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            <title>Yellow Nineties 2.0</title>
            <title>The Yellow Book: An Illustrated Quarterly, Volume 1 April 1894</title>
            <title type="YBV1_james_death"/>
            <editor>Lorraine Janzen Kooistra</editor>
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               <date>2019</date>
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            <idno>YBV1_5pr</idno>
            <publisher>Yellow Nineties 2.0</publisher>
            <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
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               <addrLine>Canada</addrLine>
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                  <editor>
                     <persName>Henry Harland &amp; Aubrey Beardsley</persName>
                  </editor>
                  <author>Henry James</author>
                  <title>The Death of a Lion</title>
                  <imprint>
                     <publisher>Elkin Mathews &amp; John Lane</publisher>
                     <pubPlace> London </pubPlace>
                     <publisher>Copeland &amp; Day</publisher>
                     <pubPlace>Boston</pubPlace>
                     <date>April 1894</date>
                     <biblScope>James, Henry. "The Death of the Lion." <emph rend="italic">The Yellow
                        Book</emph>, vol. 1, April 1894 pp. 7-52. <emph rend="italic">Yellow Book Digital Edition</emph>, edited by Dennis Denisoff and Lorraine Janzen Kooistra, 2010-2014. <emph rend="italic">Yellow Nineties 2.0</emph>,
                        Ryerson University Centre for Digital Humanities, 2019. https://1890s.ca/YBV1_james_death</biblScope>
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               verbal and visual printed material, including non-referential physical elements such as
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            <date>1894</date>
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         <div n="YBV1_5pr" type="prose">
            <pb n="15"/>
            <head rend="case(title)align(left)size(18pt)">
               <title level="a">The Death of the Lion</title>
            </head>
            <byline>By<docAuthor>
                  <ref target="#HJA">Henry James</ref>
               </docAuthor>
            </byline>
            <div type="part" n="1">
               <head type="part">I</head>
               <space/>
               <p>
                  <hi rend="dropcaps">I</hi>
                  <hi rend="all caps"> HAD</hi> simply, I suppose, a change of heart, and it must
                  have<lb/> begun when I received my manuscript back from <persName type="fictional"
                     >Mr. Pinhorn</persName>.<lb/>
                  <persName type="fictional">Mr. Pinhorn</persName> was my chief, as he was called in
                  the office: he<lb/> had accepted the high mission of bringing the paper up.
                  This<lb/> was a weekly periodical, and had been supposed to be almost past<lb/>
                  redemption when he took hold of it. It was <persName type="fictional">Mr.
                     Deedy</persName> who had<lb/> let it down so dreadfully — he was never mentioned
                  in the office<lb/> now save in connection with that misdemeanour. Young as I<lb/>
                  was I had been in a manner taken over from <persName type="fictional">Mr.
                     Deedy</persName>, who<lb/> had been owner as well as editor; forming part of a
                  promiscuous<lb/> lot, mainly plant and office-furniture, which poor <persName
                     type="fictional">Mrs. Deedy</persName>, in<lb/> her bereavement and depression,
                  parted with at a rough valuation.<lb/> I could account for my continuity only on
                  the supposition that<lb/> I had been cheap. I rather resented the practice of
                  fathering<lb/> all flatness on my late protector, who was in his unhonoured<lb/>
                  grave; but as I had my way to make I found matter enough for<lb/> complacency in
                  being on a <q>"staff."</q> At the same time I was<lb/> aware that I was exposed to
                  suspicion as a product of the old<lb/> lowering system. This made me feel that I
                  was doubly bound to<lb/>
                  <fw type="catchword">have</fw>
                  <pb n="16"/>
                  <fw type="pageNum">8</fw>
                  <fw type="runningHead">The Death of the Lion</fw> have ideas, and had doubtless
                  been at the bottom of my proposing<lb/> to <persName type="fictional">Mr.
                     Pinhorn</persName> that I should lay my lean hands on <persName type="fictional"
                     >Neil Paraday</persName>.<lb/> I remember that he looked at me first as if he
                  had never heard of<lb/> this celebrity, who indeed at that moment was by no means
                  in the<lb/> middle of the heavens; and even when I had knowingly explained<lb/> he
                  expressed but little confidence in the demand for any such<lb/> matter. When I had
                  reminded him that the great principle on<lb/> which we were supposed to work was
                  just to create the demand<lb/> we required, he considered a moment and then
                  rejoined: <q>"I see;<lb/> you want to write him up."</q>
               </p>
               <p>
                  <q>"Call it that if you like."</q>
               </p>
               <p>
                  <q>"And what's your inducement?"</q>
               </p>
               <p>
                  <q>"Bless my soul — my admiration!"</q>
               </p>
               <p>
                  <persName type="fictional">Mr. Pinhorn</persName> pursed up his mouth. <q>"Is there
                     much to be done<lb/> with him?"</q>
               </p>
               <p>
                  <q>"Whatever there is, we should have it all to ourselves&#127; for he <lb/>
                     hasn't been touched."</q>
               </p>
               <p>This argument was effective, and <persName type="fictional">Mr.
                  Pinhorn</persName> responded:</p>
               <p>
                  <q>"Very well, touch him."</q> Then he added: <q>"But where can you<lb/> do
                     it?"</q>
               </p>
               <p>
                  <q>"Under the fifth rib!"</q> I laughed.</p>
               <p>
                  <persName type="fictional">Mr. Pinhorn</persName> stared. <q>"Where's that?"</q>
               </p>
               <p>
                  <q>"You want me to go down and see him?"</q> I inquired, when I<lb/> had enjoyed
                  his visible search for this obscure suburb.</p>
               <p>
                  <q>"I don't <q>"want"</q> anything — the proposal's your own. But you<lb/> must
                     remember that that's the way we do things <emph rend="italic">now</emph>,"</q>
                  said <persName type="fictional">Mr.<lb/> Pinhorn</persName>, with another dig at
                     <persName type="fictional">Mr. Deedy</persName>.</p>
               <p>Unregenerate as I was, I could read the queer implications<choice>
                     <sic>o</sic>
                     <corr>of</corr>
                  </choice>
                  <lb/> this speech. The present owner's superior virtue as well as his<lb/> deeper
                  craft spoke in his reference to the late editor as one of<lb/> that baser sort who
                  deal in false representations. <persName type="fictional">Mr. Deedy</persName>
                  <lb/>
                  <fw type="catchword">would</fw>
                  <pb n="17"/>
                  <fw type="runningHead">By Henry James</fw>
                  <fw type="pageNum">9</fw> would as soon have sent me to call on <persName
                     type="fictional">Neil Paraday</persName>as he would<lb/> have published a
                  holiday-number; but such scruples presented<lb/> themselves as mere ignoble thrift
                  to his successor, whose own<lb/> sincerity took the form of ringing door-bells and
                  whose definition<lb/> of genius was the art of finding people at home. It was as
                  if <persName type="fictional">Mr.<lb/> Deedy</persName>had published reports
                  without his young men's having, as<lb/>
                  <persName type="fictional">Mr. Pinhorn</persName> would have said, really been
                  there. I was unre-<lb/> generate, as I have hinted, and I was not concerned to
                  straighten<lb/> out the journalistic morals of my chief, feeling them indeed to
                  be<lb/> an abyss over the edge of which it was better not to peer. Really<lb/> to
                  be there this time moreover was a vision that made the idea of<lb/> writing
                  something subtle about <persName type="fictional">Neil Paraday</persName> only the
                  more<lb/> inspiring. I would be as considerate as even <persName type="fictional"
                     >Mr. Deedy</persName> could<lb/> have wished, and yet I should be as present as
                  only <persName type="fictional">Mr. Pinhorn</persName>
                  <lb/> could conceive. My allusion to the sequestered manner in which<lb/>
                  <persName type="fictional">Mr. Paraday</persName> lived (which had formed part of
                  my explanation,<lb/> though I knew of it only by hearsay) was, I could divine,
                  very<lb/> much what had made <persName type="fictional">Mr. Pinhorn</persName>
                  bite. It struck him as in-<lb/> consistent with the success of his paper that any
                  one should be so<lb/> sequestered as that. Moreover, was not an immediate exposure
                  of<lb/> everything just what the public wanted? <persName type="fictional">Mr.
                     Pinhorn</persName> effectually<lb/> called me to order by reminding me of the
                  promptness with which<lb/> I had met <persName type="fictional">Miss
                     Braby</persName> at <placeName type="city">Liverpool</placeName>, on her return
                  from her fiasco in<lb/> the <placeName type="country">States</placeName>. Hadn't
                  we published, while its freshness and flavour<lb/> were unimpaired, <persName
                     type="fictional">Miss Braby</persName>'s own version of that great inter-<lb/>
                  national episode? I felt somewhat uneasy at this coupling of the<lb/> actress and
                  the author, and I confess that after having enlisted <persName type="fictional"
                     >Mr.<lb/> Pinhorn</persName>'s sympathies I procrastinated a little. I had
                  succeeded<lb/> better than I wished, and I had, as it happened, work nearer
                  at<lb/> hand. A few days later I called on <persName type="fictional">Lord
                     Crouchley</persName> and carried<lb/> off in triumph the most unintelligible
                  statement that had yet</p>
               <fw type="catchword">appeared</fw>
               <pb n="18"/>
               <fw type="pageNum">10</fw>
               <fw type="runningHead">The Death of the Lion</fw>
               <p>appeared of his lordship's reasons for his change of front. I thus<lb/> set in
                  motion in the daily papers columns of virtuous verbiage.<lb/> The following week I
                  ran down to <placeName type="city">Brighton</placeName> for a chat, as <persName
                     type="fictional">Mr.<lb/> Pinhorn</persName> called it, with <persName
                     type="fictional">Mrs. Bounder</persName>, who gave me, on the<lb/> subject of
                  her divorce, many curious particulars that had not been<lb/> articulated in court.
                  If ever an article flowed from the primal<lb/> fount it was that article on
                     <persName type="fictional">Mrs. Bounder</persName>. By this rime, however,<lb/>
                  I became aware that <persName type="fictional">Neil Paraday</persName>'s new book
                  was on the point of<lb/> appearing, and that its approach had been the ground of
                  my<lb/> original appeal to <persName type="fictional">Mr. Pinhorn</persName>, who
                  was now annoyed with me<lb/> for having lost so many days. He bundled me off—we
                  would at<lb/> least not lose another. I have always thought his sudden alertness
                  a<lb/> remarkable example of the journalistic instinct. Nothing had<lb/> occurred,
                  since I first spoke to him, to create a visible urgency,<lb/> and no enlightenment
                  could possibly have reached him. It was a<lb/> pure case of professional <emph
                     rend="italic">flair</emph>—he had smelt the coming glory as<lb/> an animal
                  smells its distant prey.</p>
            </div>
            <div type="part" n="2">
               <space/>
               <head>II</head>
               <space/>
               <p>I may as well say at once that this little record pretends in no<lb/> degree to be
                  a picture either of my introduction to <persName type="fictional">Mr.
                     Paraday</persName>
                  <lb/> or of certain proximate steps and stages. The scheme of my<lb/> narrative
                  allows no space for these things and in any case a pro-<lb/> hibitory sentiment
                  would be attached to my recollection of so rare<lb/> an hour. These meagre notes
                  are essentially private, and if they<lb/> see the light the insidious forces that,
                  as my story itself shows,<lb/> make at present for publicity will simply have
                  overmastered my<lb/> precautions. The curtain fell lately enough on the
                  lamentable</p>
               <fw type="catchword">drama</fw>
               <pb n="19"/>
               <fw type="runningHead">By Henry James</fw>
               <fw type="pageNum">11</fw>
               <p>drama. My memory of the day I alighted at <persName type="fictional">Mr.
                     Paraday</persName>'s door<lb/> is a fresh memory of kindness, hospitality,
                  compassion, and of the<lb/> wonderful illuminating talk in which the welcome was
                  conveyed.<lb/> Some voice of the air had taught me the right moment, the<lb/>
                  moment of his life at which an act of unexpected young allegiance<lb/> might most
                  come home. He had recently recovered from a long,<lb/> grave illness. I had gone
                  to the neighbouring inn for the night,<lb/> but I spent the evening in his
                  company, and he insisted the next<lb/> day on my sleeping under his roof. I had
                  not an indefinite leave:<lb/>
                  <persName type="fictional">Mr. Pinhorn</persName> supposed us to put out victims
                  through on the<lb/> gallop. It was later, in the office, that the step was
                  elaborated<lb/> and regulated. I fortified myself however, as my training had<lb/>
                  taught me to do, by the conviction that nothing could be more<lb/> advantageous
                  for my article than to be written in the very atmo-<lb/> sphere. I said nothing to
                     <persName type="fictional">Mr. Paraday</persName> about it, but in the<lb/>
                  morning, after my removal from the inn, while he was occupied in<lb/> his study,
                  as he had notified me that he should need to be, I com-<lb/> mitted to paper the
                  quintessence of my impressions. Then<lb/> thinking to commend myself to <persName
                     type="fictional">Mr. Pinhorn</persName> by my celerity, I<lb/> walked out and
                  posted my little packet before luncheon. Once<lb/> my paper was written I was free
                  to stay on, and if it was designed<lb/> to divert attention from my frivolity in
                  so doing I could reflect<lb/> with satisfaction that I had never been so clever I
                  don't mean to<lb/> deny of course that I was aware it was much too good for
                     <persName type="fictional">Mr.<lb/> Pinhorn</persName>; but I was equally
                  conscious that <persName type="fictional">Mr. Pinhorn</persName> had the<lb/>
                  supreme shrewdness of recognising from time to time the cases in<lb/> which an
                  article was not too bad only because it was too good,<lb/> There was nothing he
                  loved so much as to print on the right<lb/> occasion a thing he hated. I had begun
                  my visit to <persName type="fictional">Mr. Paraday</persName>
                  <lb/> on a Monday, and on the Wednesday his book came out. A copy<lb/> of it
                  arrived by the first post, and he let me go out into the garden</p>
               <fw type="catchword">with</fw>
               <pb n="20"/>
               <fw type="pageNum">12</fw>
               <fw type="runningHead">The Death of the Lion</fw>
               <p>with it immediately after breakfast. I read it from beginning to<lb/> end that
                  day, and in the evening he asked me to remain with him<lb/> the rest of the week
                  and over the Sunday.</p>
               <p>That night my manuscript came back from <persName type="fictional">Mr.
                     Pinhorn</persName>,<lb/> accompanied with a letter, of which the gist was the
                  desire to<lb/> know what I meant by sending him such stuff. That was the<lb/>
                  meaning of the question, if not exactly its form, and it made my<lb/> mistake
                  immense to me. Such as this mistake was I could now<lb/> only look it in the face
                  and accept it. I knew where I had failed,<lb/> but it was exactly where I couldn't
                  have succeeded. I had been<lb/> sent down there to be personal, and in point of
                  fact I hadn't been<lb/> personal at all; what I had sent up to <placeName
                     type="city">London</placeName> was merely a little<lb/> finicking, feverish
                  study of my author's talent. Anything less<lb/> relevant to <persName
                     type="fictional">Mr. Pinhorn</persName>'s purpose couldn't well be imagined,
                  and<lb/> he was visibly angry at my having (at his expense, with a second-<lb/>
                  class ticket) approached the object of our arrangement only to be<lb/> so deucedly
                  distant. For myself, I knew but too well what had<lb/> happened, and how a miracle
                  — as pretty as some old miracle of<lb/> legend — had been wrought on the spot to
                  save me. There had<lb/> been a big brush of wings, the flash of an opaline robe,
                  and then,<lb/> with a great cool stir of the air, the sense of an angel's
                  having<lb/> swooped down and caught me to his bosom. He held me only<lb/> till the
                  danger was over, and it all took place in a minute. With<lb/> my manuscript back
                  on my hands I understood the phenomenon<lb/> better, and the reflections I made on
                  it are what I meant, at the<lb/> beginning of this anecdote, by my change of
                  heart. <persName type="fictional">Mr. Pinhorn</persName>'s<lb/> note was hot only
                  a rebuke decidedly stern, but an invitation <lb/> immediately to send him (it was
                  the case to say so) the genuine<lb/> article, the revealing and reverberating
                  sketch to the promise of <lb/> which — and of which alone — I owed my squandered
                  privilege. A<lb/> week or two later I recast my peccant paper, and giving it a</p>
               <fw type="catchword">particular</fw>
               <pb n="21"/>
               <fw type="runningHead">By Henry James</fw>
               <fw type="pageNum">13</fw>
               <p>particular application to <persName type="fictional">Mr. Paraday</persName>'s new
                  book, obtained for it<lb/> the hospitality of another journal, where, I must
                  admit, <persName type="fictional">Mr. Pin-<lb/> horn</persName> was so far
                  justified that it attracted not the least attention.</p>
            </div>
            <div type="part" n="3">
               <space/>
               <head>III</head>
               <space/>
               <p>I was frankly, at the end of three days, a very prejudiced critic,<lb/> so that
                  one morning when, in the garden, <persName type="fictional">Neil
                     Paraday</persName> had<lb/> offered to read me something I quite held my breath
                  as I listened.<lb/> It was the written scheme of another book—something he
                  had<lb/> put aside long ago, before his illness, and lately taken out again
                  to<lb/> reconsider. He had been turning it round when I came down<lb/> upon him,
                  and it had grown magnificently under this second<lb/> hand. Loose, liberal,
                  confident, it might have passed for a great<lb/> gossiping, eloquent letter—the
                  overflow into talk of an artist's<lb/> amorous plan. The subject I thought
                  singularly rich, quite the<lb/> strongest he had yet treated; and this familiar
                  statement of it, full<lb/> too of fine maturities, was really, in summarised
                  splendour, a mine<lb/> of gold, a precious, independent work. I remember rather
                  pro-<lb/> fanely wondering whether the ultimate production could possibly<lb/> be
                  so happy. His reading of the epistle, at any rate, made me<lb/> feel as if I were,
                  for the advantage of posterity, in close corre-<lb/> spondence with him — were the
                  distinguished person to whom it had<lb/> been affectionately addressed. It was
                  high distinction simply to<lb/> be told such things. The idea he now communicated
                  had all the<lb/> freshness, the flushed fairness of the conception untouched
                  and<lb/> untried: it was <persName type="fictional">Venus</persName> rising from
                  the sea, before the airs had<lb/> blown upon her. I had never been so throbbingly
                  present at such<lb/> an unveiling. But when he had tossed the last bright word
                  after</p>
               <fw type="catchword">the</fw>
               <pb n="22"/>
               <fw type="pageNum">14</fw>
               <fw type="runningHead">The Death of the Lion</fw>
               <p>the others, as I had seen cashiers in banks, weighing mounds of<lb/> coin, drop a
                  final sovereign into the tray, I became conscious of a<lb/> sudden prudent
                  alarm.</p>
               <p>
                  <q>"My dear toaster, how, after all, are you going to do it?"</q> I<lb/> asked.
                     <q>"It's infinitely noble, but what rime it will take, what<lb/> patience and
                     independence, what assured, what perfect conditions<lb/> it will demand! Oh for
                     a lone isle in a tepid sea!"</q>
                  <lb/>
                  <!-- is this a lb? --><q>"Isn't this practically a lone isle, and aren't you, as
                     an encircling<lb/> medium, tepid enough?"</q> he replied; alluding with a laugh
                  to the<lb/> wonder of my young admiration and the narrow limits of his little<lb/>
                  provincial home. <q>"Time isn't what I’ve lacked hitherto: the<lb/> question
                     hasn't been to find it, but to use it. Of course my<lb/> illness made a great
                     hole, but I daresay there would have been a<lb/> hole at any rate. The earth we
                     tread bas more pockets than a<lb/> billiard-table. The great thing is now to
                     keep on my feet."</q>
               </p>
               <p>
                  <q>"That's exactly what I mean."</q>
               </p>
               <p>
                  <persName type="fictional">Neil Paraday</persName> looked at me with eyes — such
                  pleasant eyes as he<lb/> had — in which, as I now recall their expression, I seem
                  to have<lb/> seen a dim imagination of his fate. He was fifty years old, and<lb/>
                  his illness had been cruel, his convalescence slow. <q>"It isn't as if<lb/> I
                     weren't all right."</q>
               </p>
               <p>
                  <q>"Oh, if you weren't all right I wouldn't look at you!"</q> I<lb/> tenderly
                  said.</p>
               <p>We had both got up, quickened by the full sound of it all, and<lb/> he had lighted
                  a cigarette. I had taken a fresh one, and, with an<lb/> intenser smile, by way of
                  answer to my exclamation, he touched it<lb/> with the flame of his match. <q>"If I
                     weren't better I shouldn't have<lb/> thought of <emph rend="italic"
                     >that</emph>!"</q> He flourished his epistle in his hand.</p>
               <p>
                  <q>"I don't want to be discouraging, but that's not true,"</q> I re-<lb/> turned.
                     <q>" I'm sure that during the months you lay here in pain<lb/> You had
                     visitations sublime. You thought of a thousand things. <fw type="catchword"
                        >You</fw>
                     <pb n="23"/>
                     <fw type="runningHead">By Henry James</fw>
                     <fw type="pageNum">15</fw> You think of more and more all the while. That's
                     what makes<lb/> you, if you will pardon my familiarity, so respectable. At a
                     time<lb/> when so many people are spent you come into your second wind.<lb/>
                     But, thank God, all the same, you're better! Thank God, too,<lb/> you're not,
                     as you were telling me yesterday, <q>'successful.'</q> If <emph rend="italic"
                        >you</emph>
                     <lb/> weren't a failure, what would be the use of trying? That's my<lb/> one
                     reserve on the subject of your recovery — that it makes you<lb/>
                     <q>"score,"</q> as the newspapers say. It looks well in the newspapers,<lb/>
                     and almost anything that does that is horrible. <q>'We are happy<lb/> to
                        announce that <persName type="fictional">Mr. Paraday</persName>, the
                        celebrated author, is again in<lb/> the enjoyment of excellent health.'</q>
                     Somehow I shouldn't like to<lb/> see it."</q>
               </p>
               <p>
                  <q>"You won't see it; I'm not in the least celebrated — my<lb/> obscurity protects
                     me. But couldn't you bear even to see I was<lb/> dying or dead?"</q> my
                  companion asked.</p>
               <p>
                  <q>"Dead — <foreign xml:lang="fr" rend="italic">passe encore</foreign>; there's
                     nothing so safe. One never<lb/> knows what a living artist may do — one has
                     mourned so many.<lb/> However, one must make the worst of it; you must be as
                     dead as <lb/> you can."</q>
               </p>
               <p>
                  <q>"Don't I meet that condition in having just published a book?"</q>
               </p>
               <p>
                  <q>"Adequately, let us hope; for the book is verily a master- piece."</q>
               </p>
               <p>At this moment the parlour-maid appeared in the door that<lb/> opened into the
                  garden: <persName type="fictional">Paraday</persName> lived at no great cost, and
                  the<lb/> frisk of petticoats, with a timorous <q>"Sherry, sir?"</q> was about
                  his<lb/> modest mahogany. He allowed hall his income to his wife, from<lb/> whom
                  he had succeeded in separating without redundancy of legend.<lb/> I had a general
                  faith in his having behaved well, and I had once, in<lb/>
                  <placeName type="city">London</placeName>, taken <persName type="fictional">Mrs.
                     Paraday</persName> down to dinner. He now turned to<lb/> speak to the maid, who
                  offered him, on a trait, some card or note,</p>
               <fw type="catchword">while</fw>
               <pb n="24"/>
               <fw type="pageNum">16</fw>
               <fw type="runningHead">The Death of the Lion</fw>
               <p>while agitated, excited, I wandered to the end of the garden.<lb/> The idea of his
                  security became supremely dear to me, and I asked<lb/> myself if I were the same
                  young man who had come down a few<lb/> days before to scatter him to the four
                  winds. When I retraced<lb/> my steps he had gone into the house and the woman (the second<lb/>
                  <placeName type="city">London</placeName> post had come in) had placed my letters
                  and a newspaper<lb/> on a bench. I sat down there to the letters, which were a
                  brief<lb/> business, and then, without heeding the address, took the paper<lb/>
                  from its envelope. It was the journal of highest renown, <title level="j"
                     rend="italic">The<lb/> Empire</title> of that morning. It regularly camee to
                     <persName type="fictional">Paraday</persName>, but I<lb/> remembered that
                  neither of us had yet looked at the copy already<lb/> delivered. This one had a
                  great mark on the editorial page,<lb/> and, uncrumpling the wrapper, I saw it to
                  be directed to my host<lb/> and stamped with the name of his publishers. I
                  instantly divined<lb/> that <title level="j" rend="italic">The Empire</title> had
                  spoken of him, and I have not forgotten the<lb/> odd little shock of the
                  circumstance. It checked all eagerness and<lb/> made me drop the paper a moment.
                  As I sat there, conscious of<lb/> a palpitation, I think I had a vision of what
                  was to be. I had<lb/> also a vision of the letter I would presently address to
                     <persName type="fictional">Mr. Pinhorn</persName>,<lb/> breaking as it were
                  with <persName type="fictional">Mr. Pinhorn</persName>. Of course, however,<lb/>
                  the next minute the voice of <title level="j" rend="italic">The Empire</title> was
                  in my ears.</p>
               <p>The article was not, I thanked Heaven, a review; it was a<lb/> leader, the last of
                  three, presenting <persName type="fictional">Neil Paraday</persName> to the
                  human<lb/> race. His new book, the fifth from his hand, had been but a day<lb/> or
                  two out, and <title level="j" rend="italic">The Empire</title>, already aware of
                  it, fired, as if on the<lb/> birth of a prince, a salure of a whole column. The
                  guns had been<lb/> booming these three hours in the house without out
                  suspecting<lb/> them. The big blundering newspaper had discovered him, and<lb/>
                  now he was proclaimed and anointed and crowned. His place was<lb/> assigned him as
                  publicly as if a fat usher with a wand had pointed<lb/> to the topmost chair; he
                  was to pass up and still up, higher and</p>
               <fw type="catchword">higher,</fw>
               <pb n="25"/>
               <fw type="runningHead">By Henry James</fw>
               <fw type="pageNum">17</fw>
               <p>higher, between the watching faces and the envious sounds — away<lb/> up to the
                  daïs and the throne. The article was a date; he had<lb/> taken rank at a bound —
                  waked up a national glory. A national<lb/> glory was needed, and it was an immense
                  convenience he was there.<lb/> What all this meant rolled over me, and I fear I
                  grew a little faint<lb/> —it meant so much more than I could say <q>"yea"</q> to
                  on the spot.<lb/> land a flash, somehow, all was different; the tremendous wave
                  I<lb/> speak of had swept something away. It had knocked down, I<lb/> suppose, my
                  little customary altar, my twinkling tapers and my<lb/> flowers, and had reared
                  itself into the likeness of a temple vast and<lb/> bare. When <persName
                     type="fictional">Neil Paraday</persName> should come out of the house he
                  would<lb/> come out a contemporary. That was what had happened — the<lb/> poor man
                  was to be squeezed into his horrible age. I felt as if<lb/> he had been overtaken
                  on the crest of the hill and brought back<lb/> to the city. A little more and he
                  would have dipped down to<lb/> posterity and escaped.</p>
            </div>
            <div type="part" n="4">
               <head>IV</head>
               <space/>
               <p>When he came out it was exactly as if he had been in custody,<lb/> for beside him
                  walked a stout man with a big black beard, who,<lb/> save that he wore spectacles,
                  might have been a policeman, and<lb/> in whom at a second glance I recognised the
                  highest contemporary<lb/> enterprise.</p>
               <p>
                  <q>"This is <persName type="fictional">Mr. Morrow</persName>,"</q> said <persName
                     type="fictional">Paraday</persName>, looking, I thought,<lb/> rather white;
                     <q>"he wants to publish heaven knows what about<lb/> me."</q>
               </p>
               <p>I winced as I remembered that this was exactly what I myself<lb/> had wanted.
                     <q>"Already?"</q> I exclaimed, with a sort of sense that<lb/> my friend had
                  fled to me for protection.</p>
               <fw type="footer">The Yellow Book--Vol. I. <emph>B</emph>
               </fw>
               <fw type="catchword">
                  <persName type="fictional">Mr. Morrow</persName>
               </fw>
               <pb n="26"/>
               <fw type="pageNum">18</fw>
               <fw type="runningHead">The Death of the Lion</fw>
               <p>
                  <persName type="fictional">Mr. Morrow</persName> glared, agreeably, through his
                  glasses: they<lb/> suggested the electric headlights of some monstrous modern
                  ship,<lb/> and I felt as if <persName type="fictional">Paraday</persName> and I
                  were tossing terrified under his<lb/> bows. I saw that his momentum was
                  irresistible, <q>"I was<lb/> confident that I should be the first in the
                     field,"</q> he declared.</p>
               <p>
                  <q>"A great interest is naturally felt in <persName type="fictional">Mr.
                        Paraday</persName>'s surroundings."</q>
               </p>
               <p>
                  <q>"I hadn't the least idea of it,"</q> said <persName type="fictional"
                     >Paraday</persName>, as if he had been<lb/> told he had been snoring.</p>
               <p>
                  <q>"I find he has not read the article in <title level="j" rend="italic">The
                        Empire</title>,"</q>
                  <persName type="fictional">Mr. Morrow</persName>
                  <lb/> remarked to me. <q>"That's so very interesting — something to<lb/> start
                     with,"</q> he smiled. He had begun to pull off his gloves,<lb/> which were
                  violently new, and to look encouragingly round the<lb/> little garden. As a
                     <q>"surrounding"</q> I felt that I myself had<lb/> already been taken in; I was
                  a little fish in the stomach of a<lb/> bigger one. <q>"I represent,"</q> our
                  visitor continued, <q>"a syndicate of<lb/> influential journals, no less than
                     thirty-seven, whose public —<lb/> whose publics, I may say — are in peculiar
                     sympathy with <persName type="fictional">Mr.<lb/> Paraday</persName>'s line of
                     thought. They would greatly appreciate any<lb/> expression of his views on the
                     subject of the art he so brilliantly<lb/> practises. Besides my connection with
                     the syndicate just men-<lb/> tioned, I hold a particular commission from <title
                        level="j" rend="italic">The Tatler</title>, whose<lb/> most prominent
                     department, <title level="j" rend="italic">Smatter and Chatter</title> — I
                     daresay<lb/> you've often enjoyed it — attracts such attention. I was
                     honoured<lb/> only last week, as a representative of <title level="j"
                        rend="italic">The Tatler</title>, with the confi-<lb/> dence of <persName
                        type="fictional">Guy Walsingham</persName>, the author of '<title level="m"
                        >Obsessions</title>.' She<lb/> expressed herself thoroughly pleased with my
                     sketch of her<lb/> method; she went so far as to say that I had made her
                     genius<lb/> more comprehensible even to herself."</q>
               </p>
               <p>
                  <persName type="fictional">Neil Paraday</persName> had dropped upon the
                  garden-bench and sat there,<lb/> at once detached and confused; he looked hard at
                  a bare spot in <lb/> the lawn, as if with an anxiety that had suddenly made him grave.<lb/>
                  <fw type="catchword">His</fw>
                  <pb n="27"/>
                  <fw type="runningHead">By Henry James</fw>
                  <fw type="pageNum">19</fw> His movement had been interpreted by his visitor as an
                  invitation<lb/> to sink sympathetically into a wicker chair that stood hard
                  by,<lb/> and as <persName type="fictional">Mr. Morrow</persName> so settled
                  himself I felt that he had taken<lb/> official possession and that there was no
                  undoing it. One had<lb/> heard of unfortunate people's having a man in the house,
                  and<lb/> this was just what we had. There was a silence of a moment,<lb/> during
                  which we seemed to acknowledge in the only way that<lb/> was possible the presence
                  of universal fate; the sunny stillness<lb/> took no pity, and my thought, as I was
                  sure <persName type="fictional">Paraday</persName>'s was doing,<lb/> performed
                  within the minute a great distant revolution. I saw<lb/> just how emphatic I
                  should make my rejoinder to <persName type="fictional">Mr.
                  Pinhorn</persName>,<lb/> and that having come, like <persName type="fictional">Mr.
                     Morrow</persName>, to betray, I must<lb/> remain as long as possible to save.
                  Not because I had brought<lb/> my mind back, but because our visitor's last words
                  were in my<lb/> ear, I presently inquired with gloomy irrelevance if <persName
                     type="fictional">Guy Wals-<lb/> ingham</persName> were a woman.</p>
               <p>
                  <q>"Oh yes, a mere pseudonym; but convenient, you know, for<lb/> a lady who goes
                     in for the larger latitude. <title level="m">Obsessions</title>, by Miss<lb/>
                     So-and-So would look a little odd, but men are more naturally <lb/> indelicate.
                     Have you peeped into <title level="m">Obsessions</title>?"</q>
                  <persName type="fictional">Mr. Morrow</persName>
                  <lb/> continued sociably to our companion.</p>
               <p>
                  <persName type="fictional">Paraday</persName>, still absent, remote, made no
                  answer, as if he had not<lb/> heard the question: a manifestation that appeared to
                  suit the<lb/> cheerful <persName type="fictional">Mr. Morrow</persName> as well as
                  any other. Imperturbably bland,<lb/> he was a man of resources — he only needed to
                  be on the spot.<lb/> He had pocketed the whole poor place while <persName
                     type="fictional">Paraday</persName> and I were<lb/> woolgathering, and I could
                  imagine that he had already got his<lb/> heads. His system, at any rate, was
                  justified by the in-<lb/> evitability with which I replied, to save my friend the trouble:<lb/>
                  <q>"Dear, no; he hasn't read it. He doesn't read such things!"</q> I<lb/> unwarily
                  added.</p>
               <fw type="catchword">Things</fw>
               <pb n="28"/>
               <fw type="pageNum">20</fw>
               <fw type="runningHead">The Death of the Lion</fw>
               <p>
                  <q>"Things that are too far over the fence, eh?"</q> I was indeed a<lb/> godsend
                  to <persName type="fictional">Mr. Morrow</persName>. It was the psychological
                  moment; it<lb/> determined the appearance of his notebook, which, however, he
                  at<lb/> first kept slightly behind him, as the dentist, approaching his<lb/>
                  victim, keeps his horrible forceps. <q>"<persName type="fictional">Mr.
                        Paraday</persName> holds with the<lb/> good old proprieties — I see!"</q>
                  And, thinking of the thirty-seven<lb/> influential journals, I found myself, as I
                  found poor <persName type="fictional">Paraday</persName>, help-<lb/> lessly gazing
                  at the promulgation of this ineptitude. <q>"There's<lb/> no point on which
                     distinguished views are so acceptable as on this<lb/> question — raised perhaps
                     more strikingly than ever by <persName type="fictional">Guy Wals-<lb/>
                        ingham</persName>— of the permissibility of the larger latitude. I have
                     an<lb/> appointment, precisely in connection with it, next week, with<lb/>
                     <persName type="fictional">Dora Forbes</persName>, the author of <title
                        level="m">'The Other Way Round,'</title> which<lb/> everybody is talking
                     about. Has <persName type="fictional">Mr. Paraday</persName> glanced at <title
                        level="m">'The<lb/> Other Way Round'</title>?"</q>
                  <persName type="fictional">Mr. Morrow</persName> now frankly appealed to<lb/> me.
                  I took upon myself to repudiate the supposition, while our<lb/> companion, still
                  silent, got up nervously and walked away. His<lb/> visitor paid no heed to his
                  withdrawal; he only opened out the<lb/> notebook with a more motherly pat.
                        <q>"<persName type="fictional">Dora Forbes</persName>, I gather, takes<lb/>
                     the ground, the same as <persName type="fictional">Guy Walsingham</persName>'s,
                     that the larger<lb/> latitude has simply got to come. He holds that it bas got
                     to<lb/> squarely faced. Of course his sex makes him a less prejudiced<lb/>
                     witness. But an authoritative word from <persName type="fictional">Mr.
                        Paraday</persName>— from the<lb/> point of view of his sex, you know — would
                     go right round the<lb/> globe. He takes the line that we haven't got to face
                     it?"</q>
               </p>
               <p>I was bewildered; it sounded somehow as if there were three<lb/> sexes. My
                  interlocutor's pencil was poised, my private responsi-<lb/> bility great. I simply
                  sat staring, however, and only, found<lb/> presence of mind to say: <q>"Is this
                        <persName type="fictional">Miss Forbes</persName> a gentleman?"</q>
               </p>
               <p>
                  <persName type="fictional">Mr. Morrow</persName> hesitated an instant, smiling:
                     <q>"It wouldn't be<lb/>
                     <q>"Miss"</q> — there's a wife!"</q>
               </p>
               <fw type="catchword">I</fw>
               <pb n="29"/>
               <fw type="runningHead">By Henry James</fw>
               <fw type="pageNum">21</fw>
               <p>
                  <q>"I mean is she a man?"</q>
               </p>
               <p>
                  <q>"The wife?"</q> — <persName type="fictional">Mr. Morrow</persName>, for a
                  moment, was as confused<lb/> as myself. But when I explained that I alluded to
                     <persName type="fictional">Dora Forbes</persName>
                  <lb/> in person he informed me, with visible amusement at my being<lb/> so out of
                  it, that this was the pen-name of an indubitable male<lb/> — he had a big red
                  moustache. <q>"He only assumes a feminine<lb/> personality because the ladies are
                     such popular favourites. A great<lb/> deal of interest is felt in this
                     assumption, and there's every pro-<lb/> spect of its being widely
                     imitated."</q> Our host at this moment<lb/> joined us again, and <persName
                     type="fictional">Mr. Morrow</persName> remarked invitingly that he<lb/> should
                  be happy to make a note of any observation the movement<lb/> in question, the bid
                  for success under a lady’s name, might suggest<lb/> to <persName type="fictional"
                     >Mr. Paraday</persName>. But the poor man, without catching the allu-<lb/>
                  tion, excused himself, pleading that, though he was greatly<lb/> honoured by his
                  visitor's interest, he suddenly felt unwell and<lb/> should have to take leave of
                  him — have to go and lie down and<lb/> keep quiet. His young friend might be
                  trusted to answer for<lb/> him, but he hoped <persName type="fictional">Mr.
                     Morrow</persName> didn't expect great things even<lb/> of his young friend. His
                  young friend, at this moment, looked<lb/> at <persName type="fictional">Neil
                     Paraday</persName> with an anxious eye, greatly wondering if he were<lb/>
                  doomed to be ill again; but <persName type="fictional">Paraday</persName>'s own
                  kind face met his ques-<lb/> tion reassuringly, seemed to say in a glance
                  intelligible enough:<lb/>
                  <q>"Oh, I'm not ill, but I'm scared: get him out of the house as<lb/> quietly as
                     possible."</q> Getting newspaper-men out of the house was<lb/> odd business for
                  an emissary of <persName type="fictional">Mr. Pinhorn</persName>, and I was so
                  exhila-<lb/> rated by the idea of it that I called after him as he left us:</p>
               <p>
                  <q>"Read the article in <title level="j" rend="italic">The Empire</title>, and
                     you'll soon be all<lb/> right!"</q>
               </p>
            </div>
            <pb n="30"/>
            <fw type="pageNum">22</fw>
            <fw type="runningHead">The Death of the Lion</fw>
            <div type="part" n="5">
               <head>V</head>
               <space/>
               <p>
                  <q>"Delicious my having come down to tell him of it!"</q>
                  <persName type="fictional">Mr.<lb/> Morrow</persName> ejaculated. <q>"My cab was
                     at the door twenty minutes<lb/> after <title level="j" rend="italic">The
                        Empire</title> had been laid upon my breakfast-table. Now<lb/> what have you
                     got for me?"</q> he continued, dropping again into<lb/> his chair, from which,
                  however, the next moment he quickly<lb/> rose. <q>"I was shown into the
                     drawing-room, but there must be<lb/> more to see—his study, his literary
                     sanctum, the little things he<lb/> has about, or other domestic objects or
                     features. He wouldn't be<lb/> lying down on his study-table? There's a great
                     interest always<lb/> felt in the scene of an author's labours. Sometimes we're
                     favoured<lb/> with very delightful peeps. <persName type="fictional">Dora
                        Forbes</persName> showed me all his table-<lb/> drawers, and almost jammed
                     my hand into one into which I made<lb/> a dash! I don't ask that of you, but if
                     we could talk things<lb/> over right there where he sits I feel as if I should
                     get the<lb/> keynote."</q>
               </p>
               <p>I had no wish whatever to be rude to <persName type="fictional">Mr.
                     Morrow</persName>, I was<lb/> much too initiated not to prefer the safety of
                  other ways; but I<lb/> had a quick inspiration and I entertained an
                  insurmountable, an<lb/> almost superstitious objection to his crossing the
                  threshold of my<lb/> friend's little lonely, shabby, consecrated workshop.
                     <q>"No,<lb/> we sha'n't get at his lire that way,"</q> I said. <q>"The way to
                     get at<lb/> his lire is to — But wait a moment!"</q> I broke off and went<lb/>
                  quickly into the house; then, in three minutes, I reappeared before<lb/>
                  <persName type="fictional">Mr. Morrow</persName> with the two volumes of <persName
                     type="fictional">Paraday</persName>'s new book.<lb/>
                  <q>"His life's here"</q> I went on, <q>"and I'm so full of this admirable<lb/>
                     thing that I can't talk of anything else. The artist's life's his<lb/> work,
                     and this is the place to observe him. What he has to tell<lb/>
                     <fw type="catchword">us</fw>
                     <pb n="31"/>
                     <fw type="runningHead">By Henry James</fw>
                     <fw type="pageNum">23</fw> us he tells us with <emph rend="italic">this</emph>
                     perfection. My dear sir, the best inter-<lb/> viewer's the best reader."</q>
               </p>
               <p>
                  <persName type="fictional">Mr. Morrow</persName> good-humouredly protested. <q>"Do
                     you mean to<lb/> say that no other source of information should be opened to
                     us?"</q>
               </p>
               <p>
                  <q>"None other till this particular one — by far the most copious —<lb/> has been
                     quite exhausted. Have you exhausted it, my dear sir<lb/> Had you exhausted it
                     when you came down here? It seems to<lb/> me in our time almost wholly
                     neglected, and something should<lb/> surely be done to restore its ruined
                     credit. It's the course to<lb/> which the artist himself at every step, and
                     with such pathetic<lb/> confidence, refers us. This last book of <persName
                        type="fictional">Mr. Paraday</persName>'s is full of<lb/> revelations."</q>
               </p>
               <p>
                  <q>"Revelations."</q> panted <persName type="fictional">Mr. Morrow</persName>,
                  whom I had forced<lb/> again into his chair.</p>
               <p>
                  <q>"The only kind that count. It tells you with a perfection that<lb/> seems to me
                     quite final all the author thinks, for instance, about the<lb/> advent of the
                     larger latitude."</q>
               </p>
               <p>
                  <q>"Where does it do that?"</q> asked <persName type="fictional">Mr.
                     Morrow</persName>, who had picked<lb/> up the second volume and was insincerely
                  thumbing it.</p>
               <p>
                  <q>"Everywhere — in the whole treatment of his case. Extract the<lb/> opinion,
                     disengage the answer — those are the real acts of homage."</q>
               </p>
               <p>
                  <persName type="fictional">Mr. Morrow</persName>, after a minute, tossed the book
                  away. <q>"Ah, but<lb/> you mustn't take me for a reviewer."</q>
               </p>
               <p>
                  <q>"Heaven forbid I should take you for anything so dreadful!<lb/> You came down
                     to perform a little act of sympathy, and so, I<lb/> may confide to you, did I.
                     Let us perform our little act together.<lb/> These pages overflow with the
                     testimony we want: let us read<lb/> them and taste them and interpret them. You
                     will of course<lb/> have perceived for yourself that one scarcely does read
                        <persName type="fictional">Neil<lb/> Paraday</persName> till one reads him
                     aloud; he gives out to the ear an extra-<lb/> Ordinary quality, and it's only
                     when you expose it confidently to<lb/>
                     <fw type="catchword">that</fw>
                     <pb n="32"/>
                     <fw type="pageNum">24</fw>
                     <fw type="runningHead">The Death of the Lion</fw> that test that you really get
                     near his style. Take up your book<lb/> again and let me listen, while you pay
                     it out, to that wonderful<lb/> fifteenth chapter. If you feel that you can't do
                     it justice, compose<lb/> yourself to attention while I produce for you — I
                     think I can! —<lb/> this scarcely less admirable ninth."</q>
               </p>
               <p>
                  <persName type="fictional">Mr. Morrow</persName> gave me a straight glance which
                  was as hard as a<lb/> blow between the eyes; he had turned rather red and a
                  question had<lb/> formed itselfin his mind which reached my sense as distinctly as
                  if<lb/> he had uttered it: <q>"What sort of a damned fool are you?"</q> Then<lb/>
                  he got up, gathering together his hat and gloves, buttoning his<lb/> coat,
                  projecting hungrily all over the place the big transparency of<lb/> his mask. It
                  seemed to flare over <placeName type="street">Fleet Street</placeName> and
                  somehow<lb/> made the actual spot distressingly humble: there was so little
                  for<lb/> it to feed on unless he counted the blisters of our stucco or saw<lb/>
                  his way to do something with the roses. Even the poor roses<lb/> were common
                  kinds. Presently his eyes fell upon the manuscript<lb/> from which <persName
                     type="fictional">Paraday</persName> had been reading to me and which still lay
                  on<lb/> the bench. As my own followed them I saw that it looked<lb/> promising,
                  looked pregnant, as if it gently throbbed with the lire<lb/> the reader had given
                  it. <persName type="fictional">Mr. Morrow</persName> indulged in a nod toward<lb/>
                  it and a vague thrust of his umbrella. <q>"What's that?"</q>
               </p>
               <p>
                  <q>"Oh, it's a plan — a secret."</q>
               </p>
               <p>
                  <q>"A secret!"</q> There was an instant's silence, and then <persName
                     type="fictional">Mr.<lb/> Morrow</persName> made another movement. I may have
                  been mistaken,<lb/> but it affected me as the translated impulse of the desire to
                  lay<lb/> hands on the manuscript, and this led me to indulge in a quick<lb/>
                  anticipatory grab which may very well have seemed ungraceful, or<lb/> even
                  impertinent, and which at any rate left <persName type="fictional">Mr.
                     Paraday</persName>'s two<lb/> admirers very erect, glaring at each other while
                  one of them held<lb/> a bundle of papers well behind him. An instant later
                     <persName type="fictional">Mr.<lb/> Morrow</persName> quitted me abruptly, as
                  if he had really carried some-<lb/>
                  <fw type="catchword">thing</fw>
                  <pb n="33"/>
                  <fw type="runningHead">By Henry James</fw>
                  <fw type="pageNum">25</fw> thing away. To reassure myself, watching his broad back
                  recede,<lb/> I only grasped my manuscript the tighter. He went to the<lb/>
                  back-door of the house, the one he had come out from, but on<lb/> trying the
                  handle he appeared to find it fastened. So he passed<lb/> round into the front
                  garden, and, by listening intently enough, I<lb/> could presently hear the outer
                  gate close behind him with a bang.<lb/> I thought again of the thirty-seven
                  influential journals and<lb/> wondered what would be his revenge. I hasten to add
                  that he was<lb/> rnagnanimous: which was just the most dreadful thing he
                  could<lb/> have been. <title level="j" rend="italic">The Tatler</title> published
                  a charming, chatty, familiar<lb/> account of <persName type="fictional">Mr.
                     Paraday</persName>'s "Home-life," and on the wings of the<lb/> thirty-seven
                  influential journals it went, to use <persName type="fictional">Mr.
                     Morrow</persName>'s own<lb/> expression, right round the globe.</p>
            </div>
            <div type="part" n="6">
               <head>VI</head>
               <space/>
               <p>A week later, early in May, my glorified friend came up to<lb/> town, where, it
                  may be veraciously recorded, he was the king of<lb/> the beasts of the year. No
                  advancement was ever more rapid, no<lb/> exaltation more complete, no bewilderment
                  more teachable. His<lb/> book sold but moderately, though the article in <title
                     level="j" rend="italic">The Empire</title> had<lb/> done unwonted wonders for
                  it; but he circulated in person in a<lb/> manner that the libraries might well
                  have envied. His formula<lb/> had been found — he was a revelation. His momentary
                  terror<lb/> had been real, just as mine had been — the overclouding of his<lb/>
                  passionate desire to be left to finish his work. He was far from<lb/> unsociable,
                  but he had the finest conception of being let alone<lb/> that I have ever met. For
                  the time, however, he took his profit<lb/> where it seemed most to crowd upon him,
                  having in his pocket<lb/>
                  <fw type="catchword">the</fw>
                  <pb n="34"/>
                  <fw type="pageNum">26</fw>
                  <fw type="runningHead">The Death of the Lion</fw> the portable sophistries about
                  the nature of the artist's task.<lb/> Observation too was a kind of work and
                  experience a kind of<lb/> success; <placeName type="city">London</placeName>
                  dinners were all material and <placeName type="city">London</placeName>
                  ladies<lb/> were fruitful toil. <q>"No one has the faintest conception of
                     what<lb/> I'm trying for,"</q> he said to me, <q>"and not many have read
                     three<lb/> pages that I've written; but they're all enthusiastic,
                     enchanted,<lb/> devoted."</q> He found himself in truth equally amused and
                  fatigued;<lb/> but the fatigue had the merit of being a new sort, and the
                  phantas-<lb/> magoric town was perhaps after all less of a battlefield than
                  the<lb/> haunted study. He once told me that he had had no personal life<lb/> to
                  speak of since his fortieth year, but had had more than was<lb/> good for him
                  before. <placeName type="city">London</placeName> closed the parenthesis and
                  exhibited<lb/> him in relations; one of the most inevitable of these being that
                  in<lb/> which he found himself to <persName type="fictional">Mrs. Weeks
                     Wimbush</persName>, wife of the<lb/> boundless brewer and proprietress of the
                  universal menagerie.<lb/> In this establishment, as everybody knows, on occasions
                  when the<lb/> crush is great, the animais rub shoulders freely with the
                  spectators<lb/> and the lions sit down for whole evenings with the lambs.</p>
               <p>It had been ominously clear to me from the first that in <persName
                     type="fictional">Neil<lb/> Paraday</persName> this lady, who, as all the world
                  agreed, was tremendous<lb/> fun, considered that she had secured a prime
                  attraction, a creature<lb/> of almost heraldic oddity. Nothing could exceed ber
                  enthusiasm<lb/> over ber capture, and nothing could exceed the confused
                  apprehen-<lb/> sions it excited in me. I had an instinctive fear of her which
                  I<lb/> tried without effect to conceal from her victim, but which I let<lb/> her
                  perceive with perfect impunity. <persName type="fictional">Paraday</persName>
                  heeded it, but she<lb/> never did, for her conscience was that of a romping child.
                  She was<lb/> a blind, violent force, to which I could attach no more idea of<lb/>
                  responsibility than to the hum of a spinning-top. It was difficult<lb/> to say
                  what she conduced to but to circulation. She was constructed<lb/> of sted and
                  leather, and all I asked of her for our tractable friend<lb/>
                  <fw type="catchword">was</fw>
                  <pb n="35"/>
                  <fw type="runningHead">By Henry James</fw>
                  <fw type="pageNum">27</fw> was not to do him to death. He had consented for a time
                  to be<lb/> of indiarubber, but my thoughts were fixed on the day he should<lb/>
                  resume his shape or at least get back into his box. It was evi-<lb/> dently all
                  right, but I should be glad when it was well over. I<lb/> was simply nervous — the
                  impression was ineffaceable of the hour<lb/> when, after <persName
                     type="fictional">Mr. Morrow</persName>'s departure, I had found him on the
                  sofa<lb/> in his study. That pretext of indisposition had not in the least<lb/>
                  been meant as a snub to the envoy of <title level="j" rend="italic">The
                     Tatler</title> — he had gone<lb/> to lie down in very truth. He had felt a pang
                  of his old pain, the \<lb/> result of the agitation wrought in him by this forcing
                  open of a<lb/> new period. His old programme, his old ideal even had to be<lb/>
                  changed. Say what one would, success was a complication and<lb/> recognition had
                  to be reciprocal. The monastic life, the pious<lb/> illumination of the missal in
                  the convent cell were things of the<lb/> gathered past. It didn't engender
                  despair, but it at least required<lb/> adjustment. Before I left him on that
                  occasion we had passed a<lb/> bargain, my part of which was that I should make it
                  my business<lb/> to take care of him. Let whoever would represent the interest
                  in<lb/> his presence (I had a mystical prevision of <persName type="fictional"
                     >Mrs. Weeks Wimbush</persName>),<lb/> I should represent the interest in his
                  work — in other words, in his<lb/> absence. These two interests were in their
                  essence opposed; and<lb/> I doubt, as youth is fleeting, if I shall ever again
                  know the<lb/> intensity of joy with which I felt that in so good a cause I
                  was<lb/> willing to make myself odious.</p>
               <p>One day, in <placeName type="street">Sloane Street</placeName>, I found myself
                  questioning <persName type="fictional">Paraday</persName>'s<lb/> landlord, who had
                  come to the door in answer to my knock. Two<lb/> vehicles, a barouche and a smart
                  hansom, were drawn up before<lb/> the house.</p>
               <p>
                  <q>"In the drawing-room, sir? <persName type="fictional">Mrs. Weeks
                        Wimbush</persName>."</q>
               </p>
               <p>
                  <q>"And in the dining-room?"</q>
               </p>
               <p>
                  <q>"A young lady, sir — waiting: I think a foreigner."</q>
               </p>
               <fw type="catchword">It</fw>
               <pb n="36"/>
               <fw type="pageNum">28</fw>
               <fw type="runningHead">The Death of the Lion</fw>
               <p>It was three o'clock, and on days when <persName type="fictional"
                     >Paraday</persName> didn't lunch<lb/> out he attached a value to these
                  subjugated hours. On which<lb/> days, however, didn't the dear man lunch out?
                     <persName type="fictional">Mrs. Wimbush</persName>,<lb/> at such a crisis,
                  would have rushed round immediately after her<lb/> own repast. I went into the
                  dining-room first, postponing the<lb/> pleasure of seeing how, upstairs, the lady
                  of the barouche would,<lb/> on my arrival, point the moral of my sweet solicitude.
                  No one<lb/> took such an interest as herself in his doing only what was good<lb/>
                  for him, and she was always on the spot to see that he did it.<lb/> She made
                  appointments with him to discuss the best means of<lb/> economising his time and
                  protecting his privacy. She further<lb/> made his health her special business, and
                  had so much sympathy<lb/> with my own zeal for it that she was the author of
                  pleasing<lb/> fictions on the subject of what my devotion had led me to give<lb/>
                  up. I gave up nothing (I don't count <persName type="fictional">Mr.
                     Pinhorn</persName>) because I<lb/> had nothing, and all I had as yet achieved
                  was to find myself<lb/> also in the menagerie. I had dashed in to save my friend,
                  but I<lb/> had only got domesticated and wedged; so that I could do nothing<lb/>
                  for him but exchange with him over people's heads looks of<lb/> intense but futile
                  intelligence.</p>
            </div>
            <div type="part" n="7">
               <head>VII</head>
               <space/>
               <p>The young lady in the dining-room had a brave face, black<lb/> hair, blue eyes,
                  and in her lap a big volume. <q>"I've come for his<lb/> autograph,"</q> she said,
                  when I had explained to her that I was<lb/> under bonds to see people for him when
                  he was occupied. <q>"I've<lb/> been waiting half an bout, but I'm prepared to wait
                     all day."</q> I<lb/> don't know whether it was this that told me she was American,<lb/>
                  <fw type="catchword">for</fw>
                  <pb n="37"/>
                  <fw type="runningHead">By Henry James</fw>
                  <fw type="pageNum">29</fw> for the propensity to wait all day is not in general
                  characteristic<lb/> of her race. I was enlightened probably not so much by
                  the<lb/> spirit of the utterance as by some quality of its sound. At an<lb/>y rate
                  I saw she had an individual patience and a lovely frock, to-<lb/> gether with an
                  expression that played among her pretty features<lb/> as a breeze among flowers.
                  Putting her book upon the table, she<lb/> showed me a massive album, showily bound
                  and full of autographs<lb/> of price. The collection of faded notes, of still more faded<lb/>
                  <emph>"thoughts,"</emph> of quotations, platitudes, signatures, represented a<lb/>
                  formidable purpose.</p>
               <p>
                  <q>"Most people apply to <persName type="fictional">Mr. Paraday</persName> by
                     letter, you know,"</q> I said.</p>
               <p>
                  <q>"Yes, but he doesn't answer, I’ve written three times."</q>
               </p>
               <p>
                  <q>"Very true,"</q> I reflected; <q>"the sort of letter you mean goes<lb/>
                     straight into the fire."</q>
               </p>
               <p>
                  <q>"How do you know the sort I mean?"</q> my interlocutress<lb/> asked. She had
                  blushed and smiled and in a moment she added:<lb/>
                  <q>"I don't believe he gets many like them!"</q>
               </p>
               <p>
                  <q>"I'm sure they're beautiful, but he burns without reading."</q> I<lb/> didn't
                  add that I had told him he ought to.</p>
               <p>
                  <q>"Isn't he then in danger of burning things of importance?"</q>
               </p>
               <p>
                  <q>"He would be, if distinguished men hadn't an infallible nose for<lb/> a
                     petition."</q> She looked at me a moment — her face was sweet and gay.</p>
               <p>
                  <q>"Do <emph rend="italic">you</emph> burn without reading, too?"</q> she asked;
                  in answer to<lb/> which I assured her that if she would trust me with her
                  repository<lb/> I would see that <persName type="fictional">Mr. Paraday</persName>
                  should write his name in it.<lb/> She considered a little. <q>"That's very well,
                     but it wouldn't<lb/> make me see him."</q>
               </p>
               <p>
                  <q>"Do you want very much to see him?"</q> It seemed ungracious<lb/> to catechise
                  so charming a creature, but somehow I had never yet<lb/> taken my duty to the
                  great author so seriously.</p>
               <fw type="catchword">Enough</fw>
               <pb n="38"/>
               <fw type="pageNum">30</fw>
               <fw type="runningHead">The Death of the Lion</fw>
               <p>
                  <q>"Enough to have come from <placeName type="country">America</placeName> for the
                     purpose."</q>
                  <lb/> I stared. <q>"All alone?"</q>
               </p>
               <p>
                  <q>"I don't see that that's exactly your business; but if it will<lb/> make me
                     more appealing I will confess that I am quite by myself.<lb/> I had to come
                     alone or not at all."</q>
               </p>
               <p>She was interesting; I could imagine that she had lost parents,<lb/> natural
                  protectors — could conceive even that she had inherited<lb/> money. I was in a
                  phase of my own fortunes when keeping<lb/> hansoms at doors seemed to me pure
                  swagger. As a trick of<lb/> this frank and delicate girl, however, it became
                  romantic — a part<lb/> of the general romance of her freedom, her errand, her
                  innocence.<lb/> The confidence of young Americans was notorious, and I
                  speedily<lb/> arrived at a conviction that no impulse could have been more<lb/>
                  generous than the impulse that had operated here. I foresaw at<lb/> that moment
                  that it would make her my peculiar charge, just as cir-<lb/> cumstances had made
                     <persName type="fictional">Neil Paraday</persName>. She would be another
                  person<lb/> to look after, and one's honour would be concerned in guiding<lb/> her
                  straight. These things became clearer to me later; at the<lb/> instant I had
                  scepticism enough to observe to her, as I turned the<lb/> pages of her volume,
                  that her net had, all the same, caught many a<lb/> big fish. She appeared to have
                  had fruitful access to the great<lb/> ones of the earth; there were people
                  moreover whose signatures<lb/> she had presumably secured without a personal
                  interview. She<lb/> couldn't have waylaid <persName type="nonfictional">George
                     Washington</persName> and <persName type="nonfictional">Friedrich
                     Schiller</persName>
                  <lb/> and <persName type="nonfictional">Hannah More</persName>. She met this
                  argument, to my surprise, by<lb/> throwing up the album without a pang. It wasn't
                  even her own;<lb/> she was responsible for none of its treasures. It belonged to
                  a<lb/> girl-friend in <placeName type="country">America</placeName>, a young lady
                  in a western city. This<lb/> young lady had insisted on her bringing it, to pick
                  up more auto-<lb/> graphs: she thought they might like to see, in <placeName
                     type="region">Europe</placeName>, in what<lb/> company they would be. The
                     <emph>girlfriend,</emph> the western city,<lb/>
                  <fw type="catchword">the</fw>
                  <pb n="39"/>
                  <fw type="runningHead">By Henry James</fw>
                  <fw type="pageNum">31</fw> the immortal names, the curious errand, the idyllic
                  faith, all made<lb/> a story as strange to me, and as beguiling, as some tale in the<lb/>
                  <title level="m">Arabian Nights</title>. Thus it was that my informant had
                  encum-<lb/> bered herself with the ponderous tome; but she hastened to as<lb/>sure
                  me that this was the first time she had brought it out. For her<lb/> visit to
                     <persName type="fictional">Mr. Paraday</persName> it had simply been a pretext.
                  She didn't<lb/> really care a straw that he should write his name; what she
                  did<lb/> want was to look straight into his face.</p>
               <p>I demurred a little. <q>"And why do you require to do that?"</q>
               </p>
               <p>
                  <q>"Because I just love him!"</q> Before I could recover from the<lb/> agitating
                  effect of this crystal ring my companion had continued:<lb/>
                  <q>"Hasn't there ever been any face that you've wanted to look<lb/> into?"</q>
               </p>
               <p>How could I tell her so soon how much I appreciated the<lb/> opportunity of
                  looking into hers? I could only assent in general<lb/> to the proposition that
                  there were certainly for every one such<lb/> faces; and I felt that the crisis
                  demanded all my lucidity, all my<lb/> wisdom. <q>"Oh, yes, I'm a student of
                     physiognomy. Do you<lb/> mean,"</q> I pursued, <q>"that you've a passion for
                        <persName type="fictional">Mr. Paraday</persName>'s<lb/> books?"</q>
               </p>
               <p>
                  <q>"They've been everything to me — I know them by heart.<lb/> They've completely
                     taken hold of me. There's no author about<lb/> whom I feel as I do about
                        <persName type="fictional">Neil Paraday</persName>."</q>
               </p>
               <p>
                  <q>"Permit me to remark then,"</q> I presently rejoined, <q>"that<lb/> you're one
                     of the right sort."</q>
               </p>
               <p>
                  <q>"One of the enthusiasts? Of course I am!"</q>
               </p>
               <p>
                  <q>"Oh, there are enthusiasts who are quite of the wrong. I<lb/> mean you're one
                     of those to whom an appeal can be made."</q>
               </p>
               <p>
                  <q>"An appeal?"</q> Her face lighted as if with the chance of some<lb/> great
                  sacrifice.</p>
               <p>If she was ready for one it was only waiting for her, and in a<lb/>
                  <fw type="catchword">moment</fw>
                  <pb n="40"/>
                  <fw type="pageNum">32</fw>
                  <fw type="runningHead">The Death of the Lion</fw> moment I mentioned it. <q>"Give
                     up this rigid purpose of seeing<lb/> him. Go away without it. That will be far
                     better."</q><lb/> She looked mystified; then she turned visibly pale.
                     <q>"Why,<lb/> hasn't he any personal charm?"</q> The girl was terrible and
                  laugh-<lb/> able in her bright directness.</p>
               <p>
                  <q>"Ah, that dreadful word <emph>personal</emph>!"</q> I exclaimed; <q>"we're<lb/>
                     dying of it, and you women bring it out with murderous effect.<lb/> When you
                     encounter a genius as fine as this idol of ours, let him<lb/> off the dreary
                     duty of being a personality as well. Know him<lb/> only by what's best in him,
                     and spare him for the same sweet<lb/> sake."</q>
               </p>
               <p>My young lady continued to look at me in confusion and mis-<lb/> trust, and the
                  result of her reflection on what I had just said<lb/> was to make her suddenly
                  break out: <q>"Look here, sir — what's the<lb/> matter with him?"</q>
               </p>
               <p>
                  <q>"The matter with him is that, if he doesn't look out, people<lb/> will eat a
                     great hole in his life."</q>
               </p>
               <p>She considered a moment. <q>"He hasn't any disfigurement?"</q>
               </p>
               <p>
                  <q>"Nothing to speak of!"</q>
               </p>
               <p>
                  <q>"Do you mean that social engagements interfere with his occu-<lb/>
                     pations?"</q>
               </p>
               <p>
                  <q>"That but feebly expresses it."</q>
               </p>
               <p>
                  <q>"So that he can't give himself up to his beautiful imagin-<lb/> ation?"</q>
               </p>
               <p>
                  <q>"He's badgered, bothered, overwhelmed, on the pretext of<lb/> being applauded.
                     People expect him to give them his time, his<lb/> golden time, who wouldn't
                     themselves give five shillings for one of<lb/> his books."</q>
               </p>
               <p>
                  <q>"Five? I'd give five thousand!"</q>
               </p>
               <p>
                  <q>"Give your sympathy — give your forbearance. Two-thirds of<lb/> those who
                     approach him only do it to advertise themselves."</q>
               </p>
               <fw type="catchword"><!-- there is a single open quote here -->Why</fw>
               <pb n="41"/>
               <fw type="runningHead">By Henry James</fw>
               <fw type="pageNum">33</fw>
               <p>
                  <q>"Why, it’s too bad!"</q> the girl exclaimed, with the face of an<lb/>
                  angel.</p>
               <p>I followed up my advantage. <q>"There's a lady with him now<lb/> who's a terrible
                     complication, and who yet hasn't read, I am sure,<lb/> ten pages that he ever
                     wrote."</q>
               </p>
               <p>My visitor's wide eyes grew tenderer. <q>"Then how does she<lb/> talk?"</q>
               </p>
               <p>
                  <q>"Without ceasing. I only mention her as a single case. Do<lb/> you want to know
                     how to show a superlative consideration?<lb/> Simply, avoid him."</q>
               </p>
               <p>
                  <q>"Avoid him?"</q> she softly wailed.</p>
               <p>
                  <q>"Don't force him to have to take account of you; admire him<lb/> in silence,
                     cultivate him at a distance and secretly, appropriate his<lb/> message. Do you
                     want to know,"</q> I continued, warming to<lb/> my idea, <q>"how to perform an
                     act of homage really sublime?"</q>
                  <lb/> Then as she hung on mg words: <q>"Succeed in never seeing<lb/> him!"</q>
               </p>
               <p>
                  <q>"Never?"</q> she pathetically gasped.</p>
               <p>
                  <q>"The more you get into his writings the less you'll want to;<lb/> and you'll be
                     immensely sustained by the thought of the good<lb/> you're doing him."</q>
               </p>
               <p>She looked at me without resentment or spite, and at the truth<lb/> I had put
                  before her with candour, credulity and pity. I was<lb/> afterwards happy to
                  remember that she must have recognised in<lb/> my face the liveliness of my
                  interest in herself. <q>"I think I see<lb/> what you mean."</q>
               </p>
               <p>
                  <q>"Oh, I express it badly; but I should be delighted if you would<lb/> let me
                     come to see you — to explain it better."</q><lb/> She made no response to this,
                  and her thoughtful eyes fell on<lb/> the big album, on which she presently laid
                  her hands as if to take<lb/> it away. <q>"I did use to say out West that they
                     might write a little<lb/>
                     <fw type="footer">The Yellow Book — Vol. I. <emph>C</emph>
                     </fw>
                     <fw type="catchword">less</fw>
                     <pb n="42"/>
                     <fw type="pageNum">34</fw> less for autographs (to all the great poets, you
                     know) and study<lb/> the thoughts and style a little more."</q>
               </p>
               <p>
                  <q>"What do they care for the thoughts and style? They didn't<lb/> even understand
                     you. I'm not sure,"</q> I added, <q>"that I do myself,<lb/> and I daresay that
                     you by no means make me out."</q> She had got<lb/> up to go, and though I
                  wanted her to succeed in not seeing <persName type="fictional">Neil<lb/>
                     Paraday</persName> I wanted her also, inconsequently, to remain in the
                  house.<lb/> I was at any rate far from desiring to hustle her off. As <persName
                     type="fictional">Mrs.<lb/> Weeks Wimbush</persName>, upstairs, was still saving
                  our friend in her own<lb/> way, I asked my young lady to let me briefly relate, in
                  illustration<lb/> of my point, the little incident of my having gone clown into
                  the<lb/> country for a profane purpose and been converted on the spot to<lb/>
                  holiness. Sinking again into her chair to listen, she showed a deep<lb/> interest
                  in the anecdote. Then, thinking it over gravely she ex-<lb/> claimed with her odd
                  intonation:</p>
               <p>
                  <q>"Yes, but you do see him!"</q> I had to admit that this was the<lb/> case; and
                  I was not so prepared with an effective attenuation as I<lb/> could have wished.
                  She eased the situation off, however, by the<lb/> charming quaintness with which
                  she finally said: <q>"Well, I<lb/> wouldn't want him to be lonely!"</q> This time
                  she rose in earnest,<lb/> but I persuaded her to let me keep the album to show to
                     <persName type="fictional">Mr.<lb/> Paraday</persName>. I assured her I would
                  bring it back to her myself.</p>
               <p>
                  <q>"Well, you'll find my address somewhere in it, on a paper!"</q> she<lb/> sighed
                  resignedly, as she took leave.</p>
            </div>
            <div type="part" n="8">
               <head>VIII</head>
               <space/>
               <p>I blush to confess it, but I invited <persName type="fictional">Mr.
                     Paraday</persName> that very day<lb/> to transcribe into the album one of his
                  most characteristic passages.<lb/>
                  <fw type="catchword">I</fw>
                  <pb n="43"/>
                  <fw type="runningHead">By Henry James</fw>
                  <fw type="pageNum">35</fw> I told him how I had got rid of the strange girl who
                  had brought<lb/> it — her ominous name was <persName type="fictional">Miss
                     Hurter</persName> and she lived at an hotel;<lb/> quite agreeing with him
                  moreover as to the wisdom of getting<lb/> rid with equal promptitude of the book
                  itself. This was why I<lb/> carried it to <placeName type="street">Albemarle
                     Street</placeName> no later than on the morrow. I<lb/> failed to find her at
                  home, but she wrote to me and I went again:<lb/> she wanted so much to hear more
                  about <persName type="fictional">Neil Paraday</persName>. I returned<lb/>
                  repeatedly, I may briefly declare, to supply her with this informa-<lb/> tion. She
                  had been immensely taken, the more she thought of it,<lb/> with that idea of mine
                  about the act of homage: it had ended by<lb/> filling her with a generous rapture.
                  She positively desired to do<lb/> something sublime for him, though indeed I could
                  see that, as this<lb/> particular flight was difficult, she appreciated the fact
                  that my visits<lb/> kept her up. I had it on my conscience to keep her up; I<lb/>
                  neglected nothing that would contribute to it, and her conception<lb/> of our
                  cherished author's independence became at last as fine as his<lb/> own conception.
                     <q>"Read him, read him,"</q> I constantly repeated;<lb/> while, seeking him in
                  his works, she represented herself as con-<lb/> vinced that, according to my
                  assurance, this was the system that<lb/> had, as she expressed it, weaned her. We
                  read him together when<lb/> I could find time, and the generous creature's
                  sacrifice was fed by<lb/> our conversation. There were twenty selfish women, about
                  whom<lb/> I told her, who stirred her with a beautiful rage. Immediately<lb/>
                  after my first visit her sister, <persName type="fictional">Mrs.
                  Milsom</persName>, came over from <placeName type="city">Paris</placeName>,<lb/>
                  and the two ladies began to present, as they called it, their letters.<lb/> I
                  thanked our stars that none had been presented to <persName type="fictional">Mr.
                     Paraday</persName>.<lb/> They received invitations and dined out, and some of
                  these occa-<lb/> sions enabled <persName type="fictional">Fanny Hurter</persName>
                  to perform, for consistency's sake,<lb/> touching feats of submission. Nothing
                  indeed would now have<lb/> induced her even to look at the object of her
                  admiration. Once,<lb/> hearing his name announced at a party, she instantly left
                  the room<lb/>
                  <fw type="catchword">by</fw>
                  <pb n="44"/>
                  <fw type="pageNum">36</fw>
                  <fw type="runningHead">The Death of the Lion</fw> by another door and then
                  straightway quitted the house. At<lb/> another time, when I was at the opera with
                  them (<persName type="fictional">Mrs. Milsom</persName>
                  <lb/> had invited me to their box) I attempted to point <persName type="fictional"
                     >Mr. Paraday</persName>
                  <lb/> out to her in the stalls. On this she asked her sister to change<lb/> places
                  with her, and, while that lady devoured the great man<lb/> through a powerful
                  glass, presented, all the rest of the evening,<lb/> her inspired back to the
                  house. To torment her tenderly I pressed<lb/> the glass upon her, telling her how
                  wonderfully near it brought our<lb/> friend's handsome head. By way of answer she
                  simply looked at me<lb/> in grave silence; on which I saw that tears had gathered
                  in her eyes.<lb/> These tears, I may remark, produced an effect on me of
                  which<lb/> the end is not yet. There was a moment when I felt it my<lb/> duty to
                  mention them to <persName type="fictional">Neil Paraday</persName>; but I was
                  deterred<lb/> by the reflection that there were questions more relevant to
                  his<lb/> happiness.</p>
               <p>These questions indeed, by the end of the season, were reduced<lb/> to a single
                  one — the question of reconstituting, so far as might be<lb/> possible, the
                  conditions under which he had produced his best<lb/> work. Such conditions could
                  never all come back, for there was<lb/> a new one that took up too much place; but
                  some perhaps were<lb/> not beyond recall. I wanted above all things to see him sit
                  down<lb/> to the subject of which, on my making his acquaintance, he had<lb/> read
                  me that admirable sketch. Something told me there was no<lb/> security but in his
                  doing so before the new factor, as we used to say<lb/> at <persName
                     type="fictional">Mr. Pinhorn</persName>'s, should render the problem
                  incalculable. It only<lb/> half reassured me that the sketch itself was so copious
                  and so eloquent<lb/> that even at the worst there would be the making of a small
                  but com-<lb/> plete book, a tiny volume which, for the faithful, might well
                  become<lb/> an object of adoration. There would even not be wanting critics<lb/>
                  to declare, I foresaw, that the plan was a thing to be more thankful<lb/> for than
                  the structure to have been reared on it. My impatience<lb/>
                  <fw type="catchword">for</fw>
                  <pb n="45"/>
                  <fw type="runningHead">By Henry James</fw>
                  <fw type="pageNum">37</fw> for the structure, none the less, grew and grew with
                  the interrup-<lb/> tions. He had, on coming up to town, begun to sit for his
                  portrait<lb/> to a young painter, <persName type="fictional">Mr.
                  Rumble</persName>, whose little game, as we used to<lb/> say at <persName
                     type="fictional">Mr. Pinhorn</persName>'s, was to be the first to perch on the
                  shoulders<lb/> of renown. <persName type="fictional">Mr. Rumble</persName>'s
                  studio was a circus in which the man<lb/> of the hour, and still more the woman,
                  leaped through the hoops<lb/> of his showy frames almost as electrically as they
                  burst into tele-<lb/> grams and <emph>"specials."</emph> He pranced into the
                  exhibitions on their<lb/> back; he was the reporter on canvas, the <persName
                     type="nonfictional">Vandyke</persName> up to date,<lb/> and there was one
                  roaring year in which <persName type="fictional">Mrs. Bounder</persName> and
                     <persName type="fictional">Miss<lb/> Braby</persName>, <persName
                     type="fictional">Guy Walsingham</persName> and <persName type="fictional">Dora
                     Forbes</persName> proclaimed in chorus<lb/> from the same pictured walls that
                  no one had yet got ahead of<lb/> him.</p>
               <p>
                  <persName type="fictional">Paraday</persName> had been promptly caught and
                  saddled, accepting with<lb/> characteristic good-humour his confidential hint that
                  to figure in<lb/> his show was not so much a consequence as a cause of
                  immortality.<lb/> From <persName type="fictional">Mrs. Wimbush</persName> to the
                  last <emph>"representative"</emph> who called to<lb/> ascertain his twelve
                  favourite dishes, it was the same ingenuous<lb/> assumption that he would rejoice
                  in the repercussion. There<lb/> were moments when I fancied I might have had more
                  patience<lb/> with them if they had not been so fatally benevolent. I hated,<lb/>
                  at all events, <persName type="fictional">Mr. Rumble</persName>'s picture, and had
                  my bottled resent-<lb/> ment ready when, later on, I found my distracted friend
                  had<lb/> been stuffed by <persName type="fictional">Mrs. Wimbush</persName> into
                  the mouth of another cannon.<lb/> A young artist in whom she was intensely
                  interested, and who<lb/> had no connection with <persName type="fictional">Mr.
                     Rumble</persName>, was to show how far he<lb/> could shoot him. Poor <persName
                     type="fictional">Paraday</persName>, in return, was naturally to write<lb/>
                  something somewhere about the young artist. She played her<lb/> victims against
                  each other with admirable ingenuity, and her<lb/> establishment was a huge machine
                  in which the tiniest and the<lb/> biggest wheels went round to the same treadle. I
                  had a scene<lb/>
                  <fw type="catchword">with</fw>
                  <pb n="46"/>
                  <fw type="pageNum">38</fw>
                  <fw type="runningHead">The Death of the Lion</fw> with her in which I tried to
                  express that the function of such a<lb/> man was to exercise his genius — not to
                  serve as a hoarding for<lb/> pictorial posters. The people I was perhaps angriest
                  with were<lb/> the editors of magazines who had introduced what they called
                  new<lb/> features, so aware were they that the newest feature of all would<lb/> be
                  to make him grind their axes by contributing his views on<lb/> vital topics and
                  taking part in the periodical prattle about the<lb/> future of fiction. I made
                  sure that before I should have done<lb/> with him there would scarcely be a
                  current form of words left<lb/> me to be sick of; but meanwhile I could make surer
                  still of my<lb/> animosity to bustling ladies for whom he drew the water that<lb/>
                  irrigated their social flower-beds.</p>
               <p>I had a battle with <persName type="fictional">Mrs. Wimbush</persName> over the
                  artist she protected,<lb/> and another over the question of a certain week, at the
                  end of<lb/> July, that <persName type="fictional">Mr. Paraday</persName> appeared
                  to have contracted to spend with<lb/> her in the country. I protested against this
                  visit; I intimated<lb/> that he was too unwell for hospitality without a <emph
                     rend="italic">nuance</emph>, for caresses<lb/> without imagination; I begged he
                  might rather take the time in<lb/> some restorative way. A sultry air of promises,
                  of reminders hung<lb/> over his August, and he would great]y profit by the
                  interval of<lb/> test. He had not told me he was ill again — that he had a<lb/>
                  warning; but I had not needed this, and I found his reticence<lb/> his worst
                  symptom. The only thing he said to me was that he<lb/> believed a comfortable
                  attack of something or other would set him<lb/> up: it would put out of the
                  question everything but the exemp-<lb/> tions he prized. I am afraid I shall have
                  presented him as a<lb/> martyr in a very small cause if I fail to explain that he
                  surren-<lb/> dered himself much more liberally than I surrendered him. He<lb/>
                  filled his lungs, for the most part, with the comedy of his queer<lb/> fate: the
                  tragedy was in the spectacles through which I chose to<lb/> look. He was conscious
                  of inconvenience, and above all of a<lb/>
                  <fw type="catchword">great</fw>
                  <pb n="47"/>
                  <fw type="runningHead">By Henry James</fw>
                  <fw type="pageNum">39</fw> great renouncement; but how could he have heard a mere
                  dirge<lb/> in the bells of his accession? The sagacity and the jealousy were<lb/>
                  mine, and his the impressions and the anecdotes. Of course, as<lb/> regards
                     <persName type="fictional">Mrs. Wimbush</persName>; I was worsted in my
                  encounters, for was<lb/> not the state of his health the very reason for his
                  coming to her<lb/> at <placeName type="city">Prestidge</placeName>? Wasn't it
                  precisely at <placeName type="city">Prestidge</placeName> that he was to<lb/> be
                  coddled, and wasn't the dear <persName type="fictional">Princess</persName> coming
                  to help her to<lb/> coddle him? The dear <persName type="fictional"
                     >Princess</persName>, now on a visit to <placeName type="country"
                     >England</placeName>, was<lb/> of a famous foreign house, and, in her gilded
                  cage, with her retinue<lb/> of keepers and feeders, was the most expensive
                  specimen in the<lb/> good lady's collection. I don't think her august presence had
                  had<lb/> to do with <persName type="fictional">Paraday</persName>'s consenting to
                  go, but it is not impossible<lb/> that he had operated as a bait to the
                  illustrious stranger. The<lb/> party had been made up for him, <persName
                     type="fictional">Mrs. Wimbush</persName> averred, and<lb/> every one was
                  counting on it, the dear <persName type="fictional">Princess</persName> most of
                  all. If he<lb/> was well enough he was to read them something absolutely
                  fresh,<lb/> and it was on that particular prospect the <persName type="fictional"
                     >Princess</persName> had set her<lb/> heart. She was so fond of genius, in
                     <emph rend="italic">any</emph> walk of life, and she was<lb/> so used to it,
                  and understood it so well; she was the greatest of<lb/>
                  <persName type="fictional">Mr. Paraday</persName>'s admirers, she devoured
                  everything he wrote. And<lb/> then he read like an angel. <persName
                     type="fictional">Mrs. Wimbush</persName> reminded me that he<lb/> had again and
                  again given her, <persName type="fictional">Mrs. Wimbush</persName>, the privilege
                  of<lb/> listening to him.</p>
               <p>I looked at her a moment. <q>"What has he read to you"</q> I<lb/> crudely
                  inquired.</p>
               <p>For a moment too she met my eyes, and for the fraction of a<lb/> moment she
                  hesitated and coloured, <q>"Oh, all sorts of things!"</q>
                  <lb/>
               </p>
               <p>I wondered whether this were a perfect fib or only an imperfect<lb/> Recollection,
                  and she quite understood my unuttered comment on<lb/> her perception of such
                  things. But if she could forget <persName type="fictional">Neil<lb/>
                     Paraday</persName>'s beauties she could of course forget my rudeness, and<lb/>
                  <fw type="catchword">three</fw>
                  <pb n="48"/>
                  <fw type="pageNum">40</fw>
                  <fw type="runningHead">The Death of the Lion</fw> three days later she invited me,
                  by telegraph, to join the party at<lb/>
                  <placeName type="city">Prestidge</placeName>. This time she might indeed have had
                  a story about<lb/> what I had given up to be near the toaster. I addressed
                  from<lb/> that fine residence several communications to a young lady in<lb/>
                  <placeName type="city">London</placeName>, a young lady whom, I confess, I quitted
                  with reluctance<lb/> and whom the reminder of what she herself could give up
                  was<lb/> required to make me quit at all. It adds to the gratitude I owe<lb/> her
                  on other grounds that she kindly allows me to transcribe from<lb/> my letters a
                  few of the passages in which that hateful sojourn is <lb/> candidly
                  commemorated.</p>
            </div>
            <div type="part" n="9">
               <head>IX</head>
               <space/>
               <p>"I suppose I ought to enjoy the joke," I wrote, "of what's<lb/> going on here, but
                  somehow it doesn't amuse me. Pessimism on<lb/> the contrary possesses me and
                  cynicism solicits. I positively feel<lb/> my own flesh sore from the brass nails
                  in <persName type="fictional">Neil Paraday</persName>'s social<lb/> harness. The
                  house is full of people who like him, as they<lb/> mention, awfully, and with whom
                  his talent for talking nonsense<lb/> has prodigious success. I delight in his
                  nonsense myself; why is<lb/> it therefore that I grudge these happy folk their
                  artless satisfac-<lb/> tion? Mystery of the human heart — abyss of the critical spirit!<lb/>
                  <persName type="fictional">Mrs. Wimbush</persName> thinks she can answer that
                  question, and as my<lb/> want of gaiety has at last worn out her patience she has
                  given me<lb/> a glimpse of her shrewd guess. I am made restless by the
                  selfish-<lb/> ness of the insincere friend — I want to monopolise <persName
                     type="fictional">Paraday</persName> in<lb/> order that he may push me on. To be
                  intimate with him is a<lb/> feather in my cap; it gives me an importance that I
                  couldn't<lb/> naturally pretend to, and I seek to deprive him of social
                  refresh-<lb/> ment because I fear that meeting more disinterested people may<lb/>
                  <fw type="catchword">enlighten</fw>
                  <pb n="49"/>
                  <fw type="runningHead">By Henry James</fw>
                  <fw type="pageNum">41</fw> enlighten him as to my real spirit. All the
                  disinterested people<lb/> here are his particular admirers and have been carefully
                  selected as<lb/> such. There is supposed to be a copy of his last book in the
                  <lb/> house, and in the hall I come upon ladies, in attitudes, bending<lb/>
                  gracefully over the first volume. I discreetly avert my eyes, and<lb/> when I next
                  look round the precarious joy has been superseded by<lb/> the book of life. There
                  is a sociable circle or a confidential<lb/> couple, and the relinquished volume
                  lies open on its face, as if it<lb/> had been dropped under extreme coercion.
                  Somebody else pre-<lb/> sently finds it and transfers it, with its air of
                  momentary deso-<lb/> lation, to another piece of furniture. Every one is asking
                  every<lb/> one about it all day, and every one is telling every one where
                  they<lb/> put it last. I'm sure it's rather smudgy about the twentieth page.<lb/>
                  I have a strong impression too that the second volume is lost —<lb/> has been
                  packed in the bag of some departing guest; and yet<lb/> everybody has the
                  impression that somebody else has read to the<lb/> end. You see therefore that the
                  beautiful book plays a great<lb/> part in our conversation. Why should I take the
                  occasion of<lb/> such distinguished honours to say that I begin to see deeper into<lb/>
                  <persName type="nonfictional">Gustave Flaubert's</persName> doleful refrain about
                  the hatred of literature?<lb/> I refer you again to the perverse constitution of
                  man.</p>
               <p>"The <persName type="fictional">Princess</persName> is a massive lady with the
                  organisation of an<lb/> athlete and the confusion of tongues of a <foreign
                     rend="italic">valet de place</foreign>. She<lb/> contrives to commit herself
                  extraordinarily little in a great many<lb/> languages, and is entertained and
                  conversed with in detachments<lb/> and relays, like an institution which goes on
                  from generation to<lb/> generation or a big building contracted for under a
                  forfeit. She<lb/> can't have a personal taste, any more than, when her
                  husband<lb/> succeeds, she can have a personal crown, and her opinion on any<lb/>
                  matter is rusty and heavy and plain — made, in the night of ages,<lb/> to last and
                  be transmitted. I feel as if I ought to pay some one a<lb/>
                  <fw type="catchword">fee</fw>
                  <pb n="50"/>
                  <fw type="pageNum">42</fw>
                  <fw type="runningHead">The Death of the Lion</fw> fee for my glimpse of it. She
                  has been told everything in the<lb/> world and has never perceived anything, and
                  the echoes of her<lb/> education respond awfully to the rash footfall — I mean the
                  casual<lb/> remark — in the cold Valhalla of her memory. <persName
                     type="fictional">Mrs. Wimbush</persName>
                  <lb/> delights in her wit and says there is nothing so charming as to<lb/> hear
                     <persName type="fictional">Mr. Paraday</persName> draw it out. He is
                  perpetually detailed for this<lb/> job, and he tells me it has a peculiarly
                  exhausting effect. Every<lb/> one is beginning — at the end of two days — to sidle
                  obsequiously<lb/> away from her, and <persName type="fictional">Mrs.
                     Wimbush</persName> pushes him again and again into<lb/> the breach: None of the
                  uses I have yet seen him put to irritate<lb/> me quite so much. He looks very
                  fagged, and has at last confessed<lb/> to me that his condition makes him uneasy —
                  has even promised<lb/> me that he will go straight home instead of returning to
                  his final<lb/> engagements in town. Last night I had some talk with him<lb/> about
                  going to-day, cutting his visit short; so sure am I that he<lb/> will be better as
                  soon as he is shut up in his lighthouse. He told<lb/> me that this is what he
                  would like to do; reminding me, how-<lb/> ever, that the first lesson of his
                  greatness has been precisely that<lb/> he can't do what he likes. <persName
                     type="fictional">Mrs. Wimbush</persName> would never forgive<lb/> him if he
                  should leave her before the <persName type="fictional">Princess</persName> has
                  received the<lb/> last hand. When I say that a violent rupture with our
                  hostess<lb/> would be the best thing in the world for him he gives me to<lb/>
                  understand that if his reason assents to the proposition his courage<lb/> hangs
                  wofully back. He makes no secret of being mortally afraid<lb/> of her, and when I
                  ask what harm she can do him that she hasn't<lb/> already done he simply repeats:
                     <q>"I'm afraid, I'm afraid! Don't <lb/> inquire too closely,"</q> he said last
                  night; <q>"only believe that I feel<lb/> a sort of terror. It's strange, when
                     she's so kind! At any rate,<lb/> I would as soon overturn that piece of
                     priceless <foreign xml:lang="fr">Sèvres</foreign> as tell her<lb/> that I must
                     go before my date."</q> It sounds dreadfully weak, but<lb/> he has some reason,
                  and he pays for his imagination, which puts<lb/>
                  <fw type="catchword">him</fw>
                  <pb n="51"/>
                  <fw type="runningHead">By Henry James</fw>
                  <fw type="pageNum">43</fw> him (I should hate it) in the place of others and makes
                  him feel,<lb/> even against himself, their feelings, their appetites, their
                  motives.<lb/> He's so beastly intelligent. Besides, the famous reading is still
                  to<lb/> come off, and it has been postponed a day, to allow <persName
                     type="fictional">Guy Walsing-<lb/> ham</persName> to arrive. It appears that
                  this eminent lady is staying at a<lb/> house a few miles off, which means of
                  course that <persName type="fictional">Mrs. Wimbush</persName>
                  <lb/> has forcibly annexed her. She's to come over in a day or two —<lb/>
                  <persName type="fictional">Mrs. Wimbush</persName> wants her to hear <persName
                     type="fictional">Mr. Paraday</persName>.</p>
               <p>"To-day's wet and cold, and several of the company, at the<lb/> invitation of the
                  Duke, have driven over to luncheon at <placeName type="city"
                  >Bigwood</placeName>.<lb/> I saw poor <persName type="fictional"
                     >Paraday</persName> wedge himself, by command, into the little<lb/>
                  supplementary seat of a brougham in which the <persName type="fictional"
                     >Princess</persName> and our<lb/> hostess were already ensconced. If the front
                  glass isn't open on<lb/> his dear old back perhaps he'll survive. <placeName
                     type="city">Bigwood</placeName>, I believe, is very<lb/> grand and frigid, all
                  marble and precedence, and I wish him well<lb/> out of the adventure. I can't tell
                  you how much more and more<lb/> your attitude to him, in the midst of all this,
                  shines out by contrast.<lb/> I never willingly talk to these people about him, but
                  see what a<lb/> comfort I find it to scribble to you! I appreciate it; it keeps
                  me<lb/> warm; there are no fires in the house. <persName type="fictional">Mrs.
                     Wimbush</persName> goes by<lb/> the calendar, the temperature goes by the
                  weather, the weather<lb/> goes by God knows what, and the <persName
                     type="fictional">Princess</persName> is easily heated. I<lb/> have nothing but
                  my acrimony to warm me, and have been out<lb/> under an umbrella to restore my
                  circulation. Coming in an hour<lb/> ago, I found <persName type="fictional">Lady
                     Augusta Minch</persName> rummaging about the hall.<lb/> When I asked her what
                  she was looking for she said she had<lb/> mislaid something that <persName
                     type="fictional">Mr. Paraday</persName> had lent her. I ascertained<lb/> in a
                  moment that the article in question is a manuscript and I<lb/> have a foreboding
                  that it's the noble morsel he read me six weeks<lb/> ago. When I expressed my
                  surprise that he should have passed<lb/> about anything so precious (I happen to
                  know it's his only copy —<lb/>
                  <fw type="catchword">in</fw>
                  <pb n="52"/>
                  <fw type="pageNum">44</fw>
                  <fw type="runningHead">The Death of the Lion</fw> in the most beautiful hand in
                  all the world) <persName type="fictional">Lady Augusta</persName> confessed<lb/>
                  to me that she had not had it from himself, but from <persName type="fictional"
                     >Mrs.<lb/> Wimbush</persName>, who had wished to give her a glimpse of it as a
                  salve<lb/> for her not being able to stay and hear it read.</p>
               <p>"<q>"Is that the piece he's to read,"</q> I asked, <q>"when <persName
                        type="fictional">Guy Wals-<lb/> ingham</persName> arrives?"</q>
               </p>
               <p>"<q>"It's not for <persName type="fictional">Guy Walsingham</persName> they're
                     waiting now, it's for<lb/>
                     <persName type="fictional">Dora Forbes</persName>,"</q>
                  <persName type="fictional">Lady Augusta</persName> said. <q>"She's coming, I
                     believe, early<lb/> to-morrow. Meanwhile <persName type="fictional">Mrs.
                        Wimbush</persName> has found out about <emph rend="italic">him</emph>,<lb/>
                     and is actively wiring to him. She says he also must hear him."</q>
               </p>
               <p>"<q>"You bewilder me a little,"</q> I replied; <q>"in the age we live in<lb/> one
                     gets lost among the genders and the pronouns. The clear<lb/> thing is that
                        <persName type="fictional">Mrs. Wimbush</persName> doesn't guard such a
                     treasure as<lb/> jealously as she might."</q>
               </p>
               <p>"<q>"Poor dear, she has the <persName type="fictional">Princess</persName> to
                     guard! <persName type="fictional">Mr. Paraday</persName> lent<lb/> her the
                     manuscript to look over."</q>
               </p>
               <p>"<q>"Did she speak as if it were the morning paper?"</q>
               </p>
               <p>"<persName type="fictional">Lady Augusta</persName> stared — my irony was lost
                  upon her. <q>"She<lb/> didn't have time, so she gave me a chance first; because
                     unfor-<lb/> tunately I go to-morrow to <placeName type="city"
                        >Bigwood</placeName>."</q>
               </p>
               <p>"<q>"And your chance has only proved a chance to lose it?"</q>
               </p>
               <p>"<q>"I haven't lost it. I remember now — it was very stupid of<lb/> me to have
                     forgotten. I told my maid to give it to Lord Dori-<lb/> mont — or at least to
                     his man."</q>
               </p>
               <p>"<q>"And <persName type="fictional">Lord Dorimont</persName> went away directly
                     after luncheon."</q>
               </p>
               <p>"<q>"Of course he gave it back to my maid — or else his man did,"</q><lb/>
                  <!-- there is not /q int eh text but it doesn't work like this: <choice><corr>"</q></corr><sic/></choice><lb/>  ask syd and julia -->
                  said <persName type="fictional">Lady Augusta</persName>. <q>"I daresay it's all
                     right."</q>
               </p>
               <p>"The conscience of these people is like a summer sea. They<lb/> haven't time to
                     <emph>look over</emph> a priceless composition; they've only<lb/> time to kick
                  it about the house. I suggested that the <emph>man,</emph> fired<lb/> with a noble
                  emulation, had perhaps kept the work for his own<lb/>
                  <fw type="catchword">perusal;</fw>
                  <pb n="53"/>
                  <fw type="runningHead">By Henry James</fw>
                  <fw type="pageNum">45</fw> perusal; and her ladyship wanted to know whether, if
                  the thing<lb/> didn't turn up again in time for the session appointed by out<lb/>
                  hostess, the author wouldn't have something else to read that would<lb/> do just
                  as well. Their questions are too delightful! I declared<lb/> to <persName
                     type="fictional">Lady Augusta</persName> briefly that nothing in the world can
                  ever do as<lb/> well as the thing that does best; and at this she looked a
                  little<lb/> confused and scared. But I added that if the manuscript had gone<lb/>
                  astray our little circle would have the less of an effort of attention<lb/> to
                  make. The piece in question was very long — it would keep<lb/> them three
                  hours.</p>
               <p>"<q>"Three hours! Oh, the <persName type="fictional">Princess</persName> will get
                     up!"</q> said Lady<lb/> Augusta.</p>
               <p>"<q>"I thought she was <persName type="fictional">Mr. Paraday</persName>'s
                     greatest admirer."</q>
               </p>
               <p>
                  <q>"'I daresay she is — she's so awfully clever. But what's the<lb/> use of being
                     a <persName type="fictional">Princess</persName>—"</q>
               </p>
               <p>
                  <q>"<q>"If you can't dissemble your love?"</q> I asked, as <persName
                        type="fictional">Lady Augusta</persName>
                     <lb/> was vague. She said, at any rate, that she would question her<lb/> maid;
                     and I am hoping that when I go down to dinner I shall<lb/> find the manuscript
                     has been recovered."</q>"</p>
            </div>
            <div type="part" n="10">
               <head>X</head>
               <space/>
               <p>
                  <q>"It has not been recovered,"</q> I wrote early the next day, <q>"and<lb/> I am
                     moreover much troubled about out friend. He came back<lb/> from <placeName
                        type="city">Bigwood</placeName> with a chill and, being allowed to have a
                     tire in his<lb/> room, lay down a while before dinner. I tried to send him
                     to<lb/> bed and indeed thought I had put him in the way of it; but after<lb/> I
                     had gone to dress <persName type="fictional">Mrs. Wimbush</persName> came up to
                     see him, with the<lb/> inevitable result that when I returned I found him under
                     arms and<lb/>
                     <fw type="catchword">flushed</fw>
                     <pb n="54"/>
                     <fw type="pageNum">46</fw>
                     <fw type="runningHead">The Death of the Lion</fw> flushed and feverish, though
                     decorated with the rare flower she<lb/> had brought him for his button-hole. He
                     came down to dinner,<lb/> but <persName type="fictional">Lady Augusta
                        Minch</persName> was very shy of him. To-day he's in<lb/> great pain, and
                     the advent of those ladies — I mean of Guy<lb/> Walsingham and <persName
                        type="fictional">Dora Forbes</persName>— doesn't at all console me. It<lb/>
                     does <persName type="fictional">Mrs. Wimbush</persName>, however, for she has
                     consented to his re-<lb/> maining in bed, so that he may be all right to-morrow
                     for the<lb/>
                     <foreign rend="italic">séance</foreign>. <persName type="fictional">Guy
                        Walsingham</persName> is already on the scene, and the doctor,<lb/> for
                        <persName type="fictional">Paraday</persName>, also arrived early. I haven't
                     yet seen the author of<lb/>
                     <title level="m">'Obsessions,'</title> but of course I’ve had a moment by
                     myself with<lb/> the doctor. I tried to get him to say that out invalid must
                     go<lb/> straight home — I mean to-morrow or next day; but he quite<lb/> refuses
                     to talk about the future. Absolute quiet and warmth and<lb/> the regular
                     administration of an important remedy are the points<lb/> he mainly insists on.
                     He returns this afternoon, and I'm to go<lb/> back to see the patient at one
                     o'clock, when he next takes his<lb/> medicine. It consoles me a little that he
                     certainly won't be able<lb/> to read — an exertion he was already more than
                     unfit for. <persName type="fictional">Lady<lb/> Augusta</persName> went off
                     after breakfast: assuring me that her first care<lb/> would be to follow up the
                     lost manuscript. I can see she thinks<lb/> me a shocking busybody and doesn't
                     understand my alarm, but<lb/> she will do what she can, for she's a
                     good-natured woman. <q>"So<lb/> are they all honourable men."</q> That was
                     precisely what made her<lb/> give the thing to <persName type="fictional">Lord
                        Dorimont</persName> and made <persName type="fictional">Lord
                        Dorimont</persName> bag<lb/> it. What use <emph rend="italic">he</emph> has
                     for it God only knows. I have the worst<lb/> forebodings, but somehow I'm
                     strangely without passion — des-<lb/> perately calm. As I consider the
                     unconscious, the well-meaning<lb/> ravages of our appreciative circle I bow my
                     head in submission to<lb/> some great natural, some universal accident; I'm
                     rendered almost<lb/> indifferent, in fact quite gay (ha-ha!) by the sense of
                     immitigable<lb/> rate. <persName type="fictional">Lady Augusta</persName>
                     promises me to trace the precious object and<lb/>
                     <fw type="catchword">let</fw>
                     <pb n="55"/>
                     <fw type="runningHead">By Henry James</fw>
                     <fw type="pageNum">47</fw> let me have it, through the post, by the time
                        <persName type="fictional">Paraday</persName> is well<lb/> enough to play
                     his part with it. The last evidence is that her<lb/> maid did give it to his
                     lordship's valet. One would think it was<lb/> some thrilling number of <title
                        level="j" rend="italic">The Family Budget</title>. <persName
                        type="fictional">Mrs. Wimbush</persName>,<lb/> who is aware of the accident,
                     is much less agitated by it than she<lb/> would doubtless be were she not for
                     the hour inevitably engrossed<lb/> with <persName type="fictional">Guy
                        Walsingham</persName>."</q><lb/> Later in the day I informed my
                  correspondent, for whom <lb/> indeed I kept a sort of diary of the situation, that
                  I had made the<lb/> acquaintance of this celebrity and that she was a pretty
                  little girl<lb/> who wore her hair in what used to be called a crop. She
                  looked<lb/> so juvenile and so innocent that if, as <persName type="fictional">Mr.
                     Morrow</persName> had announced,<lb/> she was resigned to the larger latitude,
                  her fortitude must have<lb/> come to her early. I spent most of the day hovering
                  about <persName type="fictional"> Neil<lb/> Paraday</persName>'s room, but it was
                  communicated to me from below that<lb/>
                  <persName type="fictional">Guy Walsingham</persName>, at <placeName type="city"
                     >Prestidge</placeName>, was a success. Towards evening<lb/> I became conscious
                  somehow that her resignation was contagious<lb/> and by the time the company
                  separated for the night I was sure<lb/> that the larger latitude had been
                  generally accepted. I thought of<lb/>
                  <persName type="fictional">Dora Forbes</persName> and felt that he had no time to
                  lose. Before dinner<lb/> I received a telegram from <persName type="fictional"
                     >Lady Augusta Minch</persName>. <q>"Lord<lb/> Dorimont thinks he must have left
                     bundle in train — inquire."</q>
                  <lb/> How could I inquire — if I was to take the word as a command?<lb/> I was too
                  worried and now too alarmed about <persName type="fictional">Neil
                     Paraday</persName>.<lb/> The doctor came back, and it was an immense
                  satisfaction to me<lb/> to feel that he was wise and interested. He was proud of
                  being<lb/> called to so distinguished a patient, but he admitted to me that<lb/>
                  night that my friend was gravely iii. It was really a relapse, a<lb/>
                  recrudescence of his old malady. There could be no question of<lb/> moving him: we
                  must at any rate see first, on the spot, what<lb/> turn his condition would take.
                  Meanwhile, on the morrow, he<lb/>
                  <fw type="catchword">was</fw>
                  <pb n="56"/>
                  <fw type="pageNum">48</fw>
                  <fw type="runningHead">The Death of the Lion</fw> was to have a nurse. On the
                  morrow the dear man was easier,<lb/> and my spirits rose to such cheerfulness that
                  I could almost laugh<lb/> over <persName type="fictional">Lady
                  Augusta</persName>'s second telegram: <q>"<persName type="fictional">Lord
                        Dorimont</persName>'s servant<lb/> been to station — nothing found. Push
                     inquiries."</q> I did laugh, I<lb/> am sure, as I remembered this was the
                  mystic scroll I had scarcely<lb/> allowed poor <persName type="fictional">Mr.
                     Morrow</persName> to point his umbrella at. Fool that<lb/> I had been: the
                  thirty-seven influential journals wouldn't have<lb/> destroyed it, they would only
                  have printed it. Of course I said<lb/> nothing to <persName type="fictional"
                     >Paraday</persName>.<lb/> When the nurse arrived she turned me out of the room,
                  on<lb/> which I went downstairs. I should premise that at breakfast the<lb/> news
                  that our brilliant friend was doing well excited universal<lb/> complacency, and
                  the <persName type="fictional">Princess</persName> graciously remarked that he
                  was<lb/> only to be commiserated for missing the society of <persName
                     type="fictional">Miss Collop</persName>.<lb/>
                  <persName type="fictional">Mrs. Wimbush</persName>, whose social gift never shone
                  brighter than in the<lb/> dry decorum with which she accepted this blemish on her
                  perfec-<lb/> tion, mentioned to me that <persName type="fictional">Guy
                     Walsingham</persName> had made a very<lb/> favourable impression on her
                     <persName type="fictional">Imperial Highness</persName>. Indeed I think<lb/>
                  every one did so and that, like the money-market or the national<lb/> honour, her
                     <persName type="fictional">Imperial Highness</persName> was constitutionally
                  sensitive.<lb/> There was a certain gladness, a perceptible bustle in the air,
                  how-<lb/> ever, which I thought slightly anomalous in a house where a great<lb/>
                  author lay critically ill. <q>"<foreign xml:lang="fr" rend="italic">Le roy est
                        mort — vive le roy</foreign>"</q>: I was<lb/> reminded that another great
                  author had already stepped into his<lb/> shoes. When I came down again after the
                  nurse had taken<lb/> possession I found a strange gentleman hanging about the
                  hall<lb/> and pacing to and fro by the closed door of the drawing-room.<lb/> This
                  personage was florid and bald, he had a big red moustache<lb/> and wore showy
                  knickerbockers — characteristics all that fitted into<lb/> my conception of the
                  identity of <persName type="fictional">Dora Forbes</persName>. In a moment I<lb/>
                  saw what had happened: the author of <title level="m">'The Other Way
                     Round'</title>
                  <lb/>
                  <fw type="catchword">had</fw>
                  <pb n="57"/>
                  <fw type="runningHead">By Henry James</fw>
                  <fw type="pageNum">49</fw> had just alighted at the portals of <placeName
                     type="city">Prestidge</placeName>, but had suffered a<lb/> scruple to restrain
                  him from penetrating further. I recognised his<lb/> scruple when, pausing to
                  listen at his gesture of caution, I heard a<lb/> shrill voice lifted in a
                  prolonged monotonous quaver. The famous<lb/> reading had begun, only it was the
                  author of <title level="m">'Obsessions'</title> who<lb/> now furnished the
                  sacrifice. The new visitor whispered to me<lb/> that he judged something was going
                  on that he oughtn't to<lb/> interrupt.</p>
               <p>
                  <q>"<persName type="fictional">Miss Collop</persName> arrived last night"</q> I
                  smiled, <q>"and the <persName type="fictional">Princess</persName>
                     <lb/> has a thirst for the <foreign rend="italic" xml:lang="fr"
                        >in&#233;dit</foreign>."</q>
                  <lb/>
                  <persName type="fictional">Dora Forbes</persName> lifted his bushy brows.
                        <q>"<persName type="fictional">Miss Collop</persName>?"</q>
               </p>
               <p>
                  <q>"<persName type="fictional">Guy Walsingham</persName>, your distinguished
                        <foreign rend="italic" xml:lang="fr">confr&#232;re</foreign> — or shall I
                     say<lb/> your formidable rival?"</q>
               </p>
               <p>
                  <q>"Oh!"</q> growled <persName type="fictional">Dora Forbes</persName>. Then he
                  added: <q>"Shall I<lb/> spoil it if I go in?"</q>
               </p>
               <p>
                  <q>"I should think nothing could spoil it!"</q> I ambiguously<lb/> laughed.</p>
               <p>
                  <persName type="fictional">Dora Forbes</persName> evidently felt the dilemma; he
                  gave an irritated<lb/> crook to his moustache. <q>"<emph rend="italic"
                        >Shall</emph>I go in?"</q> he presently asked.<lb/> We looked at each other
                  hard a moment; then I expressed<lb/> something bitter that was in me, expressed it
                  in an infernal<lb/>
                  <q>"Yes!"</q> After this I got out into the air, but not so quickly as<lb/> not to
                  hear, as the door of the drawing-room opened, the dis-<lb/> concerted drop of
                     <persName type="fictional">Miss Collop</persName>'s public manner: she must
                  have<lb/> been in the midst of the larger latitude. Producing with extreme<lb/>
                  rapidity, <persName type="fictional">Guy Walsingham</persName> has just published
                  a work in which<lb/> amiable people who are not initiated have been pained to see
                  the<lb/> genius of a sister-novelist held up to unmistakable ridicule; so<lb/>
                  fresh an exhibition does it seem to them of the dreadful way men<lb/> have always
                  treated women. <persName type="fictional">Dora Forbes</persName>, it is true, at
                  the<lb/> present hour, is immensely pushed by <persName type="fictional">Mrs.
                     Wimbush</persName>, and has sat<lb/>
                  <fw type="footer">The Yellow Book—Vol. I, <emph>D</emph>
                  </fw>
                  <fw type="catchword">for</fw>
                  <pb n="58"/>
                  <fw type="pageNum">50</fw>
                  <fw type="runningHead">The Death of the Lion</fw> for his portrait to the young
                  artists she protects, sat for it not<lb/> only in oils but in monumental
                  alabaster.</p>
               <p>What happened at <placeName type="theatre">Prestidge</placeName> later in the day
                  is of course con-<lb/> temporary history. If the interruption I had whimsically
                  sanc-<lb/> tioned was almost a scandal, what is to be said of that general<lb/>
                  dispersal of the company which, under the doctor's rule, began to<lb/> take place
                  in the evening? His rule was soothing to behold, small<lb/> comfort as I was to
                  have at the end. He decreed in the interest<lb/> of his patient an absolutely
                  soundless house and a consequent<lb/> break-up of the party. Little country
                  practitioner as he was, he<lb/> literally packed off the <persName
                     type="fictional">Princess</persName>. She departed as promptly as if<lb/> a
                  revolution had broken out, and <persName type="fictional">Guy
                     Walsingham</persName> emigrated with<lb/> her. I was kindly permitted to
                  remain, and this was not denied<lb/> even to <persName type="fictional">Mrs.
                     Wimbush</persName>. The privilege was withheld indeed<lb/> from <persName
                     type="fictional">Dora Forbes</persName>; so <persName type="fictional">Mrs.
                     Wimbush</persName> kept her latest capture<lb/> temporarily concealed. This was
                  so little, however, her usual way<lb/> of dealing with her eminent friends that a
                  couple of days of it<lb/> exhausted her patience, and she went up to town with him
                  in<lb/> great publicity. The sudden turn for the worse her afflicted<lb/> guest
                  had, after a brief improvement, taken on the third night<lb/> raised an obstacle
                  to her seeing him before her retreat; a fortunate<lb/> circumstance doubtless, for
                  she was fundamentally disappointed in<lb/> him. This was not the kind of
                  performance for which she had<lb/> invited him to <placeName type="theatre"
                     >Prestidge</placeName>, or invited the <placeName type="theatre"
                     >Princess</placeName>. Let me hasten<lb/> to add that none of the generous acts
                  which have characterised her<lb/> patronage of intellectual and other merit have
                  done so much for<lb/> her reputation as her lending <persName type="fictional"
                     >Neil Paraday</persName> the most beautiful of<lb/> her numerous homes to die
                  in. He took advantage to the utmost<lb/> of the singular favour. Day by day I saw
                  him sink, and I roamed<lb/> alone about the empty terraces and gardens. His wife
                  never came<lb/> near him, but I scarcely noticed it: as I paced there with rage in<lb/>
                  <fw type="catchword">my</fw>
                  <pb n="59"/>
                  <fw type="runningHead">By Henry James</fw>
                  <fw type="pageNum">51</fw> my heart I was too full of another wrong. In the event
                  of his<lb/> death it would fall to me perhaps to bring out in some charming<lb/>
                  form, with notes, with the tenderest editorial care, that precious<lb/> heritage
                  of his written project. But where <emph rend="italic">was</emph>that precious<lb/>
                  heritage, and were both the author and the book to have been<lb/> snatched from
                  us? <persName type="fictional">Lady Augusta</persName> wrote me that she had
                  done<lb/> all she could and that poor <persName type="fictional">Lord
                     Dorimont</persName>, who had really been<lb/> worried to death, was extremely
                  sorry. I couldn't have the matter<lb/> out with <persName type="fictional">Mrs.
                     Wimbush</persName>, for I didn't want to be taunted by her<lb/> with desiring
                  to aggrandise myself by a public connection with<lb/>
                  <persName type="fictional">Mr. Paraday</persName>'s sweepings. She had signified
                  her willingness to<lb/> meet the expense of all advertising, as indeed she was
                  always ready<lb/> to do. The last night of the horrible series, the night
                  before<lb/> he died, I put my ear closer to his pillow.</p>
               <p>
                  <q>"That thing I read you that morning, you know."</q>
               </p>
               <p>
                  <q>"In your garden — that dreadful day? Yes!"</q>
               </p>
               <p>
                  <q>"Won't it do as it is?"</q>
               </p>
               <p>
                  <q>"It would have been a glorious book."</q>
               </p>
               <p>
                  <q>"It <emph rend="italic">is</emph> a glorious book,"</q>
                  <persName type="fictional">Neil Paraday</persName> murmured. <q>"Print it as<lb/>
                     it stands — beautifully."</q>
               </p>
               <p>
                  <q>"Beautifully!"</q> I passionately promised.<lb/> It may be imagined whether,
                  now that he has gone, the promise<lb/> seems to me less sacred. I am convinced
                  that if such pages had<lb/> appeared in his lifetime the Abbey would hold him
                  to-day. I<lb/> have kept the advertising in my own hands, but the manuscript<lb/>
                  has not been recovered. It's impossible, and at any rate intoler-<lb/> able, to
                  suppose it can have been wantonly destroyed. Perhaps<lb/> some chance blundering
                  hand, some brutal ignorance has lighted<lb/> kitchen-fires with it. Every stupid
                  and hideous accident haunts<lb/> my meditations. My undiscouragable search for the
                  lost treasure<lb/> would make a long chapter. Fortunately I have a devoted<lb/>
                  <fw type="catchword">associate</fw>
                  <pb n="60"/>
                  <fw type="pageNum">52</fw>
                  <fw type="runningHead">The Death of the Lion</fw> associate in the person of a
                  young lady who has every day a fresh<lb/> indignation and a fresh idea and who
                  maintains with intensity<lb/> that the prize will still turn up. Sometimes I
                  believe her, but I<lb/> have quite ceased to believe myself. The only thing for
                  us, at<lb/> all events, is to go on seeking and hoping together; and we
                  should<lb/> be closely united by this firm tie even were we not at present by<lb/>
                  another. </p>
            </div>
         </div>
      </body>
   </text>
</TEI>
