBRIS"
                        SERIES.<lb/>AMERICAN BOOK-PLATES.<lb/>By CHARLES ALLEN DEXTER.<lb/><emph
                            rend="italic">With numerous Illustrations. Also a limited Large Paper
                            Edition</emph>.</p>
                    <p>LONDON: GEORGE BELL &amp; SONS, YORK STREET, COVENT GARDEN. </p>
                    <pb n="326"/>
                    <fw type="runningHead">
                        <fw type="pageNum">6</fw> The Yellow Book Advertisements</fw>
                    <p>Dean &amp; Son's List.</p>
                    <p>Under the Immediate Patronages of H.R.H. the<lb/>Duchess of Fife, H.I.M. the
                        Empress of<lb/>Germany, Right Hon. the Countess<lb/>of Aberdeen.<lb/><emph
                            rend="italic">SECOND EDITION</emph>.<lb/>BABY'S SOUVENIR.
                        Most<lb/>handsomely bound, gilt edges, &amp;c, 10s. 6d.<lb/>A most charming
                        book to preserve the Record of<lb/>a Child's Life from its Birth to its
                        Majority, con-<lb/>taining Twenty-three Coloured and other
                        Illustra-<lb/>tions, printed in Facsimile of the Original Aqua-<lb/>relles
                        of F. M. BRUNDAGE. The following are a<lb/>few of the subjects, with spaces
                        left for filling in<lb/>details:<lb/>NAME OF BABY.<lb/>THE LOCK OF
                        HAIR.<lb/>BABY'S FIRST WORD.<lb/>BABY'S FIRST TOOTH.<lb/>BABY'S FIRST
                        STEPS.<lb/>FIRST DAY AT SCHOOL.<lb/>BABY'S FIRST PRAYER, &amp;c.<lb/><emph
                            rend="italic">BY GORDON STABLES, C.M., M.D., R.N.</emph><lb/>Demy 8vo,
                        handsomely bound, cloth gilt,<lb/>with Medallion Picture, 6s. 6d.<lb/>OUR
                        FRIEND THE DOG.<lb/>Sixth Edition. Enlarged and thoroughly Re-<lb/>vised
                        throughout. Richly Illustrated with<lb/>full-page Portraits of all the
                        latest Champion<lb/>Dogs, and numerous smaller Illustrations.<lb/>A Complete
                        and Practical Guide to all that is<lb/>known about every Breed of Dog in the
                        World,<lb/>their Show Points, Properties, Uses and Peculiari-<lb/>ties,
                        Successful Management in Health and Sick-<lb/>ness, Rules and full
                        Particulars of all Dog<lb/>Clubs, &amp;c.<lb/><emph rend="italic">FOURTH
                            EDITION</emph>.<lb/>Crown 8vo, handsomely bound, cloth gilt,<lb/>gilt
                        edges, 5s.<lb/>THE DOYLE FAIRY BOOK.<lb/>Consisting of Twenty nine Fairy
                        Tales.<lb/>Translated from various Languages by AN-<lb/>THONY R. MONTALBA.
                        With Thirty-four<lb/>Illustrations by RICHARD DOYLE, a Memoir<lb/>of Doyle,
                        and an Introduction.<lb/>Just ready, crown 8vo, cloth gilt, 2s.
                            6d.<lb/><emph rend="italic">BY FRANCIS W. MOORE</emph>,th<lb/>Author of
                        "Humorous Plays," &amp;c.<lb/>HUMOROUS PIECES. A Col-<lb/>lection of
                        Original Recitations in Prose and<lb/>Verse, including:<lb/>JACK AND
                        JILL.<lb/>THE FLAT IRON.<lb/>MAN PROPOSES.<lb/>ODDITIES OF EVERY
                        DAY.<lb/>LITTLE JACK HORNER.<lb/>ADVICE GRATIS.<lb/>And Twenty-three other
                        Pieces.<lb/>Cloth gilt, crown 8vo, 2s. 25. 6d.<lb/>HUMOROUS PLAYS.
                        By<lb/>FRANCIS W. MOORE.<lb/>By This Collection of Short Plays, Duologues,
                        and<lb/>Proverbs in Action is intended as an addition to<lb/>the scanty
                        assortment of pieces suitable for private<lb/>representation.<lb/>Having
                        been originally written for this purpose,<lb/>they involve only a very
                        limited number of charac-<lb/>ters, and no exceptional amount of dramatic
                        ex-<lb/>perience. Each is comprised within a single act,<lb/>and the
                        requirements as to scenery, costumes, and<lb/>stage appliances are of a
                        simple kind. The scenes<lb/>are all indoors.<lb/>All are available for
                        performance, whether in<lb/>public or private, without payment.<lb/><emph
                            rend="italic">The Plays in this volume may also be had separ-<lb/>ately,
                            in paper covers, crown 8vo, at 6d each.<lb/>SECOND
                        EDITION</emph>.<lb/>Handsomely bound, cloth gilt, large post 8vo,<lb/> 3s.
                        6d.<lb/>SCENES THROUGH THE<lb/>BATTLE SMOKE: Being Reminiscences in<lb/>the
                        Afghan and Egyptian Campaigns. By<lb/>the Rev. ARTHUR MALE, Army Chaplain
                        at<lb/>Lucknow, and in the Afghan and Egyptian<lb/>Campaigns. With Portrait
                        of the Author, and<lb/>Eight large Illustrations by SYDNEY PAGET,<lb/>War
                        Artist to the <emph rend="italic">Illustrated London News</emph>
                        in<lb/>these Campaigns.<lb/>Just ready, demy 8vo, cloth, 162 pages, 2s.
                        6d.<lb/>CHESS HISTORY AND REM-<lb/>INISCENCES. By H. E. BIRD, Author
                        of<lb/>"Chess Openings," "Modern Chess," &amp;c.<lb/>This interesting book
                        of Reminiscences of half-a-<lb/>century contains a Portrait of the Author,
                        Notes<lb/>on Ancient and Modern Chess, Anecdotes as to<lb/>the
                        Eccentricities of Noted Players, a Sketch of<lb/>Simpson's, &amp;c.<lb/>Blue
                        cloth gilt, gilt edges, large crown 8vo, 5s.<lb/>DEAN'S FAIRY BOOK.<lb/>A
                        Companion to the "Doyle Fairy Book."<lb/>This volume, which makes a splendid
                        presentation<lb/>book for a child, contains most of the favourite<lb/>fairy
                        tales of childhood, drawn from Penault, old<lb/>chap books, and the "Arabian
                        Nights." Such<lb/>favourites as "Sleeping Beauty," "Aladdin,"<lb/>"Valentine
                        and Orson," "Hop o' My Thumb,"<lb/>and "Jack the Giant Killer," are included
                        in its<lb/>pages, and the book is enriched with numerous<lb/>excellent
                        illustrations by able artists.</p>
                    <p>LONDON: DEAN &amp; SON, LIMITED, 160A FLEET STREET, E.C.<lb/><emph
                            rend="italic">Publishers of Dean's Plays for Young Actors.</emph>
                    </p>
                    <pb n="327"/>
                    <pb n="328"/>
                    <pb n="329"/>
                </div>
                <div n="YBV3_34im" type="image">
                    <pb n="330"/>
                    <figure>
                        <graphic width="600px" height="850px"
                            url="MediumImageDocs/YB3icon2_beardsley_back cover_edited.jpg"/>
                        <note n="YBV3_34im.n1">
                            <title>Back Cover</title>
                            <rs>YB3icon2</rs>YB3icon2 Back Cover Aubrey Beardsley October 1894 Back
                            Cover 21 cm x 15.9 cm Poster-style illustrative art Pen and ink indoor
                            setting night room female figure male figure people ruff hat bow
                            dress/gown harlequin/clown/pierrot candelabra curtains theatre/stage
                            numbered contents in one left column Literature and one right column Art </note>
                        <head>Back Cover</head>
                        <figDesc>Back cover is divided vertically into two sections by a lit candle.
                            The candle separates the Literature list on the left from Art list on
                            the right. The cover is divided horizontally into three sections by the
                            black frame of polka-dot curtained window at the top and by a flowered
                            pane at the bottom. In the upper left, there is a torso of a masked
                            woman with light hair and striped attire looking sideways to the left.
                            To her right is the polka-dotted curtain, which is positioned behind a
                            candelabra. To the right of the curtain (that is, at the centre) is the
                            torso of a bare-shouldered smiling black haired woman in large hat with
                            bow. The lit candle in the middle separates this woman from the torso of
                            a harlequin in profile, with a large ruff on neck. To the right, there
                            is another polka-dotted curtain; behind this curtain is a 3/4 view of
                            the torso of a woman in black, with black hair, smiling with downcast
                            eyes, facing right. Artist's signature is at bottom centre to the
                            immediate left and right of the candle that divides Literature and Art.
                        </figDesc>
                    </figure>
                </div>
            </div>


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