<?xml version="1.0" encoding="UTF-8"?>
<?xml-model href="../../../Schema,%20CSS%20and%20Template%20Files/YB_schema2.rnc" type="application/relax-ng-compact-syntax"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0">
   <teiHeader>
      <fileDesc>
         <titleStmt>
            <title>Yellow Nineties 2.0</title>
            <title>The Yellow Book: An Illustrated Quarterly, Volume 1 April 1894</title>
            <title type="YBV1_moore_foolshour"/>
            <editor>Lorraine Janzen Kooistra</editor>
         </titleStmt>
         <editionStmt>
            <p>
               <date>2019</date>
            </p>
         </editionStmt>
         <publicationStmt>
            <idno>YBV1_34dr</idno>
            <publisher>Yellow Nineties 2.0</publisher>
            <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
            <address>
               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
            </address>
            <availability>
               <p>Usable according to the Creative Commons License <ref
                  target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution
                  Non-commercial Share-alike</ref>.</p>
            </availability>
         </publicationStmt>
         <sourceDesc>
            <biblStruct>
               <monogr>
                  <editor>
                     <persName>Henry Harland &amp; Aubrey Beardsley</persName>
                  </editor>
                  <author>John Oliver Hobbes and George Moore</author>
                  <title>The Fool's Hour</title>
                  <imprint>
                     <publisher>Elkin Mathews &amp; John Lane</publisher>
                     <pubPlace> London </pubPlace>
                     <publisher>Copeland &amp; Day</publisher>
                     <pubPlace>Boston</pubPlace>
                     <date>April 1894</date>
                     <biblScope> Hobbes, John Oliver and George Moore. "The Fool's Hour." <emph
                        rend="italic">The Yellow Book</emph>, vol. 1, April 1894, pp. 253-72. <emph
                        rend="italic">Yellow Book Digital Edition</emph>, edited by Dennis Denisoff
                        and Lorraine Janzen Kooistra, 2010-2014. <emph rend="italic">Yellow Nineties
                        2.0</emph>, Ryerson University Centre for Digital Humanities, 2019.
                        https://1890s.ca/YBV1_moore_foolshour </biblScope>
                  </imprint>
               </monogr>
            </biblStruct>
         </sourceDesc>
      </fileDesc>
      <encodingDesc>
         <editorialDecl>
            <p>Our editorial method is informed by social-text editing principles. By “text” we mean
               verbal and visual printed material, including non-referential physical elements such
               as bindings, page layouts, and ornaments. We view any text as the outcome of
               collaborative processes that have specific manifestations at precise historical
               moments. The Yellow Nineties Online publishes facsimile editions of a select
               collection of fin-de- siècle aesthetic periodicals, together with paratexts of
               production and reception such as cover designs, advertising materials, and reviews.
               This historical material is enhanced by two kinds of peer-reviewed scholarly
               commentary: biographies of the periodicals’ contributors and associates; and critical
               introductions to each title and volume by experts in the field. All scholarly
               material on the site is vetted by the editor(s) and peer- reviewed by them and/or an
               international board of advisors. The site as a whole is peer- reviewed by NINES
               (Networked Infrastructure for Nineteenth-Century Electronic Scholarship).
               Contributors to the site retain personal copyright in their material. The site is
               licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license.
               Both primary and secondary materials, including all visual images, are marked up in
               TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To
               ensure maximum flexibility for users, magazines are available on the site as virtual
               objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
               downloading and collecting; and in XML for those who wish to review and/or adapt our
               tag sets. In order to make ornamental devices, such as initial letters, head- and
               tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and
               linked it to the relevant pages of each magazine edition. As a dynamic structure, a
               scholarly website is always in process; Phase One of The Yellow Nineties Online
               (2010-2015) is completed and Phase Two (2016-2021) is underway. </p>
         </editorialDecl>
      </encodingDesc>
      <profileDesc>
         <creation>
            <date>1894</date>
         </creation>
         <langUsage>
            <language ident="en">English</language>
         </langUsage>
         <textClass>
            <keywords scheme="#lcsh">
               <list>
                  <item>English literature -- 19th century -- Periodicals</item>
                  <item>Great Britain -- Periodicals</item>
               </list>
            </keywords>
            <keywords scheme="ninesGenre">
               <list>
                  <item>Drama</item>
                  <note>Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext"
                     (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older
                     reviews), "Criticism" (including critical introductions), "Visual Art" (images,
                     bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything
                     with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion,"
                     "Travel Writing," "Music, Other,")
                     <!--Add items as necessary. Remove items not used.--> </note>
               </list>
            </keywords>

            <keywords scheme="ninesType">
               <list>
                  <item>Periodical</item>
                  <note>Possible Types (singular): "Periodical" (texts/most stuff), "Interactive
                     Resource" (current writing, biographies, not old reviews), "Still Image"
                     (images, visual art), "Physical Object" (posters, prospecti)</note>
                  <!-- only choose one item-->
               </list>
            </keywords>

            <keywords scheme="ninesDiscipline">
               <list>
                  <item>Book History</item>
                  <note>Possible Disciplines (multiple): "Book History (include for all periodical
                     items)," "Literature," "Art History (use for art, also use for reviews),"
                     "History (don't use in a general sense)," "Theatre Studies," "Musicology,"
                     "Philosophy," "Anthropology," "Science"</note>
                  <!--Add items as necessary. Remove items not used.-->
               </list>
            </keywords>
         </textClass>
      </profileDesc>
   </teiHeader>
   <text>
      <body>
         <div n="YBV1_34dr" type="drama">
            <pb n="275"/>
            <head rend="case(title)align(left)size(18pt)">
               <title level="a">The Fool's Hour</title>
               <title type="sub">The First Act of a Comedy </title>
            </head>
            <byline>By <docAuthor> <ref target="#PCR">John Oliver Hobbes</ref> </docAuthor> and
               <docAuthor> <ref target="#GMO">George Moore</ref> </docAuthor> </byline>
            <p>
               <hi rend="all caps">CHARACTERS OF THE COMEDY</hi>
            </p>
            <p>
               <castList>
                  <castGroup>
                     <castItem>
                        <role>Lord Doldrummond </role>
                     </castItem>
                     <lb/>
                     <castItem> <role>Cyril</role>, <roleDesc> <emph rend="italics">his Son
                        (Viscount Aprile)</emph> </roleDesc> </castItem>
                     <lb/>
                     <castItem>
                        <role>Sir Digby Soame</role>
                     </castItem>
                     <lb/>
                     <castItem> <role>Charles Mandeville</role>,<roleDesc> <emph rend="italics"> a
                        tenor</emph> </roleDesc> </castItem>
                     <lb/>
                     <castItem> <role>Mr. Banish</role>, <roleDesc> <emph rend="italics"> a
                        banker</emph> </roleDesc> </castItem>
                     <lb/>
                     <castItem>
                        <role>The Hon. Arthur Featherleigh</role>
                     </castItem>
                     <lb/>
                     <castItem> <role>Mr. Samuel Benjamin</role>,<roleDesc> <emph rend="italics"> a
                        money-lender</emph> </roleDesc> </castItem>
                     <lb/>
                     <castItem>
                        <role>Lady Doldrummond</role>
                     </castItem>
                     <lb/>
                     <castItem> <role>Julia</role>,<roleDesc> <emph rend="italics"> an
                        heiress</emph> </roleDesc> </castItem>
                     <lb/>
                     <castItem> <role>The Hon. Mrs. Howard de Trappe</role>, <roleDesc> <emph
                        rend="italics">her mother, <lb/> a widow </emph> </roleDesc> </castItem>
                     <lb/>
                     <castItem> <role>Sarah Sparrow</role>, <roleDesc> <emph rend="italics">an
                        American prima donna</emph> </roleDesc> </castItem>
                     <lb/>
                  </castGroup>
               </castList>
            </p>
            <fw type="catchword">Act </fw>
            <pb n="276"/>
            <fw type="pageNum">254</fw>
            <fw type="runningHead">The Fool's Hour</fw>
            <p>
               <title rend="case(title)align(centre)size(16pt)">Act I </title>
               <stage type="mixed"> <hi rend="allcaps">SCENE</hi>— <emph rend="italic"> The Library
                  in </emph> <persName type="fictional">Lord Doldrummond</persName>'s <emph
                  rend="italics">house at <placeName type="city">Brighton.</placeName> <lb/> The
                  scene represents a richly-furnished but somewhat oppressive <lb/> room. The chairs
                  and tables are all narrow, the lamp-shades <lb/> stiff, the windows have double
                  glasses.</emph> <persName type="fictional"> Lord Doldrummond</persName>, <emph
                  rend="italic">a <lb/> man of middle-age, handsome, but with a dejected, browbeaten
                  <lb/> air, sits with a rug over his knees, reading <q>"<title level="j">The Church
                  Times</title>."</q> <lb/> The </emph>Butler <emph rend="italic">announces</emph>
                  <q> "<persName type="fictional">Sir Digby Soame</persName>."</q> <persName
                  type="fictional"> Sir Digby </persName> <emph rend="italics">is <lb/> thin and
                  elderly ; has an easy smile and a sharp eye ; dresses <lb/> well ; has two
                  manners—the abrupt with men, the suave with <lb/> women , smiles into his beard
                  over his own witticisms. </emph> </stage>
            </p>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p>Ah, <persName type="fictional">Soame</persName>, so you are here at last ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> <stage type="business">[<emph rend="italic">Looking at his watch.</emph>
                  ]</stage> I am pretty punctual, only a few <lb/> minutes late. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> I am worried, anxious, irritable, and that has made the time seem long. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> Worried, anxious ? And what about ? Are you not <lb/> well ? Have you found that
                  regularity of life ruins the constitu-<lb/> tion ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> No, my dear <persName type="fictional">Soame</persName>, no. But I am willing to
                  own <lb/> that the existence which my wife enjoys, and which I have learnt <lb/>
                  to endure, would not suit every one. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> I am glad to find you more tolerant. You used to hold<lb/> the very harshest and
                  most crude opinions. I remember when we <lb/> were boys, I could never persuade
                  you to accept the admirable <lb/> doctrine that a reformed rake makes the best
                  husband ! </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">Timidly</emph>.]</stage> Repentance
                  does not require so large an<lb/> income as folly ! This may explain that paradox.
                  You know, in <lb/> <fw type="catchword">my</fw> <pb n="277"/> <fw type="pageNum"
                  >255</fw> <fw type="runningHead">By John Oliver Hobbes and George Moore</fw> my
                  way, I, too, am something of a philosopher ! I married very <lb/> young, whereas
                  you entered the Diplomatic Service and resolved <lb/> to remain single : you
                  wished to study women. I have lived with <lb/> one for five-and-twenty years.
                  <stage type="delivery">[<emph rend="italic">Sighs</emph>.]</stage> </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> Oh, I admit at once that yours is the greater achievement <lb/> and was the more
                  daring ambition. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> I know all I wish to know about women, but men <lb/> puzzle me extremely. So I
                  have sent for you. I want your <lb/> advice. It is <persName type="fictional"
                  >Cyril</persName> who is the cause of my uneasiness. I am <lb/> afraid that he is
                  not happy. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> <persName type="fictionanl">Cyril</persName> not happy ? What is he unhappy about
                  ? You <lb/> have never refused him anything ?</p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> Never ! No man has had a kinder father ! When <lb/> he is unreasonable I merely
                  say <q>"You are a fool, but please your-<lb/> self !"</q> No man has had a kinder
                  father ! </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p>Does he complain ?</p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> He has hinted that his home is uncongenial —yet <lb/> we have an excellent cook !
                  Ah, thank heaven every night and <lb/> morning, my dear <persName type="fictional"
                  >Digby</persName>, that you are a bachelor. Praying <lb/> for sinners and breeding
                  them would seem the whole duty of <lb/> man. I was no sooner born than my parents
                  were filled with <lb/> uneasiness lest I should not live to marry and beget an
                  heir of my <lb/> own. Now I have an heir, his mother will never know peace <lb/>
                  until she has found him a wife ! </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> And will you permit <persName type="fictional">Lady Doldrummond</persName> to use
                  the <lb/> same method with <persName type="fictional">Cyril</persName> which your
                  mother adopted with such <lb/> appalling results in your own case ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> It does not seem my place to interfere, and love-<lb/> affairs are not a fit
                  subject of conversation between father and <lb/> son ! </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> But what does <persName type="fictional">Cyril</persName> say to the matrimonial
                  prospect ?</p>
            </sp>
            <fw type="catchword">
               <emph rend="italic">Lord</emph>
            </fw>
            <pb n="278"/>
            <fw type="pageNum">256</fw>
            <fw type="runningHead">The Fool's Hour</fw>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> He seems melancholy and eats nothing but oranges.<lb/> Yes, <persName
                  type="fictional">Cyril</persName> is a source of great uneasiness. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> Does <persName type="fictional">Lady Doldrummond</persName> share this uneasiness
                  ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p>My wife would regard a second thought on any <lb/> subject as a most dangerous
                  form of temptation. She insists that <lb/> <persName type="fictional"
                  >Cyril</persName> has everything which a young man could desire, and when<lb/> he
                  complains that the house is dull, she takes him for a drive ! </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> But <emph rend="italic">you</emph> understand him ?</p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> I think I do. If I were young again —</p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> Ah, you regret ! I always said you would regret it if you<lb/> did not take your
                  fling ! The pleasures we imagine are so much <lb/> more alluring, so much more
                  dangerous, than those we experience. <lb/> I suppose you recognise in <persName
                  type="fictional">Cyril</persName> the rascal you might have been, <lb/> and feel
                  that you have missed your vocation ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">Meekly</emph>.]</stage> I was never
                  unruly, my dear <persName type="fictional">Soame</persName>. We <lb/> all have our
                  moments, I own, yet — well, perhaps <persName type="fictional">Cyril</persName>
                  has <lb/> inherited the tastes which I possessed at his age, but lacked the <lb/>
                  courage to obey. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> And so you wish me to advise you how to deal with <lb/> him ! Is he in love ? I
                  have constantly observed that when <lb/> young men find their homes unsympathetic,
                  it is because some <lb/> particular lady does not form a member of the household.
                  It is<lb/> usually a lady, too, who would not be considered a convenient <lb/>
                  addition to any mother's visiting-list ! </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> <persName type="fictional">Lady Doldrummond</persName> has taught him that women
                  <lb/> are the scourges of creation. You, perhaps, do not share that <lb/> view !
               </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> Certainly not. I would teach him to regard them as the <lb/> reward, the
                  compensation, the sole delight of this dreariest of all <lb/> possible worlds.
               </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">Uneasily</emph>.]</stage> Reward!
                  Compensation! Delight! I <lb/> <fw type="catchword">beg</fw> <pb n="279"/> <fw
                  type="pageNum">257</fw> <fw type="runningHead">By John Oliver Hobbes and George
                  Moore</fw> beg you will not go so far as that. What notion would be more <lb/>
                  upsettting ? Pray do not use such extreme terms ! </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> Ha ! ha ! But tell me, <persName type="fictional">Doldrummond</persName>, is it
                  true that <lb/> your wife insists on his retiring at eleven and rising at eight ?
                  <lb/> I hear that she allows him nothing stronger than ginger ale and <lb/> lemon
                  ; that she selects his friends, makes his engagements, and <lb/> superintends his
                  amusements ? Should he marry, I am told she <lb/> will even undertake the office
                  of best man ! </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> Poor soul ! she means well ; and if devotion could <lb/> make the boy a saint he
                  would have been in heaven before he was <lb/> out of his long clothes. As it is, I
                  fear that nothing can save him. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> Save him ? You speak as though you suspected that he <lb/> was not such a saint
                  as his mother thinks him. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> I suspect nothing. I only know that my boy is <lb/> unhappy. You might speak to
                  him, and draw him out if occasion <lb/> should offer but do not say a word about
                  this to <persName type="fictional">Lady Dol-<lb/> drummond</persName>. </p>
            </sp>
            <stage type="modifier">[<emph rend="italic">Enter</emph> <persName type="fictional">Lady
               Doldrummond</persName>. <emph rend="italic">She is a tall, slight, but not angular
               <lb/> woman. Her hair is brown, and brushed back from her temples <lb/> In the
               simplest possible fashion. Self-satisfaction (of a gentle <lb/> and ladylike sort)
               and eminent contentment with her lot are the<lb/> only writings on her smooth, almost
               girlish countenance. She <lb/> has a prim tenderness and charm of manner which soften
               her <lb/> rather cutting voice. ]</emph> </stage>
            <lb/>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> What ! <persName type="fictional">Cyril</persName> not here ? How do you do,
                  <persName type="fictional">Sir <lb/> Digby ?</persName> I am looking for my
                  tiresome boy. I promised to take <lb/> him to pay some calls this afternoon, and
                  as he may have to talk I <lb/> must tell him what to say. He has no idea of making
                  himself <lb/> pleasant to women, and is the shyest creature in the world ! </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> You have always been so careful to shield him from all <fw type="catchword"
                  >responsibility,</fw> <pb n="280"/> <fw type="pageNum">258</fw> <fw
                  type="runningHead">The Fool's Hour</fw> responsibility, <persName type="fictional"
                  >Lady Doldrummond</persName>. Who knows what eloquence, <lb/> what decision, what
                  energy he might display, if you did not <lb/> possess these gifts in so
                  pre-eminent a degree as to make any <lb/> exertion on his part unnecessary, and
                  perhaps disrespectful.</p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> Ah ! mothers are going out of fashion. Even <persName type="fictional"
                  >Cyril</persName> <lb/> occasionally shows a certain impatience when I venture to
                  correct <lb/> him. As if I would hurt any one's feelings unless from a sense <lb/>
                  of duty ! And pray, where is the pleasure of having a son if you <lb/> may not
                  direct his life ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> <persName type="fictional">Cyril</persName> might ask, where is the pleasure of
                  having<lb/> parents if you may not disobey them. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> <stage type="business">[<emph rend="italic">To</emph> Soame.]</stage> When
                  <persName type="fictional">Herbert</persName> is alone with me he <lb/> never
                  makes flippant remarks of this kind. <stage type="business">[<emph rend="italic"
                  >To</emph> Lord Doldrum-<lb/> mond.]</stage> I wonder that you like to give your
                  friends such a wrong <lb/> impression of your character. <stage type="business"
                  >[<emph rend="italic">Turning to</emph> Sir Digby.]</stage> But I <lb/> think I
                  see your drift, <persName type="fictional">Sir Digby</persName>. You wish to
                  remind me that <lb/> <persName type="fictional">Cyril</persName> is now at an age
                  when I must naturally desire to see him <lb/> established in a home of his own.
               </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> You have caught my meaning. As he is now two-and- <lb/> twenty, I think he should
                  be allowed more freedom than may have<lb/> been expedient when he was—say, six
                  months old. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> I quite agree with you, and I trust you will convince <lb/> Herbert that women
                  understand young men far better than <lb/> their fathers ever could. I have found
                  the very wife for <persName type="fictional">Cyril</persName>, <lb/> and I hope I
                  may soon have the pleasure of welcoming her as a <lb/> daughter.</p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> A wife ! Good heavens ! I was suggesting that the <lb/> boy had more liberty.
                  Marriage is the prison of all emotions, and <lb/> I should be very sorry to ask
                  any young girl to be a man's gaol- <lb/> keeper. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> <persName type="fictional">Sir Digby</persName> is right.</p>
            </sp>
            <fw type="catchword">Lady </fw>
            <pb n="281"/>
            <fw type="pageNum">259</fw>
            <fw type="runningHead">By John Oliver Hobbes and George Moore</fw>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> The presence of a third person has the strangest<lb/> effect on <persName
                  type="fictional">Herbert</persName>'s moral vision. As I have trained my son with
                  <lb/> a care and tenderness rarely bestowed nowadays even on a girl, I <lb/> think
                  I may show some resentment when I am asked to believe <lb/> him a being with the
                  instincts of a ruffian and the philosophy of <lb/> a middle-aged bachelor. No,
                  <persName type="fictional">Sir Digby</persName>, <persName type="fictional"
                  >Cyril</persName> is not <emph rend="italic">my</emph> child if <lb/> he does not
                  make his home and his family the happiest in the <lb/> world ! </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> Yes ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> He has no taste for cards, horses, brandy, or actresses. <lb/> We read together,
                  walk together, and drive together. In the <lb/> evening, if he is too tired to
                  engage in conversation, I play the <lb/> piano while he dozes. Lately he has taken
                  a particular interest in <lb/> <persName type="nonfictional">Mozart</persName>'s
                  classic light opera. Any interest of that kind is so <lb/> elevating, and I know
                  of nothing more agreeable than a musical <lb/> husband. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> You see she is resolved on his marriage, and she has<lb/> had <persName
                  type="fictional">Julia de Trappe</persName> on a visit with us for the last five
                  weeks in <lb/> the hope of bringing matters to a crisis. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> And why not ? Our marriage was arranged for <lb/> us, and what idle fancies of
                  our own could have led to such perfect <lb/> contentment ? </p>
            </sp>
            <stage type="business">[Lord Doldrummond <emph rend="italic">avoids her eyes</emph>.] </stage>
            <lb/>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> <persName type="fictional">Julia de Trappe</persName>? She must be the daughter
                  of that <lb/> <persName type="fictional">Mrs. Howard de Trappe</persName> who
                  gives large At Homes in a small <lb/> house, and who spends her time hunting for
                  old lovers and new <lb/> servants. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> I own that dear <persName type="fictional">Julia</persName> has been allowed to
                  meet men<lb/> and women who are not fit companions for a young girl, no <lb/>
                  matter how interesting they may be to the general public. Only <lb/> <fw
                  type="catchword">yesterday </fw> <pb n="282"/> <fw type="pageNum">260</fw> <fw
                  type="runningHead">The Fool's Hour </fw> yesterday she told me she was well
                  acquainted with <persName type="fictional">Mr. Mande- <lb/> ville</persName>, the
                  tenor. <persName type="fictional">Mrs. de Trappe</persName>, it seems, frequently
                  invites him <lb/> to dinner. Still, <persName type="fictional">Julia</persName>
                  herself is very sensible, and the family is of<lb/> extraordinary antiquity. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> But the mother ? If she has not been in the divorce <lb/> court, it is through no
                  fault of her own. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">Biting her lip</emph>.]</stage>
                  <persName type="fictional">Mrs. de Trappe</persName> is vain and silly, I <lb/>
                  admit; but as she has at last decided to marry <persName type="fictional">Mr.
                  Banish</persName>, the <lb/> banker, I am hoping she will live in his house at
                  <placeName type="area">Hampstead</placeName>, and <lb/> think a little more about
                  her immortal soul. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> Does <persName type="fictional">Cyril</persName> seem at all interested in
                  <persName type="fictional">Miss Julia</persName>? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> <persName type="fictional">Cyril</persName> has great elegance of mind, and is
                  not very <lb/> strong in the expression of his feelings one way or the other.<lb/>
                  But I may say that a deep attachment exists between them. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> A man must have sound wisdom before he can appre- <lb/> ciate innocence. But I
                  have no desire to be discouraging, and I <lb/> hope I may soon have the pleasure
                  of congratulating you all on <lb/> the wedding. Good-bye. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> What ! Must you go ?</p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> Yes. But <stage type="delivery">[<emph rend="italic">aside to Lord
                  Dol</emph>.]</stage> I shall bear in mind <lb/> what you say. I will do my best. I
                  have an engagement in <lb/> town to-night. <stage type="delivery">[<emph
                  rend="italic">Chuckles</emph>.]</stage> An amusing one. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">With envy</emph>.]</stage> Where ?
               </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> At the <placeName type="theatre">Parnassus</placeName>. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">With a supercilious
                  smile</emph>.]</stage> And what is the <placeName type="theatre">Par- <lb/>
                  nassus</placeName> ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Soame.</speaker>
               <p> A theatre much favoured by young men who wish to<lb/> be thought wicked, and by
                  young ladies who <emph rend="italic">are</emph>. Good-bye, <lb/> good-bye. <stage
                  type="business">[ <emph rend="italic">Shakes hands with</emph> Lord <emph
                  rend="italic">and</emph> Lady Doldrummond <emph rend="italic">and <lb/> goes
                  out</emph>]</stage> </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> Thank goodness, he is gone ! What a terrible<lb/> <fw type="catchword">
                  example</fw> <pb n="283"/> <fw type="pageNum">261</fw> <fw type="runningHead">By
                  John Oliver Hobbes and George Moore </fw> example for <persName type="fictional"
                  >Cyril</persName>. I was on thorns every second lest he should <lb/> come in.
                  <persName type="fictional">Soame</persName> has just those meretricious
                  attractions which <lb/> appeal to youth and inexperience. That you should
                  encourage <lb/> such an acquaintance, and even discuss before him such an <lb/>
                  intimate matter as my hope with regard to <persName type="fictional"
                  >Julia</persName>, is, perhaps, more <lb/> painful than astonishing. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> They are both too young to marry. Let them <lb/> enjoy life while they may. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> <emph rend="italic">Enjoy life</emph> ? What a degrading suggestion ! I have
                  <lb/> often observed that there is a lurking taste for the vicious in every <lb/>
                  Doldrummond. <stage type="business">[<emph rend="italic">Picking up</emph> Cyril's
                  <emph rend="italic">miniature from the table</emph>.]</stage> <lb/> <persName
                  type="fictional">Cyril</persName> is pure <surname>Bedingfield</surname> : my
                  second self! </p>
            </sp>
            <stage type="mixed">[<emph rend="italic">The Butler announces</emph> Mrs. De Trappe, Mr.
               Arthur Featherleigh, <lb/> Mr. Banish. Mrs. de Trappe <emph rend="italic">is a pretty
               woman with big <lb/> eyes and a small waist ; she has a trick of biting her
               under-lip, <lb/> and looking shocked, as it were, at her own audacity. Her <lb/>
               manner is a little effusive, but always well-bred. She does not <lb/> seem affected,
               and has something artless, confiding, and pathetic. </emph> <lb/> Mr. Featherleigh
               <emph rend="italic">has a nervous laugh and a gentlemanly appear- <lb/> ance ;
               otherwise inscrutable</emph>. Mr. Banish <emph rend="italic">is old, well-preserved,
               <lb/> rather pompous, and evidently mistakes deportment for dignity</emph>.] </stage>
            <lb/>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mrs. de Trappe.</speaker>
               <p> <stage type="business">[<emph rend="italic">Kissing</emph> Lady Dol. <emph
                  rend="italic">on each cheek</emph>.]</stage> Dear <persName type="fictional"
                  >Edith</persName>, <lb/> I knew we should surprise you. But <persName
                  type="fictional">Mr. Banish</persName> and I are <lb/> house-hunting, and I
                  thought I must run in and see you and <lb/> <persName type="fictional"
                  >Julia</persName>, if only for a second. I felt sure you would not mind my <lb/>
                  bringing <persName type="fictional">Arthur</persName> <stage type="business">
                  [<emph rend="italic">indicating</emph> Featherleigh].</stage> He is so lonely at
                  the <lb/> prospect of my marriage that <persName type="fictional">Mr.
                  Banish</persName> and I have promised to <lb/> keep him always with us. We have
                  known each other so long. <lb/> How should we spend our evenings without him ?
                  <persName type="fictional">James</persName> admits <lb/> they would be tedious,
                  don't you, <persName type="fictional">James</persName>? <stage type="business"
                  >[<emph rend="italic">Indicating</emph> Banish.]</stage> </p>
            </sp>
            <fw type="catchword">Banish.</fw>
            <pb n="284"/>
            <fw type="pageNum">262</fw>
            <fw type="runningHead">The Fool's Hour</fw>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Banish.</speaker>
               <p> Certainly, my dear. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">Stiffly</emph>]</stage> I can well
                  understand that you have <lb/> learned to regard <persName type="fictional">Mr.
                  Featherleigh</persName> as your own son. And <lb/> as we advance in years, it is
                  so pleasant to have young people <lb/> about us. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mrs. de Trappe.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">After a slight pause</emph>.]</stage>
                  How odd that it should <lb/> never have struck me in that light before ! I have
                  always thought <lb/> of <persName type="fictional">Arthur</persName> as the
                  trustee, as it were, of my poor fatherless <persName type="fictional"
                  >Julia</persName> <lb/> <stage type="delivery">[<emph rend="italic">To
                  Banish</emph>.]</stage> Have I not often said so, <persName type="fictional"
                  >James</persName>? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Banish.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">Dryly</emph>.]</stage> Often. In fact
                  I have always thought that <lb/> <persName type="fictional">Julia</persName> would
                  never lack a father whilst <persName type="fictional">Arthur</persName>was alive.
                  But I <lb/> admit that he is a little young for the responsibility. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Feather.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">Unmoved</emph>.]</stage> Do not
                  forget, <persName type="fictional">Violet</persName>, that our train <lb/> leaves
                  in fifty-five minutes. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> <stage type="business">[<emph rend="italic">Catching a desperate glance
                  from</emph> Lady Doldrum- <lb/> mond.]</stage> Then I shall have time to show you
                  the Russian poodles <lb/> which the <persName type="fictional">Duke of
                  Camdem</persName> brought me from <placeName type="country">Japan</placeName>.
               </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mrs. de Trappe.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">Peevishly</emph>.]</stage> Yes,
                  please take them away. <lb/> <stage type="business">[<emph rend="italic">Waving
                  her hand in the direction of</emph> Banish <emph rend="italic">and
                  </emph>Featherleigh.] </stage> <lb/> <persName type="fictional">Edith</persName>
                  and I have many secrets to discuss. Of course she will tell <lb/> you <stage
                  type="delivery">[<emph rend="italic">to</emph> Lord Dol.]</stage> everything I
                  have said when we are gone, <lb/> and I shall tell <persName type="fictional"
                  >Arthur</persName> and <persName type="fictional">James</persName> all she has
                  said as we go home. <lb/> But it is so amusing to think ourselves mysterious for
                  twenty <lb/> minutes. <stage type="mixed">[<emph rend="italic">As the men go out
                  laughing, she turns to </emph>Lady Doldrummond <lb/> <emph rend="italic">with a
                  sigh</emph>.]</stage> Ah, <persName type="fictional">Edith</persName>, when I
                  pause in all these gaieties and <lb/> say to myself, <persName type="fictional"
                  >Violet</persName>, you are about to marry a second husband, I <lb/> cannot feel
                  sufficiently thankful that it is not the third. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> The third ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mrs. de Trappe.</speaker>
               <p> To face the possibility of a third honeymoon, <lb/> a third disappointment, and a
                  third funeral would tax my courage <lb/> to the utmost ! And I am not strong. </p>
            </sp>
            <fw type="catchword">Lady</fw>
            <pb n="285"/>
            <fw type="pageNum">263</fw>
            <fw type="runningHead">By John Oliver Hobbes and George Moore</fw>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p>I am shocked to see you so despondent. Surely you <lb/> anticipate every happiness
                  with <persName type="fictional">Mr. Banish</persName>? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mrs. de Trappe.</speaker>
               <p> Oh, yes. He has money, and <persName type="fictional">Arthur</persName> thinks
                  <lb/> him a very worthy sort of person. He is a little dull, but then <lb/>
                  middle-class people are always so gross in their air when they <lb/> attempt to be
                  lively or amusing ; so long as they are grave I can <lb/> bear them well enough,
                  but I know of nothing so unpleasant as <lb/> the sight of a banker laughing. As
                  <persName type="fictional">Arthur</persName> says, City men and <lb/> butlers
                  should always be serious. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> Do you think that the world will quite understand — <lb/> <persName
                  type="fictional">Arthur</persName>? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mrs. de Trappe.</speaker>
               <p> What do you mean, <persName type="fictional">Edith</persName>? A woman must<lb/>
                  have an adviser. <persName type="fictional">Arthur</persName> was my late
                  husband's friend, and he is <lb/> my future husband's friend. Surely that should
                  be enough to <lb/> satisfy the most exacting. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> But why marry at all ? why not remain as you are ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mrs. de Trappe.</speaker>
               <p> How unreasonable you are, <persName type="fictional">Edith</persName>! How often
                  <lb/> have you urged me to marry <persName type="fictional">Mr. Banish</persName>,
                  and now that it is all <lb/> arranged and <persName type="fictional"
                  >Arthur</persName> is satisfied, you begin to object. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> I thought that you liked <persName type="fictional">Mr. Banish</persName> better.
               </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mrs. de Trappe.</speaker>
               <p> Better than <persName type="fictional">Arthur</persName>? No, I am not so unkind
                  <lb/> as that, nor would <persName type="fictional">James</persName> wish it. I am
                  marrying because I am <lb/> poor. My husband, as you know, left nearly all his
                  money to <lb/> <persName type="fictional">Julia</persName>, and I feel the
                  injustice so acutely that the absurd settlement <lb/> he made on me is spent upon
                  doctor's bills alone. If it were not <lb/> for <persName type="fictional"
                  >Arthur</persName> and one or two other kind friends who send me game <lb/> and
                  other little things from time to time, I could not exist at all. <lb/> <stage
                  type="business">[<emph rend="italic">Draws off her gloves, displays a diamond ring
                  on each finger, and <lb/> wipes her eyes with a point-lace
                  pocket-handkerchief</emph>. ]</stage> And when I <lb/> think of all that I endured
                  with <persName type="fictional">De Trappe</persName>! How often have I been <lb/>
                  roused from a sound sleep to see the room illuminated and <persName
                  type="fictional">De <lb/> <fw type="catchword">Trappe,</fw> <pb n="286"/> <fw
                  type="pageNum">264</fw> <fw type="runningHead">The Fool's Hour</fw>
                  Trappe</persName>, rolled up in flannel, sitting by the fire reading <title
                  level="a">"Lead, <lb/> kindly Light."</title> What an existence ! But now tell me
                  about <lb/> <persName type="fictional">Julia</persName>. I hope she does not give
                  you much trouble. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> I only hope that I may keep her always with me. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mrs. de Trappe.</speaker>
               <p> How she must have improved ! When she is<lb/> at home I find her so depressing.
                  And she does not appeal to <lb/> men in the least. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> I could wish that all young girls were as modest. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mrs. de Trappe.</speaker>
               <p> Oh, I daresay <persName type="fictional">Julia</persName> has all the qualities
                  we like<lb/> to see in some other woman's daughter. But if you were her <lb/>
                  mother and had to find her a husband, you would regard her virtues <lb/> in
                  another light. Fortunately she has eight thousand a year, so <lb/> she may be able
                  to find somebody. Still, even money does not <lb/> tempt men as it once did. A
                  girl must have an extraordinary <lb/> charm. She is so jealous of me. I cannot
                  keep her out of the <lb/> drawing-room when I have got callers, especially when
                  <persName type="fictional">Mr. <lb/> Mandeville</persName> is there. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lad Dol.</speaker>
               <p> I have heard of <persName type="fictional">Mr. Mandeville</persName>. He is an
                  actor, a <lb/> singer. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mrs. de Trappe.</speaker>
               <p> A lovely tenor voice. All the women are in <lb/> love with him, except me. I
                  would not listen to him. And now <lb/> they say he is going to marry <persName
                  type="fictional">Sarah Sparrow</persName>— a great mistake. I <lb/> should like to
                  know who would care about him or his singing, <lb/> once he is married. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> And who is <persName type="fictional">Sarah Sparrow</persName>? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mrs. de Trappe.</speaker>
               <p> Don't you know ? She is the last great <lb/> success. She has two notes : B flat
                  and the lower G— the <lb/> orchestra plays the rest. You must go to the <placeName
                  type="theatre">Parnassus</placeName> and hear <lb/> her. To-night is the dress
                  rehearsal of the new piece. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> And do you receive <persName type="fictional">Miss Sparrow</persName>? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mrs. de Trappe.</speaker>
               <p> No, women take up too much time. They <lb/> <fw type="catchword">say,</fw> <pb
                  n="287"/> <fw type="pageNum">265</fw> <fw type="runningHead">By John Oliver Hobbes
                  and George Moore</fw> say, too, that she is frantically jealous because <persName
                  type="fictional">Mandeville</persName> used to <lb/> come and practise in my
                  boudoir. He says no one can accom-<lb/> pany him as I do ! </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> I hope <persName type="fictional">Cyril</persName> does not meet <persName
                  type="fictional">Mr. Mandeville</persName> when he <lb/> goes to your house. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mrs. de Trappe.</speaker>
               <p> Let me see. I believe I introduced them. <lb/> At any rate, I know I saw them at
                  luncheon together last week. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> At luncheon together ! <persName type="fictional">Cyril</persName>and this person
                  who <lb/> sings ? What could my boy and <persName type="fictional">Mr.
                  Mandeville</persName>have in common ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mrs. de Trappe.</speaker>
               <p> They both appear to admire <persName type="fictional">Sarah Sparrow</persName>
                  <lb/> very much. And I cannot find what men see in her. She is not <lb/> tall and
                  her figure is most innocent ; you would say she was still <lb/> in pinafores. As
                  for her prettiness, I admit she has fine eyes, but <lb/> of course she blackens
                  them. I think the great attraction is her <lb/> atrocious temper. One never knows
                  whom she will stab next. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">Half to herself</emph>.]</stage> Last
                  week <persName type="fictional">Cyril</persName> came in after <lb/> midnight. He
                  refused to answer my questions. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mrs. de Trappe.</speaker>
               <p> You seem absent-minded, my dear <persName type="fictional">Edith</persName>.
                  <lb/> <stage type="delivery">[<emph rend="italic">Pause</emph>.]</stage> I must be
                  going now. Where are <persName type="fictional">Arthur</persName> and <persName
                  type="fictional">James</persName>? <lb/> We have not a moment to lose. We are
                  going to choose wedding <lb/> presents. <persName type="fictional"
                  >James</persName> is going to choose <persName type="fictional"
                  >Arthur</persName>'s and <persName type="fictional">Arthur</persName> is going
                  <lb/> to choose <persName type="fictional">James</persName>'s, so there can be no
                  jealousy. It was I who <lb/> thought of that way out of the difficulty. One does
                  one's best to <lb/> be nice to them, and then something happens and upsets all
                  one's <lb/> plans. Where is <persName type="fictional">Cyril</persName>? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> I am afraid <persName type="fictional">Cyril</persName> is not at home. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mrs. de Trappe.</speaker>
               <p> Then I shall not see him. Tell him I am <lb/> angry, and give my love to
                  <persName type="fictional">Julia</persName>. I hope she does not disturb <lb/> you
                  when you are in the drawing-room and have visitors. So <lb/> difficult to keep a
                  grown-up girl out of the drawing-room. Where <lb/> can those men be ? <stage
                  type="entrance">[<emph rend="italic">Enter</emph> Lord Doldrummond, Mr. Feather-
                  <lb/> <fw type="catchword">leigh,</fw> <pb n="288"/> <fw type="pageNum">266</fw>
                  <fw type="runningHead">The Fool's Hour</fw> leigh, <emph rend="italic">and</emph>
                  Mr. Banish.] </stage>Ah ! here they are. Now, come <lb/> along ; we haven't a
                  moment to lose. Good-bye, <persName type="fictional">Edith</persName>. </p>
            </sp>
            <stage type="exit">[<emph rend="italic">Exeunt (after wishing their adieux)</emph> Mrs.
               de Trappe, Mr.<lb/> Featherleigh, <emph rend="italic">and</emph> Mr. Banish, Lord
               Doldrummond <lb/> <emph rend="italic">following them</emph>.] </stage>
            <lb/>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">Stands alone in the middle of the
                  room repeating</emph>.]</stage> <lb/> <persName type="fictional">Cyril</persName>
                  and— <persName type="fictional">Sarah Sparrow</persName>! My son and <persName
                  type="fictional">Sarah Sparrow</persName>! And <lb/> he has met her through the
                  one woman for whom I have <lb/> been wrong enough to forget my prejudices. What a
                  punish- <lb/> ment ! </p>
            </sp>
            <stage type="mixed">[Julia <emph rend="italic">enters cautiously. She is so unusually
               beautiful that she barely <lb/> escapes the terrible charge of sublimity. But there
               is a certain <lb/> peevishness in her expression which adds a comfortable smack of
               <lb/> human nature to her classic features</emph>.] </stage>
            <lb/>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> I thought mamma would never go. I have been hiding <lb/> in your boudoir ever
                  since I heard she was here. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> Was <persName type="fictional">Cyril</persName> with you ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> Oh, no ; he has gone out for a walk. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> Tell me, dearest, have you and <persName type="fictional">Cyril</persName> had
                  any dis- <lb/> agreement lately ? Is there any misunderstanding ?</p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> Oh, no. <stage type="delivery">[<emph rend="italic">Sighs</emph>.]</stage> </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> I remember quite well that before I married <persName type="fictional"
                  >Herbert</persName> <lb/> he often suffered from the oddest moods of depression.
                  Several <lb/> times he entreated me to break off the engagement. His affection
                  <lb/> was so reverential that he feared he was not worthy of me. I <lb/> assure
                  you I had the greatest difficulty in overcoming his scruples, <lb/> and persuading
                  him that whatever his faults were I could help him <lb/> to subdue them. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> But <persName type="fictional">Cyril</persName> and I are not engaged. It is all
                  so uncertain,<lb/> so humiliating. </p>
            </sp>
            <fw type="catchword">Lady</fw>
            <pb n="289"/>
            <fw type="pageNum">267</fw>
            <fw type="runningHead">By John Oliver Hobbes and George Moore</fw>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> Men take these things for granted. If the truth <lb/> were known, I daresay he
                  already regards you as his wife. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">With an inspired air</emph>.]</stage>
                  Perhaps that is why he treats <lb/> me so unkindly. I have often thought that if
                  he were my <lb/> husband he could not be more disagreeable ! He has not a word
                  <lb/> for me when I speak to him. He does not hear. Oh, <persName type="fictional"
                  >Lady <lb/> Doldrummond</persName>, I know what is the matter. He is in love, but
                  I <lb/> am not the one. You are all wrong. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> No, no, no. He loves you ; I am sure of it. Only <lb/> be patient with him and it
                  will come all right. Hush ! is that his <lb/> step ? Stay here, darling, and I
                  will go into my room and write <lb/> letters. <stage type="exit">[<emph
                  rend="italic">Exit, brushing the tears from her eyes</emph>.]</stage> </p>
            </sp>
            <stage type="entrance">[Butler <emph rend="italic">ushers in </emph>Mr. Mandeville.
               <emph rend="italic">Neither of them perceive</emph> Julia, <lb/> <emph rend="italic"
               >who has gone to the window</emph>.] </stage>
            <lb/>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Butler.</speaker>
               <p> His Lordship will be down in half an hour, sir. He is <lb/> now having his hair
                  brushed. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">In surprise as she looks
                  round</emph>. ]</stage> <persName type="fictional">Mr. Mandeville</persName>!
                  <stage type="business">[<emph rend="italic">Pause</emph>. ]</stage> <lb/> I hardly
                  expected to meet you here. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> And why, may I ask ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> You know what <persName type="fictional">Lady Doldrummond</persName> is. How did
                  you <lb/> overcome her scruples ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> Is my reputation then so very bad ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> You — you are supposed to be rather dangerous. You <lb/> sing on the stage, and
                  have a tenor voice.</p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> Is that enough to make a man dangerous ?</p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> How can <emph rend="italic">I</emph> tell ? But mamma said you were invincible.
                  <lb/> You admire mamma, of course. <stage type="business">[<emph rend="italic"
                  >Sighs</emph>.]</stage> </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> A charming woman, <persName type="fictional">Mrs. de Trappe</persName>. A
                  very<lb/> interesting woman ; so sympathetic. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> But she said she would not listen to you.</p>
            </sp>
            <fw type="footer">The Yellow Book Vol. I. Q</fw>
            <fw type="catchword"> <emph rend="italic">Mandeville</emph>.</fw>
            <pb n="290"/>
            <fw type="pageNum">268</fw>
            <fw type="runningHead">The Fool's Hour</fw>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> Did she say that ? <stage type="business">[A slight pause.]</stage> I hope you
                  <lb/> will not be angry when I own that I do not especially <emph rend="italic"
                  >admire</emph> your <lb/> mother. A quarter of a century ago she may have had
                  consider- <lb/> able attractions, but— are you offended ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> Offended ? Oh, no. Only it seems strange. I thought <lb/> that all men admired
                  mamma. <stage type="business">[<emph rend="italic">Pause</emph>.]</stage> You have
                  not told me<lb/> yet how you made <persName type="fictional">Lady
                  Doldrummond</persName>'s acquaintance. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> I am here at <persName type="fictional">Lord Aprile</persName>'s invitation. He
                  has <lb/> decided that he feels no further need of <persName type="fictional">Lady
                  Doldrummond</persName>'s <lb/> apron-strings. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> Oh, <persName type="fictional">Mr. Mandeville</persName>, are you teaching him to
                  be <lb/> wicked ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> But you will agree with me that a young man <lb/> cannot make his mother a kind
                  of scribbling diary ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> Still, if he spends his time well, there does not seem to <lb/> be any reason why
                  he should refuse to say where he dines when he <lb/> is not at home. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> <persName type="fictional">Lady Doldrummond</persName> holds such peculiar ideas
                  ; she <lb/> would find immorality in a sofa-cushion. If she were to know <lb/>
                  that <persName type="fictional">Cyril</persName> is coming with me to the dress
                  rehearsal of our new <lb/> piece ! </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> It would break her heart. And <persName type="fictional">Lord
                  Doldrummond</persName> <lb/> would be indignant. Mamma says his own morals are so
                  excellent ! </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> Is he an invalid ?</p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> Certainly not. Why do you ask ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> Whenever I hear of a charming husband I always <lb/> think that he must be an
                  invalid. But as for morals, there can be no <lb/> harm in taking <persName
                  type="fictional">Cyril</persName> to a dress rehearsal. If you do not wish him
                  <lb/> to go, however, I can easily say that the manager does not care to <lb/>
                  have strangers present. <stage type="business">[<emph rend="italic"
                  >Pause</emph>.]</stage> Afterwards there is to be a <lb/> ball at <persName
                  type="fictional">Miss Sparrow</persName>'s. </p>
            </sp>
            <fw type="catchword"> <emph rend="italic">Julia</emph>.</fw>
            <pb n="291"/>
            <fw type="pageNum">269</fw>
            <fw type="runningHead">By John Oliver Hobbes and George Moore</fw>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> Is <persName type="fictional">Cyril</persName> going there, too ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> I believe that he has an invitation, but I will <lb/> persuade him to refuse it,
                  if you would prefer him to remain at <lb/> home. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> You are very kind, <persName type="fictional">Mr. Mandeville</persName>, but it
                  is a matter of <lb/> indifference to me where <persName type="fictional">Lord
                  Aprile</persName> goes. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> Perhaps I ought not to have mentioned this to <lb/> you ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">Annoyed</emph>.]</stage> It does not
                  make the least difference. In <lb/> fact, I am delighted to think that you are
                  taking <persName type="fictional">Cyril</persName> out into <lb/> the world. He is
                  wretched in this house. <stage type="delivery">[<emph rend="italic">With
                  heroism</emph>.]</stage> I am <lb/> glad to think that he knows any one so
                  interesting and clever and <lb/> beautiful as <persName type="fictional">Sarah
                  Sparrow</persName>. I suppose she would be considered <lb/> beautiful ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">With a profound
                  glance</emph>.]</stage> One can forget her— <lb/> sometimes. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">Looking down</emph>.]</stage>
                  Perhaps— when I am as old as she is— <lb/> I shall be prettier than I am at
                  present. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> You always said you liked my voice. We never <lb/> see anything of each other
                  now. I once thought that— well— <lb/> that you might like me better. Are you sure
                  you are not angry <lb/> with me because I am taking <persName type="fictional"
                  >Cyril</persName> to this rehearsal ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> Quite sure. Why should I care where <persName type="fictional">Cyril</persName>
                  goes? I <lb/> only wish that I, too, might go to the theatre to-night. What <lb/>
                  part do you play ? And what do you sing ? A serenade ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">Astounded</emph>.]</stage> Yes. How
                  on earth did you guess <lb/> that ? The costume is, of course, picturesque, and
                  that is the great <lb/> thing in an opera. A few men can sing— after a fashion—
                  but to <lb/> find the right clothes to sing <emph rend="italic">in</emph> — that
                  shows the true artist. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> And <persName type="fictional">Sarah</persName>; does she look her part ?</p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> Well, I do not like to say anything against her, <lb/> <fw type="catchword"
                  >but</fw> <pb n="292"/> <fw type="pageNum">270</fw> <fw type="runningHead">The
                  Fool's Hour</fw> but she is not quite the person I should cast for <persName
                  type="fictional">la Marquise de la <lb/> Perdrigonde</persName>. Ah ! if you were
                  on the stage, <persName type="fictional">Miss de Trappe</persName>! <lb/> You have
                  just the exquisite charm, the grace, the majesty of <lb/> bearing which, in the
                  opinion of those who have never been to <lb/> Court, is the peculiar distinction
                  of women accustomed to the <lb/> highest society. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> Oh, I should like to be an actress ! </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> No ! no ! I spoke selfishly— if you only acted <lb/> with me, it would be
                  different ; but— but I could not bear to see <lb/> another man making love to you—
                  another man holding your hand <lb/> and singing into your eyes— and— and— Oh, this
                  is madness. <lb/> You must not listen to me. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Julia.</speaker>
               <p> I am not— angry, but— you must never again say things <lb/> which you do not
                  mean. If I thought you were untruthful it <lb/> would make me so —so miserable.
                  Always tell me the truth.<lb/> <stage type="business">[<emph rend="italic">Holds
                  out her hand</emph>.]</stage> </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> You are very beautiful ! </p>
            </sp>
            <stage type="business">[<emph rend="italic">She drops her eyes, smiles, and wanders
               unconsciously to the <lb/> mirror</emph>. ] </stage>
            <lb/>
            <stage type="mixed">[Lady Doldrummond <emph rend="italic">suddenly enters from the
               boudoir, and</emph> Cyril <lb/> <emph rend="italic">from the middle door</emph>.
               Cyril <emph rend="italic">is handsome, but his features have <lb/> that delicacy and
               his expression that pensiveness which promise <lb/> artistic longings and domestic
               disappointment</emph>.] </stage>
            <lb/>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Cyril.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">Cordially and in a state of
                  suppressed excitement</emph>.]</stage> Oh, <lb/> mother, this is my friend
                  <persName type="fictional">Mandeville</persName>. You have heard me men-<lb/> tion
                  him ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> I do not remember, but— </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Cyril.</speaker>
               <p> When I promised to go out with you this afternoon, I <lb/> forgot that I had
                  another engagement. <persName type="fictional">Mandeville</persName> has been kind
                  <lb/> enough to call for me, </p>
            </sp>
            <fw type="catchword">
               <emph rend="italic">Lady</emph>
            </fw>
            <pb n="293"/>
            <fw type="pageNum">271</fw>
            <fw type="runningHead">By John Oliver Hobbes and George Moore</fw>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> Another engagement, <persName type="fictional">Cyril</persName>? </p>
            </sp>
            <stage type="entrance">[Lord Doldrummond <emph rend="italic">enters and comes down,
               anxiously looking from<lb/> one to the other</emph>.] </stage>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Cyril.</speaker>
               <p> Father, this is my friend <persName type="fictional">Mandeville</persName>. We
                  have arranged <lb/> to go up to town this afternoon. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> <stage type="delivery">[<emph rend="italic">Calmly</emph>.]</stage> What time
                  shall I send the carriage to the <lb/> station for you ? The last train usually
                  arrives about —</p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Cyril.</speaker>
               <p> I shall not return to-night. I intend to stay in town. <lb/> <persName
                  type="fictional">Mandeville</persName> will put me up.</p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> And where are you going ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Mandeville.</speaker>
               <p> He is coming to our dress rehearsal of the <title level="m">"Dandy <lb/> and the
                  Dancer."</title> </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Cyril.</speaker>
               <p> At the <placeName type="theatre">Parnassus</placeName>. <stage type="business"
                  >[Lord <emph rend="italic">and</emph> Lady Doldrummond <lb/> <emph rend="italic"
                  >exchange horrified glances</emph>]</stage> I daresay you have never heard of the
                  <lb/> place, but it amuses me to go there, and I must learn life for <lb/> myself.
                  I am two-and-twenty, and it is not extraordinary that I <lb/> should wish to be my
                  own master. I intend to have chambers of <lb/> my own in town. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p>Surely you have every liberty in this house ? </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> If you leave us, you will leave the rooms in which <lb/> your mother has spent
                  every hour of her life, since the day you <lb/> were born, planning and improving.
                  Must all her care and <lb/> thought go for nothing ? The silk hangings in your
                  bedroom she <lb/> worked with her own hands. There is not so much as a pen- <lb/>
                  wiper in your quarter of the house which she did not choose with <lb/> the idea of
                  giving you one more token of her affection. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Cyril.</speaker>
               <p> I am not ungrateful, but I cannot see much of the world <lb/> through my mother's
                  embroidery. As you say, I have every <lb/> comfort here. I may gorge at your
                  expense and snore on your <lb/> pillows and bully your servants, I can do
                  everything, in fact, but <lb/> <fw type="catchword">live.</fw> <pb n="294"/> <fw
                  type="pageNum">272</fw> <fw type="runningHead">The Fool's Hour</fw> live. Dear
                  mother, be reasonable. <stage type="business">[<emph rend="italic">Tries to kiss
                  her. She remains <lb/> quite frigid</emph>.]</stage> </p>
            </sp>
            <stage type="entrance">[Footman <emph rend="italic">enters</emph>.] </stage>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Footman.</speaker>
               <p> The dog-cart is at the door, my lord. </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Cyril.</speaker>
               <p> You think it well over and you will see that I am <lb/> perfectly right. Come on,
                  <persName type="fictional">Mandeville</persName>, we shall miss the train. <lb/>
                  Make haste : there is no time to be polite. <stage type="business">[<emph
                  rend="italic">He goes out, dragging</emph> <lb/> Mandeville <emph rend="italic"
                  >after him, and ignoring</emph> Julia.] </stage> </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lord Dol.</speaker>
               <p> Was that my son ? I am ashamed of him ! To <lb/> desert us in this rude,
                  insolent, heartless manner. If I had <lb/> whipped him more and loved him less, he
                  would not have been <lb/> leaving me to lodge with a God knows who. I disown him !
                  <lb/> The fool ! </p>
            </sp>
            <sp>
               <speaker rend="italic"> <emph rend="indent"/>Lady Dol.</speaker>
               <p> If you have anything to say, blame <emph rend="italic">me</emph> ! <persName
                  type="fictional">Cyril</persName> has <lb/> the noblest heart in the world ; <emph
                  rend="italic">I</emph> am the fool. </p>
            </sp>
            <stage type="business"> <emph rend="italic">Curtain</emph>.</stage>
         </div>
      </body>
   </text>
</TEI>
