Yellow Nineties 2.0 The Yellow Book: An Illustrated Quarterly, Volume 1 April 1894 <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <p> <date>2019</date> </p> </editionStmt> <publicationStmt> <idno>YBV1_14po</idno> <publisher>Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor> <persName>Henry Harland & Aubrey Beardsley</persName> </editor> <author>William Watson</author> <title>Two Sonnets Elkin Mathews & John Lane London Copeland & Day Boston April 1894 Watson, William. "Two Sonnets." The Yellow Book, vol. 1, April 1894, pp. 113-14. Yellow Book Digital Edition, edited by Dennis Denisoff and Lorraine Janzen Kooistra, 2010-2014. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2019. https://1890s.ca/YBV1_watson_twosonnets

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

1894 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Poetry Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Periodical Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
Two Sonnets By William Watson

I—The Frontier

A T the hushed brink of twilight,—when, as though Some solemn journeying phantom paused to lay An ominous finger on the awestruck day, Earth holds her breath till that great presence go,— A moment comes of visionary glow, Pendulous twixt the gold hour and the grey, Lovelier than these, more eloquent than they Of memory, foresight, and life's ebb and flow. So have I known, in some fair woman's face, While viewless yet was Time's more gross imprint, The first, faint, hesitant, elusive hint Of that invasion of the vandal years Seem deeper beauty than youth's cloudless grace, Wake subtler dreams, and touch me nigh to tears. No 114 Two Sonnets

II—Night on Curbar Edge, Derbyshire

N O echo of man's life pursues my ears ; Nothing disputes this Desolation's reign ; Change comes not, this dread temple to profane, Where time by aeons reckons, not by years. Its patient form one crag, sole-stranded, rears, Type of whate'er is destined to remain While yon still host encamped on Night's waste plain Keeps armed watch, a million quivering spears. Hushed are the wild and wing'd lives of the moor ; The sleeping sheep nestle neath ruined wall, Or unhewn stones in random concourse hurled : Solitude, sleepless, listens at Fate's door ; And there is built and stablisht over all Tremendous Silence, older than the world.