Usable according to the Creative Commons License Attribution Non-commercial Share-alike.
Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.
Literature
I. The Gospel of Content . By Frederick Greenwood
II. Poor Cousin
Louis . . Ella D'Arcy . . . 34
III. The Composer of "Carmen"
IV.
Thirty Bob a Week . John
Davidson . . 99
V. A Responsibility . .
Henry Harland . . 103
VI. A
Song . . . . Dollie Radford . . 116
VII. Passed . . . . Charlotte M. Mew
. 121
VIII. Sat est Scripsisse . . Austin Dobson . . 142
IX. Three
Stories . . . V., O., C.S. . . . 144
X. In a
Gallery . . . Katharine de Mattos . 177
XI.
The Yellow Book,
XII. Dreams . . . . Ronald
Campbell Macfie 195
XIII. Madame Réjane
. . Dauphin Meunier . . 197
XIV. The Roman Road . . Kenneth
Grahame . . 211
XV. Betrothed . . . Norman Gale . . 227
XVI. Thy
Heart's Desire . . Netta Syrett . . . 228
XVII. Reticence in Literature . Hubert Crackanthorpe . 259
XVIII. My
Study . . . Alfred Hayes . . . 275
XIX. A Letter to the Editor . Max
Beerbohm . . 281
XX. Epigram . . . William Watson . . 289
XXI. The
Coxon Fund . . Henry James . . . 290
Art
I. The Renaissance of Venus by Walter Crane . .
II. The Lamplighter . . A.S.
Hartrick . . 60
III. The Comedy-Ballet
of
IV. The Comedy-Ballet of
V. The Comedy-Ballet of
VI. Garcons de Cafe .
VII. The Slippers of
VIII. Portrait of Madame
IX. A Landscape . . . Alfred
Thornton . . 117
X. Portrait of
Himself P. Wilson Steer . . 171
XI. A Lady . . .
XII. A
Gentleman . .
XIII. Portait of Henry
James
XIV. A Girl Resting . . Sydney Adamson . . 207
XV. The Old Bedford
Music
XVI. Portrait of Aubrey
XVII. Ada Lundberg .
XVIII. An Idyll . . . W.
Brown Mac Dougal . 256
XIX. The Old Man's
Garden. . . E.J. Sullivan . . . 270
XX. The Quick and the
XXI. A Reminiscence of
XXII. A Study . . . . Bernhard
Sickert . . 285
XXIII. For the Backs of
Playing