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            <title>Yellow Nineties 2.0</title>
            <title>The Yellow Book: An Illustrated Quarterly, Volume 1 April 1894</title>
            <title type="YBV1_simpson_dedication"/>
            <editor>Lorraine Janzen Kooistra</editor>
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            <p>
               <date>2019</date>
            </p>
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            <idno>YBV1_24dr</idno>
            <publisher>Yellow Nineties 2.0</publisher>
            <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
            <address>
               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
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                  <editor>
                     <persName>Henry Harland &amp; Aubrey Beardsley</persName>
                  </editor>
                  <author>Fred M. Simpson</author>
                  <title>The Dedication</title>
                  <imprint>
                     <publisher>Elkin Mathews &amp; John Lane</publisher>
                     <pubPlace> London </pubPlace>
                     <publisher>Copeland &amp; Day</publisher>
                     <pubPlace>Boston</pubPlace>
                     <date>April 1894</date>
                     <biblScope>Simpson, Fred M. "The Dedication." <emph rend="italic">The Yellow
                        Book</emph>, vol. 1, April 1894, pp. 159-84. <emph rend="italic">Yellow Book Digital Edition</emph>, edited by Dennis Denisoff and Lorraine Janzen Kooistra, 2010-2014. <emph rend="italic">Yellow Nineties 2.0</emph>,
                        Ryerson University Centre for Digital Humanities, 2019. https://1890s.ca/YBV1_simpson_dedication </biblScope>
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               verbal and visual printed material, including non-referential physical elements such as
               bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
               processes that have specific manifestations at precise historical moments.
               The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
               siècle aesthetic periodicals, together with paratexts of production and reception such as
               cover designs, advertising materials, and reviews. This historical material is enhanced
               by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
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               website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
               completed and Phase Two (2016-2021) is underway. </p>
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         <div n="YBV1_24dr" type="drama">
            <pb n="177"/>
            <head rend="case(title)align(left)size(18pt)">
               <title level="a">The Dedication</title>
            </head>
            <byline>By <docAuthor>
                  <ref target="#FSI">Fred M. Simpson</ref>
               </docAuthor>
            </byline>
            <p rend="align(centre)">
               <emph rend="dropcaps">PERSONS REPRESENTED</emph><lb/>
               <emph rend="case(title)align(centre)size(16pt)">
                  <persName type="fictional">Lucy Rimmerton</persName>. <persName type="fictional"
                     >Harold Sekbourne</persName>
                  <lb/>
               </emph>
            </p>
            <div type="scene">
               <head rend="case(title)align(centre)size(16pt)">Scene I—The period is 1863</head>
               <lb/>
               <stage type="setting" rend="align(centre)">
                  <emph rend="italic">The sitting-room in </emph>
                  <persName type="fictional">Lucy Rimmerton</persName>'s <emph rend="italic"
                     >lodgings. She is seated in<lb/>front of the fire making some toast.</emph>
               </stage>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p>There ! I think that will do, although it isn't anything<lb/> very great.
                        <stage type="business">[<emph rend="italic">Rises.</emph>]</stage> What a
                     colour I must have ! <persName type="fictional">Harold</persName> says<lb/> I
                     always manage to toast myself very much better than I do the<lb/> bread. <stage
                        type="business">[<emph rend="italic">Lights the gas, and begins arranging
                           some flowers on the<lb/> table</emph>.]</stage> His favourite flowers ; I
                     know he will be pleased when<lb/> he sees them. How strange it is that he
                     should really care for<lb/> me !—I, who am so commonplace and ordinary, hardly
                     pretty<lb/> either, although he says I am. I always tell him he might have<lb/>
                     done so much better than propose to a poor governess without a<lb/> penny.—Oh,
                     if only his book proves a success !—a really great<lb/> success !—how glorious
                     it will be ! Why doesn't the wretched<lb/>
                     <fw type="catchword">publisher</fw>
                     <pb n="178"/>
                     <fw type="pageNum">160</fw>
                     <fw type="runningHead">The Dedication</fw> publisher make haste and bring it
                     out ? I believe he is keeping it<lb/> back on purpose. What dreadful creatures
                     they are ! At first—<lb/> squabble, squabble, squabble ; squabble about terms,
                     squabble about<lb/> this, another squabble about that, and then, when
                     everything is<lb/> finally arranged, delay, delay, delay. <q>"You must wait for
                        the<lb/> publishing season."</q> As though a book were a young lady
                     whose<lb/> future might be seriously jeopardised if it made its <foreign
                        xml:lang="fr" rend="italic">début</foreign> at an<lb/> unfashionable
                     time.</p>
               </sp>
               <space/>
               <p rend="align(centre)">
                  <stage type="entrance">[<emph rend="italic">The door opens, and </emph>
                     <persName type="fictional">Harold </persName>
                     <emph rend="italic">bursts into the room.</emph> ]</stage>
               </p>
               <lb/>
               <space/>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent">Harold.</emph></speaker>
                  <p> It's out, it's out ; out at last.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> What, the book ! Really ! Where is it ? Do show it<lb/> to me.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Do you think you deserve it !</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Oh ! don't tantalise me. Have you seen it ? What is <lb/> it like !</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> It is printed, and very much like other books.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> You are horrid. I believe you have it with you. Have<lb/> you ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> And what if I say yes ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> You have. Do let me see it.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> And will you be very good if I do !</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> I'll be angelic.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Then on that condition only—There ! take it gently. <lb/>
                     <stage type="business">[<persName type="fictional">Lucy</persName>
                        <emph rend="italic"> snatches it, and cuts the string.</emph>]</stage> I
                     thought you never cut<lb/> string ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p>There is never a never that hasn't an exception,</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Not a woman's, certainly.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Oh ! how nice it looks ! And to think that it is yours,<lb/> really and truly
                     yours. " <quote>Grace : a Sketch. By <persName type="fictional">Harold
                           Sek-<lb/> bourne</persName>.</quote>" It s delicious ! <stage
                        type="business">[<emph rend="italic">Holding the book, dances round the
                           room.</emph>]</stage>
                     <lb/>
                  </p>
               </sp>
               <fw type="catchword" rend="italic">Harold</fw>
               <pb n="179"/>
               <fw type="runningHead">By Fred M. Simpson</fw>
               <fw type="pageNum">161</fw>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> I shall begin to be jealous. You will soon be more in <lb/> love with my book
                     than you are with me.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> And why shouldn't I be ? Haven' t you always said that<lb/> a man's work is
                     the best part of him ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> If my silly sayings are to be brought up in evidence<lb/> against me like
                     this, I shall—</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> You shall what ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Take the book back.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Oh, will you ? I should like to see you do it. <stage type="business">[<emph
                           rend="italic">Holds<lb/> it behind her.</emph>]</stage> You have got to
                     get it first.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> And what are you going to give me for it ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Isn't it a presentation copy ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> It is the very first to leave the printer's.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Then you ought not to want any payment.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> I do though, all the same. Come—no payment, no<lb/> book.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> There, there, there !</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> And there.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Oh ! don't ! You ll stifle me. And is this for me ;<lb/> may I really keep it
                     ? </p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Of course you may ; I brought it expressly for you.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> How nice of you ! And you'll write my name in it ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> I'll write the dedication.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> What do you mean ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> You shall see. Pen and ink for the author ! A new<lb/> pen and virgin ink
                     !</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Your Authorship has but to command to be obeyed.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p>
                     <stage type="business">[<emph rend="italic">Sitting down, writes.
                        </emph>]</stage> It is printed in all the other<lb/> copies, but this one I
                     have had bound specially for you, with a<lb/> blank sheet where the dedication
                     comes, so that in your copy, and<lb/> yours alone, I can write it myself.
                     There. <lb/>
                  </p>
               </sp>
               <fw type="catchword">
                  <emph rend="italic">Lucy</emph>
               </fw>
               <pb n="180"/>
               <fw type="pageNum">162</fw>
               <fw type="runningHead">The Dedication</fw>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p>
                     <stage type="business">[<emph rend="italic">Looks over his shoulder and
                           reads</emph>]</stage> "<quote>To my Lady<lb/>
                        <persName type="fictional">Luce</persName>
                     </quote>" Oh, <persName type="fictional">Harold</persName>, you have dedicated
                     it to me!</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Who else could I dedicate it to ? although tis—<lb/> "<quote> Not so much
                        honouring thee,<lb/> As giving it a hope that now<lb/> It may immortal
                        be.</quote>"</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> It is good of you.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p>
                     <stage type="business">[<emph rend="italic">Writes again.</emph> ]</stage> "<quote>
                        <persName type="nonfictional">Harold Sekbourne</persName>
                     </quote>"—what's to<lb/> day ? oh, yes, — "<quote>
                        <date>3rd November, 1863</date>.</quote>"</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> And will people know who the "<quote> Lady <persName type="fictional"
                           >Luce</persName>
                     </quote>" is ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> They will some day. The dedication in my next<lb/> book shall be "<quote>To my
                        Lady Wife.</quote>"</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> I wonder if I shall ever be that. It seems so long<lb/> coming.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> I don't mind when it is to-morrow, if you like.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Don't talk nonsense, although it is my fault for beginning<lb/> it. And now
                     sit down no, here in the arm-chair and you shall<lb/> have some nice tea.</p>
               </sp>
               <p rend="align(centre)">
                  <stage type="business">[<emph rend="italic">She makes and pours out the tea as
                     </emph>Harold <emph rend="italic">talks.</emph>]</stage>
               </p>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> You won't have to wait long if this proves a success :<lb/> and it will be
                     one. I know it ; I feel it. It isn't only that<lb/> everybody who has read it,
                     likes it ; it's something else that I can't<lb/> describe, not even to you ; a
                     feeling inside, that—call it conceit if<lb/> you like, but it isn't conceit ;
                     it isn't conceit to feel confidence in<lb/> oneself. Why, look at the trash,
                     the arrant trash, that succeeds<lb/> every day ; you will say, perhaps, that it
                     succeeds because it is trash,<lb/> that trash is what people want they
                     certainly get it. But no<lb/> book that ever had real stuff in it has failed
                     yet, and I feel<lb/> that—Ha ! ha ! the same old feeling mentioned above.
                     Don't<lb/> think me an awful prig, <persName type="fictional">Luce</persName>I
                     don't talk to anybody else<lb/> as I do to you ; and if you only knew what a
                     relief it is to<lb/>
                     <fw type="catchword">me</fw>
                     <pb n="181"/>
                     <fw type="runningHead">By Fred M. Simpson</fw>
                     <fw type="pageNum">163</fw> me to let myself go a bit occasionally, you would
                     excuse every<lb/> thing.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> You have a right to be conceited.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Not yet. I have done nothing yet ; but I mean to.<lb/>
                     <stage type="business">[<emph rend="italic">Takes up the book.</emph>]</stage>
                     I wonder what will become of you and<lb/> your fellows ; what will be your
                     future ? Will you one day<lb/> adorn the shelves of libraries, figure in
                     catalogues of "<quote> Rare books<lb/> and first editions,</quote>" and be
                     contended for by snuffy, long-clothed<lb/> bibliomaniacs, who will bid one
                     against the other for the honour of<lb/> possessing you ? Or will you descend
                     to the tables of secondhand<lb/> book-stalls marked at a great reduction ; or
                     lie in a heap, with<lb/> other lumber, outside the shop-front, all this lot
                     sixpence each,<lb/> awaiting there, uncared for, unnoticed, and unknown, your
                     ultimate<lb/> destination, the dust-hole ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> You are horrid. What an idea!</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> No, I don't think that will be your end. <stage type="business">[<emph
                           rend="italic">Puts down<lb/> the book.</emph>]</stage> You are not going
                     to the dustbin, you are going to<lb/> be a success. No more hack work for me
                     after this. Why, sup-<lb/> posing only the first edition is sold, I more than
                     clear expenses,<lb/> and if it runs to two—ten—twenty editions, I shall
                     receive—the<lb/> amount fairly takes my breath away. Twentieth thousand ;<lb/>
                     doesn't it sound fine ? We shall have our mansion in <placeName type="street"
                        >Grosvenor<lb/> Square</placeName> yet, <persName type="fictional"
                        >Luce</persName>; and that charming, little old house we saw the<lb/> other
                     day up the river—we'll have that, too ; so that we can run<lb/> down here from
                     Saturday to Monday, to get away from <placeName type="city">London</placeName>
                     <lb/> fog and nastiness. Yes, I am going to be rich some day—rich<lb/> —in ten
                     years time, if this book gets a fair start and I have any<lb/> thing like
                     decent luck, I shall be the best known author in<lb/>
                     <placeName type="country">England</placeName>. <stage type="business">[<emph
                           rend="italic">Rises.</emph>]</stage> The son of the old bookseller who
                     failed will<lb/> be able then to repay those who helped him when he wanted
                     help,<lb/> and, more delightful thought still, pay back those with interest<lb/>
                     <fw type="footer">The Yellow Book Vol.—I. <emph>K</emph>
                     </fw>
                     <fw type="catchword">who</fw>
                     <pb n="182"/>
                     <fw type="pageNum">164</fw>
                     <fw type="runningHead">The Dedication</fw> who did their best to keep him down,
                     when they could just as<lb/> easily have helped him to rise. I am going to have
                     a success, I<lb/> feel it. In a few weeks' time I'll bring you a batch of
                     criticisms<lb/> that will astonish you. But what is the matter ? why so
                     silent<lb/> all of a sudden ? has my long and conceited tirade disgusted you
                     ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> No, not at all. </p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Then what is it ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> I was only thinking that—<stage type="delivery">[<emph rend="italic"
                           >hesitates</emph>]</stage>,</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Thinking what ? About me :</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Yes, about you and—and also about myself</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> That is just as it should be, about us two together.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Yes, but I was afraid——</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p>
                     <stage type="delivery">[<emph rend="italic">Smiling.</emph>]</stage> Afraid !
                     what of?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Nothing, nothing really. I am ashamed that let me give<lb/> you some more
                     tea.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> No, thanks. Come, let me hear, make a clean breast<lb/> of it.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> I can't, really ; you would only laugh at me.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Then why deny me a pleasure, for you know I love to<lb/> laugh ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Well, then—if you become famous—and rich——</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> If I do ; well ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> You won 't—you won't forget me, will you ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Forget you, what an idea ! Why do I want to become<lb/> famous ? why do I want
                     to become rich ? For my own sake ?<lb/> for the sake of the money ? Neither. I
                     want it for your sake, so<lb/> that you can be rich ; so that you can have
                     everything you can<lb/> possibly want. I don't mind roughing it a bit myself,
                     but——<lb/>
                  </p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> No more do I : I am sure we might be very happy living<lb/> even here.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> No, thank you ; no second pair fronts for me, or, <fw type="catchword"
                        >rather</fw>
                     <pb n="183"/>
                     <fw type="runningHead">By Fred M. Simpson</fw>
                     <fw type="pageNum">165</fw> rather, none for my wife. I want you to forget all
                     about this<lb/> place, as though it had never existed ; I want you to only<lb/>
                     remember your giving lessons as a nightmare which has passed<lb/> and gone. I
                     want you to take a position in the world, to go into<lb/> society——</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> But, Harold——</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> To entertain, receive, lead——</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> But I could never lead. I detest receiving. I hate<lb/> entertaining——</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Except me.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> I often wonder if I do. You are so clever and I——</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Such a goose. Whatever put such ideas into your<lb/> head ? Why, you are
                     actually crying.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> I am not.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Then what is that ? <stage type="delivery">[<emph rend="italic">Puts his
                           finger against her cheek</emph>]</stage>
                     <lb/> What is that little sparkling drop ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> It must be a tear of joy, then.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Which shall be used to christen the book !</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Oh, don't there, you have left a mark.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> It is your fault. My finger wouldn't have done it by<lb/> itself. Are you
                     going to be silly any more ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> No, I am not.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> And you are going to love me, believe in me, and trust me ? </p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> I do all three— implicitly</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p>
                     <stage type="business">[<emph rend="italic">He kisses her.</emph>]</stage> The
                     seal of the trinity. <stage type="business">[<emph rend="italic">Looks at<lb/>
                           his watch.</emph>]</stage> By Jove, I must be going.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> So soon ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Rather ; I have to dine in <placeName type="area">Berkeley Square</placeName>
                     at eight<lb/> o'clock, at <persName type="fictional">Sir Humphrey
                        Mockton</persName>'s. You would like their house,<lb/> it's a beauty, a
                     seventeenth or eighteenth century one, with such<lb/>
                     <fw type="catchword">a</fw>
                     <pb n="184"/>
                     <fw type="pageNum">166</fw>
                     <fw type="runningHead">The Dedication</fw> a gorgeous old staircase. He's
                     awfully rich, and just a little bit<lb/> vulgar—<q>"wool"</q> I think it was,
                     or <q>"cottons,"</q> or some other<lb/> commodity ; but his daughter is
                     charming—I should say daughters,<lb/> as there are two of them, so you needn't
                     be jealous.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Jealous ? of course I am not. Have you known them long ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Oh ! some little time. They are awfully keen to see<lb/> my book. I am going
                     to take—send them a copy. You see I<lb/> must be civil to these people, they
                     know such an awful lot of the<lb/> right sort ; and their recommendation of a
                     book will have more<lb/> weight than fifty advertisements. So good-bye. <stage
                        type="business">[<emph rend="italic">Takes his<lb/>
                        overcoat.</emph>]</stage>
                  </p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Let me help you. But you are going without noticing<lb/> my flowers.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> I have been admiring them all along, except when I<lb/> was looking at
                     you.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Don't be silly.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> They are charming. <persName type="fictional">Sir Humphrey</persName> has some
                     orchids<lb/> just the same colours ; you ought to see them ; he has
                     basketsful<lb/> sent up every week from his place in <placeName type="region"
                        >Surrey</placeName>.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> No wonder my poor little chrysanthemums didn't impress<lb/> you.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> What nonsense ! I would give more for one little<lb/> flower from you, than
                     for the contents of all his conservatories.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Then you shall have that for nothing.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Don't, it will destroy the bunch.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> What does that matter ? they are all yours.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> You do your best to spoil me.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p>
                     <stage type="business">[<emph rend="italic">Pins the flower into his
                           button-hole.</emph> ]</stage> Don't talk non-<lb/> sense. There !</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> What a swell you have made me look !</p>
               </sp>
               <fw type="catchword">
                  <emph rend="italic">Lucy</emph>
               </fw>
               <pb n="185"/>
               <fw type="runningHead">By Fred M. Simpson</fw>
               <fw type="pageNum">167</fw>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Good-bye ; when shall I see you again ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Not until Sunday, I am afraid ; I am so busy just now.<lb/> But I'll come
                     round early, and, if fine, we'll go and lunch at<lb/>
                     <placeName type="region">Richmond</placeName>, and have a good walk across the
                     Park afterwards.<lb/> Would you like it ?</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p> Above all things, but—but don't spend all your money<lb/> on me.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Harold.</speaker>
                  <p> Bother the money ! I am going to be rich. Good<lb/> bye till Sunday.</p>
               </sp>
               <sp>
                  <speaker rend="italic">
                     <emph rend="indent"/>Lucy.</speaker>
                  <p>
                     <foreign xml:lang="fr" rend="italic">Au revoir</foreign> ; and while you are
                     dining in your grand<lb/> house, with lots of grand people, I am going to enjoy
                     a delightful<lb/> evening here, not alone, as I shall have your book for
                     company.<lb/> Good-bye</p>
               </sp>
            </div>
            <space/>
            <div rend="scene">
               <p>
                  <emph rend="align(centre)">Six Months elapse between Scene I. and Scene II.</emph>
               </p>
               <space/>
               <div type="scene">
                  <head rend="case(title)align(centre)size(16pt)">Scene II —The Scene and Persons
                     are the same</head>
                  <lb/>
                  <stage type="setting" rend="align(centre)"> Lucy<emph rend="italic"> is dressed as
                        before ; she is seated.</emph> Harold <emph rend="italic">is in evening
                        dress,<lb/> with a flower in his button-hole ; he stands by the
                        fireplace.</emph>
                  </stage>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> Well, all I have to say is, I think you are most<lb/> unreasonable.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> You have no right to say that.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> I have if I think it.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Well, you have no right to think it.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> My thoughts are not my own, I suppose ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> They are so different from what I should have expected<lb/> you to have
                        that I almost doubt it.</p>
                  </sp>
                  <fw type="catchword">
                     <emph rend="italic">Harold</emph>
                  </fw>
                  <pb n="186"/>
                  <fw type="pageNum">168</fw>
                  <fw type="runningHead">The Dedication</fw>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> Better say I have changed at once.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> And so you have.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> Who is saying things one has no right to say now ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> I am only saying what I think.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> Then if you want to have the right to your own<lb/> thoughts, kindly let me
                        have the right to mine. <stage type="business">[<emph rend="italic">Walks to
                              the<lb/> window</emph>] </stage>I can't prevent people sending me
                        invitations, can I ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> You need not accept them.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> And make enemies right and left, I suppose ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> I don't want you to do that, and I don't want either to<lb/> prevent your
                        enjoying yourself ; but—but, I do want to see you<lb/> occasionally.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> And so you do.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Yes, very—perhaps I should say I want to see you often.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> And so do I you, but I can't be in two places at once.<lb/> This is what I
                        mean when I say you are unreasonable. I must<lb/> go out. If I am to write,
                        I must study people, character, scenes.<lb/> I can't do that by stopping at
                        home : I can't do that by coming<lb/> here ; I know you and I know your
                        landlady, and there is nobody<lb/> else in the house, except the slavey and
                        the cat ; and although the<lb/> slavey may be a very excellent servant and
                        the cat a most original<lb/> quadruped, still, I don't want to make
                        elaborate studies of animals<lb/> —either four-legged or two. One would
                        imagine, from the way<lb/> you talk, that I did nothing except enjoy myself.
                        I only go out in<lb/> the evenings.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Still you might spare a little time, now and then, to come<lb/> and see me,
                        if only for half an hour.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> What am I doing now ? I gave up a dinner-party to<lb/> come here
                        to-night.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Do you know it is exactly a month yesterday since you were here last ?</p>
                  </sp>
                  <fw type="catchword">
                     <emph rend="italic">Harold.</emph>
                  </fw>
                  <pb n="187"/>
                  <fw type="runningHead">By Fred M. Simpson</fw>
                  <fw type="pageNum">169</fw>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> I can't be always dangling at your apron-strings.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p>
                        <persName type="fictional">Harold</persName>!</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> If we are going to be married, we——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> If?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> Well, when, if you like it better ; we shall see enough<lb/> of one another
                        then. I have written to you, it isn't as though I<lb/> hadn't done that.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> But that is not the same thing as seeing you ; and your<lb/> letters, too,
                        have been so scrappy. <stage type="business">[<persName type="fictional"
                              >Harold</persName>
                           <emph rend="italic"> throws himself into the<lb/>
                           arm-chair.</emph>]</stage> They used to be so different before your book
                        came out.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> I had more time then.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> I sometimes wish that it had never been published at all,<lb/> that you had
                        never written it, or, at all events, that it had never<lb/> been such a
                        success.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> That's kind, at all events—deuced kind and considerate !</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> It seems to have come between us as a barrier. When I<lb/> think how
                        eagerly we looked forward to its appearance, what<lb/> castles in the air we
                        built as to how happy we were going to be,<lb/> and all the things we were
                        going to do, if it were a success, and<lb/> now to think that——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p>
                        <stage type="business">[<emph rend="italic">Jumps up.</emph> ]</stage> Look
                        here, Lucy, I'm damned if I can't<lb/> stand this much longer ! Nag, nag,
                        nag ! I can't stand it. I am<lb/> worked off my head during the day, I am
                        out half the night,<lb/> and when I come here for a little quiet, a little
                        rest, its—<stage type="delivery">[<emph rend="italic">Breaks<lb/> off
                              suddenly</emph>]</stage>.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> I am so sorry. If I had thought——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> Can't you see that you are driving me mad ? I have<lb/> been here half an
                        hour, and the whole of the time it has been<lb/> nothing but reproaches.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> I don't think they would hove affected you so much if<lb/> you hadn't felt
                        that you deserved them !</p>
                  </sp>
                  <fw type="catchword">
                     <emph rend="italic">Harold.</emph>
                  </fw>
                  <pb n="188"/>
                  <fw type="pageNum">170</fw>
                  <fw type="runningHead">The Dedication</fw>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> There you go again ! I deserve them—<stage type="business">[<emph
                              rend="italic">Laughs harshly</emph> ]</stage>.<lb/> It is my fault, I
                        suppose, that it is the season ; it is my fault that<lb/> people give
                        dinner-parties and balls ; it is my fault, I suppose, that<lb/> you don't go
                        out as much as I do ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Certainly not ; although, as a matter of fact, I haven't<lb/> been out one
                        single evening for the last three—nearly four—<lb/> months.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> That's right ; draw comparisons ; say I'm a selfish<lb/> brute. You'll tell
                        me next that I am tired of you, and——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Harold ! don't, don't you you hurt me! Of course<lb/> I never thought of
                        such a—[<emph rend="italic">she rises</emph>]—You are not, are you ? <lb/>
                        I—I couldn't bear it !</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> Of course I am not. Don't be so silly. <stage type="business">[<emph
                              rend="italic">He sits.</emph>]</stage>
                     </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> It was silly of me, I confess it. I know you better than<lb/> that. Why,
                        it's rank high treason, I deserve to lose my head ; and<lb/> my only excuse
                        is that thinking such a thing proves I must have<lb/> lost it already. Will
                        your majesty deign to pardon ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> [<emph rend="italic">Testify.</emph>] Yes, yes, that's all right ! There,
                        look out,<lb/> you'll crumple my tie.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> I am so sorry ! And now tell me all about your grand<lb/> friends and——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> They are not grand to me. Simply because a person<lb/> is rich or has a
                        title, I don't consider them any <q>"grander"</q> than I<lb/> —by jove, no !
                        These people are useful to me, or else I should't<lb/> stand it. They
                           <q>"patronise"</q> me, put their hand on my shoulder<lb/> and say, <q>"My
                           dear young friend, we predict great things for you."</q>
                        <lb/> The fools, as though a single one of them was capable even of<lb/>
                        forming an opinion, much less of prophesying. They make<lb/> remarks about
                        me before my face ; they talk of, and pet, me as<lb/> though I were a
                        poodle. I go through my tricks and they applaud ;<lb/> and they lean over
                        with an idiotic simper to the dear friend next to<lb/>
                        <fw type="catchword">them</fw>
                        <pb n="189"/>
                        <fw type="runningHead">By Fred M. Simpson</fw>
                        <fw type="pageNum">171</fw> them and say, <q>"Isn't he clever ? "</q> as
                        though they had taught me<lb/> themselves. Bah ! They invite me to their
                        houses, I dine with<lb/> them once a week ; but if I were to tell them
                        to-morrow that I<lb/> wanted to marry one of their daughters, they would
                        kick me out<lb/> of the room, and consider it a greater insult than if the
                        proposal had<lb/> come from their own footman.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> But that doesn't matter, because you don't want to marry<lb/> one of them,
                        do you ? Was that <persName type="fictional">Miss Mockton</persName> with
                        you in the<lb/> Park last Sunday ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> How do you know I was in the Park at all ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Because I saw you there. </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> You were spying, I suppose.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Spying ? I don't know what you mean. I went there<lb/> for a walk after
                           <persName type="fictional">Lucy Rimmerton</persName>.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> Alone ? </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Of course not, I was with <persName type="fictional">Mrs. Glover</persName>
                     </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> Your landlady ? </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Why not ?—Oh ! you need not be afraid. I shouldn't<lb/> have brought
                        disgrace upon you by obliging you to acknowledge<lb/> me before your grand
                        friends. I took good care to keep in the<lb/> background.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> Do you mean to insinuate that I am a snob ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Be a little kind.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> Well, it is your own fault, you insinuate that——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> I was wrong. I apologise, but—but— <stage type="business">[<emph
                              rend="italic">begins to cry</emph>]</stage>,</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> There, don't make a scene don't, there's a good girl.<lb/> There, rest your
                        head here, I suppose I am nasty. I didn't<lb/> mean it, really. You must
                        make allowances for me. I am<lb/> worried and bothered. I can't work—at
                        least I can't do work that<lb/> satisfies me—and altogether I am not quite
                        myself. Late hours<lb/> are playing the very deuce with my nerves. There,
                        let me kiss<lb/>
                        <fw type="catchword">away</fw>
                        <pb n="190"/>
                        <fw type="pageNum">172</fw>
                        <fw type="runningHead">The Dedication</fw> away the tears now give me your
                        promise that you will never be<lb/> so foolish again.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> I—I promise. It is silly of me—now I am all right. </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p>
                        <foreign xml:lang="fr">Giboulées d'Avril</foreign> ! The sun conies out once
                        more,<lb/> the shower is quite over.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Yes, quite over ; you always are so kind. It is my<lb/> fault entirely. I—I
                        think my nerves must be a little upset,<lb/> too.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> We shall make a nice couple, sha'n't we ? if we are often<lb/> going to
                        behave like this ! Now, are you quite calm ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Yes, quite. </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> That s right, because I want you to listen patiently for<lb/> a few minutes
                        to what I am going to say ; it is something I want<lb/> to talk to you about
                        very seriously. You won't interrupt me until<lb/> I have quite finished,
                        will you ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> What is it ? not that—no, I won't.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> You know we talked about—I mean it was arranged<lb/> we should be married
                        the beginning of July—wasn't it ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Yes.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> Well, I want to know if you would mind very much<lb/> putting it off a
                        little—quite a little only till—the autumn ? I'll<lb/> tell you why. Of
                        course if you <emph rend="italic">do</emph> mind very much, I sha'n't<lb/>
                        press it, but—it's like this : the scene of my new book is, as you<lb/>
                        know, laid abroad. I have been trying to write it, but can't get<lb/> on
                        with it one little bit. I want some local colour. I thought<lb/> I should be
                        able to invent it, I find I can't. It is hampering<lb/> and keeping me back
                        terribly. And so—and so I thought if<lb/> you didn't mind very much that
                        that if I were to go to <placeName type="country">France</placeName>
                        <lb/> for—for six months or so—alone, that in fact it would be the<lb/>
                        making of me. I have never had an opportunity before ; it has<lb/> always
                        been grind, grind, grind, and if I am prevented from<lb/>
                        <fw type="catchword">going</fw>
                        <pb n="191"/>
                        <fw type="runningHead">By Fred M. Simpson</fw>
                        <fw type="pageNum">173</fw> going now, I may never have a chance again. What
                        do you<lb/> say ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> But why shouldn't we be married as arranged, and spend<lb/> our honeymoon
                        over there ? </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> Because I want to work.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> And would my being there prevent you ? You used to<lb/> say you always
                        worked so much better when I was——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> But you don't understand. This is different. I want<lb/> to work <emph
                           rend="italic">hard</emph> and no man could do that on his
                        honeymoon—at<lb/> least I know I couldn't. </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> No, but—And and till when did you want to put off<lb/> our—our marriage ?
                        Until your return ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> Well, that would depend on circumstances. You don't<lb/> suppose I would
                        postpone it for a second, if I could help it ; but<lb/> Until my return ? I
                        hope sincerely that it can be managed<lb/> then, but, you see, over there I
                        shall be spending money all the<lb/> time, and not earning a <foreign
                           xml:lang="fr">sou</foreign>, and—and so we <emph rend="italic"
                           >might</emph> have to wait a<lb/> little bit longer, just until I could
                        replenish the locker, until I had<lb/> published and been paid for my new
                        book.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> But I have given notice to leave at midsummer.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> Has <persName type="fictional">Mrs. Duncan</persName> got another governess
                        !</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> No, but——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> Then you can stop on, can't you ! They will surely<lb/> be only too
                        delighted to keep you.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Yes—I can stop on. <stage type="business">[<emph rend="italic">He tries to
                              kiss her.</emph>]</stage> No, don't ;<lb/> not now.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> And you don't really mind the postponement very<lb/> much, do you ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Not if it will assist you.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> I thought you would say that, I knew you would. It<lb/> will assist me very
                        much. I shouldn't otherwise suggest it. It<lb/>
                        <fw type="catchword">does</fw>
                        <pb n="192"/>
                        <fw type="pageNum">174</fw>
                        <fw type="runningHead">The Dedication</fw> does seem too bad though, doesn't
                        it ? To have to postpone it<lb/> after waiting all these years, and just as
                        it was so near, too. I<lb/> have a good mind not to go, after all—only, if I
                        let this chance<lb/> slip, I may never have another. Besides, six months is
                        not so<lb/> very long, is it ? And when they are over, then we won't
                        wait<lb/> any longer. You will come and see me off, won't you ? It
                        would<lb/> never do for an engaged man to go away for even six months,<lb/>
                        without his lady love coming to see him start.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Yes, I will come. When do you go ? </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> The end of next week, I expect ; perhaps earlier if I<lb/> can manage it.
                        But I shall see you before then. We'll go and<lb/> have dinner together at
                        our favourite little restaurant. When<lb/> shall it be ! Let me see, I am
                        engaged on—I can't quite remember<lb/> what my engagements are, </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> I have none. </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Harold.</speaker>
                     <p> Then that's settled. Good-bye, <persName type="fictional">Luce</persName>;
                        you don't mind<lb/> very much, do you ? The time will soon pass. You are a
                        little<lb/> brick to behave as you have done. <stage type="business">[<emph
                              rend="italic">Going.</emph>]</stage> It will be Monday or<lb/> Tuesday
                        next for our dinner, but I will let you know. Good<lb/> bye. </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Good-bye. </p>
                  </sp>
                  <p>
                     <stage type="mixed">
                        <emph rend="align(centre)">Thirty Years elapse between Scene II. and Scene
                           III.</emph>
                     </stage>
                  </p>
               </div>
               <fw type="catchword">Scene</fw>
               <pb n="193"/>
               <fw type="runningHead">By Fred M. Simpson</fw>
               <fw type="pageNum">175</fw>
               <space/>
               <div type="scene">
                  <head rend="case(title)align(centre)size(16pt)">Scene III—<persName
                        type="fictional">Lucy Rimmerton</persName>, <persName type="fictional">Agnes
                        Rimmerton</persName>
                     <lb/>(her niece) </head>
                  <lb/>
                  <stage type="setting">
                     <emph rend="italic"> A well-furnished comfortable room in </emph>
                     <persName type="fictional">Lucy Rimmerton</persName>'s<emph rend="italic"> house.<lb/>
                        <emph rend="indent"/>She is seated in front of the fire, in an easy-chair, reading.<lb/>
                        <emph rend="indent"/>The door opens, without her noticing it, and </emph>
                     <persName type="nonfictional">Agnes</persName>
                     <emph rend="italic"> comes<lb/>
                        <emph rend="indent"/>in, closes the door gently, crosses the room, and bends over<lb/>
                        <emph rend="indent"/>her.</emph>
                  </stage>
                  <space/>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> A happy New Year to you, Aunt <persName type="fictional"
                        >Luce</persName>.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> What ! <persName type="fictional">Agnes</persName>, is that you ? I never
                        heard you come in.<lb/> I really think I must be getting deaf.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> What nonsense ! I didn't intend you should hear me.<lb/> I wanted to wish
                        you a happy New Year first.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> So as to make your Aunt play second fiddle. The same<lb/> to you, dear.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Thank you. <stage type="business">[<emph rend="italic">Warms her hands at
                              the fire</emph>]</stage> Oh, it <emph rend="italic">is</emph>
                        <lb/> cold ; not here I mean, but out of doors ; the thermometer is<lb/>
                        down I don't know how many degrees below freezing</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> It seems to agree with you, at all events. You look as<lb/> bright and rosy
                        as though you were the New Year itself come to<lb/> visit me.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p>
                        <stage type="delivery">[<emph rend="italic">Laughs merrily</emph>]</stage>
                        So I ought to. I ran nearly all the<lb/> way, except when I slid, to the
                        great horror of an old gentleman<lb/> who was busily engaged lecturing some
                        little boys on the enormity<lb/> of their sins in making a beautifully long
                        slide in the middle of the<lb/> pavement.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> And what brought you out so early ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> To see you, of course. Besides, the morning is so lovely<lb/>
                        <fw type="catchword">it</fw>
                        <pb n="194"/>
                        <fw type="pageNum">176</fw>
                        <fw type="runningHead">The Dedication</fw> it seemed a sin to remain
                        indoors. I do hope the frost continues<lb/> all the holidays.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> It is all very well for you, but it must be terribly trying<lb/> for many
                        people—the poor, for instance.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Yes. <stage type="delivery">[<emph rend="italic">A pause.</emph>]</stage>
                        Auntie, you don't know anything, do<lb/> you, about how how poor people live
                        ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Not so much as I ought to.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> I didn't mean very poor people, not working people. I<lb/> meant a person
                        poor like—like I am poor.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p>
                        <stage type="delivery">[<emph rend="italic">Smiling</emph>]</stage> Don't
                        you know how you live yourself?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Of course I do, but—I was thinking of—of a friend of<lb/> mine, a governess
                        like myself, who has just got engaged ; and I<lb/> I was wondering on how
                        much, or, rather, how little, they could<lb/> live. But you don't know of
                        course. You are rich, and——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> But I wasn't always rich. Thirty years ago when I was<lb/> your age——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> When you were my age ! I like that ! why you are<lb/> not fifty.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Little flatterer. Fifty-two last birthday.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Fifty-two ! Well, you don't look it, at all events.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Gross flatterer. When I was your age I was poor and a<lb/> governess as you
                        are.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> But I thought that your Aunt <persName type="fictional">Emily</persName>
                        left you all her<lb/> money.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> So she did, or nearly all ; but that was afterwards. It<lb/> isn't quite
                        thirty years yet since she came back from <placeName type="country"
                           >India</placeName>, a<lb/> widow, just after she had lost her husband and
                        only child. I was<lb/> very ill at the time—I almost died ; and she, good
                        woman as she<lb/> was, came and nursed me.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Of course, I know. I have heard father talk about it.<lb/> And then she was
                        taken ill, wasn't she ?</p>
                  </sp>
                  <fw type="catchword">
                     <emph rend="italic">Lucy.</emph>
                  </fw>
                  <pb n="195"/>
                  <fw type="runningHead">By Fred M. Simpson</fw>
                  <fw type="pageNum">177</fw>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Yes, almost before I was well. It was very unfair that<lb/> she should
                        leave everything to me ; your father was her nephew,<lb/> just as I was her
                        niece, but he wouldn't hear of my sharing it<lb/> with——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> I should think not indeed ! I should be very sorry to<lb/> think that my
                        father would ever allow such a thing. Although,<lb/> at the same time, it is
                        all very well for you to imagine that you<lb/> don't share it, but you do.
                        Who pays for <persName type="fictional">Lillie</persName>'s and <persName
                           type="fictional">May</persName>'s and<lb/>
                        <persName type="fictional">George</persName>'s schooling ? Who sent
                           <persName type="fictional">Alfred</persName> to <placeName type="school"
                           >Cambridge</placeName>, and <persName type="fictional">Frank</persName>
                        to——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Don't, please. What a huge family you are, to be sure.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> And last, but not least, who gave me a chance of going<lb/> to <placeName
                           type="school">Girton</placeName> ? Oh, we are not supposed to know
                        anything about it,<lb/> I know, but you see we do. You thought you had
                        arranged it<lb/> all so beautifully, and kept every one of us entirely in
                        the dark,<lb/> but you haven't one little bit.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Nonsense, Agnes, you——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Oh, you are a huge big fraud, you know you are ; I<lb/> am quite ashamed of
                        you. [<persName type="fictional">Lucy</persName>
                        <emph rend="italic"> is going to speak.</emph>] You are<lb/> not to be
                        thanked, I know ; and you needn't be afraid, I am not<lb/> going to do so ;
                        but if you could only hear us when we are talking<lb/> quietly together, you
                        would find that a certain person, who shall<lb/> be nameless, is simply
                        worship—</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Hush ! you silly little girl. You don't know what you<lb/> are saying. You
                        have nothing to thank me for whatsoever.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Haven't we just ? I know better.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Young people always do. So you see I do know some<lb/> thing of how <q>"the
                           poor"</q> live.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Yes, but you were never married.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> No, dear.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> That is what I want to—Why weren't you<lb/>
                        <fw type="catchword">married?</fw>
                        <pb n="196"/>
                        <fw type="pageNum">178</fw>
                        <fw type="runningHead">The Dedication</fw> married ? Oh, I know I have no
                        business to ask such a question :<lb/> it is fearfully rude I know, but I
                        have wondered so often. You<lb/> are lovely now, and you must have been
                        beautiful when you were<lb/> a girl.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> No, I wasn't—I was barely pretty.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> I can't believe that.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> And I am not going to accept your description of me<lb/> now as a true one
                        ; although I confess I am vain enough—<lb/> even in my present old age—to
                        look in the glass occasionally,<lb/> and say to myself: <q>"You are
                           better-looking now than you ever<lb/> were."</q>
                     </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Well, at all events you were always an angel.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> And men don't like angels ; besides—I was poor.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> You were not poor when you got Aunt <persName type="fictional"
                           >Emily</persName>'s money,</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> No, but then it was too—— I mean I then had no<lb/> wish to marry.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> You mean you determined to sacrifice yourself for us,<lb/> that is what you
                        mean.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> I must have possessed a very prophetic soul then, or<lb/> been gifted with
                        second sight, as none of you, except <persName type=" fictional"
                           >Reginald</persName>,<lb/> were born. But to come back to your friend,
                           <persName type="fictional">Agnes</persName>; has she no<lb/> money ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> No, none.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Nor he ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Not a penny.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> And they want to get married ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Yes. </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> And are afraid they haven't enough.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> They certainly haven't. </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Then why don't they apply to some friend or relative<lb/> who has more than
                        enough ; say, to—an aunt, for instance.</p>
                  </sp>
                  <fw type="catchword">
                     <emph rend="italic">Agnes</emph>
                  </fw>
                  <pb n="197"/>
                  <fw type="runningHead">By Fred M. Simpson</fw>
                  <fw type="pageNum">179</fw>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Auntie ! </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> And what is his name ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p>
                        <persName type="fictional">Geo</persName>——<persName type="fictional">Mr.
                           Reddell</persName>.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> And hers is ? </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Oh, I never intended to tell you. I didn't mean to say<lb/> a word.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p>When did it happen ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Three days ago. That is to say, he proposed to me<lb/> then, but of course
                        it has been going on for a long time. I could<lb/> see that he at least—I
                        thought I could see. But I can hardly<lb/> realise it yet. It seems all so
                        strange. And I <emph rend="italic">did</emph> intend telling<lb/> you, I
                        felt I must tell somebody, although <persName type="fictional"
                           >George</persName> doesn't want it<lb/> known yet, because, as I told
                        you, he—and so I haven't said a word<lb/> to father yet ; but I must soon
                        and you won't say anything, will<lb/> you ? and—and oh, I am silly.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> There, have your cry out, it will do you good. Now<lb/> tell me about
                           <persName type="fictional">Mr. Reddell</persName>. What is he ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> He is a writer—an author. Don't you remember I<lb/> showed you a story of
                        his a little time ago ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> I thought I knew the name.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> And you said you liked it ; I was so pleased.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Yes, I did. I thought it clever and——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> He is clever ; and I do so want you to know him. He <lb/> wants to know
                        you, too. You will try to like him, won't you,<lb/> for my sake I</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> I have no doubt I shall.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> He is just bringing out a book. Some of the stories<lb/> have been
                        published before ; the one you read was one, and if that<lb/> proves a
                        success then it will be all right ; we shall be able to get<lb/> married
                        and——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Wait a minute, Agnes. How long have you known him ?</p>
                  </sp>
                  <fw type="footer">The Yellow Book Vol.—I. <emph>L</emph>
                  </fw>
                  <fw type="catchword">
                     <emph rend="italic">Agnes</emph>
                  </fw>
                  <pb n="198"/>
                  <fw type="pageNum">180</fw>
                  <fw type="runningHead">The Dedication</fw>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Over a yea— nearly two years.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> And do you really know him well ? Are you quite<lb/> certain you can trust
                        him ? </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> What a question ! How can you doubt it ? You<lb/> wouldn't for a minute if
                        you knew him.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> I ought not to, knowing you, you mean. And supposing<lb/> this book is a
                        success. May it not spoil him make him con-<lb/> ceited ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> All the better if it does. He is not conceited enough,<lb/> and so I always
                        tell him.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> But may it not make him worldly ? May he not, after a<lb/> time, regret his
                        proposal to you if he sees a chance of making a<lb/> more advantageous——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Impossible. What a dreadful opinion you must have of<lb/> mankind. You
                        don't think it really, I know. I have never heard<lb/> you say or hint
                        anything nasty about anybody before. </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> I only do it for your own good, my dear. I once knew<lb/> a man—just such
                        another as you describe <persName type="fictional">Mr. Reddell</persName> to
                        be. He<lb/> was an author, too, and—and when I knew him his first book
                        was<lb/> also just about to appear. He was engaged to be married to<lb/> to
                        quite a nice girl too, although she was never so pretty as<lb/> you are.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Who is the flatterer now ? </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> The book was published. It was a great success. He<lb/> became quite the
                        lion of the season—it is many years ago now.<lb/> The wedding-day was
                        definitely fixed. Two months before the<lb/> date he suggested a
                        postponement—for six months.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> How horrible ! </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> And just about the time originally fixed upon for the<lb/> wedding she
                        received a letter from him he was abroad at the<lb/> time—suggesting that
                        their engagement had better be broken off.</p>
                  </sp>
                  <fw type="catchword">
                     <emph rend="italic">Agnes.</emph>
                  </fw>
                  <pb n="199"/>
                  <fw type="runningHead">By Fred M. Simpson</fw>
                  <fw type="pageNum">181</fw>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Oh, the brute ! the big brute ! But she didn't consent,<lb/> did she ? </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Of course. The man she had loved was dead. The new<lb/> person she was
                        indifferent to.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> But how—but you don't suggest that <persName type="fictional">Mr.
                           Reddell</persName> could<lb/> behave like that ? he couldn't. He
                        wouldn't, I feel certain. But<lb/> there must surely have been something
                        else ; I can't believe that<lb/> any man would behave so utterly
                        unfeelingly—so brutally. They<lb/> say there are always two sides to every
                        story. Mayn't there have<lb/> been some reason that you knew nothing about ?
                        Mayn't she<lb/> have done something ? She must have been a little bit to
                        blame,<lb/> too, and this side of the story you never heard.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Yes—it is possible. </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> I can't think that any man would deliberately behave so<lb/> like a cad as
                        you say he did.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> It may have been her fault. I used to think it might be<lb/> —just a
                        little, as you say.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Well, it sha'n't be mine at all events. I won't give<lb/> any cause—besides
                        even if I did—— Oh, no, it is utterly<lb/> impossible to imagine such a
                        thing !</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> I hope it is, for your sake. </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> Of course it is ; of that I am quite certain. And you<lb/> don't think it
                        is very wrong of me to—to——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> To say Yes to a man you love. No, my dear, that can<lb/> never be wrong,
                        although it may be foolish. </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> From a worldly point of view, perhaps ; but I should<lb/> never have
                        thought that you——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> I didn't mean that. But love seems to grow so quickly<lb/> when you once
                        allow it to do so, that it is sometimes wiser to——<lb/> but never mind,
                        bring him to see me, and—and may you be<lb/> happy. <stage type="business"
                              >[<emph rend="italic">long pause.</emph>]</stage>
                     </p>
                  </sp>
                  <fw type="catchword">
                     <emph rend="italic">Agnes</emph>
                  </fw>
                  <pb n="200"/>
                  <fw type="pageNum">182</fw>
                  <fw type="runningHead">The Dedication</fw>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> You are crying now, Auntie ! You have nothing——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> Haven't I ? What, not at the chance of losing you ?<lb/> So this is what
                        brought you out so early this morning and occa-<lb/> sioned your bright,
                        rosy cheeks ? You didn't only come to see<lb/> me. </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> To see you and talk to you, yes, that was all. No,<lb/> by-the-by, it
                        wasn't all. Have you seen a paper this morning ?<lb/> No ? I thought it
                        would interest you so I brought it round. It<lb/> is bad news, not good news
                        ; your favourite author is dead.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> I am afraid my favourite authors have been dead very<lb/> many years.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> I should say the author of your favourite book.</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> You mean——</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p>
                        <persName type="fictional">Sir Harold Sekbourne</persName>. <stage
                           type="business">[Lucy <emph rend="italic">leans back in her
                           chair.</emph>]</stage>
                        <lb/> He died last night. Here it is ; here is the paragraph. <stage
                           type="business">[<emph rend="italic">Reads</emph>]</stage>
                        <lb/>
                        <quote>We egret to announce the death of <persName type="fictional">Sir
                              Harold Sekbourne</persName>, the<lb/> well-known novelist, which
                           occurred at his town house, in <placeName type="street">Prince's<lb/>
                              Gate</placeName>, late last evening."</quote> Shall I read it to you ?
                     </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p> No no, give me the paper. And and, <persName type="fictioal"
                           >Agnes</persName>, do you<lb/> mind going down to <persName
                           type="fictional">Franklin</persName>'s room, and telling her that
                        receipt<lb/> you promised her ?</p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p> For the Japanese custard ? Of course I will ; I quite<lb/> forgot all about
                        it. There it is. <stage type="business">[<emph rend="italic">Gives her the
                              paper, indicating<lb/> the paragraph with her finger, then goes
                              out.</emph>]</stage>
                     </p>
                  </sp>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Lucy.</speaker>
                     <p>
                        <stage type="mixed">[<emph rend="italic">Sits staring at the paper for a few
                              seconds, then reads<lb/> slowly.</emph>]</stage>
                        <quote>
                           <persName type="fictional">Sir Harold</persName> had been slightly
                           indisposed for some weeks,<lb/> but no anxiety was felt until two days
                           ago, when a change for the<lb/> worse set in, and despite all the care,
                           attention, and skill of <persName type="fictional">Drs.<lb/>
                              Thornton</persName> and <persName type="fictional">Douglas</persName>,
                           who hardly left his bedside, he never<lb/> rallied, and passed peacefully
                           away, at the early age of fifty-eight,<lb/> at the time above mentioned.
                           It is now thirty years ago since the<lb/>
                           <fw type="catchword">deceased</fw>
                           <pb n="201"/>
                           <fw type="runningHead">By Fred M. Simpson</fw>
                           <fw type="pageNum">183</fw> deceased baronet published his first book,
                              <title level="m">'Grace : a Sketch,'</title>
                           <lb/> which had such an immediate and great success. This was
                           followed<lb/> nearly a year afterwards by <title level="m">'Alain
                              Treven,'</title> the scene of which is<lb/> laid in <placeName
                              type="region">Brittany</placeName> ; and from that time until his
                           death his pen was<lb/> never idle. His last work, <title level="m">'The
                              Incoming Tide'</title>, has just been<lb/> published in book form, it
                           having appeared in the pages of <title level="j">The<lb/> Illustrated
                              Courier</title> during the last year. Despite the rare power<lb/> of
                           his later works, disclosing thoroughly, as they do, his scholarly<lb/>
                           knowledge, his masterly construction, vivid imagination, and his<lb/>
                           keen insight into character and details of every-day life, they none<lb/>
                           of them can, for exquisite freshness and rare delicacy of execution,<lb/>
                           compare with his first publication, <title level="m">'Grace : a
                              Sketch.'</title> We have<lb/> before us, as we write, a first edition
                           of this delightful story, with<lb/> its curiously sentimental dedication
                           'To my Lady <persName type="fictional">Luce</persName>,' which in<lb/>
                           the subsequent editions was omitted. A baronetcy was conferred <lb/> on
                              <persName type="fictional">Sir Harold</persName> by her <persName
                              type="nonfictional">Majesty</persName> two years ago, at the personal
                           insti-<lb/> gation, it is said, of the Prime Minister, who is one of his
                           greatest<lb/> admirers, but the title is now extinct, as <persName
                              type="fictional">Sir Harold</persName> leaves no son.<lb/> He married
                           in <date>June, 1866</date>, a daughter of the late <persName
                              type="fictional">Sir Humphrey</persName>
                           <lb/> Mockton, who survives him. His two daughters are both mar-<lb/>
                           ried one to <persName type="fictional">Lord Duncan</persName>, eldest
                              <persName type="fictional">son of the Earl of Andstar</persName>;<lb/>
                           the other to <persName type="fictional">Sir Reginald de Laver</persName>.
                           His loss will be greatly felt,<lb/> not only in the literary world, but
                           wherever the English tongue is<lb/> spoken and read.</quote>
                     </p>
                  </sp>
                  <p>
                     <emph rend="indent"/>
                     <stage type="business">[<persName type="fictional">Lucy</persName>
                        <emph rend="italic"> goes to the bookcase takes out a book, and opens
                           it</emph>]<lb/>
                        <emph rend="indent"/>
                        <persName type="fictional">Agnes</persName>
                        <emph rend="italic"> comes in.</emph>]</stage>
                  </p>
                  <sp>
                     <speaker rend="italic">
                        <emph rend="indent"/>Agnes.</speaker>
                     <p>
                        <persName type="fictional">Franklin</persName> is silly. I had to repeat the
                        directions three<lb/> times, and even now I doubt if she understands them properly.<lb/>
                        <stage type="business">[<emph rend="italic">Comes behind </emph>
                           <persName type="fictional">Lucy</persName>
                           <emph rend="italic"> and looks over her shoulder.</emph>]</stage> Why, I
                        never<lb/> knew you had a first edition. <stage type="business">[<persName
                              type="fictional">Lucy</persName>
                           <emph rend="italic"> starts and closes the book,<lb/> then opens it
                              again.</emph>]</stage> May I look at it ? But this is written ;<lb/>
                        <fw type="catchword">the</fw>
                        <pb n="202"/>
                        <fw type="pageNum">184</fw>
                        <fw type="runningHead">The Dedication</fw> the ink is quite faded. <quote>To
                           my Lady <persName type="fictional">Luce</persName>. <persName
                              type="fictional">Harold Sek-<lb/> bourne</persName>, <date>3rd
                              November, 1863.</date>
                        </quote> What a strong handwriting it<lb/> is ! Luce ! how strange that the
                        name should be the same as——<lb/>
                        <stage type="business">[<emph rend="italic">Looks suddenly at
                           </emph>Lucy.]</stage> Oh, Auntie, forgive me. I never<lb/> dreamt—— I am
                        so sorry. </p>
                  </sp>
               </div>
            </div>
         </div>
      </body>
   </text>
</TEI>
