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                <title>The Yellow Book: An Illustrated Quarterly, Volume 13 April 1897</title>
                <title type="YBV13_sharp_other"/>
                <editor>Lorraine Janzen Kooistra</editor>
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                    <date>2020</date>
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                        <editor>
                            <persName>Henry Harland</persName>
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                        <author>Evelyn Sharp</author>
                        <title>The Other Anna</title>
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                            <publisher>John Lane</publisher>
                            <pubPlace>London</pubPlace>
                            <pubPlace>New York</pubPlace>
                            <date>April 1897</date>
                            <biblScope>Sharp, Evelyn. "The Other Anna." <emph rend="italic"
                                >The Yellow Book</emph>, vol. 13, April 1897, pp. 170-193. <emph
                                    rend="italic">Yellow Book Digital Edition</emph>, edited by Dennis
                                Denisoff and Lorraine Janzen Kooistra, 2010-2014. <emph rend="italic">Yellow Nineties 2.0</emph>,
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            <div n="YBV13_26pr" type="prose">
                <pb n="187"/>
            
                <head><title level="a"> The Other Anna </title></head> 

                <byline>By <docAuthor><ref target="#ESH">      
                    
                    Evelyn Sharp </ref></docAuthor></byline> 

        
<p>
THERE were flights and flights of wide, cold, dreary stone <lb/>
                    stairs, and at the top of them three studios in a row. <lb/>
                    Pinned on the door of the furthest one was a notice to the effect <lb/>
                    that the owner had gone out to lunch and would not be back <lb/>
                    until two, and it was this that caused the discontent on the face <lb/>
                    of the girl who sat on the edge of the stairs, drumming her toes <lb/>
                    impatiently on the step below. </p>

<p>" And I promised to be here at half-past one," she grumbled,<lb/> 
                    shivering a little as she spoke ; and she got up and paced the <lb/>
                    landing quickly, and stamped her feet to keep warm. A man <lb/>
                    opened the door of the middle studio with a jerk, and looked out. 
</p>
<p>" Are you waiting for anybody ? Hadn't you better go away <lb/>
                    and come again presently ? Mr. Hallaford won't be back for <lb/>
                    another half-hour," he said, in short rapid sentences. There was <lb/>
                    a frown on his face, but whether it came from nervousness or <lb/>
                    annoyance she could not tell. It was evident, though, that she <lb/>
                    worried him by being there, for it was the second time he had <lb/>
                    spoken to her ; and she gave her chin the slightest tilt into the air <lb/>
                    as she answered him. 
</p>
<p>" Go away ? Down all those stairs ? I couldn't really ! " she <lb/>
                    said with an irritating smile.
</p>

                                <fw type="catchword"> "Oh </fw>
                                <pb n="188"/>
                                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">171</fw> </fw>
                                

<p>" Oh well," began the man, frowning again, " if you like <lb/>
                    hanging about&#x2014;&#x2014; <lb/></p>

<p>" I don't like it a bit," she assured him, earnestly. " It is the <lb/>
                    stupidest occupation imaginable. You should just try it and <lb/>
                    see ! " </p>
<p>
But this he showed no anxiety to do, for the mere suggestion <lb/>
                    precipitated him into his studio again, and she concluded that the<lb/> 
                    frown must have been nervousness after all. She returned to her <lb/>
                    seat on the stairs, but had hardly settled herself in her corner when <lb/>
                    the door opened behind her once more, and the owner of the <lb/>
                    middle studio was again jerking out his abrupt remarks at her <lb/>
back. </p>
<p>
" It's no use staying out there in the cold," he said, as though <lb/>
                    she were somehow morally responsible for the inclemency of the <lb/>
                    weather. " There s a fire in here, and my model hasn't come <lb/>
back yet. You can come in and wait, if you like." </p>

<p>" All right ; I don't mind if I do," she said carelessly, and <lb/>
                    followed him in. Common gratitude or even civility, she felt, <lb/>
                    would have been wasted on a man who threw his hospitality at her <lb/>
                    head ; and it was only the unfriendliness of the stone stairs <lb/>
                    outside, and perhaps her desire for adventure as well, that made <lb/>
                    her accept his offer at all. But when he did not even trouble to <lb/>
                    give her a chair, and resumed his occupation of stretching a paper <lb/>
                    on a board without noticing her in the least, Anna began to feel <lb/>
                    puzzled as well as slighted. He was certainly odd, and she always <lb/>
                    liked odd people ; he might be nervous into the bargain, and <lb/>
                    nervousness was a failing so far removed from her own personality <lb/>
                    that she was always inclined to tolerate it in another ; but neither <lb/>
                    nerves nor eccentricity could quite explain his want of manners, <lb/>
                    and she had never had to endure discourtesy from a man before. <lb/>
                    She prepared resentfully to assert herself, but before she had time 
</p>

                                <fw type="catchword">to</fw>
                                <pb n="189"/>
                                <fw type="runningHead"><fw type="pageNum">172</fw> The Other Anna </fw>
       
<p>
to choose her words a sudden suspicion darted into her mind. <lb/>
                    This was a studio, and the owner of it was an artist, and he had <lb/>
                    found her hanging about another man's studio. How could he be <lb/>
                    supposed to know that she was only having her portrait painted, <lb/>
                    and was not a professional model at all ? The idea, when she <lb/>
                    had once grasped it, amused her immensely ; and she resolved <lb/>
                    impulsively to play the part he expected from her. The <lb/>
adventure was promising well, she thought. </p>
<p>
" What fun ! " she said aloud, and her host glanced up at her <lb/>
                    and frowned. Of course, she wanted him to frivol with her, and <lb/>
                    he did not mean to be frivoled with. So he said nothing to <lb/>
                    encourage her, and she sat down and scanned the room critically. <lb/>
It was very bare, and rather dusty. </p>
<p>
" I suppose it's because you're a man," she observed, suddenly. <lb/>
                    She was only finishing her thoughts out loud, but to him it <lb/>
                    sounded like another attempt to draw him into conversation, and <lb/>
                    he felt irritated by her persistence. He never wanted to talk <lb/>
                    much at any time, and his attitude towards the confidences of his <lb/>
                    models was one of absolute indifference. He did not care to <lb/>
                    know why they had become models, nor how their people had lost <lb/>
                    their money, nor what sort of homes they had ; they were there <lb/>
                    to be drawn, that was all. But he realised vaguely that Anna <lb/>
was there by his invitation, and he made an effort to be civil. </p>
<p>
" It accounts for most of my actions, yes," he said, and set <lb/>
down the board and began filling his pipe. 
</p><p>
" I mean," she explained, " that if you were a woman you <lb/>
                    might make this place look awfully nice. You could have <lb/>
                    flowers, for instance, and&#x2014;&#x2014; " </p>
<p>
"Oh yes," he interrupted ; "and photographs, and muslin, and <lb/>
screens." </p>
<p>
" Well, you might, she said, calmly. " But I shouldn't. 
</p>

                                <fw type="catchword"> Flowers </fw>
                                <pb n="190"/>
                                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">173</fw> </fw>
                        
<p>
Flowers would be enough for me, and perhaps a broom and a <lb/>
duster. But then, I'm not a man." </p>
<p>
" No," he said, just as calmly. " If you were, you would know <lb/>
                    that one does not take one's suggestions about these things from a 


woman." </p>




<p>Even in her assumed character she was not quite prepared for <lb/>
                    the scant courtesy of his reply, and he inferred from her silence <lb/>
                    that he had succeeded in quenching her at last. But when he <lb/>
                    glanced at her over his shoulder, he was rather disconcerted at <lb/>
                    finding her eyes fixed on his face with an astonished look in them. <lb/>
                    He was always absent-minded, and when he was not at work he <lb/>
                    was unobservant as well ; and he asked himself doubtfully whether <lb/>
                    her cheeks had been quite so pink before he made his last remark. <lb/>
                    Any other man would have noticed long ago that she had not the <lb/>
                    manner or the air of the ordinary model ; but Askett did not <lb/>
                    trouble to argue the point even for his own satisfaction. She <lb/>
                    was a little more ladylike than most of them, perhaps, but she <lb/>
                    resembled the rest of her class in wanting to chatter, and that in <lb/>
                    itself justified his abruptness. So there was a pause that was a <lb/>
                    little awkward, and then his model came in&#x2014; an old man in a <lb/>
slouched hat and a worn brown coat. </p>
<p>
" What a musty old subject to choose ! " she commented, and <lb/>
got up instantly and walked away to the door. </p>
<p>
" Wouldn't you care to wait until Hallaford comes back ? " <lb/>
                    asked her host, a little less morosely. " I can go on working all<lb/> 
the same, as long as you don't talk." </p>
<p>
" I shouldn't think of it," she said, emphatically. " I am quite <lb/>
                    sure you wouldn't be able to endure another suggestion from me, <lb/>
and I really couldn't promise not to make one." </p>
<p>
He could have sworn that her last words were accompanied by <lb/>
                    a lightning glance round the room, but her expression, when she </p>

                                <fw type="catchword">turned</fw>
                                <pb n="191"/>
                                <fw type="runningHead"><fw type="pageNum">174</fw> The Other Anna </fw>
                                
<p>
turned at the door and looked at him, was almost vacant in its <lb/>
                    innocence. He followed her hastily, and opened the door for <lb/>
her. </p>
<p>
"You'd better wait," he said, involuntarily. "You'll catch <lb/>
cold or something out there." </p>
<p>
She flashed a mocking look up in his face. <lb/></p>
<p>
" Don't you think," she observed, demurely, " that that is one <lb/>
                    of the things about which one does not want suggestions from a <lb/>
man?" </p>
<p>
Ten minutes later, she was accepting a torrent of apologies <lb/>
                    from Tom Hallaford with a queenly forgiveness that she knew <lb/>
                    by experience to be the most effective weapon at her command. <lb/></p>
<p>
"If you weren't such an awful brick you'd never sit to me <lb/>
                    again," he avowed, humbly. "To drag you all this way, and <lb/>
                    then&#x2014;&#x2014;! Wasn't it beastly cold too ? " 
</p><p>
" It was cold," Anna admitted, gently. " But I didn't mind <lb/>
much." </p>
<p>
And when he began afresh to abase himself, and made the <lb/>
                    confusing statement that he ought to be shot and was hanged, she<lb/> 
                    felt he had suffered sufficiently, and she interrupted him by a true <lb/>
account of how she had spent the last half-hour. <lb/></p>

<p>"Well, I'm bothered ! " he said. "Of course, Askett thought <lb/>
                    you were a model, a paid model, don't you see ; and he thought <lb/>
                    it was just cheek of you to say his studio was dirty and all that. <lb/>
                    So it would have been rather, don't you know, if you'd been an <lb/>
                    ordinary model; they want jumping on sometimes. I say, Miss <lb/>
                    Angell," he added, chuckling, " what larks if Askett comes in <lb/>
                    when you've gone, and asks me for your address ! Ten to one <lb/>
he does. What shall I say ? " </p>
<p>
" I don't fancy," said Anna, quietly, " that he will want to <lb/>
know." 
</p>

                                <fw type="catchword">Nevertheless,  </fw>
                                <pb n="192"/>
                                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">175</fw> </fw>
                                

<p>Nevertheless, as she was hurrying past the door of the middle <lb/>
                    studio, two hours later, Askett came out hastily and called her <lb/>
back. </p>
<p>
" Is all your time filled up for the present ? " he asked, " or <lb/>
                    could you sit to me next week, in the afternoons ? " <lb/></p>
<p>
A gleam of mischief lurked in her eyes, but he was still un-<lb/>
                    suspecting, and he mistook her hesitation for reflection. <lb/></p>
<p>
"I could come next week," she said. " What time ? " <lb/></p>
<p>
" Two o clock on Monday. And you can give me your name <lb/>
                    and address so that I shall know where to write to you. You'll<lb/> 
very likely forget all about it." </p>
<p>
" Do you really think that's possible ? " smiled Anna. Askett <lb/>
                    said nothing, but looked over her head at the wall as though she <lb/>
                    were not there at all, and waited for her to reply. Anna was <lb/>
                    racking her brains for a name that would be likely to belong to a <lb/>
model. </p>
<p>
" Well ? " he said, impatiently. <lb/></p>

<p>" Oh, you want my name ? " said Anna, desperately. " Well, <lb/>
                    my address is care of Miss Anna Angell, 25 Beaconsfield Man-<lb/>
                    sions, Belgravia. And my name is is Poppy&#x2014;Poppy Wilson. <lb/>
                    Oh dear ! that's wrong&#x2014;I mean&#x2014;&#x2014; " </p>
<p>
He was staring at her, for the first time, with something <lb/>
                    approaching ordinary human interest. </p>

<p>" There seems to be a difficulty about the name," he remarked.<lb/> 
                    He was not surprised at all ; she had probably quarrelled with her <lb/>
                    family&#x2014;models always had&#x2014;and so was afraid to give her real <lb/>
                    name. He put down her confusion to the fact that she had not <lb/>
                    been sitting long, and was new at the deception. " What's the <lb/>
                    matter with Wilson ? " he asked, not unkindly. " It's a very nice <lb/>
name, isn't it ? " </p>

<p>" Oh, Wilson's all right," she hastened to assure him. " It's 
</p><p>The Yellow Book&#x2014;Vol. XIII. L  </p>
                                
                                <fw type="catchword">the</fw>
                                <pb n="193"/>
                                <fw type="runningHead"><fw type="pageNum">176</fw> The Other Anna </fw>
                            
<p>
the Poppy that's wrong ; I mean, it's my pet name, don't you see, <lb/>
and it wouldn't do."</p> 

<p>" No," he said, dryly. " Perhaps it wouldn't." <lb/>
</p><p>
" My real name is Anna," she continued, Anna Wilson.<lb/> 
                    You understand, don't you ? " Even for the sake of the disguise, <lb/>
she could not endure that he should think of her as Poppy.</p>

<p>"Real name Anna, pet name Poppy, address care of Miss <lb/>
                    Anna&#x2014;hullo ? " he stopped writing on his cuff and looked down<lb/> 
                    at her sternly. " You seem to have the same name as the elderly <lb/>
                    lady who looks after you. How's this ? I don't believe your <lb/>
name is Anna at all." </p>
<p>
This was a little hard, as it was the only true statement she had <lb/>
yet made. </p>
<p>
" My name is Anna," she said, indignantly. " And so is hers. <lb/>
                    It's only a coincidence that we both have the same name ; in fact,<lb/> 
                    it was because of that that we first made friends, years ago at <lb/>
                    school. You see, we began by being at school together, and <lb/>
                    we've been together ever since, more or less. And and when I <lb/>
                    left home, she let me come and live in her flat, that's all. It <lb/>
                    doesn't seem odd to me, but perhaps you don't know much about <lb/>
                    girls' Christian names ? And she isn't elderly at all ! She's young, <lb/>
                    and rather pretty, and&#x2014;&#x2014; </p>
<p>
" Oh, all right ; I don't care what sh' s like. Don't forget <lb/>
                    about Monday ; and look here, you can come in that hat ; it's <lb/>
rather nice. Good-bye." </p>
<p>
" I shall wear my very oldest hat and all the clothes that don't <lb/>
suit me," she resolved, rebelliously, as she went downstairs. </p>
<p>
She surprised her maid very much at dinner-time, that evening, <lb/>
                    by laughing softly to herself at intervals ; and she might have <lb/>
                    been discovered, more than once, with her elbows on the mantel <lb/>
shelf, gazing at the reflection of herself in the mirror. But as the</p> 

                                <fw type="catchword">evening  </fw>
                                <pb n="194"/>
                                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">177</fw> </fw>
                                

<p>
evening wore on she became, first fretful, then sober, then deter <lb/>
                    mined ; and she went to bed with a carefully composed letter in <lb/>
                    her head, which was to be sent without fail on the following <lb/>
                    morning. She came down to breakfast and wrote it ; kept it till <lb/>
                    lunch-time, and stamped it ; re-read it at tea-time, and burnt it. <lb/>
                    She was very cross all the evening, and decided that she was run <lb/>
                    down, and wanted a change. The next morning she was con- <lb/>
                    vinced she had influenza, and took a large dose of ammoniated <lb/>
                    quinine, and sent a special messenger to her greatest friend. Her <lb/>
                    greatest friend was out of town, which reminded her that she <lb/>
                    wanted a change, and she telegraphed to Brighton for rooms. <lb/>
                    The reply came that they would be vacant on Monday, and she <lb/>
                    wired back that she did not want them at all. The next day was <lb/>
                    Sunday and her At Home day ; and she came to the conclusion <lb/>
                    that her circle of friends was a very dull one, and that no one who <lb/>
                    was a bit nice ever called on her At Home day, and that the only <lb/>
                    interesting people were the people who never called on one at all, <lb/>
                    the people, in fact, whom one met in odd ways without any intro <lb/>
                    duction ; and at this point of her reflections she laughed <lb/>
                    unaccountably, and resolved to give up her At Home day. She <lb/>
                    had made two engagements with two separate friends for Monday <lb/>
                    afternoon ; but when it came, she threw them both over and started <lb/>
                    for a walk across the park at half-past one. At a quarter to two <lb/>
                    she hailed a hansom in the Bayswater road, and told the cabman <lb/>
                    to drive quickly, and at his own not unreasonable request <lb/>
                    supplied him further with an address in the West of London. <lb/>
                    And at two precisely, she was toiling up the long flights of <lb/>
                    stone stairs that led to Askett's studio, wondering crossly what <lb/>
                    had induced her to embark in such an absurd enterprise, and <lb/>
still more what was making her persist in it now. </p>
<p>
"It's quite reasonable to undertake to do a mad thing one day,</p> 

                                <fw type="catchword">but</fw>
                                <pb n="195"/>
                                <fw type="runningHead"><fw type="pageNum">178</fw> The Other Anna </fw>
                  
<p>
but to go and da it the next is unpardonable," she grumbled to <lb/>
                    herself, as she knocked at the door of the middle studio. She <lb/>
                    remembered with relief that Tom Hallaford had gone abroad for <lb/>
                    a rew weeks, which considerably lessened the chances of detec- <lb/>
                    tion ; and for the rest it was an adventure, and that was always <lb/>
                    something. So it was her usual smiling, rather impudent face <lb/>
that finally greeted Askett when he opened the door to her. </p>
<p>
"So you didn't forget, after all ? Made sure you would," he <lb/>
                    observed. " People who forget their own names can forget any <lb/>
thing." </p>
<p>
"I didn't forget my own name," said Anna, truthfully, a <lb/>
remark of which he naturally missed the point. </p>

<p>They did not talk at all for the first hour or so, and Anna <lb/>
                    began to feel distinctly bored. Being a model was not half so <lb/>
                    much fun as she had expected to find it, and it made her <lb/>
                    extremely sleepy. She had hoped for a new sensation, and the <lb/>
                    only one she felt was an overwhelming dulness. Nothing but <lb/>
                    her sense of the ridiculous prevented her from throwing up the <lb/>
                    whole game on the spot, but a single glance at his stern, uncom- <lb/>
                    promising features kept her silent. "Just imagine how he would <lb/>
                    sneer ! " she thought ; and the mere idea made her toss her head <lb/>
and laugh scornfully. </p>
<p>
                    "Keep still, please," he said, inexorably. "What's the  <lb/>
joke ? " </p>
<p>
                    "That is precisely what I can't tell you," said Anna, laughing  <lb/>
again. " If I did it wouldn t be a joke at all, you see." </p>

                                <p>" I'm afraid I don't, but that may be because I haven't known  <lb/>
                                                    you long enough to have grasped your system of conversation.  <lb/>
                                                    It's rather difficult to talk to a person who only tells you the ends  <lb/>
                                                    of her thoughts, as it were. If I were a conjurer, or a medium,  <lb/>
or somebody like that, it might be all right." 
</p>

                                <fw type="catchword">"It  </fw>
                                <pb n="196"/>
                                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">179</fw> </fw>
                       
<p>
                    " It isn't half so difficult as talking to a person who doesn't  <lb/>
talk at all," retorted his model. </p>
<p>
                    "Perhaps not," said Askett, indifferently. "Will you kindly  <lb/>
                    lower your chin a little, it has a tendency to&#x2014;thanks. You were  <lb/>
saying&#x2014;&#x2014;" </p>
<p>
                    " I was saying that conversation with a person who is only  <lb/>
                    interested in your stupid chin isn't any fun at all," said Anna,  <lb/>
                    who was beginning to feel both tired and cross. Askett glanced  <lb/>
at her with a look of mild surprise. </p>
<p>
" Then why be a model ? " was all he said. </p>
<p>
                    " That's exactly what I want to know myself. I mean," she  <lb/>
                    added, hastily, " it isn't my fault. I&#x2014;I wouldn't be a model if I  <lb/>
could help it, but I can't." </p>
<p>
                    " Models never can help it," said Askett, sceptically. " Troubles  <lb/>
                    at home, I suppose ? Your friends don't know you sit ? I  <lb/>
                    thought so. Never knew you'd have to come to this, and so on.  <lb/>
Of course, yes." </p>
<p>
                    " You're very unfeeling," remarked Anna, who had assented by  <lb/>
                    nods to the touching story of her life as related by Askett. " You  <lb/>
should try being a model for an afternoon, and then you'd know." </p>
<p>
                    " My dear young lady, one occupation at a time is always  <lb/>
                    enough for a man," said Askett, quietly. " Probably that is why  <lb/>
                    I am interested merely in your features. Does the elderly lady,  <lb/>
I mean the other Anna, know that you are a model ? " </p>
<p>
                    "Yes, she does," said Anna, fervently. "She doesn't like my  <lb/>
                    doing it at all ; but how can I help it ? She thinks it is too hard  <lb/>
work, and I <emph rend="italic">quite</emph> agree with her." 
</p><p>
                    " If you don't mind," said Askett, who had not been listening;  <lb/>
                    " I wish you would keep to subjects that don't excite you quite so  <lb/>
                    much. Whenever you are being smart, or funny, or injured, you  <lb/>
poke your chin in the air ; and it's disconcerting. Supposing you 
</p>

                                <fw type="catchword">were</fw>
                                <pb n="197"/>
                                <fw type="runningHead"><fw type="pageNum">180</fw> The Other Anna </fw>
                                
<p>
                    were to think of some quiet elderly topic, such as cats, or politics,  <lb/>
or the lesser clergy ? " 
</p><p>
                    " Perhaps, if I were to think of nothing to say at all, you would  <lb/>
like it better," cried Anna. </p>
<p>
" Perhaps," said Askett, with a stony indifference. </p>
<p>
                    "I may as well tell you," continued Anna, controlling her  <lb/>
                    indignation with difficulty, "that whenever I am silent I have a  <lb/>
most horrible expression." </p>
<p>
                    " Never mind about the expression," said Askett. "That's my  <lb/>
                    business, not yours. Sulk away as much as you please, as long as  <lb/>
it keeps you quiet." </p>
<p>
                    In spite of his want of interest in her and his utter lack of  <lb/>
                    observation, he was considerably astonished when she sprang  <lb/>
                    suddenly down from her platform, overturning the chair with a  <lb/>
                    clatter, and faced him angrily. It was unlike any previous experi- <lb/>
                    ence he had had with models, and he began to realise that there was  <lb/>
                    something unusual about this one, though what it was he did not  <lb/>
                    precisely know, and that the moment had come for him to deal  <lb/>
                    with it. So he put down his charcoal, and pulled forward a chair  <lb/>
                    and a box ; led her gently to the chair and sat down on the box  <lb/>
himself, and felt for his tobacco-pouch. 
</p><p>
                    " Now, look here," he said, holding up his hand to stop her as  <lb/>
                    she began to speak ; " I know all about it. So, if you don't mind,  <lb/>
                    I think we'll cut the first part. You've not been used to such  <lb/>
                    treatment, and you didn't come here to be insulted. Very well ;  <lb/>
                    you didn't. But you came here to be my model, and I naturally  <lb/>
                    expect you to behave like a model, and not like any other young  <lb/>
                    woman who wishes to make conversation. Surely, that's reasonable,  <lb/>
isn't it ? " </p>
<p>
                    "It might be if&#x2014;it I liked being a model, perhaps. But I  <lb/>
don't," said Anna, rather lamely. She had found her new sensa- 
</p>

                                <fw type="catchword">tion. </fw>
                                <pb n="198"/>
                                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">181</fw> </fw>
               
<p>
                    tion, but it did not amuse her : she had never been lectured before,  <lb/>
                    and she was not sure whether she felt angry or merely puzzled.  <lb/>
Askett smiled slightly. </p>
<p>
                    "That is hardly my fault," he replied. " I didn't suggest your  <lb/>
vocation to you, did I ? " </p>
<p>
                    She was burning to tell him that he had, that he, and her  <lb/>
                    own freakishness, and Fate, were entirely responsible for her  <lb/>
                    vocation ; but again the dread of his ridicule kept her silent, and  <lb/>
                    she only baffled him once more by breaking into a peal of mirthful  <lb/>
laughter. </p>
<p>
                    " Oh, heavens ! " he groaned. " How is one to deal with a  <lb/>
thing like that ? What in the name of wonder is the joke now ? </p>
<p>
                    "It&#x2014;it's the same joke as before," gasped Anna. " You really  <lb/>
don't know what an awfully good joke it is." </p>
<p>
                    " You must forgive me if I don't even want to find out," said  <lb/>
                    Askett, shortly ; and he got up and went to the window and looked  <lb/>
                    out. The situation was not dignified, and he apostrophised the  <lb/>
                    whole race of models, and wondered why they could not see that  <lb/>
                    a chap wanted to work, instead of playing up to him with their  <lb/>
                    hopelessly feminine ways. And then he realised that this particular  <lb/>
                    one had stopped laughing, and was waiting for him to say some  <lb/>
thing. </p>
<p>
"Well? "he said gruffly. </p>
<p>
                    "I'm awfully sorry," said Anna, who was secretly a little  <lb/>
                    ashamed of herself. The fact is, I'm rather a new hand at being  <lb/>
                    a model, and it still makes me feel drowsy, and if I hadn't talked  <lb/>
                    nonsense just now I should have gone to sleep. It is't so very  <lb/>
                    long since I had to earn my own living, and one doesn't get used  <lb/>
to it all at once, don't you know. Shall I go on sitting, now ? " </p>
<p>
                    He did not answer for a second or two. For the first time he  <lb/>
had noticed her way of speaking, and it struck him that perhaps 
</p>
                                <fw type="catchword">she</fw>
                                <pb n="199"/>
                                <fw type="runningHead"><fw type="pageNum">182</fw> The Other Anna </fw>
                                
<p>
                    she was less of a fraud than most models who profess to have  <lb/>
                    come down in the world, and that her family might have been  <lb/>
                    decent people after all. He began to feel a little remorse for  <lb/>
having been hard on her. </p>
<p>
                    "Look here," he said, still gruffly. " I'm not going to do any  <lb/>
                    more to-day. And I think you won't quite do for what I wanted,  <lb/>
                    so you needn't come back to-morrow. I'll pay you all the same  <lb/>
                    till the end of the week, so you'll be able to take a holiday with a  <lb/>
                    clear conscience. Perhaps, you won't find it so tiring when  <lb/>
                    you've had a rest. And the next chap you sit for may not mind  <lb/>
your talking." </p>
<p>
                    She stood quite still while he went across the room to fetch her  <lb/>
                    cloak. Somehow, she was not so pleased at her unexpected  <lb/>
                    deliverance as she would have been ten minutes ago. She had an  <lb/>
                    uncomfortable sensation of having behaved like a child, and added  <lb/>
                    to this was a vague feeling of shame at allowing him to think she  <lb/>
                    was poor and friendless, and in need of his help. So she stepped  <lb/>
up to him and took the cloak out of his hand. </p>
<p>
                    "I don't want a holiday, thank you," she said. " You are a  <lb/>
                    brick, but I would sooner keep my part of the bargain if you'll let  <lb/>
me. I wasn't really tired, I was lazy." </p>
<p>
                    He shrugged his shoulders, and realised that his pity had been  <lb/>
wasted. </p>
<p>
                    "As you like," he said, shortly, and Anna climbed up to her  <lb/>
chair again. </p>
<p>
                    It was indisputable that she was an irreproachable model for  <lb/>
                    the rest of the afternoon, that she abstained from all temptation to  <lb/>
                    elevate her chin, and met his few attempts at conversation with  <lb/>
                    subdued monosyllables ; but for all that, the wish to work had  <lb/>
                    completely deserted him, and he yawned at last and looked at his  <lb/>
watch, and said it was time for tea. </p>

                                <fw type="catchword">"You </fw>
                                <pb n="200"/>
                                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">183</fw> </fw>
          
<p>
                    " You may talk now," he said, as he put on the kettle.  <lb/>
                    "Thanks. But there isn't anything to say," said Anna.  <lb/>
                    " Does that make any difference ? " he asked, with an un- <lb/>
                    expected smile that propitiated her ; and she came down and  <lb/>
                    offered to cut the bread and butter. He shook his head, and  <lb/>
possessed himself of the loaf. </p>
<p>
                    " Stay where you are, I'll look after this. Women always  <lb/>
                    make it taste of the knife ! Hullo ! offended again ? I'm sorry,  <lb/>
but you know they do." </p>
<p>
                    "They don't in&#x2014;in the other Anna's flat. But you've never  <lb/>
                    been there, of course ; and I suppose you'll never go, will  <lb/>
you ? " </p>
<p>
                    "Depends on the other Anna, doesn't it? Do you think  <lb/>
she'd have me ? " </p>
<p>
                    " I'm quite certain she would," said his model, with such  <lb/>
                    assurance that a less absorbed person would have suspected some  <lb/>
                    thing of the truth. As it was, he only looked slightly amused  <lb/>
and asked for a reason. </p>
<p>
                    " Oh, because Anna always likes odd people who don't talk  <lb/>
                    much ; and she doesn't think them musty or anything like that,  <lb/>
                    just because they're not usual. She'd call you interesting, and  <lb/>
                    quarrel with every one who didn't agree with her, and be fright  <lb/>
fully glad all the while because they didn't." </p>

<p>"Sugar ? " asked Askett, who had again not been listening. 
</p><p>
                    "Two lumps, please. So do you, don't you? I knew you  <lb/>
would ! So does Anna. I think you'd like Anna too, rather." </p>

<p>"Ah ! What makes you think that ? " 
</p>
                                <p>" Well, you ve got some sense of humour, enough to know she  <lb/>
                                                    wasn't really laughing at you. Most people are afraid of her, you  <lb/>
                                                    know ; and they think she doesn't feel things because she laughs ;  <lb/>
and of course she does feel them all the same. She hates people 
</p>
                                <fw type="catchword">to</fw>
                                <pb n="201"/>
                                <fw type="runningHead"><fw type="pageNum">184</fw> The Other Anna </fw>
                                

                                <p>to be afraid of her ; but you are never afraid of any one, are you ?  <lb/>
                                                    And you'd understand why she laughs. Oh yes, you'd like  <lb/>
Anna." </p>

<p>" You are a very devoted friend," said Askett. 
</p><p>
                    "I believe I do like her better than any one else I know,"  <lb/>
admitted Anna. </p>

<p>"Better than yourself? " 
</p><p>
                    "Much better," she said, and began laughing again with no  <lb/>
apparent reason. </p>

<p>" Oh dear," said Askett, " is it that joke again ? " 
</p><p>
                    But she was afraid of rousing his suspicions, and evaded his  <lb/>
                    question. She was very anxious, just then, that his suspicions  <lb/>
should not be roused. </p>
<p>
                    When she left, he asked her again if she would not like to have  <lb/>
a holiday till the end of the week. </p>

<p>"Am I such a very bad model then ? " she asked. 
</p><p>
                    " You are the most irritating model I have ever endured, but  <lb/>
you can come back at two to-morrow," was his reply. </p>
<p>
                    Several times that evening, she took up her pen to write and tell  <lb/>
                    him that she would not come any more, and each time she laid it  <lb/>
                    down again, and jerked her small chin into the air, and vowed she  <lb/>
would go through with it. </p>
<p>
                    "It is an adventure," she said, "and it is too rare to be  <lb/>
wasted." </p><p>

" So for the sake of an adventure, she knocked once more at the  <lb/>
                    door of Askett's studio. He opened it immediately, and held out  <lb/>
                    his hand in greeting ; but he was very businesslike in his  <lb/>
manner, and set to work directly she was ready. </p>
<p>
                    " I shall try your profile to-day," he said, screwing up his  <lb/>
easel. </p>

<p>" You'll regret it," observed Anna. 
</p>
                                <fw type="catchword">" Possibly.  </fw>
                                <pb n="202"/>
                                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">185</fw> </fw>
            
<p>
                    "Possibly. Kindly turn your head a little further away;  <lb/>
that'll do. What's wrong about your profile, please ? " </p>
<p>
                    "There's nothing wrong about it," she said, indignantly.  <lb/>
                    " But I always show people my full face if I can ; it's got more  <lb/>
character." </p>
<p>
                    " Women are so commercial," remarked Askett. " They  <lb/>
                    make the most of every little advantage they think they  <lb/>
possess." </p>
<p>
                    " I must say," retorted Anna, " that for one who professes so  <lb/>
                    much scorn for the whole sex, your perpetual desire to drag it  <lb/>
into the conversation is most surprising." </p>
<p>
" How is the other Anna ? " asked Askett, rather suddenly. </p>
<p>
                    " Oh, she's all right. She isn't so sure she would like you as I  <lb/>
expected her to be." </p>
<p>
                    " Indeed ? Can't she contemplate my appalling silence with  <lb/>
                    out shuddering ? Or is it because my face hasn't got any  <lb/>
character in it ? " </p>
<p>
                    " Oh, no, your face is all right. And she wouldn't mind your  <lb/>
                    being silent in the least, because she does all the talking herself.  <lb/>
She'd only expect you to listen." </p>
<p>
                    " What a clatter there must be when you get together,"  <lb/>
observed Askett. </p>
<p>
                    " It generally has the effect ot silencing us both," said Anna,  <lb/>
gravely. " Am I sitting better to-day ? " 
</p><p>
                    " A little, yes. But I think I'll try the full face again ;  <lb/>
                    perhaps, you won't bob your head round quite so often if you are  <lb/>
obliged to look at me." </p>

                                <p>" One would think I wanted to look at you," pouted Anna.  <lb/>
                                                    " That is certainly what you have led me to believe," said  <lb/>
                                                    Askett, looking for another sheet of paper. " Now, don't flare up  <lb/>
for nothing at all ; I didn't mean to be rude, and I wasn't rude ; 
</p>
                                <fw type="catchword">and </fw>
                                <pb n="203"/>
                                <fw type="runningHead"><fw type="pageNum">186</fw> The Other Anna </fw>
                               
<p>
                    and if you persist in jumping whenever I say anything you don't  <lb/>
like, I shall relapse into silence again." </p>
<p>
                    " And on the whole," said Anna, thoughtfully, " your remarks  <lb/>
are a little improvement on that deadly silence." 
</p><p>
                    " Now," said Askett, pressing down the drawing pins ; " tell  <lb/>
                    me some more about the other Anna. I like your expression  <lb/>
                    when you talk about the other Anna, it's so appreciative. I  <lb/>
                    believe you are a solitary instance of a woman who can endure  <lb/>
the charms of another woman without feeling jealous." </p>
<p>
                    " Perhaps it is only the charms of the other Anna," she said,  <lb/>
carelessly. " What do you want to know about her ? " </p>
<p>
                    " Oh, anything, everything. What does she do, for instance ?  <lb/>
                    said Askett, vaguely. His temporary interest in a woman,  <lb/>
                    who was not there with the express purpose of distracting him,  <lb/>
                    was already vanishing as he began to grow interested in his  <lb/>
work. </p>
<p>
                    " Do ? Has she got to do anything ? You surely don't sup-  <lb/>
                    pose she is a model, or anything like that, do you ? She's much  <lb/>
                    too lazy to do things ; she just has a good time, that's all. All  <lb/>
                    her people are away or dead or at war with her ; and she has  <lb/>
                    some money of her own, not nearly enough of course, but still  <lb/>
                    it's something. And she dresses rather well, and has a charming  <lb/>
                    flat I don't believe you are listening to a word I say, and it's  <lb/>
too bad ! " </p>
<p>
                    " Indeed I am. It is my way of appearing interested. She  <lb/>
                    dresses rather well, and has a charming flat. What more,  <lb/>
please ? " 
</p><p>
                    " How much more do you want ? That's enough for most  <lb/>
                    people. And why do you want to know all about Anna, when  <lb/>
you've never seen her ? " </p>

<p>"Oh, surely, because you wanted something to talk about. 
</p>

                                <fw type="catchword">Besides,  </fw>
                                <pb n="204"/>
                                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">187</fw> </fw>
                                
<p>
                    Besides, you said she would like me. Isn't that enough reason  <lb/>
for a man ? Chin a little lower, please." </p>
<p>
                    " I said you would like her," said Anna, slowly. " Do you&#x2014; do <lb/> 
you think you would ? " </p>
<p>
                    " What do you think ? " he asked, smiling at her sudden  <lb/>
earnestness. She laughed. </p>
<p>
                    "I think she would irritate you beyond measure ! And you  <lb/>
                    would hate her for being frivolous, and she would hate you for  <lb/>
being serious."</p> 

<p>" Decidedly, we had better not be introduced," said Askett. 
</p>

<p>
                    The next day, the door was ajar when she arrived, and she  <lb/>
pushed it open and walked in without knocking. </p>
<p>
                    " Oh ! " she exclaimed, and then paused and reddened with  <lb/>
pleasure. </p>
<p>
                    * Hullo ! it's you, is it?" said Askett, coming forward.  <lb/>
" What's up now ? " </p>
<p>
                    " Flowers ! How beautiful ! Where did they come from ?  <lb/>
                    I thought you never had any. Oh, doesn't it make the whole  <lb/>
place look different ? " </p>
<p>
                    " They're all right, I suppose," he replied, indifferently.  <lb/>
                    " Flowers always are. I'm glad you like them, they'll help you  <lb/>
                    not to feel bored, perhaps. You curious child, to make all that  <lb/>
                    fuss over a lot of daffodils ! Does the other Anna like flowers as  <lb/>
much as you do ? " </p>
<p>
                    She turned away with a little movement of dissatisfaction. Of  <lb/>
                    course it was absurd, but for all that she found it impossible to  <lb/>
control her growing jealousy for the other Anna. </p>
<p>
                    After that, there were always flowers when she came for a  <lb/>
sitting, and she came very often indeed. For Askett was at work </p>

                                <fw type="catchword">on  </fw>
                                <pb n="205"/>
                                <fw type="runningHead"><fw type="pageNum">188</fw> The Other Anna </fw>
                                

                                <p>on the illustrations for an eighteenth-century novel, and she posed  <lb/>
                                                    several times for him as his heroine, a bewitching little figure in  <lb/>
                                                    a quaint old cloak and large be-feathered hat. They were very  <lb/>
                                                    good friends by the time the spring came, able to dispute without  <lb/>
                                                    misconception, and to remain silent without embarrassment ; and  <lb/>
                                                    Askett, to judge by results, had long ago managed to grasp the  <lb/>
                                                    system by which her conversation was made. The principal  <lb/>
                                                    theme of it was still the other Anna ; for, as the beginning of the  <lb/>
                                                    year grew older, the difficulty of telling him the truth became  <lb/>
                                                    increasingly greater. It would have meant, at least, some sort of  <lb/>
                                                    an explanation, and she could not endure explaining why she did  <lb/>
                                                    things ; indeed, she rarely knew why. Besides, it would have put  <lb/>
                                                    an end to the sittings, and the sittings amused her enormously,  <lb/>
                                                    and she always went on doing what amused her. So she  <lb/>
                                                    continued to impersonate the heroine of the eighteenth-century  <lb/>
novel, and her conversation was still about the other Anna. </p>
<p>
                    One day he was more silent than usual. He tried her in  <lb/>
                    various positions and gave them all up in turn, made sketches on  <lb/>
                    odd bits of paper and flung them aside, and ended in throwing  <lb/>
down his pencil and saying he was no good. </p>
<p>
" Have you got a headache ?" she asked him. 
</p><p>
                    " Headache ? No, I'm all right," he said, in the resentful  <lb/>
                    manner with which he repelled all her attempts to find out some  <lb/>
                    thing about him. " Women always think you re ill if you feel a  <lb/>
bit off colour," he added, as though to explain his abruptness. </p>
<p>
                    "The other Anna," she observed, "always has a headache  <lb/>
when she is off colour, as you call it. She had one this morning." </p>
<p>
                    "Ah," said Askett, brightening a little, "tell me about the  <lb/>
other Anna. Why is she off colour to-day ? " </p>
<p>
                    " Because she is in love," said Anna, lightly ; and she crossed  <lb/>
her feet and leaned back in her chair and looked at him. </p>

                                <fw type="catchword">"In  </fw>
                                <pb n="206"/>
                                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">189</fw> </fw>
                                
<p>
                    " In love ? The other Anna in love ? Why, you told me  <lb/>
                    she had too much sense of humour ever to fall in love. Who's  <lb/>
                    the chap ?" It was very ridiculous, but he could not help the  <lb/>
                    sudden pang of disappointment he felt on hearing that the other  <lb/>
                    Anna was in love. It disturbed his impression of her, and he  <lb/>
                    had not known until that moment how strong that impression had  <lb/>
grown. </p>
<p>
                    " Oh, he doesn't know she's in love with him, and she  <lb/>
                    couldn't possibly let him know, because he might have a sense of  <lb/>
                    humour too ; and then he d just scoff, and she'd want to kill  <lb/>
                    herself. It&#x2014;it s a tragedy to fall in love if you ve got a sense of  <lb/>
                    humour, isn't it ? Oh, of course you don't know." And she  <lb/>
began humming a tune. </p>
<p>
                    " Why don't I know ? Because I am never in love, or  <lb/>
because I have no sense of humour ? " </p>
<p>
                    " Oh, you ve got a sense of humour right enough," she said,  <lb/>
                    and went on singing softly to herself. Askett put down his pipe  <lb/>
half-smoked. </p>
<p>
                    " What is the other Anna like when she is in love ? " he asked,  <lb/>
and smiled at his wish to know. </p>
<p>
                    " I only know she s very difficult to live with," replied his  <lb/>
                    model, ruefully. " She's very happy or very sad all the time, and  <lb/>
                    she gets impatient with me, as though I could help it. So absurd,  <lb/>
                    isn't it ? Poor Anna ! You see, she has never been in love  <lb/>
                    before, and she can't make it out. I wish, I do wish she were  <lb/>
not in love now ; it spoils everything so." </p>
<p>
                    " It generally does," said Askett ; and his eyes travelled slowly  <lb/>
                    from the pair of pointed shoes up the pink silk cloak to the large  <lb/>
                    black hat, and turned away swiftly when they rested on her face-  <lb/>
" Have you ever been in love ? " he asked, suddenly. 
</p>
<p>" Yes," she said, promptly, and fixed her eyes on him so 
</p>

                                <fw type="catchword">persistently  </fw>
                                <pb n="207"/>
                                <fw type="runningHead"><fw type="pageNum">190</fw> The Other Anna </fw>
                                
<p>
                    persistently that she brought his reluctant gaze back to her, and  <lb/>
then laughed softly in his race. " Have you ? " she asked. </p>
<p>
                    He smiled indulgently, and returned to the other Anna.  <lb/>
                    " What a fool the fellow must be," he said, jestingly, " to give up  <lb/>
                    a woman like that when she's good enough to fall in love with  <lb/>
him." </p>
<p>
                    " Oh, I don't think so," said Anna. " He doesn't know ; men  <lb/>
                    never do. And she can't tell him ; women never can. It's such  <lb/>
                    hard lines ; her life is being quite spoilt because she mustn't say  <lb/>
                    anything. She wouldn't mind so much if she were quite sure  <lb/>
                    the man didn't like her ; she'd pull herself together again, and go  <lb/>
on. But how is she to find out ?" </p>

<p>" Why doesn't she send you to ask him ? " suggested Askett. 
</p><p>
                    " Do you know," she said with a queer little smile, " you've  <lb/>
made that same old joke again ? " </p>
<p>
                    But he noticed that, this time, it did not move her to one or  <lb/>
her irresistible peals of laughter. </p>
<p>
                    " After all," she added, casually, " I am not sure that it is a joke  <lb/>
at all." </p><p>

Askett got up and went to look after the kettle ; tea would  <lb/>
                    make a diversion, he thought, and they seemed to be in need of a  <lb/>
                    diversion that afternoon. " It strikes me," he said, with his back  <lb/>
                    to her, " that you let yourself worry too much about the love  <lb/>
affairs of the other Anna." </p>
<p>
                    "Perhaps I do," replied Anna with the same enigmatical  <lb/>
                    smile. "But it's chiefly your fault; you always want to hear  <lb/>
                    about her, and you never let me talk about anything else. It  <lb/>
isn't very flattering to me, I must say ! " She ended with a pout. </p>
<p>
Askett stood up and smiled thoughtfully. </p>
<p>
                    " How absurd ! " he said with a half-laugh. " Go and tell  <lb/>
your Anna that some-one is in love with her, because he has 
</p>
                                <fw type="catchword">heard  </fw>
                                <pb n="208"/>
                                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">191</fw> </fw>
           
<p>
                    heard that she is a woman with a sense of humour and a heart ;  <lb/>
and see if it doesn't cure her depression ! " </p>
<p>
" I shouldn't be surprised if it did," replied Anna. </p>
<p>
                    When she made ready to go, that day, he forgot to put on her  <lb/>
                    cloak for her, and stood irresolutely looking at her with the old  <lb/>
                    nervous frown come back to his face ; and she guessed instinc- <lb/>
tively that there was something he had to say to her. </p>
<p>
" What is it ? " she said, involuntarily. </p>
<p>
                    "It's just this," he said, speaking very quickly; "I don't  <lb/>
think I shall want you any more after next week, and&#x2014;&#x2014; </p>
<p>
                    He stopped, although she had not said anything. She looked  <lb/>
                    steadily at the pink silk cloak that hung across the chair, at the jug  <lb/>
                    of wallflowers on the mantel-shelf, at the two empty cups on the  <lb/>
upturned wooden box ; and she drew in her lips with a sharp breath. 
</p><p>
" Yes," she said, and held out her hand. " Good-bye." 
</p><p>
                    " And when may I come and meet the other Anna ? " he  <lb/>
asked, smiling. </p>
<p>
                    There was already a yard and a half of stone passage between  <lb/>
                    them ; and the space was widening every minute, as she backed  <lb/>
towards the staircase, and he into the middle studio. </p>
<p>
                    " I am afraid she would have too much sense of humour to  <lb/>
                    receive you," she said, and laughed mockingly, and went away  <lb/>
down the long flights of stone stairs. 
</p><p>
                    " It's all right," said Askett, congratulating himself. " She  <lb/>
                    doesn't care. I might have known she wouldn't. These models&#x2014;  <lb/>
                    ah well ! " He flung the pink silk cloak on the floor, and sat  <lb/>
                    down on the chair, and relighted his pipe. " I believe, if she had  <lb/>
                    told me much more about the other girl, I might have fancied  <lb/>
                    myself in love with her. It would be a queer thing, after holding  <lb/>
                    off for all these years, to fall in love with a woman I have never  <lb/>
seen ! I wonder what it was that fetched me in that child's </p>

<p>The Yellow Book Vol. XIII. M  
</p>

                                <fw type="catchword">descriptions  </fw>
                                <pb n="209"/>
                                <fw type="runningHead"><fw type="pageNum">192</fw> The Other Anna </fw>
                  

                                <p>descriptions of her ? Strange how fascinating a picture those  <lb/>
                                                    stray bits of information have made in my mind ! Probably, if I  <lb/>
                                                    were to meet her in the ordinary way, I shouldn't discover any  <lb/>
                                                    charm in her at all ; women are so secretive. I begin to under  <lb/>
                                                    stand the reason for arranging marriages. All the same, I should  <lb/>
                                                    like to meet her." His eye fell on the pink cloak, as it lay in an  <lb/>
                                                    effete and shapeless heap on the floor. " There's something very  <lb/>
                                                    expressive in a woman's clothes, when you've known the woman,"  <lb/>
                                                    he observed, to change the current of his thoughts. But they  <lb/>
                                                    soon wheeled round again. "I wonder how the other Anna  <lb/>
                                                    would look in that thing ? It's very odd to have kept my interest  <lb/>
                                                    in the same woman for six, seven, eight weeks, and a woman I  <lb/>
                                                    haven't even seen. I suppose it's true that all the constancy in a  <lb/>
                                                    man's heart is for the women he has never seen, but still&#x2014;&#x2014; <lb/>
                                                    However, it's a safe passion, and I won't risk it by making her  <lb/>
                                                    acquaintance. No," he added, moving his chair round so that he  <lb/>
                                                    could not see the pink silk cloak, " I will not ask for an intro  <lb/>
duction to the other Anna." </p>
<p>
                    On his way home he ran against Tom Hallaford, and they  <lb/>
                    walked down Piccadilly together. Tom Hallaford was only just  <lb/>
                    back from Rome, and it was consequently some time before the  <lb/>
                    conversation became sufficiently local and personal to interest his  <lb/>
                    companion, who had not been to Rome at all. But Askett got  <lb/>
his chance after a while. </p>
<p>
                    " Yes, I've been pretty busy," he said, in reply to an inquiry  <lb/>
                    about his work. " By the way, you remember that model or  <lb/>
                    yours I took pity on, one day in the winter, when you kept her  <lb/>
                    waiting ? Oh yes, you do ; pretty little girl rather, big hat,  <lb/>
                    name Wilson, lives with a Miss Angell. My dear fellow, one  <lb/>
                    would think you had never even heard her name ! Well, never  <lb/>
mind about the model ; I don't want to talk about her. But I 
</p>

                                <fw type="catchword">do  </fw>
                                <pb n="210"/>
                                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">193</fw> </fw>
                                
<p>
                    do want to know something about the girl she lives with, the  <lb/>
other Anna, you know Miss Angell, in fact." </p>
<p>
                    " I suppose you know what you're playing at," said Tom,  <lb/>
                    good-naturedly ; " but I'm bothered if I do. Miss Angell doesn't  <lb/>
                    live with any one as far as I know. She never introduced me to  <lb/>
                    a model in her life ; in fact, I only know her very slightly. Some  <lb/>
                    aunt of hers commissioned me to paint her portrait ; that was how  <lb/>
                    she came to sit for me. Who is the model you were talking  <lb/>
about ? You must have got mixed somehow, old chap." 
</p><p>
                    "Mixed?" said Askett, mechanically, standing in a vague  <lb/>
                    manner on the edge of the kerbstone. "Mixed, yes, that's it, of  <lb/>
                    course ; certainly mixed. I suppose&#x2014;in fact, I believe&#x2014;well, it's  <lb/>
                    that joke, you know." And to the mystification of his companion,  <lb/>
                    who stood staring after him, he beckoned with an exaggerated  <lb/>
                    composure to a hansom, gave the driver an address in Belgravia,  <lb/>
and drove away without a word of farewell. </p>
<p>
                    The other Anna answered her own bell, that evening, because  <lb/>
                    her maid was out for a holiday. And she found Askett standing  <lb/>
on the door mat outside. </p>
<p>
                    " Oh ! " was all she could find to say, though it was extremely  <lb/>
expressive in the particular way she said it. </p>
<p>
                    "It's all right," said Askett, in the most courteous and self-  <lb/>
                    possessed manner possible. " I've only come to ask the other  <lb/>
                    Anna to marry me, instead of the chap who doesn't know how to  <lb/>
appreciate her. Do you think she will ? " 
</p><p>
                    There was the dawn of a laugh in her eyes as she threw the  <lb/>
door wider. 
</p><p>
                    " I believe," she replied, " that she still has a lurking fondness  <lb/>
                    for the other chap. But if you'll come in I'll tell you that little  <lb/>
joke of mine, and then&#x2014;&#x2014; </p>

<p>" No need," observed Askett, " I think I know it." 
</p>
                
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