<?xml version="1.0" encoding="UTF-8"?>
<?xml-model href="../../../Schema,%20CSS%20and%20Template%20Files/YB_schema2.rnc" type="application/relax-ng-compact-syntax"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0">
   <teiHeader>
      <fileDesc>
         <titleStmt>
            <title>Yellow Nineties 2.0</title>
            <title>The Yellow Book: An Illustrated Quarterly, Volume 2 July 1894</title>
            <title type="YBV2_harland_responsibility"/>
            <editor>Lorraine Janzen Kooistra</editor>
         </titleStmt>
         <editionStmt>
            <p>
               <date>2019</date>
            </p>
         </editionStmt>
         <publicationStmt>
            <idno>YBV2_11pr</idno>
            <publisher>Yellow Nineties 2.0</publisher>
            <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
            <address>
               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
            </address>
         </publicationStmt>
         <sourceDesc>
            <biblStruct>
               <monogr>
                  <editor>
                     <persName>Henry Harland &amp; Aubrey Beardsley</persName>
                  </editor>
                  <author>Henry Harland</author>
                  <title>A Responsibility</title>
                  <imprint>
                     <publisher>Elkin Mathews &amp; John Lane</publisher>
                     <pubPlace>
                        <placeName>London</placeName>
                     </pubPlace>
                     <publisher>Copeland &amp; Day</publisher>
                     <pubPlace>Boston</pubPlace>
                     <date>July 1894</date>
                     <biblScope>Harland, Henry. "A Responsibility." <emph rend="italic">The Yellow
                           Book</emph>, vol. 2, July 1894, pp. 103-15. <emph rend="italic">Yellow
                           Book Digital Edition</emph>, edited by Dennis Denisoff and Lorraine Janzen Kooistra, 2010-2014.
                        <emph rend="italic">Yellow Nineties 2.0</emph>,
                        Ryerson University Centre for Digital Humanities, 2019.
                        https://1890s.ca/YBV2_harland_responsibility/
                     </biblScope>
                  </imprint>
               </monogr>
            </biblStruct>
         </sourceDesc>
      </fileDesc>
      <encodingDesc>
         <editorialDecl>
            <p>Our editorial method is informed by social-text editing principles. By “text” we mean
               verbal and visual printed material, including non-referential physical elements such as
               bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
               processes that have specific manifestations at precise historical moments.
               The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
               siècle aesthetic periodicals, together with paratexts of production and reception such as
               cover designs, advertising materials, and reviews. This historical material is enhanced
               by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
               contributors and associates; and critical introductions to each title and volume by
               experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
               reviewed by them and/or an international board of advisors. The site as a whole is peer-
               reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
               Scholarship). Contributors to the site retain personal copyright in their material. The
               site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
               license. Both primary and secondary materials, including all visual images, are marked
               up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
               Language). To ensure maximum flexibility for users, magazines are available on the site
               as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
               downloading and collecting; and in XML for those who wish to review and/or adapt our
               tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
               pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
               to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
               website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
               completed and Phase Two (2016-2021) is underway.</p>
         </editorialDecl>
      </encodingDesc>
      <profileDesc>
         <creation>
            <date>1894</date>
         </creation>
         <langUsage>
            <language ident="en">English</language>
            <language ident="fr">French</language>
         </langUsage>
         <textClass>
            <keywords scheme="#lcsh">
               <list>
                  <item>English literature -- 19th century -- Periodicals</item>
                  <item>Great Britain -- Periodicals</item>
               </list>
            </keywords>
            <keywords scheme="ninesGenre">
               <list>
                  <item>Fiction</item>
                  <note>Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews),
                     "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography"
                     (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," 
                     "Travel Writing," "Music, Other,")
                     <!--Add items as necessary. Remove items not used.-->
                  </note>
               </list>
            </keywords>
            
            <keywords scheme="ninesType">
               <list>
                  <item>Periodical</item>
                  <note>Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, 
                     biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters,
                     prospecti)</note>
                  <!-- only choose one item-->
               </list>
            </keywords>
            
            <keywords scheme="ninesDiscipline">
               <list>
                  <item>Book History</item>
                  <item>Literature</item>
                  <note>Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies,"
                     "Musicology," "Philosophy," "Anthropology," "Science"</note>
                  <!--Add items as necessary. Remove items not used.-->
               </list>
            </keywords>
         </textClass>
      </profileDesc>
   </teiHeader>
   <text>
      <body>
         <div n="YBV2_11pr" type="fiction">
            <pb n="125"/>
            <head>
               <title level="a">A Responsibility </title>
            </head>
            <byline>By <docAuthor>
                  <ref target="#HHA">Henry Harland</ref>
               </docAuthor>
            </byline>
            <p>IT has been an episode like a German sentence, with its pre-<lb/> dicate at the end.
               Trifling incidents occurred at haphazard, <lb/> as it seemed, and I never guessed
               they were by way of making <lb/> sense. Then, this morning, somewhat of the
               suddenest, came the <lb/> verb and the full stop. </p>
            <p>Yesterday I should have said there was nothing to tell ; to-day<lb/> there is too
               much. The announcement of his death has caused <lb/> me to review our relations, with
               the result of discovering my own<lb/> part to have been that of an accessory before
               the fact. I did not <lb/> kill him (though, even there, I'm not sure I didn't lend a
               hand), <lb/> but I might have saved his life. It is certain that he made me <lb/>
               signals of distress—faint, shy, tentative, but unmistakable—and <lb/> that I
               pretended not to understand : just barely dipped my colours,<lb/> and kept my course.
               Oh, if I had dreamed that his distress was <lb/> extreme—that he was on the point of
               foundering and going down ! <lb/> However, that doesn't exonerate me : I ought to
               have turned aside <lb/> to find out. It was a case of criminal negligence. That he,
               poor <lb/> man, probably never blamed me, only adds to the burden on my <lb/>
               conscience. He had got past blaming people, I dare say, and <lb/> doubtless merely
               lumped me with the rest—with the sum-total of <lb/> things that made life
               unsupportable. Yet, for a moment, when </p>
            <fw type="catchword">we</fw>
            <pb n="126"/>
            <fw type="runningHead">
               <fw type="pageNum">104</fw> A Responsibility </fw>
            <p>we first met, his face showed a distinct glimmering of hope ; so <lb/> perhaps there
               was a distinct disappointment. He must have had <lb/> so many disappointments, before
               it came to—what it came to ; but <lb/> it wouldn't have come to that if he had got
               hardened to them. <lb/> Possibly they had lost their outlines, and merged into one
               dull <lb/> general disappointment that was too hard to bear. I wonder <lb/> whether
               the Priest and the Levite were smitten with remorse <lb/> after they had passed on.
               Unfortunately, in this instance, no <lb/> Good Samaritan followed. </p>
            <p>The bottom of our long <emph rend="italic">table d'hôte</emph> was held by a
               Frenchman, <lb/> a Normand, a giant, but a pallid and rather flabby giant, whose
               <lb/> name, if he had another than Monsieur, I never heard. He pro-<lb/> fessed to be
               a painter, used to sketch birds and profiles on the back<lb/> of his menu-card
               between the courses, wore shamelessly the multi-<lb/> coloured rosette of a foreign
               order in his buttonhole, and talked <lb/> with a good deal of physiognomy. I had the
               corner seat at his <lb/> right, and was flanked in turn by Miss Etta J. Hicks, a
               bouncing <lb/> young person from Chicago, beyond whom, like rabbits in a <lb/>
               company of foxes, cowered Mr. and Mrs. Jordan P. Hicks, two <lb/> broken-spirited
               American parents. At Monsieur's left, and facing <lb/> me, sat Colonel Escott, very
               red and cheerful ; then a young man <lb/> who called the Colonel Cornel, and came
               from Dublin, proclaiming <lb/> himself a barr'ster, and giving his name as Flarty,
               though on his <lb/> card it was written Flaherty ; and then Sir Richard Maistre.
               <lb/> After him, a diminishing perspective of busy diners—for purposes<lb/> of
               conversation, so far as we were concerned, inhabitants of the <lb/> Fourth Dimension. </p>
            <p>Of our immediate constellation Sir Richard Maistre was the <lb/> only member on whom
               the eye was tempted to linger. The others <lb/> were obvious—simple equations,
               soluble " in the head." But he <lb/> called for slate and pencil, offered materials
               for doubt and specula- </p>
            <fw type="catchword">tion.</fw>
            <pb n="127"/>
            <fw type="runningHead">By Henry Harland <fw type="pageNum">105</fw>
            </fw>
            <p>tion, though it would not have been easy to tell wherein they lay.<lb/> What
               displayed itself to a cursory inspection was quite unremark-<lb/> able : simply a
               decent-looking young Englishman, of medium <lb/> stature, with square-cut plain
               features, reddish-brown hair, grey <lb/> eyes, and clothes and manners of the usual
               pattern. Yet, showing <lb/> through this ordinary surface, there was something
               cryptic. For <lb/> me, at any rate, it required a constant effort not to stare at
               him. I <lb/> felt it from the beginning, and I felt it till the end : a teasing <lb/>
               curiosity, a sort of magnetism that drew my eyes in his direction. <lb/> I was always
               on my guard to resist it, and that was really the <lb/> inception of my neglect of
               him. From I don't know what stupid <lb/> motive of pride, I was anxious that he
               shouldn't discern the interest <lb/> he had excited in me ; so I paid less ostensible
               attention to him <lb/> than to the others, who excited none at all. I tried to appear
               <lb/> unconscious of him as a detached personality, to treat him as merely <lb/> a
               part of the group as a whole. Then I improved such occasions <lb/> as presented
               themselves to steal glances at him, to study him <emph rend="italic">à la</emph>
               <lb/>
               <emph rend="italic">dérobée</emph>—groping after the quality, whatever it was, that
               made him <lb/> a puzzle—seeking to formulate, to classify him. </p>
            <p>Already, at the end of my first dinner, he had singled himself <lb/> out and left an
               impression. I went into the smoking-room, and <lb/> began to wonder, over a cup of
               coffee and a cigarette, who he was. <lb/> I had not heard his voice ; he hadn't
               talked much, and his few <lb/> observations had been murmured into the ears of his
               next neigh- <lb/> bours. All the same, he had left an impression, and I found <lb/>
               myself wondering who he was, the young man with the square-cut <lb/> features and the
               reddish-brown hair. I have said that his features <lb/> were square-cut and plain,
               but they were small and carefully <lb/> finished, and as far as possible from being
               common. And his <lb/> grey eyes, though not conspicuous for size or beauty, had a
               <lb/> character, an expression. They <emph rend="italic">said</emph> something,
               something I </p>
            <fw type="catchword">couldn't</fw>
            <pb n="128"/>
            <fw type="runningHead">
               <fw type="pageNum">106</fw> A Responsibility</fw>
            <p>couldn't perfectly translate, something shrewd, humorous, even <lb/> perhaps a little
               caustic, and yet sad ; not violently, not rebelliously <lb/> sad (I should never have
               dreamed that it was a sadness which <lb/> would drive him to desperate remedies), but
               rather resignedly, <lb/> submissively sad, as if he had made up his mind to put the
               best <lb/> face on a sorry business. This was carried out by a certain <lb/>
               abruptness, a slight lack of suavity, in his movements, in his <lb/> manner of
               turning his head, of using his hands. It hinted a <lb/> degree of determination
               which, in the circumstances, seemed <lb/> superfluous. He had unfolded his napkin and
               attacked his dinner <lb/> with an air of resolution, like a man with a task before
               him, who <lb/> mutters, "Well, it's got to be done, and I'll do it." At a hazard,
               <lb/> he was two- or three-and-thirty, but below his neck he looked <lb/> older. He
               was dressed like everybody, but his costume had, <lb/> somehow, an effect of
               soberness beyond his years. It was <lb/> decidedly not smart, and smartness was the
               dominant note at the <lb/> Hôtel d'Angleterre. </p>
            <p>I was still more or less vaguely ruminating him, in a corner of <lb/> the
               smoking-room, on that first evening, when I became aware <lb/> that he was standing
               near me. As I looked up, our eyes met, and <lb/> for the fraction of a second fixed
               each other. It was barely the<lb/> fraction of a second, but it was time enough for
               the transmission <lb/> of a message. I knew as certainly as if he had said so that he
               <lb/> wanted to speak, to break the ice, to scrape an acquaintance ; I <lb/> knew
               that he had approached me and was loitering in my neigh- <lb/> bourhood for that
               specific purpose. I <emph rend="italic">don't</emph> know, I have studied <lb/> the
               psychology of the moment in vain to understand, why I felt a <lb/> perverse impulse
               to put him off. I was interested in him, I was <lb/> curious about him ; and there he
               stood, testifying that the interest <lb/> was reciprocal, ready to make the advances,
               only waiting for a <lb/> glance or a motion of encouragement ; and I deliberately
               secluded </p>
            <fw type="catchword">myself</fw>
            <pb n="129"/>
            <fw type="runningHead">By Henry Harland <fw type="pageNum">107</fw>
            </fw>
            <p>myself behind my coffee-cup and my cigarette smoke. I suppose <lb/> it was the
               working of some obscure mannish vanity—of what in a <lb/> woman would have defined
               itself as coyness and coquetry. If he <lb/> wanted to speak—well, let him speak ; I
               wouldn't help him. I <lb/> could realise the processes of <emph rend="italic">his</emph> mind even more clearly
               than <lb/> those of my own—his desire, his hesitancy. He was too timid to <lb/> leap
               the barriers ; I must open a gate for him. He hovered near <lb/> me for a minute
               longer, and then drifted away. I felt his dis- <lb/> appointment, his spiritual shrug
               of the shoulders ; and I perceived <lb/> rather suddenly that I was disappointed
               myself. I must have <lb/> been hoping all along that he would speak <emph
                  rend="italic">quand même</emph>, and now I<lb/> was moved to run after him, to
               call him back. That, however, <lb/> would imply a consciouness of guilt, an admission
               that my <lb/> attitude had been intentional ; so I kept my seat, making a mental
               <lb/> rendezvous with him for the morrow. </p>
            <p>Between my Irish <emph rend="italic">vis-à-vis</emph> Flaherty and myself there
               existed <lb/> no such strain. He presently sauntered up to me, and dropped <lb/> into
               conversation as easily as if we had been old friends. </p>
            <p>Well, and are you here for your health or your entertain <lb/> ment ? " he began. "
               But I don't need to ask that of a man who's<lb/> drinking black coffee and smoking
               tobacco at this hour of the <lb/> night. I'm the only invalid at our end of the
               table, and I'm no <lb/> better than an amateur meself. It's a barrister's throat I
               have—I <lb/> caught it waiting for briefs in me chambers at Doblin." </p>
            <p>We chatted together for a half-hour or so, and before we parted <lb/> he had given me
               a good deal of general information—about the <lb/> town, the natives, the visitors,
               the sands, the golf-links, the <lb/> hunting, and, with the rest, about our
               neighbours at table. </p>
            <p>"Did ye notice the pink-faced bald little man at me right ? <lb/> That's Cornel
               Escott, C.B., retired. He takes a sea-bath every <lb/> morning, to live up to the
               letters ; and faith, it's an act of </p>
            <fw type="catchword">heroism</fw>
            <pb n="130"/>
            <fw type="runningHead">
               <fw type="pageNum">108</fw> A Responsibility</fw>
            <p>heroism, no less, in weather the like of this. Three weeks have I <lb/> been here,
               and but wan day of sunshine, and the mercury never <lb/> above fifty. The other
               fellow, him at me left, is what you'd be <lb/> slow to suspect by the look of him,
               I'll go bail ; and that's a <lb/> bar'net, Sir Richard Maistre, with a place in
               Hampshire, and ten <lb/> thousand a year if he's a penny. The young lady beside
               yourself <lb/> rejoices in the euphonious name of Hicks, and trains her Popper <lb/>
               and Mommer behind her like slaves in a Roman triumph. <lb/> They're Americans, if you
               must have the truth, though I oughtn't<lb/> to tell it on them, for I'm an Irishman
               myself, and its not for the <lb/> pot to be bearing tales of the kettle. However,
               their tongues <lb/> bewray them ; so I've violated no confidence." </p>
            <p>The knowledge that my young man was a baronet with a place <lb/> in Hampshire
               somewhat disenchanted me. A baronet with a <lb/> place in Hampshire left too little
               to the imagination. The de-<lb/> scription seemed to curtail his potentialities, to
               prescribe his orbit, <lb/> to connote turnip-fields, house-parties, and a whole
               system of <lb/> British commonplace. Yet, when, the next day at luncheon, I <lb/>
               again had him before me in the flesh, my interest revived. Its <lb/> lapse had been
               due to an association of ideas which I now recog-<lb/> nised as unscientific. A
               baronet with twenty places in Hampshire <lb/> would remain at the end of them all a
               human being ; and no <lb/> human being could be finished off in a formula of half a
               dozen <lb/> words. Sir Richard Maistre, anyhow, couldn't be. He was <lb/> enigmatic,
               and his effect upon me was enigmatic too. Why did <lb/> I feel that tantalising
               inclination to stare at him, coupled with <lb/> that reluctance frankly to engage in
               talk with him ? Why did he <lb/> attack his luncheon with that appearance of grim
               resolution ? For <lb/> a minute, after he had taken his seat, he eyed his knife,
               fork, and <lb/> napkin, as a labourer might a load that he had to lift, measuring
               <lb/> the difficulties he must cope with ; then he gave his head a </p>
            <fw type="catchword">resolute</fw>
            <pb n="131"/>
            <fw type="runningHead">By Henry Harland <fw type="pageNum">109</fw>
            </fw>
            <p>resolute nod, and set to work. To-day, as yesterday, he said very <lb/> little,
               murmured an occasional remark into the ear of Flaherty, <lb/> accompanying it usually
               with a sudden short smile : but he listened <lb/> to everything, and did so with
               apparent appreciation. </p>
            <p>Our proceedings were opened by Miss Hicks, who asked <lb/> Colonel Escott, " Well,
               Colonel, have you had your bath this <lb/> morning ? " </p>
            <p>The Colonel chuckled, and answered, "Oh, yes—yes, yes—<lb/> couldn't forego my bath,
               you know—couldn't possibly forego my <lb/> bath." </p>
            <p>" And what was the temperature of the water ? " she continued. </p>
            <p>" Fifty-two—fifty-two—three degrees warmer than the air— <lb/> three degrees,"
               responded the Colonel, still chuckling, as if the <lb/> whole affair had been
               extremely funny. </p>
            <p>" And you, Mr. Flaherty, I suppose you've been to Bayonne ? " </p>
            <p>" No, I've broken me habit, and not left the hotel." </p>
            <p>Subsequent experience taught me that these were conventional <lb/> modes by which the
               conversation was launched every day, like the <lb/> preliminary moves in chess. We
               had another ritual for dinner : <lb/> Miss Hicks then inquired if the Colonel had
               taken his ride, and <lb/> Flaherty played his game of golf. The next inevitable step
               was <lb/> common to both meals. Colonel Escott would pour himself a <lb/> glass of
               the <emph rend="italic">vin ordinaire</emph>, a jug of which was set by every plate,
               and <lb/> holding it up to the light, exclaim with simulated gusto, "Ah ! <lb/> Fine
               old wine ! Remarkably full rich flavour ! " At this <lb/> pleasantry we would all
               gently laugh ; and the word was free. </p>
            <p>Sir Richard, as I have said, appeared to be an attentive and <lb/> appreciative
               listener, not above smiling at our mildest sallies ; but <lb/> watching him out of
               the corner of an eye, I noticed that my own <lb/> observations seemed to strike him
               with peculiar force—which led <lb/> me to talk <emph rend="italic"> at </emph> him. Why not to him, with him ? The
               interest </p>
            <fw type="catchword">was</fw>
            <pb n="132"/>
            <fw type="runningHead">
               <fw type="pageNum">110</fw> A Responsibility</fw>
            <p>was reciprocal ; he would have liked a dialogue ; he would have <lb/> welcomed a
               chance to commence one ; and I could at any instant <lb/> have given him such a
               chance. I talked <emph rend="italic">at</emph> him, it is true ; but I <lb/> talked
                  <emph rend="italic">with</emph> Flaherty or Miss Hicks, or <emph rend="italic"
                  >to</emph> the company at large. <lb/> Of his separate identity he had no reason
               to believe me conscious. <lb/> From a mixture of motives, in which I'm not sure that
               a certain <lb/> heathenish enjoyment of his embarrassment didn't count for some- <lb/>
               thing, I was determined that if he wanted to know me he must <lb/> come the whole
               distance ; I wouldn't meet him half-way. Of <lb/> course I had no idea that it could
               be a matter of the faintest real <lb/> importance to the man. I judged his feelings
               by my own ; and <lb/> though I was interested in him, I shall have conveyed an
               altogether <lb/> exaggerated notion of my interest if you fancy it kept me awake
               <lb/> at night. How was I to guess that <emph rend="italic">his</emph> case was more
               serious—<lb/> that he was not simply desirous of a little amusing talk, but <lb/>
               starving, starving for a little human sympathy, a little brotherly <lb/> love and
               comradeship ?—that he was in an abnormally sensitive <lb/> condition of mind, where
               mere-negative unresponsiveness could <lb/> hurt him like a slight or a rebuff? </p>
            <p>In the course of the week I ran over to Pau, to pass a day with <lb/> the
               Winchfields, who had a villa there. When I came back I <lb/> brought with me all that
               they (who knew everybody) could tell <lb/> about Sir Richard Maistre. He was
               intelligent and amiable, but <lb/> the shyest of shy men. He avoided general society,
               frightened <lb/> away perhaps by the British Mamma, and spent a good part of <lb/>
               each year abroad, wandering rather listlessly from town to town. <lb/> Though young
               and rich, he was neither fast nor ambitious : the <lb/> Members entrance to the House
               of Commons, the stage-doors of <lb/> the music halls, were equally without glamour
               for him ; and if he <lb/> was a Justice of the Peace and a Deputy Lieutenant, he had
               become <lb/> so through the tacit operation of his stake in the country. He </p>
            <fw type="catchword">had</fw>
            <pb n="133"/>
            <fw type="runningHead">By Henry Harland <fw type="pageNum">111</fw>
            </fw>
            <p>had chambers in St. James's Street, was a member of the <lb/> Travellers Club, and
               played the violin—for an amateur rather <lb/> well. His brother, Mortimer Maistre,
               was in diplomacy—at Rio <lb/> Janeiro or somewhere. His sister had married an
               Australian, and <lb/> lived in Melbourne. </p>
            <p>At the Hôtel d'Angleterre I found his shyness was mistaken for<lb/> indifference. He
               was civil to everybody, but intimate with none.<lb/> He attached himself to no party,
               paired off with no individuals.<lb/> He sought nobody. On the other hand, the persons
               who went<lb/> out of their way to seek him, came back, as they felt, repulsed.<lb/>
               He had been polite but languid. These, however, were not the<lb/> sort of persons he
               would be likely to care for. There prevailed a<lb/> general conception of him as
               cold, unsociable. He certainly<lb/> walked about a good deal alone—you met him on the
               sands, on the<lb/> cliffs, in the stiff little streets, rambling aimlessly, seldom
               with a<lb/> companion. But to me it was patent that he played the solitary <lb/> from
               necessity, not from choice—from the necessity of his tem-<lb/> perament. A companion
               was precisely that which above all <lb/> things his heart coveted ; only he didn t
               know how to set about <lb/> annexing one. If he sought nobody, it was because he
               didn't <lb/> know how. This was a part of what his eyes said ; they bespoke <lb/> his
               desire, his perplexity, his lack of nerve. Of the people who <lb/> put themselves out
               to seek him, there was Miss Hicks ; there <lb/> were a family from Leeds, named Bunn,
               a father, mother, son, <lb/> and two redoubtable daughters, who drank champagne with
               every <lb/> meal, dressed in the height of fashion, said their say at the tops of
               <lb/> their voices, and were understood to be auctioneers ; a family <lb/> from
               Bayswater named Krausskopf. I was among those whom <lb/> he had marked as men he
               would like to fraternise with. As often <lb/> as our paths crossed, his eyes told me
               that he longed to stop and <lb/> speak, and continue the promenade abreast. I was
               under the </p>
            <fw type="catchword">control</fw>
            <pb n="134"/>
            <fw type="runningHead">
               <fw type="pageNum">112</fw> A Responsibility</fw>
            <p>control of a demon of mischief; I took a malicious pleasure <lb/> in eluding and
               baffling him—in passing on with a nod. It had <lb/> become a kind of game ; I was
               curious to see whether he would <lb/> ever develop sufficient hardihood to take the
               bull by the horns. <lb/> After all, from a conventional point of view, my conduct was
               <lb/> quite justifiable. I always meant to do better by him next time,<lb/> and then
               I always deferred it to the next. But from a con-<lb/> ventional point of view my
               conduct was quite unassailable. I said <lb/> this to myself when I had momentary
               qualms of conscience. Now,<lb/> rather late in the day, it strikes me that the
               conventional point of<lb/> view should have been re-adjusted to the special case. I
               should<lb/> have allowed for his personal equation. </p>
            <p>My cousin Wilford came to Biarritz about this time, stopping<lb/> for a week, on his
               way home from a tour in Spain. I couldn't <lb/> find a room for him at the Hôtel
               d'Angleterre, so he put up at<lb/> a rival hostelry over the way ; but he dined with
               me on the<lb/> evening of his arrival, a place being made for him between mine<lb/>
               and Monsieur's. He hadn't been at the table five minutes before<lb/> the rumour went
               abroad who he was somebody had recognised<lb/> him. Then those who were within reach
               of his voice listened<lb/> with all their ears—Colonel Escott, Flaherty, Maistre, and
               Miss<lb/> Hicks, of course, who even called him by name : " Oh, Mr.<lb/> Wilford."
               "Now, Mr. Wilford," &amp;c. After dinner, in the<lb/> smoking-room, a cluster of
               people hung round us; men with<lb/> whom I had no acquaintance came merrily up and
               asked to be<lb/> introduced. Colonel Escott and Flaherty joined us. At the<lb/>
               outskirts of the group I beheld Sir Richard Maistre. His eyes<lb/> (without his
               realising it perhaps) begged me to invite him, to<lb/> present him, and I affected
               not to understand ! This is one of<lb/> the little things I find hardest to forgive
               myself. My whole<lb/> behaviour towards the young man is now a subject of self- </p>
            <fw type="catchword">reproach ; </fw>
            <pb n="135"/>
            <fw type="runningHead">By Henry Harland <fw type="pageNum">113</fw>
            </fw>
            <p>reproach : if it had been different, who knows that the tragedy of<lb/> yesterday
               would ever have happened ? If I had answered his<lb/> timid overtures, walked with
               him, talked with him, cultivated his<lb/> friendship, given him mine, established a
               kindly human relation<lb/> with him, I can't help feeling that he might not have got
               to such<lb/> a desperate pass, that I might have cheered him, helped him, saved<lb/>
               him. I feel it especially when I think of Wilford. His eyes<lb/> attested so much ;
               he would have enjoyed meeting him so keenly.<lb/> No doubt he was already fond of the
               man, had loved him through<lb/> his books, like so many others. If I had introduced
               him ? If we<lb/> had taken him with us the next morning, on our excursion to<lb/>
               Cambo ? Included him occasionally in our smokes and parleys ? </p>
            <p>Wilford left for England without dining again at the Hôtel<lb/> d'Angleterre. We were
               busy "doing" the country, and never<lb/> chanced to be at Biarritz at the
               dinner-hour. During that week<lb/> I scarcely saw Sir Richard Maistre. </p>
            <p>Another little circumstance that rankles especially now would<lb/> have been
               ridiculous, except for the way things have ended. It<lb/> isn't easy to tell it was
               so petty—and I am so ashamed. Colonel<lb/> Escott had been abusing London, describing
               it as the least<lb/> beautiful of the capitals of Europe, comparing it unfavourably
               to<lb/> Paris, Vienna, and St. Petersburg. I took up the cudgels in its<lb/> defence,
               mentioned its atmosphere, its tone ; Paris, Vienna, St.<lb/> Petersburg were lyric,
               London was epic ; and so forth and so,<lb/> forth. Then, shifting from the aesthetic
               to the utilitarian, I<lb/> argued that of all great towns it was the healthiest, its
               death-rate<lb/> was lowest. Sir Richard Maistre had followed my dissertation<lb/>
               attentively, and with a countenance that signified approval ; and<lb/> when, with my
               reference to the death-rate, I paused, he suddenly<lb/> burned his ships. He looked
               me full in the eye, and said,<lb/> "Thirty-seven, I believe?" His heightened colour,
               a nervous </p>
            <fw type="footer">The Yellow Book Vol. II. <emph>G</emph>
            </fw>
            <fw type="catchword">movement</fw>
            <pb n="136"/>
            <fw type="runningHead">
               <fw type="pageNum">114</fw> A Responsibility </fw>
            <p>movement of the lip, betrayed the effort it had cost him ; but at<lb/> last he had
                  <emph rend="italic">done</emph> it screwed his courage to the sticking-place,
               and<lb/> spoken. And I—I can never forget it—I grow hot when I<lb/> think of it but I
               was possessed by a devil. His eyes hung on<lb/> my face, awaiting my response,
               pleading for a cue. " Go on,"<lb/> they urged. " I have taken the first, the
               difficult step—make the<lb/> next smoother for me." And I—I answered lackadaisically,
               with<lb/> just a casual glance at him, " I don't know the figures," and<lb/> absorbed
               myself in my viands. </p>
            <p>Two or three days later his place was filled by a stranger, and<lb/> Flaherty told me
               that he had left for the Riviera. </p>
            <p>All this happened last March at Biarritz. I never saw him<lb/> again till three weeks
               ago. It was one of those frightfully hot<lb/> afternoons in July ; I had come out of
               my club, and was walking<lb/> up St. James's Street, towards Piccadilly ; he was
               moving in an<lb/> opposite sense ; and thus we approached each other. He didn't<lb/>
               see me, however, till we had drawn rather near to a conjunction :<lb/> then he gave a
               little start of recognition, his eyes brightened, his<lb/> pace slackened, his right
               hand prepared to advance itself—and I<lb/> bowed slightly, and pursued my way ! Don't
               ask why I did<lb/> it. It is enough to confess it, without having to explain it.
               I<lb/> glanced backwards, by and by, over my shoulder. He was stand<lb/> ing where I
               had met him, half turned round, and looking after<lb/> me. But when he saw that I was
               observing him, he hastily<lb/> shifted about, and continued his descent of the
               street. </p>
            <p>That was only three weeks ago. Only three weeks ago I still<lb/> had it in my power
               to act. I am sure—I don't know why I am<lb/> sure, but I <emph rend="italic"
                  >am</emph> sure—that I could have deterred him. For all<lb/> that one can gather
               from the brief note he left behind, it seems he<lb/> had no special, definite motive
               ; he had met with no losses, got<lb/> into no scrape ; he was simply tired and sick
               of life and of himself. </p>
            <fw type="catchword">" I have </fw>
            <pb n="137"/>
            <fw type="runningHead">By Henry Harland <fw type="pageNum">115</fw>
            </fw>
            <p>" I have no friends," he wrote. " Nobody will care. People<lb/> don't like me; people
               avoid me. I have wondered why ; I have<lb/> tried to watch myself, and discover; I
               have tried to be decent. I<lb/> suppose it must be that I emit a repellent fluid ; I
               suppose I am a<lb/> 'bad sort.'" He had a morbid notion that people didn't like
               him,<lb/> that people avoided him ! Oh, to be sure, there were the Bunns<lb/> and the
               Krausskopfs and their ilk, plentiful enough : but he under<lb/> stood what it was
               that attracted <emph rend="italic">them</emph>. Other people, the people<lb/>
               <emph rend="italic">he</emph> could have liked, kept their distance—were civil,
               indeed, but<lb/> reserved. He wanted bread, and they gave him a stone. It never<lb/>
               struck him, I suppose, that they attributed the reserve to him.<lb/> But I—I knew
               that his reserve was only an effect of his shyness ;<lb/> I <emph rend="italic"
                  >knew</emph> that he wanted bread : and that knowledge constituted my<lb/> moral
               responsibility. I didn't know that his need was extreme ;<lb/> but I have tried in
               vain to absolve myself with the reflection. I<lb/> ought to have made inquiries. When
               I think of that afternoon<lb/> in St. James's Street—only three weeks ago—I feel like
               an<lb/> assassin. The vision of him, as he stopped and looked after me—<lb/> I can't
               banish it. Why didn't some good spirit move me to turn<lb/> back and overtake him ? </p>
            <p>It is so hard for the mind to reconcile itself to the irretrievable.<lb/> I can't
               shake off a sense that there is something to be done. I<lb/> can't realise that it is
               too late.</p>
         </div>
      </body>
   </text>
</TEI>
