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                <title>Yellow Nineties 2.0</title>
                <title>The Yellow Book: An Illustrated Quarterly, Volume 13 April 1897</title>
                <title type="YBV13_nevinson_rose"/>
                <editor>Lorraine Janzen Kooistra</editor>
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                <p>
                    <date>2020</date>
                </p>
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                <idno>YBV13_23po</idno>
                <publisher>Yellow Nineties 2.0</publisher>
                <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
                <address>
               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
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                        <editor>
                            <persName>Henry Harland</persName>
                        </editor>
                        <author>Henry W. Nevinson</author>
                        <title>The Rose</title>
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                            <publisher>John Lane</publisher>
                            <pubPlace>London</pubPlace>
                            <pubPlace>New York</pubPlace>
                            <date>April 1897</date>
                            <biblScope>Nevinson, Henry W. "The Rose." <emph rend="italic"
                                >The Yellow Book</emph>, vol. 13, April 1897, pp. 153-155. <emph
                                    rend="italic">Yellow Book Digital Edition</emph>, edited by Dennis
                                Denisoff and Lorraine Janzen Kooistra, 2010-2014. <emph rend="italic">Yellow Nineties 2.0</emph>,
                                 Ryerson University Centre for Digital Humanities, 2020. 
                                https://1890s.ca/YBV13_nevinson_rose/</biblScope>
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                <p>Our editorial method is informed by social-text editing principles. By “text” we mean
                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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            <creation>
                <date>1897</date>
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                        <item>Great Britain -- Periodicals</item>
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                        <item>Poetry</item>
                        <item>Periodocal</item>
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                            Fiction, Nonfiction, Religion, Bibliography, History, Paratext, Review,
                            Collection, Leisure, Periodical, Visual Art, Criticism, Letters,
                            Philosophy, Translation, Drama, Life Writing, Photograph, Travel,
                            Education, Manuscript, Citation, Book History, Politics, Reference
                            Works, Family Life, Law, Folklore, Humor. Please include as many as
                            apply. Place each in its own item tag </note>
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                        <item>Periodical</item>
                        <note>Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, 
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                        <item>Book History</item>
                        <item>Literature</item>
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                <pb n="173"/>
             
                <head><title level="a">The Rose</title></head> 
                
                <byline>By <docAuthor><ref target="#HNE">Henry W. Nevinson</ref></docAuthor></byline> 
                
                <p><emph rend="indent"><emph rend="indent">(A mediaeval citizen speaks)</emph></emph></p> 
                <lb/>
                <lb/>
                <lg type="stanza">
                <l>STEPHEN, clerk of Oxford town,</l> 
                <l rend="indent">Oh, the weary while he lies,</l> 
                <l>Wrapt in his old college gown,</l> 
                <l rend="indent">Burning, burning till he dies ! </l>
                <l rend="indent"><emph rend="indent">And 'tis very surely said,</emph></l> 
                <l rend="indent"><emph rend="indent">He shall burn when he is dead,</emph></l> 
                <l rend="indent"><emph rend="indent">All aflame from foot to head.</emph></l> </lg>
                
                <lg type="stanza">
                <l>Stephen said he knew a rose&#x2014;</l>
                <l rend="indent">One and two, yea, roses three&#x2014;</l>
                <l>Lovelier far than any those </l>
                <l rend="indent">Which at service-time we see,</l> 
                <l rend="indent"><emph rend="indent">Emblems of atonement done,</emph></l> 
                <l rend="indent"><emph rend="indent">And of Christ's belovèd One,</emph> </l>
                <l rend="indent"><emph rend="indent">And of Mary's mystic Son.</emph></l> </lg>
                
                
                
                <fw type="catchword">Stephen </fw>
                
                <pb n="174"/>
                
                <fw type="runningHead"><fw type="pageNum">154</fw> The Rose</fw> 
                <lg type="stanza">
                <l>Stephen said his roses grew</l> 
                <l rend="indent">All upon a milk-white stem,</l> 
                <l>Side by side together two,</l> 
                <l rend="indent">One a little up from them,</l> 
                <l rend="indent"><emph rend="indent">Sweeter than the rose's breath,</emph></l> 
                <l rend="indent"><emph rend="indent">Rosy as the sun riseth,</emph></l> 
                <l rend="indent"><emph rend="indent">Warm beside ; that was his death.</emph></l></lg> 
                
                <lg type="stanza">
                <l>Stephen swore, as God knows well,</l> 
                <l rend="indent">Just to touch that topmost bud,</l> 
                <l>He would give his soul to hell&#x2014;</l>
                <l rend="indent">Soul and body, bones and blood.</l> 
                <l rend="indent"><emph rend="indent">Hell has come before he dies ;</emph></l> 
                <l rend="indent"><emph rend="indent">Burning, burning there he lies,</emph></l> 
                <l rend="indent"><emph rend="indent">But he neither speaks nor cries.</emph></l> </lg>
                
                <lg type="stanza">
                <l>Ah, what might those roses be ?</l> 
                <l rend="indent">Once, before the dawn was red,</l> 
                <l>Did he wander out to see</l> 
                <l rend="indent">If the rose were still a-bed ?</l> 
                <l rend="indent"><emph rend="indent">Did he find a rose-tree tall</emph></l> 
                <l rend="indent"><emph rend="indent">Standing by the garden wall ?</emph></l> 
                <l rend="indent"><emph rend="indent">Did he touch the rose of all ?</emph></l></lg> 
                
                <lg type="staza">
                <l>Stephen, was it worth the pain,</l> 
                <l rend="indent">Just to touch a breathing rose ?</l> 
                <l>Ah, to think of it again,</l> 
                <l rend="indent">Look, he smiles despite his throes.</l> 
                <l rend="indent"><emph rend="indent">Did he dream that hell would be</emph></l> 
                <l rend="indent"><emph rend="indent">Years hereafter ? Now, you see,</emph></l> 
                <l rend="indent"><emph rend="indent">Hell is here, and where is she ?</emph></l></lg> 
                
                <fw type="catchword">At</fw> 
                
                <pb n="175"/>
                
                <fw type="runningHead">By Henry W. Nevinson <fw type="pageNum">155</fw></fw> 
                <lg type="stanza">
                <l>At my word, through all his face</l> 
                <l rend="indent">Flames the infernal fire within,</l> 
                <l>Mary, Mary, grant me grace,</l> 
                <l rend="indent">Still to keep my soul from sin !</l> 
                <l rend="indent"><emph rend="indent">Thanks to God, my rose was grown</emph></l> 
                <l rend="indent"><emph rend="indent">Not so sweet, but all my own,</emph></l> 
                <l rend="indent"><emph rend="indent">Not so fair, but mine alone.</emph></l></lg> 
                
                
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