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            <title>Yellow Nineties 2.0</title>
            <title>The Yellow Book: An Illustrated Quarterly, Volume 1 April 1894</title>
            <title type="YBV1_legallienne_treeworship"/>
            <editor>Lorraine Janzen Kooistra</editor>
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               <date>2010</date>
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            <publisher>Yellow Nineties 2.0</publisher>
            <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
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               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
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               <addrLine>Canada</addrLine>
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                  <editor>
                     <persName>Henry Harland &amp; Aubrey Beardsley</persName>
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                  <author>Richard Le Gallienne</author>
                  <title>Tree-Worship</title>
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                     <publisher>Elkin Mathews &amp; John Lane</publisher>
                     <pubPlace> London </pubPlace>
                     <publisher>Copeland &amp; Day</publisher>
                     <pubPlace>Boston</pubPlace>
                     <date>April 1894</date>
                     <biblScope>Le Gallienne, Richard. "Tree-Worship." <emph rend="italic">The
                        Yellow Book</emph>, vol. 1, April 1894, pp. 57-60. <emph rend="italic">Yellow Book Digital Edition</emph>, edited by Dennis Denisoff and Lorraine Janzen Kooistra, 2010-2014. <emph rend="italic">Yellow Nineties 2.0</emph>,
                        Ryerson University Centre for Digital Humanities, 2019. https://1890s.ca/YBV1_legallienne_treeworship 
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               verbal and visual printed material, including non-referential physical elements such as
               bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
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               The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
               siècle aesthetic periodicals, together with paratexts of production and reception such as
               cover designs, advertising materials, and reviews. This historical material is enhanced
               by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
               contributors and associates; and critical introductions to each title and volume by
               experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
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               tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
               pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
               to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
               website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
               completed and Phase Two (2016-2021) is underway. </p>
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            <date>1894</date>
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            <pb n="67"/>
            <head rend="case(title)align(left)size(18pt)">
               <title level="a">Tree-Worship</title>
            </head>
            <byline>By <docAuthor>
                  <ref target="#RGA">Richard Le Gallienne</ref>
               </docAuthor>
            </byline>
            <lg type="stanza">
               <l>
                  <hi rend="dropcaps">V</hi>
                  <hi rend="all caps">AST</hi> and mysterious brother, 'ere was yet of me</l>
               <l rend="indent">So much as men may poise upon a needle's end,</l>
               <l>Still shook with laughter all this monstrous might of thee,</l>
               <l rend="indent">And still with haughty crest it called the morning friend.</l>
            </lg>
            <lg type="stanza">
               <l>Thy latticed column jetted up the bright blue air,</l>
               <l rend="indent">Tall as a mast it was, and stronger than a tower ;</l>
               <l>Three hundred winters had beheld thee mighty there,</l>
               <l rend="indent">Before my little life had lived one little hour.</l>
            </lg>
            <lg type="stanza">
               <l>With rocky foot stern-set like iron in the land,</l>
               <l rend="indent">With leafy rustling crest the morning sows with pearls,</l>
               <l>Huge as a minster, half in heaven men saw thee stand,</l>
               <l rend="indent">Thy rugged girth the waists of fifty Eastern girls.</l>
            </lg>
            <lg type="stanza">
               <l>Knotted and warted, slabbed and armoured like the hide</l>
               <l rend="indent">Of tropic elephant ; unstormable and steep</l>
               <l>As some grim fortress with a princess-pearl inside,</l>
               <l rend="indent">Where savage guardian faces beard the bastioned keep :</l>
            </lg>
            <fw type="catchword">So</fw>
            <pb n="68"/>
            <fw type="pageNum">58</fw>
            <fw type="runningHead">Tree-Worship</fw>
            <lg type="stanza">
               <l>So hard a rind, old tree, shielding so soft a heart,</l>
               <l rend="indent">A woman's heart of tender little nestling leaves ;</l>
               <l>Nor rind so hard but that a touch so soft can part,</l>
               <l rend="indent">And spring s first baby-bud an easy passage cleaves.</l>
            </lg>
            <lg type="stanza">
               <l>I picture thee within with dainty satin sides,</l>
               <l rend="indent">Where all the long day through the sleeping dryad dreams,</l>
               <l>But when the moon bends low and taps thee thrice she glides,</l>
               <l rend="indent">Knowing the fairy knock, to bask within her beams.</l>
            </lg>
            <lg type="stanza">
               <l>And all the long night through, for him with eyes and ears,</l>
               <l rend="indent">She sways within thine arms and sings a fairy tune,</l>
               <l>Till, startled with the dawn, she softly disappears,</l>
               <l rend="indent">And sleeps and dreams again until the rising moon.</l>
            </lg>
            <lg type="stanza">
               <l>But with the peep of day great bands of heavenly birds</l>
               <l rend="indent">Fill all thy branchy chambers with a thousand flutes,</l>
               <l>And with the torrid noon stroll up the weary herds,</l>
               <l rend="indent">To seek thy friendly shade and doze about thy roots ;</l>
            </lg>
            <lg type="stanza">
               <l>Till with the setting sun they turn them once more home : </l>
               <l rend="indent">And, ere the moon dawns, for a brief enchanted space,</l>
               <l>Weary with million miles, the sore-spent star-beams come,</l>
               <l rend="indent">And moths and bats hold witches sabbath in the place.</l>
            </lg>
            <lg type="stanza">
               <l>And then I picture thee some bloodstained Holyrood,</l>
               <l rend="indent">Dread haunted palace of the bat and owl, whence steal,</l>
               <l> Shrouded all day, lost murdered spirits of the wood,</l>
               <l rend="indent">And fright young happy nests with homeless hoot and<lb/> squeal.</l>
            </lg>
            <fw type="catchword">Some</fw>
            <pb n="69"/>
            <fw type="runningHead">By Richard Le Gallienne</fw>
            <fw type="pageNum">59</fw>
            <lg type="stanza">
               <l>Some Rizzio nightingale that plained adulterous love</l>
               <l rend="indent"> Beneath the boudoir-bough of some fast-married bird,</l>
               <l> Some dove that cooed to some one else s lawful dove,</l>
               <l rend="indent"> And felt the dagger-beak pierce while his lady heard.</l>
            </lg>
            <lg type="stanza">
               <l>Then, maybe, dangling from thy gloomy gallows boughs,</l>
               <l rend="indent"> A human corpse swings, mournful, rattling bones and<lb/>
                  chains—</l>
               <l> His eighteenth century flesh hath fattened nineteenth century<lb/> cows—</l>
               <l rend="indent"> Ghastly AEolian harp fingered of winds and rains.</l>
            </lg>
            <lg type="stanza">
               <l>Poor <persName type="nonfictional">Rizpah</persName> comes to reap each
                  newly-fallen bone</l>
               <l rend="indent"> That once thrilled soft, a little limb, within her womb ;</l>
               <l> And mark yon alchemist, with zodiac-spangled zone,</l>
               <l rend="indent"> Wrenching the mandrake root that fattens in the gloom.</l>
            </lg>
            <lg type="stanza">
               <l>So rounds thy day, from maiden morn to haunted night,</l>
               <l rend="indent"> From larks and sunlit dreams to owl and gibbering ghost ;</l>
               <l> A catacomb of dark, a sponge of living light,</l>
               <l rend="indent"> To the wide sea of air a green and welcome coast.</l>
            </lg>
            <lg type="stanza">
               <l>I seek a god, old tree : accept my worship, thou !</l>
               <l rend="indent"> All other gods have failed me always in my need.</l>
               <l> I hang my votive song beneath thy temple bough,</l>
               <l rend="indent"> Unto thy strength I cry—Old monster, be my creed !</l>
            </lg>
            <lg type="stanza">
               <l>Give me to clasp this earth with feeding roots like thine,</l>
               <l rend="indent"> To mount yon heaven with such star-aspiring head,</l>
               <l> Fill full with sap and buds this shrunken life of mine,</l>
               <l rend="indent"> And from my boughs O might such stalwart sons be shed !</l>
            </lg>
            <fw type="catchword">With</fw>
            <pb n="70"/>
            <fw type="pageNum">60</fw>
            <fw type="runningHead">Tree-Worship</fw>
            <lg type="stanza">
               <l>With loving cheek pressed close against thy horny breast,</l>
               <l rend="indent"> I hear the roar of sap mounting within thy veins ;</l>
               <l> Tingling with buds, thy great hands open towards the west,</l>
               <l rend="indent"> To catch the sweetheart wind that brings the sister rains.</l>
            </lg>
            <lg type="stanza">
               <l>O winds that blow from out the fruitful mouth of God,</l>
               <l rend="indent"> O rains that softly fall from his all-loving eyes,</l>
               <l> You that bring buds to trees and daisies to the sod,</l>
               <l rend="indent"> O God's best Angel of the Spring, in me arise.</l>
            </lg>
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