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                <title>Yellow Nineties 2.0</title>
                <title>The Yellow Book: An Illustrated Quarterly, Volume 12 January 1897</title>
                <title type="YBV12_all"/>
                <editor>Lorraine Janzen Kooistra</editor>
            </titleStmt>
            <editionStmt>
                <p>
                    <date>2020</date>
                </p>
            </editionStmt>
            <publicationStmt>
                <idno>YBV12</idno>
                <publisher>Yellow Nineties 2.0</publisher>
                <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
                <address>
               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
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                <availability>
                    <p>Usable according to the Creative Commons License <ref
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                    <monogr>
                        <editor>
                            <persName>Henry Harland</persName>
                        </editor>
                        <author>Various</author>
                        <title>The Yellow Book: An Illustrated Quarterly, Volume 12 January
                            1897</title>
                        <imprint>
                            <publisher>John Lane</publisher>
                            <pubPlace>London</pubPlace>
                            <publisher>Copeland &amp; Day</publisher>
                            <pubPlace>Boston</pubPlace>
                            <date>January 1897</date>
                            <biblScope><emph rend="italic">The Yellow Book</emph>, vol. 12, January 1897.
                                    <emph rend="italic">Yellow Book Digital Edition</emph>, edited by
                                Dennis Denisoff and Lorraine Janzen Kooistra, 2010-2014. <emph rend="italic">Yellow Nineties 2.0</emph>,
                                Ryerson University Centre for Digital Humanities, 2020.
                                https://1890s.ca/YBV12_all/</biblScope>
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                <p>Our editorial method is informed by social-text editing principles. By “text” we mean
                    verbal and visual printed material, including non-referential physical elements such as
                    bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
                    processes that have specific manifestations at precise historical moments.
                    The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de-
                    siècle aesthetic periodicals, together with paratexts of production and reception such as
                    cover designs, advertising materials, and reviews. This historical material is enhanced
                    by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’
                    contributors and associates; and critical introductions to each title and volume by
                    experts in the field. All scholarly material on the site is vetted by the editor(s) and peer-
                    reviewed by them and/or an international board of advisors. The site as a whole is peer-
                    reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic
                    Scholarship). Contributors to the site retain personal copyright in their material. The
                    site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0
                    license. Both primary and secondary materials, including all visual images, are marked
                    up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup
                    Language). To ensure maximum flexibility for users, magazines are available on the site
                    as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
                    downloading and collecting; and in XML for those who wish to review and/or adapt our
                    tag sets. In order to make ornamental devices, such as initial letters, head- and tail-
                    pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it
                    to the relevant pages of each magazine edition. As a dynamic structure, a scholarly
                    website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is
                    completed and Phase Two (2016-2021) is underway.</p>
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                        <item>Periodical</item>
                        <item>Fiction</item>
                        <item>Poetry</item>
                        <item>Nonfiction</item>
                        <item>Visual Art</item>
                        <note>Possible genres: Architecture, Ephemera, Music, Poetry, Artifacts,
                            Fiction, Nonfiction, Religion, Bibliography, History, Paratext, Review,
                            Collection, Leisure, Periodical, Visual Art, Criticism, Letters,
                            Philosophy, Translation, Drama, Life Writing, Photograph, Travel,
                            Education, Manuscript, Citation, Book History, Politics, Reference
                            Works, Family Life, Law, Folklore, Humor. Please include as many as
                            apply. Place each in its own item tag </note>
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                        <item>Periodical</item>
                        <note>Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, 
                            biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters,
                            prospecti)</note>
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            <div n="YBV12_1im" type="image">
                <figure>
                    <graphic width="600px" url="MediumImageDocs/YBV12icon1_reed_frontcover.jpg"/>
                    <note n="YBV12_1im.n1">
                        <title>Front Cover</title>
                        <rs>YBV12icon1</rs> YBV12icon1 Front Cover Ethel Reed 12.2 cm x 14.9 cm
                        Visual Art Poster style illustrative art Pen and Ink flower woman hair dark
                        dress flaming torch The Yellow Book An Illustrated Quarterly Volume XII
                        January 1897 pictorial insert lower left Price 1 50 Net Lower middle London
                        John Lane Boston Copeland &amp; Day Lower right Price 5 Net </note>
                    <head>Front Cover</head>
                    <figDesc>Black ink on yellow boards Image is of a woman shown in profile She has
                        a large flower tucked into her hair which is done up The woman is looking
                        down to her left She is wearing a dark dress She is holding a flaming torch.
                        Engravers initials are in the top right hand corner</figDesc>
                </figure>
            </div>



            <div n="YBV12_2toc" type="tableOfContents">
                <pb n="5"/>
                <head><title level="a">Contents</title></head>
                <p> Literature</p>
                <p> I. <ref target="YBV12_5pr">The Lost Eden</ref> . . By<ref target="#WWA"> William
                        Watson</ref> . <emph rend="italic">Page</emph> 11<lb/> II. <ref
                        target="YBV12_6pr">She and He: Recent Documents</ref>
                    <ref target="#HJA"> Henry James</ref> . . . 15 <lb/> III. <ref
                        target="YBV12_7pr">My Note-Book in the Weald</ref>
                    <ref target="#MDO"> Menie Muriel Dowie</ref> . 39 <lb/> IV. <ref
                        target="YBV12_12pr">Flower o' the Clove</ref> . <ref target="#HHA"> Henry
                        Harland</ref> . . 65 <lb/> V. <ref target="YBV12_13po">The Ghost
                        Bereft</ref> . . <ref target="#ENE"> E. Nesbit</ref> . . .no <lb/> VI. <ref
                        target="YBV12_14pr">Three Reflections</ref> . . <ref target="#SMA"> Stanley
                        V. Makower</ref> . 113 <lb/> VII. <ref target="YBV12_16pr">Marcel : An Hotel
                        Child</ref>
                    <ref target="#AMA"> Lena Milman</ref> . . . 141 <lb/> VIII. <ref
                        target="YBV12_17po">To Rollo</ref> . . . <ref target="#KGR"> Kenneth
                        Grahame</ref> . . 165 <lb/> IX. <ref target="YBV12_18pr">The Restless
                        River</ref> . <ref target="#ESH"> Evelyn Sharp</ref> . . . 167 <lb/> X. <ref
                        target="YBV12_20pr">The Unka</ref> . . . <ref target="#FAS"> Frank
                        Athelstane Swettenham</ref>, C.M.G. . . 191 <lb/> XI. <ref
                        target="YBV12_21pr">A Little Holiday</ref> . . <ref target="#OSI"> Oswald
                        Sickert</ref> . . . 204 <lb/> XII. <ref target="YBV12_22po">St. Joseph and
                        Mary</ref>
                    <ref target="#MBA"> Marie Clothilde Balfour</ref> . 215 <lb/> XIII. <ref
                        target="YBV12_23pr">Alexander the Ratcatcher</ref>
                    <ref target="#RGA"> Richard Garnett</ref>, C.B., LL.D. . . .221<lb/> XIV. <ref
                        target="YBV12_26pr">Natalie</ref>. . . . <ref target="#AHA"> Renee de
                        Coutans</ref> . . 245 <lb/> XV. <ref target="YBV12_27po">The Burden of
                        Pity</ref> . <ref target="#AMI"> A. Bernard Miall</ref> . . 248 <lb/> XVI.
                        <ref target="YBV12_28pr">Far Above Rubies</ref> . . <ref target="#NSY">
                        Netta Syrett</ref> . . . 250 <lb/> XVII. <ref target="YBV12_29pr">At the
                        Article of Death</ref> . <ref target="#JBU"> John Buchan</ref> . . . 273
                    <lb/> XVIII. <ref target="YBV12_30po">Children of the Mist</ref> . <ref
                        target="#RBA"> Rosamund Marriott Watson</ref> 281 <lb/> XIX. <ref
                        target="YBV12_34pr">A Forgotten Novelist</ref> . <ref target="#HRA">
                        Hermione Ramsden</ref> . . 291 <lb/> XX.<ref target="YBV12_35po"> A
                        Fire</ref>
                    <ref target="#SPH"> Stephen Phillips</ref> . . 306 <lb/> XXI. <ref
                        target="YBV12_38pr">At Twickenham</ref> . . <ref target="#EDA"> Ella
                        D'Arcy</ref> . . .313 <lb/> XXII. <ref target="YBV12_39pr">Two Prose
                        Fancies</ref> . <ref target="#RGA"> Richard Le Gallienne</ref> . 333 <lb/>
                    The Yellow Book &#x2014; Vol. XII. &#x2014; January, 1897 <fw type="catchword"
                        >Art</fw>
                </p>
                <pb n="6"/>
                <p>Art</p>
                <p> I. <ref target="YBV12_4im">Bodley Heads. No. 6 Portrait of Miss Evelyn
                    Sharp</ref>. By E. A. Walton . . "<emph rend="italic">Page</emph> 7 <lb/>
                    II. <ref target="YBV12_8im">Puck</ref> . <lb/> III. <ref target="YBV12_9im"
                        >Enfant Terrible</ref> . <lb/> IV. <ref target="YBV12_10im">A Nursery Rhyme
                            Heroine </ref>
                    <lb/> V. <ref target="YBV12_11im">Almost a Portrait</ref> . . <ref target="#ERE"
                        >Ethel Reed</ref> . 55 <lb/> VI. <ref target="YBV12_15im">A Landscape</ref>
                    . <ref target="#ATH">Alfred Thornton</ref> . 138 <lb/> VII. <ref
                        target="YBV12_19im">The Muslin Dress</ref> . <ref target="#MDE">Mabel
                            Dearmer</ref> . . 188 <lb/> VIII. <ref target="YBV12_24im">A Pathway to the
                                Moon</ref>
                    <lb/> IX.<ref target="YBV12_25im"> A Silverpoint</ref> . . <ref target="#PWI"
                        >Patten Wilson</ref> . . 243 <lb/> X. <ref target="YBV12_31im">Maternity </ref>
                    <lb/> XI. <ref target="YBV12_32im">Grief</ref> . <lb/> XII. <ref
                        target="YBV12_33im">A Study of Trees</ref> .<ref target="#ASZ"> Aline
                            Szold</ref> . . 283 <lb/> XIII. <ref target="YBV12_36im">Ferry Bridge</ref>
                    . <lb/> XIV. <ref target="YBV12_37im">The Harvest Moon</ref>
                    <ref target="#CPE">Charles Pears</ref> . . 307 <lb/> The Front Cover Design and
                    Title-page are <lb/> by ETHEL REED. </p>
            </div>

            <div n="YBV12_3fm" type="frontMatter">
                <pb n="8"/>
                <p>The Yellow Book <lb/> Volume XII January, 1897 </p>



                <p>The Editor of THE YELLOW BOOK advises all persons <lb/> sending manuscripts to
                    keep copies, as, for the future, <lb/> unsolicited contributions cannot be
                    returned. To this <lb/> rule no exception will be made. </p>


            </div>

            <div n="YBV12_3im" type="image">
                <figure>
                    <graphic width="600px" url="MediumImageDocs/YBV12icon3_reed_title_page.jpg"/>
                    <note n="YBV12_3im.n1">
                        <title>Title Page</title>
                        <rs>YBV12icon3</rs> YBV12icon3 Title Page Ethel Reed 15.8 cm x 11.4 cm
                        Visual Art Illustration Pen and Ink black cat woman dark hair gown peacock
                        feather</note>
                    <head>Title Page</head>
                    <figDesc>Image is of a woman wearing an ornate light coloured off the shoulder
                        gown She has dark hair which flows behind her Her chin is resting on her
                        left hand her right hand is holding a long peacock feather which she is
                        dangling in front of a sitting cat with a bow around its neck The cat is
                        black and shown from behind The image is vertically displayed</figDesc>
                </figure>
            </div>


            <div>
                <head>
                    <title level="a">Bodley Heads | No. 6: Portrait of Miss Evelyn Sharp</title>
                </head>
                <byline> By E. A. Walton <docAuthor>
                        <ref target="#EWA"/>
                    </docAuthor>
                </byline>
            </div>

            <div n="YBV12_4im" type="image">
                <figure>
                    <graphic width="600px" url="MediumImageDocs/YBV12icon4_walton_bodley_heads.jpg"/>
                    <note n="YBV12_4im.n1">
                        <title>Bodley Heads | No. 6: Portrait of Miss Evelyn Sharp</title>
                        <rs>YBV12icon4</rs> YBV12icon4 E A Walton Bodley Heads No 6 Portrait of Miss
                        Evelyn Sharp 15.2 cm x 11.8 cm Visual Art Illustration Graphite interior
                        window settee woman dress ruffled sleeves hat</note>
                    <head>Bodley Heads | No. 6: Portrait of Miss Evelyn Sharp</head>
                    <figDesc>Image is of a woman sitting on a settee She is shown in profile looking
                        left She is wearing a light coloured dress with ruffled sleeves and a low
                        neckline Her hair is up she is wearing a hat Her hands are resting on her
                        lap A window is behind her The image is vertically displayed</figDesc>
                </figure>
            </div>

            <div n="YBV12_5pr" type="prose">
                <pb n="17"/>


                <head><title level="a">The Lost Eden*</title></head>

                <byline> By <docAuthor><ref target="#WWA">William Watson</ref></docAuthor>
                </byline>


                <lg type="stanza">
                    <l>PROFFERING fortunes</l>
                    <l>Out of his indigence,</l>
                    <l>Royal the dowry</l>
                    <l>Man promised his soul.</l>
                </lg>

                <lg type="stanza">
                    <l>"Not as the beasts</l>
                    <l>That perish, am I," he said.</l>
                    <l>"Mine is eternity,</l>
                    <l>Theirs the frail day."</l>
                </lg>
                <lg type="stanza">
                    <l>Crown of creation</l>
                    <l>Long he conceited him </l>
                    <l>Next to their fashioner,</l>
                    <l>Lord of the worlds. </l>
                </lg>
                <fw type="catchword"> So</fw>
                <p>* Copyright in America by John Lane.</p>

                <pb n="18"/>

                <fw type="runningHead"><fw type="pageNum">12</fw> The Lost Eden</fw>
                <lg type="stanza">
                    <l>So in an Eden</l>
                    <l>Dwelt he, of fantasies.</l>
                    <l>Here and not otherwhere</l>
                    <l>Eve was his bride.</l>
                </lg>

                <lg type="stanza">
                    <l>Eve the hot-hearted !</l>
                    <l>Eve the wild spirit </l>
                    <l>Of quest the adventurer !</l>
                    <l>Eve the unslaked.</l>
                </lg>

                <lg type="stanza">
                    <l>She it was showed him </l>
                    <l>Where, in the midst</l>
                    <l>Of his pleasance, the knowledge-tree </l>
                    <l>Waiting him grew. </l>
                </lg>

                <lg type="stanza">
                    <l>Wondrous the fruitage,</l>
                    <l>Maddening the taste therof;</l>
                    <l>Fiery like wine was it,</l>
                    <l>Fierce like a sting.</l>
                </lg>
                <fw type="catchword">Straightway</fw>

                <pb n="19"/>

                <fw type="runningHead">By William Watson <fw type="pageNum">13</fw></fw>
                <lg type="stanza">
                    <l>Straightway his Eden</l>
                    <l>Irked like a prison-house.</l>
                    <l>Vastness invited him.</l>
                    <l>"Come," said the stars.</l>
                </lg>

                <lg type="stanza">
                    <l>Thunderous behind him </l>
                    <l>Clang the gold Eden-gates.</l>
                    <l>Boundless in front of him</l>
                    <l>Opens the world.</l>
                </lg>

                <lg type="stanza">
                    <l>Never returns he !&#x2014;</l>
                    <l>Never again,</l>
                    <l>In the valleys that nurtured him,</l>
                    <l>Breathes the old airs !</l>
                </lg>

                <lg type="stanza">
                    <l>Only in dreams</l>
                    <l>He seeks his lost heritage,</l>
                    <l>Knocks at the Eden-gate,</l>
                    <l>Wistful, athirst.</l>
                </lg>


                <fw type="catchword">Ah, </fw>

                <pb n="20"/>

                <fw type="runningHead"><fw type="pageNum">14</fw> The Lost Eden</fw>
                <lg type="stanza">
                    <l>Ah, he is changed&#x2014;</l>
                    <l>The sentinels know him not !</l>
                    <l>Here, ev'n in dreams,</l>
                    <l>He may enter no more.</l>
                </lg>


            </div>

            <div n="YBV12_6pr" type="prose">
                <pb n="21"/>


                <head><title level="a">She and He : Recent Documents </title></head>

                <byline>By <docAuthor><ref target="#HJA">Henry James</ref></docAuthor></byline>

                <p>I HAVE been reading in the <emph rend="italic">Revue de Paris</emph> for November
                    1st <lb/> 1896 some fifty pages, of an extraordinary interest, which <lb/> have
                    had, as regards an old admiration, a very singular effect. <lb/> For many other
                    admirers, doubtless, who have come to fifty year <lb/> &#x2014;admirers, I mean,
                    once eager, of the distinguished woman in <lb/> question&#x2014;the perusal of
                    the letters addressed by Madame George <lb/> Sand to Alfred de Musset in the
                    course of a famous friendship <lb/> will have stirred in an odd fashion the
                    ashes of an early ardour. I <lb/> speak of ashes because early ardours, for the
                    most part, burn <lb/> themselves out, and the place they hold in our lives
                    varies, I <lb/> think, mainly according to the degree of tenderness with which
                    <lb/> we gather up and preserve their dust ; and I speak of oddity <lb/> because
                    in the present case it is difficult to say whether the agita-<lb/> tion of the
                    embers results, in fact, in a returning glow or in a yet <lb/> more sensible
                    chill. That indeed is perhaps a small question <lb/> compared with the simple
                    pleasure of the reviving emotion. One <lb/> reads and wonders and enjoys again,
                    just for the sake of the <lb/> renewal. The small fry of the hour submit to
                    further shrinkage, <lb/> and we revert with a sigh of relief to the free genius
                    and large <lb/> life of one of the greatest of all masters of expression. Do
                    people <lb/> still handle the works of this master&#x2014;people other than
                    young</p>

                <fw type="catchword">ladies </fw>

                <pb n="22"/>

                <fw type="runningHead"><fw type="pageNum">16</fw> She and He: recent Documents </fw>

                <p>ladies studying French with <emph rend="italic">La Mare au Diable</emph> and a
                    dictionary ? <lb/> Are there persons who still read <emph rend="italic"
                        >Valentine?</emph> Are there others who <lb/> resort to <emph rend="italic"
                        >Mauprat</emph> ? Has <emph rend="italic">André</emph>, the exquisite,
                    dropped out of <lb/> knowledge, and is any one left who remembers <emph
                        rend="italic">Teverino</emph> ? I ask <lb/> these questions for the mere
                    sweet sound of them, without the <lb/> least expectation of an answer. I
                    remember asking them twenty <lb/> years ago, after Madame Sand's death, and not
                    then being hopeful <lb/> of the answer of the future. But the only response that
                    matters <lb/> to us perhaps is our own, even if it be after all somewhat
                    ambig-<lb/> uous. <emph rend="italic">André</emph> and <emph rend="italic"
                        >Valentine</emph>, then, are rather on our shelves than <lb/> in our hands,
                    but in the light of what is given us in the <emph rend="italic">Revue de</emph>
                    <lb/>
                    <emph rend="italic">Paris</emph> who shall say that we do not, and with avidity,
                    "read" <lb/> George Sand ? She died in 1876, but she lives again intensely <lb/>
                    in these remarkable pages, both as to what in her spirit was most <lb/>
                    interesting and what most disconcerting. We are vague as to <lb/> what they may
                    represent to the generation that has come to the <lb/> front since her death ;
                    nothing, I dare say, very imposing or even <lb/> very becoming. But they give
                    out a great deal to a reader for <lb/> whom, thirty years ago&#x2014;the best
                    time to have taken her as a <lb/> whole&#x2014;she was a high clear figure, a
                    great familiar magician. <lb/> This impression is a strange mixture, but perhaps
                    not quite <lb/> incommunicable ; and we are steeped as we receive it in one of
                    <lb/> the most curious episodes in the annals of the literary race. </p>
                <lb/>
                <lb/>
                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"
                        >I</emph></emph></emph></p>
                <lb/>
                <p>It is the great interest of such an episode that, apart from its <lb/>
                    proportionate place in the unfolding of a personal life, it has a <lb/>
                    wonderful deal to say to us on the much larger matter of the <lb/> relation
                    between experience and art. It constitutes an eminent</p>

                <fw type="catchword">special</fw>

                <pb n="23"/>

                <fw type="runningHead">By Henry James <fw type="pageNum">17</fw>
                </fw>

                <p>special case, in which the workings of that relation are more or<lb/> less
                    uncovered ; a case, too, of which one of the most remarkable <lb/> features is
                    that we are in possession of it almost exclusively by <lb/> the act of one of
                    the persons concerned. Madame Sand at least, <lb/> as we see to-day, was eager
                    to leave nothing undone that could <lb/> make us further acquainted than we were
                    before with one of the <lb/> liveliest chapters of her personal history. We
                    cannot, doubtless, <lb/> be sure that her conscious purpose in the production of
                        <emph rend="italic">Elle et</emph>
                    <lb/>
                    <emph rend="italic">Lui</emph> was to show us the process by which private
                    ecstacies and <lb/> pains find themselves transmuted in the artist's workshop
                    into <lb/> promising literary material&#x2014;any more than we can be certain of
                    <lb/> her motive for making toward the end of her life earnest and <lb/>
                    complete arrangements for the ultimate publication of the letters <lb/> in which
                    the passion is recorded and in which we can remount to <lb/> the origin of the
                    volume. If <emph rend="italic">Elle et Lui</emph> had been the inevitable <lb/>
                    picture, postponed and retouched, of the great adventure of her <lb/> youth, so
                    the letters show us the crude primary stuff from which <lb/> the moral
                    detachment of the book was distilled. Were they to <lb/> be given to the world
                    for the encouragement of the artist-nature <lb/> &#x2014;as a contribution to
                    the view that no suffering is great enough, <lb/> no emotion tragic enough to
                    exclude the hope that such pangs may <lb/> sooner or later be aesthetically
                    assimilated ? Was the whole pro-<lb/> ceeding, in intention, a frank plea for
                    the intellectual and in some <lb/> degree even the commercial profit, for a
                    robust organism, of a <lb/> store of erotic reminiscence ? Whatever the reasons
                    behind the <lb/> matter, that is to a certain extent the moral of the strange
                    story.</p>

                <p>It may be objected that this moral is qualified to come home <lb/> to us only
                    when the relation between art and experience really <lb/> proves a happier one
                    than it may be held to have proved in the <lb/> combination before us. The
                    element in danger of being most <lb/> absent from the process is the element of
                    dignity, and its presence, </p>

                <fw type="catchword">so</fw>

                <pb n="24"/>

                <fw type="runningHead"><fw type="pageNum">18</fw> She and He: recent Documents </fw>

                <p>so far as that may ever at all be hoped for in an appeal from a <lb/> personal
                    quarrel, is assured only in proportion as the aesthetic event, <lb/> standing on
                    its own feet, represents a solid gain. It was vain, <lb/> the objector may say,
                    for Madame Sand to pretend to justify by so <lb/> slight a performance as <emph
                        rend="italic">Elle et Lui</emph> that sacrifice of all delicacy <lb/> which
                    has culminated in this supreme surrender. "If you sacrifice <lb/> all delicacy,"
                    I hear such a critic contend, "show at least that <lb/> you were right by giving
                    us a masterpiece. The novel in ques- <lb/> tion is no more a masterpiece," I
                    even hear him proceed, "than <lb/> any other of the loose, liquid, lucid works
                    of its author. By your <lb/> supposition of a great intention you give much too
                    fine an account <lb/> on the one hand of a personal habit of laxity and on the
                    other of <lb/> a literary habit of egotism. Madame Sand, in writing her tale
                    <lb/> and in publishing her love-letters, obeyed no prompting more <lb/>
                    complicated than that of exhibiting her personal (in which I <lb/> include her
                    verbal) facility, and of doing so at the cost of whatever <lb/> other persons
                    might be concerned ; and you are therefore&#x2014;and <lb/> you might as well
                    immediately confess it&#x2014;thrown back, for the <lb/> element of interest, on
                    the attraction of her general eloquence, the <lb/> plausibility of her general
                    manner and the great number of her <lb/> particular confidences. You are thrown
                    back on your mere <lb/> curiosity&#x2014;thrown back from any question of
                    service rendered to <lb/> 'art.'" One might be thrown back, doubtless, still
                    further even <lb/> than such remarks would represent, if one were not quite
                    prepared <lb/> with the confession they recommend. It is only because such a
                    <lb/> figure is interesting&#x2014;in every manifestation&#x2014;that the line
                    of its <lb/> passage is marked for us by traces, suggestions, possible lessons.
                    <lb/> And to enable us to find them it scarcely need, after all, have <lb/>
                    aimed so extravagantly high. George Sand lived her remark-<lb/> able life and
                    drove her perpetual pen, but the illustration that <lb/> I began by speaking of
                    is for ourselves to gather&#x2014;if we can.</p>

                <fw type="catchword">I remember </fw>

                <pb n="25"/>

                <fw type="runningHead">By Henry James <fw type="pageNum">19</fw></fw>

                <p>I remember hearing many years ago, in Paris, an anecdote for <lb/> the truth of
                    which I am far from vouching, though it professed <lb/> to come direct&#x2014;an
                    anecdote that has recurred to me more than <lb/> once in turning over the
                    revelations of the <emph rend="italic">Revue de Paris</emph>, and <lb/> without
                    the need of the special reminder (in the shape of an <lb/> allusion to her
                    intimacy with the hero of the story), contained in <lb/> those letters to
                    Sainte-Beuve which are published in the number <lb/> of November 15. Prosper
                    Mérimée was said to have related&#x2014;<lb/> in a spirit I forbear to
                    qualify&#x2014;that during a close union with <lb/> the author of <emph
                        rend="italic">Lélia</emph> he once opened his eyes, in the raw winter <lb/>
                    dawn, to see his companion, in a dressing-gown, on her knees <lb/> before the
                    domestic hearth, a candlestick beside her and a red <lb/>
                    <emph rend="italic">madras</emph> round her head, making bravely, with her own
                    hands, the <lb/> fire that was to enable her to sit down betimes to urgent pen
                    and <lb/> paper. The story represents him as having felt that the spectacle
                    <lb/> chilled his ardour and tried his taste ; her appearance was un-<lb/>
                    fortunate, her occupation an inconsequence, and her industry a <lb/>
                    reproof&#x2014;the result of all of which was a lively irritation and an <lb/>
                    early rupture. For the firm admirer of Madame Sand's prose the <lb/> little
                    sketch has a very different value, for it presents her in an <lb/> attitude
                    which is the very key to the enigma, the answer to most <lb/> of the questions
                    with which her character confronts us. She rose <lb/> early because she was
                    pressed to write, and she was pressed to <lb/> write because she had the
                    greatest instinct of expression ever <lb/> conferred on a woman ; a faculty that
                    put a premium on all passion, <lb/> on all pain, on all experience and all
                    exposure, on the greatest <lb/> variety of ties and the smallest reserve about
                    them. The really <lb/> interesting thing in these posthumous <emph rend="italic"
                        >laideurs</emph> is the way the gift, <lb/> the voice, carries its possessor
                    through them and lifts her, on the <lb/> whole, above them. It gave her, it may
                    be confessed at the <lb/> outset and in spite of all magnanimities in the use of
                    it, an unfair </p>

                <fw type="footer">The Yellow Book&#x2014;Vol. XII B</fw>
                <fw type="catchword">advantage</fw>

                <pb n="26"/>

                <fw type="runningHead"><fw type="pageNum">2O</fw> She and He : recent Documents</fw>

                <p>advantage in every connection. So at least we must continue to <lb/> feel
                    till&#x2014;for our appreciation of this particular one&#x2014;we have <lb/>
                    Alfred de Musset's share of the correspondence. For we shall <lb/> have it at
                    last, in whatever faded fury or beauty it may still possess <lb/> &#x2014;to
                    that we may make up our minds. Let the galled jade wince, <lb/> it is only a
                    question of time. The greatest of literary quarrels <lb/> will in short, on the
                    general ground, once more come up&#x2014;the <lb/> quarrel beside which all
                    others are mild and arrangeable, the eternal <lb/> dispute between the public
                    and the private, between curiosity <lb/> and delicacy.</p>

                <p>This discussion is precisely all the sharper because it takes <lb/> place, for
                    each of us, within as well as without. When we wish <lb/> to know at all we wish
                    to know everything ; yet there happen to <lb/> be certain things of which no
                    better description can be given than <lb/> that they are simply none of our
                    business. "What <emph rend="italic">is</emph>, then, <lb/> forsooth, of our
                    business ?" the genuine analyst may always ask ; <lb/> and he may easily
                    challenge us to produce any rule of general <lb/> application by which we shall
                    know when to go in and when to <lb/> back out. "In the first place," he may
                    continue, "half the <lb/> 'interesting' people in the world have, at one time or
                    another, <lb/> set themselves to drag us in with all their might ; and what in
                    the <lb/> world, in such a relation, is the observer, that he should absurdly
                    <lb/> pretend to be in a greater flutter than the object observed ? The <lb/>
                    mannikin, in all schools, is at an early stage of study of the human <lb/> form
                    inexorably superseded by the man. Say that we are to give <lb/> up the attempt
                    to understand : it might certainly be better so, <lb/> and there would be a
                    delightful side to the new arrangement. But in <lb/> the name of common sense
                    don't say that the continuity of life is <lb/> not to have some equivalent in
                    the continuity of pursuit, the <lb/> continuity of phenomena in the continuity
                    of notation. There is <lb/> not a door you can lock here against the critic or
                    the painter</p>

                <fw type="catchword">not</fw>

                <pb n="27"/>

                <fw type="runningHead">By Henry James <fw type="pageNum">21</fw></fw>

                <p>not a cry you can raise or a long face you can pull at him that <lb/> are not
                    absolutely arbitrary. The only thing that makes the <lb/> observer competent is
                    that he is not afraid nor ashamed ; the only <lb/> thing that makes him
                    decent&#x2014;just think !&#x2014;is that he is not <lb/> superficial." All this
                    is very well ; but somehow we all equally <lb/> feel that there is clean linen
                    and soiled and that life would be <lb/> intolerable without an element of
                    mystery. M. Emile Zola, at <lb/> the moment I write, gives to the world his
                    reasons for rejoicing <lb/> in the publication of the physiological <emph
                        rend="italic">enquête</emph> of Dr. Toulouse&#x2014;a <lb/> marvellous
                    catalogue or handbook of M. Zola's outward and <lb/> inward parts, which leaves
                    him not an inch of privacy, so to <lb/> speak, to stand on, leaves him nothing
                    about himself that is <emph rend="italic">for</emph>
                    <lb/> himself, for his friends, his relatives, his intimates, his lovers, for
                    <lb/> discovery, for emulation, for fond conjecture or flattering deluded <lb/>
                    envy. It is enough for M. Zola that everything is for the public <lb/> and that
                    no sacrifice is worth thinking of when it is a question of <lb/> presenting to
                    the open mouth of that apparently gorged but still <lb/> gaping monster the
                    smallest spoonful of truth. The truth, to his <lb/> view, is never either
                    ridiculous or unclean, and the way to a better <lb/> life lies through telling
                    it, so far as possible, about everything and <lb/> about every one.</p>

                <p>There would probably be no difficulty in agreeing to this if it <lb/> didn't
                    seem, on the part of the speaker, the result of a rare <lb/> confusion between
                    give and take, or between "truth" and <lb/> information. The true thing that
                    most matters to us is the <lb/> true thing we have most use for, and there are
                    surely many <lb/> occasions on which the truest thing of all is the necessity of
                    the <lb/> mind&#x2014;its simple necessity of feeling. Whether it feels in order
                    <lb/> to learn or learns in order to feel, the event is the same : the side
                    <lb/> on which it shall most feel will be the side to which it will most <lb/>
                    incline. If it feels more about a Zola functionally undeciphered,</p>

                <fw type="catchword">it</fw>

                <pb n="28"/>

                <fw type="runningHead"><fw type="pageNum">22</fw> She and He : recent Documents</fw>

                <p>it will be governed more by that particular truth than by the truth <lb/> about
                    his digestive idiosyncrasies, or even about his "olfactive <lb/> perceptions"
                    and his "arithomania or impulse to count." An <lb/> affirmation of our "mere
                    taste" may very supposably be our <lb/> individual contribution to the general
                    clearing-up. Nothing, <lb/> often, is less superficial than to skip or more
                    constructive (for <lb/> living and feeling at all) than to choose. If we are
                    aware that in <lb/> the same way as about a Zola undeciphered we should have
                    felt <lb/> more about a George Sand unexposed, the true thing we have <lb/>
                    gained becomes a poor substitute for the one we have lost ; and I <lb/> scarce
                    know what difference it makes that the view of the elder <lb/> novelist appears,
                    in this matter, quite to march with that of the <lb/> younger. I hasten to add
                    that as to being, of course, asked why <lb/> in the world, with such a leaning,
                    we have given time either to <lb/> M. Zola's physician or to De Musset's
                    correspondent, that is <lb/> only another illustration of the bewildering state
                    of the <lb/> subject.</p>

                <p>When we meet on the broad highway the rueful denuded figure <lb/> we need some
                    presence of mind to decide whether to cut it dead <lb/> or to lead it gently
                    home, and meanwhile the fatal complication <lb/> easily occurs. We have <emph
                        rend="italic">seen</emph>, in a flash of our own wit, and <lb/> mystery has
                    fled with a shriek. These encounters are indeed <lb/> accidents which may at any
                    time take place, and the general <lb/> guarantee, in a noisy world, lies, I
                    judge, not so much in any <lb/> hope of really averting them as in a regular
                    organisation of the <lb/> combat. The painter and the painted have duly and
                    equally to <lb/> understand that they carry their life in their hands. There are
                    <lb/> secrets for privacy and silence ; let them only be cultivated on the <lb/>
                    part of the hunted creature with even half the method with which <lb/> the love
                    of sport&#x2014;or call it the historic sense&#x2014;is cultivated on <lb/> the
                    part of the investigator. They have been left too much to</p>

                <fw type="catchword">the </fw>

                <pb n="29"/>

                <fw type="runningHead">By Henry James <fw type="pageNum">23</fw></fw>

                <p>the natural, the instinctive man ; but they will be twice as effec-<lb/> tive
                    after it begins to be observed that they may take their place <lb/> among the
                    triumphs of civilisation. Then at last the game will <lb/> be fair and the two
                    forces face to face ; it will be "pull devil, <lb/> pull tailor," and the
                    hardest pull will doubtless constitute the <lb/> happiest result. Then the
                    cunning of the inquirer, envenomed <lb/> with resistance, will exceed in
                    subtlety and ferocity anything we <lb/> to-day conceive, and the pale forewarned
                    victim, with every track <lb/> covered, every paper burnt and every letter
                    unanswered, will, in <lb/> the tower of art, the invulnerable granite, stand,
                    without a sally, <lb/> the siege of all the years.</p>
                <lb/>
                <lb/>
                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"
                        >II</emph></emph></emph></p>
                <lb/>
                <p>It was not in the tower of art that Madame Sand ever shut <lb/> herself up ; but
                    I come back to a point already made in saying <lb/> that it is, in a manner, in
                    the citadel of style that, in spite of all <lb/> rash <emph rend="italic"
                        >sorties</emph>, she continues to hold out. The outline of the <lb/>
                    complicated story that was to cause so much ink to flow gives, <lb/> even with
                    the omission of a hundred features, a direct measure of <lb/> the strain to
                    which her astonishing faculty was exposed. In the <lb/> summer of 1833, as a
                    woman of nearly thirty, she encountered <lb/> Alfred de Musset, who was six
                    years her junior. In spite of their <lb/> youth they were already somewhat bowed
                    by the weight of a <lb/> troubled past. Musset, at twenty-three, had that of his
                    confirmed <lb/> libertinism&#x2014;so Madame Arvède Barine, who has had access
                    to <lb/> materials, tells us in the admirable short biography of the poet <lb/>
                    contributed to the rather markedly unequal but very interesting <lb/> series of
                    Hachette's <emph rend="italic">Grands Ecrivains Françis</emph>. Madame Sand
                    <lb/> had a husband, a son and a daughter, and the impress of that <lb/>
                    succession of lovers&#x2014;Jules Sandeau had been one, Prosper</p>

                <fw type="catchword">Mérimée</fw>

                <pb n="30"/>

                <fw type="runningHead"><fw type="pageNum">24</fw> She and He : recent Documents</fw>

                <p>Mérimée another&#x2014;to which she so freely alludes in the letters to <lb/>
                    Sainte-Beuve, a friend more disinterested than these and qualified <lb/> to give
                    much counsel in exchange for much confidence. It <lb/> cannot be said that the
                    situation of either of our young persons <lb/> was of good omen for a happy
                    relation ; but they appear to have <lb/> burnt their ships with much promptitude
                    and a great blaze, and in <lb/> the December of that year they started together
                    for Italy. The <lb/> following month saw them settled, on a frail basis, in
                    Venice, where <lb/> Madame Sand remained till late in the summer of 1834 and
                    <lb/> where she wrote, in part, <emph rend="italic">Jacques</emph> and the <emph
                        rend="italic">Lettres d'un Voyageur</emph>, as <lb/> well as <emph
                        rend="italic">André</emph> and <emph rend="italic">Leone-Leoni</emph>, and
                    gathered the impressions to be <lb/> embodied later in half-a-dozen stories with
                    Italian titles&#x2014;notably <lb/> in the delightful <emph rend="italic"
                        >Consuelo</emph>. The journey, the Italian climate, the <lb/> Venetian
                    winter at first agreed with neither of the friends ; they <lb/> were both taken
                    ill&#x2014;the young man very gravely&#x2014;and after a <lb/> stay of three
                    months De Musset returned, alone and much ravaged, <lb/> to Paris.</p>

                <p>In the meantime a great deal had happened, for their union had <lb/> been stormy
                    and their security small. Madame Sand had nursed <lb/> her companion in illness
                    (a matter-of-course office, it must be <lb/> owned) and her companion had railed
                    at his nurse in health. A <lb/> young doctor, called in, had become a close
                    friend of both parties, <lb/> but more particularly a close friend of Madame
                    Sand, and it was to <lb/> his tender care that, on withdrawing, De Musset
                    solemnly <lb/> committed the lady. She lived with Pietro Pagello&#x2014;the
                    transi-<lb/> tion is startling&#x2014;for the rest of her stay, and on her
                    journey back <lb/> to France he was no inconsiderable part of her luggage. He
                    was <lb/> simple, robust and kind&#x2014;not a man of genius. He remained, <lb/>
                    however, but a short time in Paris. In the autumn of 1834 he <lb/> returned to
                    Italy, to live on till our own day, but never again, so <lb/> far as we know, to
                    meet his illustrious mistress. Her intercourse</p>

                <fw type="catchword">with</fw>

                <pb n="31"/>

                <fw type="runningHead">By Henry James <fw type="pageNum">25</fw></fw>

                <p>with De Musset was, in all its intensity&#x2014;one may almost say its <lb/>
                    ferocity&#x2014;promptly renewed, and was sustained in this key for <lb/>
                    several months more. The effect of this strange and tormented <lb/> passion on
                    the mere student of its records is simply to make him <lb/> ask himself what on
                    earth is the matter with the subjects of it. <lb/> Nothing is more easy than to
                    say, as I have intimated, that it has <lb/> no need of records and no need of
                    students ; but this leaves out of <lb/> account the thick medium of genius in
                    which it was foredoomed <lb/> to disport itself. It was self-registering, as the
                    phrase is, for the <lb/> genius on both sides happened to be the genius of
                    eloquence. It <lb/> is all rapture and all rage and all literature. The<emph
                        rend="italic"> Lettres d'un</emph>
                    <lb/>
                    <emph rend="italic">Voyageur</emph> spring from the thick of the fight ; <emph
                        rend="italic">La Confession d'un</emph>
                    <lb/>
                    <emph rend="italic">Enfant du Siècle</emph> and <emph rend="italic">Les
                        Nuits</emph> are immediate echoes of the con-<lb/> cert. The lovers are
                    naked in the market-place and perform for <lb/> the benefit of humanity. The
                    matter with them, to the perception <lb/> of the stupefied spectator, is that
                    they entertained for each other <lb/> every feeling in life but the feeling of
                    respect. What the absence <lb/> of that article may do for the passion of hate
                    is apparently nothing <lb/> to what it may do for the passion of love.</p>

                <p>By our unhappy pair, at any rate, the luxury in question&#x2014;the <lb/> little
                    luxury of plainer folk&#x2014;was not to be purchased, and in the <lb/> comedy
                    of their despair and the tragedy of their recovery nothing <lb/> is more
                    striking than their convulsive effort either to reach up to <lb/> it or to do
                    without it. They would have given for it all else they <lb/> possessed, but they
                    only meet in their struggle the inexorable <lb/>
                    <emph rend="italic">never</emph>. They strain and pant and gasp, they beat the
                    air in vain <lb/> for the cup of cold water of their hell. They missed it in a
                    way <lb/> for which none of their superiorities could make up. Their great <lb/>
                    affliction was that each found in the life of the other an armoury <lb/> of
                    weapons to wound. Young as they were, young as Musset <lb/> was in particular,
                    they appeared to have afforded each other in that </p>

                <fw type="catchword">direction </fw>

                <pb n="32"/>

                <fw type="runningHead"><fw type="PageNum">26</fw> She and He : recent Documents</fw>

                <p>direction the most extraordinary facilities ; and nothing in the <lb/> matter of
                    the mutual consideration that failed them is more sad <lb/> and strange than
                    that even in later years, when their rage, very <lb/> quickly, had cooled, they
                    never arrived at simple silence. For <lb/> Madame Sand, in her so much longer
                    life, there was no hush, no <lb/> letting alone ; though it would be difficult
                    indeed to exaggerate <lb/> the depth of relative indifference from which, a few
                    years after <lb/> Musset's death, such a production as <emph rend="italic">Elle
                        et Lui</emph> could spring. <lb/> Of course there had been floods of
                    tenderness, of forgiveness ; <lb/> but those, for all their beauty of
                    expression, are quite another <lb/> matter. It is just the fact of our sense of
                    the ugliness of so much <lb/> of the episode that makes a wonder and a force of
                    the fine style, <lb/> all round, in which it is presented to us. This force, in
                    its turn, <lb/> is a sort of clue to guide&#x2014;or perhaps rather a sign to
                    stay&#x2014;our<lb/> feet in paths after all not the most edifying. It gives a
                    degree of <lb/> importance to the somewhat squalid and the somewhat ridiculous
                    <lb/> story, and, for the old George-Sandist at least, lends a positive spell to
                    <lb/> the smeared and yellowed paper, the blotted and faded ink. In this <lb/>
                    twilight of association we seem to find a reply to our own challenge <lb/> and
                    to be able to tell ourselves why we meddle with such old, dead <lb/> squabbles
                    and waste our time with such grimacing ghosts. If we <lb/> were superior to the
                    weakness, moreover, how should we make our <lb/> point (which we must really
                    make at any cost) about the value of <lb/> this vivid proof that a great talent
                    is the best guarantee&#x2014;that it <lb/> may really carry off almost anything
                    ? </p>

                <p>The rather sorry ghost that beckons us on furthest is the rare <lb/> personality
                    of Madame Sand. Under its influence&#x2014;or that of old <lb/> memories from
                    which it is indistinguishable&#x2014;we pick our steps <lb/> among the <emph
                        rend="italic">laideurs</emph> aforesaid : the misery, the levity, the
                    brevity <lb/> of it all, the greatest ugliness, in particular, that this life
                    shows us, <lb/> the way the devotions and passions that we see heaven and
                    earth</p>

                <fw type="catchword">called </fw>

                <pb n="33"/>

                <fw type="runningHead">By Henry James <fw type="pageNum">27</fw></fw>

                <p>called to witness are over before we can turn round. It may be <lb/> said that,
                    for what it was, the intercourse of these unfortunates <lb/> surely lasted long
                    enough ; but the answer to that is that if it had <lb/> only lasted longer it
                    wouldn't have been what it was. It was not <lb/> only preceded and followed by
                    intimacies, on one side and the <lb/> other, as unrestricted, but it was mixed
                    up with them in a manner <lb/> that would seem to us dreadful if it didn't,
                    still more, seem to <lb/> us droll ; or rather perhaps if it didn't refuse
                    altogether to come <lb/> home to us with the crudity of contemporary things. It
                    is <lb/> antediluvian history, a queer, vanished world&#x2014;another Venice,
                    <lb/> another Paris, an inextricable, inconceivable Nohant. This rele-<lb/>
                    gates it to an order agreeable somehow to the imagination of the <lb/> fond
                    quinquegenarian, the reader with a fund of reminiscence. <lb/> The vanished
                    world, the old Venice, the old Paris are a bribe to <lb/> his judgment ; he has
                    even a glance of complacency for the lady's <lb/> liberal <emph rend="italic"
                        >foyer</emph>. Liszt, one lovely year at Nohant, "jouait du piano<lb/> au
                    rez-de-chaussée, et les rossignols, ivres de musique et de soleil, <lb/>
                    s'égosillaient avec rage sur les lilas environnants." The beautiful <lb/> manner
                    confounds itself with the conditions in which it was exer-<lb/> cised, the large
                    liberty and variety overflow into admirable prose, <lb/> and the whole thing
                    makes a charming faded medium in which <lb/> Chopin gives a hand to Consuelo and
                    the small Fadette has her <lb/> elbows on the table of Flaubert.</p>

                <p>There is a terrible letter of the autumn of 1834, in which <lb/> Madame Sand has
                    recourse to Alfred Tattet in a dispute with the <lb/> bewildered
                    Pagello&#x2014;a very disagreeable matter, hinging on a <lb/> question of money.
                    "A Venise il comprenait," she somewhere <lb/> says ; "à Paris il ne comprend
                    plus." It was a proof of remark-<lb/> able intelligence that he did understand
                    in Venice, where he had <lb/> become a lover in the presence and with the
                    exalted approbation <lb/> of an immediate predecessor&#x2014;an alternate
                    representative of the</p>

                <fw type="catchword">part,</fw>

                <pb n="34"/>

                <fw type="runningHead"><fw type="pageNum">28</fw> She and He : recent Documents</fw>

                <p>part, whose turn had now, on the removal to Paris, come round <lb/> again and in
                    whose resumption of office it was looked to him to <lb/> concur. This
                    attachment&#x2014;to Pagello&#x2014;had lasted but a few <lb/> months ; yet
                    already it was the prey of disagreement and change, <lb/> and its sun appears to
                    have set in no very graceful fashion. We <lb/> are not here, in truth, among
                    very graceful things, in spite of <lb/> superhuman attitudes and great romantic
                    flights. As to these <lb/> forced notes, Madame Arvède Barine judiciously says
                    that the <lb/> picture of them contained in the letters to which she had had
                    <lb/> access, and some of which are before us, "presents an example <lb/>
                    extraordinary and unique of what the romantic spirit could do <lb/> with beings
                    who had become its prey." She adds that she regards <lb/> the records in
                    question, "in which we follow step by step the <lb/> ravages of the monster," as
                    "one of the most precious psycho-<lb/> logical documents of the first half of
                    the century." That puts <lb/> the story on its true footing, though we may
                    regret that it should <lb/> not divide these documentary honours more equally
                    with some <lb/> other story in which the monster has not quite so much the best
                    <lb/> of it. But it is the misfortune of the comparatively short and <lb/>
                    simple annals of conduct and character that they should ever <lb/> seem to us,
                    somehow, to cut less deep. Scarce&#x2014;to quote again <lb/> his best
                    biographer&#x2014;had Musset, at Venice, begun to recover <lb/> from his illness
                    than the two lovers were seized afresh by <emph rend="italic">le vertige</emph>
                    <lb/>
                    <emph rend="italic">du sublime et de l'impossible</emph>. "Ils imaginèrent les
                    déviations de <lb/> sentiment les plus bizarres, et leur intérieur fut le
                    théâtre de scènes <lb/> qui égalaient en étrangeté les fantaises les plus
                    audacieuses de la <lb/> littérature contemporaine ; " that is of the literature
                    of their own <lb/> day. The register of virtue contains no such lively
                    items&#x2014;<lb/> save indeed in so far as these contortions and convulsions
                    were a <lb/> conscious tribute to virtue.</p>

                <p>Ten weeks after Musset has left her in Venice Madame Sand</p>

                <fw type="catchword">writes</fw>

                <pb n="35"/>

                <fw type="runningHead">By Henry James <fw type="pageNum">29</fw></fw>

                <p>writes to him in Paris: "God keep you, my friend, in your <lb/> present
                    disposition of heart and mind. Love is a temple built by <lb/> the lover to an
                    object more or less worthy of his worship, and <lb/> what is grand in the thing
                    is not so much the god as the altar. <lb/> Why should you be afraid of the risk
                    ?"&#x2014;of a new mistress, she <lb/> means. There would seem to be reason
                    enough why he should <lb/> have been afraid ; but nothing is more characteristic
                    than her <lb/> eagerness to push him into the arms of another woman&#x2014;more
                    <lb/> characteristic either of her whole philosophy of these matters or <lb/> of
                    their tremendous, though somewhat conflicting, effort to be <lb/> good. She is
                    to be good by showing herself so superior to jealousy <lb/> as to stir up in him
                    a new appetite for a new object, and he is to <lb/> be so by satisfying it to
                    the full. It appears not to occur to any <lb/> one that in such an arrangement
                    his own virtue is rather <lb/> sacrificed. Or is it indeed because he has
                    scruples&#x2014;or even a <lb/> sense of humour&#x2014;that she insists with
                    such ingenuity and such <lb/> eloquence? "Let the idol stand long or let it soon
                    break, you <lb/> will in either case have built a beautiful shrine. Your soul
                    will <lb/> have lived in it, have filled it with divine incense, and a soul like
                    <lb/> yours must produce great works. The god will change perhaps ; <lb/> the
                    temple will last as long as yourself." "Perhaps," under the <lb/> circumstances,
                    was charming. The letter goes on with the <lb/> ample flow that was always at
                    the author's command&#x2014;an ease of <lb/> suggestion and generosity, of
                    beautiful melancholy acceptance, in <lb/> which we foresee, on her own horizon,
                    the dawn of new suns. <lb/> Her simplifications are delightful&#x2014;they
                    remained so to the end ; <lb/> her touch is a wondrous sleight-of-hand. The
                    whole of this <lb/> letter, in short, is a splendid utterance and a masterpiece
                    of the <lb/> particular sympathy which consists of wishing another to feel as
                    <lb/> you feel yourself. To feel as Madame Sand felt, however, one <lb/> had to
                    be, like Madame Sand, a man ; which poor Musset was far </p>

                <fw type="catchword">from</fw>

                <pb n="36"/>

                <fw type="runningHead"><fw type="pageNum">30</fw> She and He : recent Documents</fw>

                <p>from being. This, we surmise, was the case with most of her <lb/> lovers, and the
                    verity that makes the idea of her <emph rend="italic">liaison</emph> with <lb/>
                    Mérimée, who <emph rend="italic">was</emph> one, sound almost like a union
                    against nature. <lb/> She repeats to her correspondent, on grounds admirably
                    stated, <lb/> the injunction that he is to give himself up, to let himself go,
                    to <lb/> take his chance. That he took it we all know&#x2014;he followed her
                    <lb/> advice only too well. It is indeed not long before his manner of <lb/>
                    doing so draws from her a cry of distress. "Ta conduite est <lb/> déplorable,
                    impossible. Mon Dieu, à quelle vie vais-je te laisser ? <lb/> 1'ivresse, le vin,
                    les filles, et encore et toujours !" But apprehen-<lb/> sions were now too late
                    ; they would have been too late at the <lb/> very earliest stage of this
                    celebrated connection.</p>
                <lb/>
                <lb/>
                <lb/>
                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"
                        >III</emph></emph></emph></p>
                <lb/>
                <p>The great difficulty was that, though they were sublime, the <lb/> couple were
                    not serious. But, on the other hand, if, on a lady's <lb/> part, in such a
                    relation, the want of sincerity or of constancy is a <lb/> grave reproach, the
                    matter is a good deal modified when the lady, <lb/> as I have mentioned, happens
                    to be&#x2014;I won't go so far exactly as <lb/> to say a gentleman. That George
                    Sand just fell short of this <lb/> character was the greatest difficulty of all
                    ; because if a woman, in <lb/> a love-affair, may be&#x2014;for all she is to
                    gain or to lose&#x2014;what she <lb/> likes, there is only one thing that, to
                    carry it off with any degree <lb/> of credit, a man may be. Madame Sand forgot
                    this on the day <lb/> she published <emph rend="italic">Elle et Lui</emph> ; she
                    forgot it again, more gravely, when <lb/> she bequeathed to the great snickering
                    public these present shreds <lb/> and relics of unutterably delicate things. The
                    aberration connects <lb/> itself with the strange lapses of still other
                    occasions&#x2014;notably with <lb/> the extraordinary absence of scruples with
                    which, in the delightful</p>

                <fw type="catchword"><emph rend="italic">Histoire</emph></fw>

                <pb n="37"/>

                <fw type="runningHead">By Henry James <fw type="pageNum">31</fw></fw>

                <p><emph rend="italic">Histoire de ma Vie</emph>, she gives away, as we say, the
                    character of her <lb/> remarkable mother. The picture is admirable for
                    vividness, for <lb/> touch ; it would be perfect from any hand not a daughter's,
                    and <lb/> we ask ourselves wonderingly how, through all the years, to make <lb/>
                    her capable of it, a long perversion must have worked and the <lb/> filial
                    fibre&#x2014;or rather the general flower of sensibility&#x2014;have been <lb/>
                    battered. Not this particular anomaly, however, but some others <lb/> certainly,
                    clear up more or less in the light of the reflection that <lb/> as, just after
                    her death, a very perceptive person who had known <lb/> her well put it to the
                    author of these remarks, she was a woman <lb/> quite by accident. Her immense
                    plausibility was almost the only <lb/> sign of her sex. She needed always to
                    prove that she had been in <lb/> the right ; as how indeed could a person fail
                    to, who, thanks to the <lb/> special equipment I have named, might prove it so
                    easily ? It is <lb/> not too much to say of her gift of expression&#x2014;and I
                    have already <lb/> in effect said it&#x2014;that, from beginning to end, it
                    floated her over <lb/> the real as a high tide floats a ship over the bar. She
                    was never <lb/> left awkwardly straddling on the sandbank of fact.</p>

                <p>For the rest, at any rate, with her free experience and her free <lb/> use of it,
                    her literary style, her love of ideas and questions, of <lb/> science and
                    philosophy, her <emph rend="italic">camaraderie</emph>, her boundless tolerance,
                    <lb/> her intellectual patience, her personal good-humour and perpetual <lb/>
                    tobacco (she smoked long before women at large felt the cruel <lb/> obligation),
                    with all these things and many I don't mention, she <lb/> had morally more of
                    the notes of the other sex than of her own. <lb/> She had above all the mark
                    that, to speak at this time of day with <lb/> a freedom for which her action in
                    the matter of publicity gives us <lb/> warrant, the history of her personal
                    passions reads singularly like a <lb/> chronicle of the ravages of some male
                    celebrity. Her relations <lb/> with men closely resembled those relations with
                    women that, from <lb/> the age of Pericles or that of Petrarch, have been
                    complacently</p>

                <fw type="catchword">commemorated</fw>

                <pb n="38"/>

                <fw type="runningHead"><fw type="pageNum">32</fw> She and He : recent Documents </fw>

                <p>commemorated as stages in the unfolding of the great statesman <lb/> and the
                    great poet. It is very much the same large list, the same <lb/> story of free
                    appropriation and consumption. She appeared in <lb/> short to have lived through
                    a succession of such ties exactly in the <lb/> manner of a Goethe, a Byron or a
                    Napoleon ; and if millions of <lb/> women, of course, of every condition, had
                    had more lovers, it was <lb/> probable that no woman, independently so occupied
                    and so <lb/> diligent, had ever had, as might be said, more unions. Her <lb/>
                    fashion was quite her own of extracting from this sort of experi-<lb/> ence all
                    that it had to give her, and being withal only the more <lb/> just and bright
                    and true, the more sane and superior, improved <lb/> and improving. She strikes
                    us, in the benignity of such an <lb/> intercourse, as even more than maternal :
                    not so much the mere <lb/> fond mother as the supersensuous grandmother of the
                    wonderful <lb/> affair. Is not that practically the character in which Thérèse
                    <lb/> Jacques studies to present herself to Laurent de Fauvel ? the light <lb/>
                    in which <emph rend="italic">Lucrezia Floriani</emph> (a memento of a friendship
                    for <lb/> Chopin, for Liszt) shows the heroine as affected toward Prince <lb/>
                    Karol and his friend ? George Sand is too inveterately moral, too <lb/>
                    preoccupied with that need to do good which is often, in art, the <lb/> enemy of
                    doing well ; but in all her work the story-part, as <lb/> children call it, has
                    the freshness and good faith of a monastic <lb/> legend. It is just possible
                    indeed that the moral idea was the real <lb/> mainspring of her course&#x2014;I
                    mean a sense of the duty of avenging <lb/> on the unscrupulous race of men their
                    immemorial selfish success <lb/> with the plastic race of women. Did she wish
                    above all to turn <lb/> the tables&#x2014;to show how the sex that had always
                    ground the other <lb/> in the intellectual mill was on occasion capable of being
                    ground ?</p>

                <p>However this may be, nothing is more striking than the im-<lb/> punity with which
                    she gave herself to conditions that are usually <lb/> held to denote or to
                    involve a state of demoralisation. This </p>

                <fw type="catchword">impunity</fw>

                <pb n="39"/>

                <fw type="runningHead">By Henry James <fw type="pageNum">33</fw></fw>

                <p>impunity (to speak only of consequences or features that concern us) was not, I
                    admit, complete, but it was sufficiently so to warrant us in saying that no one
                    was ever less demoralised. She presents a case prodigiously discouraging to the
                    usual view&#x2014;the view that there is no surrender to "unconsecrated" passion
                    that we escape paying for in one way or another. It is, frankly, diffi- cult to
                    see where this eminent woman conspicuously paid. She positively got off from
                    paying&#x2014;and in a cloud of fluency and dignity, benevolence, intelligence.
                    She sacrificed, it is true, a handful of minor coin&#x2014;met the loss by
                    failing, in her picture of life, wholly to grasp certain shades and certain
                    differences. What she paid was just this loss of her touch for them. That is one
                    of the reasons, doubtless, why to-day the picture in question has perceptibly
                    faded&#x2014;why there are persons who would perhaps even go so far as to say
                    that it has really a comic side. She doesn't know, according to such persons,
                    her right hand from her left, the crooked from the straight and the clean from
                    the unclean : it was a sense she lacked or a tact she had rubbed off, and her
                    great work is, by this fatal twist, quite as lopsided a monument as the leaning
                    tower of Pisa. Some readers may charge her with a graver confusion
                    still&#x2014;the incapacity to distinguish between fiction and fact, the truth
                    straight from the well and the truth curling in steam from the kettle and
                    preparing the comfortable tea. There is no word oftener on her pen, they will
                    remind us, than the verb to "arrange." She arranged constantly, she ar- ranged
                    beautifully ; but from this point of view&#x2014;that of suspicion &#x2014;she
                    always proved too much. Turned over in the light of it the story of <emph
                        rend="italic">Elle et Lui</emph>, for instance, is an attempt to prove that
                    the mistress of Laurent de Fauvel was a regular prodigy of virtue. What is there
                    not, the intemperate admirer may be challenged to tell us, an attempt to prove
                    in <emph rend="italic">L'Histoire de ma</emph></p>

                <fw type="catchword"><emph rend="italic">Vie?</emph></fw>

                <pb n="40"/>

                <fw type="runningHead"><fw type="pageNum">34</fw> She and He : recent Documents</fw>

                <p><emph rend="italic">Vie ?</emph>&#x2014;a work from which we gather every
                    delightful impression <lb/> but the impression of an impeccable veracity.</p>

                <p>These reservations may, however, all be sufficiently just <lb/> without affecting
                    our author's peculiar air of having eaten her cake <lb/> and had it, been
                    equally initiated in directions the most opposed. <lb/> Of how much cake she
                    partook the letters to Musset and Sainte- <lb/> Beuve well show us, and yet they
                    fall in at the same time, on <lb/> other sides, with all that was noble in her
                    mind, all that is <lb/> beautiful in the books just mentioned and in the six
                    volumes of <lb/> the general <emph rend="italic">Correspondance :
                        1812-1876</emph>, out of which Madame <lb/> Sand comes so immensely to her
                    advantage. She had, as liberty, <lb/> all the adventures of which the dots are
                    so put on the i's by the <lb/> documents lately published, and then she had, as
                    law, as honour <lb/> and serenity, all her fine reflections on them and all her
                    splendid, <lb/> busy, literary use of them. Nothing perhaps gives more relief to
                    <lb/> her masculine stamp than the rare art and success with which she <lb/>
                    cultivated an equilibrium. She made, from beginning to end, a <lb/> masterly
                    study of composure, absolutely refusing to be upset, <lb/> closing her door at
                    last against the very approach of irritation and <lb/> surprise. She had arrived
                    at her quiet, elastic synthesis&#x2014;a good- <lb/> humour, an indulgence that
                    were an armour of proof. The great <lb/> felicity of all this was that it was
                    neither indifference nor renun-<lb/> ciation, but on the contrary an intense
                    partaking ; imagination, <lb/> affection, sympathy and life, the way she had
                    found for herself of <lb/> living most and living longest. However well it all
                    agreed with <lb/> her happiness and her manners, it agreed still better with her
                    style, <lb/> as to which we come back with her to the sense that this was <lb/>
                    really her <emph rend="italic">point d'appui</emph> or sustaining force. Most
                    people have to <lb/> say, especially about themselves, only what they can; but
                    she <lb/> said&#x2014;and we nowhere see it better than in the letters to
                    Musset&#x2014;<lb/> everything in life that she wanted. We can well imagine
                    the</p>

                <fw type="catchword">effect </fw>

                <pb n="41"/>

                <fw type="runningHead">By Henry James <fw type="pageNum">35</fw></fw>

                <p>effect of that consciousness on the nerves of this particular corre-<lb/>
                    spondent, his own poor gift of occasional song (to be so early <lb/> spent)
                    reduced to nothing by so unequalled a command of the <lb/> last word. We feel
                    it, I hasten to add, this last word, in all her <lb/> letters : the occasion, no
                    matter which, gathers it from her as the <lb/> breeze gathers the scent from the
                    garden. It is always the last <lb/> word of sympathy and sense, and we meet it
                    on every page of the <lb/> voluminous <emph rend="italic">Correspondance</emph>.
                    These pages are not so "clever" <lb/> as those, in the same order, of some other
                    famous hands&#x2014;the writer <lb/> always denied, justly enough, that she had
                    either wit or drollery&#x2014;<lb/> and they are not a product of high spirits
                    or of a marked avidity <lb/> for gossip. But they have admirable ease, breadth
                    and generosity ; <lb/> they are the clear, quiet overflow of a very full cup.
                    They speak <lb/> above all for the author's great gift, her eye for the inward
                    drama. <lb/> Her hand is always on the fiddle-string, her ear is always at the
                    <lb/> heart. It was in the soul, in a word, that she saw the play begin, <lb/>
                    and to the soul that, after whatever outward flourishes, she saw it <lb/>
                    confidently come back. She herself lived with all her perceptions <lb/> and in
                    all her chambers&#x2014;not merely in the showroom of the shop. <lb/> This
                    brings us once more to the question of the instrument and <lb/> the tone, and to
                    our idea that the tone, when you are so lucky as <lb/> to possess it, may be of
                    itself a solution.</p>

                <p>By a solution I mean a secret for saving not only your reputa-<lb/> tion but your
                    life&#x2014;that of your spirit ; an antidote to dangers <lb/> which the
                    unendowed can hope to escape by no process less <lb/> uncomfortable or less
                    inglorious than that of prudence and <lb/> precautions. The unendowed must go
                    round about ; the others <lb/> may go straight through the wood. Their
                    weaknesses, those of <lb/> the others, shall be as well redeemed as their books
                    shall be well <lb/> preserved ; it may almost indeed be said that they are made
                    wise <lb/> in spite of themselves. If you have never, in all your days, <emph
                        rend="italic">had</emph> a</p>
                <fw type="footer">The Yellow Book&#x2014;Vol. XII. c</fw>
                <fw type="catchword">weakness,</fw>

                <pb n="42"/>

                <fw type="runningHead"><fw type="PageNum">36</fw> She and He : recent Documents</fw>

                <p>weakness, you can be, after all, no more, at the very most, than <lb/> large and
                    cheerful and imperturbable. All these things Madame <lb/> Sand managed to be on
                    just the terms she had found, as we see, <lb/> most convenient. So much, I
                    repeat, does there appear to be in a <lb/> tone. But if the perfect possession
                    of one made her, as it well <lb/> might, an optimist, the action of it is
                    perhaps more consistently <lb/> happy in her letters and her personal records
                    than in her "creative" <lb/> work. Her novels to-day have turned rather pale and
                    faint, as <lb/> if the image projected&#x2014;not intense, not absolutely
                    concrete&#x2014;failed <lb/> to reach completely the mind's eye. And the odd
                    point is that <lb/> the wonderful charm of expression is not really a remedy for
                    this <lb/> lack of intensity, but rather an aggravation of it through a sort of
                    <lb/> suffusion of the whole thing by the voice and speech of the author. <lb/>
                    These things set the subject, whatever it be, afloat in the upper <lb/> air,
                    where it takes a happy bath of brightness and vagueness or <lb/> swims like a
                    soap-bubble kept up by blowing. This is no draw-<lb/> back when she is on the
                    ground of her own life, to which she is <lb/> tied, in truth, by a certain
                    number of tangible threads ; but to <lb/> embark on one of her confessed
                    fictions is to have&#x2014;after all that <lb/> has come and gone, in our time,
                    in the trick of persuasion&#x2014;a <lb/> little too much the feeling of going
                    up in a balloon. We are <lb/> borne by a fresh, cool current, and the car
                    delightfully dangles ; <lb/> but as we peep over the sides we see
                    things&#x2014;as we usually know <lb/> them&#x2014;at a dreadful drop beneath.
                    Or perhaps a better way to <lb/> express the sensation is to say what I have
                    just been struck with <lb/> in the re-perusal of <emph rend="italic">Elle et
                        Lui</emph> ; namely that this book, like <lb/> others by the same hand,
                    affects the reader&#x2014;and the impression is <lb/> of the oddest&#x2014;not
                    as a first but as a second echo or edition of the <lb/> immediate real, or in
                    other words of the subject. The tale may <lb/> in this particular be taken as
                    typical of the author's manner ; <lb/> beautifully told, but told, as if on a
                    last remove from the facts, by </p>

                <fw type="catchword">some</fw>

                <pb n="43"/>

                <fw type="runningHead">By Henry James <fw type="PageNum">37</fw></fw>

                <p>some one repeating what he has read or what he has had from <lb/> another and
                    thereby inevitably becoming more general and super-<lb/> ficial, missing or
                    forgetting the "hard" parts and slurring them <lb/> over and making them up. Of
                    everything but feelings the pre-<lb/> sentation is dim. We recognise that we
                    shall never know the <lb/> original narrator and that Madame Sand is the only
                    one we can <lb/> deal with. But we sigh perhaps as we reflect that we may never
                    <lb/> confront her with her own informant.</p>

                <p>To that, however, we must resign ourselves ; for I remember <lb/> in time that
                    the volume from which I take occasion to speak <lb/> with this levity is the
                    work that I began by pronouncing a <lb/> precious illustration. With the aid of
                    the disclosures of the <lb/>
                    <emph rend="italic">Revue de Paris</emph> it was, as I hinted, to show us that
                    no mistakes <lb/> and no pains are too great to be, in the air of art,
                    triumphantly <lb/> convertible. Has it really performed this function ? I thumb
                    <lb/> again my copy of the limp little novel and wonder what, alas ! <lb/> I
                    shall reply. The case is extreme, for it was the case of a <lb/> suggestive
                    experience particularly dire, and the literary flower <lb/> that has bloomed
                    vipon it is not quite the full-blown rose. <lb/> "Oeuvre de rancune" Arvède
                    Barine pronounces it, and if we take <lb/> it as that we admit that the artist's
                    distinctness from her material <lb/> was not ideally complete. Shall I not
                    better the question by <lb/> saying that it strikes me less as a work of rancour
                    than&#x2014;in a <lb/> peculiar degree&#x2014;as a work of egotism ? It becomes
                    in that light, <lb/> at any rate, a sufficiently happy affirmation of the
                    author's <lb/> infallible form. This form was never a more successful <lb/>
                    vehicle for the conveyance of sweet reasonableness. It is all <lb/>
                    superlatively calm and clear ; there never was a kinder, balmier <lb/> last
                    word. Whatever the measure of justice of the particular <lb/> picture, moreover,
                    the picture has only to be put beside the <lb/> recent documents, the "study,"
                    as I may call them, to illustrate</p>

                <fw type="catchword">the</fw>

                <pb n="44"/>

                <fw type="runningHead"><fw type="pageNum">38</fw> She and He : recent Documents</fw>

                <p>the general phenomenon. Even if <emph rend="italic">Elle et Lui</emph> is not the
                    full-<lb/> blown rose, we have enough here to place in due relief an <lb/>
                    irrepressible tendency to bloom. In fact I seem already to <lb/> discern that
                    tendency in the very midst of the storm ; the <lb/> "tone" in the letters too
                    has its own way and performs on its <lb/> own account&#x2014;which is but
                    another manner of saying that the <lb/> literary instinct, in the worst
                    shipwreck, is never out of its depth. <lb/> Madame Sand could be drowned but in
                    an ocean of ink. Is <lb/> that a sufficient account of what I have called the
                    laying bare <lb/> of the relation between experience and art ? With the two
                    <lb/> elements, the life and the genius, face to face&#x2014;the smutches <lb/>
                    and quarrels at one end of the chain, and the high luminosity <lb/> at the
                    other&#x2014;does some essential link still appear to be missing ? <lb/> How do
                    the graceless facts, after all, confound themselves with <lb/> the beautiful
                    spirit ? They do so, incontestably, before our <lb/> eyes, and the mystification
                    remains. We try to trace the process, <lb/> but before we break down we had
                    better perhaps hasten to <lb/> grant that&#x2014;so far at least as George Sand
                    is concerned&#x2014;some <lb/> of its steps are impenetrable secrets of the
                    grand manner.</p>


            </div>

            <div n="YBV12_7pr" type="prose">
                <pb n="45"/>


                <head><title level="a">My Note-Book in the Weald</title></head>

                <byline>By <docAuthor><ref target="#MDO">Ménie Muriel
                    Dowie</ref></docAuthor></byline>

                <p>THE title of these sketches has reference to many wanderings, <lb/> afoot,
                    driving, but mainly on horseback, which I have enjoyed <lb/> from time to time
                    in the wealds of Surrey and Sussex. If you <lb/> stand on Blackdown or on Witley
                    Hill and look out over the folds <lb/> and oak-forests spread below you to the
                    very verge of the downs, <lb/> you see the country where Stephen Yesser still
                    carves the haunch <lb/> of mutton&#x2014;as I believe, inimitably : and the
                    country where the <lb/> landlord's wedding, at which I assisted, is still
                    remembered as one <lb/> of the merriest days in Puddingfold.</p>
                <lb/>
                <lb/>
                <p><emph rend="indent"><emph rend="indent"><emph rend="indent">I&#x2014;Stephen
                                Yesser</emph></emph></emph>
                </p>
                <lb/>
                <p>To see him standing by the sideboard in his loose-fitting dress-<lb/> suit, his
                    eye upon the table in the window no less than on <lb/> the table by the fire and
                    the table in the centre, his ear hanging <lb/> upon the tinkle of the bell from
                    the commercial room and the <lb/> private sitting-room upstairs, where a party
                    was dining, his mind <lb/> upon the joint delicately furrowed by his unerring
                    carver&#x2014;to see <lb/> him so, you might have mistaken him for an ordinary
                    waiter. <lb/> But even to call him a waiter of unusual ability would have
                    been</p>

                <fw type="catchword">to</fw>

                <pb n="46"/>

                <fw type="runningHead"><fw type="pageNum">40</fw> My Note-Book in the Weald</fw>

                <p>to show yourself obtuse. This large, fair fat man with the shaven <lb/> face,
                    double chin, even brick colour and eye of oyster blue, had a<lb/> character, and
                    it came out when I happened to be the only person <lb/> in the coffee-room that
                    evening. </p>

                <p>"Nice little dog, Miss ?" he began, insinuatively stroking my <lb/> self-centred,
                    unresponsive terrier&#x2014;"I'm very fond of dogs myself; <lb/> bulls, I mostly
                    fancy, tho' I'ave kep' all sorts one way an' another." <lb/> His voice had the
                    low, furtive quality that distinguishes the sport-<lb/> ing class in the South
                    country, the class, in fact, that "'as kep' all <lb/> sorts." If his clothes had
                    fitted more tightly upon his big <lb/> frame, you would have suspected him of
                    having been a prize <lb/> fighter.</p>

                <p>I made an encouraging reply.</p>

                <p>"If you was once to 'ave one you'd never take to no other sort." <lb/> There was
                    a gentle defiance in his round, even voice, a voice that <lb/> had the training
                    of an ostler with a dash of a gentleman's servant in <lb/> it. Sometimes his
                    lips moved as though turning a straw about in <lb/> his mouth ; his face in
                    repose had the eyebrows raised, the lines <lb/> from nostril to lip-corner
                    deeply marked, the mouth pulled down <lb/> but with no effect of sneering in its
                    sneer ; rather the acrid cheer-<lb/> fulness of a man not too successful, but
                    still nowise to be accounted <lb/> a failure, a man acquainted with the
                    compensations of life. "I <lb/> shouldn't recommend the brindle myself ; now a
                    nice pure w'ite <lb/> with a butterfly nose would be as neat a pet as any lady
                    could wish <lb/> to have. I've not long parted with my Snowdrop ; won a rare
                    <lb/> lot o' prizes with 'er, till a gentleman&#x2014;well, you might know him
                    <lb/> Miss, Captain Soames of the Cawbineers ? 'E awffered me <lb/> twenty-two
                    pound for 'er an' I let 'er go." Melancholy triumphed <lb/> in the waiter's
                    broad face for a moment ; his sad eye roved mechani-<lb/> cally to my plate.
                    "Cut you a little bit more off the 'aunch, <lb/> Miss ? One of 'er puppies took
                    second at the Palace and would </p>

                <fw type="catchword">'ave </fw>

                <pb n="47"/>

                <fw type="runningHead">By Ménie Muriel Dowie <fw type="pageNum">41</fw></fw>

                <p>'ave 'ad first, only the judge 'e 'ad a fancy for another pound or <lb/> so of
                    weight."</p>

                <p>I threw in the appropriate remark.</p>

                <p>"There's Mrs. Dempsey of Colmanhatch&#x2014;you might 'ave <lb/> noticed the
                    'ouse as you come along, Miss, stands back a bit from <lb/> the road in a
                    s'rubbery&#x2014;she wanted one of Snowdrop's puppies, <lb/> an' wouldn't have
                    stopped at money neither, but I promised the <lb/> last to Mr. Hutton of the
                    'George.'"</p>

                <p>I foresaw tears on the part of the waiter if we didn't speedily <lb/> abandon the
                    records of the Snowdrop family. I interposed with <lb/> a red herring.</p>

                <p>"Yes, Miss, I daresay they are, but for my part I'd sooner 'ave <lb/> a nice
                    sharp fox-terrier after game than any of them wiry-'aired <lb/> ones. Now, one
                    Sunday morning I was up early walkin' round <lb/> by Burley Rough&#x2014;in the
                    summer I often takes a early turn that <lb/> way just to see the rabbits. Well,
                    this little fox-terrier I 'ad <lb/> with me" (the waiter has an elusive
                    narrative habit, and though <lb/> with intelligence he can be followed, use is
                    really of most assist-<lb/> ance in gleaning his facts), "she started a rabbit
                    in a bit of <lb/> furze an' off after it before I could holler." I am not sure
                    if <lb/> Stephen really wished me to believe that he was at all likely to have
                    <lb/> hollered. "She run it well out of sight, I never see a dog more <lb/>
                    nimbler on her legs than what she was, an' me after her. All at <lb/> wunst, I
                    'eard 'er sing out ; that fetched me on the track, and if <lb/> you'll believe,
                    she was in the mouth of a burrer with her forefoot <lb/> in a steel trap an' 'ad
                    the rabbit in 'er mouth, 'an never left 'old of <lb/> it. The rabbit bein'
                    lighter like 'ad run clean over the trap an' <lb/> she'd just come up in time to
                    snap it from be'ine."</p>

                <p>I had two more courses to eat through and I perceived that the <lb/> waiter was
                    likely to draw heavily upon my appreciation. I econo-<lb/> mised with the
                    caution and the dexterity that come only of long</p>

                <fw type="catchword">practice,</fw>

                <pb n="48"/>

                <fw type="runningHead"><fw type="pageNum">42</fw> My Note-Book in the Weald</fw>

                <p>practice, at the same time I offered a perfectly adequate com-<lb/> ment.</p>

                <p>"They pay men eighteen shillings a week to keep the rabbits <lb/> down and yet if
                    you was to ketch one in a snare an' be found out <lb/> you'd 'ave six
                    weeks."</p>

                <p>I tried to see myself, on the waiter's suggestion, in this predica-<lb/> ment,
                    and admitted in the full glow of sympathy that it did seem <lb/> hard.</p>

                <p>"An' it <emph rend="italics">is</emph> 'ard," said the waiter with conviction.
                    "You can't <lb/> get a full-grown rabbit not under eighteenpence in the town,
                    an' <lb/> I'd sooner ketch one myself"&#x2014;he dropped his voice to a note of
                    <lb/> rapture&#x2014;"I think they eat sweeter."</p>

                <p>It was impossible not to respond to the unquenchable human <lb/> nature in the
                    waiter's eye. After all, they weren't my rabbits. <lb/> A venal warmth chequered
                    the restraint of my smile. As the <lb/> irrigator directs the waterflow by a
                    slight turn of his foot, I <lb/> directed, just so quietly, the
                    conversation.</p>

                <p>"Oh there is, Miss, a deal of poaching, to be sure. You see, <lb/> in the
                    winter-time, a man may be out of work and <emph rend="italic">he</emph> knows
                    <lb/> where 'is two-and-nine is waitin' for him when 'e's wearin' 'is <lb/>
                    fur-lined overcoat, as the sayin' goes. Yes, Miss ; two-an'-nine's <lb/> what
                    they give for a hare&#x2014;so I've been told." Some day we may <lb/> have an
                    actor capable of this delicate manipulation of the pause&#x2014;<lb/> I know of
                    none just now. "An' then there's them that does it <lb/> for the love of sport." </p>

                <p>I wanted some cheese, but I caught sight of the glow in the <lb/> oyster-eyes and
                    I prayed that nothing might divert the waiter to <lb/> a sense of his duties at
                    that moment. There is poetry in every <lb/> soul, we know ; by long study I have
                    learned to detect sometimes <lb/> the moment of the lighting of its fires. There
                    was that in the <lb/> waiter s kiln-brick face which a keen eye could recognise.
                    So</p>

                <fw type="catchword">looks</fw>

                <pb n="49"/>

                <fw type="runningHead">By Ménie Muriel Dowie <fw type="pageNum">43</fw></fw>

                <p>looks the man who tells you of the one "woman in the world," <lb/> so looks the
                    poet who describes his last sonnet, so look the faces <lb/> of them that dream
                    of heart's desire.</p>

                <p>"You see there's a deal of preservin' done round here, and <lb/> when a labourin'
                    man has say six or seven of a family and takes <lb/> 'is nine shillin' a week,
                    as some of em do in winter, an' 'as coal to <lb/> find and boots to keep on the
                    children, well, 'e 'as to git it some-<lb/> where, asn't he, Miss ? You can't
                    wonder that some of 'em steps <lb/> out of a night an' nooses a brace of
                    pheasants." I maintained a <lb/> steady but an unexaggerated air of sympathy ;
                    there was no use <lb/> in the waiter putting it off, we had heard the
                    utilitarian side, <lb/> what about "them as does it for the love o' sport ?" But
                    I was <lb/> much too wary to ask ! "An' you see, Miss, since this frozen <lb/>
                    meat come in, why eighteenpence '11 buy a man 'is leg of lamb <lb/> at the
                    stall. As for the poorer parts, they pretty near give it <lb/> away of a
                    Saturday night, an' for two shillin he'll get what'll <lb/> keep 'is family in
                    meat for a week."</p>

                <p>Very well, if I had to wait, I could wait.</p>

                <p>"Every bit as good, Miss," in answer to my query. "Of <lb/> course, it wants a
                    knack in cookin', it don't want to be put in no <lb/> fierce oven ; you want to
                    'ang it in the kitchen and thor it out <lb/> gradual, an' it'll make twice its
                    size; then, if it's nicely basted, you <lb/> won't want to eat no sweeter bit of
                    meat."</p>

                <p>"Then they never eat the pheasants themselves ?" I remarked, <lb/> with the air
                    of one whose mind is on the central problem. "I <lb/> don't wonder, for I think
                    a pheasant is nothing to rave about. I'd <lb/> as soon have a chicken." </p>

                <p>"If you'd ever tried one stuffed with chopped celery, then <lb/> closed up so the
                    water don't get to it in a bit of nice paste, and <lb/> boiled for about two
                    hours, Miss," said the waiter, in tender <lb/> remonstrance, "you'd never say
                    that again." I was on the point</p>

                <fw type="catchword">of </fw>

                <pb n="50"/>

                <fw type="runningHead"><fw type="pageNum">44</fw> My Note-book in the Weald</fw>

                <p>of offering never to say it again, when the waiter's eyes again <lb/> sought the
                    furthest gas-burner at the end of the room, and an air <lb/> of reverie and
                    fervour again gleamed in his oyster-eye. "Wonderful <lb/> silly birds pheasants
                    are, Miss. You can go out with a line in <lb/> your pocket, an' a fish 'ook on
                    the end of it, an' bait it with a <lb/> raisin, and 'ang it over the
                    fence&#x2014;"</p>

                <p>"Do pheasants like raisins ?" I was idiot enough to interject ; <lb/> but
                    fortunately poetry and prudence may not burn in the same <lb/> brain at the same
                    time, and the waiter had abandoned himself to <lb/> poetry.</p>

                <p>"Oh, marvellous fond of raisins, pheasants are. Of course, it <lb/> wants artful
                    doin' ; the line wants to be 'ung <emph rend="italic">just so</emph>, and a
                    raisin<lb/> or two dropped where he's likely to run, an' ten to one 'e'll make a
                    <lb/> peck at it&#x2014;an' the best of it is w'en 'e's got it the bird can't
                    'oller."</p>

                <p>I suppressed a weak desire to say it was shockingly cruel. <lb/> Mentally, I
                    surveyed myself with cold dislike as I heard myself <lb/> remark that it must be
                    very exciting work.</p>

                <p>"I should say it was, Miss. These old poachers 'as some fine <lb/> stories to
                    tell of it. Some likes a pea at the end of a few strands <lb/> of horse-hair.
                    'Ow is it done ? Oh, you want to dror it long <lb/> from the horse's tail, an'
                    then you twist it fine together an' runs <lb/> it through the pea and makes a
                    knot. Some prefers a 'ook in the <lb/> pea. Then, you see, the bird just
                    swallows it, and there he is. <lb/> With either the raisin <emph rend="italic"
                        >hor</emph> the pea it wants to be 'ung so's the<lb/> bird, when he pecks
                    an' takes it, 'as 'is feet <emph rend="italic">just</emph> awf the ground. <lb/>
                    It's wonderful how quick they are to see it, too. Of course, it <lb/> has to be
                    a fine night, but I don't care for too much moon my-<lb/> self." The waiter was
                    unaware of this change of pronoun. "But <lb/> it's wonderfully taking sport.
                    Well," with a deprecatory smile, <lb/> which displayed an irreproachable set of
                    false teeth, " I've 'ad as <lb/> many as three in one evening."</p>

                <fw type="catchword">My </fw>

                <pb n="51"/>

                <fw type="runningHead">By Ménie Muriel Dowie <fw type="pageNum">45</fw></fw>

                <p>My morality being once in abeyance I did not stick at a hearty <lb/>
                    encomium.</p>

                <p>"Seen a bit of all sorts of life, I 'ave. Well, I was in Tom <lb/> Hotchkiss's
                    racing stables till I got too heavy, but I've always <lb/> been a great one for
                    sports or anything of that. Fine sideboardful <lb/> o' cups I've got wot I've
                    won running ; I 'ad a butter cooler, <lb/> silver-plated, only last year for the
                    Married Men's 'Undred Yard <lb/> Race." Melancholy again descended like a mist
                    upon the waiter's <lb/> cheerful countenance. </p>

                <p>I feared he might have been reflecting on his growing handicap, <lb/> technical
                    or physical, and I deployed a reflection upon the variety <lb/> of his
                    experiences. He smiled again, and spoke softly of his lost <lb/> youth.</p>

                <p>"Well, I began by bein' apprentice' to a butcher, an' I stay' at <lb/> that
                    eighteen months. Then one morning where I took the <lb/> meat down, the gardener
                    stop' and ask me if I d care to come <lb/>
                    <emph rend="italic">hin</emph>doors"&#x2014;some inner light illuminated this
                    phrase for me. It <lb/> did not mean would he step into the kitchen ; it meant
                    would he <lb/> take indoor service&#x2014;" because 'is master wanted a
                    page-boy, an' I <lb/> jumped at this. Oh, I thought it grand&#x2014;that was
                    with Mr. <lb/> Beatup at the 'Bull,' and I've been mostly in hotel service ever
                    <lb/> since." He paused ; he smiled thoughtfully, evidently a new idea <lb/> had
                    struck him. "It seems funny to say it," he began almost <lb/> shamefacedly, "but
                    there's one thing I 'aven't done, and that's <lb/> drove a fly !" His air of
                    triumph was so na if and so marked <lb/> that I felt it to be a point worth
                    elucidating. I hunted for the <lb/> proper setting of the question ; I was
                    anxious not to make a <lb/> blunder.</p>

                <p>"What, have you ever had a chance to ?" I said at last, and I <lb/>
                    thought&#x2014;indeed, still think&#x2014;this very neat.</p>

                <p>"Should 'ave 'ad," said the waiter, quite respectfully but enjoy-</p>
                <fw type="catchword">ing</fw>

                <pb n="52"/>

                <fw type="runningHead"><fw type="pageNum">46</fw> My Note-Book in the Weald</fw>

                <p>ing the joke none the less, "for my father was a cab-proprietor <lb/> down in
                    Weymouth, since ever I remember. 'Ad twenty-three <lb/> or twenty-four lots
                    going time he died, landaws and privek <lb/> brooms and closed-and-opens. 'E was
                    a very curious man my <lb/> father, 'e 'ad a great belief in luck. Sometimes 'e
                    would buy a <lb/> horse for luck, other times 'e'd think one of 'is carriages
                    brought <lb/> him bad luck. He always used to go about with a carriage dog,
                    <lb/> one o' them spotted&#x2014;well, Darmations some calls 'em ; oh, she <lb/>
                    was a beautiful creature&#x2014;an' knowin'! Well, there wasn't any-<lb/> thing
                    she wouldn't do. Why, she'd go up to one of the other <lb/> horses on the rank,
                    as it might be, what wasn't my father's, you <lb/> see, Miss, an' she'd ackshly
                    pull the clover out of 'is nose-bag and <lb/> kerry it to one of my father's own
                    'orses." I blinked, but <lb/> got it down. "Ho, wonderful knowin' she was !
                    There was <lb/> a lady there awffered my father eighteen sov'rins for her, but
                    <lb/> 'e wouldn't sell. 'No,' 'e said, 'if I sell my dog, I sell my <lb/> luck,'
                    'e said, 'besides, she wouldn't stay with you, she'd always <lb/> be back in the
                    yard,' 'e said. Often enough she ask' 'im, <lb/> but 'e always said the same
                    about 'is luck. At last she came <lb/> and said she was goin' away to live in
                    Brighton, and she <lb/> awffer' him &#163;20," the waiter's figures always came
                    out with a <lb/> suspicious glibness&#x2014;"so father 'e was beat, but 'e says
                    'so sure as <lb/> my name's Stephen Yesser'&#x2014;that was my father's name an'
                    'e <lb/> give me the same&#x2014;'my luck's sold', 'e says ! An' it wasn't a
                    <lb/> twelvemonth later that 'e was drivin' home one night with <lb/> a horse
                    he'd bought in London some time before, an' it bolted at <lb/> the scroop of a
                    tramway, turn' the corner short and come down <lb/> pitchin' father out and his
                    'ead was all cut to pieces&#x2014;killed 'im on <lb/> the spot. He was took up
                    in a bag. Seems he might have fell <lb/> free if his coat hadn't 'ave caught in
                    the lamp-iron." My mind <lb/> had filled suddenly with a lurid picture of Mr.
                    Yesser, senior,</p>

                <fw type="catchword">being </fw>

                <pb n="53"/>

                <fw type="runningHead">By Ménie Muriel Dowie <fw type="pageNum">47</fw></fw>

                <p>being "took up in a bag," but the waiter's point was not lost upon <lb/> me for
                    all that. "But it was a funny thing after what he'd said <lb/> when 'e come to
                    part with the Darmation, wasn't it, Miss ?" he <lb/> said. "Yes, I know, <emph
                        rend="italic">I</emph> know," this to a subordinate who appeared <lb/> at
                    the door, "it's the hupstairs parlour bell, so you'll escuse me, <lb/> Miss ; I
                    don't mind to keep them waitin' a minute, they ain't <lb/> none of our
                    lot&#x2014;business gentlemen from London."</p>
                <lb/>
                <lb/>

                <p><emph rend="indent"><emph rend="indent"><emph rend="indent">II&#x2014;The
                                Landlord's Wedding</emph></emph></emph></p>
                <lb/>
                <p>"CAN Mrs. Sollop have the landau this afternoon ? She <lb/> wishes to drive out
                    to Cray's Wood ; have you a horse <lb/> disengaged about three ?"</p>

                <p>I recognised the old Rector's voice at once ; he spoke his <lb/> inquiry like a
                    piece of ritual&#x2014;or is it rubric ?&#x2014;in the tone <lb/> reserved for
                    celebrations. The reply was inaudible, but I was <lb/> quite sure that Mrs.
                    Sollop couldn't have the landau : I had been <lb/> in the inn-yard that morning,
                    and I knew that the landau had <lb/> other fish to fry, so to speak. Words would
                    fail to depict the <lb/> ardour with which Tom and Frank, the two ostlers, had
                    been <lb/> assailing the old landau, leathers in hand and scarlet braces flying,
                    <lb/> from an early hour ; they had got my wheel jack in use, and pail <lb/>
                    after pail of water went through the spokes. They did not <lb/> apologise for
                    borrowing the wheel jack, and I recognised with <lb/> them that the occasion
                    lifted us all above considerations of common <lb/> formulae. Within the stable
                    could be seen the patient heads of <lb/> "the Teamster" and "Bay Bob"
                    (provisionally referred to as <lb/> "the pair") dipping reflectively between the
                    pillar-chains. Poor <lb/> beasts, they knew something was going to happen, if it
                    were only <lb/> from the reek of "compo" on the harness. No hope of Mrs.</p>

                <fw type="catchword">Sollop</fw>

                <pb n="54"/>

                <fw type="runningHead"><fw type="pageNum">48</fw> My Note-Book in the Weald</fw>

                <p>Sollop getting up to Cray's Wood&#x2014;what a name, by the way, <lb/> for a
                    rector's wife ? And for a Rector ! The Rev. Richard <lb/> Grace Sollop ; and it
                    is their name, too ; it's certainly none of my <lb/> making.</p>

                <p>I had a sort of feeling that I would like to lend a carriage and <lb/> "a pair,"
                    but at best I could only have proffered a scratch tandem, <lb/> Black Nannie in
                    the shafts and Nutcracker in front, and this <lb/> would certainly have
                    interrupted the ceremony.</p>

                <p>There was an odd sense of stir about the Green. There was <lb/> not exactly a
                    crowd, but two or three more men than usual were <lb/> listening to the
                    blacksmith's famous story of his six beagle <lb/> puppies ; beagle I say, but in
                    the interests of truth and dog- <lb/> breeding I ought to call it "very-nearly
                    beagle" puppies. The <lb/> old man who carries telegrams and wears a grey
                    surtout with a <lb/> rakish air of Stock-Exchange failure about it, has picked
                    up the <lb/> puppy that favours a fox-terrier, and Mr. Remmitt from the <lb/>
                    grocer's shop is explaining why he thinks the "spannel bitch" is <lb/> going to
                    make the best beagle of the lot. Although the whole <lb/> six are similarly
                    spotted in liver and black upon white, they are <lb/> all known by separate
                    names&#x2014;like the above, of a narrowly <lb/> descriptive nature. They were
                    born and bred in the centre of <lb/> the Green, and every dog in the village has
                    a sort of proprietary <lb/> interest in them.</p>

                <p>At this moment Mr. Hampshire passed from the telegraph <lb/> office ; he has his
                    bluish-pink trousers on and wears a black coat <lb/> and waistcoat, all new, a
                    black tie, and a straw hat. He is a very <lb/> shy man, and he has calculated to
                    a second when he will change <lb/> to a puce satin tie with white lozenges
                    before he starts ; whereas <lb/> the topper that came by post is to be taken
                    with him and assumed <lb/>
                    <emph rend="italic">en route</emph> ; I know this, for I saw Frank trying to get
                    it incon-<lb/> spicuously stowed under the cloth flap of the box-seat. What will </p>

                <fw type="catchword">they</fw>

                <pb n="55"/>

                <fw type="runningHead">By Ménie Muriel Dowie <fw type="pageNum">49</fw></fw>

                <p>they do with the pasteboard box, I wonder ? Throw it away in <lb/> Ambledon Wood,
                    no doubt, to be picked up by some hawker and <lb/> used for a baby's cradle or
                    to put a sitting hen in.</p>

                <p>Ten o'clock, and he doesn't start till eleven, and yet the poor <lb/> man cannot
                    be seen outside his own inn without some joke being <lb/> thrown at him, and a
                    convulsive titter issuing from the knot of <lb/> boys gathered on the
                    corpse-bench below the lych-gate.</p>

                <p>Bang ! <emph rend="italic">Now I know</emph> that that was a champagne cork
                    ex-<lb/> ploding in the commercial room, and they don't explode of them-<lb/>
                    selves&#x2014;in an Inn !</p>

                <p>Annie runs in to whisper :</p>

                <p>"He's got the ring on his third finger, fear he'd forget."</p>

                <p>"Well ! She must have a large hand if <emph rend="italic">his</emph> third finger and<lb/>
                    <emph rend="italic">hers</emph> are the same size," I observe. "Oh, it can't be
                    the ring."</p>

                <p>Annie looks disheartened, but says she will ask Mrs. Groves. </p>

                <p>"By the way, how <emph rend="italic">is</emph> Mrs. Groves this morning ?" I had
                    for-<lb/> gotten her till now : she is the housekeeper, only five years Mr.
                    <lb/> Hampshire's senior and a widow ; one or two people had said, <lb/> before
                    the affair which finishes to-day was heard of . . . . </p>

                <p>"Oh ! she's wonderful down, and she gets a deal of chaff in <lb/> the bar." In a
                    whisper behind a corner of her apron, " Oh, she <lb/> 'as been treated bad." </p>

                <p>"Ah, she'll be glad when it s over. Is that the carriage ? <lb/> Good gracious,
                    it's not eleven ? How grand Tom looks on the <lb/> box ! and I would never have
                    said Bob and Teamster stood so <lb/> much of a height."</p>

                <p>There is a wild flight of a figure across the sweep as with <lb/> scarlet wings
                    to it, and Frank, pouring with perspiration, slogs at <lb/> the Teamster's mane
                    with a water-brush, in a last agony of <lb/> fervour.</p>

                <p>"Well, it really does look smart !" I exclaim at intervals to </p>

                <fw type="catchword">Annie,</fw>

                <pb n="56"/>

                <fw type="runningHead"><fw type="pageNum">50</fw> My Note-Book in the Weald</fw>

                <p>Annie, behind the curtains of my parlour. " That man's hand <lb/> will be shaken
                    off if the bricklayer gets hold of it." There are at <lb/> least two dozen
                    workmen and neighbours crowding in the bar- <lb/> passage, and all the pots in
                    use are quarts.</p>

                <p>"A quart bottle of champagne&#x2014;between three of them," gasps <lb/> Annie,
                    who has been out for more gossip. "And it <emph rend="italic">isn't</emph> the
                    <lb/> ring ; he has that in his waistcoat pocket !" </p>

                <p>"They're off !"</p>

                <p>"What, has he got in ?" The poor nervous little man had <lb/> left the inn with
                    the furtive scuttle of a rabbit breaking cover, <lb/> and just his head and
                    shoulders appeared in the deep well of the <lb/> old landau. Mr. Brooker
                    followed&#x2014;he is to be best man&#x2014;Frank <lb/> relinquished the
                    Teamster, much flattened, and Tom whipped <lb/> the two to a heavy canter. A
                    derisive cheer went up from the <lb/> little boys upon the corpse-bench and a
                    hearty shout from the <lb/> work-people at the Inn door. Mr. Hampshire neither
                    lifted his <lb/> hat nor looked round, but the purple mounted slowly and surely
                    <lb/> to the back of his ears. It is a trying thing to be married from <lb/>
                    your own Inn. </p>
                <lb/>
                <lb/>
                <p><emph rend="indent"><emph rend="indent"><emph rend="indent">III&#x2014;Cakes and
                                Ale</emph></emph></emph></p>
                <lb/>
                <p>THE Brewer seemed to be stopping all day ; the whole morning <lb/> he had been
                    rumbling barrels down the cellar-way below my <lb/> parlour, and in the
                    afternoon when I went out with a wooden <lb/> trencher full of cut apples for
                    our own beasts, I saw that his <lb/> large, pale, <emph rend="italic"
                        >café-au-lait</emph> coloured mare and the great white horse<lb/> that goes
                    beside her were still there. They sniffed at apples, and <lb/> Black Nannie shot
                    reproachful glances at me over her stall as <lb/> much as to say :</p>

                <p>"Why offer apples to them ? Their palates are destroyed by</p>

                <fw type="catchword">the</fw>

                <pb n="57"/>

                <fw type="runningHead">By Ménie Muriel Dowie <fw type="pageNum">51</fw></fw>

                <p>the fermented liquors they are given ; they are fat and stupid with <lb/> beer.
                    They must be, or they wouldn't pull the loads they do !"</p>

                <p>Like most brewers, Quarpitt is rather a fine-looking person, <lb/> and I fell
                    into conversation with him with some pleasure ; his great <lb/> bass rolled and
                    rumbled like his own waggon, and as he stood, he <lb/> seemed to be trying to
                    look as much like a vat as possible.</p>

                <p>"Oh, yes," he said, " don't come every day, b'long way ; an' <lb/> there's fine
                    doin's forward to-night. I'm 'ere to take four eigh- <lb/> teens" (he pronounced
                    it four-ray-teens), "down to the cricket <lb/> field to-night, to be give away
                    by"&#x2014;he waved a large freckled <lb/> arm and hand towards the Inn
                    door&#x2014;"the good gentleman as has <lb/> now left us." </p>

                <p>"Four eighteens !" I repeated with an air of amazement, not <lb/> knowing in the
                    least what that was, but judging that when the <lb/> Brewer assumed the manner
                    popular at his Harmony Club and <lb/> fell unwittingly into the phrase of a
                    funeral oration, something <lb/> important must be toward.</p>

                <p>I knew more later.</p>

                <p>No sooner was my simple tea begun than the boys, who earlier <lb/> on had adorned
                    the lych-gate, came to lean upon the wood rail <lb/> that surrounds the cellar
                    opening before my window, to crack <lb/> nuts thoughtfully upon the flags, and
                    to keep up a tapping of a <lb/> maddening intermittence upon the wooden
                    cellar-flap. I gathered <lb/> from their conversation that the band was
                    expected.</p>

                <p>Very soon a gentleman strolled up, the pocket of whose black coat <lb/> bulged
                    suggestive of a cornet and, indeed, when he turned, the <lb/> nozzle of the
                    instrument disclosed itself, nestling in the groove <lb/> worn by a week-day
                    foot-rule, which had disappeared with the <lb/> rest of a joiner's trappings for
                    the nonce.</p>

                <p>I was buried in the unsatisfactory tannin of a second cup, <lb/> when a sound so
                    horrid and inexplicable that fear alone prevented</p>

                <fw type="footer">The Yellow Book&#x2014;Vol. XII. D</fw>
                <fw type="catchword">my</fw>

                <pb n="58"/>

                <fw type="runningHead"><fw type="pageNum">52</fw> My Note-Book in the Weald</fw>

                <p>my choking to death, announced the heretofore unsuspected <lb/> arrival of the
                    big drum. The rest of the brass was not slow to <lb/> follow, and about
                    half-an-hour of preliminary pints intervened <lb/> before the performers took up
                    their position upon the triangle of <lb/> grass below the sign of "The Merry
                    Hedgehog." To their <lb/> credit, be it said, they were not yet complete, the
                    oboe lingered. <lb/> (I gleamed this intelligence from the boy's continual
                    references to <lb/> "George ;" there seemed even to be a question as to whether
                    <lb/> "George" <emph rend="italic">would</emph> come.) At length there appeared
                    a saturnine<lb/> person who bore an oboe in a bag. He took no beer, he nodded
                    <lb/> sullenly to the circle, or rather, he threw a nod in front of him, <lb/>
                    and such of the circle as cared to, caught it. He was drawing <lb/> out a small
                    thumb-browned piece of written music when the <lb/> drum, who had command of the
                    performers, no doubt because he <lb/> made most noise, looked inquiringly round
                    and thundered out a <lb/> preludial boom-boom-boom-boom, which had the effect of
                    drawing <lb/> certain hesitating cat-calls from the brass. I had heard the drum
                    <lb/> whisper "the new march," in a tone which was meant to reach <lb/> his
                    co-musicians, and not the crowd ; the crowd was not intended <lb/> to know that
                    a new march had been sedulously studied in view of <lb/> the present occasion.
                    George had his eye upon his oboe, and <lb/> after the boom he spat meditatively
                    beside his shoulder and <lb/> chirped to his instrument, which responded
                    instantly with a florid <lb/> growl, lasting about half a minute. The others
                    were too interested <lb/> in "getting away " and "getting a good place," to
                    notice this <lb/> observation on the part of George's oboe, but I noticed it,
                    and a <lb/> dreadful suspicion fell upon me.</p>

                <p>Still, the hilarity of the occasion augmented from moment to <lb/> moment. The
                    church bells had rung out a complimentary peal <lb/> or two, and only desisted
                    because a woman was to be buried at <lb/> five o'clock ; the bellringers, all
                    save the. man, who attended to</p>

                <fw type="catchword">the</fw>

                <pb n="59"/>

                <fw type="runningHead">By Ménie Muriel Dowie <fw type="PageNum">53</fw></fw>

                <p>the toll had come into the bar, had their beer (carefully paying <lb/> for it),
                    and formed up among the crowd near the blacksmith's to <lb/> listen to the band.
                    Outlying labourers who had left their work <lb/> began to slouch up with that
                    peculiar report which corduroys <lb/> will make when the spare material flaps
                    together in walking, the <lb/> grocer's and baker's carts began to come in from
                    their rounds, and <lb/> the men hurried their tired horses into the stables,
                    with a shake <lb/> of hay and no wisp down, the sooner to join the crowd.</p>

                <p>All this while "the new march," with an afflicting element of <lb/> discord from
                    the oboe, blared tunelessly below the sign. A cart <lb/> had appeared
                    mysteriously, the brewer, passing his mottled hand <lb/> through his shock of
                    beard and hair (all the colour of "four-ale"), <lb/> was loading up certain
                    barrels, with the assistance of Frank ; <lb/> then it dawned upon me what "four
                    eighteens" might mean ; <lb/> four times eighteen gallons ! . . . The third of
                    my abstruse <lb/> calculations brought this out at seventy-two gallons ;
                    seventy-two <lb/> gallons of free beer up on the cricket-ground !</p>

                <p>While the band sought among its leaflets for a light waltz, <lb/> which all the
                    village whistled carelessly in advance, and a boy <lb/> tucked two black bottles
                    labelled "Scottish Nectar" securely into <lb/> his armpits, I observed a short
                    colloquy to take place between <lb/> George and the flute, who was old and
                    bearded and of a neutral <lb/> temper ; it resulted in blacker scowls than ever
                    from the oboe, <lb/> and the bitter tapping of his finger upon a band-part.
                    When, <lb/> finally, they all formed into line in front of Mr. Brewer Quarpitt,
                    <lb/> the cart, and the four eighteens, for an adjournment to the cricket- <lb/>
                    ground, I saw the oboe step moodily into the bar. He had <lb/> refused to play
                    any more&#x2014;musical people are notably touchy&#x2014;<lb/> owing to some
                    quarrel between him and the drum : he had blown <lb/> steadily through the
                    Wedding March first of all&#x2014;which the drum <lb/> had reserved to take them
                    up the village to the cricket-field.</p>

                <fw type="catchword">Nobody</fw>

                <pb n="60"/>

                <fw type="runningHead"><fw type="pageNum">54</fw> My Note-Book in the Weald</fw>

                <p>Nobody told me this, but when the Wedding March ultimately <lb/> started, and the
                    party and the four eighteens, and the crowd and <lb/> a number of the beagle
                    puppies got under weigh for the cricket- <lb/> ground, George could be seen
                    striding glumly homeward with the <lb/> disconsolate and silent oboe in a
                    bag.</p>

                <p>At first an air of delicate reserve hung over the populace, and <lb/> the large
                    white jugs moved slowly above the glasses ; there was a <lb/> tendency to dawdle
                    in the neighbourhood of the "whelk and <lb/> winkle barrow," which had taken up
                    a promising corner, but <lb/> kindly dusk hid many blushes, and with nightfall
                    all tremors were <lb/> dispersed, and, since it <emph rend="italic">was</emph>
                    there . . . they might as well . . .<lb/> and so they did.</p>

                <p>It was, I say it with pain, a very drunk village, and a very gay <lb/> inn by
                    eleven o'clock that night. But then a landlord is not <lb/> married every day,
                    and who knows how dull things may be when <lb/> "The Merry Hedgehog" has a
                    missis ?</p>

                <p>There was but one clear head (I am excepting the Rev. and <lb/> Mrs. Sollop, of
                    course) and two sore hearts upon the green that <lb/> night. Mine was the clear
                    head. George's was one of the sore <lb/> hearts (unless the oboe had one, and
                    that would make a third) and <lb/> Mrs. Groves, the housekeeper, who had to have
                    a good deal of <lb/> whisky and very little else, in a claret glass, at
                    intervals during <lb/> the evening&#x2014;hers was the other.</p>

                <p>"A twelvemonth ago there wasn't one but would have said it <lb/> would be 'er,"
                    Mr. Brewer Quarpitt kept repeating a suspicious <lb/> number of times as he
                    slapped the big white horse confidingly, <lb/> till every link upon the waggon
                    gave out a note of music. And <lb/> then, "Never see such a mort o' beer put
                    down so quick in <emph rend="italic">my</emph><lb/> life," and he gathered up
                    his reins and jangled gaily off upon his <lb/> homeward way. And I shut down my
                    window to avoid the <lb/> hymeneal comments of the rustics below.</p>


            </div>


            <div>
                <head>
                    <title level="a">Four Drawings | I. Puck</title>
                    <title level="a">II. Enfant Terrible</title>
                    <title level="a">III. A Nursery-Rhyme Heroine</title>
                    <title level="a">IV. Almost a Portrait</title>
                </head>
                <byline> By E. A. Walton <docAuthor>
                        <ref target="#EWA"/>
                    </docAuthor>
                </byline>
            </div>

            <div n="YBV12_8im" type="image">
                <figure>
                    <graphic width="600px" url="MediumImageDocs/YBV12icon5_reed_puck.jpg"/>
                    <note n="YBV12_8im.n1">
                        <title>Four Drawings | I. Puck</title>
                        <rs>YBV12icon5</rs> YBV12icon5 Ethel Reed Four Drawings | I. Puck 11.8 cm x
                        9.5 cm Visual Art Illustration Graphite young girl thick light coloured hair
                        patterned bow strap dress</note>
                    <head>Four Drawings | I. Puck</head>
                    <figDesc>Image is of a young girl shown from the waist up She has thick light
                        coloured hair a bunch of which is held up by a patterned bow She is smiling
                        and looking toward her right The right strap of her dress is falling down
                        her shoulder The background is light coloured and undefined The image is
                        vertically displayed</figDesc>
                </figure>
            </div>

            <div n="YBV12_9im" type="image">
                <figure>
                    <graphic width="600px" url="MediumImageDocs/YBV12icon6_reed_enfant.jpg"/>
                    <note n="YBV12_9im.n1">
                        <title>Four Drawings | II. Enfant Terrible</title>
                        <rs>YBV12icon6</rs> YBV12icon6 Ethel Reed Four Drawings | II. Enfant
                        Terrible 10.8 cm x 9.7 cm Visual Art Illustration Graphite infant light
                        coloured curly hair</note>
                    <head>Four Drawings | II. Enfant Terrible</head>
                    <figDesc>Image is of an infant in full face The child has full light coloured
                        curly hair The child is holding on to two unidentifiable objects The
                        background is light and undefined The image is vertically
                        displayed</figDesc>
                </figure>
            </div>


            <div n="YBV12_10im" type="image">
                <figure>
                    <graphic width="600px" url="MediumImageDocs/YBV12icon7_reed_nursery.jpg"/>
                    <note n="YBV12_10im.n1">
                        <title>Four Drawings | III. A Nursery-Rhyme Heroine</title>
                        <rs>YBV12icon7</rs> YBV12icon7 Ethel Reed Four Drawings | III. A
                        Nursery-Rhyme Heroine 15.4 cm x 10.3cm Visual Art Illustration Graphite
                        woman long eyelashes light coloured hair floral patterned cap flower
                        patterned dress puffed sleeves bouquet of flowers</note>
                    <head>Four Drawings | III. A Nursery-Rhyme Heroine </head>
                    <figDesc>Image is of a woman or a young girl in profile from the shoulders up
                        She has long eyelashes and light coloured hair a couple of strands poke out
                        from under her floral patterned cap Her dress has the same flower pattern
                        with puffed sleeves She is holding a bouquet of flowers against her chest
                        The image is vertically displayed</figDesc>
                </figure>
            </div>

            <div n="YBV12_11im" type="image">
                <figure>
                    <graphic width="600px" url="MediumImageDocs/YBV12icon8_reed_almost.jpg"/>
                    <note n="YBV12_11im.n1">
                        <title>Four Drawings | IV. Almost a Portrait</title>
                        <rs>YBV12icon8</rs> YBV12icon8 Ethel Reed Four Drawings | IV. Almost a
                        Portrait 15.2 cm x 5.3 cm Visual Art Illustration Pen and Ink interior
                        rectangular windows dark haired woman light coloured clothing bouquet of
                        flowers flower</note>
                    <head>Four Drawings | IV. Almost a Portrait</head>
                    <figDesc>Image is of a wedding scene A dark haired woman in light coloured
                        clothing is walking down the aisle She is shown in profile looking downward
                        Her hair is done up and secured with a flower She is holding a bouquet of
                        flowers in her left hand There are two rectangular windows in the background
                        There are flowers behind her in the right middle ground The image is
                        vertically displayed</figDesc>
                </figure>
            </div>



            <div n="YBV12_12pr" type="prose">
                <pb n="79"/>

                <head><title level="a">Flower o' the Clove</title></head>

                <byline>By <docAuthor><ref target="#HHA">Henry Harland</ref></docAuthor>
                </byline>
                <lb/>
                <lb/>
                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"
                        >I</emph></emph></emph></p>
                <lb/>
                <p>IN the first-floor sitting-room of a lodging-house in Great <lb/> College Street,
                    Westminster, a young man&#x2014;he was tall and <lb/> thin, with a good deal of
                    rather longish light-coloured hair, some-<lb/> what tumbled about ; and he wore
                    a pince-nez, and was in slippers <lb/> and the oldest of tattered coats&#x2014;a
                    man of thirty-something was <lb/> seated at a writing-table, diligently
                    scribbling at what an accus-<lb/> tomed eye might have recognised as "copy," and
                    negligently <lb/> allowing the smoke from a cigarette to curl round and stain
                    the <lb/> thumb and forefinger of his idle hand, when the lodging-house <lb/>
                    maid-servant opened his door, and announced excitedly, "A lady <lb/> to see you,
                    sir."</p>

                <p>With the air of one taken altogether by surprise, and at a cruel <lb/>
                    disadvantage, the writer dropped his pen, and jumped up. He <lb/> was in
                    slippers and a disgraceful coat, not to dwell upon the con-<lb/> dition of his
                    hair. "You ought to have kept her downstairs <lb/> until&#x2014;" he began,
                    frowning upon the maid ; and at that point <lb/> his visitor entered the
                    room.</p>

                <p>She was a handsome, dashing-looking young woman, in a toilette <lb/> that
                    breathed the very last and crispest savour of Parisian elegance :</p>

                <fw type="catchword">a hat </fw>

                <pb n="80"/>

                <fw type="runningHead"><fw type="pageNum">66</fw> Flower o' the Clove</fw>

                <p>a hat that was a tangle of geraniums, an embroidered jacket, white <lb/> gloves,
                    a skirt that frou-froued breezily as she moved ; and she <lb/> carried an
                    amazing silver-hiked sunshade, a thing like a folded <lb/> gonfalon, a thing of
                    red silk gleaming through draperies of black <lb/> lace.</p>

                <p>Poising lightly near the threshold, with a bright little smile of <lb/>
                    interrogation, this bewildering vision said, "Have I the honour <lb/> of
                    addressing Mr. William Stretton ?"</p>

                <p>The young man bowed a vague plea of guilty to that name ; <lb/> but his gaze,
                    through the lenses of his pince-nez, was all per-<lb/> plexity and question.</p>

                <p>"I'm very fortunate in rinding you at home. I've called to <lb/> see you about a
                    matter of business," she informed him.</p>

                <p>"Oh ?" he wondered. Then he added, with a pathetic shake <lb/> of the head, "I'm
                    the last man in the world whom any one could <lb/> wisely choose to see about a
                    matter of business ; but such as I am, <lb/> I'm all at your disposal."</p>

                <p>"So much the better," she rejoined cheerily. "I infinitely <lb/> prefer to
                    transact business with people who are unbusinesslike. <lb/> One has some chance
                    of over-reaching them."</p>

                <p>"You'll have every chance of over-reaching me," sighed he.</p>

                <p>"What a jolly quarter of the town you live in," she com-<lb/> mented. "It's so
                    picturesque and Gothic and dilapidated, <lb/> with such an atmosphere of
                    academic calm. It reminds me <lb/> of Oxford." </p>

                <p>"Yes," assented he, "it is a bit like Oxford. Was your busi-<lb/> ness
                    connected&#x2014;?" </p>

                <p>"Oh, it <emph rend="italic">is</emph> like Oxford ?" she interrupted. "Then never
                    tell <lb/> me again that there's nothing in intuitions. I've never been in <lb/>
                    Oxford, but directly I passed the gateway of Dean's Yard, I felt <lb/> reminded
                    of it."</p>

                <fw type="catchword">"There's</fw>

                <pb n="81"/>

                <fw type="runningHead">By Henry Harland <fw type="pageNum">67</fw></fw>

                <p>"There's undoubtedly a lot in intuitions," he agreed ; "and <lb/> for the future
                    I shall carefully abstain from telling you there <lb/> isn't."</p>


                <p>"Those things are gardens, over the way, behind the wall, <lb/> aren't they ? "
                    she asked, looking out of the window.</p>

                <p>"Yes, those things are gardens, the gardens of the Abbey. <lb/> The canons and
                    people have their houses there."</p>

                <p>"Very comfortable and nice," said she. "Plenty of grass. <lb/> And the trees
                    aren't bad, either, for town trees. It must be rather <lb/> fun to be a canon.
                    As I live," she cried, turning back into the <lb/> room, "you've got a Pleyel.
                    This is the first Pleyel I've seen in <lb/> England. Let me congratulate you on
                    your taste in pianos." <lb/> And with her gloved hands she struck a chord and
                    made a run or <lb/> two. "You'll need the tuner soon, though. It's just the
                    shadow <lb/> of a shadow out. I was brought up on Pleyels. Do you know, <lb/>
                    I've half a mind to make you a confidence ?"</p>

                <p>"Oh, do make it, I pray you," he encouraged her.</p>

                <p>"Well, then, I believe, if you were to offer me a chair, I believe <lb/> I could
                    bring myself to sit down."</p>

                <p>"I beg your pardon," he exclaimed ; and she sank rustling into <lb/> the chair
                    that he pushed forward.</p>

                <p>"Well, now for my business," said she. "Would you just put <lb/> this thing
                    somewhere ?" She offered him her sunshade, which <lb/> he took and handled
                    somewhat gingerly. "Oh, you needn't be <lb/> afraid. It's quite tame," she
                    laughed, "though I admit it looks <lb/> a bit ferocious. What a sweet room
                    you've got so manny, and <lb/> smoky, and booky. Are they all real books ?"</p>

                <p>"More or less real," he answered ; "as real as any books ever <lb/> are that a
                    fellow gets for review."</p>

                <p>"Oh, you got them for review ? How terribly exciting. <lb/> I've never seen a
                    book before that's actually passed through a </p>

                <fw type="catchword">reviewer's </fw>

                <pb n="82"/>

                <fw type="runningHead"><fw type="pageNum">68</fw> Flower o' the Clove</fw>

                <p>reviewer's hands. They don't look much the worse for it. What-<lb/> ever else you
                    said about them, I trust you didn't deny that they <lb/> make nice domestic
                    ornaments. But this isn't business. You <lb/> wouldn't call this business ?"</p>

                <p>"No, I should call this pleasure," he assured her, laughing.</p>

                <p>"<emph rend="italic">Would</emph> you ?" she questioned, raising her eyebrows.
                    "Ah, <lb/> but then you're English."</p>

                <p>"Aren't you ?" asked he.</p>

                <p>"Do I look English ?" </p>

                <p>"I'm not sure. You certainly don't dress English." </p>

                <p>"Heaven forbid ! I'm a miserable sinner, but at least I'm <lb/> incapable of
                    that. However, if you were really kind, you'd affect <lb/> just a little
                    curiosity to know the errand to which you owe my <lb/> presence."</p>

                <p>"I'm devoured by curiosity."</p>

                <p>"You are ? Then why don't you show it ?"</p>

                <p>"Perhaps because I have a sense of humour&#x2014;amongst other <lb/>
                    reasons."</p>


                <p>"Well, since you're devoured by curiosity, you must know," <lb/> she began ; but
                    broke off suddenly&#x2014;" Apropos, I wonder whether <lb/>
                    <emph rend="italic">you</emph> could be induced to tell <emph rend="italic"
                        >me</emph> something."</p>

                <p>"I daresay I could, if it's anything within my sphere of know-<lb/> ledge." </p>

                <p>"Then tell me, please, why you keep your Japanese fan in your <lb/>
                    fireplace."</p>

                <p>"Why shouldn't I ? Doesn't it strike you as a good place for <lb/> it ?" </p>

                <p>"Admirable. But my interest was psychological. I was <lb/> wondering by what
                    mental process you came to hit upon it."</p>

                <p>"Well, then, to be frank, it wasn't I who hit upon it ; it <lb/> isn't my
                    Japanese fan. It's a conceit of my landlady's. This</p>

                <fw type="catchword">is </fw>

                <pb n="83"/>

                <fw type="runningHead">By Henry Harland <fw type="pageNum">69</fw></fw>

                <p>is an age of paradox, you know. Would you prefer silver <lb/> paper ?"</p>

                <p>"<emph rend="italic">Must</emph> one have one or the other ?"</p>

                <p>"You're making it painfully clear," he cautioned her, "that <lb/> you've never
                    lived in lodgings."</p>

                <p>"If you go on at this rate," she retorted, laughing, "I shall <lb/> never get my
                    task accomplished. Here are twenty times that I've <lb/> commenced it, and
                    twenty times you've put me off. Shall we <lb/> now, at last, proceed seriously
                    to business ?"</p>

                <p>"Not on my account, I beg. I'm not in the slightest hurry."</p>

                <p>"You said you were devoured by curiosity."</p>

                <p>"Did I say that ?"</p>

                <p>"Certainly you did."</p>

                <p>"It must have been aphasia. I meant contentment."</p>

                <p>"Devoured by contentment ?" </p>

                <p>"Why not, as well as by curiosity ?"</p>

                <p>"The phrase is novel."</p>

                <p>"It's the occupation of my life to seek for novel phrases. I'm <lb/> what
                    somebody or other has called a literary man."</p>

                <p>"And you enjoy what somebody or other has called beating <lb/> about the bush
                    ?"</p>

                <p>"Hugely&#x2014;with such a fellow-beater."</p>

                <p>"You drive me to extremities. I see there's nothing for it but <lb/> to plunge in
                        <emph rend="italic">medias res</emph>. You must know, then, that I have
                    <lb/> been asked to call upon you by a friend&#x2014;by my friend Miss <lb/>
                    Johannah Rothe&#x2014;I beg your pardon ; I never <emph rend="italic">can</emph>
                    remember <lb/> that she's changed her name&#x2014;my friend Miss Johannah Silver
                    <lb/> &#x2014;but Silver <emph rend="italic">née</emph> Rothe&#x2014;of Silver
                    Towers, in the County of <lb/> Sussex."</p>

                <p>"Ah ?" said he. "Ah, yes. Then never tell me again that <lb/> there's nothing in
                    intuitions. I ve never met Miss Silver, but</p>

                <fw type="catchword">directly</fw>

                <pb n="84"/>

                <fw type="runningHead"><fw type="pageNum">70</fw> Flower o' the Clove</fw>

                <p>directly you crossed the threshold of this room, I began to feel <lb/> vaguely
                    reminded of her."</p>

                <p>"Oh, there's a lot in intuitions," she agreed. "But don't think <lb/> to
                    disconcert me. My friend Miss Silver&#x2014;"</p>

                <p>"Your <emph rend="italic">friend</emph>?"</p>

                <p>"Considering the sacrifice I'm making on her behalf to-day, <lb/> it's strange
                    you should throw doubt upon my friendship for her."</p>

                <p>"You make your sacrifices with a cheerful countenance. I <lb/> should never have
                    guessed that you weren't entirely happy. But <lb/> forgive my interruption. You
                    were about to say that your friend <lb/> Miss Silver&#x2014;"</p>

                <p>"My occasional friend. Sometimes, I confess, we quarrel like <lb/> everything,
                    and remain at daggers drawn for months. She's such <lb/> a flighty creature,
                    dear Johannah, she not infrequently gets me <lb/> into a perfect peck of
                    trouble. But since she's fallen heir to all <lb/> this money, you'd be surprised
                    to behold the devotion her friends <lb/> have shown her. I couldn't very well
                    refuse to follow their <lb/> example. One's human, you see ; and one can't dress
                    like this for <lb/> nothing, can one ?"</p>

                <p>"Upon my word, I'm not in a position to answer you. I've <lb/> never tried,"
                    laughed he.</p>

                <p>"In the absence of evidence to the contrary, I think we may <lb/> safely assume
                    one can't," said she. "However, here you are, beat-<lb/> ing about the bush
                    again. I come to you as Johannah's emissary. <lb/> She desires me to ask you
                    several questions."</p>

                <p>"Yes ?" said he, a trifle uncomfortably.</p>

                <p>"She would be glad to know," his visitor declared, looking <lb/> straight into
                    his eyes, and smiling a little gravely, "why you have <lb/> been so excessively
                    nasty to her !"</p>

                <p>"Have I been nasty to her ?" he asked, with an innocence that <lb/> was palpably
                    counterfeit.</p>

                <fw type="catchword">"Don't</fw>

                <pb n="85"/>

                <fw type="runningHead">By Henry Harland <fw type="pageNum">71</fw></fw>

                <p>"Don't you think you have ?"</p>

                <p>"I don't see how."</p>

                <p>"Don't you think you ve responded somewhat ungraciously to <lb/> her overtures of
                    friendship ? Do you think it was nice to answer <lb/> her letters with those
                    curt little formal notes of yours ? Look. <lb/> Johannah sat down to write to
                    you. And she began her letter <lb/>
                    <emph rend="italic">Dear Mr. Stretton</emph>. And then she simply couldn't. So
                    she tore<lb/> up the sheet and began another <emph rend="italic">My dear Cousin
                        Will</emph>. And what <lb/> did she receive in reply ? A note beginning
                        <emph rend="italic">Dear Miss Silver</emph>. <lb/> Do you think that was
                    kind ? Don't you think it was the least <lb/> bit mortifying ? And why have you
                    refused in such a stiff-necked <lb/> way to go down and see her at Silver Towers
                    ?"</p>

                <p>"Oh," he protested, "in all fairness, in all logic, your questions <lb/> ought to
                    be put the other way round."</p>

                <p>"Bother logic ! But put them any way you like."</p>

                <p>"What right had Miss Silver to expect me to multiply the com-<lb/> plications of
                    my life by rushing into an ecstatic friendship with <lb/> her ? And why, being
                    very well as I am in town just now, <lb/> why should I disarrange myself by a
                    journey into the <lb/> country ?"</p>

                <p>"Why, indeed ? I'm sure I can give no reason. Why should <lb/> one ever do any
                    one else a kindness ? Your cousin has con-<lb/> ceived a great desire to meet
                    you."</p>

                <p>"Oh, a great desire ! She'll live it down. A man named <lb/> Burrell has been
                    stuffing her up."</p>

                <p>"Stuffing her up ? The expression is new to me."</p>

                <p>"Greening her, filling her head with all sorts of nonsensical <lb/> delusions,
                    painting my portrait for her in all the colours of the <lb/> rainbow. Oh, I know
                    my Burrell. He's tried to stuff <emph rend="italic">me</emph> up, <lb/> too,
                    about her."</p>

                <p>"Oh ? Has he ? What has he said ?"</p>

                <fw type="catchword">"The</fw>

                <pb n="86"/>

                <fw type="runningHead"><fw type="pageNum">72</fw> Flower o' the Clove</fw>

                <p>"The usual rubbishy things one does say, when one wants to <lb/> stuff a fellow
                    up."</p>

                <p>"For instance ?"</p>

                <p>"Oh, that she's tremendously good-looking, with hair and eyes <lb/> and things,
                    and very charming."</p>

                <p>"What a dear good person the man named Burrell must be."</p>

                <p>"He's not a bad chap, but you must remember that he's her <lb/> solicitor."</p>

                <p>"And so you weren't to be stuffed ?"</p>

                <p>"If she was charming and good-looking, it was a reason the <lb/> more for
                    avoiding her." </p>

                <p>"Oh ?"</p>

                <p>"There's nothing on earth so tiresome as charming women. <lb/> They're all
                    exactly alike."</p>

                <p>"Thank you," his guest exclaimed, bowing.</p>

                <p>"Oh, nobody could pretend that <emph rend="italic">you're</emph> exactly alike,"
                    he said. <lb/> "I own at once that you're delightfully different. But Burrell
                    <lb/> has no knack for character drawing."</p>

                <p>"You're extremely flattering. But aren't you taking a <lb/> slightly one-sided
                    point of view ? Let us grant, for the sake of <lb/> the argument, that it <emph
                        rend="italic">is</emph> Johannah's bad luck to be charming and <lb/>
                    good-looking. Nevertheless, she still has claims on you."</p>

                <p>"Has she ?"</p>

                <p>"She's your cousin."</p>

                <p>"Oh, by the left hand," said he.</p>

                <p>She stared for an instant, biting her lip. Then she laughed.</p>

                <p>"And only my second or third cousin at that," he went on <lb/> serenely. </p>

                <p>She looked at him with eyes that were half whimsical, half <lb/> pleading. "Would
                    you mind being quite serious for a moment ?" <lb/> she asked. "Because
                    Johannah's situation, absurd as it seems,</p>

                <fw type="catchword">really</fw>

                <pb n="87"/>

                <fw type="runningHead">By Henry Harland <fw type="pageNum">73</fw></fw>

                <p>really is terribly serious for Johannah, I should like to submit it <lb/> to your
                    better judgment. We'll drop the question of cousinship, <lb/> if you
                    wish&#x2014;though it's the simple fact that you're her only <lb/>
                    blood-relation in this country, where she feels herself the forlornest <lb/>
                    sort of alien. She's passed her entire life in Italy and France, you <lb/> know,
                    and this is the first visit she's made to England since her <lb/> childhood. But
                    we'll drop the question of cousinship. At any <lb/> rate, Johannah is a human
                    being. Well, consider her plight a <lb/> little. She finds herself in the most
                    painful, the most humiliating <lb/> circumstances that can be imagined ; and
                    you're the only person <lb/> living who can make them easier for her.
                    Involuntarily&#x2014;in spite <lb/> of herself&#x2014;she's come into possession
                    of a fortune that naturally, <lb/> morally, belongs to you. She can't help it.
                    It's been left to her <lb/> by will&#x2014;by the will of a man who never saw
                    her, never had any <lb/> kind of relations with her, but chose her for his heir
                    just because <lb/> her mother, who died when Johannah was a baby, had chanced to
                    <lb/> be his cousin. And there the poor girl is. Can't you see how <lb/> like a
                    thief she must feel at the best ? Can't you see how much <lb/> worse you make it
                    for her, when she holds out her hand, and you <lb/> refuse to take it ? Is that
                    magnanimous of you ? Isn't it cruel ? <lb/> You couldn't treat her with greater
                    unkindness if she'd actually <lb/> designed, and schemed, and intrigued, to do
                    you out of your inheri-<lb/> tance, instead of coming into it in the passive way
                    she has. After <lb/> all, she's a human being, she's a woman. Think of her
                    pride."</p>

                <p>"Think of mine," said he.</p>

                <p>"I can't see that your pride is involved."</p>

                <p>"To put it plainly, I'm the late Sir William Silver's illegitimate <lb/>
                    son."</p>

                <p>"Well ? What of that ?"</p>

                <p>"Do you fancy I should enjoy being taken up and patronised <lb/> by his
                    legitimate heir ?"</p>

                <fw type="catchword">"Oh!"</fw>

                <pb n="88"/>

                <fw type="runningHead"><fw type="pageNum">74</fw> Flower o' the Clove</fw>

                <p>"Oh !" she cried, starting to her feet. "You can't think I <lb/> would be capable
                    of anything so base as that."</p>

                <p>And her saw that her eyes had suddenly filled with tears.</p>

                <p>"I beg your pardon, I beg your pardon a thousand times," he <lb/> said. "You
                    would be utterly incapable of anything that was not <lb/> generous and noble.
                    But you must remember that I had never <lb/> seen you. How could I know ?"</p>

                <p>"Well, now that you <emph rend="italic">have</emph> seen me," she responded, her
                    eyes <lb/> all smiles again, "now that I've put <emph rend="italic">my</emph>
                    pride in my pocket, and <lb/> bearded you in your den, I don't mind confiding to
                    you that it's <lb/> nearly lunch-time, and also that I'm ravenously hungry.
                    Could <lb/> you ring your bell, and order up something in the nature of meat
                    <lb/> and drink ? And while you are about it, you might tell your <lb/> landlady
                    or some one to pack your bag. We take," she mentioned, <lb/> examining a tiny
                    watch, that seemed nothing more than a frivolous <lb/> incrustation of little
                    diamonds and rubies, "we take the three- <lb/> sixteen for Silver Towers."</p>

                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"
                        >II</emph></emph></emph></p>

                <p>Seated opposite her in the railway-carriage, as their train bore <lb/> them
                    through the pleasant dales and woods of Surrey, Will Stretton <lb/> fell to
                    studying his cousin's appearance. "Burrell was right," he <lb/> told himself;
                    "she really is tremendously good-looking," and <lb/> that, in spite of a
                    perfectly reckless irregularity of feature. Her <lb/> nose was too small, but it
                    was a delicate, pert, pretty nose, not <lb/> withstanding. Her mouth was too
                    large, but it was a beautiful <lb/> mouth, all the same, softly curved and red
                    as scarlet, with sensitive, <lb/> humorous little quirks in its corners. Her
                    eyes he could admire <lb/> without reservation, brown and pellucid, with the
                    wittiest, teas- <lb/> ingest, mockingest lights dancing in them, yet at the same
                    time a </p>

                <fw type="catchword">deeper</fw>

                <pb n="89"/>

                <fw type="runningHead">By Henry Harland <fw type="pageNum">75</fw></fw>

                <p>deeper light that was pensive, tender, womanly. Her hair, too, he <lb/> decided,
                    was quite lovely, abundant, undulating, black, blue-black <lb/> even, but fine,
                    but silky, escaping in a flutter of small curls above <lb/> her brow, "It's like
                    black foam," he said. And he would have <lb/> been ready to go to war for her
                    complexion, though it was so un- <lb/> English a complexion that one might have
                    mistaken her for a <lb/> native of the France or Italy she had inhabited : warm,
                    dusky, <lb/> white, with an elusive shadow of rose glowing through it. Yes,
                    <lb/> she was tremendously good-looking, he concluded. She looked <lb/> fresh
                    and strong and real. She looked alert, alive, full of the spring <lb/> and the
                    joy of life. She looked as if she could feel quick and <lb/> deep, as if her
                    blood flowed swiftly, and was red. He liked her <lb/> face, and he liked her
                    figure&#x2014;it was supple and vigorous. He <lb/> liked the way she
                    dressed&#x2014;there was something daring and spirited <lb/> in the unabashed,
                    whole-souled luxury of it. "Who ever saw <lb/> such a hat&#x2014;or such a
                    sunshade ?" he reflected.</p>

                <p>"There'll be no coach-and-four to meet us at the station," <lb/> she warned him,
                    as they neared their journey's end, "because <lb/> I have no horses. But we'll
                    probably find Madame Dornaye <lb/> there, <emph rend="italic">piaffer</emph>-ing
                    in person. Can you resign yourself to the<lb/> prospect of driving up to your
                    ancestral mansion in a hired <lb/> fly ?" </p>

                <p>"I could even, at a pinch, resign myself to walking," he <lb/> declared. "But who
                    is Madame Dornaye ?"</p>

                <p>"Madame Dornaye is my burnt-offering to that terrible sort of <lb/> fetich called
                    the County. She's what might be technically termed <lb/> my chaperon."</p>

                <p>"Oh, to be sure. I had forgotten. Of course, you'd have a <lb/> chaperon."</p>

                <p>"By no means of course. Until the other day I'd never <lb/> thought of such a
                    thing. But it's all along o' the man named</p>

                <fw type="footer">The Yellow Book&#x2014;Vol. XII. E</fw>
                <fw type="catchword">Burrell.</fw>

                <pb n="90"/>

                <fw type="runningHead"><fw type="pageNum">76</fw> Flower o' the Clove</fw>

                <p>Burrell. He insisted that I mustn't live alone&#x2014;that I was too <lb/> young.
                    He has such violent hallucinations about people's ages. <lb/> He said the County
                    would be horrified. I must have an old <lb/> woman, a sound, reliable old woman,
                    to live with me. I begged <lb/> and implored <emph rend="italic">him</emph> to
                    come and try it, but he protested with tears<lb/> in his eyes that he wasn't an
                    old woman. So I sent for Madame <lb/> Dornaye, who is, every inch of her. She's
                    the widow of a man <lb/> who used to be a professor at the Sorbonne, or
                    something. I've <lb/> known her for at least a hundred years. She's connected in
                    some <lb/> roundabout way with the family of my father's step-mother. She's
                    <lb/> like a little dry brown leaf ; and she plays Chopin <emph rend="italic"
                        >comme pas un</emph> ; <lb/> and she lends me a false air of respectability,
                    I suppose. She calls <lb/> me <emph rend="italic">Jeanne ma fille</emph>, if you
                    can believe it, as if my name weren't <lb/> common Johannah. If you chance to
                    please her, she'll very likely <lb/> call you <emph rend="italic">Jean mon
                        fils</emph>. But see how things turn out. The man <lb/> named Burrell also
                    insisted that I must put on mourning, as a symbol <lb/> of my grief for the late
                    Sir William. That I positively refused <lb/> to think of. So the County's
                    horrified, all the same which <lb/> proves the futility of concessions."</p>

                <p>"Oh ?" questioned Will. What does the County do ?"</p>

                <p>"It comes and calls on me, and walks round me, and stares, <lb/> with a funny
                    little deprecating smile, as if I were some outlandish <lb/> and not very proper
                    animal, cast up by the sea. To begin with, <lb/> there's the vicar, with all his
                    wives and daughters. <emph rend="italic">Their</emph> emotions <lb/> are
                    complicated by the fact that I'm a Papist. Then there's old <lb/> Lord Belgard ;
                    and there's Mrs. Breckenbridge, with her marriage-<lb/> able sons ; and there's
                    the Bishop of Salchester, with his Bishopess, <lb/> Dean, and Chapter. The dear
                    good people make up parties in <lb/> the afternoon, to come and have a look at
                    me ; and they sip my <lb/><lb/> tea with an air of guilt, as if it smacked of
                    profligacy ; and they <lb/> suppress demure little knowing glances among
                    themselves. And</p>

                <fw type="catchword">then</fw>

                <pb n="91"/>

                <fw type="runningHead">By Henry Harland <fw type="pageNum">77</fw></fw>

                <p>then at last they go away, shaking their heads, and talking me <lb/> over in
                    awe-struck voices."</p>

                <p>"I can see them, I can hear them," Will laughed.</p>

                <p>"Haven't you in English a somewhat homely proverbial expres-<lb/> sion about the
                    fat and the fire ?" asked Johannah.</p>

                <p>"About the fat getting into the fire ? Yes," said Will. </p>

                <p>"Well, then, to employ that somewhat homely proverbial ex-<lb/> pression," she
                    went on, " the fat got into the fire at the Bishop's <lb/> palace. Mrs. Rawley
                    was kind enough to write and ask us to <lb/> dinner, and she added that she had
                    heard I sang, and wouldn't I <lb/> bring some music ? But nobody had ever told
                    me that it's bad <lb/> form in England to sing <emph rend="italic">well</emph>.
                    So, after dinner, when Mrs. <lb/> Rawley said, 'Now, Miss Silver, do sing us
                    something,' I made <lb/> the incredible blunder of singing as well as I could. I
                    sang the <lb/>
                    <emph rend="italic">Erlkönig</emph>, and Madame Dornaye played the
                    accompaniment, and <lb/> we both did our very bestest, in our barefaced,
                    Continental way. <lb/> We were a little surprised, and vastly enlightened, to
                    perceive that <lb/> we'd shocked everybody. And by-and-by the Bishop's daughters
                    <lb/> consented to sing in their turn, and then we saw the correct <lb/> British
                    style of doing it. If you don't want to be considered <lb/> rowdyish and noisy
                    in a British drawing-room, you must sing <lb/> under your breath, faintly,
                    faintingly, as if you were afraid some <lb/> body might hear you." </p>

                <p>"My poor dear young lady," her cousin commiserated her, <lb/> "fancy your only
                    just discovering that. It's one of the founda-<lb/> tion-stones of our social
                    constitution. If you sing with any art <lb/> or with any feeling, you expose
                    yourself to being mistaken for a <lb/> paid professional."</p>

                <p>"Another thing that's horrified the County," pursued Johannah, <lb/> "is the
                    circumstance that I keep no horses. I don't like horses <lb/> &#x2014;except in
                    pictures. In pictures, I admit at once, they make a</p>

                <fw type="catchword">very</fw>

                <pb n="92"/>

                <fw type="runningHead"><fw type="pageNum">78</fw> Flower o' the Clove</fw>

                <p>very pleasant decorative motive. But in life&#x2014;they're too strong<lb/> and
                    too unintelligent ; and they're perpetually bolting. By-the- <lb/> bye, please
                    choose a good feeble jaded one, when you engage our <lb/> fly. I'm devoted to
                    donkeys, though. They're every bit as <lb/> decorative as the horse, and they're
                    really wise&#x2014;they only baulk. <lb/> I had a perfect love of a little
                    donkey in Italy ; his name was <lb/> Angelo. If I decide to stay in England, I
                    shall have a spanking <lb/> team of four donkeys, with scarlet trappings and
                    silver bells. But <lb/> the County says, 'Oh, you <emph rend="italic"
                        >must</emph> have horses,' and casts its eyes <lb/> appealingly to heaven
                    when I say I <emph rend="italic">won't</emph>."</p>

                <p>"The County lacks a sense of situations. It's really a deli- <lb/> ciously fresh
                    one&#x2014;a big country house, and not a horse in the <lb/> stables."</p>

                <p>"Apropos of the house, that brings me to another point," said <lb/> she. " The
                    County feels very strongly that I ought to put the <lb/> house in
                    repair&#x2014;that dear old wonderful, rambling, crumbling <lb/> house. They
                    take it as the final crushing evidence of my <lb/> depravity, that I prefer to
                    leave it in its present condition of <lb/> picturesque decay. I'm sure you agree
                    with me, that it would be <lb/> high treason to allow a carpenter or mason to
                    lay a hand on it. <lb/> By-the-bye, I hope you have no conscientious scruples
                    against <lb/> speaking French ; for Madame Dornaye only knows two words <lb/> of
                    English, and those she mispronounces. There she is&#x2014;yes, <lb/> that little
                    black and grey thing, in the frock. She's come to meet <lb/> me, because we had
                    a bet. You owe me five shillings," she called <lb/> out to Madame Dornaye, as
                    Will helped her from the carriage. <lb/> "You see, I've brought him."</p>

                <p>Madame Dornaye, who had a pair of humorous old French <lb/> eyes, responded,
                    blinking them, "Oh, before I pay you, I shall <lb/> have to be convinced that it
                    is really he."</p>

                <p>"I am afraid it's really he," laughed Will ; "but rather than let</p>

                <fw type="catchword">so </fw>

                <pb n="93"/>

                <fw type="runningHead">By Henry Harland <fw type="PageNum">79</fw></fw>

                <p>so immaterial a detail cost you five shillings, I'm prepared to <lb/> maintain
                    with my dying breath that there's no such person."</p>

                <p>"Don't mind him," interposed Johannah. "He's trying to <lb/> flatter you up,
                    because he wants you to call him <emph rend="italic">Jean mon fils</emph>, as
                    <lb/> if his name weren't common William." Then, to him, "Go," <lb/> she said,
                    with an imperious gesture, "go and find a vehicle with <lb/> a good tired
                    horse."</p>

                <p>And when the vehicle with the good tired horse had brought <lb/> them to their
                    destination, and they stood before the hall-door of <lb/> Silver Towers,
                    Johannah looked up at the escutcheon carved in <lb/> the pale-grey stone above
                    it, and said pensively, "On a field azure, <lb/> a heart gules, crowned with an
                    imperial crown or ; and the motto, <lb/> 'Qu'il régne !' If, when you got my
                    first letter, Cousin Will, <lb/> if you'd remembered the arms of our family, and
                    the motto&#x2014;if <lb/> you had 'let it reign'&#x2014;I should have been
                    spared the trouble and <lb/> expense of a journey to town to-day."</p>

                <p>"But I should have missed a precious experience," said he. <lb/> "You forget what
                    I couldn t help being supremely conscious of <lb/> &#x2014;that I bear those
                    arms with a difference. I hope, though, that <lb/> you won't begrudge the
                    journey to town. I think there are <lb/> certain aspects of your character that
                    I might never have dis-<lb/> covered if I'd met you in any other way." </p>
                <lb/>
                <lb/>
                <lb/>
                <p>That evening Johannah wrote a letter :</p>
                <lb/>
                <p>"DEAR MR. BURRELL :</p>

                <p><emph rend="indent">"<emph rend="italic">Ce que femme veut, Dieu le vent</emph>.
                        The first part of my</emph>
                    <lb/> rash little prophecy has already come true. Will Stretton is staying <lb/>
                    in this house, a contented guest. At the present moment he's hover-<lb/> ing
                    about the piano, where Madame Dornaye is playing Chopin ; and </p>

                <fw type="catchword">he's</fw>

                <pb n="94"/>

                <fw type="runningHead"><fw type="pageNum">80</fw> Flower o' the Clove</fw>

                <p>he's just remarked that he never hears Chopin without thinking of <lb/> those
                    lines of Browning's :</p>

                <lg type="stanza">
                    <l rend="indent"><emph rend="indent"><emph rend="indent">'I
                            discern</emph></emph></l>

                    <l rend="indent"><emph rend="indent">Infinite passion, and the pain</emph></l>
                    <l rend="indent"><emph rend="indent">Of finite hearts that yearn.'</emph></l>
                </lg>
                <lb/>
                <p>I quite agree with you, he <emph rend="italic">is</emph> a charming creature. So
                    now I repeat <lb/> the second part of my rash little prophecy : Before the
                    summer's <lb/> over he will have accepted at least a good half of his paternal
                    fortune. <lb/>
                    <emph rend="italic">Ce que femme veut, le diable ne saurait pas
                        l'empêcher</emph>. He will he <lb/> shall, even if I have to marry him to
                    make him.</p>

                <p><emph rend="indent"><emph rend="indent"><emph rend="indent">"Yours
                            ever</emph></emph></emph></p>

                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"><emph rend="indent"
                                    >"JOHANNAH SILVER."</emph></emph></emph></emph></p>
                <lb/>
                <lb/>

                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"
                        >III</emph></emph></emph></p>
                <lb/>
                <p>Will left his room somewhat early the next morning, and went <lb/> down into the
                    garden. The sun was shining briskly, the dew <lb/> still sparkled on the grass,
                    the air was heady with a hundred keen <lb/> earth-odours. A mile away, beyond
                    the wide green levels of <lb/> Sumpter Meads, the sea glowed blue as the blue of
                    larkspur, under <lb/> the blue June sky. And everywhere, everywhere, innumerable
                    <lb/> birds piped and twittered, filling the world with a sense of gay <lb/>
                    activity, of whole-hearted, high-hearted life.</p>

                <p>"What ! up already ?" a voice called softly, from behind him.</p>

                <p>He turned, and met Johannah.</p>

                <p>"Why not, since you are ?" he responded. </p>

                <p>She laughed, and gave him her hand, a warm, elastic hand, firm <lb/> of grasp. In
                    a garden-hat and a white frock, her eyes beaming, <lb/> her cheeks faintly
                    flushed, she seemed to him a sort of beautiful <lb/> incarnation of the spirit
                    of the summer morning, its freshness, and <lb/> sweetness, and richness.</p>

                <fw type="catchword">"Oh,</fw>

                <pb n="95"/>

                <fw type="runningHead">By Henry Harland <fw type="pageNum">81</fw>
                </fw>

                <p>"Oh, we furriners," she explained ; "we're all shocking early <lb/> risers. In
                    Italy we love the day when it is young, and deem it <lb/> middle-aged by eight
                    o'clock. But in England I had heard it <lb/> was the fashion to lie late."</p>

                <p>"I woke, and couldn't go to sleep again, so I tossed the fashion <lb/> to the
                    winds. Perhaps it was a sort of dim presentiment that <lb/> I should surprise
                    Aurora walking in the garden, that banished <lb/> slumber."</p>

                <p>"Flowery speeches are best met by flowery deeds," said she. <lb/> "Come with me
                    to the rosery, and I will give you a red, red <lb/> rose." </p>

                <p>And in the rosery, as she stood close to him, pinning the red, <lb/> red rose in
                    his coat, her smooth cheek and fragrant hair so near, <lb/> so near, he felt his
                    heart all at once begin to throb, and he had to <lb/> control a sudden absurd
                    longing to put his arms round her and <lb/> kiss her. "Good heavens," he said to
                    himself, "I must be on my <lb/> guard."</p>

                <p>"There," she cried, bestowing upon her task a gentle pat, by <lb/> way of finish,
                    "that makes us quits." And she raised her eyes to <lb/> his, and held them for
                    an instant with a smile that did anything <lb/> but soothe the trouble in his
                    heart, such a sly little teasing, cryptic <lb/> smile. Could it possibly be, he
                    wondered wildly, that she had <lb/> divined his monstrous impulse, and was
                    coquetting with it ? </p>

                <p>"Now let's be serious," she said, leading the way back to the <lb/> lawn. "It's
                    like a hanging-garden, high up here, with the meads <lb/> and the sea below,
                    isn't it ? And apropos of the sea, I would beg <lb/> you to observe its colour.
                    Is it blue ? I would also ask you <lb/> kindly to cast an eye on that line of
                    cliffs, there to the eastward, <lb/> as it goes winding in and out away to the
                    vanishing-point. Are <lb/> the cliffs white ?"</p>

                <p>"Oh, yes, the cliffs are white," asserted Will.</p>

                <fw type="catchword">"How </fw>

                <pb n="96"/>

                <fw type="runningHead"><fw type="pageNum">82</fw> Flower o' the Clove </fw>

                <p>"How can you tell such dreadful fibs ?" she reproached him. <lb/> "The cliffs are
                    prismatic. White, indeed ! when they gleam <lb/> with every transparent tint
                    from rose to violet, as if the light that <lb/> falls on them had passed through
                    rubies and amethysts, and all <lb/> sorts of precious stones. That is an optical
                    effect due doubtless to <lb/> reflection or refraction or something&#x2014;no
                    ?"</p>

                <p>"I should say it was almost certainly due to something," he <lb/> acquiesced.</p>

                <p>"And now," she continued, "will you obligingly turn your <lb/> attention to the
                    birds ? Tweet-weet-willow-will-weet. I don't <lb/> know what it means, but they
                    repeat it so often and so earnestly, <lb/> I'm sure it must be true."</p>

                <p>"It's relatively true," said he. " It means that it's a fine <lb/> morning, and
                    their digestion's good, and their affairs are prosper-<lb/> ing&#x2014;nothing
                    more than that. They're material-minded little <lb/> beasts, you know."</p>

                <p>"All truth is relative," said she, "and one's relatively a material- <lb/> minded
                    little beast oneself. Is the greensward beyond there (rela-<lb/> tively)
                    spangled with buttercups and daisies ? Is the park leafy, <lb/> and shadowy, and
                    mysterious, and (relatively) delightful ? Is the <lb/> may in bloom ? <emph
                        rend="italic">Voyons donc</emph> ! you ll never be denying that the<lb/>
                    may's in bloom. And is the air like an elixir ? I vow, it goes to <lb/> one's
                    head like some ethereal elixir ? And yet you have the <lb/> effrontery to tell
                    me that you're pining for the flesh-pots of Great <lb/> College Street,
                    Westminster, S.W."</p>

                <p>"Oh, did I tell you that ? Ah, well, it must have been with <lb/> intent to
                    deceive, for nothing could be farther from the truth."</p>

                <p>"The relative truth ? Then you re not homesick ?"</p>

                <p>"Not consciously."</p>

                <p>"Neither am I," said she.</p>

                <p>"Why should you be ?" said he.</p>

                <fw type="catchword">"This</fw>

                <pb n="97"/>

                <fw type="runningHead">By Henry Harland <fw type="PageNum">83</fw>
                </fw>

                <p>"This is positively the first day since my arrival in England <lb/> that I
                    haven't been, more or less," she answered.</p>

                <p>"Oh ?" he questioned sympathetically.</p>

                <p>"You can't think how <emph rend="italic">dépaysée</emph> I've felt. After having
                    lived <lb/> all one's life in Prague, suddenly to find oneself translated to the
                    <lb/> mistress-ship of an English country house."</p>

                <p>"In Prague ? I thought you had lived in Rome and Paris, <lb/> chiefly."</p>

                <p>"Prague is a figure of rhetoric. I mean the capital of Bohemia. <lb/> Wasn't my
                    father a sculptor ? And wasn't I born in a studio ? <lb/> And haven't my
                    playmates and companions always been of Flori- <lb/> zel the loyal subjects ? So
                    whether you call it Rome or Paris or <lb/> Florence or Naples, it was Prague,
                    none the less."</p>

                <p>"At that rate, I live in Prague myself, and we're compatriots," <lb/> said Will. </p>

                <p>"That's no doubt why I don't feel homesick any more. <lb/> Where two of the
                    faithful are gathered together they can form a <lb/> miniature Prague of their
                    own. If I decide to stay in England, <lb/> I shall send for a lot of my Prague
                    friends to come and visit me, <lb/> and you can send for an equal number of
                    yours ; and then we'll <lb/> turn this bright particular corner of the British
                    Empire into a <lb/> province of Bohemia, and the County may be horrified with
                    <lb/> reason. But meanwhile, let's be Pragueians in practice as well as <lb/>
                    theory. Let's go to the strawberry beds, and steal some straw-<lb/>
                    berries."</p>

                <p>She walked a little in front of him. Her garden-hat had come <lb/> off, and she
                    was swinging it at her side, by its ribbons. Will <lb/> noticed the strong,
                    lithe sway and rhythm of her body, as she <lb/> moved. "What a <emph
                        rend="italic">woman</emph> she is," he thought ; "how one feels <lb/> her
                    sex." And with that, he all at once became aware of a <lb/> singular depression.
                    "Surely," a malevolent little voice within him</p>

                <fw type="catchword">argued,</fw>

                <pb n="98"/>

                <fw type="runningHead"><fw type="pageNum">84</fw> Flower o' the Clove</fw>

                <p>argued, "woman that she is, and having passed all her life with <lb/> the
                    subjects of Florizel, surely, surely, she must have had . . . <lb/> experiences.
                    She must have loved&#x2014;she must have been loved." <lb/> And (as if it was
                    any of his business !) a kind of vague jealousy <lb/> of her past, a kind of
                    suspiciousness and irrelevant resentment, <lb/> began to burn dully, a small
                    spot of pain, somewhere in his <lb/> breast.</p>

                <p>She, apparently, was in the highest spirits. There was some-<lb/> thing
                    expressive of joyousness in the mere way she tripped over <lb/> the grass,
                    swinging her garden-hat like a basket ; and presently she <lb/> fell to singing,
                    merrily, in a light voice, that prettiest of old <lb/> French songs, <emph
                        rend="italic">Les Trois Princesses</emph>, dancing forward to its <lb/>
                    measure :</p>

                <lg type="stanza">
                    <l rend="indent"><emph rend="indent">"Derrièr' chez mon père,</emph>
                    </l>

                    <l rend="indent"><emph rend="indent">(Vole, vole, mon coeur, vole !)</emph>
                    </l>

                    <l rend="indent"><emph rend="indent">Derrièr' chez mon père,</emph></l>

                    <l rend="indent"><emph rend="indent">Ya un pommier doux,</emph></l>

                    <l rend="indent"><emph rend="indent">Tout doux, et iou,</emph></l>

                    <l rend="indent"><emph rend="indent">Ya un pommier doux."</emph></l>
                </lg>
                <lb/>
                <p>"Don't you like that song ?" she asked. "The tune of it is <lb/> like the smell
                    of faded rose-leaves, isn't it ?"</p>

                <p>And suddenly she began to sing a different one, possibly an <lb/> improvisation
                    :</p>

                <lg type="stanza">
                    <l rend="indent">"And so they set forth for the strawberry beds, </l>
                    <l rend="indent"><emph rend="indent">The strawberry beds, the strawberry
                            beds,</emph></l>
                    <l rend="indent">And so they set forth for the strawberry beds,</l>
                    <l rend="indent"><emph rend="indent">On Christmas day in the
                        morning."</emph></l>
                </lg>
                <lb/>
                <p>And when they had reached the strawberry beds, she knelt, and <lb/> plucked a
                    great red berry, and then leapt up again, and held it to <lb/> her cousin's
                    lips, saying, "Bite&#x2014;but spare my fingers." And so,</p>

                <fw type="catchword">laughing,</fw>

                <pb n="99"/>

                <fw type="runningHead">By Henry Harland <fw type="PageNum">85</fw></fw>

                <p>laughing, she fed it to him, while he, laughing too, consumed it. <lb/> But when
                    her pink finger-tips all but touched his lips, his heart <lb/> had a convulsion,
                    and it was only by main-force that he restrained <lb/> his kisses. And he said
                    to himself, "I must go back to town <lb/> to-morrow. This will never do. It
                    would be the devil to pay if <lb/> I should let myself fall in love with her." </p>

                <p>"Oh, yes, I've felt terribly <emph rend="italic">dépaysée</emph>," she told him
                    again, her-<lb/> self nibbling a berry. "I've felt like the traditional cat in
                    the <lb/> strange garret. And then, besides, there was my change of name. <lb/>
                    I can't reconcile myself to being called Miss Silver. I can't <lb/> realise the
                    character. It's like an affectation, like making-believe. <lb/> Directly I relax
                    my vigilance, I forget, and sink back into <lb/> Johannah Rothe. I'm always
                    Johannah Rothe when I m alone. <lb/> Directly I'm alone, I push a big <emph
                        rend="italic">ouf</emph>, and send Miss Silver to<lb/> Cracklimboo. Then
                    somebody comes, and, with a weary sigh, I <lb/> don my sheep's clothing again.
                    Of course, there's nothing in a <lb/> name, and yet there's everything. There's
                    a furious amount of <lb/> mental discomfort when the name doesn't fit." </p>

                <p>"It's a discomfort that will pass," he said consolingly. "The <lb/> change of
                    name is a mere formality&#x2014;a condition attached to com-<lb/> ing into a
                    property. In England, you know, it's a rather frequent <lb/> condition."</p>

                <p>"I'm aware of that. But to me it seems symbolic&#x2014;symbolic <lb/> of my whole
                    situation, which is false, abnormal. Silver ? Silver ? <lb/> It's a name meant
                    for a fair person, with light hair and a white <lb/> skin. And here I am, as
                    black as any Gipsy. And then ! It's <lb/> a condition attached to coming into a
                    property. Well, I come <lb/> into a property to which I have no more moral right
                    than I have <lb/> to the coat on your back ; and I'm obliged to do it under an <lb/>
                    <emph rend="italic">alias</emph>, like a thief in the night."</p>

                <p>"Oh, my dear young lady," he cried out, "you've the very</p>

                <fw type="catchword">best </fw>

                <pb n="100"/>

                <fw type="runningHead"><fw type="pageNum">86</fw> Flower o' the Clove</fw>

                <p>best of rights, moral as well as legal. You come into a property <lb/> that is
                    left to you by will, and you're the last representative of the <lb/> family in
                    whose hands it has been for I forget how many hun-<lb/> dreds of years."</p>

                <p>"That," said she, "is a question I shall not refuse to discuss <lb/> with you
                    upon some more fitting occasion. For the present I <lb/> am tempted to
                    perpetrate a simply villainous pun, but I forbear. <lb/> Suffice it to say that
                    I consider the property that I've come into <lb/> as nothing more nor less than
                    a present made me by my cousin, <lb/> William Stretton. No&#x2014;don't
                    interrupt ! I happen to know <lb/> my facts. I happen to know that if Will
                    Stretton hadn't, for <lb/> reasons in the highest degree honourable to himself,
                    quarrelled <lb/> and broken with his father, and refused to receive a penny from
                    <lb/> him, I happen to know, I say, that Sir William Silver would have <lb/>
                    left Will Stretton everything he possessed in the world. So, you <lb/> see, I'm
                    indebted to my Quixotic cousin for something in the <lb/> neighbourhood, I'm
                    told, of eight thousand a year. Rather a <lb/> handsome little present, isn't it
                    ? Furthermore, let me add in <lb/> passing, I absolutely forbid my cousin to
                    call me his dear young <lb/> lady, as if he were seven hundred years my senior
                    and only a <lb/> casual acquaintance. A really nice cousin would take the
                    liberty <lb/> of calling me by my Christian name."</p>

                <p>"I'll take the liberty of calling you by some exceedingly <emph rend="italic"
                        >un</emph>- <lb/> Christian name, if you don't leave off talking that
                    impossible rot <lb/> about my making you a present."</p>

                <p>"I wasn't talking impossible rot about your making me a <lb/> present. I was
                    merely telling you how <emph rend="italic">dépaysée</emph> I'd felt. The <lb/>
                    rest was parenthetic. So now, then, keep your promise, call me <lb/>
                    Johannah."</p>

                <p>"Johannah," he called submissively.</p>

                <p>"Will," said she. "And when you feel, Will, that on the</p>

                <fw type="catchword">whole,</fw>

                <pb n="101"/>

                <fw type="runningHead">By Henry Harland <fw type="PageNum">87</fw></fw>

                <p>whole, Will, you've had strawberries enough, Will, quite to <lb/> destroy your
                    appetite, perhaps it would be as well if we should go <lb/> in to breakfast,
                    Willie."</p>
                <lb/>
                <lb/>

                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"
                        >IV</emph></emph></emph></p>
                <lb/>
                <p>They were seated on the turf, under a great tree, in the park, <lb/> amid a
                    multitude of bright-coloured cushions, Johannah, Will, and <lb/> Madame Dornaye.
                    It was three weeks later&#x2014;whence it may be <lb/> inferred that he had
                    abandoned his resolution to "go back to town <lb/> to-morrow." He was smoking a
                    cigarette ; Madame Dornaye <lb/> was knitting ; Johannah, hatless, in an
                    indescribable confection of <lb/> cream-coloured muslin, her head pillowed in a
                    scarlet cushion <lb/> against the body of the tree, was gazing off towards the
                    sea with <lb/> dreamy eyes.</p>

                <p>"Will," she called languidly, by-and-by.</p>

                <p>"Yes?" he responded.</p>

                <p>"Do you happen by any chance to belong to that sect of <lb/> philosophers who
                    regard gold as a precious metal ?"</p>

                <p>"From the little I've seen of it, I am inclined to regard it as <lb/>
                    precious&#x2014;yes," he answered.</p>

                <p>"Well, then, I wouldn't be so lavish of it, if I were you," said <lb/> she.</p>

                <p>"If you don't take care," said he, "you'll force me to admit <lb/> that I haven't
                    an idea of what you re driving at."</p>

                <p>"I'm driving at your silence. You're as silent as a statue. <lb/> Please talk a
                    little."</p>

                <p>"What shall I talk about?"</p>

                <p>"Anything. Nothing. Tell us a story."</p>

                <p>"I don't know any stories."</p>

                <p>"Then the least you can do is to invent one."</p>

                <fw type="catchword">What</fw>

                <pb n="102"/>

                <fw type="runningHead"><fw type="pageNum">88</fw> Flower o' the Clove</fw>

                <p>"What sort of story would you like ?"</p>

                <p>"There's only one sort of story a woman ever sincerely likes&#x2014;<lb/>
                    especially on a hot summer's afternoon, in the country." </p>

                <p>"Oh, I couldn't possibly invent a love-story."</p>

                <p>"Then tell us a true one. You needn't be afraid of shocking <lb/> Madame Dornaye.
                    She's a realist herself."</p>

                <p>"Jeanne ma fille !" murmured Madame Dornaye, reprovingly.</p>

                <p>"The only true love-story I could tell has a somewhat singular <lb/> defect,"
                    said he. "There's no heroine."</p>

                <p>"That's like the story of what's-his-name&#x2014;Narcissus."</p>

                <p>"With the vastest difference. The hero of my story wasn't <lb/> in love with his
                    own image. He was in love with a beautiful <lb/> princess."</p>

                <p>"Then how can you have the face to say that there's no <lb/> heroine ?"</p>

                <p>"There isn't any heroine. At the same time, there's nothing <lb/> else. The
                    story's all about her. You see, she never existed."</p>

                <p>"You said it was a <emph rend="italic">true</emph> love-story."</p>

                <p>"So it is&#x2014;literally true."</p>

                <p>"I asked for a story, and you give me a riddle."</p>

                <p>"Oh, no, it s a story all the same. Its title is <emph rend="italic">Much Ado
                        about</emph>
                    <lb/>
                    <emph rend="italic">Nobody</emph>."</p>

                <p>"Oh ? It runs in my head that I've met with something or <lb/> other with a
                    similar title before."</p>

                <p>"Precisely. Something or other by one of the Elizabethans. <lb/> That's how it
                    came to occur to me. I take my goods where I <lb/> find them. However, do you
                    want to hear the story ?"</p>

                <p>"Oh, if you're determined to tell it, I daresay I can steel myself <lb/> to
                    listen."</p>

                <p>"On second thoughts, I'm determined not to tell it."</p>

                <p>"Bother ! Don't be disagreeable. Tell it at once." </p>

                <fw type="catchword">"Well,</fw>

                <pb n="103"/>

                <fw type="runnigHead">By Henry Harland <fw type="pageNum">89</fw></fw>

                <p>"Well, then, there isn't any story. It's simply an absurd little <lb/> freak of
                    child psychology. It's the story of a boy who fell in <lb/> love with a
                    girl&#x2014;a girl that never was, on sea or land. It <lb/> happened in Regent
                    Street, of all romantic places, 'one day still <lb/> fierce, 'mid many a day
                    struck calm.' I had gone with my mother <lb/> to her milliner's. I think I was
                    ten or eleven. And while my <lb/> mother was transacting her business with the
                    milliner, I devoted <lb/> my attention to the various hats and bonnets that were
                    displayed <lb/> about the shop. And presently I hit on one that gave me a
                    sen-<lb/> sation. It was a straw hat, with brown ribbons, and cherries, <lb/>
                    great glossy red and purple cherries. I looked at it&#x2014;and suddenly <lb/> I
                    got a vision, a vision of a girl. Oh, the loveliest, loveliest girl ! <lb/> She
                    was about eighteen (a self-respecting boy of eleven, you <lb/> know, always
                    chooses a girl of about eighteen to fall in love with), <lb/> and she had the
                    brightest brown eyes, and the rosiest cheeks, and <lb/> the curlingest hair, and
                    a smile and a laugh that made one's heart <lb/> thrill and thrill with
                    unutterable blisses. And there hung her <lb/> hat, as if she had just come in,
                    and taken it off, and passed into <lb/> another room. There hung her hat,
                    suggestive of her as only <lb/> people's hats know how to be suggestive ; and
                    there sat I, my eyes <lb/> devouring it, my soul transported. The very air of
                    the shop <lb/> seemed all at once to have become fragrant&#x2014;with the
                    fragrance <lb/> that had been shaken from her garments as she passed. I went
                    <lb/> home, hopelessly, frantically in love. I loved that non-existent <lb/>
                    young woman, with a passion past expressing, for at least half a <lb/> year. I
                    was always thinking of her, she was always with me, <lb/> everywhere. How I used
                    to talk to her, and tell her all my childish <lb/> fancies, desires,
                    questionings ; how I used to sit at her feet and <lb/> listen ! She never
                    laughed at me. Sometimes she would let me <lb/> kiss her&#x2014;I declare, my
                    heart still jumps at the memory of it. <lb/> Sometimes I would hold her hand or
                    play with her hair. And</p>

                <fw type="catchword">all</fw>

                <pb n="104"/>

                <fw type="runningHead"><fw type="pageNum">90</fw> Flower o' the Clove</fw>

                <p>all the real girls I met seemed so tame and commonplace by con-<lb/> trast with
                    her. And then, little by little, I suppose, her image <lb/> faded
                    away.&#x2014;Rather an odd experience, wasn't it ?"</p>

                <p>"Very, very odd ; very strange, and very pretty. It seems <lb/> as if it ought to
                    have some allegorical significance, though I can't <lb/> perceive one. It would
                    be interesting to know what sort of real <lb/> girl, if any, ended by becoming
                    the owner of that hat. You <lb/> weren't shocked, were you ?" Johannah inquired
                    of Madame <lb/> Dornaye.</p>

                <p>"Not by the story. But the heat is too much for me," said <lb/> that lady,
                    gathering up her knitting. "I am going to the house <lb/> to make a siesta."</p>

                <p>Will rose, as she did, and stood looking vaguely after her, as <lb/> she moved
                    away. Johannah nestled her head deeper in her cushion, <lb/> and half closed her
                    eyes. And for a while neither she nor her <lb/> cousin spoke. A faint, faint
                    breeze whispered in the tree-tops ; <lb/> now a twig snapped ; now a bird
                    dropped a solitary liquid note. <lb/> For the rest, all was still summer heat
                    and woodland perfume. <lb/> Here and there the greensward round them, dark in
                    the shadow of <lb/> dense foliage, was diapered with vivid yellow by sunbeams
                    that <lb/> filtered through.</p>

                <p>"Oh, dear me," Johannah sighed at last.</p>

                <p>"What is it ?" Will demanded.</p>

                <p>"Here you are, silent as eternity again. Come and sit down&#x2014;<lb/>
                    here&#x2014;near to me."</p>

                <p>She indicated a position with a lazy movement of her hand. <lb/> He obediently
                    sank upon the grass.</p>

                <p>"You're always silent nowadays, when we're alone," she <lb/> complained.</p>

                <p>"Am I ? I hadn't noticed that."</p>

                <p>"Then you're extremely unobservant. Directly we're alone,</p>

                <fw type="catchword">you </fw>

                <pb n="105"/>

                <fw type="runningHead">By Henry Harland <fw type="pageNum">91</fw></fw>

                <p>you appear to lose the power of speech. You mope and moon, <lb/> and gaze off at
                    things beyond the horizon, and never open your <lb/> mouth. One might suppose
                    you had something on your mind. <lb/> Have you ? What is it ? Confide it to me,
                    and you can't think <lb/> how relieved you'll feel."</p>

                <p>"I haven't anything on my mind," said he.</p>

                <p>"Oh ? Ah, then you're silent with me because I bore you ? <lb/> You find me an
                    uninspiring talk-mate ! Thank you."</p>

                <p>"You know perfectly well that that's preposterous nonsense."</p>

                <p>"Well, then, what is it ? Why do you never talk to me when <lb/> we're alone ?" </p>

                <p>"But I do talk to you. I talk too much. Perhaps <emph rend="italic">I'm</emph>
                    afraid <lb/> of boring <emph rend="italic">you</emph>."</p>

                <p>"You know perfectly well that that's a preposterous subterfuge. <lb/> You've got
                    something on your mind. You're keeping something <lb/> back." She paused for a
                    second ; then, softly, wistfully, "Tell <lb/> me what it is, Will, <emph
                        rend="italic">please</emph>" And she looked eagerly, pleadingly, <lb/> into
                    his eyes.</p>

                <p>He looked away from her. "Upon my word, there's nothing <lb/> to tell," he said,
                    but his tone was a little forced.</p>

                <p>She broke into a merry peal of laughter, looking at him now <lb/> with eyes that
                    were derisive.</p>

                <p>"What are you laughing at ?" he asked.</p>

                <p>"At you, Will," said she. "What else could you imagine ?"</p>

                <p>"I'm flattered to think you find me so amusing."</p>

                <p>"Oh, you're supremely amusing. 'Refrain thou shalt ; thou <lb/> shalt refrain !'
                    Is that your motto, Will ? If I were a man I'd <lb/> choose another. 'Be bold,
                    be bold, and everywhere be bold !' <lb/> That should be my motto if I were a
                    man."</p>

                <p>"But as you're a woman&#x2014;"</p>

                <p>"It's my motto, all the same," she interrupted. "Do you</p>

                <fw type="footer">The Yellow Book&#x2014;Vol. XII. F</fw>
                <fw type="catchword">mean</fw>

                <pb n="106"/>

                <fw type="runningHead"><fw type="pageNum">92</fw> Flower o' the Clove</fw>

                <p>mean to say you've not discovered that yet ? Oh, Will, if I were <lb/> you, and
                    you were I, how differently we should be employing this <lb/> heaven-sent
                    summer's afternoon."</p>

                <p>"What should we be doing ?"</p>

                <p>"That's a secret. Pray the fairies to-night to transpose our <lb/> souls, and you
                    ll know by to-morrow morning&#x2014;if the fairies grant <lb/> your prayer. But
                    in the meanwhile you must try to entertain <lb/> me. Tell me another story."</p>

                <p>"I can't think of any more stories till I've had my tea."</p>

                <p>"You shan't have any tea unless you earn it. Now that <lb/> Madame Dornaye's no
                    longer present, you can tell me of some of <lb/> your grown-up love affairs,
                    some of your flesh-and-blood ones."</p>

                <p>"I've never had a grown-up love affair."</p>

                <p>"Oh, come ! you can't expect me to believe that."</p>

                <p>"It's the truth, all the same."</p>

                <p>"Well, then, it's high time you <emph rend="italic">should</emph> have one. How
                    old did <lb/> you say you were ?"</p>

                <p>"I'm thirty-three."</p>

                <p>"And you've never had a love affair ! <emph rend="italic">Fi donc</emph> ! I'm
                    barely <lb/> twenty-eight, and I've had a hundred."</p>

                <p>"Have you ?" he asked, a little ruefully.</p>

                <p>"No, I haven't. But everybody's had at least one. So tell me <lb/> yours."</p>

                <p>"Upon my word, I've not had even one."</p>

                <p>"It seems incredible. How have you contrived it ?"</p>

                <p>"The circumstances of my birth contrived it for me. It <lb/> would be impossible
                    for me to have a love affair with a woman I <lb/> could love."</p>

                <p>"Impossible ? For goodness' sake, why ?"</p>

                <p>"What woman would accept the addresses of a man without a <lb/> name ?"</p>

                <fw type="catchword">Haven't</fw>

                <pb n="107"/>

                <fw type="runningHead">By Henry Harland 93</fw>

                <p>"Haven't you a name ? Methought I'd heard your name was <lb/> William
                    Stretten."</p>

                <p>"You know what I mean."</p>

                <p>"Then permit me to remark that what you mean is quite <lb/> superlatively silly.
                    If you loved a woman, wouldn't you tell her <lb/> so?"</p>

                <p>"Not if I could help it."</p>

                <p>"But suppose the woman loved you ?" </p>

                <p>"Oh, it wouldn't come to that."</p>

                <p>"But suppose it <emph rend="italic">had</emph> come to that ? Suppose she'd set
                    her <lb/> heart upon you ? Would it be fair to her not to tell her ?"</p>

                <p>"What would be the good of my telling her, since I couldn't <lb/> possibly ask
                    her to marry me ?"</p>

                <p>"The fact might interest her, apart from the question of its <lb/> consequences.
                    But suppose <emph rend="italic">she</emph> told <emph rend="italic">you ?</emph>
                    Suppose <emph rend="italic">she</emph> asked <emph rend="italic">you</emph>
                    <lb/> to marry <emph rend="italic">her ?</emph>"</p>

                <p>"She wouldn't."</p>

                <p>"All hypotheses are admissible. Suppose she should ?"</p>

                <p>"I couldn't marry her."</p>

                <p>"You'd find it rather an awkward job refusing, wouldn't you ? <lb/> And what
                    reasons could you give ?"</p>

                <p>"Ten thousand reasons. I'm a bastard. That begins and ends <lb/> it. It would
                    dishonour her, and it would dishonour me ; and, <lb/> worst of all, it would
                    dishonour my mother."</p>

                <p>"It would certainly <emph rend="italic">not</emph> dishonour you, nor the woman
                    you <lb/> married. That's the sheerest, antiquated, exploded rubbish. And <lb/>
                    how on earth could it dishonour your mother ?"</p>

                <p>"For me to take as my wife a woman who could not respect <lb/> her ? My mother's
                    memory is for me the sacredest of sacred <lb/> things. You know something of her
                    history. You know that <lb/> she was in every sense but a legal sense my
                    father's wife. You</p>

                <fw type="catchword">know</fw>

                <pb n="108"/>

                <fw type="runningHead"><fw type="pageNum">94</fw> Flower o' the Clove</fw>

                <p>know why they couldn't be married legally. You know, too, how <lb/> he treated
                    her&#x2014;and how she died. Do you suppose I could <lb/> marry a woman who
                    would always think of my mother as of one <lb/> who had done something shameful
                    ?"</p>

                <p>"Oh, but no woman with a spark of nobility in her soul would <lb/> or could do
                    that," Johannah cried.</p>

                <p>"Every woman brought up in the usual way, with the usual <lb/> prejudices, the
                    usual traditions, thinks evil of the woman who has <lb/> had an illegitimate
                    child."</p>

                <p>"Not every woman. I, for instance. Do you imagine that I <lb/> could think evil
                    of your mother, Will ?"</p>

                <p>"Oh, you're entirely different from other women. You're&#x2014;" <lb/> But he
                    stopped at that.</p>

                <p>"Then&#x2014;just for the sake of a case in point&#x2014;if <emph rend="italic"
                        >I</emph> were the <lb/> woman you chanced to be in love with, and if I
                    simultaneously <lb/> chanced to be in love with you, you <emph rend="italic"
                        >could</emph> see your way to marrying <lb/>
                    <emph rend="italic">me?</emph>"</p>

                <p>"What's the use of discussing that ?"</p>

                <p>"For its metaphysical interest. Answer me."</p>

                <p>"There are other reasons why I couldn't marry <emph rend="italic"
                    >you</emph>."</p>

                <p>"I'm not good-looking enough ?"</p>

                <p>"Don't be silly."</p>

                <p>"Not young enough ?"</p>

                <p>"Oh, I say ! Let's talk of something reasonable."</p>

                <p>"Not old enough, perhaps ?"</p>

                <p>He was silent.</p>

                <p>"Not wise enough ? Not foolish enough ?" she persisted.</p>

                <p>"You're foolish enough, in all conscience," said he. </p>

                <p>"Well, then, why ? What are the reasons why you couldn't <lb/> marry <emph
                        rend="italic">me ?</emph>"</p>

                <p>"What <emph rend="italic">is</emph> the good of talking about this !"</p>

                <fw type="catchword">"I want</fw>

                <pb n="109"/>

                <fw type="runningHead">By Henry Harland <fw type="pageNum">95</fw></fw>

                <p>"I want to know. A man has the hardihood to inform me to <lb/> my face that he'd
                    spurn my hand, even if I offered it to him. I <lb/> insist upon knowing why." </p>

                <p>"You know why. And you know that 'spurn' is very far <lb/> from the right
                    word."</p>

                <p>"I don't know why. I insist upon your telling me."</p>

                <p>"You know that you're Sir William Silver's heiress, I sup- <lb/> pose." </p>

                <p>"Oh, come ! that's not <emph rend="italic">my</emph> fault. How could <emph
                        rend="italic">that</emph> matter ?"</p>

                <p>"Look here, I'm not going to make an ass of myself by <lb/> explaining the
                    obvious."</p>

                <p>"I daresay I'm very stupid, but it isn't obvious to me."</p>

                <p>"Well, then, let's drop the subject," he suggested.</p>

                <p>"I'll not drop the subject till you've elucidated it. If you <lb/> were in love
                    with me, Will, and I were in love with you, how on <lb/> earth could it matter,
                    my being Sir William Silver's heiress ?"</p>

                <p>"Wouldn't I seem a bit mercenary if I asked you to marry <lb/> me?"</p>

                <p>"Oh, Will !" she cried. "Don't tell me you're such a prig <lb/> as that. What !
                    if you loved me, if I loved you, you'd give me <lb/> up, you'd break my heart,
                    just for fear lest idiotic people, whose <lb/> opinions don't matter any more
                    than the opinions of so many <lb/> deep-sea fish, might think you mercenary !
                    When you and I both <lb/> knew in our own two souls that you really weren't
                    mercenary in <lb/> the least ! You'd pay me a poor compliment, Will. Isn't it
                    <lb/> conceivable that a man might love me for myself ?"</p>

                <p>"You state the case too simply. You make no allowances for <lb/> the shades and
                    complexities of a man's feelings."</p>

                <p>"Bother shades and complexities. Love burns them up. <lb/> Your shades and
                    complexities are nothing but priggishness and <lb/> vanity. But there ! I'm
                    actually getting angry over a purely</p>

                <fw type="catchword">supposititious</fw>

                <pb n="110"/>

                <fw type="runningHead"><fw type="pageNum">96</fw> Flower o' the Clove</fw>

                <p>supposititious question. For, of course, we don't really love each <lb/> other
                    the least bit, do we, Will ?"</p>

                <p>He appeared to be giving his whole attention to the rolling of a <lb/> cigarette
                    ; he did not answer. But his ringers trembled, and <lb/> presently he tore his
                    paper, spilling half the tobacco in his lap.</p>

                <p>Johannah watched him from eyes full of languid, half mocking, <lb/> half pensive
                    laughter.</p>

                <p>"Oh, dear, oh, dear," she sighed again, by-and-by.</p>

                <p>He looked at her ; and he had to catch his breath. Lying <lb/> there on the turf,
                    the skirts of her frock flowing round her in a <lb/> sort of little billowy
                    white pool, her head deep in the scarlet <lb/> cushion, her black hair straying
                    wantonly where it would about <lb/> her face and brow, her eyes lambent with
                    that lazy, pensive <lb/> laughter, one of her hands, pink and white, warm and
                    soft, fallen <lb/> open on the grass between her and her cousin, her whole
                    person <lb/> seeming to breathe a subtle scent of womanhood, and the luxury
                    <lb/> and mystery of womanhood oh, the sight of her, the sense of <lb/> her,
                    there in the wide green stillness of the summer day, set his <lb/> heart burning
                    and beating poignantly.</p>

                <p>"Oh, dear, oh, dear," she sighed, "I wish the man I am in love <lb/> with were
                    only here."</p>

                <p>"Oh ! You <emph rend="italic">are</emph> in love with some one ?" he questioned,
                    with <lb/> a little start.</p>

                <p>"Rather !" said she. "In love ! I should think so. Oh, I <lb/> love him, love
                    him, love him. Ah, if he were here ! <emph rend="italic">He</emph>
                    <lb/> wouldn't waste this golden afternoon, as you're doing. He'd <lb/> take my
                    hand he'd hold it, and press it, and kiss it; and he'd <lb/> pour his soul out
                    in tumultuous celebration of my charms, in fiery <lb/> avowals of his passion.
                    If he were here ! Ah, me !"</p>

                <p>"Where is he ?" Will asked, in a dry voice.</p>

                <p>"Ah, where indeed ? I wish I knew."</p>

                <fw type="catchword">"I've </fw>

                <pb n="111"/>

                <fw type="runningHead">By Henry Harland <fw type="pageNum">97</fw></fw>

                <p>"I've never heard you speak of him before."</p>
                <p>"There's none so deaf as he that <emph rend="italic">will</emph> not hear. I've
                    spoken of <lb/> him to you at least a thousand times. He forms the staple of my
                    <lb/> conversation."</p>

                <p>"I must be very deaf indeed. I swear this is absolutely news <lb/> to me."</p>

                <p>"Oh, Will, you <emph rend="italic">are</emph> such a goose&#x2014;or such a
                    hypocrite," said <lb/> she. "But it's tea-time. Help me up."</p>

                <p>She held out her hand, and he took it and helped her up. But <lb/> she tottered a
                    little before she got her balance (or made, at least, a <lb/> feint of doing
                    so), and grasped his hand tight as if to save herself, <lb/> and all but fell
                    into his arms.</p>

                <p>He drew back a step.</p>

                <p>She looked straight into his eyes. "You're a goose, and a <lb/> hypocrite, and a
                    prig, and&#x2014;a <emph rend="italic">dear</emph>," she said.</p>
                <lb/>
                <lb/>
                <lb/>
                <p><emph rend="indent"><emph rend="indent"><emph rend="indent">V
                        </emph></emph></emph></p>
                <lb/>
                <p>Their tea was served in the garden, and whilst they were <lb/> dallying over it,
                    a footman brought Johannah a visiting-card.</p>

                <p>She glanced at the card ; and Will, watching her, noticed that <lb/> a look of
                    annoyance&#x2014;it might even have been a look of distress&#x2014;<lb/> came
                    into her face.</p>

                <p>Then she threw the card on the tea-table, and rose. "I shan't <lb/> be gone
                    long," she said, and set out for the house.</p>

                <p>The card lay plainly legible under the eyes of Will and <lb/> Madame Dornaye.
                    "Mr. George Aymer, 36 Boulevard <lb/> Rochechouart " was the legend inscribed
                    upon it. </p>

                <p>"<emph rend="italic">Tiens</emph>," said Madame Dornaye ; "Jeanne told me she had
                    <lb/> ceased to see him." </p>

                <fw type="catchword">Will</fw>

                <pb n="112"/>

                <fw type="runningHead"><fw type="pageNum">98</fw> Flower o' the Clove</fw>

                <p>Will suppressed a desire to ask, "Who is he ?"</p>
                <p>But Madame Dornaye answered him all the same.</p>
                <p>"You have heard of him ? He is a known personage in Paris, <lb/> although
                    English. He is a painter, a painter of great talent ; very <lb/> young, but
                    already decorated. And of a surprising beauty&#x2014;the <lb/> face of an angel.
                    With that, a thorough-paced rascal. Oh, yes, <lb/> whatever is vilest, whatever
                    is basest. Even in Montmartre, even <lb/> in the corruptest world of Paris,
                    among the lowest journalists and <lb/> painters, he is notorious for his
                    corruption. Johannah used to see <lb/> a great deal of him. She would not
                    believe the evil stories that <lb/> were told about him. And with his rare
                    talent and his beautiful <lb/> face, he has the most plausible manners, the most
                    winning address. <lb/> We were afraid that she might end by marrying him. But at
                    <lb/> last she found him out for herself, and gave him up. She told me <lb/> she
                    had altogether ceased to see him. I wonder what ill wind <lb/> blows him
                    here."</p>
                <lb/>
                <lb/>
                <lb/>
                <p>Johannah entered the drawing-room. </p>

                <p>A man in grey tweeds, the red ribbon of the Legion of Honour <lb/> gleaming in
                    his buttonhole, was standing near a window : a man, <lb/> indeed, as Madame
                    Dornaye had described him, with a face of <lb/> surprising beauty&#x2014;a fine,
                    clear, open-air complexion, a clean-cut, <lb/> even profile, a sensitive, soft
                    mouth, big, frank, innocent blue <lb/> eyes, and waving hair of the palest Saxon
                    yellow. He could <lb/> scarcely have been thirty ; and the exceeding beauty of
                    his face, <lb/> its beauty and its sweetness, made one overlook his figure,
                    which <lb/> was a trifle below the medium height, and thick-set, with
                    remark-<lb/> ably square, broad shoulders, and long arms.</p>

                <p>Johannah greeted him with some succinctness. "What do you <lb/> want ?" she
                    asked, remaining close to the door.</p>

                <fw type="catchword">"I want </fw>

                <pb n="113"/>

                <fw type="runningHead">By Henry Harland <fw type="pageNum">99</fw></fw>

                <p>"I want to have a talk with you," he answered, moving towards<lb/> her. He
                    drawled slightly ; his voice was low and soft, conciliatory, <lb/> caressing
                    almost. And his big blue eyes shone with a faint, <lb/> sweet, appealing
                    smile.</p>

                <p>"Would you mind staying where you are ?" said she. You <lb/> can make yourself
                    audible from across the room."</p>

                <p>"What are you afraid of?" he asked, his smile brightening <lb/> with innocent
                    wonder.</p>

                <p>"Afraid ? You do yourself too much honour. One does not <lb/> like to find
                    oneself in close proximity with objects that disgust one."</p>

                <p>He laughed ; but instead of moving further towards her, he <lb/> dropped into a
                    chair. "You were always brutally outspoken," he <lb/> murmured.</p>

                <p>"Yes ; and with advancing years I've become even more so," <lb/> said Johannah,
                    who continued to stand.</p>

                <p>"You're quite sure, though, that you're not afraid of me ?" he <lb/> questioned. </p>

                <p>"Oh, for that, as sure as sure can be. If you've based any sort<lb/> of
                    calculations upon the theory that I would be afraid of you, you'll <lb/> have to
                    throw them over."</p>

                <p>He flushed a little, as if with anger ; but in a moment he <lb/> answered calmly,
                    "I always base my calculations upon certainties. <lb/> You've come into a
                    perfect pot of money since I last had the <lb/> pleasure of meeting you."</p>

                <p>"Yes, into something like eight thousand a year, if the figures <lb/> interest
                    you."</p>

                <p>"I never had any head for figures. But eight thousand sounds <lb/> stupendous.
                    And a lovely place, into the bargain. The park, or <lb/> so much of it as one
                    sees from the avenue, could not be better. <lb/> And I permitted myself to
                    admire the façade of the house and the <lb/> view of the sea."</p>

                <fw type="catchword">"They're</fw>

                <pb n="114"/>

                <fw type="runningHead"><fw type="pageNum">l00</fw> Flower o' the Clove</fw>

                <p>"They're not bad," Johannah assented.</p>

                <p>"It's heart-rending, the way things are shared in this world. <lb/> Here are you,
                    rich beyond the dreams of avarice, you who have <lb/> done nothing all your life
                    but take your pleasure ; and I, who've <lb/> toiled like a galley-slave, I
                    remain as poor as any church-mouse. <lb/> It's monstrous." </p>

                <p>Johannah did not answer.</p>

                <p>"And now," he went on, "I suppose you've settled down and <lb/> become
                    respectable ? No more Bohemia ? No more cakes and <lb/> ale ? Only champagne and
                    truffles ? A County Family ! Fancy <lb/> your being a County Family, all by
                    yourself, as it were ! You <lb/> must feel rather like the reformed rake of
                    tradition&#x2014;don't you !"</p>

                <p>"I mentioned that I am not afraid of you," she reminded him, <lb/> "but that
                    doesn't in the least imply that I find you amusing. <lb/> The plain truth is, I
                    find you deadly tiresome. If you have any-<lb/> thing special to say to me, may
                    I ask you to say it quickly ?"</p>

                <p>Again he flushed a little ; then, again, in a moment, answered <lb/> smoothly,
                    "I'll say it in a sentence. I've come all the way to <lb/> England, for the
                    purpose of offering you my hand in marriage." <lb/> And he raised his bright
                    blue eyes to her face with a look that <lb/> really was seraphic.</p>

                <p>"I decline the offer. If you've nothing further to keep you <lb/> here, I'll ring
                    to have you shown out."</p>

                <p>Still again he flushed, yet once more controlled himself. "You <lb/> decline the
                    offer ! <emph rend="italic">Allons donc</emph> ! When I'm prepared to do the
                    <lb/> right thing, and make an honest woman of you."</p>

                <p>"I decline the offer," Johannah repeated.</p>

                <p>"That's foolish of you," said he.</p>

                <p>"If you could dream how remotely your opinion interests me, <lb/> you wouldn't
                    trouble to express it," said she.</p>

                <p>His anger this time got the better of him. He scowled, and</p>

                <fw type="catchword">looked</fw>

                <pb n="115"/>

                <fw type="runningHead">By Henry Harland <fw type="PageNum">101</fw></fw>

                <p>looked at her from the corners of his eyes. "You had better not <lb/> trifle with
                    me," he said in a suppressed voice.</p>

                <p>"Oh," said she, "you must suffer me to be the mistress of my <lb/> own actions in
                    my own house. Now&#x2014;if you are quite ready to <lb/> go ?" she suggested,
                    putting her hand upon the bell-cord.</p>

                <p>"I'm not ready to go yet. I want to talk with you. To cut <lb/> a long business
                    short, you re rich. I'm pitiably poor. You know <lb/> how poor I am. You know
                    how I have to live, the hardships, <lb/> the privations I'm obliged to put up
                    with."</p>

                <p>"Have you come here to beg ?" Johannah asked.</p>

                <p>"No, I've come to appeal to your better nature. You refuse <lb/> to marry me.
                    That's absurd of you, but&#x2014;<emph rend="italic">tant pis</emph> ! Whether
                    <lb/> you marry me or not, you haven't the heart to leave me to rot in <lb/>
                    poverty, while you luxuriate in plenty. Considering our old-time <lb/>
                    relations, the thing's impossible on the face of it."</p>

                <p>"Ah, I understand. You <emph rend="italic">have</emph> come here to beg," she
                    said.</p>

                <p>"No&#x2014;to demand," said he. "One begs when one has no <lb/> power to enforce.
                    When one has the power to enforce, one <lb/> demands."</p>

                <p>"What is the use of these glittering aphorisms ?" she asked <lb/> wearily. </p>

                <p>"If you are ready to behave well to me, I'll behave handsomely <lb/> to you. But
                    if you refuse to recognise my claims upon you, I'm <lb/> in a position to take
                    reprisals," he said very quietly.</p>

                <p>Johannah did not answer.</p>

                <p>"I'm miserably, tragically poor ; you're rich. At this moment <lb/> I've not got
                    ten pounds in the world ; and I owe hundreds. I've <lb/> not sold a picture
                    since March. You have eight thousand a year. <lb/> You can't expect me to sit
                    down under it in silence. As the <lb/> French attorneys phrase it, <emph
                        rend="italic">cet état de choses ne peut pas durer</emph>."</p>

                <p>Still Johannah answered nothing.</p>

                <fw type="catchword">"You </fw>

                <pb n="116"/>

                <fw type="runningHead"><fw type="pageNum">102</fw> Flower o' the Clove</fw>

                <p>"You must come to my relief," said he. "You must make it <lb/> possible for me to
                    go on. If you have any right feeling, you ll do <lb/> it spontaneously. If
                    not&#x2014;you know I can compel you."</p>

                <p>"Oh, then, for goodness sake, compel me, and so make an end <lb/> of this
                    entirely tedious visit."</p>

                <p>"I'd immensely rather not compel you. If you will lend me <lb/> a helping hand
                    from time to time, I ll promise never to take a <lb/> step to harm you. I shall
                    be moderate. You ve got eight <lb/> thousand a year. You d never miss a hundred
                    now and then. <lb/> You might simply occasionally buy a picture. That would be
                    <lb/> the best way. You might buy my pictures."</p>

                <p>"I should be glad to know definitely," remarked Johannah, <lb/> "whether I have
                    to deal with a blackmailer or a bagman."</p>

                <p>"Damn you," he broke out, with sudden savagery, flushing <lb/> very red
                    indeed.</p>

                <p>Johannah was silent.</p>

                <p>After a pause, he said, "I'm staying at the inn in the village&#x2014;<lb/> at
                    the Silver Arms."</p>

                <p>Johannah did not speak.</p>

                <p>"I've already scraped acquaintance with the parson," he went <lb/> on. Then, as
                    she still was silent, "I wonder what would become <lb/> of your social position
                    in this County if I should have a good long <lb/> talk about you with the
                    parson."</p>

                <p>"To a man of your intelligence, the solution of that problem <lb/> can present no
                    serious difficulty."</p>

                <p>"You admit that your-social position would be smashed up ?"</p>

                <p>"All the king's horses and all the king's men couldn't put it <lb/> together
                    again."</p>

                <p>"I'm glad to find at least that you acknowledge my power."</p>

                <p>"You have it in your power to tell people that I was once <lb/> inconceivably
                    simple enough to believe that you were an honour-</p>
                <fw type="catchword">able</fw>

                <pb n="117"/>

                <fw type="runningHead">By Henry Harland <fw type="PageNum">103</fw></fw>

                <p>able man, that I once had the inconceivable bad taste to be fond <lb/> of you.
                    What woman's character could survive <emph rend="italic">that</emph> revelation
                    ?"</p>

                <p>"And I could add&#x2014;couldn't I ?&#x2014;that you once had the incon-<lb/>
                    ceivable weakness to become my mistress ?"</p>

                <p>"Oh, you could add no end of details."</p>

                <p>"Well, then ?" he questioned. </p>

                <p>"Well, then ?" questioned she.</p>

                <p>"It comes to this, that if you don't want your social position, <lb/> your
                    reputation, to be utterly smashed up, you must make terms <lb/> with me."</p>

                <p>"It's a little unfortunate, from that point of view, that I <lb/> shouldn't
                    happen to care a rush about my social position&#x2014;as you <lb/> call it."</p>

                <p>"I think I'll have a good long talk with the parson."</p>

                <p>"Do by all means."</p>

                <p>"You'd better be careful. I may take you at your word."</p>

                <p>"I wish you would. Take me at my word&#x2014;and go."</p>

                <p>"You mean to say you seriously don't care ?" </p>

                <p>"Not a rush, not a button."</p>

                <p>"Oh, come ! You'll never try to brazen the thing out."</p>

                <p>"I wish you'd go and have your long talk with the parson."</p>

                <p>"I don't understand you."</p>

                <p>"I do understand you&#x2014;perfectly."</p>

                <p>"It would be so easy for you to give me a little help."</p>

                <p>"It would be so easy for you to 'smash up' my reputation <lb/> with the parson." </p>

                <p>"You never used to be close-fisted. It's incomprehensible that <lb/> you should
                    refuse me a little help. Look. I'm willing to be <lb/> more than fair. Give me a
                    hundred pounds, a bare little hundred <lb/> pounds, and I'll send you a lovely
                    picture."</p>

                <p>"Thank you, I don't want a picture."</p>

                <fw type="catchword">"You </fw>

                <pb n="118"/>

                <fw type="runningHead"><fw type="PageNum">104</fw> Flower o' the Clove</fw>

                <p>"You won't give me a hundred pounds&#x2014;a beggarly hundred <lb/> pounds ?"</p>

                <p>"I won't give you a farthing."</p>

                <p>"Well, then, by God, you damned, infernal jade," he cried, <lb/> springing to his
                    feet, his face crimson, "by God, Til make you. <lb/> I swear I'll ruin you. Look
                    out !"</p>

                <p>"Are you really going at last ?" she asked quietly.</p>

                <p>"No, I'm not going till it suits my pleasure. You've got a <lb/> sort of bastard
                    cousin staying here with you, I'm told."</p>

                <p>"I would advise you to moderate your tone or your language. <lb/> If my sort of
                    bastard cousin should by any chance happen to hear <lb/> you referring to him in
                    those terms, he might not be pleased." </p>

                <p>"I want to see him." </p>

                <p>"I would advise you not to see him." </p>

                <p>"I want to see him." </p>

                <p>"If you really wish to see him, I'll send for him. But it's only <lb/> right to
                    warn you that he's not at all a patient sort of man. If I <lb/> send for him, he
                    will quite certainly make things extremely dis-<lb/> agreeable for you."</p>

                <p>"I am not afraid of him. You know well enough that I'm <lb/> not a coward." </p>

                <p>"My cousin is more than a head taller than you are. He <lb/> would be perfectly
                    able and perfectly sure to kick you. If there's <lb/> any other possible way of
                    getting rid of you, I'd rather not trouble <lb/> him."</p>

                <p>"I think I had better have a talk with your cousin, as well as <lb/> with the
                    parson."</p>

                <p>"I think you had better confine your attentions to the parson. <lb/> My cousin
                    wouldn't listen to a word."</p>

                <p>"I am going to make a concession," said Aymer. "I'm going <lb/> to give you a
                    night in which to think this thing over. If you</p>

                <fw type="catchword">care</fw>

                <pb n="119"/>

                <fw type="runningHead">By Henry Harland <fw type="pageNum">105</fw></fw>

                <p>care to send me a note, with a cheque in it, so that I shall receive <lb/> it at
                    the inn by to-morrow at ten o'clock, I'll take the next earliest <lb/> train
                    back to town, and I'll send you a picture in return. If no <lb/> note comes by
                    ten o'clock, I'll call on the parson, and tell him all <lb/> I know about you ;
                    and I'll write a letter to your cousin. Now, <lb/> good day."</p>

                <p>Johannah rang, and Aymer was shown out.</p>
                <lb/>
                <lb/>
                <lb/>
                <p><emph rend="indent"><emph rend="indent"><emph rend="indent">VI
                        </emph></emph></emph></p>
                <lb/>
                <p>"I shan't be gone long," Johannah had said, when she left <lb/> Madame Dornaye
                    and Will at tea in the garden ; but time <lb/> passed and she did not come back.
                    Will, mounting through <lb/> various stages and degrees of nervousness,
                    restlessness, anxiety, at <lb/> last said, "What on earth can be keeping her?"
                    and Madame <lb/> Dornaye replied, "That is precisely what I am asking myself."
                    <lb/> They waited a little longer, and then, "Shall we go back to the <lb/>
                    house ?" he suggested. But when they reached the house, they <lb/> found the
                    drawing-room empty, and&#x2014;no trace of Johannah.</p>

                <p>"She may be in her room. I'll go and see," said Madame <lb/> Dornaye. </p>

                <p>More time passed, and still no Johannah. Nor did Madame <lb/> Dornaye return to
                    explain her absence.</p>

                <p>Will walked about in a state of acute misery. What could it <lb/> be ? What could
                    have happened ? What could this painter, <lb/> this George Aymer, this
                    thorough-paced rascal with the beautiful <lb/> face, this man of whom Johannah,
                    in days gone by, "had seen a <lb/> great deal," so that her friends had feared
                    "she might end by <lb/> marrying him"&#x2014;what could he have called upon her
                    for ? What <lb/> could have passed between them ? Why had she disappeared ?</p>

                <fw type="catchword">Where</fw>

                <pb n="120"/>

                <fw type="runningHead"><fw type="pageNum">106</fw> Flower o' the Clove</fw>

                <p>Where was she now ? Where was he ? Where was Madame <lb/> Dornaye, who had gone
                    to look for her ? Could&#x2014;could it pos-<lb/> sibly be&#x2014;that
                    he&#x2014;this man notorious for his corruption even in <lb/> the corruptest
                    world of Paris&#x2014;could it be that he was the man <lb/> Johannah meant when
                    she had talked of the man she was in love <lb/> with ? And Will, fatuous
                    imbecile, had vainly allowed himself <lb/> to imagine. . . . Oh, why did she not
                    come back ? What <emph rend="italic">could</emph>
                    <lb/> be keeping her away from him all this time? ... "I have had <lb/> a
                    hundred, I have had a hundred." The phrase echoed and <lb/> echoed in his
                    memory. She had said, "I have had a hundred <lb/> love affairs." Oh, to be sure,
                    in the next breath, she had contra-<lb/> dicted herself, she had said, "No, I
                    haven't." But she had added, <lb/> "Everybody has had at least one." So she had
                    had at least one. <lb/> With this man, George Aymer ? Madame Dornaye said she
                    <lb/> had broken with him, ceased to see him. But&#x2014;it was certain <lb/>
                    she had seen him to-day. But&#x2014;lovers' quarrels are made up ; <lb/> lovers
                    break with each other, and then come together again, are <lb/> reunited. . . .
                    Perhaps . . . Perhaps . . . Oh, where was she ? <lb/> Why did she remain away in
                    this mysterious fashion ? What <lb/> could she be doing ? What could she be
                    doing ?</p>

                <p>The dressing-bell rang, and he went to dress for dinner.</p>

                <p>"Anyhow, I shall see her now, I shall see her at dinner," he <lb/> kept telling
                    himself, as he dressed.</p>

                <p>But when he came downstairs the drawing-room was still <lb/> empty. He walked
                    backwards and forwards. </p>

                <p>"We shall have to dine without our hostess," Madame Dor-<lb/> naye said, entering
                    presently. "Jeanne has a bad headache, and <lb/> will stay in her room,"</p>
                <lb/>
                <lb/>
                <lb/>
                <fw type="catchword">Will</fw>

                <pb n="121"/>

                <fw type="runningHead">By Henry Harland <fw type="pageNum">107</fw></fw>

                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"
                        >VII</emph></emph></emph></p>

                <p>Will left the house early the next morning, and went out into <lb/> the garden.
                    The sun was shining, the dew sparkled on the grass, <lb/> the air was keen and
                    sweet with the odours of the earth. A mile <lb/> away the sea glowed blue as
                    larkspur ; and overhead innumerable <lb/> birds gaily piped and twittered. But
                    oh, the difference, the <lb/> difference ! His eyes could see no colour, his
                    ears could hear no <lb/> music. His brain felt as if it had been stretched and
                    strained, like <lb/> a thing of india-rubber ; a lump ached in his throat ; his
                    heart was <lb/> abject and sick with the suspense of waiting, with the futile
                    <lb/> questionings, the fears, suspicions, the dreading hopes, that had <lb/>
                    beset and tortured it throughout the night.</p>

                <p>"Will !" Johannah's voice called behind him.</p>

                <p>He turned.</p>

                <p>"Thank God !" the words came without conscious volition on <lb/> his part. "I
                    thought I was never going to see you again." </p>

                <p>"I have been waiting for you," said she.</p>

                <p>She wore her garden-hat and her white frock ; but her face was <lb/> pale, and
                    her eyes looked dark and anxious.</p>

                <p>He had taken her hand, and was clinging to it, pressing it, hard, <lb/> so hard
                    that it must have hurt her, in the violence of his emotion.</p>

                <p>"Oh, wait, Will, wait," she said, trying to draw her hand <lb/> away ; and her
                    eyes filled with sudden tears.</p>

                <p>He let go her hand, and looked into her tearful eyes, helpless, <lb/> speechless,
                    longing to speak, unable, in the confusion of his <lb/> thoughts and feelings,
                    to find a word.</p>

                <p>"I must tell you something, Will. Come with me somewhere <lb/> &#x2014;where we
                    can be alone. I must tell you something."</p>

                <p>She moved off, away from the house, he keeping beside her.</p>
                <fw type="footer">The Yellow Book&#x2014;Vol. XII. G</fw>
                <fw type="catchword">They </fw>

                <pb n="122"/>

                <fw type="runningHead"><fw type="pageNum">108</fw> Flower o' the Clove</fw>

                <p>They passed out of the garden, into the deep shade of the <lb/> park. </p>

                <p>"Do you remember," she began, all at once, "do you remember<lb/> what I said
                    yesterday, about my motto ? That my motto was <lb/> 'Be bold, be bold, and
                    everywhere be bold' ?"</p>

                <p>"Yes," he said.</p>

                <p>"I am going to be very bold indeed now, Will. I am going <lb/> to tell you
                    something&#x2014;something that will make you hate me <lb/> perhaps&#x2014;that
                    will make you despise me perhaps."</p>

                <p>"You could not possibly tell me anything that could make me <lb/> hate you or
                    despise you. But you must not tell me anything at <lb/> all, unless it is
                    something you are perfectly sure you will be happier <lb/> for having told me." </p>

                <p>"It is something I wish to tell you, something I must tell you," <lb/> said she.
                    Then, after a little pause, "Oh, how shall I begin it ?" <lb/> But before he
                    could have spoken, "Do you think that a woman&#x2014;<lb/> do you think that a
                    girl, when she is very young, when she is <lb/> very immature and
                    impressionable, and very impulsive, and <lb/> ignorant, and when she is alone in
                    the world, without a father or <lb/> mother&#x2014;do you think that if she
                    makes some terrible mistake, if <lb/> she is terribly deceived, if somebody whom
                    she believes to be good <lb/> and noble and unhappy and misunderstood, somebody
                    whom she <lb/> whom she loves&#x2014;do you think that if she makes some
                    terrible <lb/> mistake&#x2014;if she&#x2014;if she&#x2014;oh, my God
                    !&#x2014;if&#x2014;" She held her <lb/> breath for a second, then suddenly,
                    "Can't you understand what I <lb/>
                    <emph rend="italic">mean ?</emph>" she broke down in a sort of wail, and hid her
                    face in <lb/> her hands, and sobbed.</p>

                <p>Will stood beside her, holding his arms out towards her. <lb/> "Johannah !
                    Johannah !" was all he could say.</p>

                <p>She dropped her hands, and looked at him with great painful <lb/> eyes. "Tell
                    me&#x2014;do you think that a woman can never be for-</p>
                <fw type="catchword">given ?</fw>

                <pb n="123"/>

                <fw type="runningHead">By Henry Harland <fw type="pageNum">109</fw></fw>

                <p>given ? Do you think that she is soiled, degraded, changed <lb/> utterly ? Do you
                    think that when she&#x2014;that when she did what <lb/> she did&#x2014;it was a
                    sin, a crime, not only a terrible mistake, and <lb/> that her whole nature is
                    changed by it ? Most people think so. <lb/> They think that a mark has been left
                    upon her, branded upon her ; <lb/> that she can never, never be the same again.
                    Do you think so, <lb/> Will ? Oh, it is not true ; I know it is not true. A
                    woman <lb/> can leave that mistake, that terror, that horror&#x2014;she can
                    leave it <lb/> behind her as completely as she can leave any other dreadful
                    thing. <lb/> She can blot it out of her life, like a nightmare. She <emph
                        rend="italic">isn't</emph> changed&#x2014;<lb/> she remains the same woman.
                    She isn't utterly changed, and soiled, <lb/> and defiled. In her own conscience,
                    no matter what other people <lb/> think, she knows, she knows she isn't. When
                    she wakes up to find <lb/> that the man she had believed in, the man she had
                    loved, when she <lb/> wakes up to find that he isn't in any way what she had
                    thought <lb/> him, that he is base and evil and ignoble, and when all her love
                    <lb/> for him dies in horror and misery&#x2014;oh, do you think that she must
                    <lb/> never, never, as long as she lives, hold up her head again, never be <lb/>
                    happy again, never love any one again ? Look at me, Will. I <lb/> am myself. I
                    am what God made me. Do you think that I am <lb/> utterly vile
                    because&#x2014;because&#x2014;" But her voice failed again, <lb/> and her eyes
                    again filled with tears.</p>

                <p>"Oh, Johannah, don't ask me what I think of you. I could <lb/> not tell you what
                    I think of you. You are as God made you. <lb/> God never made&#x2014;never made
                    any one else so splendid."</p>

                <p>And in a moment his arms were round her, and she was weeping <lb/> her heart out
                    on his shoulder.</p>


            </div>


            <div n="YBV12_13po" type="poem">
                <pb n="124"/>

                <head><title level="a">The Ghost Bereft</title></head>

                <byline> By <docAuthor><ref target="#ENE">E. Nesbit</ref></docAuthor></byline>


                <lg type="stanza">
                    <l>THE poor ghost came through the wind and rain</l>
                    <l>And passed down the old dear road again ;</l>
                </lg>

                <lg type="stanza">
                    <l>Thin cowered the hedges, the tall trees swayed </l>
                    <l>Like little children that shrink afraid.</l>
                </lg>

                <lg type="stanza">
                    <l>The wind was wild and the night was late</l>
                    <l>When the poor ghost came to the garden gate ;</l>
                </lg>

                <lg type="stanza">
                    <l>Dank were the flower-beds, heavy and wet,</l>
                    <l>The weeds stood up where the rose was set.</l>
                </lg>

                <lg type="stanza">
                    <l>The wind was angry, the rain beat sore</l>
                    <l>When the poor ghost came to its own house-door :</l>
                </lg>

                <lg type="stanza">
                    <l>"And shall I find her a-weeping still</l>
                    <l>To think how alone I lie, and chill ?</l>
                </lg>

                <lg type="stanza">
                    <l>"Or shall I find her happy and warm</l>
                    <l>With her dear head laid on a new love's arm ?</l>
                </lg>

                <fw type="catchword">"Or</fw>

                <pb n="125"/>

                <fw type="runningHead">By E. Nesbit <fw type="pageNum">111</fw></fw>

                <lg type="stanza">
                    <l>"Or shall I find she has learned to pine</l>
                    <l>For another's love and not for mine ?</l>
                </lg>

                <lg type="stanza">
                    <l>"Whatever chance, I have this to my store&#x2014;</l>
                    <l>She is mine&#x2014;my own for evermore."</l>
                </lg>

                <lg type="stanza">
                    <l>So the poor ghost came through the wind and rain</l>
                    <l>Till it reached the square bright window pane.</l>
                </lg>

                <lg type="stanza">
                    <l>"Oh ! what is here in the room so bright&#x2014;</l>
                    <l>Roses and love and a hid delight ?</l>
                </lg>

                <lg type="stanza">
                    <l>"What lurks in the silence that fills the room ?</l>
                    <l>A cypress wreath from a dead man's tomb ?</l>
                </lg>

                <lg type="stanza">
                    <l>"What wakes, what sleeps ? Ah ! can it be</l>
                    <l>Her heart that is breaking&#x2014;and not for me ?"</l>
                </lg>

                <lg type="stanza">
                    <l>Then the poor ghost looked through the window pane,</l>
                    <l>Though all the glass was wrinkled with rain.</l>
                </lg>

                <lg type="stanza">
                    <l>"Oh, there is light&#x2014;at the feet and head</l>
                    <l>Twelve tall tapers about the bed.</l>
                </lg>

                <lg type="stanza">
                    <l>"Oh, there are flowers, white flowers and rare,</l>
                    <l>But not the garland a bride may wear.</l>
                </lg>

                <lg type="stanza">
                    <l>"Jasmine white, and a white, white rose&#x2014;</l>
                    <l>But its scent is gone where the lost dream goes.</l>
                </lg>

                <lg type="stanza">
                    <l>"Lilies laid on the straight white bier,</l>
                    <l>But the room is empty&#x2014;she is not here.</l>
                </lg>

                <fw type="catchword">"Her</fw>

                <pb n="126"/>

                <fw type="runningHead"><fw type="pageNum">112</fw> The Ghost Bereft</fw>

                <lg type="stanza">
                    <l>"Her body lies here deserted, cold ;</l>
                    <l>And the body that loved it creeps in the mould.</l>
                </lg>

                <lg type="stanza">
                    <l>"Was there ever an hour when my love, set free,</l>
                    <l>Would not have hastened and come to me ?</l>
                </lg>

                <lg type="stanza">
                    <l>"Can the soul that loved mine long ago</l>
                    <l>Be hence and away and I not know ?</l>
                </lg>

                <lg type="stanza">
                    <l>"Oh, then, God's judgment is on me sore</l>
                    <l>For I have lost her for evermore !"</l>
                </lg>

                <lg type="stanza">
                    <l>And the poor ghost fared through the wind and the rain</l>
                    <l>To its own appointed place again.</l>
                </lg>

                <p><emph rend="indent">* * * * *</emph></p>

                <lg type="stanza">
                    <l>But up in Heaven, where memories cease</l>
                    <l> Because the blessed have won to peace,</l>
                </lg>

                <lg type="stanza">
                    <l>One pale saint shivered, and closer wound</l>
                    <l>The shining raiment that wrapped her round :</l>
                </lg>

                <lg type="stanza">
                    <l>"Oh glad is Heaven, and glad am I,</l>
                    <l>Yet I fain would remember the days gone by :</l>
                </lg>

                <lg type="stanza">
                    <l>"The past is hid and I may not know&#x2014;</l>
                    <l>But I think there was sorrow long ago.</l>
                </lg>

                <lg type="stanza">
                    <l>"The sun of Heaven is warm and bright,</l>
                    <l>But I think there is rain on the earth to-night :</l>
                </lg>

                <lg type="stanza">
                    <l>"O Christ, because of thine own sore pain,</l>
                    <l>Help all poor souls in the wind and rain !"</l>
                </lg>


            </div>


            <div n="YBV12_14pr" type="prose">
                <pb n="127"/>


                <head><title level="a">Three Reflections </title></head>

                <byline>By <docAuthor><ref target="#SMA">Stanley V.
                    Makower</ref></docAuthor></byline>

                <p><emph rend="indent"><emph rend="indent"><emph rend="indent">I&#x2014;The
                                Actor</emph></emph></emph></p>

                <p>THE dominoes clattered upon the marble tables of the Café <lb/> Royal, and the
                    steady brilliance of the lights shed a glow <lb/> over the cloud-girt goddesses
                    that grinned and beckoned in be-<lb/> wildering deshabille from the ceiling. The
                    long, gilded room <lb/> was crowded with people and with the images of people
                    reflected <lb/> in its numerous glass panels.</p>

                <p>My companion and I sat without speaking, satisfied to rest ; <lb/> for the day
                    had been tiring, and outside the wind was cold, and <lb/> the rain had beat upon
                    our faces like little cold pellets of lead.</p>

                <p>Directly behind us sat a young man who was swaying his <lb/> body to and fro in
                    so strange a manner that I shuddered, as if in a <lb/> nightmare, when we are
                    oppressed with the continuous fear that <lb/> a calamity must happen . . . in a
                    moment, . . . at this moment <lb/> . . . now . . . and that calamity never
                    happens. Finally the <lb/> young man lay half across the velvet-cushioned seat,
                    motionless. <lb/> A glass of coffee stood before him on the table, untasted,
                    with <lb/> the spoon it.</p>

                <p>Suddenly the head waiter came up, shook him roughly by the <lb/> shoulders, and
                    said :</p>

                <fw type="catchword">"You </fw>

                <pb n="128"/>

                <fw type="runningHead"><fw type="pageNum">114</fw> Three Reflections</fw>

                <p>"You mustn't do that." </p>
                <p>"Do what ?" he asked, wearily.</p>

                <p>"Lie about the seats here," replied the other gruffly, and he<lb/> moved away,
                    perplexed by the sobriety of the speaker's voice, and<lb/> the strangeness of
                    his conduct. I heard the young man grumble <lb/> something, and then he put his
                    arms on the table, and his head <lb/> fell into his hands. So he remained
                    motionless throughout the <lb/> evening, while the steam rose quickly from the
                    coffee before him, <lb/> almost as if it were in a hurry to leave the glass.</p>

                <p>Satisfied that this was not the moment for the arrival of the <lb/> catastrophe
                    with which the air seemed pregnant, I dismissed the <lb/> young man from my
                    thoughts with the meditation that he might <lb/> either have shot himself, or
                    had a death struggle with the head <lb/> waiter, but that as he had done neither
                    he was there, just as they <lb/> so often are in nightmares, to put me off the
                    scent. When you <lb/> have dreamed much you become wary, and acquire skill in
                    de-<lb/> tecting the sham bogies with which a nightmare is peopled, until <lb/>
                    the figure-head appears, unmistakable, indomitable, malignant, <lb/> insolent,
                    because clothed with the irresistible power to terrify. <lb/> You are swiftly
                    conscious that <emph rend="italic">this</emph> is the director and controller
                    <lb/> of catastrophes, and that the time for contemptuous ridicule and <lb/>
                    laughter is over. You break into a low propitiatory prayer. <lb/> The figure
                    raises a gigantic arm, . . . and then, if Heaven is <lb/> merciful, you wake in
                    a cold perspiration.</p>

                <p>The young man, then, was a sham bogey, and I looked round <lb/> me to detect the
                    figure-head among the assembled company.</p>

                <p>Opposite us sat a middle-aged man with a sandy moustache, <lb/> who was eating
                    ravenously, fiercely. He chased the pieces over <lb/> his plate with his fork,
                    and swallowed without masticating. <lb/> Occasionally he glanced round, and
                    pulled the salt or mustard <lb/> towards his plate with a brusque, almost angry
                    gesture. At the</p>

                <fw type="catchword">table </fw>

                <pb n="129"/>

                <fw type="runningHead">By Stanley V. Makower <fw type="pageNum">115</fw></fw>

                <p>table next to him sat an older man, with grey head and beard, <lb/> and thick
                    eyebrows under which were handsome grey eyes. He <lb/> was glancing casually at
                    a newspaper.</p>

                <p>I began to marvel at the contrast between the two men, to <lb/> picture to myself
                    a thousand scenes to illustrate the calm, placid <lb/> temperament of the one,
                    the nervous irritability of the other. I <lb/> let the two figures wander down
                    the vistas of my imagination, <lb/> and stared blankly in front of me, till the
                    whole scene of the <lb/> crowded room with its glare of light faded away, and I
                    saw the <lb/> grey-headed man seated in an armchair in a comfortable, ugly <lb/>
                    house, telling a fairy tale to three or four little children, whose <lb/> mother
                    was knitting by the fireside. She was rather pretty, but <lb/> very frail, and
                    there were light silken curls over her pale forehead. <lb/> And just when the
                    grey-headed man had reached the climax of <lb/> his story, I thought, Heaven
                    knows why, that he stopped short, <lb/> and fixed his eyes upon one of the
                    children, and, amidst cries of <lb/> "Go on, daddy, do go on," said : "The good
                    fairy never goes on <lb/> telling stories to little boys whose finger-nails are
                    dirty," and I <lb/> saw a little boy look sheepishly at his little hands ; but
                    before I <lb/> could go on constructing my picture I was seized with a doubt as
                    <lb/> to what had made the grey-headed man suddenly so severe, and I <lb/> came
                    to the conclusion that it was probably because he did not <lb/> know how the
                    story ended that he suddenly noticed the little <lb/> boy's dirty finger-nails.
                    And the thought of this amused me so <lb/> much, that my fancy stopped, and I
                    found myself looking again <lb/> at the two men before me in the long, bright
                    café, and the smoke <lb/> of a cigarette, which the grey-headed man was smoking,
                    floated <lb/> under my nostrils, and the dominoes clattered again in various
                    <lb/> parts of the room, and I heard the babble of innumerable voices.</p>

                <p>By this time the nightmare had passed from me, and I felt <lb/> much surprise and
                    curiosity when I observed that the two men</p>

                <fw type="catchword">were</fw>

                <pb n="130"/>

                <fw type="runningHead">116 Three Reflections</fw>

                <p>were talking to each other. The grey-headed man was holding <lb/> the newspaper a
                    little way from him as he listened to the other, <lb/> who, while diligently
                    pursuing his food across his plate, threw out <lb/> a sentence here and there
                    with the same irregular brusquerie as he <lb/> had displayed when he pulled the
                    salt or mustard towards him. <lb/> When he had ejaculated a few words he seemed
                    to return to his <lb/> food with greater voracity than ever, and cut it about
                    savagely.</p>

                <p>"I never read a newspaper," he said ; it's such a damn waste <lb/> of time. One
                    might be eating or drinking all the while."</p>

                <p>The other murmured a feeble protest. He looked as if he were <lb/> absolutely
                    incapable of understanding that sort of man. His face <lb/> expressed a
                    disapproval which was at once polite, tolerant, and <lb/> perplexed.</p>

                <p>"Waste of time," repeated the fierce man ; and then rather <lb/> louder, "Waste,
                    of time !" and he subsided into his plate, which <lb/> clinked with the blows of
                    his knife and fork. When he had swept <lb/> it absolutely bare he threw them
                    both into it, pushed it from him, <lb/> and said : "The food's beastly."</p>

                <p>The old man smiled pleasantly.</p>

                <p>"You can get a good dinner at about two places in London, <lb/> and I'm sick of
                    both of them. Here it's beastly, I tell you."</p>

                <p>"Why come here ?" asked the other mildly.</p>

                <p>"Why come here ?" he retorted quickly. "Why ? Ha ! ha ! <lb/> Why, indeed ! A
                    very good question."</p>

                <p>But he made no attempt to answer it.</p>

                <p>"You can't get a decent La Rose here," he went on, and there <lb/> was an almost
                    piteous ring in his voice. "Their wines taste as if<lb/> they d been bottled in
                    a sewer. I had a wine last week at the <lb/> Café" Rouge. That was a queenly
                    wine, sir, queenly," he said, <lb/> as if you could not find a more beautifully
                    appropriate epithet. <lb/> "I say it was queenly, and I think I know a good
                    wine. I was</p>

                <fw type="catchword">once</fw>

                <pb n="131"/>

                <fw type="runningHead">By Stanley V. Makower <fw type="pageNum">117</fw></fw>

                <p>once wine-taster to our club, the Corsican, sir&#x2014;and they had a <lb/>
                    devilish good cook, I may tell you. Well, sir, I tasted twenty- <lb/> two
                    glasses of champagne in the dark, and they didn't stump me <lb/> over a single
                    vintage. What's more, just before they turned up <lb/> the gas Tommy Webster
                    gave me a mixed glass, sir, and I told <lb/> him the three different years of
                    which it was made up," and he <lb/> thumped the table so that the plates and
                    glasses jumped and <lb/> shivered. Then he looked defiantly at his neighbour,
                    who, <lb/> somewhat confused, murmured : "Dear, dear, you surprise <lb/> me." </p>

                <p>"When I was acting in Hull, sir," he went on, suddenly, <lb/> "there was a
                    devilish pretty girl in our company. Her name was <lb/> Tremaine,
                    sir&#x2014;Kitty Tremaine. We used to act together twenty <lb/> years ago." He
                    passed his hand over his face. "Do you know <lb/> the Golden Mermaid ?" he
                    continued. "No, I suppose you don't. <lb/> It's the oldest hotel in Hull. We all
                    went there one summer <lb/> afternoon after we'd given a morning performance of
                    Hamlet, and <lb/> in the garden of that hotel, sir, I drank the finest champagne
                    I <lb/> ever tasted in my life. We sat round a table under a large tree. <lb/>
                    We were all very tired. I had been playing Polonius, a Captain, <lb/> and most
                    of the Prince of Denmark ; and Kitty Tremaine was <lb/> Ophelia, sir. I'm
                    spinning you no yarn. I remember how many <lb/> of us there were ; just eight.
                    And the Queen kept on her stage <lb/> dress, as it was cooler for her, and we
                    had to play again in the <lb/> evening. Ophelia had left some flowers in her
                    hair, too," and his <lb/> voice grew thick with emotion.</p>

                <p>"Well, we drank four bottles of that champagne, sir," he added, <lb/> with the
                    air of a man who has been led into a pleasing digression <lb/> and returns to
                    his subject with a wrench. "And in between the <lb/> bottles we danced round the
                    tree. We got a fiddler to fiddle for <lb/> us, and we brought out the hostess,
                    and we sang a chorus."</p>

                <fw type="catchword">He </fw>

                <pb n="132"/>

                <fw type="runningHead"><fw type="pageNum">118</fw> Three Reflections</fw>

                <p>He was growing more and more excited, and, as he spoke, waved <lb/> his arms in
                    imitation of a dance. </p>

                <p>"And I made it up with the Queen, sir, over a glaas of that <lb/> champagne. She
                    said she knew I never meant badly all the time. <lb/> No more I did. I never
                    could see what there was against the <lb/> Queen. And so we kissed while we were
                    dancing and made <lb/> friends, although in a couple of hours we had to begin
                    quarrelling <lb/> again to please the people. And when the others were tired I
                    did <lb/> my great speech at the end of the second act, and everybody <lb/>
                    clapped, and said I was sure to make a fortune. Sure to make a <lb/> fortune,"
                    he repeated, contemptuously, piteously, with a little laugh <lb/> at
                    himself.</p>

                <p>The grey-headed man sat listening now without venturing to <lb/> interrupt the
                    speaker with any remarks of his own. </p>

                <p>"What a beautiful Ophelia she was, sir. You never saw a <lb/> finer arm. It
                    reminded one of Siddons'. Only it was finer, sir, <lb/> I say finer," he went
                    on, as if fearing a protest. "Ophelia, I did <lb/> love you once," he added,
                    more calmly, as he made a mock gesture <lb/> of devotion to his neighbour. </p>

                <p>"I always considered the conduct of the Prince most reprehen-<lb/> sible. Perhaps
                    you won't believe me when I tell you that it was <lb/> with great difficulty,
                    very great difficulty, that I could ever be <lb/> persuaded to act that
                    part."</p>

                <p>He pronounced the word "very" impressively, and as if it were <lb/> spelt
                    vai-ree. </p>

                <p>"You have no idea what unfeeling people managers are, and <lb/> my nature has
                    always been a sensitive one. Redmayne, our <lb/> manager, was as cold as a
                    stone, sir. No more humanity than a <lb/> rock, sir, or&#x2014;or the leg of
                    this table," he added, trying to enforce <lb/> the truth of his statement by the
                    use of an illustration close to <lb/> hand from which the other could not
                    escape.</p>

                <fw type="catchword">"I was </fw>

                <pb n="133"/>

                <fw type="runningHead">By Stanley V. Makower <fw type="pageNum">119</fw></fw>

                <p>"I was nearly turned out of that company, sir, because I <lb/> refused to spout
                    some lines that were brutal, and that no gentle-<lb/> man could allow himself to
                    use. I never could play a villain. It <lb/> cut me to the quick, sir."</p>

                <p>The actor was growing tired with his own loquacity, and the <lb/> grey-headed man
                    was drawing more and more into his shell. He <lb/> was attempting,
                    ineffectually, to slip the newspaper between him <lb/> self and the speaker
                    without attracting his notice. But every <lb/> time that he made an advance of a
                    few inches in lifting the paper <lb/> from the table the other gave a fresh
                    emphasis to what he was <lb/> saying, and fixed the offender with his sharp,
                    restless eyes. <lb/> In the middle of a long speech about a play called
                    "Vendetta," <lb/> in which he had acted the part of the King of Naples for
                    fourteen <lb/> hundred nights until he "really felt the part so much, sir, that
                    it <lb/> was a struggle for me to leave my palace on the stage, and climb <lb/>
                    up five flights of stairs to my humble lodging in the town&#x2014;" <lb/> He
                    broke off" abruptly, and then, waving his hand theatrically, <lb/> began to
                    declaim with an abundance of false emphasis : </p>

                <lg>
                    <l rend="indent"><emph rend="indent">"Indeed this counsellor</emph>
                    </l>
                    <l rend="indent">Is now most still, most secret, and most grave,</l>
                    <l rend="indent">Who always was a foolish prating knave.</l>
                    <l rend="indent">Come sir, to draw toward an end with you."</l>
                </lg>

                <p>I had risen to go, but stood irresolutely watching the stagey <lb/> magnificence
                    of his address to the grey-headed man, and enjoying <lb/> the grand ineptitude
                    with which he delivered the last line, with <lb/> its absurd pause on the word
                    "end," which he almost shouted <lb/> across the table. </p>

                <p>He turned aside to wave his hand in parting salutation to <lb/> the Queen, and
                    closed the scene with the words "Good-night, <lb/> mother," in the accents of
                    which lingered the tone of false tragedy</p>

                <fw type="catchword">in </fw>

                <pb n="134"/>

                <fw type="runningHead"><fw type="pageNum">120</fw> Three Reflections</fw>

                <p>in which he had recited the lines. But before the last syllable <lb/> had fallen
                    from his lips a change came over his face, one of those <lb/> changes that
                    reveal the intrusion of an unexpected emotion into <lb/> the mind of the
                    speaker, an emotion that sweeps everything <lb/> before it.</p>

                <p>The wave of the hand died away, and the arm fell a little <lb/> helplessly to his
                    side. All the fierceness fled from his face, and <lb/> into his eyes came an
                    almost despairing look mingled with one of <lb/> fear, as if a shadow had
                    suddenly risen by his side. With the <lb/> articulation of those two words some
                    undercurrent of his life rose <lb/> to the top and drowned his self-assurance so
                    that he sat there <lb/> broken, transfigured, silent. And whereas before he had
                    seemed <lb/> only sordid, tawdry, fugitive, he was now exalted, inexplicable,
                    <lb/> eternal, touched to beauty by the stroke of humanity which had <lb/>
                    felled him.</p>

                <p>As we made our way to the street I could scarcely believe that <lb/> this was the
                    same man. Behind the seat which we had left sat <lb/> the young man, motionless
                    as before, with his head in his hands, <lb/> conspicuous amid the bustle and
                    movement that was round him. <lb/> In the corner of the room two Spaniards were
                    quarrelling over a <lb/> game of chess. </p>

                <p>Who shall guess what chained the youth's head to his hands ? <lb/> Shall a man
                    presume to explain what made the Spaniards to <lb/> quarrel, or why that
                    garrulous actor was struck dumb ? And how <lb/> came it that for many days and
                    nights I was haunted by this <lb/> fragment of the actor's rambling speech,
                    "Ophelia had left some <lb/> flowers in her hair too" ? </p>
                <lb/>
                <lb/>
                <lb/>
                <fw type="catchword">Do</fw>

                <pb n="135"/>

                <fw type="runningHead">By Stanley V. Makower <fw type="pageNum">121</fw>
                </fw>

                <p><emph rend="indent"><emph rend="indent"><emph rend="indent">II&#x2014;The
                                Countess</emph></emph></emph></p>

                <p>Do you know these moments ? When you have come home <lb/> from a dance, or a
                    dinner, at some house where there have <lb/> been crowds of people, and much
                    talk and laughter and noise. <lb/> You enter your solitary room and all is
                    perfectly still and dark, <lb/> and it seems to you that the rest of the world
                    are moving, growing <lb/> older, suffering the pain of life to eat them up
                    slowly but surely. <lb/> Men whom you have known as boys are grey-headed, and
                    talk of <lb/> their youth as a thing divine, lighted by the halo of a dead past.
                    <lb/> Women whom you have seen young and fair and merry are old <lb/> and
                    unlovely : the light of romance has died from their eyes, and <lb/> their vanity
                    sits upon their faces like a scar.</p>

                <p>It was at such a moment as this that I stood lost in a melan-<lb/> choly wonder
                    with the match against the matchbox, hesitating to <lb/> strike, reluctant to
                    dissipate the sweet pain of the emotion by <lb/> the flare of the tiny torch
                    which should reveal with dim certainty <lb/> the familiar objects in my
                    sitting-room, when I heard a prolonged <lb/> trumpeting sound from the floor
                    below which it was impossible <lb/> to mistake. For it was the sound of somebody
                    blowing a nose.</p>

                <p>However disposed I might have been to ignore the origin of <lb/> such a sound, to
                    clothe it in a fancy more in accordance with the <lb/> poetry of my mood, I was
                    not permitted to indulge in any such <lb/> alluring illusion, for the sound was
                    twice reiterated, each time <lb/> with growing emphasis and sonority, and with
                    the irresistible <lb/> conviction that it came from a nose, and a very powerful
                    nose <lb/> too, I lighted my candle, hurried into the next room and went <lb/>
                    to bed. </p>

                <p>The next morning being anxious to know who occupied the <lb/> floor below I
                    inquired of the servant, and was told that it was </p>

                <fw type="catchword">"the</fw>

                <pb n="136"/>

                <fw type="runningHead"><fw type="pageNum">122</fw> Three Reflections </fw>

                <p>"the Countess." When I went on to ask what her name was<lb/> my curiosity met
                    with a check, for the girl answered, "Oh, she <lb/> 'ave a lot of names she do,"
                    which I took as a well-merited <lb/> rebuke for the impertinence of the
                    question. </p>

                <p>During the week, however, I learned two important facts. <lb/> One was that the
                    name of the Countess was Cunégonde de Blum <lb/> de Cavagnac, by which she was
                    addressed in full on the envelopes <lb/> of all her letters, which sometimes lay
                    on the hall table, sometimes <lb/> on the top of a coal scuttle that had strayed
                    into the staircase, and <lb/> sometimes on a plaster statue of the Queen, which
                    stands on a <lb/> bracket on the first floor landing, and seems to me to look
                    <lb/> particularly peevish and ill-tempered whenever it is crowned with <lb/> a
                    letter addressed to the Countess. On most of the envelopes the <lb/> name took
                    up two lines, and I can only remember one in which <lb/> the Cavagnac was
                    included in the first line, and then it wriggled <lb/> down the side in lame,
                    helpless fashion. </p>

                <p>The other fact that I learned was that the Countess had large <lb/> feet, for on
                    coming home rather late one evening I passed her <lb/> shoes which keep sentinel
                    at her door, and observed that they <lb/> gaped a good deal, and that they were
                    larger than my own. </p>

                <p>Apart from the fact that she would blow her nose in an aggressive <lb/> way,
                    there was only one trick of the Countess which stirred in me a <lb/> feeling of
                    animosity. This was her habit of retiring punctually <lb/> at eleven o'clock,
                    and slamming her door violently and then <lb/> locking it with as much noise as
                    she could. This conduct seemed <lb/> to me defiant, almost polemical. An
                    ill-natured person might go <lb/> further and stigmatise it as forward. </p>

                <p>But I had my revenge, for one evening at five minutes to eleven <lb/> I went into
                    my bedroom and slammed my door and locked it <lb/> and unlocked it and relocked
                    it some six or seven times, then <lb/> waited breathlessly to see what she would
                    do, and on the whole I</p>

                <fw type="catchword">am </fw>

                <pb n="137"/>

                <fw type="runningHead">By Stanley V. Makower <fw type="pageNum">123</fw>
                </fw>

                <p>am disposed to look upon what followed as an apology. At a few <lb/> minutes past
                    eleven o'clock she retired, slamming her door rather <lb/> less violently, I
                    thought, than usual, and it was quite a quarter of <lb/> an hour before the door
                    was locked, and then it was locked very <lb/> gently. On the other hand she must
                    have blown her nose at <lb/> least seven or eight times, for many times when I
                    was just <lb/> dropping to sleep I was awakened by the stern notes.</p>

                <p>The next evening, as I returned late, she had already retired, <lb/> and finding
                    a dead narcissus on the staircase I dropped it into the <lb/> gulf of one of her
                    shoes on my way to the top floor, hoping <lb/> that she might look upon the
                    offering as a sign of peace between <lb/> us. </p>

                <p>At about this time I noticed that the servant began to allude <lb/> very
                    frequently, and always in a tone of irony, to the Countess, <lb/> and from her
                    manner I perceived that unless I myself were to <lb/> invite her confidence, the
                    day would come when she would no <lb/> longer be able to contain herself, and a
                    storm of communications <lb/> would rain upon my head. Knowing from former
                    experience of <lb/> lodging-house servants that the storm, when it burst, would
                    be a <lb/> fierce one, I thought it wise to ask a few questions about the <lb/>
                    Countess before the store of the girl's information should become <lb/> too vast
                    to be any longer contained. </p>

                <p>I was not mistaken in my surmise of the situation ; for I had <lb/> barely opened
                    my mouth upon the subject when Sarah (for of <lb/> course the servant's name was
                    Sarah) declared first that the <lb/> Countess was a funny woman, and before I
                    could remember any <lb/> instances of wittiness in her conduct, that she was a
                    beastly <lb/> woman. She went on to explain, with masterly inconsequence, <lb/>
                    that she was very rich, a Roman <emph rend="italic">Catholic</emph>, only ate
                    bread and <lb/> butter for dinner, and without a shadow of a doubt was wrong in
                    <lb/> her head. When I asked what led to her belief, she replied that </p>

                <fw type="footer">The Yellow Book&#x2014;Vol. XII. H</fw>
                <fw type="catchword">the </fw>

                <pb n="138"/>

                <fw type="runningHead"><fw type="pageNum">124</fw> Three Reflections </fw>

                <p>he Countess rose at unearthly hours in the morning to go and <lb/> pray, and that
                    she always insisted on having a jug of hot water <lb/> before leaving the house
                    ; which of course necessitated Sarah's <lb/> rising at unearthly hours, though I
                    should not think that it caused <lb/> her to pray, to judge from the language in
                    which she alluded to <lb/> the matter when we were talking it over together. </p>

                <p>She admitted that the Countess gave heaps of money to the <lb/> poor, but very
                    rightly observed that before indulging in luxuries of <lb/> this kind it was
                    only a duty to "live decent yourself." She said <lb/> that she had no patience
                    with such a woman, and at the same time <lb/> gave me to understand that she was
                    putting the Countess through <lb/> a course of training by which she might with
                    time acquire that <lb/> virtue herself, for she made it a rule never to answer
                    her bell until <lb/> it had rung half-a-dozen times or more. </p>

                <p>This was information which I might have assumed from my <lb/> own experience of
                    Sarah's character ; so I hastened to lead her to <lb/> a department of the
                    matter which should be more fruitful of <lb/> interest to me. I asked her
                    whether the Countess was really a <lb/> religious woman, and was told with many
                    contemptuous comments <lb/> that she mumbled and muttered about her room a great
                    deal, and <lb/> spent a great deal of her time with a certain Father Sebastian,
                    <lb/> also that she "made up something dreadful, which I'd be ashamed <lb/> to
                    do if I called myself a Christian." The final taunt, for which <lb/> I had been
                    waiting, consisted in the remark that she was only a <lb/> foreign woman after
                    all, and what could you expect ? </p>

                <p>I was glad of the enlightened view which I was thus enabled to <lb/> take of the
                    Countess, and after ascertaining that she might be <lb/> fifty, but that she
                    heaped such clouds of powder upon her face that <lb/> it was impossible to tell
                    what she really looked like, my curiosity <lb/> was appeased, and I resolved to
                    banish the Countess from my <lb/> thoughts. Taking everything into
                    consideration, I was glad that</p>

                <fw type="catchword">it </fw>

                <pb n="139"/>

                <fw type="runningHead">By Stanley V. Makower <fw type="pageNum">125</fw></fw>

                <p>it had not yet fallen to my lot to look upon her. I had come to <lb/> regard her
                    as one of the innumerable fragments of life with which <lb/> our minds are
                    peopled : she was a lodging-house myth, and I was <lb/> not going to seek behind
                    appearances for a meaning which might <lb/> turn the myth into a mere sordid
                    piece of actuality. </p>

                <p>While I was resting in the enjoyment of this belief, I had <lb/> occasion to seek
                    an interview with the landlady on the subject of <lb/> my weekly bill, and in
                    the course of conversation we chanced <lb/> upon the topic of servants. To my
                    surprise, for in my mind I <lb/> had always bestowed upon Sarah the sole virtue
                    of honesty, she <lb/> informed me that the girl was a most unscrupulous liar, of
                    whom <lb/> she hoped very shortly to be rid. The statement troubled me, <lb/>
                    because my myth was in danger. What after all if the Countess <lb/> Cunégonde de
                    Blum de Cavagnac were really a perfectly ordinary <lb/> intelligible person ?
                    What if the allegation that she made up was <lb/> untrue ? What if she really
                    did pray earnestly and devoutly, and <lb/> denied herself the bare necessities
                    of life to benefit the poor ? <lb/> What if the time spent with Father Sebastian
                    was all devoted to <lb/> pious confession ? </p>

                <p>No doubt I had wronged her, mentally only&#x2014;but still. . . . . <lb/> Ought I
                    not to have taken care to prevent my imagination <lb/> running away with me ?
                    After all, could you not hear from her <lb/> long imperious knock at the door
                    that she belonged to an old and <lb/> aristocratic French family ? How could I
                    have been so blind as <lb/> to be misled by the chatter of a servant, whose
                    honesty I was <lb/> foolish enough never to suspect ? But then, what if the
                    landlady <lb/> lied ? That was also possible, and yet . . . . </p>

                <p>I was in an agony of suspense over the matter, when a new <lb/> episode occurred.
                    One evening there was much confusion on the <lb/> floor below : the opening and
                    shutting of innumerable doors, the <lb/> sound of voices, and of hurrying
                    footsteps. On inquiring the </p>

                <fw type="catchword">cause </fw>

                <pb n="140"/>

                <fw type="runningHead"><fw type="pageNum">126</fw> Three Reflections </fw>

                <p>cause of the disturbance the next morning, I was told that the <lb/> Countess was
                    taken ill, and Sarah added, by way of contemptuous <lb/> explanation, that she
                    had "under eaten herself." </p>

                <p>I remained silent, not knowing how much to believe, and how <lb/> much to
                    disbelieve. "Cruel liar," I thought to myself. "Per-<lb/> haps the poor lady is
                    dying, while you are rending her character," <lb/> and I felt half inclined to
                    send in some jelly from Gunter's with <lb/> my compliments. But I refrained,
                    thinking it wiser to allow <lb/> events to shape themselves. </p>

                <p>On the third day after the Countess was taken ill, as I sat <lb/> writing at my
                    window one morning, a handsome phaeton and pair <lb/> drove up our humble street
                    and stopped at our door. It was <lb/> driven by a tall, well-dressed man of
                    about thirty, by whose side <lb/> sat a pretty little girl of thirteen or
                    fourteen.</p>

                <p>I heard the window below mine opened, and the gentleman who <lb/> was driving
                    shouted in a clear, pleasant voice, "Ça va mieux ?" <lb/> And then I heard the
                    reply from below, "Mieux, merci," and <lb/> the window was closed again, and the
                    phaeton drove off.</p>

                <p>"She does belong to an old and aristocratic French family," I <lb/> thought to
                    myself, remorsefully, and I tried to remember some <lb/> historical peg upon
                    which to hang the Cavagnacs ; but though I <lb/> was quite certain I had come
                    across the name in my journeys <lb/> through the French historians, I could not
                    place it, and sat <lb/> wondering, cursing my own forget fulness. </p>

                <p>The morning was fair and clear, and the sun shone peacefully <lb/> upon the
                    opposite houses, with their tufts of trees and shrubs <lb/> beginning to sprout.
                    But the dismal succession of five notes on <lb/> a harmonium which had gone on
                    droning ever since eight o'clock <lb/> drew nearer, and I laid down my pen in
                    despair to wait till the <lb/> noise had passed. The fairness of the weather
                    tempted me to <lb/> open the window.</p>

                <fw type="catchword">I leaned </fw>

                <pb n="141"/>

                <fw type="runningHead">By Stanley V. Makower <fw type="pageNum">127</fw></fw>

                <p>I leaned out, and watched the characteristic movement of the <lb/> street, the
                    handful of tiny boys playing and squabbling among <lb/> each other, the girl
                    wandering about idly in the large garden <lb/> opposite my window, now
                    disappearing, now emerging from <lb/> behind a screen of trees. Then my eye fell
                    below upon the <lb/> balcony beneath my window, and I saw a very strange
                    sight.</p>

                <p>A lady with bare arms, and a loose black gauze thrown round <lb/> her shoulders,
                    was standing with her head bent forward and all <lb/> her hair down. It hung in
                    loose, damp strips from round a bald <lb/> patch in the middle of her head, upon
                    which it was my ill fortune <lb/> to gaze. While she held the gauze across her
                    shoulders with one <lb/> hand, with the other she was frantically waving a
                    bright scarlet <lb/> Japanese fan backwards and forwards against her wet hair. </p>

                <p>The strangeness of the sight restored my temper, and I blessed <lb/> the
                    harmonium that had disturbed me in my work. Had it not <lb/> been for those five
                    dismal notes, I should never have opened the <lb/> window, never have been
                    permitted to enjoy the novelty of <lb/> beholding my Cunégonde for the first
                    time in so grotesque a <lb/> situation. My wounded conscience was healed. I
                    could now <lb/> from personal observation take my own view of the Countess,
                    <lb/> and dispense with the second-hand versions of the landlady and <lb/>
                    Sarah. </p>

                <p>My first feelings were those of gratitude to the Countess for <lb/> providing me
                    with so unexpected an apparition. I then began to <lb/> reason with myself as to
                    what might be inferred from it. Obvi-<lb/> ously there was nothing abnormal in
                    even a Countess washing her <lb/> head and drying her hair in the sun, nor was
                    it a very profound <lb/> guide to her character. </p>

                <p>And then the complexity of my thought grew clear, and all my <lb/> difficulties
                    melted away as a breath from a glass. My landlady's <lb/> view and Sarah's view
                    were only charming irrelevancies, which</p>

                <fw type="catchword">had</fw>

                <pb n="142"/>

                <fw type="runningHead"><fw type="pageNum">128</fw> Three Reflections</fw>

                <p>had momentarily obscured my view of the Countess as a lodging- <lb/> house myth.
                    The vision on the balcony restored my Cunégonde <lb/> to the proper place in my
                    mind. And I trust that no future view <lb/> of her will ever again tempt me to
                    build an incomplete whole out <lb/> of a complete fragment, nor can any one
                    persuade me that real <lb/> people, and especially Countesses, ever dry their
                    hair with Japanese <lb/> fans upon balconies in the early morning of a fine
                    spring day.</p>
                <lb/>
                <lb/>
                <lb/>
                <p><emph rend="indent"><emph rend="indent"><emph rend="indent">III&#x2014;The
                                General</emph></emph></emph></p>
                <lb/>
                <p><emph rend="indent"><emph rend="indent"><emph rend="indent">(Dedicated to
                                H&#x2014;)</emph></emph></emph></p>
                <lb/>
                <p>HOW I first saw him it would be impossible to tell, because by <lb/> this time he
                    has become a sacred institution ; nor is it <lb/> possible to imagine a period
                    of my life when the General did not <lb/> exist. </p>

                <p>All the foundations of the Constitution might be done away, <lb/> Empires might
                    crumble, and Monarchs topple on their thrones, <lb/> but so long as I was left
                    in undisturbed possession of my General, <lb/> I do sincerely believe that I
                    should remain calm, because as I never <lb/> read a newspaper, and have not gone
                    out for the last ten years <lb/> there is no reason to suppose that these events
                    should come to my <lb/> knowledge ; and my friends have too much respect for my
                    view of <lb/> life ever to communicate to me news which I am bound to regard
                    <lb/> as irrelevant. </p>

                <p>When I say that I never read a newspaper, I am not speaking <lb/> the truth,
                    because I do read a newspaper every morning of my <lb/> life ; but it is always
                    the same newspaper, and I never read more <lb/> than half a column, and it is
                    always the same half-column. I </p>

                <fw type="catchword">have</fw>

                <pb n="143"/>

                <fw type="runningHead">By Stanley V. Makower <fw type="pageNum">129</fw></fw>

                <p>have had that newspaper on my table ever since I took possession <lb/> of my
                    house, and it has turned to quite a rich yellow colour.</p>

                <p>Nothing has ever been written in a daily newspaper that was <lb/> not written in
                    another daily newspaper of an earlier date. Cards <lb/> were invented to amuse a
                    mad king, and newspapers to amuse his <lb/> mad subjects, because no sane person
                    can want to go on reading a <lb/> daily record of the universal imbecilities of
                    people in office and <lb/> people just out of office, people married and people
                    divorced, of <lb/> performances that are going to take place and performances
                    that <lb/> have taken place, weather that was wet and is going to be <lb/> fine. </p>

                <p>But I telescope from one digression into another, and so will <lb/> seek to trace
                    my way back through the half-column of the news-<lb/> paper that I do read to
                    the General who is a sacred institution. </p>

                <p>It is now many years since I lived in a lodging. My mode of <lb/> life has
                    changed. Fate has cast me into a house in the <lb/> Cromwell Road, and I have
                    become so incorporate with this house <lb/> that it seems to me as if I had
                    never lived anywhere else, and the <lb/> experiences of my past life are no more
                    to me than a string of <lb/> pretty tales. I have developed a kind of long
                    religion for myself <lb/> within the walls of my house, and the General is a
                    kind of high <lb/> priest. </p>

                <p>Every morning, as soon as I have breakfasted, I read my little <lb/> half-column
                    earnestly, devoutly, and with afresh sense of gratitude. <lb/> It is headed
                    "Singular Affair in the Caucasus," and is an account <lb/> of a small Russian
                    peasant woman who climbed upon the roof of a <lb/> very tall church with three
                    little children. When she had reached <lb/> the highest part of the building,
                    she proceeded to carefully undress <lb/> each child in the full light of the
                    sun, and threw them one by <lb/> one on to the sharp spires that rose below her.
                    Of course they <lb/> were instantly killed, and when she had thus used all the
                    pieces</p>

                <fw type="catchword">in </fw>

                <pb n="144"/>

                <fw type="runningHead"><fw type="pageNum">130</fw> Three Reflections</fw>

                <p>in her game, she proceeded to undress herself, and then jumped <lb/> after her
                    children, and was killed too. </p>

                <p>With the exception of the heading, and the observation that <lb/> there was a
                    growing population of insane people in these districts <lb/> who were constantly
                    acting in this fashion, there is no further <lb/> comment on the occurrence.</p>

                <p>To me this has always seemed the noblest conception of <lb/> destruction that a
                    human creature has ever devised, and the <lb/> madness of this Russian peasant
                    woman seems to have had some-<lb/> thing in it akin to the divine. Her selection
                    of the church <lb/> suggests that she carried out her intention with the
                    earnestness <lb/> and solemnity of purpose of one celebrating a religious rite.
                    Her <lb/> undressing her children and herself before dying, seems to me to <lb/>
                    have been a kind of symbolical renunciation of the things of the <lb/> world.
                    Then comes the violent, self-imposed destruction&#x2014;death <lb/> in an act of
                    calm, deliberate revolt. All the tiny chains that hold <lb/> man to life are
                    flooded and wrecked by an ocean of desire for <lb/> an annihilation of self.
                    Could anything be nobler, simpler ? </p>

                <p>To read this account, then, is one of the daily tasks of my life <lb/> and to
                    ponder and gather fresh truths from it. What has it to do <lb/> with the General
                    ? Why, only this : that when I look up from <lb/> my newspaper across the road,
                    my eye always falls, and has fallen <lb/> ever since I can remember, upon the
                    bay window of a tall, grey, <lb/> corner house, and more often than not, I have
                    seen an old, white- <lb/> haired, purple-faced man standing by a wire cage with
                    a parrot in <lb/> it, and fiercely stroking a long white moustache. </p>

                <p>As I have already said, I can remain perfectly calm under a <lb/> change of
                    Government, or a war in China, or a sensational murder <lb/> outside the radius
                    of the parish, but I confess that life would be <lb/> robbed of one of its few
                    attractions for me were that corner house <lb/> to change hands. More than that,
                    the alteration of a single piece </p>

                <fw type="catchword">of </fw>

                <pb n="145"/>

                <fw type="runningHead">By Stanley V. Makower <fw type="pageNum">131</fw>
                </fw>

                <p>of furniture in his room would be sufficient to cause me serious <lb/>
                    discomfort.</p>

                <p>When I am in a depressed state of mind, I always begin to <lb/> think what on
                    earth I should do if, for instance, the parrot were <lb/> to die. That the
                    General should die, is, of course, a wild <lb/> impossibility, which I have
                    never seriously contemplated. But it <lb/> might easily happen that the parrot
                    should catch a chill, or, what <lb/> is more likely, that a new servant should
                    come and displace the <lb/> furniture. </p>

                <p>Curiously enough, I have never seen a servant in the room <lb/> during the whole
                    course of my observation. In fact, the only <lb/> woman who occasionally
                    lightens the dingy, dusty-looking room <lb/> with her presence is a relation of
                    the General, a sallow-faced, tired- <lb/> looking young woman of about thirty,
                    who comes to stay with <lb/> him from time to time for periods of a week.</p>

                <p>I believe she is his daughter, the only one of his children with <lb/> whom he
                    has not finally quarrelled, because, from a general <lb/> impression which some
                    years' observation has enabled me to <lb/> gather of the household, I am quite
                    convinced that he had many <lb/> children, and that he never could get on with
                    any of them. Even <lb/> the girl who takes pity on him now that he is old,
                    though by no <lb/> means infirm, as I shall soon show, must have married against
                    his <lb/> wishes, for she never comes with her husband, as you might <lb/>
                    expect, and she never stays for more than a week.</p>

                <p>The General stays all day in the front room, except when he <lb/> eats, and then
                    he retires to a room at the back of the house, <lb/> where my eyes are prevented
                    from following him. </p>

                <p>The General does read the newspaper, and a different one every <lb/> morning,
                    because he betrays emotions which vary according to <lb/> the news. He sits at
                    the back of the room in a large armchair, <lb/> smoking and reading. </p>

                <fw type="catchword">Once </fw>

                <pb n="146"/>

                <fw type="runningHead"><fw type="pageNum">132</fw> Three Reflections</fw>

                <p>Once I saw him crunch up the newspaper in a paroxysm of <lb/> rage, and jump up
                    out of his chair, knocking over a photograph <lb/> on the table to my infinite
                    distress, for, from my side of the way, <lb/> I had studied that photograph for
                    years, and it had become as <lb/> much one of my household gods as I knew it was
                    one of his. </p>

                <p>What it was that annoyed him I don't know, but he strode <lb/> about the room,
                    and at last came to the window, and his eyes <lb/> looked as if they would hop
                    out of their sockets right over the <lb/> way to where I sat in a condition of
                    abject terror. </p>

                <p>He pulled his moustache so fiercely that any other moustache <lb/> would have
                    come off under the tension, and to my disordered <lb/> imagination his moustache
                    seemed to grow in length, so as to <lb/> sweep two-thirds of the way round the
                    bay window.</p>

                <p>Every now and then he cast a savage side-glance at the parrot, <lb/> which was
                    swinging impertinently within its cage and winking ; <lb/> yes, I declare that I
                    saw it myself, winking at him. </p>

                <p>I saw his lips move quickly and both his arms wrathfully <lb/> raised, and I
                    shuddered and turned quite sick with fear. A mist <lb/> came over my eyes. I
                    could look no more : in another instant <lb/> the cage would lie in twisted
                    fragments on the floor and the bird's <lb/> brains would bespatter the ceiling.
                    . . . </p>

                <p>When I had recovered myself sufficiently to look again I found <lb/> he was at
                    the other end of the room, reverently setting the photo-<lb/> graph in its old
                    place upon the table, and spasmodically shaking <lb/> his head, which glowed
                    like a hot coal. </p>

                <p>Thank Heaven ! the parrot was comfortably crawling up his <lb/> cage upside down,
                    and the photograph was intact, and so I could <lb/> once more look upon the
                    little picture which did not look larger <lb/> than a five-shilling piece from
                    my window. It was the half- <lb/> length portrait of a young lady in evening
                    dress, cut square, with <lb/> a feather trimming running round the edge of the
                    bodice, and she </p>

                <fw type="catchword">had </fw>

                <pb n="147"/>

                <fw type="runningHead">By Stanley V. Makower <fw type="pageNum">133</fw></fw>

                <p>had a fuzzy head of hair ; to all of which details, though I <lb/> suppose I must
                    have guessed at them, I am ready to swear.</p>

                <p>Who the lady was of course I do not know, but that she was a <lb/> person much
                    adored by the General is obvious from his conduct on <lb/> the occasion to which
                    I have alluded, and she certainly was not in <lb/> the least like the daughter
                    whom he hated less cordially than his <lb/> other children, and who came from
                    time to time to stay with him.</p>

                <p>She looked a long-suffering young woman, and had a very <lb/> hard time of it
                    whenever she stayed with her father, because of his <lb/> ungovernable temper.
                    For instance, I would dimly discern the <lb/> two figures seated at the back of
                    the room, apparently engaged in <lb/> conversation, when there would suddenly be
                    an upheaval of the <lb/> furniture, a tumultuous confusion, of which I was
                    vaguely aware <lb/> from my place of observation, and then the girl would wander
                    <lb/> away from him to the window and look out ruefully upon the <lb/> row of
                    dull grey houses opposite, with their uniform air of sordid <lb/>
                    respectability. She would stand and watch the people pass under <lb/> the
                    window, the carts and carriages roll by, and sometimes she <lb/> would rub her
                    finger upon the dust-covered glass and make <lb/> patterns on it. </p>

                <p>But she was never allowed to indulge her resentment for long, <lb/> for out of
                    the darkness would emerge the prancing figure of the <lb/> General, who would
                    bear swiftly down upon her and re-open the <lb/> argument until she fled into
                    another part of the room.</p>

                <p>Not very long ago I observed with great anxiety that the <lb/> General did not
                    appear as usual in his sitting-room, and I had to <lb/> content myself with
                    watching the parrot, whose gymnastics and <lb/> whose cold insolent yellow eye
                    began to wear sadly upon my <lb/> nerves. Evidently the General was in bed, and,
                    curiously enough, <lb/> his bedroom was not on the floor above his sitting-room,
                    but at <lb/> the top of his house. </p>

                <fw type="catchword">I have </fw>

                <pb n="148"/>

                <fw type="runningHead"><fw type="pageNum">134</fw> Three Reflections</fw>

                <p>I have often fancied him climbing up, and puffing at each step, <lb/> damning
                    those infernal staircases, and asking questions which he <lb/> did not intend to
                    be answered, then mildly subsiding into a growl <lb/> of "puffickly
                    redicklerse." </p>

                <p>Why he slept at the top of the house I cannot for the life of <lb/> me imagine,
                    and what he did with so large a house all by himself <lb/> was another mystery.
                    The drawing-room floor was shut up and <lb/> the blinds all drawn, and so it has
                    been ever since I can remember, <lb/> so that the outside of the house presents
                    a very strange appearance. <lb/> There is the basement and ground-floor, in
                    which is the sitting- <lb/> room, with the parrot in the window, round which are
                    tall, dirty, <lb/> bedraggled muslin curtains ; then comes the blind-drawn array
                    of <lb/> windows in the next three floors, that seem to shroud from my <lb/>
                    vision some ghost which the General has locked out of sight; <lb/> and then,
                    right at the top, comes an array of smaller windows, <lb/> hung with little
                    frilled curtains of spotted muslin that was <lb/> once white, but has never been
                    anything but a faint grey as far <lb/> back as my memory will take me. These
                    must be the windows <lb/> of his bedroom, and I cannot help thinking that those
                    intermediate <lb/> floors were used in the time of his wife, and that they
                    contained <lb/> a nursery for the children, all of which are such disagreeable
                    <lb/> associations to the old man, that he shut up the whole three floors <lb/>
                    as soon as his wife had died, which I imagine to have been pretty <lb/> soon ;
                    for I have never set eyes on her or on any young children, <lb/> ever since I
                    have lived in the opposite house. </p>

                <p>What the General was like when he was ill I shiver to think ; <lb/> how he must
                    have heaved under the bed clothes in those waves of <lb/> passion that came over
                    him, how impatient he must have been, <lb/> and how rude to the doctors. </p>

                <p>Not long ago he appeared in the sitting-room again, and I saw <lb/> him go
                    through a set of manoeuvres all by himself one afternoon. </p>

                <fw type="catchword">He </fw>

                <pb n="149"/>

                <fw type="runningHead">By Stanley V. Makower <fw type="pageNum">135</fw></fw>

                <p>He marched up and down the room with a very warlike air and <lb/> brandished a
                    stick at the pictures and ornaments, which he was <lb/> treating as a substitute
                    for the regiments he had once commanded. <lb/> All the time that he moved he was
                    issuing orders, and his <lb/> moustache grew more pointed as he roared out the
                    words or <lb/> command. At last he charged against the mantelpiece, broke a
                    <lb/> vase, the fragments of which he flung all over the room, and then <lb/>
                    sank exhausted into a chair. </p>

                <p>Even the parrot was frightened out of his customary insolence <lb/> and folded
                    himself into quite a small heap at the corner of the <lb/> cage, and the General
                    never moved for the rest of the afternoon. <lb/> There he sat until the invading
                    darkness of the winter day crept <lb/> into the room, blotting the picture on
                    the table from my sight, <lb/> and wrapping the warrior in an impenetrable
                    gloom. I suppose <lb/> he imagined himself wounded in the battlefield, trampled
                    to <lb/> death by horses, with the noise of the cannon and the smell of <lb/>
                    powder all round him.</p>

                <p>The next day the sky went through every shade of grey from <lb/> early morning to
                    evening. The street looked so mournful that <lb/> I had to read my half-column
                    about the mad Russian peasant <lb/> several times before I could make up my mind
                    not to follow her <lb/> example. Perhaps my chief reasons for refraining from
                    doing so <lb/> lay in the facts that I knew of no church that would be
                    suffi-<lb/> ciently high, that had I known of one I should never guess how <lb/>
                    to get to the top of it, that, to accomplish my purpose, I should <lb/> have had
                    to go out and so violate the fundamental dogma of my <lb/> religion, and lastly,
                    that I had no children to destroy.</p>

                <p>I looked over the way for consolation, looked to a quarter which <lb/> has never
                    disappointed me yet, and saw that the General and his <lb/> daughter were moving
                    restlessly about the room oppressed by the <lb/> same sense of desolation as
                    that from which I myself was suffering. </p>
                <fw type="catchword">The </fw>

                <pb n="150"/>

                <fw type="runningHead"><fw type="pageNum">136</fw> Three Reflections </fw>

                <p>The girl wandered to the window as usual, and began to play <lb/> with the
                    parrot. She took him out of the cage and he walked up <lb/> her arm bobbing his
                    head majestically at each step. A moment <lb/> afterwards, the General also came
                    to the window, and their lips <lb/> moved in conversation while through the
                    gathering darkness I <lb/> saw the General scratch first the parrot's head, and
                    then his own <lb/> in a soft, undecided way, that made me think that somehow he
                    <lb/> must have confused himself with the bird. </p>

                <p>A milk-boy ran along the street with a cart full of clattering cans, <lb/> of
                    which the dimly reflected image passed, like a film, across the pane <lb/> of
                    glass behind which the two figures stood playing near the cage. <lb/> The
                    General was engaging the parrot's attention, and the girl <lb/> was gazing again
                    mournfully into the street, deprived of the <lb/> distraction which, in an
                    inspired moment of an afternoon spent <lb/> in waiting wearily for tea-time, she
                    had discovered in the caressing <lb/> of the bird. </p>

                <p>Suddenly, just as the milk-boy echoed his dismal cry down the <lb/> street, the
                    General tossed the bird off his hand into the cage, <lb/> shook the clenched
                    fist of his other hand at it in his most violent <lb/> manner, and stalked up
                    and down in the full enjoyment of the <lb/> greatest rage I had ever seen him
                    indulge.</p>

                <p>What the bird had done to this other hand I cannot say, but he <lb/> held it away
                    from him suspended in the air, and through the fierce <lb/> anger which burned
                    in his eyes I fancied I read a look of inex-<lb/> pressible wonder at the
                    enormity of the offence which the bird <lb/> had committed. His daughter,
                    meanwhile, hurried about the <lb/> room in a flustered condition, and the
                    General once more <lb/> approached the window, and stroked his moustache with
                    the hand <lb/> which was still undesecrated. Nor could the maimed Nelson <lb/>
                    himself have put more grandeur into the gesture. </p>

                <p>We met the General at the window. At the window let us </p>

                <fw type="catchword">take </fw>

                <pb n="151"/>

                <fw type="runningHead">By Stanley V. Makower <fw type="PageNum">137</fw></fw>

                <p>take our leave of him, and if you are not satisfied after all that <lb/> I have
                    said that he is a General I may tell you that I do not <lb/> think I only
                    dreamed that one afternoon I saw the General <lb/> ride off to a <emph
                        rend="italic">levée</emph>, his moustaches drooping nobly in two directions
                    <lb/> out of a hansom. He was dressed in a uniform the colour of which <lb/> was
                    scarcely to be distinguished from that of his face, and on his <lb/> knees lay a
                    magnificent black-plumed hat which was so high that, <lb/> had he put it on his
                    head, it must inevitably have stuck out at the <lb/> top of the cab and looked
                    ridiculous. </p>



            </div>

            <div>
                <head>
                    <title level="a">A Landscape</title>
                </head>
                <byline> By Alfred Thornton <docAuthor>
                        <ref target="#ATH"/>
                    </docAuthor>
                </byline>
            </div>

            <div n="YBV12_15im" type="image">
                <figure>
                    <graphic width="600px" url="MediumImageDocs/YBV12icon9_thornton_landscape.jpg"/>
                    <note n="YBV12_15im.n1">
                        <title>A Landscape</title>
                        <rs>YBV12icon9</rs> YBV12icon9 Alfred Thornton A Landscape 15.4 cm x 9.8 cm
                        Visual Art Landscape Watercolour exterior grasslands large trees fields low
                        lying clouds stooks</note>
                    <head>A Landscape</head>
                    <figDesc>Image is of grasslands as seen from above In the right foreground there
                        is a large tree In the centre middle ground are several large trees of
                        differing colours There are several farmers fields Low lying clouds are
                        visible There are two stooks in the left middle ground The image is
                        horizontally displayed</figDesc>
                </figure>
            </div>


            <div n="YBV12_16pr" type="prose">
                <pb n="157"/>

                <head>
                    <title level="a">Marcel : An Hotel-Child</title></head>

                <byline>By <docAuthor><ref target="#AMA">Lena Milman</ref></docAuthor>
                </byline>

                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"
                        >I</emph></emph></emph></p>
                <lb/>
                <p>I HAD arrived in Venice, after a long journey, and, with a <lb/> confused
                    impression of lapping water, of shimmering mosaic, <lb/> and one, far more
                    distinct, of discontent with the room allotted <lb/> me, had gone early to bed.
                    My window looked upon a court with a <lb/> well in the middle, and, as I had
                    feared, the drawing of water aroused <lb/> me betimes, so that it was but seven
                    o'clock when, exasperated by <lb/> the rattle of the chain which seemed suddenly
                    to have grown <lb/> louder than ever, I got up and went to the window. The
                    clatter <lb/> was accounted for by the inadequate strength that drew the <lb/>
                    handle to and fro. Surrounded by a group of Venetian women, <lb/> each with twin
                    copper pails slung over her shoulder, a little boy, <lb/> evidently a <emph
                        rend="italic">forestier</emph>, was pulling with might and main, his foot
                    <lb/> set against the side of the well, his lips tightly pressed together. <lb/>
                    One of the onlookers good-naturedly laid her brown hand over <lb/> his little
                    fair one as though to help him, but : "No, no," he <lb/> cried, "I can do it
                    quite well myself," and, although the words <lb/> were strange to the listeners,
                    the redoubled vigour of his attitude, <lb/> and the little frown, just visible
                    under the brim of his hat, showed <lb/> him impatient of aid. It was a pretty
                    scene, and I watched until</p>
                <fw type="footer">The Yellow Book&#x2014;Vol. XII. I</fw>
                <fw type="catchword">all</fw>

                <pb n="158"/>

                <fw type="runningHead"><fw type="pageNum">142</fw> Marcel: An Hotel-Child </fw>

                <p>all the pails were filled, and the little lad could let go the handle <lb/> which
                    had left red traces upon his palm.</p>

                <p>Taking off his hat, he leaned for a moment against the wall, <lb/> and I was
                    conscious of an Englishman's innate contempt for a <lb/> picturesque boy, as I
                    looked at the graceful little figure, whose <lb/> lines even the loose sailor's
                    suit sufficed not altogether to disguise, <lb/> and at the fair hair that waved
                    upon the child's forehead. Still <lb/> there was no lack of manliness in the
                    boy's bearing, and he <lb/> bounded into the house in a way which dispelled much
                    of my <lb/> prejudice.</p>

                <p>After breakfast, I took a book into the hotel-garden, and was <lb/> fortunate
                    enough to find one of the recesses overlooking the canal <lb/> empty, so that,
                    in the intervals of my desultory reading, I could <lb/> look towards <emph
                        rend="italic">San Giorgio</emph> and watch the gondolas go by. The <lb/>
                    garden was full of roses&#x2014;pink, and white, and yellow&#x2014;and,
                    twin-<lb/> ing in and out of the stone balustrade, they shed their petals into
                    <lb/> the water. There was just breeze enough stirring to make the <lb/>
                    gondolas at the <emph rend="italic">traghetto</emph> sway gently, and to flutter
                    the yellow <lb/> hat-ribbons of two gondoliers whose craft lay just below me.
                    <lb/> There was something about that gondola which attracted attention. <lb/> By
                    the brilliant velvet carpet, by the embroidered flounces of the <lb/> awning, it
                    seemed to struggle against the sombreness of its body, <lb/> and, feeling it to
                    be as thoroughly "bad form" as a pink-lined <lb/> brougham, I was glad to notice
                    that the stars and stripes floated <lb/> at the bows, and not my national
                    ensign. Presently, at a cry of <lb/> "<emph rend="italic">Poppe</emph>!" from
                    the hotel, the two gondoliers sprang up, and, <lb/> deftly turning, brought
                    their boat to the water-steps, where a <lb/> gaily-attired lady, and a man,
                    whose yachting-cap but ill became <lb/> him, stood waiting. There was just the
                    length of the boat be-<lb/> tween us, so that, as they took their seats, I could
                    hear the man <lb/> say hurriedly : "Don't take the child to-day," and the
                    woman,</p>

                <fw type="catchword">with </fw>

                <pb n="159"/>

                <fw type="runningHead">By Lena Milman <fw type="pageNum">143</fw></fw>

                <p>with a little pout, answer : "I had promised that he should come, <lb/> but, if
                    he bores you . . ." and, just then, my little friend of the <lb/> morning
                    appeared on the top step. He was evidently in the <lb/> highest spirits, and I
                    was amused to see that he wore the yellow <lb/> scarf and sash of a gondolier.
                    He had just leapt eagerly into the <lb/> boat, when the lady said, in a
                    high-pitched American voice : <lb/> "We can't take you to-day, Marcel ; we shall
                    not be back until <lb/> too late, so you must stay and amuse yourself in the
                    hotel." I<lb/> cannot bear to see a child disappointed, still less can I bear to
                    see <lb/> a child take disappointment meekly, as this child did. It is well
                    <lb/> for men, for women, to school themselves never to hope where <lb/> they
                    wish, but in children such power of self-repression argues a <lb/> precocity of
                    pain. Poor Marcel ! I saw how his face fell, I even <lb/> saw him glance
                    ruefully down at the fluttering fringes of his sash, <lb/> but all he did was to
                    go silently up to his mother, stoop down to <lb/> kiss her, and leap out of the
                    boat again to watch it out of sight, <lb/> with tears in his eyes. I detest
                    hotel-children, but this one so <lb/> attracted me, that, when at luncheon, I
                    saw him preparing to eat <lb/> a little lonely meal at the table next to mine, I
                    invited him to <lb/> sit with me, and even told him how sorry I had been for his
                    <lb/> disappointment.</p>

                <p>"I was sitting in the garden and saw the start," I explained.</p>

                <p>"It was Monsieur's fault," said the child ; " he is often like that. <lb/> Mother
                    always lets me go with her, but mother's friends always <lb/> want her all to
                    themselves."</p>

                <p>He spoke in a tone so matter-of-fact, that I thought that it <lb/> must be forced
                    and glanced uneasily at him, fearing lest I should <lb/> discern some look of
                    precocious sarcasm ; but the child's eyes <lb/> were innocent of mirth, and all
                    his attention seemed devoted to <lb/> the tangled skein of macaroni before him,
                    which he was endeavour-<lb/> ing to wind into his mouth, Italian-fashion.</p>

                <fw type="catchword">"I see </fw>

                <pb n="160"/>

                <fw type="runningHead"><fw type="PageNum">144</fw> Marcel : An Hotel-Child</fw>

                <p>"I see that you are quite an old Italian," I said, pointing my <lb/> fork at his
                    plate. "I still chop my macaroni into inches, and even <lb/> then I find it
                    unmanageable." </p>

                <p>"Mother and I have been in Europe ever since I can remember, <lb/> but generally
                    we are at Nice ; it depends on mother's friends. <lb/> I like Venice, but I have
                    no one to play with."</p>

                <p>I wondered at this, for the hotel seemed swarming with English- <lb/> speaking
                    girls and boys. But my new friend gave me no time <lb/> for thought, as, with a
                    little sigh of relief expressive of difficulty <lb/> overcome, he laid his fork
                    down upon his empty plate, and, <lb/> evidently glad of a listener, told me of
                    the English tutor who had <lb/> given him lessons at Nice, not only in Latin and
                    Greek, but also <lb/> in cricket ; of how his mother sometimes talked of putting
                    him to <lb/> school in England ; of how Baldassare, the gondolier, had begun
                    <lb/> to teach him to row ; and he showed me a little white blister on the <lb/>
                    palm of his hand, which testified to his exertions of the day before.</p>

                <p>"Which way did you go ?" I inquired.</p>

                <p>"Just beyond the Giudecca. But we couldn't go far, as <lb/> Monsieur wanted the
                    gondola after dinner again."</p>

                <p>"Is Monsieur a Frenchman ?" I asked.</p>

                <p>"Yes," was the laconic answer, from which I gathered that <lb/> Marcel thought
                    Monsieur unworthy of further remark.</p>

                <p>I had feared that, after luncheon, the child might hang heavy on <lb/> hand, but,
                    no ! he said: "Thank you for letting me sit with <lb/> you !" and disappeared by
                    the lift.</p>

                <p>I was sitting smoking in the cabin-like hall, when, on an <lb/> opposite sofa, I
                    recognised a Mrs. Campbell, who had been my <lb/> fellow-sojourner at Territet
                    six months before, and crossed over <lb/> to speak to her. Presently we were
                    deep in memories of Geneva, <lb/> which she interrupted to say : "I thought I
                    saw you at luncheon <lb/> with Marcel Van Lunn."</p>

                <fw type="catchword">"I did</fw>

                <pb n="161"/>

                <fw type="runningHead">By Lena Milman <fw type="pageNum">145</fw></fw>

                <p>"I did not so much as know the child's name, but I felt sorry <lb/> for him,
                    seeing him alone, and invited him to sit at my table. <lb/> Who is he ?"</p>

                <p>Mrs. Campbell desired nothing better than to impart informa-<lb/> tion :</p>

                <p>"Poor child ! I too am sorry for him. But, though I am often in <lb/> the same
                    hotel, I dare not take much notice of him, on account of <lb/> his impossible
                    mother. I have to be careful on account of Félise." <lb/> (This was Mrs.
                    Campbell's stolid daughter.)</p>

                <p>Before ten minutes were passed, I was fully informed as to Mrs. <lb/> Van Lunn's
                    utter impossibility from the point of view of society. <lb/> Monsieur&#x2014;his
                    name was Casimir Portel&#x2014;was not her first <lb/> travelling companion ;
                    others might succeed him. Worse still, <lb/> such was her notoriety on the
                    Riviera, that she was known as <lb/> "Sally Lunn !" I cared not at all, as far
                    as Mrs. Van Lunn was <lb/> concerned, but, as I listened to the sordid story, I
                    saw again the <lb/> pathetic profile of Marcel, and felt gloomily conscious of
                    my <lb/> impotence to avert the misery which I saw threaten.</p>

                <p>That afternoon I wandered into the Piazza, and, as I sipped <lb/> my coffee,
                    espied at a table, not far off, Marcel, his mother, and <lb/> Monsieur. The
                    child seemed happy enough eating an ice, and, <lb/> his back being turned to me,
                    I had the better opportunity for <lb/> studying his mother. She must have seen
                    five-and-thirty summers, <lb/> but, by much artifice, she had knocked off some
                    ten of them to <lb/> the superficial observer.</p>

                <p>"Pretty ?" I hesitated ere I answered the self-imposed question. <lb/> "Yes !
                    decidedly pretty, but more remarkably well-dressed." The <lb/> face, framed in
                    wavy bronze hair, was irregular, but the soft skin, <lb/> the very red lips, and
                    bright eyes, would doubtless have made most <lb/> men forgive the little blunt
                    nose and the square chin, which, <lb/> to women, would have seemed the most
                    remarkable features.</p>

                <fw type="catchword">Monsieur</fw>

                <pb n="162"/>

                <fw type="runningHead"><fw type="PageNum">146</fw> Marcel : An Hotel-Child</fw>

                <p>Monsieur was far less attractive. He was tilting his chair back, <lb/> so that I
                    had a full view of him, from his low-crowned sailor-hat <lb/> to his high-heeled
                    boots ; and I noticed how he looked defiantly <lb/> round, in a way which rather
                    challenged attention from the passers- <lb/> by to his fair companion than made
                    it appear impertinent. He <lb/> had small eyes and a mouth of almost African
                    coarseness, which <lb/> last he was at no pains to conceal, for, as he looked
                    round at the <lb/> company, he twisted first one side of his moustache and then
                    the <lb/> other.</p>

                <p>"<emph rend="italic">Dépêche toi donc</emph>" I heard him say to Marcel, who
                    seemed <lb/> trying to make the delight of the ice as lasting as possible, by
                    <lb/> consuming it in almost imperceptible mouthfuls. "<emph rend="italic">Nous
                        t'attendons</emph>
                    <lb/>
                    <emph rend="italic">déjà depuis une demi-heure</emph>" and he rapped impatiently
                    upon the tray <lb/> for the waiter, who was just then giving me my change.</p>

                <p>During the next few days, my time was so taken up with sight-<lb/> seeing, that I
                    saw no more of Marcel, except at meals and from a <lb/> distance. But, returning
                    one day past San Moïse, I espied the <lb/> painted chalice and waving red over
                    the door, which announce <lb/> Exposition. I am not a Catholic, but the Devotion
                    of the Forty <lb/> Hours so strongly appeals to me, that I pushed aside the buff
                    <lb/> curtain and went in. The church is architecturally one of the <lb/> most
                    contemptible in Venice, but riotous Rococo is admirably <lb/> adapted for the
                    display of festal crimson and gold, and that after-<lb/> noon the impression was
                    to me altogether delightful. The altar, <lb/> agleam with lights, the faithful
                    kneeling here and there in twos <lb/> and threes or genuflecting as they passed
                    to and fro, the silence <lb/> within, made the more conspicuous by contrast with
                    the noise of <lb/> the <emph rend="italic">calle</emph> without, the church, a
                    palatial Presence-chamber, in which <lb/> I gladly lingered. I was still
                    standing just inside when, my eyes <lb/> becoming more accustomed to the dim
                    light, I recognised a little <lb/> kneeling figure not far off as Marcel's. I
                    was surprised, I confess,</p>

                <fw type="catchword">but </fw>

                <pb n="163"/>

                <fw type="runningHead">By Lena Milman <fw type="pageNum">147</fw></fw>

                <p>but the child's praying made the place more solemn than ever. <lb/> So solemn,
                    indeed, that I felt an intruder, and slipped out into the <lb/> air again. I was
                    crossing the bridge, when I heard a light foot-<lb/> fall and Marcel's voice
                    greeted me. I said nothing about having <lb/> seen him in church, but he began
                    of his own accord. </p>

                <p>"Don't tell Monsieur that you saw me in San Moïse. I don't <lb/> mind mother's
                    knowing, but Monsieur is what they call a Liberal, <lb/> and so he always laughs
                    at me for going to church."</p>

                <p>The sarcasm of the deduction was quite lost upon the child, <lb/> and, since I
                    was not acquainted with Monsieur, I explained that <lb/> there was no fear of my
                    telling tales.</p>

                <p>I intended going to Torcello next day, and it struck me that <lb/> the child
                    might enjoy a day on the lagoons, so I invited him to <lb/> come too. He
                    accepted at once, evidently in no fear that anyone <lb/> else should want his
                    company. "May I bring my oar ?" he <lb/> asked. Any excuse for loitering on the
                    lagoons being welcome, I <lb/> gladly consented, and accordingly at eleven
                    o'clock next morning, <lb/> Marcel and I set off.</p>

                <p>He had put on his gondolier's dress, and I thought that Mrs. <lb/> Van Lunn, at
                    her <emph rend="italic">entresol</emph> window, looked quite proud of her son
                    <lb/> as he waved his hand to her. </p>

                <p>"This is Mr. Rivers," shouted Marcel, rather to my confusion, <lb/> but I took
                    off my hat, the lady bowed graciously, and I felt that <lb/> I had only myself
                    to thank for the acquaintance of Mrs. Van <lb/> Lunn.</p>

                <p>I am an old Venetian, but the delights of the place never pall, <lb/> and now, as
                    I lay back upon the cushions, the eager child's face <lb/> beside me was an
                    added pleasure as he told me how often he had <lb/> longed to go to Torcello,
                    and how his mother's dislike to long <lb/> excursions ("They tire her so," he
                    explained), had always pre-<lb/> vented his going.</p>

                <fw type="catchword">The</fw>

                <pb n="164"/>

                <fw type="runningHead"><fw type="pageNum">148</fw> Marcel: An Hotel-Child</fw>

                <p>The contrast between sun and shade is never more marked <lb/> than at Venice,
                    when, from the gloom of narrow canals, the gon-<lb/> dola shoots out on to the
                    lagoon. That day there was not enough <lb/> wind to ruffle the surface of the
                    water, which was as smooth as <lb/> the sky, so that the islands seemed hanging
                    in mid-air, and the <lb/> velvet folds of the distant Alps fell immediately into
                    the sea. <lb/> Fishing-boats with tawny sails floated by, bearing sacred symbols
                    <lb/> as in solemn procession ; here and there in the shallows, brown- <lb/>
                    limbed boys waded after shell-fish. </p>

                <p>To my joy, my companion spoke but little until we neared <lb/> San Francesco in
                    Destrto, where I had planned lunching ; with <lb/> its associations, its
                    stone-pine, its cypresses, its meadow, and its <lb/> monastery, no island of the
                    lagoons has for me a charm like this <lb/> one, and, while the gondoliers were
                    getting luncheon ready upon <lb/> a daisy-strewn bank under the cypress shade, I
                    took Marcel to <lb/> see the cloisters and the chapel. The brother who admitted
                    us <lb/> was delighted with the child s reverence and interest : "<emph
                        rend="italic">Cattolico !</emph>" <lb/> he said ; and I saw no reason to
                    distress him by contradiction.</p>

                <p>As we ate our luncheon, I told Marcel the story of St. Francis's <lb/> famous
                    sermon to the birds, and, appropriately enough, the larks <lb/> sang over our
                    heads, while the child, lying full length among the <lb/> flowers, sought them
                    in the blue. </p>

                <p>"Last time I listened to the larks," he said, "I was in England. <lb/> Mother had
                    a little house near Ascot, and I never enjoyed myself <lb/> so much, for I had
                    her all to myself all day long. We did not <lb/> know any of the people who
                    lived round there." </p>

                <p>He paused a moment, and then, as if impelled to speak of what <lb/> had long been
                    in his thoughts, he said, still looking up at the <lb/> sky : </p>

                <p>"Why is it, I wonder, that Félise Campbell is no longer <lb/> allowed to play
                    with me I Mother says that it is because I'm an </p>

                <fw type="catchword">American,</fw>

                <pb n="165"/>

                <fw type="runningHead">By Lena Milman <fw type="pageNum">149</fw></fw>

                <p>American, and so Mrs. Campbell is afraid lest Félise should grow <lb/> to talk
                    like me. Mother says that I ought to be proud of being <lb/> an American, and so
                    I am ; but I should like some one to play <lb/> with all the same. Besides, I
                    don t think that mother can have <lb/> guessed the right reason, for there were
                    some very noisy Ameri-<lb/> can children in the hotel last week, and you must
                    have seen <lb/> Fdlise romping with them all day long. So what do you think is
                    <lb/> the real reason, Mr. Rivers ?" and here the speaker rolled over on <lb/>
                    the grass and faced me. </p>

                <p>It was morally impossible for me tell the truth, it was men-<lb/> tally
                    impossible for me to invent an answer then and there, while <lb/> Marcel's
                    trusting blue eyes were fixed upon mine, so I evaded <lb/> the question by
                    throwing a stone into the water and saying :</p>

                <p>"Do let us talk of something more interesting than Mrs. <lb/> Campbell's reason
                    or unreason. Tell me about your life at <lb/> Ascot ? Had you no friends of your
                    own there ?"</p>

                <p>"Yes ! I had one great friend : Father Simeon. He is one of <lb/> the fathers at
                    the convent, which was the next house to ours ; <lb/> and I used to go to him
                    every day for Latin. That was how I <lb/> grew to wish to be a Catholic, for
                    Father Simeon played the <lb/> organ at Mass and Benediction, and he used often
                    to let me sit <lb/> up in the gallery with him. Mother had given permission for
                    <lb/> me to be 'received', when, one day, Monsieur came down and <lb/> heard of
                    it. He made a dreadful fuss, insisted upon my lessons <lb/> being stopped, and,
                    when Father Simeon called to inquire after <lb/> me, treated him so rudely that
                    he never came back. I think, <lb/> though, that he wrote me a letter, for I
                    noticed how Monsieur <lb/> walked down the drive to meet the postman for some
                    time after, <lb/> until, one day, I saw him slip a letter into his pocket and,
                    though <lb/> I cannot be sure, I think that I recognised the convent note- <lb/>
                    paper. Soon after we left for Nice, and I went to mother and asked </p>

                <fw type="catchword">whether</fw>

                <pb n="166"/>

                <fw type="runningHead"><fw type="pageNum">150</fw> Marcel: An Hotel-Child</fw>

                <p>whether I might write to Father Simeon. She said that I might <lb/> do so, and
                    undertook to post the letter herself. I only wrote a <lb/> few lines to say how
                    sorry I was not to see him again, and that I <lb/> hoped that some day he would
                    write to me ; but, although I was <lb/> careful to give him the address, he has
                    never written, or, if he has, <lb/> the letter must have been lost. When I am a
                    man I shall be a <lb/> Catholic and take mother to church with me. She will not
                    need <lb/> Monsieur for an escort then, will she ? When shall I be old <lb/>
                    enough to take care of mother, Mr. Rivers ? I was ten last <lb/> birthday."</p>

                <p>"Oh, you will want to be a good many years older and wiser !" <lb/> I said ; "
                    and you must learn to take care of yourself first, and not <lb/> come out for an
                    excursion, as I see that you have done to-day, <lb/> with no great-coat to put
                    on when it turns chilly !"</p>

                <p>"May I row now ?" asked Marcel, eagerly, as, from below the <lb/> great cross at
                    the landing-stage, we pushed off for Torcello, and, <lb/> taking my consent for
                    granted, he sprang up even as he spoke, <lb/> and bade the gondolier take his
                    oar out of the rest. The man <lb/> was willing enough to sit idly down opposite
                    me and watch his <lb/> little substitute. We made the slower progress, and
                    occasionally <lb/> the child s oar slipped ; but he was skilful enough on the
                    whole, <lb/> and the rhythmic sway of the little figure, all within my line of
                    <lb/> sight, so soothed me, that I was between sleeping and waking, <lb/> until
                    roused by Marcel's throwing himself panting down at my <lb/> side. He looked
                    very much over-heated, I thought, and I insisted <lb/> upon his putting on one
                    of the wraps which I had with me.</p>

                <p>"Monsieur is always so impatient when I row," said Marcel, <lb/> as soon as he
                    had recovered his breath. "I have no sooner got <lb/> into the swing than he
                    bids me stop." </p>

                <p>"Perhaps he is more careful of you than I have been !" I <lb/> suggested.</p>

                <fw type="catchword">But</fw>

                <pb n="167"/>

                <fw type="runningHead">By Lena Milman <fw type="pageNum">151</fw></fw>

                <p>But "Oh, no! It's not that!" was the answer in tones so <lb/> positive as to
                    admit of no contradiction. </p>

                <p>Presently the child went on : "Sometimes I think that the <lb/> reason people don
                    t care about me has to do with Monsieur. I <lb/> remember that when mother and I
                    were together at Nice last <lb/> year, people were very kind to me, until
                    Monsieur arrived, but <lb/> after that I had no more invitations, and some even
                    pretended <lb/> not to see me when they met me in the street. I shouldn't <lb/>
                    have minded so much for myself, but I could see that mother <lb/> noticed it. Oh
                    ! how I wish I were a man !" </p>

                <p>It was but a few days later that I received news recalling me <lb/> to England,
                    and I was quite touched at the regret Marcel ex-<lb/> pressed. I gathered from
                    the poor child that henceforward he <lb/> would have once more to choose between
                    solitude and making an <lb/> unwelcome third with his mother and Monsieur, of
                    whom the <lb/> latter was at no pains to conceal his impatience of Marcel's
                    com-<lb/> pany even at meals. The child begged me to let him come to <lb/> see
                    me off, and, on the way to the station, asked me for my card, <lb/> and whether
                    he might write to me. I had grown really fond of <lb/> him, and gladly
                    consented. </p>

                <p>"We are going south in the spring," he said, as he stood on <lb/> the platform,
                    "but I will send you our address. Do go on being <lb/> my friend, Mr. Rivers !" </p>

                <p>That was the last sentence I heard as the train moved off, and <lb/> I had no
                    time to reply. </p>

                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"
                        >II</emph></emph></emph></p>

                <p>On my return to England, I did not forget to write to Marcel, <lb/> but before
                    hearing from him in answer, I unexpectedly succeeded, <lb/> by the death of a
                    distant relation, to a small estate in the West</p>

                <fw type="catchword">Indies,</fw>

                <pb n="168"/>

                <fw type="runningHead"><fw type="pageNum">152</fw> Marcel: An Hotel-Child</fw>

                <p>Indies, and was obliged to go out there without delay. I was <lb/> abroad for
                    over twelve months, during which time I had but little <lb/> leisure and a sharp
                    attack of fever, which two circumstances, com-<lb/> bined with the lack of a
                    fixed address, led me to postpone writing <lb/> to my little friend. When at
                    length I returned home, I felt rather <lb/> remorseful at finding among the
                    letters awaiting me two or three <lb/> directed in a childish hand, which I
                    recognised as Marcel's. They <lb/> were as little informing as children's
                    letters are wont to be, and <lb/> the last one bearing a date some six months
                    old expressed dis-<lb/> appointment at my long silence, and gave me an address
                    which <lb/> would find the writer but for the next few weeks. The time had <lb/>
                    so long passed by, that it had been unavailing forme to write, and <lb/> I felt
                    regretfully how likely it was that I should never see Marcel <lb/> again.</p>

                <p>The following spring, however, I set off as usual for Italy, and <lb/> one wet
                    day at Naples, was idly turning over the leaves of the hotel <lb/> visitors'
                    book, when, among recent entries, I read the following :</p>

                <p><emph rend="indent">Mrs. Hyman F. Van Lunn,</emph>
                    <lb/>
                    <emph rend="indent">Marcel Van Lunn, U.S.A.</emph></p>

                <p>I was standing in the <emph rend="italic">bureau</emph> of the hotel at the time,
                    so I <lb/> inquired of the clerk whether he knew what had been the Van <lb/>
                    Lunns' destination. At first it seemed as though the man had no <lb/>
                    recollection of them at all. Certainly no address had been left for <lb/>
                    possible letters, but the landlord, happening to come in and over-<lb/> hearing
                    my inquiries, reminded the clerk of Marcel, of whom he <lb/> spoke as "<emph
                        rend="italic">le petit du numéro soixante-dix qui jouait toujours de la </emph><lb/>
                    <emph rend="italic">mandoline tout seul dans sa chambre</emph>" So I learned
                    that Mrs. Van <lb/> Lunn and her son had spent a fortnight at Naples, and had
                    then <lb/> gone by steamer to Palermo. I hardly know how much a wish <lb/> to
                    see Marcel had to do with it, but I fancy that the child must</p>

                <fw type="catchword">have</fw>

                <pb n="169"/>

                <fw type="runninghead">By Lena Milman <fw type="pageNum">153</fw></fw>

                <p>have excited more interest in me than I admitted to myself ; <lb/> for certainly
                    a languid wish to see Sicily suddenly toughened to a <lb/> determination. The
                    rain had ceased, and the Mediterranean <lb/> glittered alluringly in the pale
                    afternoon sun. There seemed <lb/> nothing to detain me in Naples. A steamer was
                    to start that <lb/> very evening, and, taking a berth, I started for Palermo.
                    There is <lb/> practically but one hotel, so I was not surprised to read
                    Marcel's <lb/> name on the register as, among a crowd of other travellers, <lb/>
                    I stood awaiting the landlord's pleasure in the hall ; nor did I fail <lb/> to
                    notice that, whereas Mrs. Van Lunn had a <emph rend="italic">suite au
                        premier</emph>, <lb/> the number of her son's room was in three figures.</p>

                <p>I had half expected to see him at luncheon-time, but not doing <lb/> so, I made
                    my way to his room, which was in the same passage <lb/> as mine, but on the
                    opposite side. As I drew near the door, I <lb/> heard the tremolo of a mandoline
                    within. It was Marcel, and he <lb/> was singing "Carmela" in such Neapolitan as
                    he could com-<lb/> mand : </p>

                <p><emph rend="indent">Sleep on, Carmela !</emph>
                    <lb/>
                    <emph rend="indent">Sweeter far than living 'tis to dream.</emph></p>
                <lb/>
                <p>I knocked ; the singer stopped and came to open. I received a <lb/> warm welcome. </p>

                <p>"I was afraid that I should never see you again, Mr. Rivers," <lb/> said Marcel,
                    as, his hand on my arm, he led me to a chair next <lb/> the window ; "and, ever
                    since I said good-bye at Venice, I seem <lb/> to have been collecting things to
                    tell you ! You must have heard <lb/> me singing 'Carmela.' Don't you remember
                    how they used to <lb/> sing it on the Grand Canal that year ? But I had no
                    mandoline <lb/> then. Mrs. Campbell gave it to me when she left. She told me
                    <lb/> that Fé1ise could make nothing of it ! You never had much <lb/> opinion of
                    Félise, had you, Mr. Rivers ?" and Marcel, laughing</p>

                <fw type="catchword">merrily </fw>

                <pb n="170"/>

                <fw type="runningHead"><fw type="pageNum">154</fw> Marcel: An Hotel-Child </fw>

                <p>merrily at my gesture expressive of the weariness with which the <lb/> very
                    mention of Félise filled me, at once changed the subject to <lb/> one more
                    interesting. </p>

                <p>"Have you been to Monreale yet, Mr. Rivers ? I have only <lb/> been once. Mother
                    let me sit on the box the first time she drove <lb/> out there." (From this I
                    judged that Mrs. Van Lunn was not <lb/> alone at Palermo !) "May I go there with
                    you ? The terrace <lb/> is full of flowers now, and the <emph rend="italic"
                        >custode</emph> will let us lunch there. I <lb/> have never forgotten our
                    luncheon on that island," and so saying, <lb/> he pointed to a photograph of San
                    Francesco in Deserto, which <lb/> was pinned to the wall.</p>

                <p>It saddened me, as I looked round, to see evidences of this being <lb/> the poor
                    child's living-room as well as bedroom. A folding <lb/> music-desk stood in one
                    corner, while the dressing-table was littered <lb/> with books and papers. The
                    window looked into the garden, <lb/> thickly planted with fantastic tropical
                    plants, one great date-<lb/> palm growing so near that one could all but touch
                    the spiky <lb/> leaves.</p>

                <p>"I think that your room is too near the garden to be quite <lb/> healthy," I
                    remarked. "What does your mother say about <lb/> it?"</p>

                <p>"Mother finds the stairs tiring, and she is afraid of lifts," said <lb/> the
                    child, colouring. "She has never been up here ; her rooms <lb/> are nearly as
                    far from mine as you remember they were at Venice. <lb/> I have often asked
                    Salvatore, our courier, to take a room for me <lb/> close to hers, but he never
                    does."</p>

                <p>Spite of the schoolboy's jacket and trousers which replaced the <lb/>
                    sailor-suit, Marcel looked little less of a child than he had done at <lb/>
                    Venice ; but I was glad to notice that his head was now quite on <lb/> a level
                    with my shoulder, and so his fragile appearance might <lb/> merely result from
                    his having outgrown his strength.</p>

                <fw type="catchword">I asked </fw>

                <pb n="171"/>

                <fw type="runningHead">By Lena Milman <fw type="pageNum">155</fw>
                </fw>

                <p>I asked him to come out with me and show me my way about<lb/> the town, which he
                    eagerly consented to do. </p>

                <p>So it was that, for the next fortnight I saw a great deal of Marcel, <lb/> and
                    even exchanged a few words with his mother, and a cold <lb/> bow or two with
                    Monsieur, who, in a suit of tight white flannels, <lb/> lolled about the hall.
                    My first impression of Marcel, as singularly <lb/> little changed in the last
                    two years, was much modified. He had <lb/> grown more serious, and now never
                    referred to his dislike to <lb/> Monsieur, although I could see that it had in
                    no wise lessened. <lb/> His eagerness for information showed me that his
                    neglected edu-<lb/> cation was a grief to him, and I had soon made up my mind
                    that, <lb/> before again bidding him good-bye, I would overcome my <lb/>
                    reluctance to seek an interview, and approach his mother upon the <lb/> subject
                    of sending her son to school. Marcel's resolve of being a <lb/> Catholic was as
                    strong as ever, and the devotion which he paid at <lb/> the Lady-altar of any
                    church we happened to enter especially struck <lb/> me. Poor child ! It was as
                    though he had a conviction (never <lb/> confessed even to himself) that he
                    needed a woman's love, such as <lb/> his own mother refused him, and sought and
                    found it in the <lb/> Divine Mother of God. Would not a sexless Protestantism
                    have <lb/> left his childish heart uncomforted ? In his room I noticed a <lb/>
                    little figure of the blue-robed <emph rend="italic">Immacolata</emph> on her
                    crescent, and I <lb/> wondered whether the day would come when he would know how
                    <lb/> unfitted was the portrait of his mother to stand beside it.</p>

                <p>One day Marcel told me what he considered delightful tidings. <lb/> Monsieur was
                    going away on business to Naples, while his mother <lb/> stayed on at Palermo.
                    This being so, I felt that Marcel stood in <lb/> no need of my company, and I
                    decided to seize the opportunity of <lb/> making a tour of the island, returning
                    to Palermo in a fortnight's <lb/> time, and postponing until then the interview
                    with Mrs. Van <lb/> Lunn on her son's behalf. Marcel was so elated at
                    Monsieur's</p>

                <fw type="catchword">departure</fw>

                <pb n="172"/>

                <fw type="runningHead"><fw type="pageNum">156</fw> Marcel: An Hotel-Child</fw>

                <p>departure that he hardly expressed regret at mine, since I promised <lb/> to
                    return so soon. He would like to write to me though, he said, <lb/> but, as I
                    was travelling chiefly by sea, I could only give him the <lb/> name of the hotel
                    at Taormina, at which I intended spending the <lb/> last few days of my
                    fortnight. </p>

                <p>Marcel was usually so methodical that I wondered at rinding <lb/> no letter
                    awaiting me, nor did I receive any during my four days' <lb/> sojourn at
                    Taormina. Again, at the station at Palermo, there <lb/> was no Marcel, although
                    at parting he had eagerly volunteered to <lb/> meet me, and although I had not
                    failed to send a post-card giving <lb/> the time of my arrival. Could it be that
                    Mrs. Van Lunn had <lb/> already gone ? I inquired of the landlord as soon as I
                    reached <lb/> the hotel. "He is here !" was the answer, "he has been ill ever
                    <lb/> since you went away," and I noticed how Signor Tiziano lowered <lb/> his
                    voice as a group of visitors went by.</p>
                <p> "But what is the matter ?" I asked impatiently.</p>

                <p>"Oh, a feverish attack ; but I must beg of you, sir, to say <lb/> nothing about
                    it. It will do me so much harm if it is known <lb/> that there is any sickness
                    in the house. But here comes the <lb/> English doctor !"</p>

                <p>I gladly left Signor Tiziano's side to inquire of the doctor after <lb/> his
                    little patient.</p>

                <p>He looked very grave. "It's a serious case," he said, as I <lb/> followed him out
                    of the hotel ; "Malarial fever, caught from <lb/> sleeping in one of the rooms
                    looking on the garden. At this <lb/> season they are most unhealthy, but Tiziano
                    always gives them <lb/> when no particular inquiries are made, as seems to have
                    been the <lb/> case in this instance. The child seems strangely lacking in
                    re-<lb/> cuperative force, but to-day there is a decided improvement. He <lb/>
                    has often asked for you, but, as I hope he may sleep, I must beg <lb/> of you to
                    wait until to-morrow to see him. Can you tell me, by</p>

                <fw type="catchword">the</fw>

                <pb n="173"/>

                <fw type="runningHead">By Lena Milman <fw type="pageNum">157</fw></fw>

                <p>the way, whether the child is a Catholic ? The mother denies <lb/> it, but
                    certainly, in his delirium, he would constantly repeat pas-<lb/> sages of the
                    Rosary."</p>

                <p>I gave what information I could about Marcel's religion. "He <lb/> is far too
                    much alone," I added, "his is not a morbid tempera-<lb/> ment though a sensitive
                    one, but his life has been too empty of <lb/> the amusements natural to his
                    age."</p>

                <p>At ten o'clock next morning the doctor knocked at my door : <lb/> "Will you come
                    to see the child now ?" he said ; and I followed <lb/> him.</p>

                <p>I was prepared for a great change in Marcel, but not for so <lb/> great a one as
                    I found. His curls had been shorn, so that the <lb/> little thin face was
                    outlined sharply upon the pillow. Too <lb/> weak to greet me except by a little
                    smile, I noticed how the <lb/> hand that lay upon the sheet moved restlessly,
                    and I took hold <lb/> of it to find the fingers scarcely able to return the
                    slightest <lb/> pressure.</p>

                <p>I sat down beside him. "I am so grieved to find you like <lb/> this," I said ;
                    "now, I shall not leave you until you have grown <lb/> quite strong again." The
                    room struck me as sadder than sick <lb/> rooms are wont to be. All Marcel's
                    little belongings were <lb/> heaped together in one corner, and covered with a
                    sheet, through <lb/> which I could trace the gourd-like outline of his
                    mandoline. <lb/> The photographs and music had been stripped from the walls, and
                    <lb/> all that was left was the crucifix over his head, from behind <lb/> which
                    a plaited palm, which he had jealously guarded, had been <lb/> ruthlessly torn.
                    On the table beside him, among an array of <lb/> medicine bottles, soared the
                        <emph rend="italic">Immacolata</emph>. His mother's portrait <lb/> lay on
                    the bed within reach of his hand. The palm-leaves with-<lb/> out, swayed by the
                    sirocco, seemed to wave menaces. I sat there <lb/> for some time stroking the
                    hand that lay so passively in mine, and</p>

                <fw type="footer">The Yellow Book&#x2014;Vol. XII. K</fw>
                <fw type="catchword">was</fw>

                <pb n="174"/>

                <fw type="runningHead"><fw type="pageNum">158</fw> Marcel: An Hotel-Child</fw>

                <p>was glad to see that, far from exciting, my presence seemed to <lb/> soothe the
                    invalid, so that he soon fell asleep. I was so afraid of <lb/> moving, lest I
                    should awake him, that I did not get up when <lb/> Mrs. Van Lunn came in.
                    Apparently, she had come on my <lb/> account rather than her child s, for,
                    almost without glancing at <lb/> him, she handed me a visiting-card, on which I
                    read the words : <lb/> "Will you come to see me this afternoon ? Room 15." It
                    was <lb/> no time for ceremony so I merely bowed my head in assent, and <lb/>
                    she hurried away. </p>

                <p>Directly after luncheon, I bade a waiter announce me to <lb/> Mrs. Van Lunn,
                    whom, to my surprise, I found in a room <lb/> encumbered with luggage. She
                    wasted a little time in pre-<lb/> liminary apologies for the untidiness of her
                        <emph rend="italic">salon</emph>, and then said <lb/> that she ventured to
                    ask me to do her a service, which she had <lb/> the less hesitation in asking,
                    as she had noticed the kind <lb/> interest which I took in Marcel, of whom she
                    spoke as her <lb/> "dear child."</p>

                <p>Shortly, apart from many specious excuses, she proposed leaving <lb/> her only
                    child, whom she knew to be, at least, seriously ill, in the <lb/> care of a
                    stranger. She had received a telegram, she said, sum-<lb/> moning her to Naples
                    on business, and go she must, by the <lb/> evening steamer. She had observed my
                    kind feeling for Marcel, <lb/> and she hoped that, if I were staying on at
                    Palermo, I would <lb/> look in occasionally, and see that he was receiving
                    proper atten-<lb/> tion. She said that the child was so fond of me that she felt
                    <lb/> quite happy about leaving him, and she had left a cheque with <lb/> Signor
                    Tiziano.</p>

                <p>I was so amazed at the woman's effrontery that I found myself <lb/> stammering
                    consent in disjointed sentences, and not doing what, <lb/> all the while, I felt
                    to be my duty, namely, to urge her to delay <lb/> her start at least for a few
                    days, lest the sorrow for her departure</p>

                <fw type="catchword">should</fw>

                <pb n="175"/>

                <fw type="runningHead">By Lena Milman <fw type="pageNum">159</fw></fw>

                <p>should throw the child back again. I made the litter of packing <lb/> in the room
                    an excuse for hastily taking my leave, merely begging <lb/> her not to omit to
                    assure Marcel that I would stay with him until <lb/> she returned, which she
                    said she would certainly do within a week <lb/> or two.</p>

                <p>I happened to be sitting, writing on my knee beside Marcel's <lb/> bed, when his
                    mother came to tell him she was going away, but :</p>

                <p>"Do not let me disturb you," she said, "I can only stay a <lb/> minute."</p>

                <p>I could see by the way his countenance changed that her <lb/> travelling dress
                    had partly prepared Marcel for the announcement <lb/> she came to make. She
                    leant over to kiss him, "Marcel," she <lb/> said, "I am obliged to go away for a
                    few days ; mind that you do <lb/> all that Mr. Rivers bids you, and next week I
                    shall hope to find <lb/> you almost yourself again. The doctor tells me that you
                    are <lb/> getting on famously."</p>

                <p>Marcel would have suffered anything at his mother's hands <lb/> without a murmur,
                    and, though I saw his lips tremble, he merely <lb/> whispered :</p>

                <p>"Good-bye, mother !" and Mrs. Van Lunn's red lips brushed <lb/> her son's
                    forehead, her tightly gloved hand was laid but for a <lb/> moment in mine,
                    before, with a tinkle of the little gold lucky- <lb/> bell at her wrist, she
                    went her way. I sat down to my <lb/> writing again, and, when next I looked up,
                    Marcel's eyes were <lb/> brimming.</p>

                <p>"Be a good, brave boy !" I said, laying my hand on his, which <lb/> were tightly
                    clasped together, and he smiled through his tears as<lb/> he said : "After all
                    it is Monsieur's fault, mother did not want to <lb/> leave me." </p>

                <p>Next morning I inquired anxiously of the nursing-sister how <lb/> he had slept,
                    and was relieved at her fairly good report. Once,</p>

                <fw type="catchword">indeed</fw>

                <pb n="176"/>

                <fw type="runningHead"><fw type="pageNum">160</fw> Marcel: An Hotel-Child </fw>

                <p>indeed she told me that he had started from his pillow crying : "I <lb/> hate
                    him, I hate him," and the words were so unlike her gentle <lb/> little patient
                    that she had feared a return of fever, but none such <lb/> had ensued. I knew
                    only too well to whom these words referred, <lb/> and I knew too that this
                    hatred had been begotten of love, as such <lb/> hates are.</p>

                <p>The convalescence was so slow that the doctor recommended a <lb/> move to the
                    sunny side of the house. Signor Tiziano was loth to <lb/> allow it. He said that
                    if it once got about that there was sickness <lb/> in the house, his season was
                    spoilt ; but I insisted, and at last he <lb/> consented on condition that the
                    move was made under his personal <lb/> supervision and after dark. Accordingly
                    the room was made <lb/> ready and, at dead of night, Signor Tiziano in his
                    stockinged <lb/> feet held the light before me as I carried Marcel through the
                    <lb/> passages. Spite of the many blankets in which he was wrapped, <lb/> I was
                    quite shocked at the lightness of my burden. As events <lb/> proved, we were
                    only too successful in effecting the change <lb/> noiselessly.</p>

                <p>The child's strength was gradually returning, and he had even <lb/> walked twice
                    up and down the room supporting himself by chairs <lb/> and tables, when one day
                    I looked into his room on my way out. <lb/> The sister with her finger on her
                    lip, pointed to where the little <lb/> invalid lay calmly asleep upon a sofa.
                    Softly I closed the door <lb/> behind me, but hardly had I done so, when it
                    appears that the <lb/> sister thought of something she required from the
                    chemist's, and, <lb/> running after me, stopped me a few minutes in the hall.
                    What <lb/> happened in the interval I learned later !</p>

                <p>The room next to Marcel's had been empty some days, but, as <lb/> I had passed
                    down the passage, I had noticed a portmanteau at <lb/> the door and had
                    recognised the initials as belonging to an <lb/> English family called Ford,
                    whom I had known slightly at</p>

                <fw type="catchword">Geneva</fw>

                <pb n="177"/>

                <fw type="runningHead">By Lena Milman <fw type="pageNum">161</fw></fw>

                <p>Geneva and whom I had grown to know better during my <lb/> stay at Palermo. Mrs.
                    Ford told me how that morning she <lb/> and her sister (not knowing that Marcel
                    was next door) fell <lb/> to discussing Mrs. Vann Lunn, whom they had seen and
                    observed <lb/> at Nice.</p>

                <p>"I could forgive her anything save her neglect of that dear <lb/> child," said
                    Mrs. Ford ; "he is in the hotel now, ill with fever, <lb/> from which a little
                    care would have preserved him, while she has <lb/> gone to amuse herself at
                    Naples."</p>

                <p>While she was speaking, she heard a soft knock, and almost <lb/> before she had
                    had time to answer, the door was pushed open with <lb/> a jerk, and Marcel,
                    supporting himself by the handle, stood before <lb/> her. Wasted with illness, a
                    feverish flush upon his cheek, he <lb/> exclaimed: "It is not true! Indeed,
                    indeed, it is not true. <lb/> Mother stayed here until the doctor said I was
                    nearly all right <lb/> again, and she did not want to go. It was Monsieur who
                    made <lb/> her, and she is ever so fond of me and ever so kind, and I love <lb/>
                    her more than . . ." the poor child's voice failed and Mrs. Ford <lb/> caught
                    him as he fell. Marcel had fainted.</p>

                <p>The nurse came along the passage just then, and met the two <lb/> terrified
                    ladies carrying the boy back to his room. It was some <lb/> time ere he
                    recovered consciousness, and, even before the doctor <lb/> came, I knew the
                    truth : this last effort had overtaxed his feeble <lb/> stock of
                    strength&#x2014;he was dying.</p>

                <p>I lost no time in telegraphing for his mother and I told Marcel <lb/> that I had
                    done so, for, although giving no hope of his recovery, <lb/> the Doctor said
                    that he might last a week.</p>

                <p>Poor child ! he seemed clinging to life, and the way in which <lb/> he eagerly
                    looked towards the door when any one came in or even <lb/> when there were
                    footsteps in the passage, told me for whose <lb/> coming he chiefly longed. What
                    could I do ? Mrs. Van Lunn</p>

                <fw type="catchword">was</fw>

                <pb n="178"/>

                <fw type="runningHead"><fw type="pageNum">162</fw> Marcel: An Hotel-Child</fw>

                <p>was possibly hurrying to him, possibly she had gone on beyond <lb/> Naples and
                    the telegram had not reached her (I have an English-<lb/> man's distrust of
                    foreign posts). So I thought as I stood beside <lb/> the bedside, grieving that,
                    though Marcel looked the more <lb/> piteous when I left him, I was powerless to
                    give him his <lb/> heart's desire. Suddenly my eye fell upon the <emph
                        rend="italic">Immacolata</emph>, who <lb/> was the more conspicuous that,
                    since the child was beyond <lb/> human aid, there was little need of medicine
                    bottles. Marcel's <lb/> own mother had failed him, what of letting him draw
                    nearer <lb/> to the Mother of God ? I laid the blue and white statuette <lb/>
                    upon the sheet before him and whispered, using the idiom <lb/> which I knew to
                    be familiar to him, "Would it be any comfort <lb/> to you if I went to San
                    Giuseppe's, and asked the priest to <lb/> 'receive' you ?"</p>

                <p>We had forbidden him to speak and he was very docile, so he <lb/> merely bowed
                    his head in assent, while an expression of real delight <lb/> came over the wan
                    little face. I told the nursing-sister in a few <lb/> words what I intended to
                    do, and she was quite overcome with <lb/> joy. It had been such a grief to her,
                    she said, when she heard <lb/> that the child was only at heart a Catholic, and
                    therefore would be <lb/> denied the last sacraments.</p>

                <p>It was still so early that I met the priest in the church, preceded <lb/> by a
                    tiny server about to celebrate Mass. I formed his con-<lb/> gregation in a
                    side-chapel, and followed him into the sacristy, <lb/> where my Italian but just
                    sufficed to tell him what I needed. I <lb/> explained how Marcel had been
                    instructed two years ago, had <lb/> constantly attended Mass and read the books
                    given him by Father <lb/> Simeon. I told him, too, that the child understood a
                    fair amount <lb/> of Latin. I was not personally attracted by the good Father.
                    <lb/> He was evidently of the peasant class and totally uneducated <lb/> in all
                    but theology. For a moment, my heretic blood rebelled</p>

                <fw type="catchword">against</fw>

                <pb n="179"/>

                <fw type="runningHead">By Lena Milman <fw type="pageNum">163</fw></fw>

                <p>against the idea of the gross, unkempt man having any dealings <lb/> with the
                    pure little body and soul of Marcel. But, as I talked, a <lb/> light of real
                    enthusiasm lit up the coarsely-moulded face, so that I <lb/> lost sight of the
                    man in the priest, and eagerly accepted his offer of <lb/> coming there and
                    then.</p>

                <p>The ceremony was a short one, merely conditional Baptism, and <lb/> the
                    expression of peace on the little convert's face more than repaid <lb/> me for
                    the responsibility which I had taken. He was sinking. <lb/> There was no doubt
                    of that, and it pained me to see how, even <lb/> now, his eyes were constantly
                    fixed upon the door. Evidently <lb/> the hope of seeing his mother had not quite
                    died out. The end <lb/> came even sooner than we had feared. Three days after
                    his <lb/> "reception" I was sitting beside him, when I saw his lips move <lb/>
                    and bent down to listen :</p>

                <p>"Tell her that I forgive . . ." But the effort to speak even so <lb/> few words
                    brought on so alarming an attack of faintness that I <lb/> sent for the priest,
                    who hastened to administer Extreme Unction. <lb/> The nursing-sister and I were
                    quite overcome with grief, but there <lb/> was little suffering. Only a few
                    moments of gasping for breath, <lb/> the hands let go their hold of the <emph
                        rend="italic">Immacolata</emph>, a look of almost <lb/> rapture was in his
                    eyes as a little sobbing cry of "Mother !" <lb/> burst from him, and so startled
                    me that I, too, turned and looked <lb/> towards the door, expecting to see that
                    Mrs. Van Lunn had <lb/> indeed come. But, no ! and, when again I looked at the
                    little <lb/> figure in the bed, I saw that all was over.</p>

                <p>Was it a vision of the blue-robed, star-crowned Madonna that <lb/> he had so
                    greeted, or one of Mrs. Van Lunn, in her <emph rend="italic">Doucet</emph>
                    tra-<lb/> velling suit, as he had seen her last, as he had so longed to see
                    <lb/> her again ?</p>

                <p>* * * * * * </p>

                <p>It was about six months after this that, one day in Paris, my</p>

                <fw type="catchword">eye,</fw>

                <pb n="180"/>

                <fw type="runningHead"><fw type="pageNum">164</fw> Marcel : An Hotel-Child</fw>

                <p>eye, catching sight of a familiar name among the society para-<lb/> graphs in
                        <emph rend="italic">Galignani</emph>, I read the following announcement
                    :</p>

                <p><emph rend="italic">Wedding</emph>.&#x2014;At the American Church of the
                    Ascension, on Thursday, <lb/> the loth inst., Lillie, widow of Hyman F. Van
                    Lunn, of Kansas, <lb/> U.S.A., was married to M. Casimir Portel, of the Villa
                    Paradis, Nice.</p>

                <p>So Mrs. Van Lunn was <emph rend="italic">rangée</emph>. The obstacle had been
                    <lb/> removed.</p>


            </div>


            <div n="YBV12_17po" type="poem">
                <pb n="181"/>


                <head><title level="a"> To Rollo</title><lb/> Untimely Taken </head>

                <byline>By <docAuthor><ref target="#KGR">Kenneth Grahame</ref></docAuthor></byline>

                <lg type="stanza">
                    <l>PUPPY, yours a pleasant grave,</l>
                    <l rend="indent">Where the seeding grasses wave !</l>
                    <l>Now on frolic morns the kitten</l>
                    <l>Over you, once scratched and bitten&#x2014;</l>
                    <l>Still forgiving !&#x2014;plays alone. </l>
                    <l>You, who planted many a bone,</l>
                    <l>Planted now yourself, repose,</l>
                    <l>Tranquil tail, incurious nose !</l>
                    <l>Chased no more, the indifferent bee</l>
                    <l>Drones a sun-steeped elegy.</l>

                    <l rend="indent"><emph rend="italic">Puppy , where long grasses wave.</emph></l>

                    <l rend="indent"><emph rend="italic">Surely yours a pleasant grave !</emph></l>
                </lg>

                <lg type="stanza">
                    <l>"Whom the gods love"&#x2014;was this why,</l>
                    <l>Rollo, you must early die ? </l>
                    <l>Cheerless lay the realms of night&#x2014;</l>
                    <l>Now your small unconquered sprite </l>
                    <l>(Still familiar, as with us)</l>
                    <l>Bites the ears of Cerberus :</l>
                </lg>

                <fw type="catchword">Chases</fw>

                <pb n="182"/>

                <fw type="runningHead"><fw type="pageNum">166</fw> To Rollo</fw>

                <lg type="stanza">
                    <l>Chases Pluto, Lord of Hell,</l>
                    <l>Round the fields of asphodel :</l>
                    <l>Sinks to sleep at last, supine</l>
                    <l>On the lap of Proserpine !</l>

                    <l rend="indent"><emph rend="italic">While your earthly part shall
                        pass,</emph></l>
                    <l rend="indent"><emph rend="italic">Puppy, into flowers and grass !</emph></l>
                </lg>



            </div>


            <div n="YBV12_18pr" type="prose">
                <pb n="183"/>

                <head><title level="a">The Restless River </title></head>

                <byline>By <docAuthor><ref target="#ESH">Evelyn Sharp</ref></docAuthor></byline>

                <p>THE land of Nonamia was once ruled by an extremely <lb/> original Queen. Even her
                    childhood had been exceptional, <lb/> for, although the fairies had been invited
                    as usual to her christen-<lb/> ing, not one of them had spoilt the fun by making
                    unpleasant <lb/> predictions, and not one of them had given her a single gift,
                    that <lb/> could be of any use to her afterwards. So the Queen of Nonamia <lb/>
                    had nothing to help her through life, except her own wits ; she <lb/> was not
                    even beautiful, and her chief virtue was the patience she <lb/> showed for the
                    eternal stupidity of the Nonamiacs. There was <lb/> a King of Nonamia, too, but
                    no one knew anything about him, <lb/> except that he was the husband of the
                    Queen of Nonamia ; and <lb/> that, indeed, was the most distinctive thing that
                    could be said <lb/> about him. For the marriage of the Queen had been just as
                    <lb/> original as everything else about her. She employed none of the <lb/>
                    usual devices for obtaining an interesting husband, but merely <lb/> sent into
                    the next country for the eldest son of the reigning <lb/> king. </p>

                <p>"I decline to marry a tailor merely because he has killed a few <lb/> giants, or
                    outwitted a bear," she declared to her guardians, when <lb/> they naturally
                    objected to such an obvious mode of selection. <lb/> "He is a tailor, for all
                    that ; and the same may be said of the</p>

                <fw type="catchword">woodcutter's</fw>

                <pb n="184"/>

                <fw type="runningHead"><fw type="pageNum">168</fw> The Restless River</fw>

                <p>woodcutter's son, who has contrived to climb a beanstalk with <lb/> success.
                        <emph rend="italic">I</emph> am the Queen of Nonamia, and I am going to
                    marry <lb/> a prince, and he shall not be a younger son. Younger sons are <lb/>
                    greatly overrated, just because they are clever enough to do <lb/> things. Who
                    wants to marry a man because he can do <lb/> things ?"</p>

                <p>The King of Nonamia had not done very much before he <lb/> married the Queen. But
                    he came, when he was sent for ; and, for <lb/> the rest of his life, he only did
                    what the Queen told him. And <lb/> the Queen told him very little.</p>

                <p>When they came to have a son, the King supposed they <lb/> would have to select a
                    fairy to be its godmother. His wife <lb/> smiled upon him, leniently. She never
                    realised the success of her <lb/> marriage so much as when the King made
                    suggestions she was <lb/> able to contradict.</p>

                <p>"That is so like you, dearest," she said. And the King was <lb/> immensely
                    pleased at being told he was like himself. But the <lb/> Queen of Nonamia looked
                    at the features of the baby Prince, as <lb/> he lay in his cradle of rose leaves
                    ; and she saw that they were <lb/> the features of his kingly father, her
                    husband, and she nodded her <lb/> head, thoughtfully. "That child will need
                    bringing up," she <lb/> said. "Why not a fairy godfather ? I could manage a
                    godfather, <lb/> but a godmother would want to manage me, and I could not <lb/>
                    endure that for a moment." </p>

                <p>So the little Prince of Nonamia had a fairy godfather.</p>

                <p>The Nonamiacs had never heard of such a thing before; but <lb/> the Queen of
                    Nonamia did so many things that had never been <lb/> heard of before, that one,
                    more or less, made very little difference. <lb/> And they were bound to
                    acknowledge, that a fairy godfather was, <lb/> in many ways, a great
                    improvement. He arrived on foot, to <lb/> begin with, and walked in at the front
                    door, instead of coming</p>

                <fw type="catchword">down</fw>

                <pb n="185"/>

                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">169</fw></fw>

                <p>down with a bang, in a cloud of blue smoke, after keeping every-<lb/> body
                    waiting. And he caused no jealousy among the fairies, <lb/> who had <emph
                        rend="italic">not</emph> been asked to be godmothers ; and he talked just
                    like <lb/> every one else, only not quite so much. In fact, there was <lb/>
                    nothing to distinguish him from quite an ordinary person. </p>

                <p>One or two people complained of the lack of excitement. "It <lb/> is not in the
                    least like a royal christening," they grumbled. <lb/> "Surely, it is time
                    something began to go wrong ?"</p>

                <p>But the least stupid of the Nonamiacs shook their heads. <lb/> "You forget," they
                    said, "that the usual things never happen to <lb/> the Queen of Nonamia."</p>

                <p>When the banquet was over, the fairy godfather was taken to <lb/> the cradle of
                    the royal infant. He looked at it for a long time, <lb/> without speaking,
                    which, again, was a feat that no fairy god-<lb/> mother had ever been known to
                    accomplish ; and he nervously <lb/> declined the honour of taking the baby in
                    his arms. "He is no <lb/> godfather at all," complained the royal nurses, who
                    disliked <lb/> innovations ; but, although he knew perfectly well what they
                    <lb/> were thinking, he did not trouble to bewitch them for it, and <lb/> merely
                    continued to look at the little Prince. </p>

                <p>"Well," said the Queen of Nonamia. "Will my son be an <lb/> exceptional prince ?" </p>

                <p>The fairy godfather shook his head. </p>

                <p>"I see nothing exceptional," he said, slowly. "I see restless-<lb/> ness, and
                    adventure, and love. The river that knows no rest will <lb/> bring him his
                    greatest happiness ; it will call him, when the time <lb/> comes, and neither
                    your art, nor mine, will keep him from it. <lb/> He will do everything that
                    other princes do, especially when he is in <lb/> love. And he will always be in
                    love from the time he is sixteen."</p>

                <p>The Queen of Nonamia looked again at the features of her tiny <lb/> son, and she
                    sighed.</p>

                <fw type="catchword">"Then</fw>

                <pb n="186"/>

                <fw type="runningHead"><fw type="pageNum">170</fw> The Restless River</fw>

                <p>"Then he will only be an ordinary prince, after all," she <lb/> said.</p>

                <p>"Not entirely," resumed the fairy godfather. "For it is with <lb/> the Restless
                    River itself, that he will be in love, and no one will <lb/> be able to prevent
                    it." </p>

                <p>"That at least is original, if inconvenient," said the Queen. </p>

                <p>"I see one more thing," continued the fairy godfather. "He <lb/> will end in
                    marrying the woodcutter's daughter."</p>

                <p>"What ?" exclaimed the Queen in dismay. "Just like all his <lb/> ancestors ! I
                    will never allow such a thing. All the wood-<lb/> cutters' daughters shall be
                    exterminated ; all the woodcutters <lb/> shall be exterminated ! My son shall
                    marry a princess. I have <lb/> said it." </p>

                <p>"Your son will marry the woodcutter's daughter," repeated <lb/> the fairy
                    godfather, grimly.</p>

                <p>"But you said yourself that he would fall in love with the <lb/> Restless River,"
                    protested the Queen. "To fall in love with a <lb/> river is curious, but it is
                    not the same thing as falling in love with <lb/> a woodcutter's daughter. How do
                    you explain the contradic-<lb/> tion ?" </p>

                <p>"I cannot explain it," said the fairy godfather, simply. "I <lb/> have told you
                    all I know."</p>

                <p>Which, of course, was an admission that a fairy godmother <lb/> would never have
                    made at all.</p>

                <p>The courtiers grew discontented. Was the christening going <lb/> to pass off,
                    without even a present ? It seemed as though the <lb/> fairy godfather guessed
                    their thoughts, for he turned to the Queen, <lb/> with a smile. </p>

                <p>"I shall not forget my godson," he said. "When he wants <lb/> me, I shall be
                    there. I have given him my gift."</p>

                <p>And he bowed to every one present, and walked straight out of</p>

                <fw type="catchword">the</fw>

                <pb n="187"/>

                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">171</fw></fw>

                <p>the palace, and disappeared among the crowd, as quietly as he had <lb/> come. It
                    was the dullest christening that had ever taken place in <lb/> Nonamia. But it
                    was distinctly original.</p>

                <p>And what was the present or the fairy godfather ?</p>

                <p>"There is no present at all. That is what comes of these <lb/> new-fangled
                    notions," said the royal nurses, contemptuously.</p>

                <p>"A godmother," said the courtiers, "would have told all the <lb/> world what
                        <emph rend="italic">her</emph> present was." </p>

                <p>But the Queen made ready for action ; and, before sundown <lb/> that day, the
                    decree was issued throughout the length and <lb/> breadth of Nonamia, that all
                    woodcutters were to be gone from <lb/> the country within twenty-four hours, and
                    that all their daughters <lb/> were to be brought to her for extermination, at
                    noon next day. <lb/> The Queen was nothing, if she was not thorough ; and she
                    meant <lb/> to see for herself that the usual devices were not practised, in
                    <lb/> order to preserve an impossible wife for her son.</p>

                <p>So, at noon next day, the Queen of Nonamia sat in judgment, <lb/> on the hill
                    outside her palace. All around her, stretched the flat <lb/> and uninteresting
                    land of Nonamia ; not a mountain nor a river <lb/> broke the monotony of the
                    scene, nothing but the Sluggish Brook, <lb/> that marked the boundary of her
                    dominions. And by her side, in <lb/> his cradle of rose leaves, the Prince of
                    Nonamia slept peacefully. <lb/> Nobody asked where the King of Nonamia was. </p>

                <p>The Queen beckoned to her Prime Minister. "Have all the <lb/> woodcutters been
                    banished ?" she demanded.</p>

                <p>The Prime Minister obviously trembled.</p>

                <p>"Please your Majesty," he stammered, "there was but one to <lb/> be found." A
                    murmur of disappointment ran through the crowd <lb/> of Nonamiacs ; they had
                    certainly expected more excitement than <lb/> this. </p>

                <p>"Is all the wood in my kingdom cut down by one man ?" </p>

                <fw type="catchword">asked</fw>

                <pb n="188"/>

                <fw type="runningHead"><fw type="pageNum">172</fw> The Restless River </fw>

                <p>asked the Queen scornfully. The Prime Minister put his hand <lb/> to his head
                    instinctively.</p>

                <p>"Please your Majesty," he stammered afresh, "there is no <lb/> wood at all in
                    your kingdom." </p>

                <p>A new sensation thrilled the crowd of Nonamiacs. It had <lb/> never occurred to
                    them before that this, indeed, was the case. <lb/> The Queen glanced again over
                    the land of Nonamia ; and she <lb/> saw not a tree, nor a bush, in the whole of
                    it. The fact had <lb/> never occurred to her, either ; but she was too much of a
                    Queen <lb/> to confess that.</p>

                <p>"Then, what is the use of a woodcutter at all ?" she asked.</p>

                <p>"Please your Majesty," said the unhappy Prime Minister," it <lb/> isn't any use.
                    But he only came here yesterday, to see the <lb/> christening ; and he came
                    across the Sluggish Brook, no one knows <lb/> whence ; and he is prepared to go
                    back again now, if your <lb/> Majesty so wills it." </p>

                <p>"Certainly, I will it," said the Queen. "Why should we <lb/> have a woodcutter,
                    if there are no trees ? The idea is ridiculous. <lb/> Besides, that settles the
                    whole matter at once. If there are no <lb/> trees, there are no woodcutters ;
                    and if there are no woodcutters, <lb/> there are no woodcutters' daughters ; and
                    so, my son shall marry <lb/> a princess, as I said. The assembly is over." </p>

                <p>"Please your Majesty," began the Prime Minister again, <lb/> "there <emph
                        rend="italic">is</emph> a daughter, and she came with her father, yesterday
                    ; <lb/> and I have put them both in your Majesty's dungeon, and&#x2014;" </p>

                <p>The Queen smiled, with the indulgence she always showed <lb/> for the actions of
                    her public ministers, and she waved him away <lb/> with her hand.</p>

                <p>"Bring them both here at once," she commanded. "And tell <lb/> the Royal
                    Executioner to sharpen his axe. She shall be beheaded ; <lb/> and after that, we
                    can have lunch." </p>

                <fw type="catchword">"Please</fw>

                <pb n="189"/>

                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">173</fw></fw>

                <p>"Please your Majesty, there is very little to behead," said the <lb/> Prime
                    Minister ; but the look in the Queen's eyes sent him <lb/> flying off to the
                    royal dungeon, without another word. The <lb/> Queen yawned ; and by her side,
                    in his cradle of rose leaves, the <lb/> tiny Prince slept soundly.</p>

                <p>When the Prime Minister came back again, he was accom-<lb/> panied by the Royal
                    Executioner with his axe upon his shoulder, <lb/> and between them both walked
                    the woodcutter. No one, at <lb/> first, could see the woodcutter's daughter at
                    all ; but, as the little <lb/> group stood before the throne, the tallest of the
                    Nonamiacs were <lb/> able to distinguish a small bundle, in a red shawl, that
                    lay in the <lb/> woodcutter's arms. And this was the woodcutter's daughter.</p>

                <p>"There is certainly very little to behead," said the Queen, <lb/> thoughtfully.
                    The Royal Executioner looked immensely relieved. <lb/> "But, for all that,"
                    continued the Queen, "she must be exter-<lb/> minated." </p>

                <p>The woodcutter said nothing. But the little Prince stirred in <lb/> his sleep,
                    and held out his tiny arms, and cried. The Queen <lb/> stamped her foot. </p>

                <p>"There is no time to be lost," she said, sternly. "So, choose <lb/> any death you
                    please for her. She shall be exterminated, <emph rend="italic">now</emph>." </p>

                <p>The woodcutter remained indifferent. He looked over the <lb/> length and breadth
                    of Nonamia, and down at the little red bundle <lb/> in his arms. </p>

                <p>"I should like her to be drowned in the Sluggish Brook," he <lb/> said. And the
                    originality of the request so pleased the Queen, <lb/> that she ordered the
                    royal carriages, and proceeded to carry it out <lb/> immediately. All day long,
                    the royal procession wound its way <lb/> across the Land of Nonamia, and just
                    before sundown it arrived at <lb/> the edge of the Sluggish Brook. The
                    woodcutter stooped down with <lb/> a smile, and laid the little red bundle on
                    the calm water. And </p>

                <fw type="footer">The Yellow Book&#x2014;Vol. XII. L</fw>
                <fw type="catchword">suddenly,</fw>

                <pb n="190"/>

                <fw type="runningHead"><fw type="pageNum">174</fw> The Restless River</fw>

                <p>suddenly, the Sluggish Brook became a swift, rushing torrent, <lb/> that tossed
                    the tiny bundle from side to side, and carried it swiftly <lb/> out of sight ;
                    and the water sighed and trembled, and grew into a <lb/> wide and passionate
                    river that swirled along, in the wake of the <lb/> woodcutter's daughter. The
                    woodcutter himself was no longer <lb/> to be seen, but no one had noticed his
                    departure, for the crowd of <lb/> Nonamiacs were all stupefied at the change
                    that had come over <lb/> the Sluggish Brook. They had never seen anything like
                    it before, <lb/> and that in itself was quite enough to stupefy a Nonamiac.</p>

                <p>The Queen, as usual, was the first to recover. </p>

                <p>"That is done," she said, cheerfully. "And my son shall marry <lb/> a princess." </p>

                <p>But she knew, as well as every one present, that the Sluggish <lb/> Brook had
                    become the Restless River. </p>

                <p>For sixteen years, the Prince of Nonamia was never allowed to <lb/> go beyond the
                    palace garden. And, as the whole court was for-<lb/> bidden, under pain of
                    instant extermination, to mention the cir-<lb/> cumstances of his christening,
                    there seemed very little probability <lb/> of his ever discovering the fate that
                    had been predicted for him. <lb/> To make this still more certain, he was not
                    even taught to read <lb/> or write, and he grew up in a state of ignorance that
                    would have <lb/> shamed the poorest person in Nonamia. But the Prince of <lb/>
                    Nonamia did not know the meaning of shame, for he had never <lb/> had any
                    companions ; and the courtiers tolerated him, as ordinary <lb/> people tolerate
                    something that is strange and incomprehensible. <lb/> For, to the Nonamiacs,
                    there was something extremely weird in <lb/> the grave and silent youth, who
                    knew nothing of life and the <lb/> world, and only cared for being in the open
                    air. He would sit <lb/> for hours, in the most secluded part of the garden, and
                    dream the <lb/> daylight away ; he never asked why the garden walls were so
                    <lb/> high, nor how the world contained so few people, nor whether </p>

                <fw type="runningHead">there</fw>

                <pb n="191"/>

                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">175</fw></fw>

                <p>there was any more of it than he had seen already. He wondered, <lb/> sometimes,
                    why they put weapons in his hand, and told him to <lb/> kill something, or
                    taught him to fence with them. "Why should <lb/> I injure a bird that flies and
                    is happy ?" he asked. "And how <lb/> does it amuse you to pretend that I am dead
                    ? It is far more <lb/> interesting to sit in the sunshine, and talk to the
                    flowers, and <lb/> think about life." And the Nonamiacs, who, of course, knew
                    far <lb/> more about life than the poor, lonely Prince, smiled in their <lb/>
                    superior knowledge, and pitied him for not understanding how <lb/> ignorant he
                    was ; and the King, who had his own views about the <lb/> education of princes,
                    looked on unhappily. </p>
                <p>But the Queen was supremely content. </p>

                <p>"My son is original," she said. "In spite of his father, and his <lb/> godfather,
                    and his ancestors, he is original, as I intended him to be. <lb/> And he shall
                    marry a princess."</p>

                <p>People sometimes wondered at the long silence of the fairy <lb/> godfather ; but
                    the Queen did not mind that at all. "That is <lb/> the best of having a fairy
                    godfather," she said. "If it had been a <lb/> godmother, now, she would have
                    been interfering ever since, and <lb/> I cannot endure interference." </p>

                <p>On his sixteenth birthday, she sent for the Prince, and showed <lb/> him the
                    pictures of all the neighbouring princesses for miles <lb/> round. </p>

                <p>"It is time for you to marry a princess," she told him. "And <lb/> since you are
                    my son, and I love you, I wish you to marry the <lb/> wife of your choice." </p>

                <p>"How can I choose ?" asked the Prince, in bewilderment. <lb/> "They all look
                    alike, to me. How can I care for one more than <lb/> another ? Is there really
                    any difference between them ?"</p>

                <p>"Of course," said the Queen of Nonamia, "they are all <lb/> princesses, so you
                    cannot expect to find <emph rend="italic">very</emph> much difference </p>

                <fw type="catchword">between </fw>

                <pb n="192"/>

                <fw type="runningHead"><fw type="pageNum">176</fw> The Restless River </fw>

                <p>between them. But choose the most beautiful of them all, and <lb/> she shall come
                    here to marry you ; and, after that, you can go into <lb/> the world and
                    travel." </p>

                <p>"The world ?" asked the Prince. "Where is that ? Is it the <lb/> garden on the
                    other side of the wall ; and is it full of princesses, who <lb/> are all exactly
                    alike ?"</p>

                <p>"You will see, when you are married," answered his mother. <lb/> But the Prince
                    asked leave to think it over ; and he wandered <lb/> away to find his father,
                    who was nodding over the morning paper <lb/> in his library. A visit from his
                    son was so unusual, however, that <lb/> he woke up at once, and asked him what
                    he wanted.</p>

                <p>"That is what I don't know," sighed the Prince. "But I <lb/> know I don't want to
                    marry any of the beautiful, dull pictures my <lb/> Queen-Mother has been showing
                    me."</p>

                <p>"Ah," thought the King, "the boy is a son of mine, after all."</p>

                <p>"When you were a Prince, father," pursued his son, "and knew <lb/> as little as I
                    do about the garden on the other side of the wall, did <lb/>
                    <emph rend="italic">you</emph> want to marry the picture of my Queen-Mother ?" </p>

                <p>The King remembered the picture of the Queen of Nonamia, <lb/> and he coughed
                    uncomfortably. </p>

                <p>"Perhaps not. At least&#x2014;of course, yes," he said, hastily, and <lb/>
                    coughed again. </p>

                <p>"I suppose," continued the Prince, "they just showed you a <lb/> lot of
                    princesses, who all looked exactly alike, and you had to choose <lb/> one, as I
                    have got to. But are there no people in the world <lb/> who can be distinguished
                    from one another ?"</p>

                <p>"A certain number," replied the King. </p>

                <p>"Then why," persisted the Prince, "may I not go out into the <lb/> garden, on the
                    other side of the wall, and choose a princess for <lb/> myself?" </p>

                <p>The King glanced nervously over his shoulder.</p>

                <fw type="catchword">"You</fw>

                <pb n="193"/>

                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">177</fw></fw>

                <p>"You forget your Queen-Mother," he whispered.</p>
                <p>The Prince sprang to his feet, and began pacing restlessly up <lb/> and down the
                    room. </p>

                <p>"I want you to give me something, father," he cried. "I want <lb/> the gold key
                    that hangs on your watch-chain, the key of the Sky <lb/> Turret." </p>

                <p>The King visibly trembled. The Sky Turret was the highest <lb/> of the five
                    turrets of the Palace of Nonamia, the one that looked <lb/> over the length and
                    breadth of the land of Nonamia ; and no one <lb/> had been allowed to enter it
                    since the Prince's christening.</p>

                <p>"Give it to me, father," he said, holding out his hand. "I <lb/> want to look
                    into the garden, on the other side of the wall." </p>

                <p>The old King sighed, and gave him the key. "He is so like <lb/> his dear mother,"
                    he murmured, in extenuation. And the Prince <lb/> bounded out of the room, and
                    ran straight up to the Sky Turret, and <lb/> stepped out on the battlements. He
                    looked round him, breath-<lb/> lessly, over the length and breadth of Nonamia,
                    the flat and tree-<lb/> less country of Nonamia ; and he marvelled at what he
                    saw there ; <lb/> but, most of all, he wondered what it was that glistened and
                    <lb/> sparkled in the sunshine, just where the sky met the land, on the <lb/>
                    edge of the country of Nonamia. </p>

                <p>The King had followed him up the stairs, and was standing by <lb/> his side. He
                    noted the wild, rapt look on his son's face, and it <lb/> frightened him. "If
                    his mother sees him, she will know," he <lb/> thought, uneasily. </p>

                <p>"Tell me, father," said the Prince, at last ; "what is that thin, <lb/>
                    mysterious line of silver, that shines and glistens in the sun-<lb/> light ?" </p>

                <p>"That," said the King, "is what they call the Restless <lb/> River."</p>

                <p>"The Restless River ? What a beautiful name," exclaimed </p>

                <fw type="catchword">the</fw>

                <pb n="194"/>

                <fw type="runningHead"><fw type="pageNum">178</fw> The Restless River </fw>

                <p>the Prince. "I am going there, at once. That is what I have <lb/> wanted all my
                    life, father, and you are going to help me to get <lb/> there." </p>

                <p>"My son," began the old King, in alarm; "you forget your <lb/> Queen&#x2014;" </p>

                <p>"It is impossible to forget her," answered the Prince, with <lb/> dignity. "I
                    will come back again, when I have been to the <lb/> Restless River. But I am
                    going to find a princess for myself, a <lb/> princess who is not like every one
                    else. What is the use of a <lb/> wife who is not to be distinguished from every
                    one else ? Father, <lb/> I want the key of the little white door that leads into
                    the garden <lb/> on the other side of the wall." </p>

                <p>And the King, who saw more resemblance, every moment, <lb/> between the Prince
                    and his mother, gave up the key without <lb/> another word, and went back to nod
                    over the morning paper, and <lb/> pretend that nothing had happened.</p>

                <p>But the Prince had already unlocked the little white door, and <lb/> was speeding
                    over the land of Nonamia, as fast as his legs would <lb/> carry him. </p>

                <p>"Is this the way to the Restless River ?" he asked of the first <lb/> peasant he
                    met.</p>

                <p>"Can you not read ?" said the peasant, roughly, pointing to <lb/> the direction
                    on the sign-post.</p>

                <p>"No," answered the Prince, simply; and he wondered why <lb/> the man laughed at
                    him. But he hastened on more swiftly than <lb/> ever, and stood at last on the
                    bank of the Restless River. There <lb/> it was, rushing along as madly, and as
                    untiringly, as it had <lb/> done on the day when the woodcutter's daughter was
                    drowned <lb/> in it.</p>

                <p>"Stop ! stop !" cried the Prince, as he knelt down beside it, <lb/> and plunged
                    his hands into the turbulent water. "I want to</p>

                <fw type="catchword">speak </fw>

                <pb n="195"/>

                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">179</fw></fw>

                <p>speak with you, and you do not stay a moment. Are you not <lb/> weary of hurrying
                    along like that ?"</p>

                <p>But the river rushed on as before. </p>

                <p>"Stay for one moment," begged the Prince. "I am so sorry <lb/> for you, poor
                    Restless River. Have you no time even to stay, <lb/> and be comforted ?" </p>

                <p>But the river rushed on as before.</p>

                <p>"Is it possible," continued the Prince, "that you are obliged <lb/> to hurry away
                    so fast ? I should so like to help you, poor <lb/> Restless River. Will you tell
                    me if I can do anything to bring <lb/> you rest ?" </p>

                <p>As he said these words, a sudden calm fell on the rushing <lb/> stream ; and down
                    the middle of it came floating a curious craft, <lb/> all made of green lily
                    leaves, and of white lily petals ; and in it <lb/> sat the most beautiful girl
                    the Prince had ever seen.</p>

                <p>She laughed outright, when she saw him kneeling there, and <lb/> she steered her
                    boat straight for the shore. The Prince had <lb/> never heard a girl laugh
                    before ; and he could hardly wait until <lb/> the boat touched the bank, before
                    he stooped down, and lifted her <lb/> up in his arms, and kissed her two cheeks.
                    Then they both <lb/> laughed together, and the Prince started at the sound of
                    his own <lb/> voice. For he had never heard himself laugh before, either.</p>

                <p>"Now, I know why I had to come to the Restless River," <lb/> said the Prince,
                    happily.</p>

                <p>"You have been a very long time coming," said the girl with <lb/> a pout.</p>

                <p>"Oh, but I am going to stay, now I have come," the Prince <lb/> assured her. "I
                    have found a princess for myself, and the <lb/> Queen-Mother may keep all her
                    stupid pictures for her own <lb/> amusement.</p>

                <p>But the girl shook her head.</p>

                <fw type="catchword">"I cannot</fw>

                <pb n="196"/>

                <fw type="runningHead"><fw type="pageNum">180</fw> The Restless River</fw>

                <p>"I cannot stay here with you," she said, sadly. "I must be <lb/> disenchanted
                    first, for there is no rest for me, yet. See ! it is <lb/> calling me, already."
                    For the river had begun to toss and rock <lb/> again, and the lily boat was
                    drifting away from the shore. </p>

                <p>"Can I do nothing to disenchant you?" said the Prince, <lb/> frantically. "I will
                    go to the end of the world to serve you."</p>

                <p>"Alas ! I cannot tell you," answered the girl. "I only know <lb/> that none but
                    my true lover can disenchant me, and that he will <lb/> be a Prince, who can
                    neither read nor write."</p>

                <p>"I am he ! I am he !" cried the Prince, joyfully. "But, tell <lb/> me first who
                    you are ?" </p>

                <p>"I," said the girl, as she sprang into her green and white boat, <lb/> "am the
                    Restless River." And with that she was whirled away <lb/> out of sight. And the
                    river rushed on as before.</p>

                <p>Then the Prince walked thoughtfully along the bank of the <lb/> Restless
                    River.</p>

                <p>"I wonder why the Queen-Mother did not bring me up like <lb/> other Princes ?" he
                    murmured. "Most people, I have been told, <lb/> have a fairy godmother, who
                    comes and helps them whenever <lb/> they want to disenchant anybody. But I have
                    only a godfather, <lb/> and he never comes near me at all."</p>

                <p>The words were hardly out of his mouth when a grave-looking <lb/> man suddenly
                    came from nowhere at all, and stood in the path <lb/> just in front of him.</p>

                <p>"You have never wanted me before," he said calmly. "And <lb/> you need not
                    explain what you do want, now. I know all about <lb/> it, and I hate unnecessary
                    details. But, first of all, are you pre-<lb/> pared to go through a certain
                    amount of discomfort, and, if <lb/> necessary, to fight ?"</p>

                <p>"I am a coward, and I hate fighting," said the Prince, sadly. <lb/> "But I am a
                    true lover, and I will die for my love if need be." </p>

                <fw type="catchword">"That</fw>

                <pb n="197"/>

                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">181</fw></fw>

                <p>"That I know full well, for are you not my godson ?" said the <lb/> fairy
                    godfather, chuckling. "So, go and wrest the sharpest sword <lb/> in the world
                    from the strongest giant in the world, and take it to <lb/> the head of the
                    Restless River, and remove the dragon, who never <lb/> ceases to flap his wings.
                    And, after that, the river will be at <lb/> peace."</p>

                <p>"But where is the strongest giant in the world to be found ?" <lb/> asked the
                    Prince.</p>

                <p>"Over there, in a great stone castle, he sits alone," replied his <lb/> godfather
                    ; "and only you, who can neither read nor write, will <lb/> be allowed to enter
                    there ; for all the secrets of the world are in <lb/> his keeping, and they are
                    written on all the ceilings, and all <lb/> the walls, and all the floors. So,
                    start at once, and luck be with <lb/> you."</p>

                <p>"But when I have removed the dragon, what then ?" asked <lb/> the Prince.</p>

                <p>"If you do not know what to do <emph rend="italic">then</emph>" laughed his
                    godfather, <lb/> "you are no godson of mine." </p>

                <p>And the Prince, who was about to thank him for his informa-<lb/> tion, found that
                    there was no one left to thank, for the fairy <lb/> godfather had already gone
                    back to nowhere at all ; and he was <lb/> left to find the castle of the
                    strongest giant in the world. This <lb/> was not very difficult, however, for
                    there was but one castle to be <lb/> seen ; and the Prince walked up to it
                    boldly, and shouted for <lb/> admission.</p>

                <p>"Go away," growled a disagreeable voice from within. "All <lb/> the secrets in
                    the world are written here, and you must not come <lb/> in." </p>

                <p>"Nonsense," said the Prince. "I can neither read nor write, <lb/> so let me in.
                    Surely, you must be very tired of keeping all the <lb/> secrets in the world
                    ?"</p>

                <fw type="catchword">"Keeping </fw>

                <pb n="198"/>

                <fw type="runningHead"><fw type="pageNum">182</fw> The Restless River</fw>

                <p>"Keeping a secret is the dullest occupation imaginable, <lb/> especially when it
                    is nearly always the same secret," confessed the <lb/> giant ; and he stretched
                    a long arm out of the window, and fished <lb/> up the Prince, and set him on the
                    table before him. "You are <lb/> quite sure you can neither read nor write ?" he
                    added, sus-<lb/> piciously.</p>

                <p>"If I could," laughed the Prince, "it would never make me <lb/> wish to keep a
                    secret. Besides, I have a secret of my own, <lb/> that is far more precious than
                    all those you are guarding so <lb/> jealously."</p>

                <p>"What is that ?" asked the giant, anxiously. "I am so tired <lb/> of keeping the
                    same old secrets, and I would give anything I <lb/> possess to learn a new
                    one."</p>

                <p>"Done with you," said the Prince, who was delighted at the <lb/> prospect of not
                    having to fight, after all. "Give me the sword, <lb/> that is hanging at your
                    side, and I will tell you my secret."</p>

                <p>And the weary old giant unbuckled the sharpest sword in the <lb/> world, and
                    handed it to the Prince.</p>

                <p>"Now, tell me your secret," he said.</p>

                <p>The Prince folded his arms, and laughed.</p>

                <p>"I am in love with the most beautiful woman in the world," he <lb/> said.</p>

                <p>But the giant rushed at him, furiously.</p>

                <p>"You have cheated me," he screamed. "Give me back my <lb/> sword ! <emph
                        rend="italic">That</emph> is not a new secret, it is the oldest secret there
                    is ; <lb/> it is exactly the same as all the secrets I have been keeping for
                    <lb/> millions of years !"</p>

                <p>"Then you won't keep them any longer," said the Prince ; and <lb/> the sharpest
                    sword in the world sent the giant's head rolling down <lb/> the stairs. And the
                    Prince opened all the doors, and all the <lb/> windows ; and every secret in the
                    castle flew out on the four winds</p>

                <fw type="catchword">of </fw>

                <pb n="199"/>

                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">183</fw></fw>

                <p>of heaven ; and that is why no one has ever kept a secret again, <lb/> from that
                    day to this. And the Prince walked on swiftly, until <lb/> he reached the head
                    of the Restless River.</p>

                <p>And there lay a great dragon, in the middle of the stream, cease-<lb/> lessly
                    flapping his enormous wings, and making such a disturbance <lb/> in the water,
                    that the river was forced to rush downwards in its <lb/> mad career.</p>

                <p>"So <emph rend="italic">you</emph> are the cause of all the trouble, eh ?" said
                    the Prince. <lb/> "Just come out of that, at once, will you ?"</p>

                <p>"I only wish I could," groaned the dragon, disconsolately. <lb/> "I have been at
                    it, for sixteen years, now ; and I shall never be <lb/> released, until the
                    Prince comes, who can neither read nor write. <lb/> And that is never likely to
                    happen ; for even Princes are educated, <lb/> nowadays."</p>

                <p>"It has already happened," said the Prince. "<emph rend="italic">I</emph> am the
                    Prince <lb/> who can neither read nor write, and I have got the sharpest sword
                    <lb/> in the world ; so come out of that, and let me kill you."</p>

                <p>The dragon stopped flapping his wings, and looked at him, <lb/> rather
                    pathetically.</p>

                <p>"Isn't it a little hard," he said, "that I should have to be killed <lb/> for
                    doing exactly as I wish to do ? I am only too glad to come <lb/> out of this
                    horribly cold water, and I really don't see why I should <lb/> be killed for
                    it."</p>

                <p>"Neither do I," observed the Prince, sheathing his sword. <lb/> "And, now I come
                    to think of it, my godfather never told me to <lb/> kill anybody at all. It's
                    very unusual, for, in all the stories I ever <lb/> heard, the Prince always had
                    to kill somebody."</p>

                <p>"I've heard those stories, too," said the dragon ; "but all the <lb/> Princes in
                    them seem to have had fairy godmothers, instead of <lb/> godfathers ; and
                    godmothers always complicate things, if they <lb/> can." By this time, he had
                    waded to shore, and stood shivering</p>

                <fw type="catchword">with</fw>

                <pb n="200"/>

                <fw type="runningHead"><fw type="pageNum">184</fw> The Restless River</fw>

                <p>with cold, before the Prince. "Are you really going to kill <lb/> me ?" he asked,
                    gloomily.</p>

                <p>The Prince swung his arm round his head, and threw away <lb/> the sharpest sword
                    in the world ; and it fell with a splash into the <lb/> water, and disappeared
                    from sight.</p>

                <p>"No," he said ; "I am never going to kill anybody again."</p>

                <p>And the woodcutter stood before him, in the place of the <lb/> dripping, dreary
                    dragon.</p>

                <p>"I knew you wouldn't," he remarked quietly. "Your god-<lb/> father settled that,
                    before you could speak. Now, we will go and <lb/> look for my daughter."</p>

                <p>They did not have far to go ; for, on the spot where the sword <lb/> had fallen,
                    the beautiful girl had again appeared, in her green and <lb/> white boat ; and
                    her laugh rang gaily across the motionless <lb/> water. </p>

                <p>"It is really quite a relief to be able to rest, at last," she said, <lb/> as the
                    Prince lifted her on to the shore, for the second time. <lb/> "Tossing about
                    perpetually on a river like that becomes a little <lb/> wearisome, when one has
                    done it for sixteen whole years."</p>

                <p>"So does splashing about in the cold water, in all weathers," <lb/> added the
                    woodcutter, holding out his hands to her. "Do you <lb/> not see who I am ?"</p>

                <p>"It is not easy to recognise one's father, all in a hurry, when <lb/> he has been
                    a dragon for so long," laughed his daughter.</p>

                <p>The Prince was looking puzzled.</p>

                <p>"What is the good of all these spells and things," he observed, <lb/>
                    reflectively, "when we might have met one another, without any <lb/> trouble at
                    all ?" </p>

                <p>"No good whatever," said the voice of his godfather, who had <lb/> again suddenly
                    arrived from nowhere at all. "But, if you had <lb/> had a godmother, instead of
                    a godfather, you would have had</p>

                <fw type="catchword">twice</fw>

                <pb n="201"/>

                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">185</fw></fw>

                <p>twice as many spells and things as I gave you. On the whole," <lb/> he added,
                    looking critically at the two lovers, "I think I have <lb/> managed your love
                    affairs very successfully."</p>

                <p>"Oh, no," they both exclaimed at once. "You are surely <lb/> mistaken. We managed
                    our love affairs <emph rend="italic">quite</emph> by ourselves. <emph
                        rend="italic">You</emph>
                    <lb/> only managed the spell that kept us apart."</p>

                <p>"No doubt," chuckled the fairy godfather. "But who is <lb/> going to manage the
                    Queen of Nonamia ?"</p>

                <p>Their faces fell, for every one had completely forgotten the <lb/> Queen of
                    Nonamia. Then the Prince threw back his head, and <lb/> put his arm round the
                    woodcutter's daughter. </p>

                <p>"Will you come home with me, sweetheart ?" he asked her. <lb/> "I am going to
                    manage the Queen-Mother, myself."</p>

                <p>"The boy is certainly my godson," laughed the fairy godfather ; <lb/> and he
                    prepared to go back to the palace too, for he wanted to see <lb/> the fun.</p>

                <p>But the woodcutter shook his head. "I will stay where I <lb/> am," he said ; "and
                    build a cottage for myself. I had quite <lb/> enough of the Queen of Nonamia,
                    sixteen years ago."</p>

                <p>So the lovers went back to the palace, and the fairy godfather <lb/> went with
                    them. It was only reasonable to suppose that the <lb/> Queen would be furious at
                    the overthrow of all her plans ; and <lb/> the Prince trembled a little, in
                    spite of himself, when he led his <lb/> little betrothed before the throne.</p>

                <p>"I have come back from the garden, on the other side of the <lb/> wall," he said,
                    quietly. "And I have brought my own princess <lb/> with me. Don't you think she
                    is far more beautiful than all <lb/> those others you showed me ?"</p>

                <p>The courtiers whispered to one another, in admiration of her <lb/> great beauty.
                    Truly, there had never been so beautiful a woman <lb/> in the court of Nonamia
                    before. But the Queen stared at the</p>

                <fw type="catchword">two</fw>

                <pb n="202"/>

                <fw type="runningHead"><fw type="pageNum">186</fw> The Restless River</fw>

                <p>two lovers, and was speechless. And the fairy godfather looked on, <lb/> and
                    smiled.</p>

                <p>Then the little betrothed looked up at her lover, and sighed.</p>

                <p>"I am no princess, dearest," she said, with her eyes full of tears. <lb/> "I am
                    only a woodcutter's daughter. Does it mean that I must <lb/> go away, and leave
                    you ?"</p>

                <p>The courtiers stopped making remarks about her great beauty, <lb/> and hoped that
                    no one had heard them. And still, the Queen <lb/> stared speechlessly before her
                    ; and still, the fairy godfather looked <lb/> on, and smiled.</p>

                <p>"What's the difference ?" asked the Prince, in surprise. "Are <lb/> not all women
                    princesses ? And, since you are the most beautiful <lb/> of all women, then,
                    surely, you must be the greatest of all <lb/> princesses ?"</p>

                <p>"Oh no, dearest," sighed his betrothed, hanging her head, <lb/> humbly. "I am no
                    princess, and you will have to send me <lb/> away."</p>

                <p>Then the Queen spoke, at last. She looked at the fairy god-<lb/> father, and
                    slightly shrugged her queenly shoulders.</p>

                <p>"You have won," she said. "My son will marry the wood-<lb/> cutter's daughter.
                    And he shall marry her <emph rend="italic">now</emph>, without any <lb/> more
                    fuss ; and I have the honour to bid you to his wedding. I <lb/> have said it
                    !"</p>

                <p>And the fairy godfather chuckled.</p>

                <p>"At least," he said, "you are the most original Queen the <lb/> world has ever
                    seen !"</p>

                <p>The wedding was decidedly original, too, for there were no <lb/> preparations for
                    it whatever. No one had time to order a new <lb/> dress, and there was no cake ;
                    and the King knew nothing about <lb/> it, until it was all over. But the Prince
                    and his bride were quite <lb/> oblivious of everything except of one another ;
                    and when it was</p>

                <fw type="catchword">all </fw>

                <pb n="203"/>

                <fw type="runningHead">By Evelyn Sharp <fw type="pageNum">187</fw></fw>

                <p>all over, they went back to the river again, and helped the wood-<lb/> cutter to
                    build a house that was big enough for them all ; and <lb/> there they took up
                    their abode, and there they may be still, for <lb/> all that anybody can tell. </p>

                <p>"I don't want to be a king," the Prince declared. "I don't <lb/> like killing
                    things, and I hate stuffy rooms, and ceremonies, and <lb/> stupid subjects.
                    Besides, what more does Nonamia want than <lb/> the Queen-mother ?"</p>

                <p>And that is all that Nonamia has ever had, for the Queen is <lb/> still enduring
                    the stupidity of the Nonamiacs, and the King still <lb/> does what the Queen
                    tells him.</p>

                <p>And the fairy godfather ?</p>

                <p>When the wedding was over, the Queen sent for him ; and the <lb/> impudence of
                    such a proceeding so amused him, that he obeyed <lb/> the summons at once, just
                    as though he had not been a fairy god-<lb/> father at all.</p>

                <p>"Kindly tell me," said the Queen, " whether you really did <lb/> give my son a
                    christening present, or not ?" </p>

                <p>"I gave him the gift of being a true lover," replied the fairy <lb/>
                    godfather.</p>

                <p>"Is that all ?" exclaimed the Queen. "I need hardly have <lb/> fetched you from
                    Fairyland, just for that !"</p>

                <p>"Your Majesty's originality is to blame," chuckled the fairy <lb/> godfather. And
                    he forthwith took the Queen's advice, and re-<lb/> tired into private life.</p>

                <p>But it is said that others have followed the example of the <lb/> original Queen
                    of Nonamia ; and that, now and then, a fairy <lb/> godfather, who looks just
                    like an ordinary person, is present at <lb/> the christening of one or another
                    of us. And, perhaps, that is <lb/> why there are still some true lovers left in
                    the world.</p>


            </div>


            <div>
                <head>
                    <title level="a">The Muslin Dress</title>
                </head>
                <byline> By Mabel Dearmer <docAuthor>
                        <ref target="#MDE"/>
                    </docAuthor>
                </byline>
            </div>


            <div n="YBV12_19im" type="image">
                <figure>
                    <graphic width="600px" url="MediumImageDocs/YBV12icon10_dearmer_muslin.jpg"/>
                    <note n="YBV12_19im.n1">
                        <title>The Muslin Dress</title>
                        <rs>YBV12icon10</rs> YBV12icon10 Mabel Dearmer The Muslin Dress 16.6 cm x
                        12.2 cm Visual Art Watercolour woman or girl light coloured muslin dress
                        full sleeves hemline light coloured hair ballet slippers in motion</note>
                    <head>The Musline Dress</head>
                    <figDesc>Image is of a woman or a young girl wearing a light coloured muslin
                        dress The dress has a high neckline and full sleeves with a hemline right
                        above the womans knees The woman has thick light coloured shoulder length
                        hair She is wearing ballet slippers She is in motion with her left foot
                        slightly above the ground and her right foot in a upright position pointing
                        at the ground Her right hand is clutching the waist of her dress while her
                        left hand is pulling the bottom of the dress away from her She is leaning
                        back looking toward her right The image is vertically displayed</figDesc>
                </figure>
            </div>

            <div n="YBV12_20pr" type="prose">
                <pb n="209"/>

                <head><title level="a">The Ûnka</title></head>

                <byline>By <docAuthor><ref target="#FAS">Frank Athelstane
                        Swettenham</ref></docAuthor>, C.M.G.</byline>

                <p>THE other day I had to move from the house where I have <lb/> lived for the last
                    seven years, and in the consequent upheaval <lb/> of accumulated
                    rubbish&#x2014;specially letters, papers, and books&#x2014;I <lb/> found a note,
                    or, to speak accurately, two notes written on one <lb/> sheet of paper, which
                    brought vividly to my recollection an incident <lb/> that occurred while I was
                    living with one of the writers, Captain <lb/> Innes of the Corps of Royal
                    Engineers.</p>

                <p>Innes and I had taken a house in Penang and had just moved <lb/> into it. The
                    house stood at the junction of two roads, it was <lb/> surrounded by a large but
                    neglected garden, and the place altogether <lb/> resembled an Eastern Castle
                    Rack-rent, an appearance partly due <lb/> to the fact that it had not been
                    occupied for some time. The <lb/> garden was a veritable jungle ; but the house
                    was large and roomy, <lb/> approached by a rather imposing flight of steps which
                    led into a <lb/> great marble-paved hall, lighted by long narrow windows, glazed
                    <lb/> with small panes of glass. It was principally on this account that <lb/>
                    we named our new habitation the Baronial Hall.</p>

                <p>I remember that the stables contained but three stalls, to <lb/> accommodate
                    Innes's one horse and my three ponies. I thought I <lb/> might claim two of the
                    stalls, but Innes's horsekeeper, a Sinhalese, <lb/> in whom his master had more
                    confidence than I had, insisted that</p>

                <fw type="footer">The Yellow Book&#x2014;Vol. XII. M</fw>
                <fw type="catchword">his</fw>

                <pb n="210"/>

                <fw type="runningHead"><fw type="pageNum">192</fw> The Ûnka</fw>

                <p>his horse was of a very superior breed, and must have one stall to <lb/> stand in
                    and another to sleep in, so I accepted the position and <lb/> sent two of my
                    ponies to live elsewhere. I cannot say that I felt <lb/> all the compassion
                    called for by the circumstances when, one night, <lb/> some weeks later, as I
                    was dressing for dinner, I heard a peculiar <lb/> noise in the direction of the
                    stable, and, looking out, I saw in the <lb/> bright moonlight the Sinhalese,
                    face-downwards, on the sand of <lb/> the open space before the stable, while my
                    pony, a not too good- <lb/> tempered beast at any time, was apparently eating
                    him and enjoying <lb/> the process.</p>

                <p>When we had rescued the horsekeeper and sent him to the <lb/> hospital (where he
                    remained a considerable time, and from which <lb/> he returned happily drunk), I
                    pointed out to his master that, if the <lb/> wise old man understood the horse
                    in his care, he was less well <lb/> informed about the habits of my pony.</p>

                <p>This incident, and the fact that Innes planted what should have <lb/> been the
                    lawn with guinea-grass, the favourite food of his too- <lb/> pampered charger,
                    are the only facts of any importance that I can <lb/> remember, till the coming
                    of the <emph rend="italic">ûnka</emph>.</p>

                <p><emph rend="italic">Ûnka</emph> is the Malay name for the tail-less monkey called
                    by <lb/> Europeans a Wah-Wah. I do not know where that name <lb/> originated,
                    but the creature makes a noise like the soft and plaintive <lb/> repetition of a
                    sound, that can be fairly put into letters thus&#x2014;<lb/> Wu', Wu'. When
                    several <emph rend="italic">ûnka</emph> get together in the jungle, in the <lb/>
                    early morning, they will sit in a high tree, in a circle, round one of <lb/>
                    their number, who pipes and sings and finally screams a solo of <lb/> many
                    variations, through which runs the simple <emph rend="italic">motif</emph>, and,
                    at a <lb/> certain point, the others all join in, calling in loud and rapid
                    tones <lb/> &#x2014;WU' WU' WU' WU' Wu' Wu' ; the first two or three cries <lb/>
                    delivered shrilly and slowly, the others tumbling on each others' <lb/> heels.
                    And then <emph rend="italic">da capo</emph>, until the sun gets too hot, or
                    they</p>

                <fw type="catchword">quarrel,</fw>

                <pb n="211"/>

                <fw type="runningHead">By Frank Athelstane Swettenham <fw type="pageNum"
                    >193</fw></fw>

                <p>quarrel, or become too hungry or thirsty to go on ; I cannot <lb/> say for
                    certain, for though I have watched and listened to the <lb/> concert for a long
                    time, I had not patience to wait till the <lb/> end.</p>

                <p>The <emph rend="italic">ûnka</emph> is either black or fawn-coloured, he has
                    extraordinarily <lb/> long and strong arms and legs, a face of never-changing
                    sadness, <lb/> which may on occasion turn to an evil expression of vice and fury
                    ; <lb/> but, in the main, the <emph rend="italic">ûnka</emph> is a gentle and
                    docile creature, easily <lb/> tamed, and his only amusements seem to be, to
                    swing himself with <lb/> great leaps along a bar, to sing the Wu' Wu' song, or
                    to sit in <lb/> deep meditation, with his toes turned in, his head between his
                    <lb/> knees, and both hands clasped on the nape of his neck. </p>

                <p>I was much shocked, one day, when I saw two small <emph rend="italic">ûnka</emph>
                    living <lb/> in a tree in front of the house of a Malay headman. There was <lb/>
                    nothing very strange in the fact that these creatures should have <lb/> been
                    where they were, but, what was unusual to me, was to find <lb/> that each was
                    wearing a dress of cotton print, one blue and the <lb/> other pink, with their
                    heads appearing from the neck, their hands <lb/> from the sleeves, and their
                    legs&#x2014;well, that was the worst of it, <lb/> they were hanging by their
                    feet, and I went away. As a rule, <lb/> as I have already mentioned, they hang
                    by their arms, but, then, <lb/> with the exception of these orphans, I had never
                    seen any <emph rend="italic">ûnka</emph> in <lb/> print gowns. It only shows how
                    unwise it is to try and clothe all <lb/> nationalities in the garments of
                    Western civilisation.</p>

                <p>Again, I remember an <emph rend="italic">ûnka</emph> I used to know very well. He
                    <lb/> was a dissipated creature, and lived in a box on the top of a pole. <lb/>
                    There was a hole in a corner of the box, and into this used to <lb/> be fixed a
                    corked bottle of whisky and water, which gave the <lb/>
                    <emph rend="italic">ûnka</emph> a good deal of trouble to pull out, but, once
                    fairly in his <lb/> hands, he made short work of the extraction of the cork and
                    <lb/> the consumption of the contents.</p>

                <fw type="catchword">Then </fw>

                <pb n="212"/>


                <fw type="runningHead"><fw type="pageNum">194</fw> The Ûnka </fw>

                <p>Then he used to be told to come down, and, when be reached <lb/> the ground, he
                    would turn a succession of somersaults with a <lb/> grace and agility that would
                    have made a London street-arab <lb/> green with envy. But I confess it was the
                    last act of the <lb/> performance that I most enjoyed ; it was called "the
                    bath." <lb/> An old kerosene tin, one side of which had been cut away, was <lb/>
                    filled with water and the bath was placed on the ground in a <lb/> suitable
                    spot. As soon as it was ready, the <emph rend="italic">ûnka</emph>, who had
                    <lb/> watched the preparations with careful interest, walked slowly up to <lb/>
                    the bath (by the way, they walk on their hind legs usually, and <lb/> drink from
                    their hands), and, standing at one end of the tin, <lb/> gripped the sides of
                    the bath, at a convenient distance, with <lb/> both hands and then slowly, very,
                    very slowly, went head fore-<lb/> most into the water, turning, as he did so, a
                    complete somersault, <lb/> his dripping woebegone face appearing gradually from
                    out the <lb/> water, as he arranged himself to sit comfortably, with his back
                    <lb/> against the end of the tin and his arms hanging over the sides, <lb/>
                    exactly as a human being might sit in a bath. The <emph rend="italic"
                        >ûnka</emph>
                    <lb/> would recline thus, for about half a minute, looking the picture <lb/> of
                    extreme suffering and silent protest against the unfeeling <lb/> laughter of the
                    spectators. Then he suddenly jumped up, and <lb/> springing with both feet on to
                    the edge of the tin, gave a <lb/> violent backward kick, that sent the water
                    streaming down the <lb/> hill and the bath rolling after it.</p>

                <p>According to Perak tradition, the <emph rend="italic">ûnka</emph> and another
                    species of <lb/> Simian, called <emph rend="italic">siâmang</emph>, rather
                    blacker and more diabolical looking <lb/> than the <emph rend="italic"
                        >ûnka</emph>, but otherwise not easily to be distinguished from <lb/> the
                    latter, lived originally in mutual enjoyment of the Perak <lb/> jungles.
                    Individuals of the two species quarrelled about pre-<lb/> cedence at a Court
                    Ball, or a State Concert, probably the latter ; <lb/> the quarrel was espoused
                    with great bitterness by all the <emph rend="italic">ûnka</emph> and</p>

                <fw type="catchword">all</fw>

                <pb n="213"/>

                <fw type="runningHead">By Frank Athelstane Swettenham <fw type="pageNum"
                    >195</fw></fw>

                <p>all the <emph rend="italic">siâmang</emph>, and, when the other denizens of the
                    forest were <lb/> worried beyond endurance, by the constant bickerings, murders,
                    <lb/> and retaliations of these creatures, an edict was issued by which <lb/>
                    all the <emph rend="italic">ûnka</emph> were compelled, for all time, to live on
                    the right of <lb/> the Perak River and the <emph rend="italic">siâmang</emph> on
                    the left&#x2014;neither being <lb/> allowed to cross the river.</p>

                <p>A friend of mine who lived on the right bank of the river and <lb/> wished to
                    test the truth of this legend, made pets of a very small <lb/>
                    <emph rend="italic">siâmang</emph> and a rather large <emph rend="italic"
                        >ûnka</emph> for whom places were laid and <lb/> chairs put at every meal.
                    They were not confined in any way <lb/> and their manners were indifferent, for,
                    though they were served <lb/> with every course at each meal, they seemed to
                    take an impish <lb/> delight in pulling the dishes out of the hands of the
                    servants who <lb/> passed within their reach.</p>

                <p>As my friend was writing one day at a large round table, on <lb/> which a number
                    of official letters were lying awaiting his signature, <lb/> I saw the <emph
                        rend="italic">siâmang</emph> climb, slowly and without attracting attention,
                    <lb/> on to the table, where, for a time, he sat without stirring, <lb/>
                    regarding my friend with earnest and sorrowful eyes. Then, by <lb/> degrees, he
                    gradually edged himself towards the inkstand, and, <lb/> when quite close to it,
                    dipped his hand into the pot and carefully <lb/> wiped his inky fingers in a
                    sort of monkey-signature on each of <lb/> the beautifully prepared official
                    despatches. When, at last, my <lb/> friend discovered what the <emph
                        rend="italic">siâmang</emph> had done, and made as though <lb/> to catch and
                    punish his tormentor, the small imp disappeared over <lb/> the side of the
                    table, making piteous little cries, and the <emph rend="italic">ûnka</emph>, who
                    <lb/> had been watching the proceedings through the window, came in <lb/> and
                    hurried his companion on to the roof, where they always <lb/> retired to concoct
                    some new outrage.</p>

                <p>In spite of these signs of original sin, the <emph rend="italic">ûnka</emph>,
                    concerning <lb/> which I have made these casual references, were, on the
                    whole,</p>

                <fw type="catchword">of </fw>

                <pb n="214"/>

                <fw type="runningHead"><fw type="pageNum">196</fw> The Ûnka</fw>

                <p>of amiable dispositions. My own experience was, alas ! to be with <lb/> one of a
                    different type.</p>

                <p>A Governor whose term of office was up, had arranged with a <lb/> Malay Sultan to
                    send him two <emph rend="italic">ûnka</emph>, to take to England, but, <lb/> at
                    the moment of his departure, as they had not then arrived, <lb/> he asked me to
                    take charge of them and forward them to <lb/> London. </p>

                <p>I consented, and, one morning a Malay appeared with a letter,<lb/> and told me
                    that the <emph rend="italic">ûnka</emph> had been landed from the vessel in
                    <lb/> which he had brought them from a northern State, and were at <lb/> my
                    disposal. I was busy, and told the messenger to take them to <lb/> the Baronial
                    Hall. As he was leaving, the man said I should find <lb/> that the smaller of
                    the two had lost his arm at the elbow, an <lb/> accident which had occurred on
                    the voyage, for the cages had <lb/> been placed within reach of each other, and
                    the larger monkey <lb/> who, as the man remarked, was rather wicked, had induced
                    his <lb/> small companion to shake hands with him, and then abused his <lb/>
                    confidence by twisting his arm off at the elbow. </p>

                <p>When I got home in the evening I found the small <emph rend="italic">ûnka</emph>
                    <lb/> looking very sick, and he died the next day ; but his murderer <lb/> was a
                    very fine specimen of the fawn-coloured <emph rend="italic">ûnka</emph>, about
                    two <lb/> feet high as he sat on the ground, with an expression of counten-<lb/>
                    ance that I did not altogether like. However, he was allowed a <lb/> certain
                    length of cord, and lived in the coach-house, where I <lb/> often went to see
                    and feed him, and he received my advances, <lb/> apparently, in good part. One
                    day, however, he escaped, and I <lb/> had to call in the services of two
                    time-expired Indian convicts to <lb/> catch him. The servants declined to have
                    anything to do with <lb/> him, and said he was very wicked and tried to bite
                    them, even <lb/> when they gave him food, so I determined to put him back in his
                    <lb/> cage. I anticipated no difficulty, but, as he hesitated to go in,</p>

                <fw type="catchword">though</fw>

                <pb n="215"/>

                <fw type="runningHead">By Frank Athelstane Swettenham <fw type="pageNum"
                    >197</fw></fw>

                <p>though everything had been done to make his cage look attractive, <lb/> I put my
                    hand on his back and applied a very gentle pressure. In <lb/> an instant he
                    turned round and bit me badly, in return for which <lb/> I gave him a good
                    beating and determined I would not trouble <lb/> about him any more. I gave up
                    my visits to him, but, whenever <lb/> he saw me at any distance, even if it were
                    through the Venetians <lb/> of a window, he would turn his back on me, seize one
                    leg with <lb/> both hands and, looking through his legs, make horrible faces in
                    a <lb/> way that I thought very rude and ungrateful.</p>

                <p>After a fortnight he got away again. I felt it was more than <lb/> likely that
                    the servants had connived at his escape, and I was <lb/> inclined to say with
                    Mr. Briggs, "Thank God, he's gone at <lb/> last."</p>

                <p>I said that the Baronial Hall stood in the angle of two wide <lb/> and much
                    frequented roads. The front road boarded a picturesque <lb/> bay of the sea,
                    but, behind the house, was a large cocoanut planta-<lb/> tion, and here the
                        <emph rend="italic">ûnka</emph> took up his quarters and lived for six <lb/>
                    months or more. Once, when I returned to the house after a <lb/> week's absence,
                    I found a crowd of half-caste boys throwing <lb/> stones at the <emph
                        rend="italic">ûnka</emph>, who sat at the top of a cocoanut-tree and <lb/>
                    regarded them with far from friendly eyes. I sent the boys away, <lb/> but I
                    realised that the owner of the plantation might object to the <lb/>
                    <emph rend="italic">ûnka</emph> as he was probably doing, making free with the
                    fruit of this <lb/> grove. </p>

                <p>I saw no more of my charge, and left Penang on a political <lb/> mission to
                    Perak, where I remained some time.</p>

                <p>Landing, on my return, I went to the quarters of a friend who <lb/> was the head
                    of the Police Force, and he told me, amongst other <lb/> news, that, only an
                    hour before my arrival, some Eurasian boys <lb/> had brought to him the <emph
                        rend="italic">ûnka</emph>, dead, and tied on a stick, saying <lb/> that he
                    had attacked them, and bitten one of their number very </p>

                <fw type="catchword">badly </fw>

                <pb n="216"/>

                <fw type="runningHead"><fw type="pageNum">198</fw> The Ûnka</fw>

                <p>badly in the hand, and they had been compelled in self-defence to <lb/> kill him.
                    Henry Plunket (the Superintendent of Police) said <lb/> that this was evidently
                    not the whole truth of what had occurred, <lb/> but the injured boy talked of
                    claiming compensation from me, <lb/> though, no doubt, the <emph rend="italic"
                        >ûnka</emph> had been made the victim of a combined <lb/> attack. Bearing in
                    mind what I had seen myself, some months <lb/> before, I thought that was
                    extremely probable, and, having <lb/> inspected the body, a piteous object tied
                    to a long stick by the <lb/> ankles, while the arms had been pulled as far as
                    possible above the <lb/> head, and there fastened round the stick by the wrists,
                    I went <lb/> home, Plunket undertaking to get the <emph rend="italic"
                        >ûnka</emph> stuffed in an attitude <lb/> of deep humility, with his
                    formidable teeth carefully concealed.</p>

                <p>Early the next morning a servant told me that two Eurasians <lb/> wanted to see
                    me. I told him to ask them in, and a boy and a <lb/> man made their appearance.
                    The boy's hand was in a sling, but <lb/> otherwise he seemed well enough.</p>

                <p>I said, "What can I do for you ?"</p>

                <p>The boy replied, "Your monkey has bitten me." </p>

                <p>I remarked, "And you have killed the monkey."</p>

                <p>There was a brief silence and I said, "Tell me how it hap-<lb/> pened."</p>

                <p>"I was going home from school," said the boy, "walking along <lb/> the high road
                    in front of this house, when the monkey, who was <lb/> sitting up in a cocoanut
                    tree, caught sight of me and came down <lb/> and bit me."</p>

                <p>"What were you doing ?" I asked.</p>

                <p>"Nothing."</p>

                <p>"How did the monkey get into the road ?"</p>

                <p>"He climbed through the hedge."</p>

                <p>"Were you the only person on the road ?"</p>

                <p>"Oh, no ; there were many others."</p>

                <fw type="catchword">"Then</fw>

                <pb n="217"/>

                <fw type="runningHead">By Frank Athelstane Swettenham <fw type="pageNum"
                    >199</fw></fw>

                <p>"Then why did he attack you ?"</p>

                <p>No answer.</p>

                <p>"Is that all you have to say about it ?"</p>

                <p>"Yes." </p>

                <p>"Then I wish you good-morning."</p>

                <p>Here the man broke in with, "What are you going to give <lb/> the boy ?"</p>

                <p>To which I replied, "Nothing, in the face of such a story as <lb/> that. But what
                    have you to do with it ?"</p>

                <p>"I have come as the boy's friend," he said, "and if you don't <lb/> pay him
                    compensation, he will sue you for damages."</p>

                <p>"He must do what he thinks best," I said, "but I would advise <lb/> him to
                    prepare a more probable story than that he has just told <lb/> me. Monkeys do
                    not come down from the tops of cocoanut trees <lb/> to bite inoffensive little
                    boys who are walking on the high <lb/> road."</p>

                <p>Seeing there was nothing more to be got out of me my visitors <lb/> departed, and
                    I, forgetting the unspoken dislike of the <emph rend="italic">ûnka</emph> for
                    <lb/> myself, mourned his loss, and felt satisfied he had been done to <lb/>
                    death by the boys of the neighbourhood.</p>

                <p>At that time the judge of the Small Cause Court was a <lb/> magistrate who had
                    had a great deal of Indian experience before <lb/> coming to Penang, and, a few
                    days after my interview with the <lb/> boy, this official called at my office,
                    and said : "I want to have a <lb/> few minutes conversation with you about a
                    matter that concerns <lb/> you personally."</p>

                <p>I said, "Pray, sit down. I suppose the boy who was bitten by <lb/> the monkey has
                    been to you ?"</p>

                <p>"He has," said the magistrate, "and he wishes to summons you <lb/> for
                    damages."</p>

                <p>"He is quite at liberty to do so," I said, "but I can't imagine</p>

                <fw type="catchword">any</fw>

                <pb n="218"/>

                <fw type="runningHead"><fw type="pageNum">200</fw> The Ûnka</fw>

                <p>any one placing any credence in the cock-and-bull story about the <lb/> monkey
                    coming down out of the tree, and attacking him as he <lb/> passed on the high
                    road."</p>

                <p>"Oh, but I assure you," said the man learned in the law, "that <lb/> is not at
                    all an improbable story. I knew a road in the Province <lb/> so infested by
                    monkeys that they used to come out of the jungle <lb/> and snatch the baskets of
                    fruit out of the hands of people going to <lb/> market. No woman could pass
                    there alone, and the men used to <lb/> go in parties for mutual protection."</p>

                <p>"Of course, if you know that," I said, without betraying the <lb/> thoughts that
                    were in me, "I have nothing more to say, but I <lb/> have heard the details of
                    what really occurred from an unbiassed <lb/> spectator, whom I can produce as a
                    witness, and the boy's story is <lb/> very far from the truth."</p>

                <p>"Then what is the true account ?" said the magistrate, "for I <lb/> shall not
                    issue a summons without good cause shown." </p>

                <p>"I am told," I said, "that this boy and another were playing <lb/> in the
                    cocoanut plantation, behind my house (not their plantation, <lb/> by the way,
                    they were trespassers), and the monkey was sitting in <lb/> a high cocoanut tree
                    hard by, watching the boys and thinking <lb/> about nothing at all. The boys, as
                    boys will, began to quarrel, <lb/> and from abuse they soon came to blows. Now,"
                    I said, "when <lb/> the monkey saw that he came down the tree."</p>

                <p>"Ah ! he came down the tree," broke in my friend.</p>

                <p>"Yes," I said, "the man who saw it all says he came down the <lb/> tree, but the
                    boys continued to fight and took no notice of him. <lb/> Then the monkey, who
                    was a particularly intelligent beast and <lb/> had lived with respectable
                    people, felt he ought to interfere, because <lb/> he knew it was wrong of boys
                    to fight, and had seen them beaten <lb/> for doing it. He, poor thing, could not
                    speak to them, but he <lb/> walked up, waving his hands like this"&#x2014;here I
                    suited the action</p>

                <fw type="catchword">to </fw>

                <pb n="219"/>

                <fw type="runningHead">By Frank Athelstane Swettenham <fw type="pageNum"
                    >201</fw></fw>

                <p>to the word&#x2014;"as though he would say, 'Stop ! you must not <lb/> fight any
                    more.'"</p>

                <p>"What !" interrupted the magistrate, "he went like this!" as <lb/> he repeated my
                    action.</p>

                <p>"Yes," I said, "so I am told by the man who saw it all. The <lb/> monkey went
                    close up to them in his anxiety, and then either the <lb/> boys misunderstood
                    him or, what seems more likely, they were <lb/> really bad boys, and disliked
                    the monkey's interference, tor one of <lb/> them, the boy who has been injured,
                    slapped the monkey in the <lb/> face." </p>

                <p>"Slapped him in the face ?"</p>

                <p>"Yes," I said, "so the man says who told me the story. And <lb/> then what could
                    you expect ? The monkey, finding his good <lb/> intentions misinterpreted and
                    himself made the subject of a cowardly <lb/> assault, bit his
                    assailant&#x2014;bit him badly in the hand."</p>

                <p>"Ah ! he bit him in the hand?"</p>

                <p>"Yes. And one must make some excuses for him," I said, <lb/> "because, after all,
                    one ought not to expect too much from a <lb/> monkey."</p>

                <p>"That," said my friend, as he got up and took his hat, "is an <lb/> entirely
                    different account to the one I heard, and I wish you good- <lb/> morning."</p>

                <p>"Of course, of course," I said, as I shook hands with him, "I <lb/> thought you
                    would like to know the facts." And, as I closed the <lb/> door and resumed my
                    seat, I fell a-musing on the curious ways of <lb/> the <emph rend="italic"
                        >ûnka</emph>, and the advantages to be gained by a long experience of <lb/>
                    monkeys.</p>

                <p>For months I heard nothing more about the boy and his com-<lb/> plaint, but some
                    one told me that, when he went again to my <lb/> experienced friend, he had been
                    driven from the presence with <lb/> what is called "a flea in his ear."</p>

                <fw type="catchword">Without</fw>

                <pb n="220"/>

                <fw type="runningHead"><fw type="pageNum">202</fw> The Ûnka</fw>

                <p>Without my realising that the change meant anything to me, a <lb/> new judge of
                    the Small Cause Court arrived from England about <lb/> this time, and replaced
                    the Indian officer. The new comer, of <lb/> course, knew nothing about monkeys,
                    and when, just as I was <lb/> starting on another expedition to the Malay
                    States, I was served <lb/> with a summons claiming damages for the injury done
                    to Master <lb/> Fernandez by a dangerous beast described as my property, I could
                    <lb/> only ask Innes to put the case in the hands of Counsel, and trust <lb/> to
                    my advocate's skill and the harmless, even pitiful appearance of <lb/> the
                    stuffed ûnka, whose counterfeit presentment I suggested should <lb/> be produced
                    in Court, as a last resort.</p>

                <p>My journeyings took me finally to Singapore, where I told this <lb/> veracious
                    story, and consulted both the Chief Justice and Attorney- <lb/> General, who
                    assured me that I had no legal responsibility in the <lb/> matter ; indeed, I
                    did not quite understand how the complainant <lb/> was going to prove that he
                    had been bitten by my <emph rend="italic">ûnka</emph> at all, or <lb/> that I
                    could be said to own, or keep, a creature that for six months <lb/> had lived by
                    his wits, in a neighbouring plantation. However, it <lb/> is the unexpected
                    which happens, and I tried to bear the news <lb/> with fortitude when I received
                    from Innes the following letter and <lb/> its enclosure. I never quite made out
                    what became of the stuffed <lb/>
                    <emph rend="italic"> ûnka</emph>, but I suppose he is preserved with the records
                    of the case in <lb/> the archives of the Penang Court.</p>
                <lb/>
                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"><emph rend="indent"
                                    >"PENANG.</emph></emph></emph></emph>
                </p>

                <p><emph rend="indent"><emph rend="indent"><emph rend="indent">"<emph rend="italic"
                                    >23rd September,</emph> 18&#x2014;.</emph></emph></emph></p>
                <p>"MY DEAR SWETTENHAM,</p>

                <p><emph rend="indent">"You will gather from the enclosure that the monkey
                        case</emph>
                    <lb/> has gone against us ; I'm awfully sorry, and did my best in the matter,
                    <lb/> I assure you. The Judge counselled a compromise after hearing <lb/>
                    Plaintiff's case and Bond's reply, and I thought it safest to take the <lb/>
                    hint. Bond, as you see, handsomely declines any fee. I have thanked</p>

                <fw type="catchword">him </fw>

                <pb n="221"/>

                <fw type="runningHead">By Frank Athelstane Swettenham <fw type="pageNum"
                    >203</fw></fw>

                <p>him on your behalf for his exertions and settled the bill, the amount <lb/>
                    whereof we can adjust with other matters. I confess I couldn't <lb/> follow the
                    Judge's train of thought, for the story didn't seem to me to <lb/> tell well in
                    the witness box.</p>

                <p><emph rend="indent"><emph rend="indent">"Yours truly,</emph></emph></p>

                <p><emph rend="indent"><emph rend="indent"><emph rend="indent">"W.
                            INNES."</emph></emph></emph></p>
                <lb/>
                <p><emph rend="indent"><emph rend="indent"><emph rend="indent">"<emph rend="italic"
                                    >18th September,</emph> 18&#x2014;.</emph></emph></emph></p>
                <p>"My DEAR INNES,</p>

                <p>"As Swettenham's case was compromised at the suggestion <lb/> of the Judge, I
                    don't intend to make any charge against him for the <lb/> little I did, so all
                    he will have to pay will be $22.95 costs and <lb/> damages.</p>

                <p><emph rend="indent"><emph rend="indent">"Yours sincerely,</emph></emph></p>

                <p><emph rend="indent"><emph rend="indent"><emph rend="indent">"I. S.
                            BOND."</emph></emph></emph></p>
                <lb/>
                <p>There must have been something peculiarly malignant about <lb/> this <emph
                        rend="italic">ûnka</emph> ; the slightest connection with him proved fatal
                    to so <lb/> many people. The Sultan who gave him is dead, and the Gover-<lb/>
                    nor who never received him ; the Chief Justice and the Attorney- <lb/> General
                    who took a friendly interest in him ; the magistrate who <lb/> had such an
                    experience of all his kind ; the Counsel who defended <lb/> him ; my friend who
                    supported him ; and&#x2014;I had almost for-<lb/> gotten&#x2014;the man who
                    really saw what happened to him. It is <lb/> almost like the tale of the House
                    that Jack built&#x2014;a glorified <lb/> Eastern version.</p>


            </div>


            <div n="YBV12_21pr" type="prose">
                <pb n="222"/>

                <head><title level="a">A Little Holiday</title></head>

                <byline>By <docAuthor><ref target="#OSI">Oswald Sickert</ref></docAuthor></byline>

                <p>ROY had twice stayed with us in London during the vacation ; <lb/> but since our
                    days at Cambridge most of his time had been <lb/> spent in Paris, and I had
                    never been to his home till that spring.</p>

                <p>I had eagerly looked forward to the visit, for not only should I <lb/> enjoy
                    Roy's company uninterruptedly for eight whole days, but I <lb/> should at last
                    meet his sister. And looking forward with curiosity <lb/> and excitement to the
                    sunny prospect, I had only seen on the <lb/> clear horizon one little
                    cloud&#x2014;a certain fear I had of Roy's <lb/> uncle. This uncle had lived
                    with them even before the father's <lb/> death, and had since acted as guardian
                    to the two children, for <lb/> their mother, his sister, was an invalid. He used
                    to come up to <lb/> Cambridge to see Roy, so I had met him frequently. I took a
                    <lb/> great fancy to him from the first, and he had my unbounded <lb/> respect ;
                    he was the ideal of steadfastness and honour and clear <lb/> judgment. But I
                    always experienced in his presence the same <lb/> feeling&#x2014;a feeling which
                    no difference of age could explain. I <lb/> was before him a person of no
                    weight, of no principles, a butterfly <lb/> character&#x2014;he would have
                    passed me on one side if I had not been <lb/> Roy's friend. I felt just the same
                    when I saw him after an <lb/> interval of three years, although in between he
                    had warmly <lb/> praised my verses and had gone out of his way to write me
                    from</p>

                <fw type="catchword">time</fw>

                <pb n="223"/>

                <fw type="runningHead">By Oswald Sickert <fw type="pageNum">205</fw></fw>

                <p>time to time matters of encouragement. I was flattered that he <lb/> should
                    choose to keep up an unflagging correspondence&#x2014;for <lb/> though our
                    letters did not pass at frequent intervals, they gave me <lb/> a pleasant
                    impression of continuity, showing that the silence of a <lb/> month or two in no
                    way weakened the thread of interest that had <lb/> been spun between us. Our
                    letters sometimes touched upon <lb/> certain points in the working of the
                    department which I had <lb/> entered ; but they were chiefly concerned with the
                    writing of <lb/> verses, and on the evening of my arrival I was emboldened, in
                    the <lb/> hope of assuring the ground beneath my feet, to ask him whether <lb/>
                    he did not think my last disquisition priggish, conceited, over- <lb/> ignorant,
                    slight. No, he did not think so at all ; in fact, he had waited <lb/> for my
                    arrival in order to discuss the question more fully. And <lb/> all the while I
                    was talking of my own subject&#x2014;something I could <lb/> do and he couldn't,
                    something he thought worth doing, my work, <lb/> hard work&#x2014;I yet felt a
                    humbug. I felt so with a few other <lb/> men, one or two even of my own age ;
                    but I did not like any of <lb/> them so much as Roy's uncle. He was not sixty, a
                    small man <lb/> with one shoulder bigger than the other, almost a hump-back, and
                    <lb/> his red hair was turning grey.</p>

                <p>I wondered whether he approved of Roy's great affection for <lb/> me ; I used
                    even to think sometimes that he looked upon me as <lb/> an adventurer, and then,
                    in no spirit, I am sure, of pitting myself <lb/> against my dear Roy, I would
                    argue the point. Roy, it was true, <lb/> was of an old family ; he was rich (I
                    had no idea they were so <lb/> well off&#x2014;it was a beautiful house). But
                    there was nothing I <lb/> could gain from him, and, as far as a career went, I
                    was a good <lb/> way ahead of him, for he had only just finished three years of
                    study <lb/> in a Paris studio.</p>

                <p>Even if my uncomfortable sensation were pure fancy, even if <lb/> he did really
                    think there was a firm foundation in me, still I</p>

                <fw type="catchword">thought</fw>

                <pb n="224"/>

                <fw type="runningHead"><fw type="pageNum">206</fw> A Little Holiday</fw>

                <p>thought there must be some reason for my imagination to play me <lb/> such
                    tricks, and I could not discover it. Moreover, I was sure he <lb/> liked me ; he
                    was more than polite, he made much of me ; and <lb/> every now and then we came
                    very close to each other. He must <lb/> have seen, too, how sincerely I
                    reverenced him.</p>

                <p>Roy's sister was enchanting&#x2014;not quite so pretty as Roy. She <lb/> was just
                    seventeen. Roy told me she had a deep admiration for <lb/> me, not only because
                    I was his friend, but because she had heard <lb/> I was very clever. For the
                    first day or two this admiration stood <lb/> in our way. Conversation with me
                    was an honour which made <lb/> her proud, a privilege not to be abused. The
                    eight years which <lb/> divided us were to her the whole difference between a
                    grown man <lb/> in the world and a child. She had been educated at home, and
                    <lb/> had seen very few people. But after a time our intercourse grew <lb/>
                    easier. No attempt of mine could have shaken the faith she had <lb/> in my
                    opinions. I was a genius : that was the point from <lb/> which she started.
                    Under the light she shed upon me, I was <lb/> scrupulously careful of everything
                    I said, everything I thought ; I <lb/> never felt so tender of any one. The
                    touching faith and respect <lb/> of the girl cast a spell over my stay with Roy,
                    a penetrating <lb/> softness. </p>

                <p>Insincerity would have been impossible, as well as immoral, in <lb/> the face of
                    so much enthusiasm and trust, so I was most happy <lb/> when we talked of men I
                    wholly admired. I was safe when <lb/> we were capping each other's praises of
                    Shelley or Jane Austen ; <lb/> I was safe when I tried to make her share my love
                    of Wordsworth. <lb/> But it was more difficult when she started an admiration in
                    which <lb/> I could not join. She had learned from her uncle to love Ruskin,
                    <lb/> and one day, when we were walking up and down the garden <lb/> alone, she
                    asked me about him. I answered that I did not think <lb/> I understood him
                    properly&#x2014;at least, I did not see his teaching as</p>

                <fw type="catchword">a whole ;</fw>

                <pb n="225"/>

                <fw type="runningHead">By Oswald Sickert <fw type="pageNum">207</fw></fw>

                <p>a whole ; in the end he might well turn out to be right, but just <lb/> now I did
                    not see him quite. She was swerving round already, <lb/> and when she wanted me
                    to explain why I did not like him, I <lb/> suggested we should talk about him in
                    the evening when her uncle <lb/> was with us ; he knew much more about Ruskin
                    than I did&#x2014;he <lb/> was sure to be right. But this modesty on my part
                    only made <lb/> her look upon my objections to Ruskin, whatever they might be,
                    <lb/> as certainly superior to any other opinions that could be held of <lb/>
                    him. I was peculiarly careful, when the time came, not to put <lb/> my case, if
                    I could help it, but to make the discussion as much as <lb/> possible an
                    exposition of Ruskin by her uncle. This was difficult, <lb/> because he always
                    deferred to me on questions of art, and Roy, <lb/> who entirely agreed with me,
                    let me do all the talking. And during <lb/> our conversation that evening I
                    experienced more acutely than <lb/> ever the uneasy sensation of unworthiness,
                    and all the time I was <lb/> asking myself why I should feel a humbug. Were not
                    plenty of <lb/> men, men who knew, who knew better than Roy's uncle, con-<lb/>
                    vinced that Ruskin was mistaken about the points we were <lb/> discussing ? And
                    was not I speaking as little as possible, softening <lb/> everything down, and
                    agreeing with humility wherever he let me ? <lb/> And I had read a great deal of
                    Ruskin at one time, and my <lb/> objections were of respectably long standing. I
                    felt, too, all the <lb/> more uncomfortable, because here I sat, extremely
                    against my <lb/> wish, helplessly seducing the niece he loved so from her pious
                    <lb/> opinions, the opinions she had learnt from him. I could not help <lb/> it
                    ; she was quite on my side, although I had tried not to take a <lb/> side, and
                    she disliked Ruskin more than I did. </p>

                <p>I can hardly explain how much our conversations about Mill <lb/> meant to me ;
                    they were the best of all. When she first men-<lb/> tioned him I did little more
                    than respect her sacred admiration, so <lb/> natural to a girl of her age ; but
                    gradually I was caught too. We</p>

                <fw type="footer">The Yellow Book&#x2014;Vol. XII. N</fw>
                <fw type="catchword">talked</fw>

                <pb n="226"/>

                <fw type="runningHead"><fw type="pageNum">208</fw> A Little Holiday</fw>

                <p>talked of him a great deal, more than of any one; with Shelley<lb/> he was her
                    chief hero. Mill had been one of the keenest admira-<lb/> tions of my boyhood,
                    and boyhood's opinions are far off at twenty- <lb/> five. The men of my age were
                    inclined to be condescending to <lb/> Mill : our idea of a State had outgrown
                    the limits of <emph rend="italic">Liberty</emph> ; <lb/> his political
                    economy&#x2014;the whole science, indeed&#x2014;was rather in <lb/> disgrace,
                    his <emph rend="italic">Logic</emph> was perhaps amusing to read, but the style
                    was <lb/> stilted, and we had got far beyond his essays on religion, in fact,
                    <lb/> we were coming round the other side ; and as I had no occasion <lb/> to
                    re-read any of his books, I acquiesced. I certainly should have <lb/> shrunk
                    from the notion of putting such a man in my thoughts <lb/> near Flaubert or
                    Tolstoy, for instance. But when we began to <lb/> talk of his autobiography, I
                    saw once more in its entirety the <lb/> enthralling power the man had in my
                    boyhood, the honesty that <lb/> was almost lyrical, the sane and delicate
                    intelligence, the peculiar <lb/> love of truth, which would make him in all
                    times, however far the <lb/> world might progress, an ideal and adorable figure.
                    I loved him <lb/> once more, and it was heaven to follow her lead, and get back
                    in <lb/> all sincerity with the girl to this old enthusiasm, forgotten,
                    slighted, <lb/> while I was following in the train of superior art.</p>

                <p>Once when we two were talking of Shelley&#x2014;Mill's poet&#x2014;Roy <lb/>
                    interrupted after a remark of hers :</p>

                <p>"Why, Beatrice, I never knew you were so fond of reading."</p>

                <p>"What else is there to be fond of?" she answered ; and I too <lb/> could think of
                    nothing else at the moment.</p>

                <p>On the second Sunday we had tea in the summer-house, and <lb/> we meant to enjoy
                    ourselves especially, because it was my last <lb/> day. Beatrice had brought out
                    paper and pencils, and we were <lb/> going to write verses, or play on paper in
                    any way we liked. At <lb/> first we all played together, her jolly brother, my
                    good friend, <lb/> sitting opposite his sister and me. We fooled with writing
                    in</p>

                <fw type="catchword">various</fw>

                <pb n="227"/>

                <fw type="runningHead">By Oswald Sickert <fw type="pageNum">209</fw></fw>

                <p>various pretty ways suited to the pretty girl, the summer-house, <lb/> our high
                    spirits. The more we wrote, the higher our spirits rose, <lb/> till at last we
                    were floating in a summery ether of butterflies and <lb/> flowers and breezes,
                    high above everyday prose, in a charmed <lb/> world of fancy. I had never known
                    the pen a magician's rod of <lb/> this power. We made verses together, writing
                    each a line and <lb/> passing the paper round. Beatrice appeared in a light
                    which <lb/> plainly surprised her brother. Her imagination, her spirituality,
                    <lb/> burst into radiant life. Her strokes were by far the most brilliant, <lb/>
                    some of her lines were beautiful. A half-realised thought came <lb/> into my
                    head that of her own self such brilliant fancies would <lb/> never have been
                    called to her mind and her ringers, that it was <lb/> our presence which made it
                    possible for her&#x2014;nay, that it was her <lb/> neighbour ; and so in the
                    delicious atmosphere I felt that her <lb/> inventions, though they often
                    outstripped mine, were yet mine <lb/> too.</p>

                <p>We had made many such verses, and, as an empty sheet lay <lb/> before me, a new
                    idea struck me, and asking, "Who is this by ?" <lb/> I began to make up a line ;
                    but at the fifth word she had guessed. <lb/> When it came to Roy's turn, and he
                    was just writing the first <lb/> word very large, that we might read it upside
                    down, she stretched <lb/> out her hand across the table and laid it on his
                    paper, and, fearing <lb/> lest she should not guess sooner than I, said without
                    looking at <lb/> me :</p>

                <p>"But you must write very slowly and stop after each word !" <lb/> And that made
                    me feel still happier in my neighbour ; happy, <lb/> too, that she only withdrew
                    her hand a little way in her unfair <lb/> rivalry, half-conscious surely that it
                    would divide the attention of <lb/> my eyes. At the third round she wrote two
                    lines to make us <lb/> laugh, not for the guessing, for the Chaucer could not be
                    hid even <lb/> in the first two words of her couplet ; and laugh we did to
                    see</p>

                <fw type="catchword">Chaucer</fw>

                <pb n="228"/>

                <fw type="runningHead"><fw type="pageNum">210</fw> A Little Holiday </fw>

                <p>Chaucer writing of that "Jewe abhominable" (Roy had dared a <lb/> Heine verse,
                    and we had talked of Heine in the morning, but <lb/> Beatrice knew nothing of
                    him herself). Roy cried out on <lb/> "potence," it was not a Chaucer word. And
                    that correction <lb/> was the first sign of a change ; for soon it came that he
                    had <lb/> slipped out of our game and only laughed with us, and then he <lb/>
                    pushed back his chair and began to draw us, and he almost faded <lb/> from my
                    mind, and the game lay between us two.</p>

                <p>She followed where I led, and I started prose, beginning reck-<lb/> lessly
                    anyhow, without sense, not even imitating any one, but for <lb/> the pleasure of
                    the pompous words :</p>

                <p>"Beneath him lay the valley of content, seawards bared by the <lb/> salt wind,
                    its few shorn trees scorched and bent inland, but up-<lb/> stream increasing in
                    fulness until they thickened to the joyous <lb/> orchard"&#x2014;any
                    large-mouthed nonsense that came into my head, <lb/> And she followed, for now
                    we had a whole sheet before us and <lb/> two pencils, and she wrote on her side
                    and I on mine. The thing <lb/> began aimlessly, but sense came into it as we
                    went on, and such <lb/> an idyll grew up as has never been written, so full and
                    free. At <lb/> first there was much joking and many grotesque digressions
                    com-<lb/> pelling laughter ; here and there, like notes passed by boys in <lb/>
                    class, there would come expostulations, enclosed in brackets&#x2014;on <lb/> her
                    side.</p>

                <p>"(A moment ago we were standing on the old mill bridge, <lb/> watching the red
                    cider-apples circling in the eddies and trying to <lb/> break away down stream.
                    How did we get to the top of this <lb/> hill from which you see the minarets of
                    the Golden City glittering <lb/> in the morning sky ?)"</p>

                <p>"(Not the Golden City. I was thinking of the Crystal Palace <lb/> from Campden
                    Hill, where I went to school ; but we'll come <lb/> down again.)"</p>

                <fw type="catchword">But</fw>

                <pb n="229"/>

                <fw type="runningHead">By Oswald Sickert <fw type="pageNum">211</fw></fw>

                <p>But soon the laughter passed out. Our two wits, sharpened to <lb/> the keenest
                    edge by the strange rivalry, were yet by this rivalry <lb/> converging to meet.
                    Only at the points where the love story <lb/> grew too intense, the one of us
                    whose turn it was would rest, pro-<lb/> longing the joy, putting off the
                    inevitable meaning with some <lb/> sentence of wayward description ; but even
                    these interludes, and <lb/> especially such as she wrote, bore a treasonable
                    reflection of things <lb/> which were around us ; and into the valley of our
                    fancy there <lb/> grew the lilacs which looked in at the summer-house, the
                    wooden <lb/> paling in front of the orchard, the sheep on the distant Surrey
                    <lb/> Hills.</p>

                <p>She wrote the girl and I the man, and we kept to our proper <lb/> spheres, until,
                    as the love scene came to rapture, at the height of <lb/> daring, the man said
                    to the girl : </p>

                <p>"And would you love me if I were a beggar ?" For though <lb/> we were writing of
                    to-day, the man had still upon him something <lb/> of the heroic glory in an old
                    tale. We were beyond all bounds, <lb/> and had been caught up to a perilous
                    height ; we were alone, and <lb/> she had loved to make the man a wonder of
                    manhood in her <lb/> maiden's eyes. But, even as I set down the question, I felt
                    some-<lb/> where that it was a final madness to come to so close an inversion ;
                    <lb/> it was leaping with eyes wilfully shut from a dizzy precipice. On <lb/>
                    her column she wrote :</p>

                <p>"The girl raised her eyes to her fairy prince, that he might <lb/> read there
                    that she gave him what no riches can buy."</p>

                <p>She turned her fearless eyes to me, and the first glance from <lb/> them swept me
                    down horribly to the world. What had I been <lb/> doing ? how could anything so
                    irrevocable have happened ? Dead- <lb/> ness came over me and dragged me down,
                    down. I never felt <lb/> so completely on the earth, so immovably, hopelessly
                    everyday. <lb/> What would else have been a discomfort, or frightening even,
                    was</p>

                <fw type="catchword">now</fw>

                <pb n="230"/>

                <fw type="runningHead"><fw type="pageNum">212</fw> A Little Holiday</fw>

                <p>now almost a relief&#x2014;or at any rate I had reached the bottom&#x2014;<lb/>
                    her uncle stood between us, and his presence did not surprise me. <lb/> We had
                    not heard his coming. His face was expressionless, his <lb/> eyes were fixed on
                    the paper before us. My hand almost moved <lb/> forward to cover it ; but she
                    made no attempt at hiding, so I too <lb/> kept still. Roy laughed in his jolly
                    fashion, and cried out from <lb/> his sudden proximity :</p>

                <p>"Stop there, uncle, I'll put you in too !"</p>

                <p>The sheet was laden with love, I knew, and as my once more <lb/> greyly critical
                    eye caught a hateful sentence here and there, I <lb/> would have hidden it from
                    him, if only for vanity. However I <lb/> did not fancy he was paying much
                    attention to what was written, <lb/> but was thinking : here is the adventurer
                    doing what I feared <lb/> most ; winning the love of my little Beatrice, hardly
                    past her <lb/> childhood, the heiress&#x2014;and under pretence of art. I was so
                    <lb/> hideously aware that I had never meant that, that I did not love <lb/>
                    her, or want to pretend I did, that I was not so base as he must <lb/> think,
                    and he stood so long without moving, that I murmured :</p>

                <p>"We were only joking," conscious, when the words had passed <lb/> my lips, that
                    they were despicable and the very bottom of <lb/> cowardice, without knowing
                    why. He had put his arm on his <lb/> niece's shoulder, and I knew she was
                    leaning her head on his coat. <lb/> He left us, he had not noticed me, and went
                    over to Roy and <lb/> looked at his drawing ; I felt that his going to Roy and
                    looking <lb/> at the sketch had some connection with the reproachful disaster.
                    <lb/> I began :</p>

                <p>"Surely your uncle is not really angry with us&#x2014;" and then <lb/> I went to
                    the end of what I had started to say&#x2014;"he must have <lb/> seen we were
                    only joking," as if I were repeating words learned <lb/> by rote ; for when our
                    eyes met once more, I saw she had not <lb/> realised ; and she did not know why
                    I should be repeating the </p>

                <fw type="catchword">meaningless </fw>

                <pb n="231"/>

                <fw type="runningHead">By Oswald Sickert <fw type="pageNum">213</fw></fw>

                <p>meaningless excuse I had given her uncle. And then&#x2014;and then <lb/>
                    &#x2014;Oh, I had not yet reached the worst, for she smiled and put <lb/> out
                    her hand as if to lay it on my arm, to comfort me in my <lb/> evident distress ;
                    it was her first impulse, it was all she thought <lb/> of. I appealed to myself
                    in dull agony, how was it possible I <lb/> could resist that movement, why
                    couldn't I at any rate pretend <lb/> to love such a person, and leave it to time
                    to make the pretence <lb/> a reality ? Or rather, what did I matter here at all
                    ? But I was <lb/> lead. She rose from the table, and just then Roy came up to us
                    <lb/> and showed us his drawings, and we walked back to the house, <lb/> her
                    brother talking between us. She was silent and oppressed, <lb/> her thoughts
                    were turned inwards : the puzzle now began to <lb/> weigh on her, she had
                    started to question and solve it. She ad-<lb/> vanced us by a few steps as we
                    neared the house, and I could <lb/> think of nothing, only my spirit was
                    straining forward to the <lb/> girl's figure in front. I was dragging after her
                    on my knees <lb/> through the abject dust, and in my head the despairing excuse,
                    a <lb/> nightmare repetition, "we were only joking, we were only <lb/>
                    joking."</p>

                <p>Roy was the sole cheerful one at dinner, and he and his uncle <lb/> talked much
                    as usual. Every now and again I felt Beatrice's <lb/> eyes fixed on me. After
                    dinner she went up to see her mother. <lb/> Roy and I sat on, talking, and two
                    hours later the door opened <lb/> and let in a flood of light from the hall into
                    our dark room, and <lb/> Beatrice stood there. She did not come in, but said
                    good-night, <lb/> and hesitated a moment in the light, with one hand still
                    resting <lb/> on the door post and the other holding the handle ; and then she
                    <lb/> turned, and the door closed us into darkness again. Then another <lb/>
                    thing was revealed to me : I knew that even when she realised <lb/> fully, no
                    shadow of blame for me would cross her mind.</p>

                <p>Next morning Roy and I carried out the cherished plan we</p>

                <fw type="catchword">had</fw>

                <pb n="232"/>

                <fw type="runningHead"><fw type="pageNum">214</fw> A Little Holiday </fw>

                <p>had made with so much pleasure long ago. We were to be at <lb/> Mr. Gow's soon
                    after sunrise, to breakfast there and feel the <lb/> "nec requies" as the farm
                    bestirred itself for another week's <lb/> work, and thus warmed and elated
                    ramble some six or seven miles <lb/> to a railway station. I talked and
                    simulated sympathy while my <lb/> head was full of something else, and so these
                    last morning hours <lb/> of my visit served chiefly to assure me that my closest
                    friend was <lb/> now to be counted among those with whom I could not deal <lb/>
                    simply. It was still unwontedly early when I reached London <lb/> and the
                    office. </p>


            </div>


            <div n="YBV12_22po" type="poem">
                <pb n="233"/>
                <head><title level="a">Saint Joseph and Mary</title></head>

                <byline>From a French Folk-Song </byline>

                <byline>By <docAuthor><ref target="#MBA">Marie Clothilde
                    Balfour</ref></docAuthor></byline>

                <lg type="stanza">
                    <l>SAINT JOSEPH and Mary,</l>
                    <l rend="indent">A-journeying went they : </l>
                    <l>Saint-Joseph and Mary, O gay !</l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph></l>
                    <l rend="indent">A-journeying went they,</l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph></l>
                </lg>

                <lg type="stanza">
                    <l>When they came to the town,</l>
                    <l rend="indent">They knew not where to stay :</l>
                    <l>When they came to the town, O gay ! </l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph>
                    </l>
                    <l rend="indent">They knew not where to stay, </l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph></l>
                </lg>

                <lg type="stanza">
                    <l>But a poor widow gave them</l>
                    <l rend="indent">A stable where they lay : </l>
                    <l>A poor widow gave them, O gay !</l>
                    <l rend="indent2">A-don-don-delle : </l>
                    <l rend="indent">A stable where they lay :</l>
                    <l rend="indent2">Noël!</l>
                </lg>

                <fw type="catchword">"Now </fw>

                <pb n="234"/>

                <fw type="runningHead">
                    <fw type="pageNum">216</fw> Saint Joseph and Mary</fw>

                <lg type="stanza">
                    <l>"Now kind thanks, Dame Margaret,</l>
                    <l rend="indent">Who turned us not away : </l>
                    <l>Now kind thanks, Dame Margaret, O gay !</l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph>
                    </l>
                    <l rend="indent">Who turned us not away." </l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph></l>
                </lg>



                <lg type="stanza">
                    <l>"Unto thy prayers, Dame Margaret,</l>
                    <l rend="indent">Ne'er shall be said Nay.</l>
                    <l>Unto thy prayers, Dame Margaret, O gay !</l>
                    <l rend="indent2"><emph rend="ialic">A-don-don-delle :</emph>
                    </l>
                    <l rend="indent">Ne'er shall be said Nay." </l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph></l>
                </lg>



                <lg type="stanza">
                    <l>Carrying her newborn Child,</l>
                    <l rend="indent">Mary took her way.</l>
                    <l>Carrying her newborn Child, O gay !</l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph>
                    </l>
                    <l rend="indent">Mary took her way.</l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph></l>
                </lg>



                <lg type="stanza">
                    <l>She met with a poor old man, </l>
                    <l rend="indent">A-sowing of corn and hay. </l>
                    <l>She met with a poor old man, O gay ! </l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph>
                    </l>
                    <l rend="indent">A-sowing of corn and hay. </l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph></l>
                </lg>

                <fw type="catchword">"A fair </fw>

                <pb n="235"/>

                <fw type="runningHead">By Marie Clothilde Balfour <fw type="pageNum">217</fw>
                </fw>

                <lg type="stanza">
                    <l>"A fair good-day to thee, Mary,</l>
                    <l rend="indent">And to thy Child, good-day. </l>
                    <l>A fair good-day to thee, Mary, O gay !</l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph>
                    </l>
                    <l rend="indent">And to thy Child, good-day."</l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph></l>
                </lg>



                <lg type="stanza">
                    <l>"Good man, where can I hide Him,</l>
                    <l rend="indent">If danger come this way ? </l>
                    <l>Good man, where can I hide Him, O gay !</l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph>
                    </l>
                    <l rend="indent">If danger come this way ?" </l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph></l>
                </lg>



                <lg type="stanza">
                    <l>"Wrap Him in yonder cloak, </l>
                    <l rend="indent">My winter cloak of grey.</l>
                    <l>Wrap Him in yonder cloak, O gay !</l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph></l>
                    <l rend="indent">My winter cloak of grey."</l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph></l>
                </lg>



                <lg type="stanza">
                    <l>"Go back to thy field, good-man,</l>
                    <l rend="indent">'Tis time to cut thy hay.</l>
                    <l>Go back to thy field, good-man, O gay ! </l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph></l>
                    <l rend="indent">'Tis time to cut thy hay." </l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph></l>
                </lg>

                <fw type="catchword">"Nay,</fw>

                <pb n="236"/>

                <fw type="runningHead"><fw type="pageNum">218</fw> Saint Joseph and Mary </fw>

                <lg type="stanza">
                    <l>"Nay, how can the crop be grown,</l>
                    <l rend="indent">Or ever it be May ? </l>
                    <l>Nay, how can the crop be grown, O gay ! </l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph></l>
                    <l rend="indent">Or ever it be May ?"</l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph></l>
                </lg>



                <lg type="stanza">
                    <l>"Go seek thy sickle, good-man,</l>
                    <l rend="indent">Thy corn is ripe to-day. </l>
                    <l>Go seek thy sickle, good-man, O gay ! </l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph>
                    </l>
                    <l rend="indent">Thy corn is ripe to-day."</l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph></l>
                </lg>



                <lg type="stanza">
                    <l>He turned him round and round,</l>
                    <l rend="indent">He knew not what to say.</l>
                    <l>He turned him round and round, O gay !</l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle : </emph></l>
                    <l rend="indent">He knew not what to say. </l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph>
                    </l>
                </lg>



                <lg type="stanza">
                    <l>The seed he had but sown, </l>
                    <l rend="indent">Was corn all golden gay.</l>
                    <l>The seed he had but sown, O gay !</l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph>
                    </l>
                    <l rend="indent">Was corn all golden gay.</l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph>
                    </l>
                </lg>

                <pb n="237"/>

                <fw type="runningHead">By Marie Clothilde Balfour <fw type="pageNum">219</fw>
                </fw>


                <lg type="stanza">
                    <l>He took his sickle to shear it, </l>
                    <l rend="indent">And lo, in piles it lay. </l>
                    <l>He took his sir.kle to shear it, O gay !</l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph>
                    </l>
                    <l rend="indent">And lo, in piles it lay ! </l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph></l>
                </lg>



                <lg type="stanza">
                    <l>The good-man gazed around,</l>
                    <l rend="indent">And knelt him down to pray.</l>
                    <l>The good-man gazed around, O gay ! </l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph></l>
                    <l rend="indent">And knelt him down to pray.</l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph></l>
                </lg>



                <lg type="stanza">
                    <l>Now God be thanked for this harvest,</l>
                    <l rend="indent">And for this happy day !</l>
                    <l>Now God be thanked for this harvest, O gay !</l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph></l>
                    <l rend="indent">And for this happy day! </l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph></l>
                </lg>



                <lg type="stanza">
                    <l>The Jews came riding by, </l>
                    <l rend="indent">They had a word to say.</l>
                    <l>The Jews came riding by, O gay !</l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph>
                    </l>
                    <l rend="indent">They had a word to say.</l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph></l>
                </lg>

                <fw type="catchword">"Now </fw>

                <pb n="238"/>

                <fw type="runningHead"><fw type="pageNum">22O</fw> Saint Joseph and Mary </fw>

                <lg type="stanza">
                    <l>"Now tell us the truth, good-man,</l>
                    <l rend="indent">So rich in corn and hay. </l>
                    <l>Now tell us the truth, good-man, O gay ! </l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph>
                    </l>
                    <l rend="indent">So rich in corn and hay. </l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph>
                    </l>
                </lg>



                <lg type="stanza">
                    <l>"Hast thou seen Maid Mary,</l>
                    <l rend="indent">And her young Child to-day ?</l>
                    <l>Hast thou seen Maid Mary, O gay !</l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph>
                    </l>
                    <l rend="indent">And her young Child to-day ?" </l>
                    <l rend="indent2"><emph rend="italic">Noël!</emph></l>
                </lg>



                <lg type="stanza">
                    <l>Not since this field was sown,</l>
                    <l rend="indent">Has Mary passed this way.</l>
                    <l>Not since this field was sown, O gay !</l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph>
                    </l>
                    <l rend="indent">Has Mary passed this way."</l>
                    <l rend="indent2"><emph rend="italic">Noel! </emph></l>
                </lg>



                <lg type="stanza">
                    <l>"Then back, turn back, my men,</l>
                    <l rend="indent">For that was in last year's May.</l>
                    <l>Then back, turn back, my men, O gay ! </l>
                    <l rend="indent2"><emph rend="italic">A-don-don-delle :</emph></l>
                    <l rend="indent">For that was in last year's May." </l>
                    <l rend="indent2"><emph rend="italic"> Noël!</emph></l>
                </lg>


            </div>


            <div n="YBV12_23pr" type="prose">
                <pb n="239"/>


                <head><title level="a">Alexander the Ratcatcher</title></head>

                <byline>By <docAuthor><ref target="#RGAR">Richard Garnett</ref></docAuthor>, C.B.,
                    LL.D.</byline>

                <p>"Alexander Octavus mures, qui Urbem supra modum vexabant, <lb/> anathemate
                        perculit."&#x2014;<emph rend="italic">Palatius. Fasti Cardinalium</emph>,
                    tom. 5, p. 46.</p>
                <lb/>
                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"
                        >I</emph></emph></emph></p>
                <lb/>
                <p>"ROME and her rats are at the point of battle !"</p>

                <p>This metaphor of Menenius Agrippa's became, history <lb/> records, matter of fact
                    in 1689, when rats pervaded the Eternal <lb/> City from garret to cellar, and
                    Pope Alexander the Eighth <lb/> seriously apprehended the fate of Bishop Hatto.
                    The situation <lb/> worried him sorely ; he had but lately attained the tiara at
                    an <lb/> advanced age&#x2014;the twenty-fourth hour, as he himself remarked in
                    <lb/> extenuation of his haste to enrich his nephews. The time vouch-<lb/> safed
                    for worthier deeds was brief, and he dreaded descending to <lb/> posterity as
                    the Rat Pope. Witty and genial, his sense of humour <lb/> teased him with a full
                    perception of the absurdity of his position. <lb/> Peter and Pasquin concurred
                    in forbidding him to desert his post; <lb/> and he derived but small comfort
                    from the ingenuity of his <lb/> flatterers, who compared him to St. Paul
                    contending with beasts <lb/> at Ephesus.</p>

                <p>It wanted three half-hours to midnight, as Alexander sat amid</p>

                <fw type="catchword">traps</fw>

                <pb n="240"/>

                <fw type="runningHead"><fw type="pageNum">222</fw> Alexander the Ratcatcher</fw>

                <p>traps and ratsbane in his chamber in the Vatican, under the pro-<lb/> tection of
                    two enormous cats and a British terrier. A silver bell <lb/> stood ready to his
                    hand, should the aid of the attendant chamber-<lb/> lains be requisite. The
                    walls had been divested of their tapestries, <lb/> and the floor gleamed with
                    powdered glass. A tome of legendary <lb/> lore lay open at the history of the
                    Piper of Hamelin. All was <lb/> silence, save for the sniffing and scratching of
                    the dog and a sound <lb/> of subterranean scraping and gnawing.</p>

                <p>"Why tarries Cardinal Barbarigo thus?" the Pope at last <lb/> asked himself
                    aloud. The inquiry was answered by a wild burst <lb/> of squeaking and a
                    clattering and scurrying to and fro, as who <lb/> should say, "We've eaten him !
                    We've eaten him !"</p>

                <p>But this exultation was at least premature, for just as the <lb/> terrified Pope
                    touched his bell, the door opened to the narrowest <lb/> extent compatible with
                    the admission of an ecclesiastical personage <lb/> of dignified presence, and
                    Cardinal Barbarigo hastily squeezed <lb/> himself through.</p>

                <p>"I shall hardly trust myself upon these stairs again," he <lb/> remarked, "unless
                    under the escort of your Holiness's terrier."</p>

                <p>"Take him, my son, and a cruse of holy water to boot," the <lb/> Pope responded.
                    " Now, how go things in the city ?"</p>

                <p>"As ill as may be, your Holiness. Not a saint stirs a finger to <lb/> help us.
                    The country-folk shun the city, the citizens seek the <lb/> country. The
                    multitude of enemies increases hour by hour. <lb/> They set at defiance the
                    anathemas fulminated by your Holiness, <lb/> the spiritual censures placarded in
                    the churches, and the citation <lb/> to appear before the ecclesiastical courts,
                    although assured that <lb/> their cause shall be pleaded by the ablest advocates
                    in Rome. The <lb/> cats, amphibious with alarm, are taking to the Tiber. Vainly
                    the <lb/> city reeks with toasted cheese, and the Commissary-General reports
                    <lb/> himself short of arsenic." </p>

                <fw type="catchword">"And</fw>

                <pb n="241"/>

                <fw type="runningHead">By Richard Garnett <fw type="pageNum">223</fw></fw>

                <p>"And how are the people taking it ?" demanded Alexander. <lb/> "To what cause do
                    they attribute the public calamity ?"</p>

                <p>"Generally speaking, to the sins of your Holiness," replied the <lb/>
                    Cardinal.</p>

                <p>"Cardinal !" exclaimed Alexander, indignantly.</p>

                <p>"I crave pardon for my temerity," returned Barbarigo. " It is <lb/> with
                    difficulty that I force myself to speak, but I am bound to lay <lb/> the
                    ungrateful truth before your Holiness. The late Pope, as all <lb/> men know, was
                    a personage of singular sanctity."</p>

                <p>"Far too upright for this fallen world," observed Alexander, <lb/> with
                    unction.</p>

                <p>"I will not dispute," responded the Cardinal, "that the head of <lb/> Innocent
                    the Eleventh might have been more fitly graced by a <lb/> halo than by a tiara.
                    But the vulgar are incapable of placing <lb/> themselves at this point of view.
                    They know that the rats hardly <lb/> squeaked under Innocent, and that they
                    swarm under Alexander. <lb/> What wonder if they suspect your Holiness of
                    familiarity with <lb/> Beelzebub, the patron of vermin, and earnestly desire
                    that he <lb/> would take you to himself ? Vainly have I represented to them
                    <lb/> the unreasonableness of imposing upon him a trouble he may well <lb/> deem
                    superfluous, considering your Holiness's infirm health and <lb/> advanced age.
                    Vainly, too, have I pointed out that your anathema <lb/> has actually produced
                    all the effect that could have been reasonably <lb/> anticipated from any
                    similar manifesto on your predecessor's part. <lb/> They won't see it. And, in
                    fact, might I humbly advise, it does <lb/> appear impolitic to hurl anathemas
                    unless your Holiness knows <lb/> that some one will be hit. It might be
                    opportune, for example, to <lb/> excommunicate Father Molinos, now fast in the
                    dungeons of St. <lb/> Angelo, unless, indeed, the rats have devoured him there.
                    But I <lb/> question the expediency of going much further."</p>

                <p>"Cardinal," said the Pope, "you think yourself prodigiously</p>

                <fw type="footer">The Yellow Book&#x2014;Vol. XII. o</fw>
                <fw type="catchword">clever,</fw>

                <pb n="242"/>

                <fw type="runningHead"><fw type="pageNum">224</fw> Alexander the Ratcatcher</fw>

                <p>clever, but you ought to know that the state of public opinion <lb/> allowed us
                    no alternative. Moreover, I will give you a wrinkle <lb/> in case you should
                    ever come to be Pope yourself. It is unwise to <lb/> allow ancient prerogatives
                    to fall entirely into desuetude. Far- <lb/> seeing men prognosticate a great
                    revival of sacerdotalism in the <lb/> nineteenth century, and what is impotent
                    in an age of sense may <lb/> be formidable in an age of nonsense. Further, we
                    know not <lb/> from one day to another whether we may not be absolutely <lb/>
                    necessitated to excommunicate that fautor of Gallicanism, Louis <lb/> the
                    Fourteenth, and before launching our bolt at a king, we may <lb/> think well to
                    test its efficacy upon a rat. <emph rend="italic">Fiat experimentum</emph>.
                    And<lb/> now to return to our rats, from which we have ratted. Is there, <lb/>
                    indeed, no hope ?"</p>

                <p>"<emph rend="italic">Lateat scintillula forsan</emph>" said the Cardinal,
                    mysteriously.</p>
                <p>"Ha ! How so ?" eagerly demanded Alexander.</p>
                <p>"Our hopes," answered the Cardinal, "are associated with the <lb/> recent advent
                    to this city of an extraordinary personage."</p>
                <p>" Explain," urged the Pope.</p>

                <p>"I speak," resumed the Cardinal, " of an aged man of no <lb/> plebeian mien or
                    bearing, albeit most shabbily attired in the skins, <lb/> now fabulously cheap,
                    of the vermin that torment us ; who, pro-<lb/> fessing to practising as an
                    herbalist, some little time ago established <lb/> himself in an obscure street
                    of no good repute. A tortoise hangs <lb/> in his needy shop, nor are stuffed
                    alligators lacking. Under-<lb/> standing that he was resorted to by such as have
                    need of philters <lb/> and love-potions, or are incommoded by the longevity of
                    parents <lb/> and uncles, I was about to have him arrested, when I received a
                    <lb/> report which gave me pause. This concerned the singular <lb/> intimacy
                    which appeared to subsist between him and our enemies. <lb/> When he left home,
                    it was averred, he was attended by troops of <lb/> them, obedient to his beck
                    and call, and spies had observed him</p>

                <fw type="catchword">banquetting</fw>
                <pb n="243"/>


                <fw type="runningHead">By Richard Garnett <fw type="pageNum">225</fw></fw>

                <p>banquetting them at his counter, the rats sitting erect and com-<lb/> porting
                    themselves with perfect decorum. I resolved to investigate <lb/> the matter for
                    myself. Looking into his house through an un-<lb/> shuttered window, I perceived
                    him in truth surrounded by feasting <lb/> and gambolling rats ; but when the
                    door was opened in obedience <lb/> to my attendants' summons, he appeared to be
                    entirely alone. <lb/> Laying down a pestle and mortar, he greeted me by name
                    with <lb/> an easy familiarity which for the moment quite disconcerted me, <lb/>
                    and inquired what had procured him the honour of my visit. <lb/> Recovering
                    myself, and wishing to intimidate him :</p>

                <p>"'I desire in the first place,' I said, 'to point out to you your <lb/> grave
                    transgression of municipal regulations in omitting to paint <lb/> your name over
                    your shop.'</p>

                <p>"'Call me Rattila,' he rejoined with unconcern, 'and state <lb/> your further
                    business.'</p>

                <p>"I felt myself on the wrong tack, and hastened to interrogate <lb/> him
                    respecting his relations with our adversaries. He frankly <lb/> admitted his
                    acquaintance with rattery in all its branches, and his <lb/> ability to deliver
                    the city from his scourge, but his attitude <lb/> towards your Holiness was so
                    deficient in respect that I question <lb/> whether I ought to report it." </p>

                <p>"Proceed son," said the Pope, "we will not be deterred from <lb/> providing for
                    the public weal by the ribaldry of a ratcatcher." </p>

                <p>"He scoffed at what he termed your Holiness's absurd position, <lb/> and affirmed
                    that the world had seldom beheld, nor would soon <lb/> behold again, so
                    ridiculous a spectacle as a Pope besieged by rats. <lb/> 'I can help your
                    master,' he continued, 'and am willing, but my <lb/> honour, like his, is
                    aspersed in the eyes of the multitude, and he <lb/> must come to my aid, if I am
                    to come to his.'</p>

                <p>"I prayed him to be more explicit, and offered to be the bearer <lb/> of any
                    communication to your Holiness. </p>

                <fw type="catchword">"'I will</fw>

                <pb n="244"/>

                <fw type="runningHead"><fw type="pageNum">226</fw> Alexander the Ratcatcher </fw>

                <p>"'I will unfold myself to no one but the Pope himself,' he <lb/> replied, 'and
                    the interview must take place when and where I <lb/> please to appoint. Let him
                    meet me this very night, and alone, <lb/> in the fifth chamber of the
                    Appartamento Borgia.'</p>

                <p>"'The Appartamento Borgia !' I exclaimed in consternation. <lb/> 'The saloons
                    which the wicked Pope, Alexander the Sixth, <lb/> nocturnally perambulates,
                    mingling poisons that have long lost <lb/> their potency for Cardinals who have
                    long lost their lives !'</p>

                <p>"'Have a care !' he exclaimed sharply, 'You speak to his late <lb/> Holiness's
                    most intimate friend.'</p>

                <p>"'Then,' I answered, 'you must obviously be the Devil, and I <lb/> am not at
                    present empowered to negotiate with your Infernal <lb/> Majesty. Consider,
                    however, the peril and inconvenience of <lb/> visiting at dead of night rooms
                    closed for generations. Think of <lb/> the chills and cobwebs. Weigh the
                    probability of his Holiness <lb/> being devoured by rats.'</p>

                <p>"'I guarantee his Holiness absolute immunity from cold,' he <lb/> replied, 'and
                    that none of my subjects shall molest him either <lb/> going or returning.'</p>

                <p>"'But,' I objected, 'granting that you are not the Devil, how <lb/> the devil,
                    let me ask, do you expect to gain admittance at midnight <lb/> to the
                    Appartamento Borgia ?' </p>

                <p>"'Think you I cannot pass through a stone wall ?' answered <lb/> he, and vanished
                    in an instant. A tremendous scampering of rats <lb/> immediately ensued, then
                    all was silence. </p>

                <p>"On recovering in some measure from my astounded condition, <lb/> I caused strict
                    search to be made throughout the shop. Nothing <lb/> came to light but
                    herbalists' stuff and ordinary medicines. And, <lb/> now, Holy Father, your
                    Holiness's resolution ? Reflect well. <lb/> This Rattila may be the King of the
                    Rats, or he may be <lb/> Beelzebub in person." </p>

                <fw type="catchword">Alexander</fw>

                <pb n="245"/>

                <fw type="runningHead">By Richard Garnett <fw type="PageNum">227</fw></fw>

                <p>Alexander the Eighth was principally considered by his con- temporaries in the
                    light of a venerable fox, but the lion had by no means been omitted from his
                    composition.</p>

                <p>"All powers of good forbid," he exclaimed, "that a Pope and a Prince should
                    shrink from peril which the safety of the State summons him to encounter ! I
                    will confront this wizard, this goblin, in the place of his own appointing,
                    under his late intimate friend's very nose. I am a man of many transgressions,
                    but something assures me that Heaven will not deem this a fit occasion for
                    calling them to remembrance. Time presses ; I lead on ; follow, Cardinal
                    Barbarigo, follow ! Yet stay, let us not forget temporal and spiritual
                    armouries."</p>

                <p>And hastily providing himself with a lamp, a petronel, a bunch of keys, a
                    crucifix, a vial of holy water, and a manual of exor- cisms, the Pope passed
                    through a secret door in a corner of his chamber, followed by the Cardinal
                    bearing another lamp and a naked sword, and preceded by the dog and the two
                    cats, all ardent and undaunted as champions bound to the Holy Land for the
                    recovery of the Holy Sepulchre. </p>
                <lb/>
                <lb/>

                <p><emph rend="indent"><emph rend="indent"><emph rend="indent">II
                        </emph></emph></emph></p>
                <lb/>
                <p>The wizard had kept his word. Not a rat was seen or heard upon the pilgrimage,
                    which was exceedingly toilsome to the aged Pope, from the number of passages to
                    be threaded and doors to be unlocked. At length the companions stood before the
                    portal of the Appartamento Borgia.</p>

                <p>"Your Holiness must enter alone," Cardinal Barbarigo admon- ished, with manifest
                    reluctance.</p>

                <p>"Await my return," enjoined the Pontiff, in a tone or more</p>

                <fw type="catchword">confidence</fw>

                <pb n="246"/>

                <fw type="runningHead"><fw type="pageNum">228</fw> Alexander the Ratcatcher</fw>

                <p>confidence than he could actually feel, as, after much grinding <lb/> and
                    grating, the massive door swung heavily back, and he passed <lb/> on into the
                    dim, unexplored space beyond. The outer air, stream-<lb/> ing in as though eager
                    to indemnify itself for years of exile, smote <lb/> and swayed the flame of the
                    Pope's lamp, whose feeble ray flitted <lb/> from floor to ceiling as the
                    decrepit man, weary with the way he <lb/> had traversed and the load he was
                    bearing, tottered and stumbled <lb/> painfully along, ever and anon arrested by
                    a closed door, which he <lb/> unlocked with prodigious difficulty. The cats
                    cowered close to <lb/> the Cardinal ; the dog at first accompanied the Pope, but
                    whined <lb/> so grievously, as though he beheld a spirit, that Alexander bade
                    <lb/> him back.</p>

                <p>Supreme is the spell of the <emph rend="italic">genius loci</emph>. The chambers
                    traversed<lb/> by the Pope were in fact adorned with fair examples of the
                    painter's <lb/> art, mostly scriptural in subject, but some inspired with the
                    devout <lb/> Pantheism in which all creeds are reconciled. All were alike
                    in-<lb/> visible to the Pontiff, who, with the dim flicker of his lamp, could
                    <lb/> no more discern Judaea wed with Egypt on the frescoed ceiling <lb/> than,
                    with the human limitation of his faculties, he could foresee <lb/> that the
                    ill-reputed rooms would one day harbour a portion of the <lb/> Vatican Library,
                    so greatly enriched by himself. Nothing but <lb/> sinister memories and vague
                    alarms presented themselves to his <lb/> imagination. The atmosphere, heavy and
                    brooding from the long <lb/> exclusion of the outer air, seemed to weigh upon
                    him with the <lb/> density of matter, and to afford the stuff out of which
                    phantasmal <lb/> bodies perpetually took shape and, as he half persuaded
                    himself, <lb/> substance. Creeping and tottering between bowl and cord,
                    shielding <lb/> himself with lamp and crucifix from Michelotto's spectral
                    poniard <lb/> and more fearful contact with fleshless Vanozzas and mouldering
                    <lb/> Giulias, the Pope urged, or seemed to urge, his course amid <lb/> phantom
                    princes and cardinals, priests and courtesans, soldiers and</p>

                <fw type="catchword">serving-</fw>

                <pb n="247"/>

                <fw type="runningHead">By Richard Garnett <fw type="pageNum">229</fw></fw>

                <p>serving-men, dancers, drinkers, dicers, Bacchic and Cotyttian <lb/> workers of
                    whatsoever least beseemed the inmates of a Pontifical <lb/> household, until,
                    arrived in the fifth chamber, close by the, to him, <lb/> invisible picture of
                    the Resurrection, he sank exhausted into a <lb/> spacious chair that seemed
                    placed for his reception, and for a <lb/> moment closed his eyes. Opening them
                    immediately afterwards, <lb/> he saw with relief that the phantoms had vanished,
                    and that he <lb/> confronted what at least seemed a fellow- mortal, in the
                    ancient <lb/> rat-catcher, habited precisely as Cardinal Barbarigo had
                    described, <lb/> yet for all his mean apparel, wearing the air of one wont to
                    confer <lb/> with the potentates of the earth on other subjects than the exter
                    <lb/> mination of rats.</p>

                <p>"This is noble of your Holiness&#x2014;really," he said, bowing with <lb/> mock
                    reverence. "A second Leo the Great !"</p>

                <p>"I tell you what, my man," responded Alexander, feeling it <lb/> very necessary
                    to assert his dignity while any of it remained, "you <lb/> are not to imagine
                    that, because I have humoured you so far as to <lb/> grant you an audience at an
                    unusual place and time, I am going to <lb/> stand any amount of your nonsense
                    and impertinence. Youcan catch <lb/> our rats, can you ? Catch them, then, and
                    you need not fear that we <lb/> shall treat you like the Pied Piper of Hamelin.
                    You have com <lb/> mitted sundry rascalities, no doubt ? A pardon shall be made
                    out <lb/> for you. You want a patent or a privilege for your ratsbane ? <lb/>
                    You shall have it. So to work, in the name of St. Muscipulus ! <lb/> and you may
                    keep the tails and skins." </p>

                <p>"Alexander," said the ratcatcher composedly, "I would not <lb/> commend or
                    dispraise you unduly, but this I may say, that of all <lb/> the Popes I have
                    known you are the most exuberant in hypocrisy <lb/> and the most deficient in
                    penetration. The most hypocritical, <lb/> because you well know, and know that I
                    know that you know, <lb/> that you are not conversing with an ordinary
                    rat-catcher : had</p>

                <fw type="catchword">you</fw>

                <pb n="248"/>

                <fw type="runningHead"><fw type="pageNum">230</fw> Alexander the Ratcatcher</fw>

                <p>you deemed me such, you would never have condescended to meet <lb/> me at this
                    hour and place. The least penetrating, because you <lb/> apparently have not yet
                    discovered to whom you are speaking. <lb/> Do you really mean to say that you do
                    not know me ?"</p>

                <p>"I believe I have seen your face before," said Alexander, "and <lb/> all the more
                    likely as I was inspector of prisons when I was <lb/> Cardinal."</p>

                <p>"Then look yonder," enjoined the ratcatcher, as he pointed <lb/> to the frescoed
                    wall, at the same time vehemently snapping his <lb/> fingers. Phosphoric sparks
                    hissed and crackled forth, and coal-<lb/> esced into a blue lambent flame, which
                    concentrated itself upon a <lb/> depicted figure, whose precise attitude the
                    ratcatcher assumed as <lb/> he dropped upon his knees. The Pope shrieked with
                    amazement, <lb/> for, although the splendid Pontifical vestments had become
                    ragged <lb/> fur, in every other respect the kneeling figure was the counterpart
                    <lb/> of the painted one, and the painted one was Pinturicchio's portrait <lb/>
                    of Pope Alexander the Sixth kneeling as a witness of the Resur-<lb/>
                    rection.</p>

                <p>Alexander the Eighth would fain have imitated his predecessor's <lb/> attitude,
                    but terror bound him to his chair, and the adjuration <lb/> of his patron St.
                    Mark which struggled towards his lips never <lb/> arrived there. The book of
                    exorcisms fell from his paralysed <lb/> hand, and the vial of holy water lay in
                    shivers upon the floor. <lb/> Ere he could collect himself, the dead Pope had
                    seated himself <lb/> beside the Pope with one foot in the grave, and, fondling a
                    ferret- <lb/> skin, proceeded to enter into conversation. </p>

                <p>"What fear you?" he asked. "Why should I harm you? <lb/> None can say that I ever
                    injured any one for any cause but my <lb/> own advantage, and to injure your
                    Holiness now would be to <lb/> obstruct a design which I have particularly at
                    heart."</p>

                <p>"I crave your Holiness's forgiveness," rejoined the Eighth</p>

                <fw type="catchword">Alexander,</fw>

                <pb n="249"/>

                <fw type="runningHead">By Richard Garnett <fw type="pageNum">231</fw></fw>

                <p>Alexander, "but you must be aware that you left the world with <lb/> a reputation
                    which disqualifies you for the society of any Pope in <lb/> the least careful of
                    his character. It positively compromises me <lb/> to have so much as the ghost
                    of a person so universally decried <lb/> as your Holiness under my roof, and you
                    would infinitely oblige <lb/> me by forthwith repairing to your own place, which
                    I take to be <lb/> about four thousand miles below where you are sitting. I
                    could <lb/> materially facilitate and accelerate your Holiness's transit thither
                    <lb/> if you would be so kind as to hand me that little book of <lb/>
                    exorcisms."</p>

                <p>"How is the fine gold become dim !" exclaimed Alexander the <lb/> Sixth. "Popes
                    in bondage to moralists ! Popes nervous about <lb/> public opinion ! Is there
                    another judge of morals than the Pope <lb/> speaking <emph rend="italic">ex
                        cathedra</emph>, as I always did ? Is the Church to frame<lb/> herself after
                    the prescriptions of heathen philosophers and profane <lb/> jurists ? How, then,
                    shall she be terrible as an army with banners ? <lb/> Did I concern myself with
                    such pedantry when the kings of <lb/> Spain and Portugal came to me like cats
                    suing for morsels, and I <lb/> gave them the West and the East ?"</p>

                <p>"It is true," Alexander the Eighth allowed, "that the lustre <lb/> of the Church
                    hath of late been obfuscated by the prevalence of <lb/> heresy."</p>

                <p>"It isn't the heretics," Borgia insisted. "It is the degeneracy <lb/> of the
                    Popes. A shabby lot ! You, Alexander, are about the <lb/> best of them ; but the
                    least Cardinal about my court would have <lb/> thought himself bigger than
                    you."</p>

                <p>Alexander's spirit rose. "I would suggest," he said, "that <lb/> this haughty
                    style is little in keeping with the sordid garb wherein <lb/> your Holiness,
                    consistent after death as in your life, masquerades <lb/> to the scandal and
                    distress of the faithful."</p>

                <p>"How can I other ? Has your Holiness forgotten your Rabelais ?"</p>

                <fw type="catchword">"The </fw>

                <pb n="250"/>

                <fw type="runningHead"><fw type="pageNum">232</fw> Alexander the Ratcatcher</fw>

                <p>"The works of that eminent Doctor and Divine," answered <lb/> Alexander the
                    Eighth, "are seldom long absent from my hands, <lb/> yet I fail to remember in
                    what manner they elucidate the present <lb/> topic."</p>

                <p>"Let me refresh your memory," rejoined Borgia, and, pro-<lb/> ducing a volume of
                    the Sage of Meudon, he turned to the chapter <lb/> descriptive of the
                    employments of various eminent inhabitants of <lb/> the nether world, and
                    pointed to the sentence :</p>
                <lb/>
                <p><emph rend="indent"><emph rend="indent">"LE PAPE ALEXANDRE ESTOYT PRENEUR DE
                            RATZ." &#42;</emph></emph></p>
                <lb/>
                <p>"Is this indeed sooth ?" demanded his successor.</p>

                <p>"How else should Franois Rabelais have affirmed it ?" re-<lb/> sponded Borgia.
                    "When I arrived in the subterranean kingdom, <lb/> I found it in the same
                    condition as your Holiness's dominions at <lb/> the present moment, eaten up by
                    rats. The attention which, <lb/> during my earthly pilgrimage, I had devoted to
                    the science of <lb/> toxicology indicated me as a person qualified to abate the
                    nuisance, <lb/> which commission I executed with such success, that I received
                    <lb/> the appointment of Ratcatcher to his Infernal Majesty, and so <lb/>
                    discharged its duties as to merit a continuance of the good opinion <lb/> which
                    had always been entertained of me in that exalted quarter. <lb/> After a while,
                    however, interest began to be made for me in even <lb/> more elevated spheres. I
                    had not been able to cram Heaven with <lb/> Spaniards, as I had crammed the
                    Sacred College&#x2014;on the contrary. <lb/> Truth to speak, my nation has not
                    largely contributed to the <lb/> population of the regions above. But some of us
                    are people of <lb/> consequence. My great-grandson, the General of the Jesuits,
                    who, <lb/> as such, had the ear of St. Ignatius Loyola, represented that had I
                    <lb/> adhered strictly to my vows, he could never have come into </p>

                <fw type="catchword">existence,</fw>
                <fw type="footer"><emph rend="indent">* <emph rend="italic">Pantagruel</emph>, book
                        xi. ch. 30.</emph></fw>

                <pb n="251"/>

                <fw type="runningHead">By Richard Garnett <fw type="pageNum">233</fw></fw>

                <p>existence, and that the Society would thus have wanted one of its <lb/> brightest
                    ornaments. This argument naturally had great weight <lb/> with St. Ignatius, the
                    rather as he, too, was my countryman. <lb/> Much also was said of the charity I
                    had shown to the exiled Jews, <lb/> which St. Dominic was pleased to say made
                    him feel ashamed of <lb/> himself when he came to think of it ; of my having fed
                    my people <lb/> in time of dearth, instead of contriving famines to enrich
                    myself, <lb/> as so many Popes' nephews have done since ; and of the splendid
                    <lb/> order in which I had kept the College of Cardinals. Columbus <lb/> said a
                    good word for me, and Savonarola did not oppose. Finally I <lb/> was allowed to
                    come upstairs, and exercise my profession on earth. <lb/> But mark what pitfalls
                    line the good man's path ! I never could <lb/> resist tampering with drugs of a
                    deleterious nature, and was con- <lb/> stantly betrayed by the thirst for
                    scientific experiment into <lb/> practices incompatible with the public health.
                    The good nature <lb/> which my detractors have not denied me was a veritable
                    snare. <lb/> I felt for youth debarred from its enjoyments by the un-<lb/>
                    natural vitality of age, and sympathised with the blooming damsel <lb/> whose
                    parent alone stood between her and her lover. I thus lived <lb/> in constant
                    apprehension of being ordered back to the Netherlands, <lb/> and yearned for the
                    wings of a dove, that I might flee away and <lb/> be out of mischief. At last I
                    discovered that my promotion to a <lb/> higher sphere depended upon my obtaining
                    a testimonial from the <lb/> reigning Pope. Let a solemn procession be held in
                    my honour, <lb/> and intercession be publicly made for me, and I should ascend
                    <lb/> forthwith. I have consequently represented my case to many of <lb/> your
                    predecessors : but, O Alexander, you seventeenth-century <lb/> Popes are a
                    miserable breed ! No fellow feeling, no <emph rend="italic">esprit de
                        corps</emph>. <lb/>
                    <emph rend="italic">Heu pletas ! heu prisca fides !</emph> No one was so rude as
                    your ascetic <lb/> antecessor. The more of a saint, the less of a gentleman.
                    Person-<lb/> ally offensive, I assure you ! But the others were nearly as
                    bad.</p>

                <fw type="catchword">The </fw>

                <pb n="252"/>

                <fw type="runningHead"><fw type="pageNum">234</fw> Alexander the Ratcatcher </fw>

                <p>The haughty Paul, the fanatic Gregory, the worldly Urban, the <lb/> austere
                    Innocent the Tenth, the affable Alexander the Seventh, all <lb/> concurred in
                    assuring me that it was deeply to be regretted that I <lb/> should ever have
                    been emancipated from the restraints of the <lb/> Stygian realm, to which I
                    should do well to return with all <lb/> possible celerity ; that it would much
                    conduce to the interests of <lb/> the Church if my name could be forgotten ; and
                    that, as for doing <lb/> anything to revive its memory, they would just as soon
                    think or <lb/> canonising Judas Iscariot."</p>

                <p>"And therefore your Holiness has brought these rats upon us, <lb/> enlisted, I
                    nothing doubt, in the infernal regions ?"</p>

                <p>"Precisely so : Plutonic, necyomantic, Lemurian rats, kindly <lb/> lent by the
                    Prince of Darkness for the occasion, and come drip-<lb/> ping from Styx to
                    squeak and gibber in the Capitol. But I note <lb/> your Holiness's admission
                    that they belong to a region exempt <lb/> from your jurisdiction, and that,
                    therefore, your measures against <lb/> them, except as regards their status as
                    belligerents, are for the <lb/> most part illegitimate and <emph rend="italic"
                        >ultra vires</emph>."</p>

                <p>"I would argue that point," replied Alexander the Eighth, "if <lb/> my lungs were
                    as tough as when I pleaded before the Rota in <lb/> Pope Urban's time. For the
                    present I confine myself to for-<lb/> mally protesting against your Holiness's
                    unprecedented and <lb/> parricidal conduct in invading your country at the head
                    of an <lb/> army of loathsome vermin."</p>

                <p>"Unprecedented !" exclaimed Borgia. "Am I not the <lb/> modern Coriolanus ? Did
                    Narses experience blacker ingrati-<lb/> tude than I ? Where would the temporal
                    power be but for me ? <lb/> Who smote the Colonna ? Who squashed the Orsini ?
                    Who <lb/> gave the Popes to dwell quietly in their own house ? Monsters <lb/> of
                    unthankfulness !" </p>

                <p>"I am sure," said Alexander the Eighth, soothingly, "that my</p>

                <fw type="catchword">predecessors'</fw>

                <pb n="253"/>

                <fw type="runningHead">By Richard Garnett <fw type="pageNum">235</fw></fw>

                <p>predecessors' inability to comply with your Holiness's request <lb/> must have
                    cost them many inward tears, not the less genuine <lb/> because entirely
                    invisible and completely inaudible. A wise Pope <lb/> will, before all things,
                    consider the spirit of his age. The force <lb/> of public opinion, which your
                    Holiness lately appeared to disparage, <lb/> was, in fact, as operative upon
                    yourself as upon any of your suc-<lb/> cessors. If you achieved great things in
                    your lifetime, it was <lb/> because the world was with you. Did you pursue the
                    same <lb/> methods now, you would soon discover that you had become an <lb/>
                    offensive anachronism. It will not have escaped your Holiness's <lb/>
                    penetration, that what moralists will persist in terming the eleva-<lb/> tion of
                    the standard of the Church, is the result of the so-called <lb/> improvement of
                    the world."</p>

                <p>"There is a measure of truth in this," admitted Alexander the <lb/> Sixth, "and
                    the spirit of this age is a very poor spirit. It was <lb/> my felicity to be a
                    Pope of the Renaissance. Blest dispensation ! <lb/> when men's view of life was
                    large and liberal ; when the fair <lb/> humanities flourished ; when the earth
                    yielded up her hoards of <lb/> chiselled marble and breathing bronze, and
                    new-found agate urns <lb/> as fresh as day ; when painters and sculptors vied
                    with antiquity, <lb/> and poets and historians followed in their path ; when
                    every be-<lb/> nign deity was worshipped save Diana and Vesta ; when the arts
                    <lb/> of courtship and cosmetics were expounded by archbishops; when <lb/> the
                    beauteous Imperia was of more account than the eleven thou <lb/> sand virgins ;
                    when obnoxious persons glided imperceptibly from <lb/> the world ; and no one
                    marvelled if he met the Pope arm in arm <lb/> with the Devil. How miserable, in
                    comparison, is the present <lb/> sapless age, with its prudery and its pedantry,
                    and its periwigs and <lb/> its painted coaches, and its urban Arcadias and the
                    florid impo- <lb/> tence and ostentatious inanity of what it calls its art !
                    Pope <lb/> Alexander ! I see in the spirit the sepulchre destined for <emph
                        rend="italic">you</emph>, and</p>

                <fw type="catchword">I swear</fw>

                <pb n="254"/>

                <fw type="runningHead"><fw type="pageNum">236</fw> Alexander the Ratcatcher</fw>

                <p>I swear to you that my soul shivers in my ratskins ! Come, now ! <lb/> I do not
                    expect you to emulate the Popes of my time, but show <lb/> that your virtues are
                    your own, and your faults those of your <lb/> epoch. Pluck up a spirit ! Take
                    bulls by the horns ! Look <lb/> facts in the face ! Think upon the images of
                    Brutus and Cassius ! <lb/> Recognise that you cannot get rid of me, and that the
                    only safe <lb/> course is to rehabilitate me. I am not a candidate for
                    canonisa-<lb/> tion just now ; but repair past neglect and appease my injured
                    <lb/> shade in the way you wot of. If this is done, I pledge my word <lb/> that
                    every rat shall forthwith evacuate Rome. Is it a bargain ? I see <lb/> it is ;
                    you are one of the good old sort, though fallen on evil days."</p>

                <p>Renaissance or Rats, Alexander the Eighth yielded.</p>

                <p>"I promise," he declared.</p>

                <p>"Your hand upon it !"</p>

                <p>Subduing his repugnance and apprehension by a strong effort, <lb/> Alexander laid
                    his hand within the spectre's clammy paw. An <lb/> icy thrill ran through his
                    veins, and he sank back senseless into <lb/> his chair.</p>
                <lb/>
                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"
                        >III</emph></emph></emph></p>
                <lb/>
                <p>When the Pope recovered consciousness he found himself in bed, <lb/> with slight
                    symptoms of fever. His first care was to summon <lb/> Cardinal Barbarigo, and
                    confer with him respecting the surpris <lb/> ing adventures which had recently
                    befallen them. To his amaze-<lb/> ment, the Cardinal's mind seemed an entire
                    blank on the subject. <lb/> He admitted having made his customary report to his
                    Holiness <lb/> the preceding night, but knew nothing of any supernatural
                    rat-<lb/> catcher, and nothing of any midnight rendezvous at the Apparta- <lb/>
                    mento Borgia. Investigation seemed to justify his nescience ; no <lb/> vestige
                    of the man of rats or of his shop could be discovered ; and <lb/> the Borgian
                    apartments, opened, and carefully searched through,</p>

                <fw type="catchword">revealed</fw>

                <pb n="255"/>

                <fw type="runningHead">By Richard Gannett <fw type="pageNum">237</fw></fw>

                <p>revealed no trace of having been visited for many years. The <lb/> Pope's book of
                    exorcisms was in its proper place, his vial of holy <lb/> water stood unbroken
                    upon his table ; and his chamberlains de-<lb/> posed that they had consigned him
                    to Morpheus at the usual <lb/> hour. His illusion was at first explained as the
                    effect of a pecu-<lb/> liarly vivid dream ; but when he declared his intention
                    of actually <lb/> holding a service and conducting a procession for the weal of
                    his <lb/> namesake and predecessor, the conviction became universal that <lb/>
                    the rats had effected a lodgement in his Holiness's upper stories. </p>

                <p>Alexander, notwithstanding, was resolute, and so it came to <lb/> pass that on
                    the same day two mighty processions encountered <lb/> within the walls of Rome.
                    As the assembled clergy, drawn from <lb/> all the churches and monasteries in
                    the city, the Pope in his litter <lb/> in their midst, marched, carrying
                    candles, intoning chants, and, <lb/> with many a secret shrug and sneer,
                    imploring Heaven for the <lb/> repose of Alexander the Sixth, they were suddenly
                    brought to bay <lb/> by another procession precipitated athwart their track,
                    disorderly, <lb/> repulsive, but more grateful to the sight of the citizens than
                    all <lb/> the pomps and pageants of the palmiest days of the Papacy. <lb/>
                    Black, brown, white, grey ; fat and lean ; old and young ; stri-<lb/> dent or
                    silent ; the whiskered legions tore and galloped along ; <lb/> thronging from
                    every part of the city, they united in single <lb/> column into an endless host
                    that appeared to stretch from the <lb/> rising to the setting of the sun. They
                    seemed making for the <lb/> Tiber, which they would have speedily choked ; but
                    ere they <lb/> could arrive there a huge rift opened in the earth, down which
                    <lb/> they madly precipitated themselves. Their descent, it is affirmed, <lb/>
                    lasted as many hours as Vulcan occupied in falling from Heaven to <lb/> Lemnos ;
                    but when the last tail was over the brink the gulf closed <lb/> as effectually
                    as the gulf in the Forum closed over Marcus Curtius, <lb/> not leaving the
                    slightest inequality by which any could detect it.</p>

                <fw type="catchword">Long</fw>

                <pb n="256"/>

                <fw type="runningHead"><fw type="pageNum">238</fw> Alexander the Ratcatcher</fw>

                <p>Long ere this consummation had been attained, the Pope, look-<lb/> ing forth from
                    his litter, observed a venerable personage clad in <lb/> ratskins, who appeared
                    desirous of attracting his notice. Glances <lb/> of recognition were exchanged,
                    and instantly in place of the rat-<lb/> catcher stood a tall, swarthy,
                    corpulent, elderly man, with the <lb/> majestic, yet sensual features of
                    Alexander the Sixth, accoutred <lb/> with the official habiliments and insignia
                    of a Pope, who rose <lb/> slowly into the air as though he had been inflated
                    with hydrogen.</p>

                <p>"To your prayers !" cried Alexander the Eighth, and gave the <lb/> example. The
                    priesthood resumed its chants, the multitude <lb/> dropped upon their knees.
                    Their orisons seemed to speed the <lb/> ascending figure, which was rising
                    rapidly, when suddenly ap-<lb/> peared in air Luxury, Simony, and Cruelty,
                    contending which <lb/> should receive the Holy Father into her bosom.* Borgia
                    struck <lb/> at them with his crozier, and seemed to be keeping them at bay,
                    <lb/> when a cloud wrapt the group from the sight of men. Thunder <lb/> roared,
                    lightning glared, the rush of waters blended with the ejacu-<lb/> lations of the
                    people and the yet more tempestuous rushing of the <lb/> rats. Accompanied as he
                    was, it is not probable that Alexander <lb/> passed, like Dante's sigh, "beyond
                    the sphere that doth all spheres <lb/> enfold;" but, as he was never again seen
                    on earth, it is not <lb/> doubted that he attained at least as far as the
                    moon.</p>
                <lb/>
                <lb/>
                <lg>
                    <l rend="indent"><emph rend="indent"><emph rend="indent">* Per aver
                                riposo</emph></emph></l>
                    <l rend="indent"><emph rend="indent">Portato fu fra 1'anime beate</emph></l>
                    <l rend="indent"><emph rend="indent">Lo spirto di Alessandro glorioso
                        ;</emph></l>
                    <l rend="indent"><emph rend="indent">Del qual seguiro le sante pedate</emph></l>
                    <l rend="indent"><emph rend="indent">Tre sue familiar! e care
                        ancelle,</emph></l>
                    <l rend="indent"><emph rend="indent">Lussuria, Simonia, e Crudeltate.</emph></l>
                </lg>

                <p><emph rend="italic"><emph rend="indent"><emph rend="indent"><emph rend="indent"
                                    >Machiavelli. Decennale Primo.</emph></emph></emph></emph></p>



            </div>



            <div>
                <head>
                    <title level="a">Two Drawings | I. A Pathway to the Moon</title>
                    <title level="a">Two Drawings | II. A Silverpoint </title>
                </head>
                <byline> By Patten Wilson <docAuthor>
                        <ref target="#PWI"/>
                    </docAuthor>
                </byline>
            </div>


            <div n="YBV12_24im" type="image">
                <figure>
                    <graphic width="600px" url="MediumImageDocs/YBV12icon11_wilson_pathway.jpg"/>
                    <note n="YBV12_24im.n1">
                        <title>Two Drawings | I. A Pathway to the Moon</title>
                        <rs>YBV12icon11</rs> YBV12icon11 Patten Wilson Two Drawings I A Pathway to
                        the Moon 15.2cm x 8.8 cm Visual Art Illustration exterior raised brick wall
                        crenellations moon turret thin trees birds sky clouds light figure</note>
                    <head>Two Drawings | I. A Pathway to the Moon</head>
                    <figDesc>Image is of a raised brick wall with crenellations leading toward the
                        moon There is a figure standing on the turret in the lower right foreground
                        and a figure standing on the left middle ground turret The wall zigs and
                        zags There are several thin trees behind the pathway and many birds flying
                        overhead. The sky is dark and cloudy The moon is a circular ring emitting a
                        great deal of light some of which is bursting through the clouds The image
                        is vertically displayed</figDesc>
                </figure>
            </div>


            <div n="YBV12_25im" type="image">
                <figure>
                    <graphic width="600px" url="MediumImageDocs/YBV12icon12_wilson_silverpoint.jpg"/>
                    <note n="YBV12_25im.n1">
                        <title>Two Drawings | II. A Silverpoint</title>
                        <rs>YBV12icon12</rs> YBV12icon12 Patten Wilson Two Drawings II A Silverpoint
                        15.2cm x 10.8 cm Visual Art Portrait woman light coloured dress braided hair
                        helmet shadow PATTEN WILSON 96</note>
                    <head>Two Drawings | II. A Silverpoint</head>
                    <figDesc>Image is of a woman shown in profile wearing a lightcoloured dress. Her
                        hair is braided under a helmet Her head is casting a shadow on the wall She
                        is looking downward The background is open and undefined The artists name
                        and year of the work PATTEN WILSON 96 is in the middle of an irregularly
                        framed box on her shoulder The image is vertically displayed</figDesc>
                </figure>
            </div>


            <div n="YBV12_26pr" type="prose">
                <pb n="267"/>


                <head><title level="a">Natalie </title></head>

                <byline> By <docAuthor><ref target="#AHA">Renée de Coutans</ref></docAuthor>
                </byline>

                <p>THE room was dark, but the door had purposely been left wide <lb/> open into the
                    hall, and the furniture and her father's and <lb/> mother's big bed were dimly
                    visible. Natalie lay snugly curled <lb/> upon herself like a soft kitten, in her
                    white bedstead with high <lb/> white bars round it, that she might not fall out. </p>

                <p>The most beautiful music she had ever heard her mother play <lb/> rose from the
                    drawing-room, and she was listening to it in a ha<lb/>lf- sleepy, half-wakeful
                    enchantment. <emph rend="italic">Tum</emph>&#x2014;ta <emph rend="italic"
                        >tum</emph>, ti tum, tum<lb/> tum&#x2014;her mother went over the passage,
                    over and over again. <lb/> The phrase was so vehement, so strong, she felt a
                    little afraid ; <lb/> yet it pleased her very much. <emph rend="italic"
                        >Tum</emph>&#x2014;ta tum, ti <emph rend="italic">tum</emph>, tum,
                    tum&#x2014;<lb/> then followed a shower of pearls, rubies, water-drops ; over
                    and <lb/> over again her mother played this too, until the liquid, jewelled
                    <lb/> notes seemed to ripple from her fingers. Then she went back, <lb/> and
                    combined the two passages, and then repeated them many <lb/> times. Yet Natalie
                    did not tire of listening, and each time her <lb/> ear flew to the opening bar
                    before her mother's fingers had <lb/> returned to it.</p>

                <p>Suddenly, poor Natalie was dissolved in tears. The piano now <lb/> rose in a
                    phrase so exquisitely sweet, searching, tender, so vib<lb/>rant of pitiful love,
                    that this little girl of six was pierced with its </p>

                <fw type="catchword">emotion ; </fw>

                <pb n="268"/>

                <fw type="runningHead"><fw type="pageNum">246</fw> Natalie</fw>

                <p>emotion ; she trembled, and a needle-like pain darted from her <lb/> breast to
                    her heart. </p>

                <p>She wept quietly while her mother played and repeated the <lb/> phrase. Each time
                    it seemed to enclose her in a more delicious <lb/> and more intimate emotion ;
                    it spoke into her ear a wish to suffer, <lb/> yet be happy. At the same time her
                    child mind was puzzling <lb/> and wondering. "Why do I cry ?" she asked herself,
                    "and why <lb/> is the pain a pleasure ?" She fell asleep still wondering, with
                    <lb/> those tears of pain and pleasure on her rosy cheeks, long before <lb/> her
                    mother had ceased playing. </p>

                <p>At tea-time the next day, called to the drawing-room, she <lb/> begged her mother
                    in a whisper, and though there were strangers, <lb/> to play what she had played
                    the night before. But when her <lb/> mother did so, seeming pleased and proud
                    that Natalie had asked, <lb/> to her surprise the music gave her neither the
                    pleasure nor the <lb/> pain of yesterday. The notes spoke melodiously,
                    plaintively, but <lb/> in a vaguer way. And their meaning spread out, she seemed
                    to <lb/> notice, over the other people in the room, as though each one took
                    <lb/> a parcel of it which might have been all hers, had she been lying <lb/>
                    alone upstairs in the half darkness in her little bed.</p>

                <p>Days passed before Natalie heard her mother play again, and <lb/> she ceased to
                    wonder at her new experience. But one evening, <lb/> when she had had her warm
                    bath, had been cosily tucked in bed <lb/> and kissed, her mother passed
                    downstairs to the drawing-room, <lb/> and she heard her strike some chords at
                    the big piano which stood <lb/> close to the door leading to her father's study.
                    Natalie, drowsily <lb/> enjoying the comfort of her bed, seemed to see her
                    mother beside <lb/> the piano, shining and lovely in her blue evening-gown. She
                    <lb/> could see the open study-door, and her father reading by the light <lb/>
                    of the pretty silver lamp with the green shade. Then, <emph rend="italic"
                        >Tum</emph>&#x2014;ta <lb/> tum, ti <emph rend="italic">tum</emph>, tum
                    tum&#x2014;and in a moment the rippling notes fell </p>

                <fw type="catchword">down</fw>

                <pb n="269"/>

                <fw type="runningHead">By Renée de Coutans <fw type="pageNum">247</fw></fw>

                <p>down the keyboard. <emph rend="italic">Tum</emph>&#x2014;ta tum, ti <emph
                        rend="italic">tum</emph>, tum tum&#x2014;her mother <lb/> was not practising
                    this time. How beautifully she played, Natalie <lb/> thought. On and on she
                    went. Then the phrase of despairing <lb/> loveliness, and it seemed to Natalie
                    she had lost the whole world <lb/> &#x2014;father, mother, beauty,
                    sunshine&#x2014;even her Grimm's fairy book.<lb/> The grieving melody sent the
                    same sharp thrill to her heart. On <lb/> her mother went, through other and
                    still other phrases, brooding <lb/> of a mystery which quivered through and all
                    about Natalie's bed ; <lb/> she seemed floating in a region of fearful anguish
                    and of great joy.</p>

                <p>A wail rose above the music, and the sound of sobbing. <lb/> "Mother, mother,"
                    Natalie cried, in a voice that struck through<lb/> her mother's heart, "I cannot
                    bear it, I cannot bear it&#x2014;oh, do <lb/> not play it any more !" Yet soon
                    Natalie was sleeping and <lb/> smiling peacefully, the faint trace of tears
                    wiped away with kisses,<lb/> resting on her cheeks. Mothers have such cunning
                    ways of <lb/> knowing how to soothe and comfort ! </p>

                <p>Natalie never heard her mother begin again that beautiful but <lb/> dangerous
                        <emph rend="italic">Tum</emph>, ta tum, ti <emph rend="italic">tum</emph>,
                    tum tum. Sometimes she won-<lb/> dered why her mother never played it, but she
                    never dared to ask, <lb/> and slowly the music faded, faded from her
                    thoughts.</p>

                <p>Many years after, one day, the same piercing thrill went through <lb/> her breast
                    again, exquisitely, and again pain and joy were intimately<lb/> commingled, and
                    she trembled and shed tears of heavenly anguish. <lb/> And all the world seemed
                    to throb with mysteries too great to <lb/> understand. Then suddenly came a
                    memory of music, and of <lb/> the little Natalie listening from her white bed
                    while her mother <lb/> played. And she knew why poor Natalie had wept and
                    trembled, <lb/> and why the music of a poet's love had been a music too great
                    <lb/> for her little child's soul to bear. </p>



            </div>


            <div n="YBV12_27po" type="poem">
                <pb n="270"/>


                <head><title level="a">The Burden of Pity</title></head>

                <byline>By <docAuthor><ref target="#AMI">A. Bernard Miall</ref></docAuthor>
                </byline>


                <lg type="stanza">
                    <l>WALK straitly in your ways, O sweer,</l>
                    <l rend="indent">For very pity of my love ;</l>
                    <l>There is one pathway for your feet,</l>
                    <l rend="indent">One valley in cool hills above,</l>
                    <l>A way that I sought out for you</l>
                    <l>In dreams, because my love was true.</l>
                </lg>

                <lg type="stanza">
                    <l>Belovèd, will you think that God</l>
                    <l rend="indent">In His own shape had fashioned man,</l>
                    <l>And watched the path His creature trod</l>
                    <l rend="indent">That ended foul, that fair began ;</l>
                    <l>With great love, though His eyes were dim</l>
                    <l>For pity ; could you weep for Him ?</l>
                </lg>

                <lg type="stanza">
                    <l>But I a perfect image wrought</l>
                    <l rend="indent">Of all I would have had you be</l>
                    <l>In likeness of my holiest thought :</l>
                    <l rend="indent">And you have grown less fair to see,</l>
                    <l>And I more pitiful than God,</l>
                    <l>Knowing the way you might have trod.</l>
                </lg>

                <fw type="catchword">Yet </fw>

                <pb n="271"/>

                <fw type="runningHead">By A. Bernard Miall <fw type="pageNum">249</fw>
                </fw>

                <lg type="stanza">
                    <l>Yet I will deem your heart as pure</l>
                    <l rend="indent">As I have wished it every day,</l>
                    <l>And call each fault the signature</l>
                    <l rend="indent">Of pain that came and passed away ;</l>
                    <l>And I will love you more, my sweet,</l>
                    <l>For every stain on those white feet.</l>
                </lg>


                <lg type="stanza">
                    <l>And every wound shall be a mouth</l>
                    <l rend="indent">To sing of what you should have grown</l>
                    <l>Did winds blow ever from the south,</l>
                    <l rend="indent">If you had never been alone :</l>
                    <l>My love, that came too late to aid,</l>
                    <l>For pity shall be threefold made.</l>
                </lg>

                <lg type="stanza">
                    <l>Yet, wild rose that the wind has flawed,</l>
                    <l rend="indent">But else more fair than all your kind,</l>
                    <l>O snowflake on white eyelids thawed</l>
                    <l rend="indent">To leave a falling tear behind,</l>
                    <l>O wherefore are you not complete,</l>
                    <l>Or, being ruined, wherefore sweet ?</l>
                </lg>



            </div>


            <div n="YBV12_28pr" type="prose">
                <pb n="272"/>

                <head><title level="a">Far Above Rubies</title></head>

                <byline>By <docAuthor><ref target="#NSYR">Netta Syrett</ref></docAuthor></byline>

                <p>OLD Dr. Hilcrest's little house on the Bushberry Road, just <lb/> outside
                    Crewford Village, had a new tenant, and Crew- <lb/> ford was shaken to its
                    foundations with excitement and expecta-<lb/> tion.</p>

                <p>All Crewford had so long been "led to the grave," as Briggs <lb/> the town-crier
                    somewhat unfortunately expressed it, by old Dr. <lb/> Hilcrest, and his
                    spectacled nose and white beard had become such <lb/> indispensable features in
                    the village, that the inhabitants were <lb/> thrown into a state of incredulous
                    amazement at the news of his <lb/> projected retirement. Scarcely had they time
                    to recover breath <lb/> from the astounding intelligence, before the newcomer
                    was <lb/> actually upon them. "A boy, a mere boy, too!" as Miss <lb/> Saunders
                    exclaimed to another maiden lady, her bosom friend. <lb/> "Scarcely
                    seven-and-twenty I should think. My dear Sophy, it <lb/> is
                    hardly&#x2014;delicate !"</p>

                <p>Crewford, however, was not long in making the discovery <lb/> that the young
                    doctor was an acquisition. The children of Mr. <lb/> Miles, the lawyer, who
                    lived opposite Miss Saunders, and were <lb/> conveniently stricken with measles
                    the very day of his arrival, <lb/> disobediently flattened their noses against
                    the windows to watch <lb/> for his coming, and began to laugh before ever he
                    shook his fist</p>

                <fw type="catchword">at</fw>

                <pb n="273"/>

                <fw type="runningHead">By Netta Syrett <fw type="pageNum">251</fw></fw>

                <p>at them from the gate ; and Miss Saunders herself implored her <lb/> friend to
                    have no scruples about consulting him for bronchitis. <lb/> "He is steady as a
                    churchwarden, my dear, and has the dignified <lb/> manner of a man of sixty,"
                    was her verdict.</p>

                <p>His little study in the small, old-fashioned house, where his <lb/> bachelor
                    predecessor had lived so many years, looked very <lb/> pleasant and cosy one
                    October evening, about a month after his <lb/> arrival. </p>

                <p>The chintz curtains were close drawn : there were a bright fire, <lb/> a pair of
                    slippers warming on the rug, and a large armchair drawn <lb/> up close to the
                    fender, in which lay a half-smoked pipe. The <lb/> doctor was taking books out
                    of a large packing case, and putting <lb/> them on to the shelves which lined
                    the room. When the last <lb/> volume was in its place, he pushed the box aside,
                    and sinking <lb/> luxuriously into the big chair, took off his boots, and thrust
                    his <lb/> feet into the warmed slippers. He dropped the boots with a <lb/> thud
                    beside the fender, stooped for his pipe, relighted it, and sank <lb/> back with
                    a sigh of relief, puffing contentedly. His eyes travelled <lb/> about the room,
                    resting now on a picture, newly hung, now <lb/> on the gay flowered curtains.
                    The fire flickered and murmured <lb/> softly, and little ruddy gleams danced on
                    the wall, and bright, <lb/> sudden flashes were reflected in the old-fashioned,
                    low-hanging <lb/> glass opposite. </p>

                <p>Strong was pleasantly tired by the long day's round, and the <lb/> little room
                    seemed to him the embodiment of warmth and com-<lb/> fort. Lounging in the big
                    chair, his head thrown back, his <lb/> slippered feet thrust out towards the
                    blaze, and his hands in his <lb/> pockets, he gazed dreamily at the blue smoke
                    wreaths from his <lb/> pipe, and allowed his thoughts to stray over the past few
                    years. <lb/> He was young&#x2014;Miss Saunders had rather over, than under-<lb/>
                    stated his age, in putting him down as seven-and-twenty&#x2014;but</p>

                <fw type="catchword">already</fw>

                <pb n="274"/>

                <fw type="runningHead"><fw type="pageNum">252</fw> Far Above Rubies</fw>

                <p>already he looked back upon much hard, uphill work. The son <lb/> of a poor
                    clergyman, the education necessary to fit him for the <lb/> profession of his
                    choice, had been acquired at the price of much <lb/> personal self-denial, and,
                    as he also recognised, of considerable <lb/> sacrifice at home. A troubled
                    contraction of the brows, was <lb/> the outcome of a remembrance of his father's
                    thin, stooping <lb/> figure bending over his books in the shabby little library
                    at the <lb/> Devonshire Vicarage.</p>

                <p>His college days at Cambridge, and afterwards as a student at <lb/> Guy's, marred
                    as they were by the necessity of looking at every <lb/> halfpenny spent on
                    pleasure, were almost forgotten in the vivid <lb/> memory of the June afternoon
                    when Mollie Kendall first came to <lb/> the rooms he shared with her brother.
                    Mollie and he had been <lb/> engaged now four years. Four years of incessant,
                    untiring work <lb/> on Strong's part, had resulted in the country practice for
                    which his <lb/> old father had with difficulty advanced the money, and though he
                    <lb/> recognised the inevitable struggle before him, he was undaunted. <lb/>
                    Fortune had hitherto favoured the brave ; there was no reason for <lb/> doubting
                    a continuance of her kindness. </p>

                <p>He rose presently, with a yawn, and began to whistle softly, out <lb/> of sheer
                    content. He looked very boyish as he lounged about the <lb/> room arranging his
                    few possessions&#x2014;photographs, a vase or two <lb/> &#x2014;on the
                    mantel-piece or window ledge. The study was not yet <lb/> completely furnished,
                    and this evening arrangement of books and <lb/> pictures was a never ending
                    satisfaction to him. He altered the <lb/> position of one photograph many times
                    before deciding on its <lb/> destination, and then took it down once more and
                    stood a moment <lb/> with it in his hand, looking at it. When he replaced it, it
                    was <lb/> with a gentle touch. His whistling ceased. </p>

                <p>"Next year, perhaps&#x2014;certainly next year, I should think," was <lb/> in his
                    mind. He tossed paper and envelopes out of the table</p>

                <fw type="catchword">drawer,</fw>

                <pb n="275"/>

                <fw type="runningHead">By Netta Syrett <fw type="pageNum">253</fw></fw>

                <p>drawer, and sat down to write and tell her. The letter was a long<lb/> one;
                    Mollie read parts of it next day more than once, and smiled <lb/> and blushed,
                    and put the paper to her lips, and then re-read the <lb/> account of his new
                    patients with considerable, if somewhat abated, <lb/> interest.</p>

                <p>He had been called in by the Gilmans, at the Court, to attend <lb/> one of the
                    maids, he wrote ; they were the richest people in the <lb/> neighbourhood ; it
                    was a good connection, in fact, and the <lb/> Gilmans themselves seemed rather
                    jolly.</p>

                <p>Strong had recalled Mrs. Gilman as he mentioned her name <lb/> with a momentary
                    feeling of curiosity. He had only exchanged <lb/> half-a-dozen words with her,
                    and she was not pretty, but she had <lb/> certainly a curious charm of
                    manner.</p>
                <lb/>
                <p>Mrs. Gilman stood by the window in her drawing-room some<lb/> days later, and,
                    half concealed by the heavy velvet curtains, <lb/> watched the doctor's dog-cart
                    whirl down the drive. She did not <lb/> return to the fire till the last flash
                    of wheels had disappeared round <lb/> the bend by the lodge. Then, with a little
                    shiver, she pulled the <lb/> curtain further over the window, and turned away, a
                    smile <lb/> struggling ineffectually with a somewhat pronounced yawn, as she
                    <lb/> came back to the sofa. She pulled the cushions on to the floor <lb/> close
                    to the fire, and threw herself down upon them, leaning back <lb/> against the
                    couch. A half-opened book lay upon the padded arm <lb/> of the sofa, just above
                    her head. She stretched a lazy hand for <lb/> it, found it was out of reach, and
                    indifferently abandoned the <lb/> effort.</p>

                <p>Nestling more luxuriously among the cushions, she clasped her <lb/> slender hands
                    round her knees, and looked dreamily into the fire.</p>

                <p>Occasionally a little amused smile robbed her face for a moment <lb/> of its
                    jaded expression, but her listless attitude, the droop of her</p>

                <fw type="catchword">shoulders,</fw>

                <pb n="276"/>

                <fw type="runningHead"><fw type="pageNum">254</fw> Far Above Rubies</fw>

                <p>shoulders, and a restless movement of her head now and again, <lb/> spoke
                    eloquently of hopeless, unmitigated boredom.</p>

                <p>The room in which she sat, though small&#x2014;Barbara Gilman <lb/> hated big
                    rooms&#x2014;was furnished luxuriously. The folds of the <lb/> heavy curtains
                    over doors and windows gleamed in the firelight, <lb/> which flashed also on the
                    silver toys with which the many <lb/> small tables were loaded, on the shining
                    cushions tossed on the <lb/> floor, and on the fragile china and glass of the
                    tea-table.</p>

                <p>Mrs. Gilman glanced at the linen-covered tray on which the <lb/> tea-cups stood,
                    and at the almost empty cake basket, and smiled <lb/> again.</p>

                <p>"He was a very unsophisticated boy&#x2014;and awfully amusing when <lb/> he
                    talked with so grave an air about Dawson's tiresome illness&#x2014;<lb/> just as
                    though it wasn't sufficiently annoying to have one's maid <lb/> ill, with the
                    hunt ball coming on and not a rag to wear, without <lb/> discussing her stupid
                    symptoms by the hour ! However," Mrs. <lb/> Gilman shrugged her shoulders with a
                    sensation of lazy satis <lb/> faction, "we drifted pretty far from Dawson's
                    cough before tea <lb/> was over." </p>

                <p>"I really didn't know such men existed in this age," she told <lb/> herself, her
                    thoughts wandering languidly. "John-Bullism I <lb/> know, and decadence (in the
                    happy day in town), but what is <lb/> this ? It's the sort of thing one used to
                    read about in stories <lb/> that were not oblivious of the young person. High
                    ideals, youth-<lb/> ful enthusiasms, innocence&#x2014;or is it
                    ignorance&#x2014;of evil ? They <lb/> are all such exhausting things in their
                    way, but how curious to find <lb/> them combined in one individual&#x2014;and
                    that a man. Really one <lb/> might almost derive a new sensation from the study
                    of such a <lb/> being. And a new sensation <emph rend="italic">here</emph>, of
                    all places in the world ! <lb/> No, it's certainly not to be despised." </p>

                <p>She moved a little to shield her face from the fire, and then</p>

                <fw type="catchword">turned</fw>

                <pb n="277"/>

                <fw type="runningHead">By Netta Syrett <fw type="pageNum">255</fw></fw>

                <p>turned her head, her quick glance lighting now on one, now on <lb/> another part
                    of the room. She regretted she had not bought <lb/> a white-and-gold screen she
                    had seen in town, for the corner by <lb/> the door, and determined to send for
                    it. She remembered, too, a <lb/> wonderful Eastern jar, of green metal, the
                    colour of a peacock's <lb/> neck with the sun upon it ; but there was no place
                    for it. <lb/> She satisfied herself that every niche of the room was occupied
                    <lb/> before turning with a dissatisfied air to the fire again. There was <lb/>
                    absolutely nothing more to be bought for the room, unless she <lb/> made a
                    thorough change in its style, and turned out the present <lb/> furniture. She
                    entertained the idea for a moment, but it was too <lb/> much trouble to think
                    out, and her vague plans drifted aimlessly <lb/> for a breathing space, and
                    dissolved, and she yawned again. <lb/> Life was a dull affair, and things were
                    only desirable till one <lb/> obtained them. How she had longed for pretty rooms
                    and <lb/> dainty clothes to wear and delicious things to eat, in the old day,
                    <lb/> at home, in the shabby little villa at Wandsworth. Well ! a <lb/> miracle
                    had happened, or so it had seemed to her, on her engage-<lb/> ment to Jim
                    Gilman, and now she had her heart's desires. <lb/> Were they disappointing?
                    Yes&#x2014;but they were also well worth <lb/> keeping. A hastily summoned
                    vision of the draughty dining- <lb/> room at Eglantine Villa, of the roast
                    mutton and boiled rice <lb/> puddings at the mid-day dinner, assured her of
                    this. Mrs. Gilman <lb/> was always frank with herself. Her material advantages
                    were well <lb/> worth keeping, even at the price of playing the part of the
                    <lb/> affectionate wife, a rô1e which in itself was irksome. Still, as <lb/> she
                    reflected, every one pays in some form or other for cakes and <lb/> ale, and
                    Jim, though straightforward and good to the point of <lb/> exhaustion, was
                    providentially dense in proportion&#x2014;and he was out <lb/> a great deal, and
                    there were always visits to town, and&#x2014;Mrs. <lb/> Gilman smiled quietly,
                    and twisted the rings on her white fingers, </p>

                <fw type="catchword">without</fw>

                <pb n="278"/>

                <fw type="runningHead"><fw type="pageNum">256</fw> Far Above Rubies</fw>

                <p>without pursuing reflection further, at this point. But visits to <lb/> town were
                    far too infrequent, and in the meantime here she <lb/> was mewed up in a
                    wretched country house, and Jim hated <lb/> visitors, and if you wanted to rely
                    on a man's good nature it <lb/> wasn't safe to urge things he disliked, too
                    frequently&#x2014;and then <lb/> her thoughts all at once drifted to the doctor
                    again.</p>

                <p>"He was awfully puzzled," she told herself. "I can't think <lb/> why I didn't
                    laugh ! I wonder what he thought of me ?"</p>

                <p>As a matter of fact, Strong was thinking of her at the moment: <lb/> sitting
                    frowning in his armchair, holding an extinct, half-forgotten <lb/> pipe
                    listlessly in his right hand. The mixture of admiration and <lb/> instinctive
                    repugnance which coloured his thoughts as he recalled <lb/> her, could she have
                    divined his mental state, would probably have <lb/> filled her with a
                    half-resentful sense of flattered vanity.</p>

                <p>The sound of whistling, followed by the answering, hoarse <lb/> bark of dogs,
                    roused her from her lazy musing. She rose slowly <lb/> from her nest among the
                    cushions, stretching herself daintily, <lb/> with soft, slow movements, which
                    recalled the action of a graceful <lb/> little cat, reluctantly leaving the
                    warmth of the fire. She picked <lb/> up the pillows, and threw them hastily in
                    their right positions on <lb/> the sofa, and then crossed the room to a
                    high-backed chair, on <lb/> which an embroidered work-bag hung. She had taken
                    out its <lb/> contents, a strip of needle-work, and was bending over its
                    intricate <lb/> meshes with an absorbed air, before the door opened.</p>

                <p>"Hullo, little woman ! how cosy and domestic you look."</p>

                <p>A breath of upland air entered the room with the man who <lb/> stood in rough
                    shooting-suit and gaiters, on the threshold. His <lb/> face was bronzed with
                    daily exposure to rain, sun, and wind, and <lb/> an outdoor atmosphere
                    surrounded him like an exhalation.</p>

                <p>"I can come in, I suppose ? I'm not very dirty," he assured <lb/> her, glancing
                    at his thick laced boots. "This room always</p>

                <fw type="catchword">makes</fw>

                <pb n="279"/>

                <fw type="runningHead">By Netta Syrett <fw type="pageNum">257</fw></fw>

                <p>makes me feel a clumsy brute," he said, sinking down in an arm-<lb/> chair
                    opposite his wife. "A sort of rhinoceros in a parrot's <lb/> cage !"</p>

                <p>"Thank you," she murmured, with a little grimace. "What <lb/> pretty similes you
                    choose, Jim."</p>

                <p>He laughed.</p>

                <p>"They were never my strong point, I admit&#x2014;but it's a very <lb/> nice
                    little parrot."</p>

                <p>He got up, crossed the room to where she was sitting, and <lb/> bending down,
                    playfully pinched her ear.</p>

                <p>She raised her face with a smile full of wifely devotion, and he <lb/> stooped to
                    kiss her.</p>

                <p>"Had visitors ?" he asked presently, with a glance at the still <lb/> uncleared
                    tea-table.</p>

                <p>"No. Oh ! yes&#x2014;I forgot," she added, carelessly rising to <lb/> ring the
                    bell. "Dr. Strong came in ; he called to see Dawson, <lb/> you know."</p>

                <p>"Ah ! What sort of fellow is he ?" He took a piece of cake <lb/> out of the
                    basket as he spoke, and placed a large crumb on the <lb/> nose of the terrier,
                    which had followed him into the room. <lb/> "Trust!"</p>

                <p>"Oh ! a nice boy, I think. He's very attentive&#x2014;seems to <lb/> think
                    Dawson's had rather a severe touch of influenza."</p>

                <p>"Paid for !" Milman exclaimed, and the dog seized the cake <lb/> with a snap of
                    his jaws.</p>

                <p>"We'd better ask him to dinner, Bab." </p>

                <p>"Yes, I suppose we must," she replied, going on with her <lb/> needlework. </p>
                <lb/>
                <p>Strong's fears with regard to the seriousness of the maid's ill-<lb/> ness were
                    not unfounded. A sharp attack of pleurisy followed</p>

                <fw type="catchword">the</fw>

                <pb n="280"/>

                <fw type="runningHead"><fw type="pageNum">258</fw> Far Above Rubies</fw>

                <p>the influenza, and, as a consequence, his visits at the Court grew <lb/> more and
                    more frequent.</p>

                <p>Mrs. Gilman was generally standing in the hall as he came <lb/> downstairs.</p>

                <p>Behind her lithe, graceful figure, framed in the heavy drapery <lb/> round the
                    doorway, there was a glimpse of the richly scented, little <lb/> room, glowing
                    warmly in the firelight.</p>

                <p>"Do you think she is better?" was her usual, anxious ques- <lb/> tion ; it was
                    accompanied by a necessary, upward glance at the <lb/> doctor who stood on the
                    stairs above her.</p>

                <p>"Come in and tell me about her." And then Strong followed <lb/> her into the
                    room, and sat down on the divan drawn up close to <lb/> the fire, before which
                    stood the tea-table, with its white, fringed <lb/> cloth and burden of dainty
                    silver.</p>

                <p>By the end of the month he had spent many half hours in Mrs. <lb/> Gilman's
                    drawing-room.</p>
                <p> The thought of them and of his hostess, remained with him <lb/> during the long
                    evenings he spent in his own little study, smoking <lb/> and gazing into the
                    fire, with Mrs. Gilman's red hair against a <lb/> background of emerald-green
                    cushion, vividly present to his <lb/> imagination.</p>

                <p>Strangely enough, he did not think less often of Mollie Ken-<lb/> dall. She was
                    as clearly present in his mind, when he recalled <lb/> the little room at the
                    Court, as was Mrs. Gilman.</p>

                <p>Indeed, he never thought of one woman without the other ; <lb/> they were
                    inseparable, incongruously linked in his thoughts. It <lb/> was, could he
                    conceivably have expressed the situation in metaphor, <lb/> as though he held
                    bound together a violet, fragrant, blue-eyed, <lb/> breathing frankly its story
                    of English woods, of streams babbling <lb/> through deep moss, of the children's
                    ringing laughter and a fan-<lb/> tastically delicate orchid, scentless,
                    mysterious, its pale lips closed.</p>

                <fw type="catchword">Strong </fw>

                <pb n="281"/>

                <fw type="runningHead">By Netta Syrett <fw type="pageNum">259</fw></fw>

                <p>Strong was perplexed and baffled. Unfitted as his downright <lb/> objective
                    nature made him for the task of mental analysis, he <lb/> strove, with an almost
                    pathetic honesty, to unravel the web of <lb/> conflicting sensations which, he
                    felt uneasily, grew more involved <lb/> as time went on.</p>

                <p>Two things were, however, clear to him. One, that he was not <lb/> in the
                    faintest degree in love with Mrs. Gilman ; the other, that <lb/> his love for
                    Mollie, his tenderness for her, his desire for their <lb/> marriage, were
                    intensified by his involuntary habit of con-<lb/> stantly contrasting her with
                    the woman who shared his thoughts <lb/> of her.</p>

                <p>This conviction seemed to him to make it unnecessary to <lb/> contrive any means
                    of lessening his intimacy with the Gilmans, a <lb/> course which, in view of the
                    fact that the Court people were the <lb/> acknowledged leaders of the
                    neighbourhood, would have been in <lb/> the highest degree impolitic.
                    Nevertheless, and he was glad to <lb/> feel assured of this, he would have
                    risked any loss to his position <lb/> through taking such a step, if he had felt
                    it necessary. </p>

                <p>He knew nothing of the modern claim for the imperative, almost <lb/> sacred
                    nature of impulse ; he knew, indeed, little of modern <lb/> thought on any
                    social subject, partly because of the engrossing, <lb/> objective character of
                    his work, but chiefly, perhaps, that his <lb/> nature was so opposed to its
                    teaching, that it was not so much <lb/> that he failed to assimilate, or
                    entirely rejected it, as that he passed <lb/> it by unheeding.</p>

                <p>He did not understand his own hesitation in accepting the <lb/> Gilmans'
                    hospitality, and he was vaguely irritated by his own <lb/> undefined, irrational
                    scruples.</p>

                <p>Why in the world should he not value the acquaintance of a <lb/> clever woman of
                    the world, who drew his thoughts from their <lb/> accustomed channels, and
                    forced them to recognise that there</p>

                <fw type="footer">The Yellow Book&#x2014;Vol. XII. Q</fw>
                <fw type="catchword">were</fw>

                <pb n="282"/>

                <fw type="runningHead"><fw type="pageNum">260</fw> Far Above Rubies</fw>

                <p>were other paths worthy to be followed ? Paths that led in the <lb/> direction of
                    art and literature, as well as towards science. It was <lb/> good for him to
                    talk to her, he argued ; he was narrow, it was the <lb/> fault of his
                    profession, he acknowledged it, and wished for a wider <lb/> outlook.</p>

                <p>At this point, the point where a little of the modern atmosphere <lb/> he ignored
                    would have saved him, his reflections invariably ran off <lb/> the right track.
                    To his unsophisticated intelligence, Mrs. Gilman <lb/> was brilliant, witty,
                    profound, simply because he had never had an <lb/> opportunity of comparing her
                    counterfeit coin&#x2014;the catch-words, <lb/> the allusive jargon, the borrowed
                    paradoxes and epigrams of a <lb/> modern school&#x2014;with what was its genuine
                    claim to brilliance and <lb/> distinction. It is easy to make a cheap glitter
                    for a man of <lb/> Strong's type, and Mrs. Gilman practised the economies for
                    which <lb/> no alternative was possible. He was, moreover, so flatteringly <lb/>
                    dazzled by paste that, in any case, diamonds would have been <lb/> sinfully
                    thrown away upon him.</p>

                <p>Such as it was, however, her conversation represented for <lb/> Strong the only
                    culture obtainable in Crewford, and he strove to <lb/> consider the fact
                    powerful enough to account for the influence <lb/> she undoubtedly exercised
                    upon him. </p>

                <p>But in his heart of hearts, when he began patiently to sift <lb/> motives and
                    emotions, he knew this did not solve the mystery of <lb/> the attraction which
                    drew him day after day to her room.</p>

                <p>"Confound it !" he found himself exclaiming, half aloud, one <lb/> evening. "What
                    is it ? I don't care for her. Good heavens, <lb/> no !" with a short laugh. "I
                    believe I&#x2014;rather dislike her than <lb/> otherwise." </p>

                <p>He paused a moment, pondering over the idea, and dismissed it <lb/> with another
                    bewildered laugh, as one more insoluble problem.</p>

                <p>"Don't even know whether I dislike her ? Hang the woman,</p>

                <fw type="catchword">any </fw>

                <pb n="283"/>

                <fw type="runningHead">By Netta Syrett <fw type="pageNum">261</fw></fw>

                <p>any way, she occupies too much of my time. I won't see so <lb/> much of her," he
                    resolved suddenly ; "the girl's all right now. I <lb/> can make that the
                    excuse."</p>

                <p>With the determination, his perplexities at once vanished. He <lb/> looked at
                    Mollie's photograph for a moment before going in <lb/> search of his candle, and
                    a very tender, boyish smile came to his <lb/> lips before they framed themselves
                    for the soft whistling which <lb/> meant that his mind was at rest.</p>

                <p>"What do you and I care for any stupid woman, little girl !" <lb/> he would have
                    said, had Mollie herself been there to hear him. </p>
                <lb/>
                <p>"She is much better," he said, following Mrs. Gilman, the<lb/> next day, into the
                    drawing-room, after his visit to the maid. He <lb/> stood talking by the
                    mantel-piece, as though in readiness to go as <lb/> soon as necessary
                    conversation should be over. "I think if I look <lb/> in again on Thursday or
                    Friday I needn't trouble you again. She <lb/> will do now, if you take care of
                    her for a little while. She <lb/> oughtn t to begin work for a week or two. If
                    you could send her <lb/> home for a fortnight, or&#x2014;"</p>

                <p>"Two lumps ?" Mrs. Gilman interrupted. She held the sugar <lb/> suspended over
                    the tea-cup, and glanced up at him. </p>

                <p>He hesitated.</p>

                <p>"I really oughtn't to stay, I haven't made an end of work for <lb/> to-day," he
                    began.</p>

                <p>"But tea is one of the pleasures of life," she returned, passing <lb/> the cup to
                    him, "not a mere duty to be scrupulously <lb/> avoided."</p>

                <p>There was a moment's pause before he took the usual low chair <lb/> near the
                    fire, with a laugh.</p>

                <p>Mrs. Gilman helped herself to one of the tiny cakes out of the <lb/> cake
                    basket.</p>

                <fw type="catchword">"I always</fw>

                <pb n="284"/>

                <fw type="runningHead"><fw type="pageNum">262</fw> Far Above Rubies</fw>

                <p>"I always associate you with that chair, or the chair with you <lb/>
                    &#x2014;whichever you consider the prettiest way of putting it," she <lb/> said,
                    with a little movement of her head towards Strong. She <lb/> addressed him in
                    the slow, lazy voice in which one intimate friend <lb/> might speak to another. </p>

                <p>"It seems quite natural for you to be there. And this is <lb/> practically your
                    last visit ; I'm sorry. I shall miss our talks."<lb/> There was the faintest
                    note of sadness in the last words. She <lb/> lifted the cup to her lips, set it
                    down untasted, and gazed a <lb/> moment absently into the fire.</p>

                <p>Strong flushed, and moved a little uneasily, glanced furtively at <lb/> her, and
                    was glad that at the moment she was so obviously uncon-<lb/> scious of him.</p>

                <p>"Yes," he said, awkwardly, "we seem to have talked a great <lb/> deal. I was a
                    regular ignorant Philistine before you took me in <lb/> hand, Mrs. Gilman, and
                    I'm afraid I haven't made much progress <lb/> in spite of your teaching. I've
                    ordered some of the books you <lb/> talk about, though, and I'm trying to
                    cultivate a taste for art ; but <lb/> &#x2014;I'm really awfully sorry&#x2014;I
                    still prefer my old hunting pictures <lb/> to Whistler. I'm afraid you'll have
                    to give me up as a bad job. <lb/> I'm not a quick pupil." </p>

                <p>She turned her head slowly, and let her eyes dwell for a moment <lb/> on his
                    face. </p>

                <p>"You are an interesting one," she said, wistfully. "I have so <lb/> enjoyed our
                    talks. I&#x2014;" she paused, hesitated a little, and dropped <lb/> her
                    eyes&#x2014;"I am rather lonely. Don't quite forsake me." She <lb/> looked up at
                    him again, with a half-pleading, half-smiling glance, <lb/> and her voice was a
                    little tremulous. </p>

                <p>Strong's heart beat quicker.</p>

                <p>"I shall be glad to come whenever you ask me," he murmured.</p>

                <p>There was a short silence.</p>

                <fw type="catchword">His </fw>

                <pb n="285"/>

                <fw type="runningHead">By Netta Syrett <fw type="pageNum">263</fw>
                </fw>

                <p>His eyes were riveted in a sort of fascinated gaze on her half- <lb/> averted
                    face.</p>

                <p>He was thinking, confusedly, how wonderfully she was dressed, <lb/> and how
                    Mollie would tease him about his efforts to describe what <lb/> she wore. Her
                    gown seemed to him a mist of soft, yet brilliant <lb/> colour, the firelight
                    flashed on the jewelled girdle at her waist, <lb/> and her white hands, clasped
                    on her lap, lay like gathered lilies on <lb/> a bed of dimly glowing flowers.
                    What was it that made her face <lb/> so attractive ? It was not pretty, even
                    framed as it was in low, <lb/> falling masses of glorious red hair&#x2014;not
                    pretty, but curiously <lb/> fascinating. Her eyes were beautiful, yet he had
                    hitherto always <lb/> thought it was the expression of her eyes that repelled
                    him.</p>

                <p>"How is the little lady !" she asked at last, turning sharply <lb/> to him. Her
                    voice had regained its accustomed half-mocking <lb/> brightness. The trend of
                    Strong's reflections was suddenly <lb/> deflected.</p>

                <p>Instinctively he resented the tone of the inquiry, and drew <lb/> himself up a
                    little stiffly before replying, "She is well, I <lb/> believe." </p>

                <p>She raised her eyebrows ironically.</p>

                <p>"<emph rend="italic">You believe !</emph>&#x2014;you know you write every day.
                    And how soon <lb/> are you going to act Benedick to her Beatrice ?"</p>

                <p>"Not so soon as I could wish," he replied, putting the cup down <lb/> on the
                    table. </p>

                <p>"You intend to hug your chains, I see," she returned, leaning <lb/> her head back
                    against the cushion with a nestling movement with <lb/> which he had grown
                    familiar.</p>

                <p>He did not reply, and she sat turning the rings on her finger <lb/> absently, and
                    looking into the red heart of the fire.</p>

                <p>Strong wished to rise, make some excuse about work, and go, <lb/> but something
                    irresistibly impelled him to sit watching her.</p>

                <fw type="catchword">The </fw>

                <pb n="286"/>

                <fw type="runningHead"><fw type="pageNum">264</fw> Far Above Rubies</fw>

                <p>The droop of her mouth, and her downcast eyes gave him an <lb/> odd uncomfortable
                    sensation. She moved at last with a half <lb/> sigh.</p>

                <p>"I want you to see these," she said at last, rising as she spoke <lb/> and moving
                    slowly towards the mantel-piece.</p>

                <p>She drew an envelope from behind a little clock, and took some <lb/> photographs
                    from it.</p>

                <p>"They have just come home. Do you think they are like <lb/> me ?" she asked,
                    leaning over her shoulder at Strong, who rose and <lb/> followed her to the
                    mantel-piece.</p>

                <p>He took them from her and examined them one by one.</p>

                <p>"Well, what do you think of them ?" she asked, softly. She <lb/> was standing
                    close to him, and as she bent over the photographs <lb/> her thick, wavy hair
                    touched his hand. Strong withdrew it <lb/> hurriedly.</p>

                <p>"They are charming," he said, with an effort, and laid them on <lb/> the
                    mantel-piece.</p>

                <p>She gave a little, low laugh of half-caressing mockery.</p>

                <p>"You are not going to ask for one ? What a good boy ! Now <lb/> see virtue
                    rewarded."</p>

                <p>She chose the prettiest, and held it towards him, raising her eyes <lb/> at the
                    same time.</p>

                <p>They were brilliant with laughing mockery, and something else <lb/> which for one
                    sudden moment sent the blood to his heart. Her <lb/> rich hair fell low against
                    her faintly flushed cheek, the fragrant <lb/> folds of her dress brushed his
                    hand. For one second he stood <lb/> penetrated by her rare tantalising beauty
                    before an irresistible <lb/> impulse seized him, and he bent swiftly, drew her
                    to him, and <lb/> kissed her.</p>

                <p>She drew back, but kept her eyes on his face, and then in one <lb/> brief moment,
                    with all his faculties quickened, intensified by the</p>

                <fw type="catchword">swift</fw>

                <pb n="287"/>

                <fw type="runningHead">By Netta Syrett <fw type="pageNum">265</fw></fw>

                <p>swift reaction from sudden passion, Strong read intuitively Barbara <lb/>
                    Gilman's history of the past few weeks.</p>

                <p>The flash penetrated the obscure recesses of his own mind at <lb/> the same
                    moment, and in the pitiless glare he saw what had <lb/> before been hidden from
                    him&#x2014;the secret of her influence. <lb/> It was miserably, ludicrously
                    simple after all. As he looked at <lb/> the woman before him, he recognised that
                    in spite of the fact that <lb/> accident had made her the honoured wife of a man
                    near his own <lb/> rank in life, she belonged, by nature, to a class which she
                    herself <lb/> probably held in virtuous contempt and horror. </p>

                <p>It was one of those moments of mutual revelation when speech <lb/> is recognised
                    as a clumsy, unnecessary middleman between soul <lb/> and soul.</p>

                <p>As she looked at him, Mrs. Gilman's eyes slowly dilated. <lb/> Their expression
                    of half insolent triumph faded. Resentful anger <lb/> took its place. This boy,
                    who, lacking all the qualities that go to <lb/> the making of a man of the
                    world, had filled her with contemp-<lb/> tuous amusement&#x2014;this boy, dared
                    to despise her.</p>

                <p>Her forehead contracted into a sudden frown. </p>

                <p>"What are you thinking about ?" she asked sharply, the words <lb/> involuntarily
                    escaping her lips.</p>

                <p>Strong still kept his eyes on her face. He was pale. She <lb/> noticed that he
                    looked all at once years older.</p>

                <p>"I think I had better not tell you," he replied deliberately, <lb/> taking up his
                    hat. </p>

                <p>She flushed.</p>

                <p>"I thought you might have been considering an apology," <lb/> she said with
                    dangerous coldness, "but I don't think you <lb/> need trouble. No apology,
                    however abject, could atone for <lb/> your disgraceful conduct. Please go." She
                    pointed to the <lb/> door.</p>

                <fw type="catchword">Strong</fw>

                <pb n="288"/>

                <fw type="runningHead"><fw type="pageNum">266</fw> Far Above Rubies</fw>

                <p>Strong continued to look at her, without changing his expres-<lb/> sion.</p>

                <p>"Nevertheless, I apologise," he said quietly. "It is a man's <lb/> role to offer
                    an apology, I believe."</p>

                <p>She drew a deep breath.</p>

                <p>"I am sorry I cannot accept it. It is perhaps fair to warn you <lb/> that I never
                    conceal anything from my husband," she added over <lb/> her shoulder, as Strong
                    moved towards the door. </p>

                <p>He bowed, turning with his hand on the door-handle, and the <lb/> faintest smile
                    on his lips. As he walked down the hall, the smile <lb/> deepened unpleasantly,
                    and he wondered vaguely that he could at <lb/> the moment find her icily
                    virtuous demeanour so grimly comic.</p>

                <p>She saw the smile, and her lips whitened. Her heart beat fast <lb/> for anger. He
                    was master of the situation. She, a woman of the <lb/> world, had been
                    out-matched and despised by a green boy ! The <lb/> photograph she had given him
                    lay on the mantel-piece. She <lb/> snatched it up with a sudden movement, tore
                    it again and again, <lb/> and flung it on to the fire. </p>

                <p>She stood motionless a moment, gazing at the leaping flames, <lb/> her eyebrows
                    drawn together, then, in a frenzy of rage, she struck <lb/> her hand against the
                    marble side of the fireplace.</p>

                <p>It was bruised, and the pain brought tears to her eyes, as she <lb/> put it to
                    her lips in a fury of self-pity. There was a step out-<lb/> side, the
                    door-handle was turned, and her husband entered.</p>

                <p>"All in the dark, Bab !" he called cheerfully, stumbling against <lb/> a
                    chair.</p>

                <p>She turned from the fire, and went swiftly to meet him, breaking <lb/> into
                    sobs.</p>

                <p>Then, as he caught her in his arms with incoherent, wondering, <lb/> soothing
                    words, she clung to him, caressing him.</p>

                <p>"Oh ! I wanted you so badly," she murmured through her</p>

                <fw type="catchword">tears.</fw>

                <pb n="289"/>

                <fw type="runningHead">By Netta Syrett <fw type="pageNum">267</fw></fw>

                <p>tears. "You dear Jim&#x2014;you dear Jim, don't be angry, will you ? <lb/> I want
                    to tell you something&#x2014;something dreadful !"</p>

                <p><emph rend="indent">* * * * *</emph></p>

                <p>Two months later, Strong stood by the window in his <lb/> dismantled study,
                    reading a letter in the waning light of a <lb/> December afternoon.</p>

                <p>The same packing-cases that had lumbered the room three <lb/> months before,
                    stood again on the skirting against the wall. <lb/> They were full of pictures
                    and books. The walls were bare ; <lb/> the tables without covers. A
                    travelling-rug and a half-filled <lb/> portmanteau lay on the floor. His face,
                    thrown into relief by the <lb/> light that entered through a side window, was
                    terribly altered. It <lb/> had the grey pallor that comes of anxiety and
                    suspense. There <lb/> were hollows in his cheeks, and the hand that held the
                    paper <lb/> nearer to the light, trembled like the hand of an old man. The <lb/>
                    letter was from his sister, giving him particulars of his father's <lb/> death.
                    It was incoherent, as words written under the strain of <lb/> grief usually are,
                    but the keynote of the letter was struck in the <lb/> stress she laid on the
                    fact that her father seemed to make no effort <lb/> to rally from his illness,
                    when he heard that Strong was giving up <lb/> the Crewford practice. "He was
                    weak before, of course," she <lb/> wrote with unintentional cruelty, "but when
                    he heard the news, <lb/> he seemed utterly crushed and broken, and hardly spoke
                    again. I <lb/> did all I could to keep from him the reports we hear about you,
                    <lb/> and the reason you are leaving Crewford, but ill news flies, Jack, <lb/>
                    and we couldn't help hearing the gossip. I have not heard from <lb/> Mollie,
                    since Major Kendall went down to Crewford a week ago. <lb/> Do write
                    plainly&#x2014;but it doesn't seem to matter now father has <lb/> gone."</p>

                <p>There was more of the letter, but he threw it down unfinished <lb/> with a
                    laugh.</p>

                <fw type="catchword">"No,</fw>

                <pb n="290"/>

                <fw type="runningHead"><fw type="pageNum">268</fw> Far Above Rubies</fw>

                <p>"No, it really doesn't matter," he repeated half aloud, and <lb/> began to search
                    in a leather case which he took from his breast- <lb/> pocket for another letter
                    which he knew by heart. It was a <lb/> broken-hearted little note from Mollie.
                    He glanced through it, <lb/> crumpled the paper fiercely in his hand, and then
                    smoothed it <lb/> again to read the last sentence.</p>

                <p>"We sail for India to-morrow. Father's leave is over and he <lb/> insists on
                    taking me out with him ; we shall not come home for <lb/> years. I dare not
                    think of it&#x2014;I hope I shall die before&#x2014;"</p>

                <p>Strong looked again at the date. She had sailed the previous <lb/> day.</p>

                <p>He drew a chair up slowly before the empty table and <lb/> deliberately tore both
                    letters, Mollie's and his sister's into shreds. <lb/> He took great pains to
                    fold the paper exactly, and apparently gave <lb/> his whole mind to the task.
                    When they were reduced to a heap <lb/> of infinitesimal fragments, he rose,
                    opened the window, and <lb/> scattered them to the wind. The white scraps
                    whirled and eddied <lb/> over the bare rose bushes before the window, and
                    drifted like <lb/> flakes of snow on to the earth at their roots. When the last
                    <lb/> flake was at rest, he closed the window softly, as though some one <lb/>
                    lay dead in the room, turned the key in the lock, stooped over the <lb/>
                    portmanteau a moment, and took from it something which he put <lb/> on the
                    table. </p>

                <p>There were a few trifles still unpacked on the mantel-piece, and <lb/> he turned
                    to it and began to collect them mechanically and place <lb/> them neatly in the
                    packing-case. He surprised himself in the act, <lb/> and laughed aloud. What
                    would packing-cases and pictures <lb/> matter in a few moments ? He turned over
                    the last photograph <lb/> and glanced at it. It was of his sister. As he looked,
                    his left <lb/> hand slid over the table, feeling for what he had laid there. He
                    <lb/> grasped it presently, and stood a full minute looking from it to the</p>

                <fw type="catchword">portrait</fw>

                <pb n="291"/>

                <fw type="runningHead">By Netta Syrett <fw type="pageNum">269</fw></fw>

                <p>portrait in his other hand. All at once with a groan, he flung the <lb/> pistol
                    from him, and at the same time dropped the photograph <lb/> savagely into the
                    packing case.</p>

                <p>"Damn it !" he muttered. "A fellow mustn't even die. He's <lb/> got to live, and
                    to try and keep a sister he doesn't care for out of <lb/> the workhouse." </p>

                <p><emph rend="indent">* * * * *</emph></p>

                <p>Five or six years later, Mrs. Gilman was driving down <lb/> Piccadilly. There was
                    a crush at the corner of Bond Street, and <lb/> the carriage drew up close to
                    the curb. As she sat idly watching <lb/> the passers-by, she saw with a start of
                    recognition Strong's face <lb/> amongst them. He stopped at the edge of the
                    pavement, waiting <lb/> to cross, and in a moment their eyes met. Involuntarily,
                    with a <lb/> woman's instinct, she glanced first at his clothes, as the best
                    <lb/> source of information as to prosperity, or the reverse. He was as <lb/>
                    well dressed as she remembered him at Crewford, years ago, and, <lb/> as she
                    noticed this, her heart began to beat fast with a sense of <lb/> resentful
                    anger. He was doing well then after all. His eyes <lb/> were still fixed upon
                    her, and she forced herself to meet his gaze. <lb/> Once more, as in the
                    drawing-room at the Court five years ago, <lb/> their long look was eloquent.
                    She saw before her a man pre-<lb/> maturely aged, his face lined, with work
                    perhaps, possibly with <lb/> suffering, though of that she could not guess. All
                    traces of the <lb/> boy had vanished ; it was a calm, inscrutable face, the lips
                    closely <lb/> pressed together, the eyes steady and quiet. He looked full at
                    <lb/> her, calmly, indifferently even, and as she returned his glance <lb/> the
                    flame of anger flared more fiercely. She had robbed him of <lb/> life's joys, it
                    was true, but he had conquered&#x2014;she felt it. <lb/> Again he was master of
                    the situation. His look, too impersonal <lb/> to be even critical, scorched
                    her.</p>

                <p>With a swift, violent movement she leant forward in the carriage.</p>

                <fw type="catchword">"Drive </fw>

                <pb n="292"/>

                <fw type="runningHead"><fw type="pageNum">270</fw> Far Above Rubies</fw>

                <p>"Drive on," she called savagely to the man, who started, <lb/> flicked the horses
                    suddenly, and they plunged forward, narrowly <lb/> escaping the wheels of a
                    hansom. Before she was whirled past <lb/> him, she saw for the second time in
                    their acquaintance the ghost <lb/> of a smile upon his lips. Her face was white
                    as she leant back <lb/> in the corner of the victoria, her hands clenched under
                    the <lb/> carriage rug.</p>
                <lb/>
                <p>The same evening she and her husband were in the private <lb/> sitting-room of
                    their hotel at Westminster. She was putting <lb/> some feathery branches of
                    chrysanthemum into tall jars about the <lb/> room. Two or three of the flowers,
                    flame-coloured, with long, <lb/> curling petals like the tentacles of some sea
                    creature, lay on the <lb/> table. These she presently took up, and fastened at
                    her waist in <lb/> the loose folds of her evening dress. The harmony of the
                    gorgeous <lb/> colour of the flowers with the gown she wore, gave the supreme
                    <lb/> perfecting touch to her appearance.</p>

                <p>Her husband sat in an arm-chair by the fire, a cigarette between <lb/> his
                    fingers, and watched her. She felt the admiration in his eyes <lb/> and turned
                    to him lingeringly, with the slow smile which never <lb/> failed of the effect
                    she intended, in whatever direction it was <lb/> bestowed.</p>

                <p>He rose immediately, put his arm round her, and turned her <lb/> face up to
                    his.</p>

                <p>"'Pon my word, I believe you are prettier than when I married <lb/> you, Bab !"
                    he declared with an awkward laugh.</p>

                <p>She touched his cheek with her hair, and stood a moment while <lb/> he stroked it
                    tenderly, then gently moved away. </p>

                <p>"Middleton's late," he observed, with a glance at the clock. </p>

                <p>"Yes," she returned, carelessly, "but there's really plenty of <lb/> time."</p>

                <fw type="catchword">"I heard</fw>

                <pb n="293"/>

                <fw type="runningHead">By Netta Syrett <fw type="pageNum">271</fw></fw>

                <p>"I heard something about that fellow, you know who I mean&#x2014;<lb/>
                    Strong&#x2014;to-day," he said presently, after a short silence.</p>

                <p>She half-turned her head, then paused, and reached for a fan on <lb/> the
                    mantel-piece. </p>

                <p>"Yes ?" she said, indifferently.</p>

                <p>"The brute's doing better than he deserves, though that's not <lb/> saying much,"
                    he went on, his face darkening. "He's scraped <lb/> some sort of practice
                    together in some God-forsaken suburb&#x2014; <lb/> Hackney or Clapton, I
                    believe&#x2014;and his sister's keeping house for <lb/> him."</p>

                <p>"How did you hear?" She was shielding her face from the <lb/> fire with the fan
                    she held.</p>

                <p>"Dr. Danford was talking about him, curiously enough, after <lb/> dinner last
                    night. It seems one of his children met with an <lb/> accident&#x2014;thrown
                    from a pony or something&#x2014;and was taken into <lb/> Strong's place."</p>

                <p>There was a pause while Gilman puffed in silence, a frown <lb/> gathering. </p>

                <p>"Danford spoke enthusiastically of the chap," he went on after <lb/> a moment,
                    knocking the ashes from his cigarette ; "says he's <lb/> bound to come to the
                    front. He's read a paper before some <lb/> medical congress or other that's
                    considered pretty brilliant. Con-<lb/> found our smooth, oily,
                    nineteenth-century manner of doing <lb/> business like this," he broke out
                    fiercely, " What wouldn't I <lb/> give to have put a bullet through him that
                    time, instead of being <lb/> driven to ruin his practice by making the place too
                    hot to hold <lb/> him! One can't let one's wife's name get bandied about,
                    though. <lb/> One has to keep her out of it&#x2014;that's the worst of it," he
                    added, <lb/> gloomily, "or else&#x2014;"</p>

                <p>"Why do you talk about him ! What does it matter ?" she <lb/> asked, vehemently,
                    rising and crushing the fan in her hand as she</p>

                <fw type="catchword">spoke.</fw>

                <pb n="294"/>

                <fw type="runningHead"><fw type="pageNum">272</fw> Far Above Rubies</fw>

                <p>spoke. How she hated the man ! The sound of his name <lb/> brought vividly before
                    her the quiet, indifferent glance he had <lb/> that morning bestowed upon her.
                    It roused once more the fury <lb/> of impotent anger with which she recognised
                    her utter powerless- <lb/> ness to affect him. And Jim, of course, blundering
                    idiot that <lb/> he was, must needs remind her. "I hate the subject," she
                    exclaimed. <lb/> She was trembling, and her voice shook.</p>

                <p>Her husband was on his feet in a moment.</p>

                <p>"What a fool I am !" he said, seizing her hand. "Poor little <lb/> girl, how
                    could I remind you ! You are too good for me, Bab," <lb/> he murmured tenderly,
                    bending over her. "I ought to have <lb/> realised what a good woman feels when a
                    brute like that dares to <lb/> insult her. But we'll never speak of it again,
                    dear."</p>

                <p>She lifted her face for his kiss, and then gently disengaged her-<lb/> self as a
                    man's voice became audible outside.</p>

                <p>As she turned her head, an almost imperceptible smile curled <lb/> her lip, and
                    she laid her hand for one second against the front of <lb/> her low gown, where
                    she felt the edge of a stiff envelope, and <lb/> heard its faint rustle.</p>

                <p>The door opened at the moment, and, for a breathing space, <lb/> the eyes of the
                    man who entered sought and met hers.</p>

                <p>"Hullo, Middleton ! you're late," Gilman exclaimed. "We <lb/> shall have to start
                    at once if we're going to hear the overture. <lb/> Bab and I had given you up,
                    and were just settling down to a <lb/> Darby and Joan evening, weren't we, Bab
                    ?" </p>



            </div>


            <div n="YBV12_29pr" type="prose">
                <pb n="295"/>


                <head><title level="a">At the Article of Death </title></head>

                <byline>By <docAuthor><ref target="#JBU">John Buchan</ref></docAuthor></byline>

                <p>A NOISELESS evening fell chill and dank on the moorlands. The <lb/> Dreichil was
                    mist to the very rim of its precipitous face, <lb/> and the long, dun sides of
                    the Little Muneraw faded into grey <lb/> vapour. Underfoot were plashy moss and
                    dripping heather, and <lb/> all the air was choked with autumnal heaviness. The
                    herd of the <lb/> Lanely Bield stumbled wearily homeward in this, the late
                    after- <lb/> noon, with the roof-tree of his cottage to guide him over the <lb/>
                    waste. </p>

                <p>For weeks, months, he had been ill, righting the battle of a <lb/> lonely
                    sickness. Two years ago his wife had died, and as there <lb/> had been no child,
                    he was left to fend for himself. He had no <lb/> need for any woman, he
                    declared, for his wants were few and his <lb/> means of the scantiest, so he had
                    cooked his own meals and done <lb/> his own household work since the day he had
                    stood by the grave <lb/> in the Gladsmuir kirkyard. And for a little he did well
                    ; and <lb/> then, inch by inch, trouble crept upon him. He would come <lb/> home
                    late in the winter nights, soaked to the skin, and sit in the <lb/> peat-reek
                    till his clothes dried on his body. The countless little <lb/> ways in which a
                    woman's hand makes a place healthy and habitable <lb/> were unknown to him, and
                    soon he began to pay the price of his <lb/> folly. For he was not a strong man,
                    though a careless onlooker </p>

                <fw type="catchword">might</fw>

                <pb n="296"/>

                <fw type="runningHead"><fw type="pageNum">274</fw> At the Article of Death</fw>

                <p>might have guessed the opposite from his mighty frame. His <lb/> folk had all
                    been short-lived, and already his was the age of his <lb/> father at his death.
                    Such a fact might have warned him to <lb/> circumspection; but he took little
                    heed till that night in the <lb/> March before, when, coming up the Little
                    Muneraw and breathing <lb/> hard, a chill wind on the summit cut him to the
                    bone. He rose <lb/> the next morn, shaking like a leaf, and then for weeks he
                    lay ill <lb/> in bed, while a younger shepherd from the next sheep-farm did
                    <lb/> his work on the hill. In the early summer he rose a broken man, <lb/>
                    without strength or nerve, and always oppressed with an ominous <lb/> sinking in
                    the chest ; but he toiled through his duties, and told no <lb/> man his sorrow.
                    The summer was parchingly hot, and the hill- <lb/> sides grew brown and dry as
                    ashes. Often as he laboured up the <lb/> interminable ridges, he found himself
                    sickening at heart with a <lb/> poignant regret. These were the places where
                    once he had strode <lb/> so freely with the crisp air cool on his forehead. Now
                    he had <lb/> no eye for the pastoral loveliness, no ear for the witch-song of
                    <lb/> the desert. When he reached a summit, it was only to fall <lb/> panting,
                    and when he came home at nightfall he sank wearily on <lb/> a seat. </p>

                <p>And so through the lingering summer the year waned to an <lb/> autumn of storm.
                    Now his malady seemed nearing its end. He <lb/> had seen no man's face for a
                    week, for long miles of moor severed <lb/> him from a homestead. He could scarce
                    struggle from his bed by <lb/> mid-day, and his daily round of the hill was gone
                    through with <lb/> tottering feet. The time would soon come for drawing the ewes
                    <lb/> and driving them to the Gladsmuir market. If he could but hold <lb/> on
                    till the word came, he might yet have speech of a fellow man, <lb/> and bequeath
                    his duties to another. But if he died first, the <lb/> charge would wander
                    uncared for, while he himself would lie in <lb/> that lonely cot till such time
                    as the lowland farmer sent the </p>

                <fw type="catchword">messenger. </fw>

                <pb n="297"/>

                <fw type="runningHead">By John Buchan <fw type="pageNum">275</fw></fw>

                <p>messenger. With anxious care he tended his flickering spark of <lb/>
                    life&#x2014;he had long ceased to hope&#x2014;and with something like heroism,
                    <lb/> looked blankly towards his end. <lb/></p>

                <p>But on this afternoon all things had changed. At the edge of <lb/> the
                    water-meadow he had found blood dripping from his lips, and <lb/> half-swooned
                    under an agonising pain at his heart. With burning <lb/> eyes he turned his face
                    to home, and fought his way inch by inch <lb/> through the desert. He counted
                    the steps crazily, and with pitiful <lb/> sobs looked upon mist and moorland. A
                    faint bleat of a sheep <lb/> came to his ear ; he heard it clearly, and the
                    hearing wrung his <lb/> soul. Not for him any more the hills of sheep and a
                    shepherd's <lb/> free and wholesome life. He was creeping, stricken, to his
                    home-<lb/> stead to die, like a wounded fox crawling to its earth. And the <lb/>
                    loneliness of it all, the pity, choked him more than the fell grip of <lb/> his
                    sickness. </p>

                <p>Inside the house a great banked fire of peats was smouldering. <lb/> Unwashed
                    dishes stood on the table, and the bed in the corner <lb/> was unmade, for such
                    things were of little moment in the extremity <lb/> of his days. As he dragged
                    his leaden foot over the threshold, the <lb/> autumn dusk thickened through the
                    white fog, and shadows <lb/> awaited him, lurking in every corner. He dropped
                    carelessly on <lb/> the bed s edge, and lay back in deadly weakness. No sound
                    broke <lb/> the stillness, for the clock had long ago stopped for lack of
                    winding. <lb/> Only the shaggy collie which had lain down by the fire looked to
                    <lb/> the bed and whined mournfully. </p>

                <p>In a little he raised his eyes and saw that the place was filled <lb/> with
                    darkness, save where the red eye of the fire glowed hot and <lb/> silent. His
                    strength was too far gone to light the lamp, but he <lb/> could make a crackling
                    fire. Some power other than himself <lb/> made him heap bog-sticks on the peat
                    and poke it feebly, for he <lb/> shuddered at the ominous long shades which
                    peopled floor and</p>

                <fw type="footer">The Yellow Book&#x2014;Vol. XII. R </fw>
                <fw type="catchword">ceiling.</fw>

                <pb n="298"/>

                <fw type="runningHead"><fw type="pageNum">276</fw> At the Article of Death </fw>

                <p>ceiling. If he had but a leaping blaze he might yet die in a less<lb/> gross
                    mockery of comfort. </p>

                <p>Long he lay in the firelight, sunk in the lethargy of illimitable <lb/>
                    feebleness. Then the strong spirit of the man began to flicker <lb/> within him
                    and rise to sight ere it sank in death. He had always <lb/> been a godly liver,
                    one who had no youth of folly to look back <lb/> upon, but a well-spent life of
                    toil lit by the lamp of a half-under- <lb/> stood devotion. He it was who at his
                    wife's death-bed had ad-<lb/> ministered words of comfort and hope ; and he had
                    passed all his <lb/> days with the thought of his own end fixed like a
                    bull's-eye in the <lb/> target of his meditations. In his lonely hill-watches,
                    in the <lb/> weary lambing days, and on droving journeys to far-away towns,
                    <lb/> he had whiled the hours with self-communing, and self-examina-<lb/> tion,
                    by the help of a rigid Word. Nay, there had been far more <lb/> than the mere
                    punctilios of obedience to the letter ; there had <lb/> been the living fire of
                    love, the heroical attitude of self-denial, to <lb/> be the halo of his solitary
                    life. And now God had sent him the <lb/> last fiery trial, and he was left alone
                    to put off the garments of <lb/> mortality. </p>

                <p>He dragged himself to a cupboard where all the appurtenances <lb/> of the
                    religious life lay to his hand. There were Spurgeon's <lb/> sermons in torn
                    covers, and a dozen musty <emph rend="italic">Christian Treasuries.</emph><lb/>
                    Some antiquated theology which he had got from his father, lay <lb/> lowest, and
                    on the top was the gaudy Bible, which he had once <lb/> received from a grateful
                    Sabbath class while he yet sojourned in <lb/> the lowlands. It was lined and
                    re-lined, and there he had often <lb/> found consolation. Now in the last
                    faltering of mind he had <lb/> braced himself to the thought that he must die as
                    became his <lb/> possession, with the Word of God in his hand, and his thoughts
                    <lb/> fixed on that better country, which is heavenly. </p>

                <p>The thin leaves mocked his hands, and he could not turn to</p>

                <fw type="catchword">any</fw>

                <pb n="299"/>

                <fw type="runningHead">By John Buchan <fw type="pageNum">277</fw>
                </fw>

                <p> any well-remembered text. In vain he struggled to reach the <lb/> gospels ; the
                    obstinate leaves blew ever back to a dismal psalm or <lb/> a prophet's
                    lamentation. A word caught his eye and he read <lb/> vaguely : "The shepherds
                    slumber, O King, . . . the people is <lb/> scattered upon the mountains . . .
                    and no man gathereth them <lb/> . . . there is no healing of the hurt, for the
                    wound is grievous." <lb/> Something in the poignant sorrow of the phrase caught
                    his atten <lb/> tion for one second, and then he was back in a fantasy of pain
                    and <lb/> impotence. He could not fix his mind, and even as he strove he <lb/>
                    remembered the warning he had so often given to others against <lb/> death-bed
                    repentance. Then, he had often said, a man has no <lb/> time to make his peace
                    with his Maker, when he is wrestling with <lb/> death. Now the adage came back
                    to him ; and gleams of com-<lb/> fort shot for one moment through his soul. He
                    at any rate had <lb/> long since chosen for God, and the good Lord would see and
                    pity <lb/> His servant's weakness. </p>

                <p>A sheep bleated near the window, and then another. The <lb/> flocks were huddling
                    down, and wind and wet must be coming. <lb/> Then a long dreary wind sighed
                    round the dwelling, and at the <lb/> same moment a bright tongue of flame shot
                    up from the fire, and a <lb/> queer crooked shadow flickered over the ceiling.
                    The sight caught <lb/> his eyes, and he shuddered in nameless terror. He had
                    never been <lb/> a coward, but like all religious folk he had imagination and
                    emo-<lb/> tion. Now his fancy was perturbed, and he shrank from these <lb/>
                    uncanny shapes. In the failure of all else he had fallen to the <lb/> repetition
                    of bare phrases, telling of the fragrance and glory of the <lb/> city of God.
                    "River of the water of Life," he said to himself, <lb/> . . . "the glory and
                    honour of the nations . . . and the street of <lb/> the city was pure gold . . .
                    and the saved shall walk in the light <lb/> of it ... and God shall wipe away
                    all tears from their eyes."</p>

                <p>Again a sound without, the cry of sheep and the sough of a lone </p>

                <fw type="catchword">wind. </fw>

                <pb n="300"/>

                <fw type="runningHead"><fw type="pageNum">278</fw> At the Article of Death </fw>

                <p>wind. He was sinking fast, but the noise gave him a spasm <lb/> of strength. The
                    dog rose and sniffed uneasily at the door, a <lb/> trickle of rain dripped from
                    the roofing, and all the while the <lb/> silent heart of the fire glowed and
                    hissed at his side. It seemed <lb/> an uncanny thing that now in the moment of
                    his anguish the <lb/> sheep should bleat as they had done in the old strong days
                    of <lb/> herding. </p>

                <p>Again the sound, and again the morris-dance of shadows among <lb/> the rafters.
                    The thing was too much for his failing mind. Some <lb/> words of
                    hope&#x2014;"streams in the desert, and"&#x2014;died on his lips, <lb/> and he
                    crawled from the bed to a cupboard. He had not tasted <lb/> strong drink for a
                    score of years, for to the true saint in the up-<lb/> lands abstinence is a
                    primary virtue ; but he kept brandy in the <lb/> house for illness or wintry
                    weather. Now it would give him <lb/> strength, and it was no sin to cherish the
                    spark of life. </p>

                <p>He found the spirits and gulped down a mouthful&#x2014;one, two, <lb/> till the
                    little flask was drained, and the raw fluid spilled over <lb/> beard and coat.
                    In his days of health it would have made him <lb/> drunk, but now all the fibres
                    of his being were relaxed, and it <lb/> merely strung him to a fantasmal vigour,
                    but more, it maddened <lb/> his brain, already tottering under the assaults of
                    death. Before, <lb/> he had thought feebly and greyly ; now his mind surged in
                    an <lb/> ecstasy. </p>

                <p>The pain that lay heavy on his chest, that clutched his throat, <lb/> that tugged
                    at his heart, was as fierce as ever, but for one short <lb/> second the utter
                    weariness of spirit was gone. The old fair words <lb/> of Scripture came back to
                    him, and he murmured promises and <lb/> hopes till his strength failed him for
                    all but thought, and with <lb/> closed eyes he fell back to dream. </p>

                <p>But only for one moment ; the next he was staring blankly in <lb/> a mysterious
                    terror. Again the voices of the wind, again the</p>

                <fw type="catchword">shapes </fw>

                <pb n="301"/>

                <fw type="runningHead">By John Buchan <fw type="pageNum">279</fw>
                </fw>

                <p>shapes on floor and wall and the relentless eye of the fire. He was <lb/> too
                    helpless to move and too crazy to pray ; he could only lie and <lb/> stare, numb
                    with expectancy. The liquor seemed to have driven <lb/> all memory from him, and
                    left him with a child's heritage of <lb/> dreams and stories. </p>

                <p>Crazily he pattered to himself a child's charm against evil fairies, <lb/> which
                    the little folk of the moors still speak at their play.</p>

                <lg type="stanza">
                    <l>Wearie, Ovie, gang awa', </l>
                    <l>Dinna show your face at a',</l>
                    <l>Ower the muir and down the burn,</l>
                    <l>Wearie, Ovie, ne'er return.</l>
                </lg>

                <p>The black crook of the chimney was the object of his spells, for <lb/> the kindly
                    ingle was no less than a malignant twisted devil, with <lb/> an awful red eye
                    glowering through smoke. </p>
                <p>His breath was winnowing through his worn chest like an <lb/> autumn blast in
                    bare rafters. The horror of the black night <lb/> without, all filled with the
                    wail of sheep, and the deeper fear of <lb/> the red light within, stirred his
                    brain, not with the far-reaching <lb/> fanciful terror of men, but with the
                    crude homely fright of a little <lb/> child. He would have sought, had his
                    strength suffered him, to <lb/> cower one moment in the light as a refuge from
                    the other, and <lb/> the next to hide in the darkest corner to shun the
                    maddening glow. <lb/> And with it all he was acutely conscious of the last pangs
                    of <lb/> mortality. He felt the grating of cheek-bones on skin, and the <lb/>
                    sighing, which did duty for breath, rocked him with agony.</p>

                <p>Then a great shadow rose out of the gloom and stood shaggy in <lb/> the
                    firelight. The man's mind was tottering, and once more he <lb/> was back at his
                    Scripture memories and vague repetitions. Afore-<lb/> time his fancy had toyed
                    with green fields, now it held to the <lb/> darker places. "It was the day when
                    Evil Merodach was king in</p>

                <fw type="catchword">Babylon,"</fw>

                <pb n="302"/>

                <fw type="runningHead"><fw type="pageNum">280</fw> At the Article of Death </fw>

                <p>Babylon," came the quaint recollection, and some lingering ray of <lb/> thought
                    made him link the odd name with the amorphous presence <lb/> before him. The
                    thing moved and came nearer, touched him, and <lb/> brooded by his side. He made
                    to shriek, but no sound came, only <lb/> a dry rasp in the throat and a
                    convulsive twitch of the limbs. </p>

                <p>For a second he lay in the agony of a terror worse than the <lb/> extremes of
                    death. It was only his dog, returned from his watch <lb/> by the door, and
                    seeking his master. He, poor beast, knew of some <lb/> sorrow vaguely and afar,
                    and nuzzled into his side with dumb <lb/> affection. </p>

                <p>Then from the chaos of faculties a shred of will survived. For <lb/> an instant
                    his brain cleared, for to most there comes a lull at the <lb/> very article of
                    death. He saw the bare moorland room, he felt <lb/> the dissolution of his
                    members, the palpable ebb of life. His reli-<lb/> gion had been swept from him
                    like a rotten garment. His mind <lb/> was vacant of memories, for all were
                    driven forth by purging <lb/> terror. Only some relic of manliness, the heritage
                    of cleanly and <lb/> honest days, was with him to the uttermost. With blank
                    <lb/> thoughts, without hope or vision, with nought save an aimless <lb/>
                    resolution and a causeless bravery, he passed into the short anguish <lb/> which
                    is death. </p>
            </div>


            <div n="YBV12_30po" type="poem">
                <pb n="303"/>

                <head><title level="a">Children of the Mist</title></head>

                <byline>By <docAuthor><ref target="#RBA">Rosamund Marriott-Watson</ref></docAuthor>
                </byline>

                <lg type="stanza">
                    <l>THE cold airs from the river creep</l>
                    <l rend="indent">About the murky town,</l>
                    <l>The spectral willows, half-asleep,</l>
                    <l rend="indent">Trail their long tresses down</l>
                    <l>Where the dim tide goes wandering slow,</l>
                    <l>Sad with perpetual ebb and flow.</l>
                </lg>

                <lg type="stanza">
                    <l>The great blind river, cold and wide, </l>
                    <l rend="indent">Goes groping by the shore, </l>
                    <l>And still where water and land divide</l>
                    <l rend="indent">He murmurs evermore</l>
                    <l>The overword of an old song,</l>
                    <l>The echo of an ancient wrong.</l>
                </lg>

                <lg type="stanza">
                    <l>There is no sound 'twixt stream and sky, </l>
                    <l rend="indent">But white mists walk the strand, </l>
                    <l>Waifs of the night that wander by,</l>
                    <l rend="indent">Wraiths from the river-land&#x2014;</l>
                    <l>While here, beneath the dripping trees,</l>
                    <l>Stray other souls more lost than these.</l>
                </lg>

                <fw type="catchword">Voiceless </fw>

                <pb n="304"/>

                <fw type="runningHead">
                    <fw type="pageNum">282</fw> Children of the Mist</fw>

                <lg type="stanza">
                    <l>Voiceless and visionless they fare,</l>
                    <l rend="indent">Known all too well to me&#x2014;</l>
                    <l>Ghosts of the years that never were,</l>
                    <l rend="indent">The years that could not be&#x2014;</l>
                    <l>And still, beneath the eternal skies</l>
                    <l>The old blind river gropes and sighs.</l>
                </lg>


            </div>

            <div>
                <head>
                    <title level="a">Three Pictures | I. Maternity </title>
                    <title level="a">II. Grief </title>
                    <title level="a">III. A Study of Trees </title>
                </head>
                <byline> By Aline Szold <docAuthor>
                        <ref target="#ASZ"/>
                    </docAuthor>
                </byline>
            </div>

            <div n="YBV12_31im" type="image">
                <figure>
                    <graphic width="600px" url="MediumImageDocs/YBV12icon13_szold_maternity.jpg"/>
                    <note n="YBV12_31im.n1">
                        <title>Three Pictures | I. Maternity</title>
                        <rs>YBV12icon13</rs> YBV12icon13 Aline Szold Three Pictures | I. Maternity
                        11.5 cm x 9.9 cm Visual Art Portrait Watercolour woman child light coloured
                        hair light coloured dress long sleeves SZOLD</note>
                    <head>Three Pictures | I. Maternity</head>
                    <figDesc> Image is of a woman holding a child She has light coloured hair that
                        is done up Her dress is light-coloured with long sleeves Her right arm is
                        supporting the baby’s back the left hand is supporting the babys bottom Her
                        eyes are either shut or looking downward The background is open and
                        undefined The artists last name Szold is in the bottom right side of the
                        image. The image is vertically displayed</figDesc>
                </figure>
            </div>

            <div n="YBV12_32im" type="image">
                <figure>
                    <graphic width="600px" url="MediumImageDocs/YBV12icon14_szold_grief.jpg"/>
                    <note n="YBV12_32im.n1">
                        <title>Three Pictures | II. Grief</title>
                        <rs>YBV12icon14</rs> YBV12icon14 Aline Szold Three Pictures | II. Grief 11.4
                        cm x 9.8 cm Visual Art Portrait Watercolour interior wall woman shadow dark
                        hair light coloured dress chair SZOLD</note>
                    <head>Three Pictures | II. Grief</head>
                    <figDesc>Image is of a woman sitting in a chair in an interior setting She is
                        shown in profile She has dark hair done up The woman is wearing a light
                        coloured dress Her head is in her hands and her shoulders are slumped She is
                        casting a shadow on the wall The artists signature is in the bottom left
                        hand corner The image is horizontally displayed</figDesc>
                </figure>
            </div>

            <div n="YBV12_33im" type="image">
                <figure>
                    <graphic width="600px" url="MediumImageDocs/YBV12icon15_szold_study.jpg"/>
                    <note n="YBV12_33im.n1">
                        <title>Three Pictures | III. A Study of Trees</title>
                        <rs>YBV12icon15</rs> YBV12icon15 Aline Szold Three Pictures | III. A Study
                        of Trees 11.4 cm x 7.3 cm Visual Art Landscape Watercolour exterior leafless
                        trees fog body of water</note>
                    <head>Three Pictures | III. A Study of Trees</head>
                    <figDesc>Image is of several leafless trees There is the suggestion of fog and a
                        body of water The image is horizontally displayed</figDesc>
                </figure>
            </div>

    <div n="YBV12_34pr" type="prose">
                <pb n="319"/>


                <head><title level="a">A Forgotten Novelist</title></head>

                <byline>By <docAuthor><ref target="#HRA">Hermione Ramsden</ref></docAuthor></byline>

                <p>THERE is no sufficient reason to account for the manner in <lb/> which Robert
                    Bage has been forgotten, while numbers of <lb/> his contemporaries have been
                    canonised among the classics. It <lb/> may be true that his works have not the
                    enduring qualities of <lb/> Samuel Richardson's many-volumed novels, yet they
                    are not <lb/> without many of the attributes which go towards the making of
                    <lb/> popular romances, and in many respects they are better calculated <lb/> to
                    appeal to the reading public of our time. His style is brighter <lb/> than
                    Richardson's, less sentimental than Fielding's ; his good <lb/> men are less
                    priggish, and his young women have more of nature <lb/> in them ; while, as
                    regards his subjects, he may be said to have <lb/> much in common with some
                    modern authors, who would find it <lb/> no easy matter to surpass him in the
                    boldness with which he up- <lb/> holds his opinions.</p>

                <p>Bage was born on the 2gth of January, 1728, at Darley, where <lb/> his father was
                    a paper manufacturer, which profession he after-<lb/> wards followed. In
                    politics he was a Whig, while in religion it is <lb/> said that, for a time at
                    least, he was a Quaker, which would ac-<lb/> count for his peculiar way of
                    writing ; but if this was the case, he <lb/> does not appear to have remained
                    one long, for, to use the expres-<lb/> sion of a contemporary, he very soon
                    "reasoned himself into</p>

                <fw type="catchword">infidelity,"</fw>

                <pb n="320"/>

                <fw type="runningHead"><fw type="pageNum">292</fw> A Forgotten Novelist </fw>

                <p>infidelity," and all the traces that remained of his former religious <lb/>
                    persuasion were a sincere esteem for the Quakers and an uncon-<lb/> querable
                    dislike for the clergy. The characters of Miss Carlill in <lb/>
                    <emph rend="italic">Man as He Is</emph>, and of Arnold in <emph rend="italic"
                        >Barham Downs</emph>, are delineated <lb/> with a touch of sympathy which is
                    quite unmistakable, while <lb/> Mr. Holford and the Rev. Dr. Blick, who differ
                    so little as to be <lb/> virtually the same man, are both of them the <emph
                        rend="italic">beau-idéal</emph> of the <lb/> sporting parson of the period,
                    and are described as the toadies of <lb/> a rich lord, for ever holding up the
                    example of the patriarchs as an <lb/> excuse for the behaviour of their wealthy
                    patrons. Mr. Holford <lb/> "was a sound divine, orthodox in preaching and
                    eating, could <lb/> bear a little infidelity and free-thinking, provided they
                    were ac-<lb/> companied with good wine and good venison."</p>

                <p>But to return to Bage's own life. Shortly after the death of <lb/> his mother,
                    his father removed to Derby, and Robert was sent to <lb/> school, where it seems
                    that he soon proved himself a distinguished <lb/> scholar, for at the age of
                    seven he was already proficient in Latin.</p>

                <p>In 1765 he entered into partnership in an iron manufactory <lb/> with three
                    persons, one of whom was the then celebrated Dr. <lb/> Darwin ; but the business
                    failed, and Bage lost a considerable <lb/> portion of his fortune. It was partly
                    as a distraction from these <lb/> pecuniary troubles that he wrote his novels.
                    Of these, <emph rend="italic">Mount</emph>
                    <lb/>
                    <emph rend="italic">Henneth</emph> was the first, and it was written, as he
                    informs his readers <lb/> in the preface, in order that he might be able to
                    present each of <lb/> his daughters with a new silk gown. The fashions appear to
                    <lb/> have been as tyrannical in those days as they are now, for our <lb/>
                    author declares that it was with feelings approaching to dismay <lb/> that he
                    observed that his daughters' head-dresses were suffering <lb/> "an amazing
                    expansion."</p>

                <p>This novel was written in the form of letters, and was pub-<lb/> lished in 1781,
                    when the copyright was sold for the sum of &#163;30.</p>

                <fw type="catchword">It</fw>

                <pb n="321"/>

                <fw type="runningHead">By Hermione Ramsden <fw type="pageNum">293</fw></fw>

                <p>It is filled with the most surprising and improbable situations, <lb/> while many
                    of the characters appear to have been introduced for <lb/> the sole purpose of
                    relating other peoples' histories, the result <lb/> being awkward and unnatural.
                        <emph rend="italic">Mount Henneth</emph> was speedily <lb/> followed by
                    works of a similar nature ; <emph rend="italic">Barham Downs</emph>, two <lb/>
                    vols., published in 1784, which, by some, was considered his <lb/> best; <emph
                        rend="italic">The Fair Syrian</emph>, two vols., 1787; James Wallace, three
                    <lb/> vols., 1788 ; and, finally, his two masterpieces: <emph rend="italic">Man
                        as He Is</emph>,* <lb/> and <emph rend="italic">Hermsprong, or Man as He Is
                        Not</emph>.&#x2020;</p>

                <p>The epistolary style in which Richardson had succeeded so <lb/> well was not
                    suited to the lighter substance of Bage's novels, and <lb/> it was not until he
                    dropped it and developed a style of his own <lb/> that he can be said to have
                    achieved anything worthy of immor-<lb/> tality. It was his careful studies of
                    character, no less than the <lb/> fidelity with which he pictured the manners
                    and customs of the <lb/> times, to which he owed the wide-spread reputation that
                    he en-<lb/> joyed in his life-time, when translations of his novels were
                    pub-<lb/> lished abroad in France and Germany. In his own country, <lb/> fresh
                    editions were continually called for, and after his death in <lb/> 1801, they
                    were republished under the editorship of Mrs. Bar- <lb/> bauld and Sir Walter
                    Scott. The poet Cowper may also be <lb/> counted as one of his admirers, for, in
                    a letter to William Hayley, <lb/> dated May 21, 1793, he writes as follows : </p>

                <p>. . ." There has been a book lately published, entitled Man as <lb/> He Is. I
                    have heard a high character of it, as admirably written,</p>

                <fw type="catchword">and </fw>
                <!--footnotes begin after the catchword-->
                <p>* Man as He Is. A novel in four volumes. London : printed <lb/> for William Lane,
                    at the Minerva Press, Leadenhall Street. 1792.</p>

                <p>&#x2020; Hermsprong ; or, Man as He Is Not. A novel in two volumes.<lb/> By the
                    author of Man as He Is. Dublin : printed by Brett Smith, <lb/> for P. Wogan, P.
                    Byrne, J. Moore, and J. Rice. 1796.</p>

                <pb n="322"/>

                <fw type="runningHead"><fw type="pageNum">294</fw> A Forgotten Novelist</fw>

                <p>and am informed that for that reason, and because it incul-<lb/> cates Whig
                    principles, it is, by many, imputed to you."</p>

                <p>And the same year, in a letter to Samuel Rose, dated Dec. 8, <lb/> he writes
                    :</p>

                <p>"We find it excellent ; abounding with wit and just sentiment, <lb/> and
                    knowledge both of books and men." </p>

                <p>According to his friend, William Hutton, Bage cared little for <lb/> the world,
                    although he seems to have resembled Richardson in <lb/> the preference which he
                    evinced for the society of ladies, and he <lb/> undoubtedly surpassed the latter
                    in his manner of describing some <lb/> of them. Maria Fluart, for instance, in
                        <emph rend="italic">Hermsprong</emph>, is a woman <lb/> of the same type as
                    Charlotte Grandison, yet it cannot be denied <lb/> that her character is better
                    drawn and her frivolous moods more <lb/> consistently sustained ; for Charlotte,
                    in spite of her flightiness, <lb/> partakes too strongly of the Grandison
                    temperament, and there <lb/> are moments when she relapses into conversations
                    worthy of her <lb/> brother.</p>

                <p>Of Bage's domestic life we know very little, beyond the fact <lb/> that he had
                    three step-mothers, and that he married, at the age of <lb/> twenty-three, a
                    lady possessed of beauty, good sense, good temper, <lb/> and money. In a letter,
                    written a few months before his death, <lb/> we learn that his wife sometimes
                    scolded him to the extent of spoil-<lb/> ing his appetite at breakfast, but that
                    he bore it patiently we may <lb/> conclude from the following passage, quoted
                    from <emph rend="italic">Man as He Is</emph>, <lb/> which seems likely to have
                    been the result of personal experience :</p>

                <p>Every man whose education has not been very ill-conducted, has <lb/> learned to
                    bear the little agreeable asperities of the gentle sex, not <lb/> merely as a
                    necessary evil, but as a variety, vastly conducive to female <lb/>
                    embellishment, and consequently to man's felicity.</p>

                <p>In Bage, as in almost all authors, the autobiographical note is</p>

                <fw type="catchword">not </fw>

                <pb n="323"/>

                <fw type="runningHead">By Hermione Ramsden <fw type="pageNum">295</fw></fw>

                <p>not absent, and when we come upon sentences as astounding as <lb/> the following,
                    we cannot avoid the suggestion that one or other <lb/> of those three
                    step-mothers must have inspired it :</p>

                <p>"Ladies," said Sir George, "have no weapons but their tongues <lb/> and their
                    nails. . . . ."</p>

                <p>But Lady Mary Paradyne by no means confined herself to <lb/> these, for when
                    suffering from one of her periodical attacks of <lb/> gout, a "slipper or a
                    snuff-box thrown at the head of her nurse or <lb/> her woman gave her tolerable
                    ease." And on one occasion "she <lb/> enforced her observations with a knife,"
                    and inflicted a wound <lb/> on the nurse's arm which resulted in "an eloquence
                    superior to <lb/> her own."</p>

                <p>Domestic happiness is decidedly not a characteristic of Bage's <lb/> novels, and
                    here, as elsewhere, it is the women who receive all the <lb/> blame.</p>

                <p>"What shall I say of our women ?" exclaims Mr. Mowbray. <lb/> "Heavens ! What pen
                    or tongue can enumerate the evils which <lb/> arise from our connections, our
                    matrimonial connections, with <lb/> this frail and feeble sex ? Which of our
                    corruptions may we not <lb/> trace to their vanities ? .... In every connection
                    with woman, <lb/> man seeks happiness and risques it&#x2014;and the risque is
                    great. It <lb/> is so much the greater, because in the usual mode of connection,
                    <lb/> the laws come in to perpetuate it, and the misery is for life. <lb/>
                    Gentlemen endeavour to avoid this .... and no doubt that 'as long <lb/> as we
                    love,' is a more advantageous formula than 'as long as we <lb/> live.' Yet there
                    are drawbacks."</p>

                <p>Mr. Fielding, a friend of Sir George's, goes further still in <lb/> maintaining
                    that "matrimony kills love, as sure as foxes eat <lb/> geese."</p>

                <p>Sir George Paradyne was a model son, and always respectful <lb/> in his behaviour
                    towards his mother, although her complaints,</p>

                <fw type="catchword">poured </fw>

                <pb n="324"/>

                <fw type="runningHead"><fw type="pageNum">296</fw> A Forgotten Novelist</fw>

                <p>poured forth over five glasses of Madeira in succession, must often <lb/> have
                    been a severe trial to his patience. It was Lady Mary's <lb/> desire that he
                    should be the most accomplished gentleman of his <lb/> age, and in order that
                    this wish might be realised, she was anxious <lb/> to procure him a tutor who
                    had studied manners under Lord <lb/> Chesterfield, in place of the worthy Mr.
                    Lindsay, whose views on <lb/> education were the direct antithesis to her own.
                    Of Lady Mary <lb/> it is said that "her affections went to the whole duties of a
                    <lb/> mother. . . . . It was she who regulated his taste in dress, <lb/> who
                    superintended the friseur in the important decoration of his <lb/> head." </p>

                <p>Poor Sir George ! What a vision of powdered hair and pig-tail, <lb/> flowered
                    satin waistcoat and velvet coat, to say nothing of the <lb/> shoes with diamond
                    buckles ! He was only just twenty when the <lb/> story begins, and as yet quite
                    unspoilt by the world ; his chief <lb/> delight at this period was to converse
                    with Lindsay on Cicero and <lb/> Demosthenes, Horace and Virgil, or to spend a
                    quiet evening "in <lb/> moralizing upon the various follies of mankind." It was
                    not <lb/> without reason that he had asked Lindsay to become his friend and
                    <lb/> guide, for he sadly needed some one to whom he could confide his <lb/>
                    love for Miss Cornelia Colerain. Mr. Lindsay was a man of <lb/> parts ; he had
                    met with a variety of misfortunes, and was a philo-<lb/> sopher, if, also,
                    somewhat of a pessimist. His chief aim at this <lb/> time seems to have been to
                    warn his pupil against the dangers of <lb/> matrimony, because, as he says :</p>

                <p>"The love of woman and the love of fame lead to different <lb/> things ; no one
                    knows better than myself how fatal love, as a <lb/> passion, is to manly
                    exertion." </p>

                <p>Even the worthy Lindsay does not seem to have held the <lb/> ordinary views on
                    the subject of marriage, for on one occasion he <lb/> shocks the fair Quakeress
                    by observing that :</p>

                <fw type="catchword">"If</fw>

                <pb n="325"/>

                <fw type="runningHead">By Hermione Ramsden <fw type="pageNum">297</fw></fw>

                <p>"If it was the law or usage of the country for men and women <lb/> to make
                    temporary contracts, no one would call it a vice."</p>

                <p>"According to thee, then," said Miss Carlill, "vice and virtue <lb/> are mode and
                    fashion ?" </p>

                <p>"Not wholly so, perhaps," Mr. Lindsay said, "nor wholly <lb/> otherwise. . . . .
                    It is a pity a tender mistake, as it often does, <lb/> should involve two people
                    in wretchedness for life."</p>

                <p>Yet he is not afraid to risk his happiness with Miss Carlill, and <lb/> she
                    condescends to marry him at last, in spite of their differences <lb/> of
                    opinion.</p>

                <p>"I like not the doings of thy steeple-house," she tells him; <lb/> "there is much
                    noise and little devotion. . . . . If I take thee, it <lb/> is out of pity to
                    thy poor soul." </p>

                <p>And with this reason he is obliged to be content.</p>

                <p>Sir George, on the other hand, is no pessimist with regard to <lb/> marriage ; he
                    feels assured that a good wife is the greatest blessing <lb/> that Heaven can
                    bestow ; but when Miss Colerain will not accept <lb/> him because she considers
                    that their acquaintance has been too <lb/> short, the effect upon his character
                    is not all that could be desired. <lb/> These circumstances result in a strained
                    relationship with <lb/> Lindsay, they part in anger, and Sir George is left to
                    continue <lb/> his "airy course." "Youth," he argued, "must have its follies ;
                    <lb/> the season would be over soon ; a few years oeconomy would free <lb/> him
                    from their effects," . . . and for the time being he forgot <lb/> Miss
                    Colerain.</p>

                <p>The author here excuses himself for his hero's conduct by <lb/> saying that the
                    rules of probability would be violated were he to <lb/> depict the character of
                    a young gentleman of quality in the reign <lb/> of George III. with too many
                    virtues.</p>

                <p>Sir George goes to Paris, gets into debt, and is obliged to have <lb/> recourse
                    to Lindsay to help him out of his difficulties. Three</p>

                <fw type="footer">The Yellow Book&#x2014;Vol. XII. s</fw>
                <fw type="catchword">years</fw>

                <pb n="326"/>

                <fw type="runningHead"><fw type="pageNum">298</fw> A Forgotten Novelist</fw>

                <p>years he intends to devote to the business of regeneration ; the <lb/> remainder
                    of his life to his country, to friendship, and, if he can <lb/> obtain her, to
                    Miss Colerain. But the lady in question requires <lb/> to be fully convinced of
                    the sincerity of his repentance before she <lb/> will marry him, and because of
                    this delay "his spirits flagged ; his <lb/> appetite ceased ; his bloom changed
                    ; and it was too apparent that <lb/> he must soon be lost to his friends and to
                    himself." His days <lb/> were spent in the contemplation of Miss Colerain's
                    picture which <lb/> he had hung in a temple in the garden, and so great was the
                    <lb/> depression of his spirits that he would most certainly have died <lb/> but
                    for the timely intervention of a certain Mr. Bardo, who thus <lb/> addressed him
                    :</p>

                <p>"Paradyne," said he, "you are a fool."</p>

                <p>Thus roused, Sir George regained his courage, and before long <lb/> the fair
                    Cornelia consented to become his wife.</p>

                <p>If we may trust the combined testimony of eighteenth century <lb/> authors, <emph
                        rend="italic">Man as He Is</emph> may be studied as a faithful
                    representation <lb/> of a time when emotional natures were more common than they
                    <lb/> are now, when young men wept because their mothers scolded <lb/> them, and
                    turned dizzy at an unexpected meeting with the lady <lb/> of their choice. Sir
                    George, on one occasion, after he had been <lb/> severely reprimanded by his
                    mother for fighting one of the many <lb/> duels in which he was constantly
                    engaged, "withdrew to his <lb/> library with his handkerchief at his eyes." With
                    women, fainting <lb/> was more than a fashion, it was an art, and Cornelia, like
                    other <lb/> fair ladies of her time, could faint at a moment's notice.</p>

                <p>Another very interesting point in Bage's novels is the important <lb/> part
                    played by the lady's maid and the valet. That this was <lb/> actually the case,
                    and was not merely an invention of the author's, <lb/> is proved by the
                    frequency with which like incidents occur in the <lb/> works of contemporary
                    novelists ; readers of Richardson will </p>

                <fw type="catchword">remember </fw>

                <pb n="327"/>

                <fw type="runningHead">By Hermione Ramsden <fw type="pageNum">299</fw></fw>

                <p>remember how a dishonest footman assisted the villainous Sir <lb/> Hargrave
                    Pollexfen in the abduction of Miss Harriet Byron, and <lb/> how that that young
                    lady herself sees no harm in cross-questioning <lb/> her friend's maid on the
                    subject of her mistress's love affairs. <lb/> Miss Grandison's maid was the
                    daughter of a clergyman, and it <lb/> does not appear to have been at all
                    unusual for young ladies in <lb/> distressed circumstances to earn their living
                    in this way, for even <lb/> the learned Mrs. Bennet, in Fielding's <emph
                        rend="italic">Amelia</emph>, had some thoughts <lb/> of going into service
                    and was advised by her aunt to do so, in spite <lb/> of her knowledge of
                    Latin.</p>

                <p>In <emph rend="italic">Man as He Is</emph>, the ladies' "women" and gentlemen's
                    <lb/> "gentlemen" are persons of influence, and Sir George Paradyne, <lb/> the
                    first time that he is refused by Miss Colerain, drives off, <lb/> leaving his
                    purse in the hand of Susanna, her "woman," with the <lb/> request that she shall
                    pray for him three times a day to her <lb/> mistress. And another time, whilst
                    he is discussing the subject <lb/> of his sister's matrimonial happiness with
                    Mr. Lindsay, his <lb/> "gentleman," who happens to be in waiting at the
                    breakfast <lb/> table, suddenly assumes the air of having something of
                    importance <lb/> to say, and, upon being pressed, he reads a love-letter which
                    he <lb/> has just received from the above-mentioned lady's "woman," <lb/> which
                    serves to confirm Sir George's worst fears.</p>
                <lb/>
                <p>Bage's last and best work, <emph rend="italic">Hermsprong, or Man as He Is
                        Not</emph>, <lb/> marks a new stage in contemporary thought, and this time
                    the <lb/> change is brought about by a woman. Nora realises that she is <lb/>
                    being treated like a doll ! In other words, the "woman question," <lb/> which
                    had slumbered since the days of Mary Astell, had just made <lb/> its
                    re-appearance in the person and writings of Mary Wollstone- <lb/> craft, whose
                        <emph rend="italic">Vindication of the Rights of Woman</emph> first saw the
                    <lb/> light in 1792. That Bage was strongly influenced by it is</p>

                <fw type="catchword">proved</fw>

                <pb n="328"/>

                <fw type="runningHead"><fw type="pageNum">300</fw> A Forgotten Novelist</fw>

                <p>proved by the fact that his hero&#x2014;who, it must be remembered, <lb/>
                    represents man as he is <emph rend="italic">not</emph>&#x2014;is very eloquent
                    in his arguments in <lb/> favour of the higher education of women. Women, he
                    <lb/> maintains, are allowed too little liberty of mind, and he adds :</p>

                <p>"Be not angry with me . . . be angry at Mrs. Wollstone- <lb/> craft . . . who has
                    presumed to say that the homage men pay to <lb/> youth and beauty is insidious,
                    that women for the sake of this <lb/> evanescent, this pitiful dominion permit
                    themselves to be persuaded <lb/> that their highest glory is to submit to this
                    inferiority of character, <lb/>
                    <emph rend="italic">and become the mere plaything of man</emph>. Can this be so
                    ?"</p>

                <p>"Now, the devil take me," said Sumelin, "if I know what <lb/> either you or this
                    Mrs. Wollstonecraft would be at. But this I <lb/> know, that the influence of
                    women is too great ; that it has <lb/> increased, is increasing, and ought to be
                    diminished."</p>

                <p>"Well then," Mr. Hermsprong answered, "let it be diminished <lb/> on the side of
                    charms; and let its future increase be on the side of <lb/> mind." </p>

                <p>"To what purpose?" the banker asked. "To invade the <lb/> provinces of men ?
                    Weaker bodies, you will allow, nature has <lb/> given them, if not weaker
                    minds."</p>

                <p>"Whatsoever may be the design of nature, respecting the sex, <lb/> be her designs
                    fulfilled. If she gave this bodily weakness, should <lb/> education be brought
                    in to increase it ? But it is for mind I <lb/> most contend ; and if 'a firm
                    mind in a firm body' be supposed <lb/> the best prayer of man to the gods, why
                    not of women ? Would <lb/> they be worse mothers for it ? or more helpless
                    widows ?"</p>

                <p>"No," said the banker ; "but they would be less charming <lb/> figures."</p>

                <p>"Let us be more just, Mr. Sumelin. They are our equals in <lb/> understanding,
                    our superiors in virtue. They have foibles where <lb/> men have faults, and
                    faults where men have crimes."</p>

                <fw type="catchword">Hermsprong</fw>

                <pb n="329"/>

                <fw type="runningHead">By Hermione Ramsden <fw type="pageNum">301</fw></fw>

                <p>Hermsprong is the necessary complement to Sir George <lb/> Paradyne. He is the
                    ideal, while the other is the real. Herm-<lb/> sprong is a native of America,
                    and in many respects he resembles <lb/> the Alien of Mr. Grant Allen's hill-top
                    novel. In Bage's time, <lb/> America was still sufficiently unknown to supply
                    the novelist from <lb/> Mrs. Aphra Behn * onwards with an original character for
                    which <lb/> now-a-days he is obliged to seek among the phantoms of the <lb/>
                    twenty-fifth century, or in the person of an angel visitant. <lb/> Hermsprong,
                    like the Alien, or Mr. H. G. Wells's angel, is a <lb/> thoroughly unconventional
                    being who finds it impossible to <lb/> accustom himself to the ways and habits
                    of British barbarians. <lb/> He is, according to his own description, a savage
                    whose wish it is <lb/> to return to nature, and who holds up the habits and
                    customs of <lb/> the American Red Indians as worthy of being imitated. He is
                    <lb/> in fact an Anarchist, who maintains that virtue is natural to man, <lb/>
                    and that a return to nature is a return to the primeval state of <lb/> innocence
                    before the laws had taught men how to sin.</p>

                <p>Hermsprong's views, however, do not assume any very <lb/> dangerous proportions.
                    The utmost that he does to astonish the <lb/> natives is to announce his
                    intention of going to London on foot, <lb/> a journey which is likely to occupy
                    three days. But if he had <lb/> suggested flying, the announcement could hardly
                    have excited <lb/> more surprise.</p>

                <p>"Surely, Mr. Hermsprong, you cannot think of walking ?"</p>

                <p>"Oh, man of prejudice, why ? In what other way can I <lb/> travel with equal
                    pleasure ?" </p>

                <p>"Pleasure ! Pleasure in England is not attached to the idea of <lb/> walking.
                    Your walks we perform in chaises."</p>

                <fw type="catchword">"I pity</fw>

                <p>* <emph rend="italic">Oroonoko ; or, the Royal Slave</emph>. By the Ingenious
                    Mrs. Behn. <lb/> Seventh Edition. London, 1722.</p>

                <pb n="330"/>

                <fw type="runningHead"><fw type="pageNum">302</fw> A Forgotten Novelist</fw>

                <p>"I pity you for it. For myself, I chuse not to buy infirmity <lb/> so dear I must
                    be independent, so far as social man can <lb/> be independent. In other words I
                    must be free from the <lb/> necessity of doing little things, or saying little
                    words to any <lb/> man. . . . . " </p>

                <p>It is said of him that his singularities of character unfit him for <lb/> the
                    society of English gentlemen ; he eats only to live, instead of <lb/> living to
                    eat ; he cares nothing for the pleasures of the bottle, <lb/> nor for the still
                    greater pleasures of cards and dice, yet his manners <lb/> are such that he
                    never fails to please. An English dinner he <lb/> considers melancholy :</p>

                <p>"If to dine," says he, " were only to eat, twenty minutes would <lb/> be ample.
                    You sit usually a couple of hours, and you talk, and <lb/> call it conversation.
                    You make learned remarks on wind and <lb/> weather ; on roads ; on dearness of
                    provisions ; and your essays <lb/> on cookery are amazingly edifying. Not much
                    less so are your <lb/> histories of your catarrhs and toothaches. . . . . It is
                    said that <lb/> physicians have much increased in your country ; one great <lb/>
                    reason may be, because you dine."</p>

                <p>He has, moreover, a secret, but deep-founded contempt for <lb/> the forms of
                    politeness, and is often found to err on the side of <lb/> plain speaking, to
                    the intense anxiety of those who are anxious to <lb/> befriend him. </p>

                <p>"I have often been told," he says, "that in very, very civilised <lb/> countries
                    no man could hold up the mirror of truth to a lady's <lb/> face, without
                    ill-manners. I came to try."</p>

                <p>In this experiment he is fairly successful, for the ladies do not <lb/> resent
                    his truthfulness as much as might have been expected. <lb/> His mission, like
                    the Alien's, is to rescue a lady from tyranny, <lb/> only this time the tyrant
                    is a father and not a husband. By <lb/> degrees he overcomes her filial
                    prejudices by bidding her lay aside</p>

                <fw type="catchword">all</fw>

                <pb n="331"/>

                <fw type="runningHead">By Hermione Ramsden <fw type="pageNum">303</fw>
                </fw>

                <p>all pre-conceived notions of duty, and declaring that "in vain <lb/> would the
                    reasoners of this polished country say everything is due <lb/> to the authors of
                    our existence. Merely for existence, I should <lb/> have answered, I owe
                    nothing. It is for rendering that existence <lb/> a blessing, my filial
                    gratitude is due."</p>

                <p>The lady of his choice is a certain Miss Campinet, the daughter <lb/> of Lord
                    Grondale, but the latter does not favour his suit, which is <lb/> the less
                    surprising when we consider that it is one of the <lb/> characteristics of the
                    savage that he does not love lords. It will <lb/> be remembered that the Alien
                    did not love lords either, and that <lb/> he, too, was equally contemptuous of
                    rank and riches. The <lb/> conversation which takes place between Hermsprong and
                    his <lb/> father-in-law elect is sufficiently original to be worth tran-<lb/>
                    scribing :</p>

                <p>"Before I condescend to give you my daughter," says Lord <lb/> Grondale, "I must
                    have a more particular account of your family, <lb/> Sir ; of its alliances, Sir
                    ; and of your rent roll."</p>

                <p>"Upon my word, my Lord; here is a great deal of difficulty <lb/> in this country
                    to bring two people together, who are un-<lb/> fortunate enough to have
                    property. For my part I have thought <lb/> little of what your lordship thinks
                    so much. I have thought <lb/> only that I was a man, and she a
                    woman&#x2014;lovely, indeed, but <lb/> still a woman. Nature has created a
                    general affinity between <lb/> these two species of beings ; incident has made
                    it particular <lb/> between Miss Campinet and me. In such situations, people
                    <lb/> usually marry ; so I consent to marry."</p>

                <p>We must observe that it was a gross inconsistency on the <lb/> part of Hermsprong
                    that he should be guilty of one of the most <lb/> barbarous customs of the
                    times. When applying to Lord Gron-<lb/> dale for permission to marry his
                    daughter, he never contemplates <lb/> the necessity of first consulting the
                    wishes of the young lady</p>

                <fw type="catchword">herself;</fw>

                <pb n="332"/>

                <fw type="runningHead"><fw type="pageNum">304</fw> A Forgotten Novelist</fw>

                <p>herself ; these he takes for granted, and when reproached for his <lb/> lack of
                    humility, he defends himself by saying : </p>

                <p>"I consider a woman as equal to a man ; but . . . I consider <lb/> a man also as
                    equal to a woman. When we marry we give and <lb/> we receive. Where is the
                    necessity that man should take <lb/> upon him this crouching mendicant spirit,
                    this excess of <lb/> humiliation ?"</p>

                <p>All this is very plausible, of course, but his notions of love- <lb/> making were
                    curious, to say the least, and it is difficult not to feel <lb/> some compassion
                    for Miss Campinet. In course of time how-<lb/> ever, his arguments convince her,
                    and his efforts on her behalf are <lb/> crowned with the success they deserve.
                    He turns out to be none <lb/> other than her long-lost cousin, Sir Charles
                    Campinet, the lawful <lb/> heir to Lord Grondale's estate, and the son of his
                    ship-wrecked <lb/> brother. A reconciliation takes place, Lord Grondale dies,
                    and <lb/> the young couple are happy ever after.</p>

                <p>As an author, Robert Bage resembles Mr. Grant Allen in more <lb/> than one
                    respect, for in the first place his publisher was one named <lb/> Lane, and in
                    the second his object was to instruct women. In-<lb/> struction intended for
                    them can only be offered in the form of a <lb/> novel as they are not likely to
                    read works of a more serious nature, <lb/> and <emph rend="italic">Man as He
                        Is</emph> is intended especially for the fair sex, amongst <lb/> whom he
                    hopes to find twenty thousand readers ; in it he treats <lb/> of the subjects
                    which he thinks will be most agreeable to them, <lb/> i.e., love and fashion. In
                    like manner, Mr. Grant Allen, in his <lb/>
                    <emph rend="italic">British Barbarians</emph>, informs us that he writes not for
                    wise men, <lb/> because they are wise already, but that it is the boys and <lb/>
                    girls and women&#x2014;women in particular&#x2014;whom he desires to <lb/>
                    instruct.</p>

                <p>The study of <emph rend="italic">Man as He Is</emph> and <emph rend="italic">Is
                        Not</emph>, or rather, as he was <lb/> and was not, in the years 1792 and
                    1796, is very instructive and</p>

                <fw type="catchword">also</fw>

                <pb n="333"/>

                <fw type="runningHead">By Hermione Ramsden <fw type="pageNum">305</fw></fw>

                <p>also distinctly salutary, and as such it deserves to be recommended <lb/> as an
                    antidote to pessimism. Both these books prove in the most <lb/> convincing
                    manner that a great change for the better has taken <lb/> place in the ways and
                    customs of English men and women since <lb/> the close of the eighteenth
                    century. Men no longer fight duels <lb/> at the smallest provocation, nor weep
                    in public, and women have <lb/> long ceased to cultivate the art of fainting,
                    nor do they&#x2014;in <lb/> polite society&#x2014;use their nails as weapons of
                    defence, while <lb/> even the art of writing fiction has made considerable
                    progress <lb/> since the days when Robert Bage first began to write his <lb/>
                    romances.</p>


    </div>
            
            <div n="YBV12_35po" type="poem">
                <pb n="334"/>
                
                
                <head><title level="a">A Fire</title></head>
                
                <byline>By <docAuthor><ref target="#SPH">Stephen Phillips</ref></docAuthor></byline>
                
                <lg type="stanza">
                    <l>DAZZLED with watching how the swift fire fled</l>
                    <l>Along the dribbling roof, I turned my head ;</l>
                    <l>When lo, upraised beneath the lighted cloud</l>
                    <l>The illumed unconscious faces of the crowd !</l>
                    <l>Beautiful souls I knew and spirits dire,</l>
                    <l>A moment naked, and betrayed by fire ;</l>
                    <l>An old grey face in lovely bloom upturned,</l>
                    <l>The ancient rapture and the dream returned ;</l>
                    <l>A cautious face, now brilliant and rash,</l>
                    <l>The scheming eyes hither and thither flash ;</l>
                    <l>The experienced face, with all emotion crushed,</l>
                    <l>Now, as at some great wrong indignant, flushed ;</l>
                    <l>The hungering tramp with indolent gloating stare,</l>
                    <l>The beggar in glory and devoid of care :</l>
                    <l>That grey and trivial face, made up of needs,</l>
                    <l>Now pale and recent from triumphant deeds !</l>
                    <l>A mother slowly burning with bare breast,</l>
                    <l>Yet her consuming babe close to her prest ;</l>
                    <l>That prosperous citizen in anguish dire,</l>
                    <l>Beseeching heaven from purgatorial fire,</l>
                    <l>Souls unaware by sudden flame betrayed</l>
                    <l>I saw ; then through the darkness stole, afraid.</l>
                </lg>
               
                
            </div>
            
            <div>
                <head>
                    <title level="a">Two Pictures | I. Ferry Bridge</title>
                    <title level="a">II. The Harvest-Moon</title>                    
                </head>
                <byline> By E. A. Walton <docAuthor>
                    <ref target="#EWA"/>
                </docAuthor>
                </byline>
            </div>
            
            
            <div n="YBV12_36im" type="image">
                <figure>
                    <graphic width="600px" url="MediumImageDocs/YBV12icon16_pears_ferry.jpg"/>
                    <note n="YBV12_36im.n1">
                        <title>Two Pictures | I. Ferry Bridge</title>
                        <rs>YBV12icon16</rs> YBV12icon16 Charles Pears Two Pictures I Ferry Bridge 9.2 cm x 7.3cm
                        Visual Art Landscape Watercolour exterior ferry bridge water river shore FERRY BRIDGE</note>
                    <head>Two Pictures | I. Ferry Bridge</head>
                    <figDesc>
                        Image is of a ferry bridge The image name FERRY BRIDGE is in the upper left hand corner
                    </figDesc>
                </figure>
            </div>
            
            <div n="YBV12_37im" type="image">
                <figure>
                    <graphic width="600px" url="MediumImageDocs/YBV12icon17_pears_harvest.jpg"/>
                    <note n="YBV12_37im.n1">
                        <title>Two Pictures | II. The Harvest-Moon</title>
                        <rs>YBV12icon17</rs> YBV12icon17 Charles Pears Two Pictures II The
                        Harvest-Moon15.1 cm x 9.8 cm Visual Art Illustration Watercolour exterior
                        pitch fork fence low moon clear sky woman bonnet apron farming dark dress
                        long sleeves</note>
                    <head>Two Pictures | II. The Harvest-Moon</head>
                    <figDesc> Image is of a woman farming She is shown in profile wearing a bonnet
                        and apron Her dress is dark and long sleeved Her right hand is holding on
                        to a pitch fork The suggestion of a fence is in the left background A
                        low moon is shining behind her profile The sky is clear The image is
                        vertically displayed</figDesc>
                </figure>
            </div>
            
              <div n="YBV12_38pr" type="prose">
                <pb n="345"/>



                <head><title level="a">At Twickenham</title>
                </head>

                <byline>By <docAuthor><ref target="#EDA">Ella D'Arcy</ref></docAuthor>
                </byline>

                <p>WHEN John Corbett married Minnie Wray, her sister Loetitia, <lb/> their parents
                    being dead, came to live under his roof also, <lb/> which seemed to Corbett the
                    most natural arrangement in the <lb/> world, for he was an Irishman, and the
                    Irish never count the <lb/> cost of an extra mouth. "Where there's enough for
                    two, there's <lb/> enough for three," is a favourite saying of theirs, and even
                    in the <lb/> most impecunious Irish household no one ever dreams of grudging
                    <lb/> you your bite of bread or sup o' th' crathur. </p>

                <p>But Corbett was not impecunious. On the contrary, he was <lb/> fairly well off,
                    being partner in and traveller for an Irish whiskey <lb/> house, and earning
                    thus between eight and nine hundred a year. <lb/> In the Income Tax returns he
                    put the figure down as five hundred, <lb/> but in conversation he referred to it
                    casually as over a thousand ; <lb/> for he had some of the vices of his
                    nationality as well as most of <lb/> its virtues, and to impress Twickenham with
                    a due sense of the <lb/> worth of John Corbett was perhaps his chief
                    preoccupation out of <lb/> business hours. </p>

                <p>He lived in an imitation high art villa on the road to Strawberry <lb/> Hill ; a
                    villa that rejoiced in the name of "Braemar," gilded in <lb/> gothic letters
                    upon the wooden gate ; a villa that flared up into <lb/> pinnacles, blushed with
                    red-brick, and mourned behind sad-tinted </p>

                <fw type="catchword">glass.</fw>

                <pb n="346"/>

                <fw type="runningHead"><fw type="pageNum">314</fw> At Twickenham </fw>

                <p>glass. The Elizabethan casements let in piercing draughts, the <lb/> Brummagen
                    brass door-handles came off in the confiding hand <lb/> that sought to turn
                    them, the tiled hearths successfully conducted <lb/> all the heat up the
                    chimneys to disperse it generously over an <lb/> inclement sky. But Corbett
                    found consolation in the knowledge <lb/> that the hall was paved with grey and
                    white mosaic, that "Salve" <lb/> bristled at you from the door-mat, that the
                    dining-room boasted <lb/> of a dado, and that the drawing-room rose to the
                    dignity of a <lb/> frieze. </p>

                <p>Minnie Corbett, whose full name was Margaret but who pre-<lb/> ferred to be
                    called Rita, although she could not teach her family to <lb/> remember to call
                    her so, and Loetitia, who had recently changed <lb/> the "Tish" of her childhood
                    to the more poetical Letty, dressed <lb/> the windows of "Braemar," with frilled
                    Madras muslin, draped the <lb/> mantel-pieces with plush, hung the walls with
                    coloured photographs, <lb/> Chinese crockery, and Japanese fans. They made
                    expeditions <lb/> into town in search of pampas grass and bulrushes, with which
                    in <lb/> summer-time they decorated the fireplace, and in winter the <lb/>
                    painted drain-pipes which stood in the corners of the room.</p>

                <p>Beyond which labours of love, and Minnie's perfunctory ordering <lb/> of the
                    dinner every morning, neither she not Lcetitia found any-<lb/> thing to do, for
                    Corbett kept a cook, a house-parlourmaid, and a <lb/> nurse to look after
                    Minnie's three children, in whom her interest <lb/> seemed to have ceased when
                    she had bestowed on them the fine- <lb/> sounding names of Lancelot, Hugo, and
                    Guinevere. Lcetitia had <lb/> never pretended to feel any interest in the
                    children at all.</p>

                <p>The sisters suffered terribly from dulness, and one memorable <lb/> Sunday
                    evening, Corbett being away travelling, they took first- <lb/> class tickets to
                    Waterloo, returning by the next train, merely to <lb/> pass the time.</p>

                <p>When Corbett was not travelling, his going to and fro between</p>

                <fw type="catchword">Twickenham</fw>

                <pb n="347"/>

                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">315</fw></fw>

                <p>Twickenham and the city lent a spice of variety to the day. He <lb/> left every
                    morning by the 9.15 train, coming home in the evening <lb/> in time for a seven
                    o'clock dinner. On Saturdays he got back by <lb/> two, when he either mowed the
                    lawn, in his shirt-sleeves, or played <lb/> a set of tennis with Loetitia, or
                    went with the girls for a row on the <lb/> river. Or, if Minnie made a special
                    point of it, he escorted them <lb/> into town again, where he treated them to a
                    restaurant <emph rend="italic">table d'hôte</emph>
                    <lb/> and a theatre afterwards. On Sundays he rose late, renewed his <lb/>
                    weekly acquaintance with the baby, read through the <emph rend="italic"
                        >Referee</emph> from <lb/> first line to last, and accompanied by his two
                    little boys, dressed in <lb/> correct Jack Tar costume, went for a walk along
                    the towing-path, <lb/> whence they could watch the boating.</p>

                <p>Humanly speaking, he would have like to have followed the <lb/> example of those
                    flannel-shirted publicans and sinners who pushed <lb/> off every moment in gay
                    twos and threes from Shore's landing- <lb/> stage, but consideration for the
                    susceptibilities of Providence and <lb/> of Twickenham held him in check.</p>

                <p>It is true he did not go to church, although often disquieted by <lb/> the
                    thought of the bad effect this omission must produce on the <lb/> mind of his
                    next-door neighbour ; but he salved his conscience with <lb/> the plea that he
                    was a busy man, and that Sunday was his only <lb/> day of home life. Besides,
                    the family was well represented by <lb/> Minnie and Loetitia, who when the
                    weather was fine, never <lb/> missed morning service. When it was wet they
                    stayed away on <lb/> account of their frocks. </p>

                <p>Sunday afternoons were spent by them sitting in the drawing-room <lb/> awaiting
                    the visitors who did not come. The number of persons in <lb/> Twickenham with
                    whom they were on calling terms was limited, <lb/> nor can it be maintained that
                    "Braemar" was an amusing house <lb/> at which to call. For though Corbett was
                    one of the most <lb/> cordial, one of the most hospitable of young men, his
                    women-</p>
                <fw type="catchword">folk</fw>

                <pb n="348"/>

                <fw type="runjningHead"><fw type="pageNum">316</fw> At Twickenham </fw>

                <p>folk shone rather by their silences than by their conversational <lb/> gifts.</p>

                <p>Minnie Corbett was particularly silent. She had won her <lb/> husband by lifting
                    to his a pair of blankly beautiful eyes, and it <lb/> did not seem to her
                    requisite to give greater exertion to the <lb/> winning of minor successes. </p>

                <p>Loetitia could talk to men, provided they were unrelated to her, <lb/> but she
                    found nothing to say to members of her own sex. Even <lb/> with her sister she
                    was mostly silent, unless there was a new <lb/> fashion in hats, the cut of a
                    sleeve, or the set of a skirt to discuss. <lb/> There was, however, one other
                    topic which invariably aroused her <lb/> to a transitory animation. This was the
                    passing by the windows <lb/> in his well-appointed dog-cart, of a man who,
                    because of his <lb/> upright bearing, moustache, and close-cut hair, she and
                    Minnie <lb/> had agreed to call "the Captain." </p>

                <p>He was tall, evidently, and had a straight nose. Loetitia also <lb/> was
                    straight-nosed and tall. She saw in this physical resemblance <lb/> a reason for
                    fostering a sentimental interest in him. </p>

                <p>"Quick, Minnie, here's the Captain !" she would cry, and <lb/> Minnie would awake
                    from the somnolency of Sunday with a start, <lb/> and skip over to the window to
                    watch a flying vision of a brown <lb/> horse, a black and red painted cart, and
                    a drab-coated figure hold-<lb/> ing the reins, while a very small groom in white
                    cords and top- <lb/> boots maintained his seat behind by means of tightly folded
                    arms <lb/> and a portentous frown.</p>

                <p>"He's got such a pretty horse," observed Minnie on one <lb/> occasion, before
                    relapsing back into silence, the folding of hands, <lb/> and a rocking-chair. </p>

                <p>"Yes," Loetitia agreed pensively, "it has such a nice tail."</p>

                <p>Although she knew nothing concerning the Captain, although <lb/> it did not seem
                    probable that she ever would know anything, </p>

                <fw type="catchword">although </fw>

                <pb n="349"/>

                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">317</fw>
                </fw>

                <p>although it was at least a tenable supposition that he was married <lb/> already
                    and the father of a family, she saw herself, in fancy, the <lb/> wife of the
                    wearer of the drab coat, driving by his side along the <lb/> roads of
                    Twickenham, up the High Street of Richmond. She <lb/> wore, in fancy, a sealskin
                    as handsome as Minnie's and six inches <lb/> longer, and she ordered lavishly
                    from Gosling and the other <lb/> tradesmen, giving the address of Captain
                    Devereux of Deepdene, <lb/> or Captain Mortimer of the Shrubberies. The names
                    were either <lb/> purely imaginary, or reminiscent of the novels she constantly
                    <lb/> carried about with her and fitfully read.</p>

                <p>She sat nearly always with an open book upon her knee, but <lb/> neither Hall
                    Caine nor Miss Marie Corelli even in their most <lb/> inspired moments could woo
                    her to complete self-forgetfulness. She <lb/> did not wish to forget herself in
                    a novel. She wished to find <lb/> in it straw for her own brick-making, bricks
                    for her own castle- <lb/> building. And if a shadow fell across the window, if a
                    step was <lb/> heard along the hall, she could break off in the most poignant
                    <lb/> passage to lift a slim hand to the better arrangement of her curls, <lb/>
                    to thrust a slim foot in lace stocking and pointed shoe to a position <lb/> of
                    greater conspicuousness. </p>

                <p>On Sunday evenings at "Braemar" there was cold supper <lb/> at eight, consisting
                    of the early dinner joint, eaten with a <lb/> salad scientifically mixed by
                    Corbett, the remains of the apple <lb/> or gooseberry pie, cheese, and an
                    excellent Burgundy obtained <lb/> by him at trade price. When the cloth was
                    removed he did <lb/> not return to the drawing-room. He never felt at ease in
                    <lb/> that over-furnished, over-ornate room, so darkened by shaded <lb/> lamps
                    and pink petticoated candles that it was impossible to <lb/> read. The white,
                    untempered flames of three gas-burners in <lb/> the dining-room suited him
                    better, and here he would sit on one <lb/> side of the hearth in an arm-chair
                    grown comfortable from continual </p>

                <fw type="footer">The Yellow Book&#x2014;Vol. XII. T </fw>
                <fw type="catchword">use.</fw>

                <pb n="350"/>

                <fw type="runningHead"><fw type="pageNum">318</fw> At Twickenham</fw>

                <p>use, and read over again the already well-read paper, while Minnie, <lb/> on the
                    other side of the hearth, stared silently before her, and <lb/> Lcetitia
                    fingered her book at the table.</p>

                <p>Sometimes Corbett, untaught by past experience, would make <lb/> a hopeful appeal
                    to one or the other, for an expression of opinion <lb/> concerning some topic of
                    the day : some new play, some new <lb/> book. But Minnie seldom took the trouble
                    to hear him at all, <lb/> and Loetitia would answer with such superficial
                    politeness, with <lb/> so wide an irrelevance to the subject, that discouraged,
                    he would <lb/> draw back again into his shell. At the end of every Sunday <lb/>
                    evening he was glad to remember that the next day was Monday <lb/> when he could
                    return to his occupations and his acquaintances in <lb/> the City. In the City
                    men were ready to talk to him, to listen <lb/> to what he said, and even to
                    affect some show of interest in his <lb/> views and pursuits. </p>

                <p>The chief breaks in his home life, its principal excitements, <lb/> were the
                    various ailments the children developed, the multifarious <lb/> and unexpected
                    means they found of putting their lives in <lb/> jeopardy and adding items to
                    Dr. Payne's half-yearly accounts. <lb/> Corbett would come home in the happiest
                    mood, to have <lb/> his serenity roughly shattered by the news that Lancelot had
                    <lb/> forced a boot-button down his ear, and was rolling on the floor in <lb/>
                    agony ; that Hugo had bolted seventeen cherry-stones in succes-<lb/> sion and
                    obstinately refused an emetic ; that the baby had been <lb/> seized with
                    convulsions, that the whole family were in for <lb/> chicken-pox,
                    whooping-cough, or mumps. </p>

                <p>On such occasions Minnie, recovering something of her ante-<lb/> nuptial
                    vivacity, seemed to take a positive pleasure in unfolding <lb/> the harrowing
                    details, in dwelling on the still more harrowing <lb/> consequences which would
                    probably ensue. </p>

                <p>When, on turning into Wetherly Gardens on his way from </p>

                <fw type="catchword">the</fw>

                <pb n="351"/>

                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">319</fw>
                </fw>

                <p>the station, Corbett perceived his wife's blonde head above <lb/> the garden
                    gate, he knew at once that it betokened some <lb/> domestic catastrophe. It had
                    only been in the very early days of <lb/> their married life that Minnie had
                    hurried to greet his return for <lb/> the mere pleasure it gave her.</p>

                <p>The past winter had brought rather more than the usual crop <lb/> of casualties
                    among the children, so that it had seemed to Corbett <lb/> that the parental cup
                    of bitterness was already filled to over-<lb/> flowing, that Fate might well
                    grant him a respite, when, returning <lb/> from town one warm May Saturday, his
                    thoughts veering river- <lb/> wards, and his intention being to invite the girls
                    to scull up and <lb/> have tea at Tagg's, his ears were martyrised by the
                    vociferous <lb/> howls of Hugo, who had just managed to pull down over himself
                    <lb/> the kettle of water boiling on the nursery fire.</p>

                <p>While the women of the household disputed among themselves <lb/> as to the
                    remedial values of oil, treacle, or magnesia, Corbett <lb/> rushed round to
                    Payne's to find him away, and to be referred to <lb/> Dr. Matheson of Holly
                    Cottage, who was taking Payne's cases. <lb/> At the moment he never noticed what
                    Matheson was like, he <lb/> received no conscious impression of the other's
                    personality. <lb/> But when that evening, comparative peace having again fallen
                    <lb/> upon the Villa, Loetitia remarked for the twentieth time, "How <lb/> funny
                    that Dr. Matheson should be the Captain, isn't it ?" he <lb/> found in his
                    memory the picture of a tall fair man, with regular <lb/> features and a quiet
                    manner, he caught the echoes of a pleasantly <lb/> modulated voice. </p>

                <p>The young women did not go to service next morning, but <lb/> Loetitia put on her
                    best gown nevertheless. She displayed also a <lb/> good deal of unexpected
                    solicitude for her little nephew, and when <lb/> Matheson looked in, at about 10
                    A.M., she saw fit to accompany <lb/> him and Corbett upstairs to the
                    night-nursery, where Minnie, in </p>

                <fw type="catchword">a white</fw>

                <pb n="352"/>

                <fw type="runningHead"><fw type="PageNum">320</fw> At Twickenham</fw>

                <p>a white wrapper trimmed with ribbons as blue as her eyes <lb/> and as
                    meaningless, sat gazing into futurity by her son's bed-<lb/> side.</p>

                <p>Hugo had given up the attempt to obtain illuminating answers <lb/> to the
                    intricate social and ethical problems with which he wiled away <lb/> the
                    pain-filled time. For when by repeated interrogatives of <lb/> "Mother ?" "Eh,
                    mother ?" "Well, mother ?" he had induced <lb/> Minnie at least to listen to
                    him, all he extracted from her was <lb/> some unsatisfying vagueness, which
                    added its quota to the waters <lb/> of contempt already welling up in his young
                    soul for the intelli-<lb/> gence of women. </p>

                <p>He rejoiced at the appearance of his father and the doctor, <lb/> despite some
                    natural heart-sinkings as to what the latter, might <lb/> not purpose doing to
                    him. He knew doctors to be perfectly <lb/> irresponsible autocrats, who walked
                    into your bedroom, felt your <lb/> pulse, turned you over and over just as
                    though you were a puppy <lb/> or a kitten, and then with an impassive
                    countenance ordered you <lb/> a poultice or a powder, and walked off. He knew
                    that if they <lb/> condemned you to lose an arm or a leg they would be just as
                    <lb/> despotic and impassible, and you would have to submit just as <lb/>
                    quietly. None of the grown-ups about you would ever dream of <lb/> interfering
                    in your behalf.</p>

                <p>So he fixed Matheson with an alert, an inquiring, a profoundly <lb/> distrustful
                    eye, and with a hand in his father's awaited develop-<lb/> ments. Loetitia he
                    ignored altogether. He supposed that the <lb/> existence of aunts was necessary
                    to the general scheme of things, <lb/> but personally he hadn t any use for
                    them. His predominate <lb/> impression of Auntie Tish was that she spent her day
                    heating curl-<lb/> ing-irons over the gas-bracket in her bedroom, and curling
                    her <lb/> hair, and although he saw great possibilities in curling-irons heated
                    <lb/> red-hot and applied to reasonable uses, he was convinced that no </p>

                <fw type="catchword">one</fw>

                <pb n="353"/>

                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">321</fw></fw>

                <p>one besides herself ever knew whether her hair was curled or <lb/> straight. But
                    women were such ninnies.</p>

                <p>The examination over, the scalds re-dressed and covered up <lb/> again, Matheson
                    on his way downstairs stopped at the staircase <lb/> window to admire the green
                    and charming piece of garden, which <lb/> ending in an inconspicuous wooden
                    paling, enjoyed an illusory <lb/> proprietorship in the belt of fine old elm
                    trees belonging to the <lb/> demesne beyond. </p>

                <p>Corbett invited him to come and take a turn round it, and the <lb/> two young men
                    stepped out upon the lawn. </p>

                <p>It was a delicious blue and white morning, with that Sunday <lb/> feeling in the
                    uir which is produced by the cessation of all <lb/> workaday noises, and
                    heightened just now by the last melodious <lb/> bell-cadences floating out from
                    the church on the distant green. <lb/> The garden was full of flowers and bees,
                    scent and sunshine. <lb/> Roses, clematis, and canariensis tapestried the brick
                    unsightly- <lb/> nesses of the back of the house. Serried ranks of blue-green
                    <lb/> lavender, wild companies of undisciplined sweet pea, sturdy clumps <lb/>
                    of red-hot poker shooting up in fiery contrast to the wide-spread-<lb/> ing
                    luxuriance of the cool white daisy bushes, justled side by side <lb/> in the
                    border territories which were separated from the lawn by <lb/> narrow gravel
                    paths. </p>

                <p>While Corbett and his guest walked up and down the centre of <lb/> the grass,
                    Minnie and Loetitia watched them from behind the <lb/> curtains of the night
                    nursery window.</p>

                <p>"He's got such nice hands," said Loetitia, "so white and well <lb/> kept. Did you
                    notice, Minnie ?" Loetitia always noticed hands, <lb/> because she gave a great
                    deal of attention to her own.</p>

                <p>But Minnie, whose hands were not her strong point, was more <lb/> impressed by
                    Matheson's boots. "I wish Jack would get brown <lb/> boots, they look so much
                    smarter with light clothes," she</p>

                <fw type="catchword">remarked, </fw>

                <pb n="354"/>

                <fw type="runningHead"><fw type="pageNum">322</fw> At Twickenham</fw>

                <p>remarked, but without any intensity of desire. Before the short <lb/> phrase was
                    finished, her voice had dropped into apathy, her gaze <lb/> had wandered away
                    from Matheson's boots, from the garden, <lb/> from the hour. She seemed not to
                    hear her sister's dubious "Yes, <lb/> but I wonder he wears a tweed suit on
                    Sundays !" </p>

                <p>Loetitia heard herself calling him Algernon or Edgar, and re-<lb/> monstrating
                    with him on the subject. Then she went into her <lb/> bedroom, recurled a
                    peccant lock on her temple, and joined the <lb/> men just as the dinner gong
                    sounded.</p>

                <p>Matheson was pressed to stay and share the early dinner. <lb/> "Unless," said
                    Corbett, seeing that he hesitated, "Mrs. Matheson <lb/> . . . perhaps . . . is
                    waiting for you ?"</p>

                <p>"There is no Mrs. Matheson, as yet," he answered smiling, <lb/> "although Payne
                    is always telling me it s my professional duty to <lb/> get married as soon as
                    possible."</p>

                <p>Loetitia coloured and smiled.</p>

                <p> * * * * * </p>

                <p>From that day Matheson was often at "Braemar." At first he <lb/> came ostensibly
                    to attend to Hugo, but before that small pickle <lb/> was on his feet again and
                    in fresh mischief, he was sufficiently <lb/> friendly with the family to drop in
                    without any excuse at all.</p>

                <p>He would come of an evening and ask for Corbett, and the maid <lb/> would show
                    him into the little study behind the dining-room, <lb/> where Corbett enjoyed
                    his after-dinner smoke. He enjoyed it <lb/> doubly in Matheson s society, and
                    discovered he had been <lb/> thirsting for some such companionship for years.
                    The girls were <lb/> awfully nice, of course, but .... and then, the fellows in
                    the <lb/> City ... he compared them with Matheson, much to their <lb/>
                    disadvantage. For Matheson struck him as being amazingly <lb/> clever&#x2014;a
                    pillar of originality&#x2014;and his fine indifference to the <lb/> most
                    cherished opinions of Twickenham made Corbett catch his </p>

                <fw type="catchword">breath,</fw>

                <pb n="355"/>

                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">323</fw></fw>

                <p>breath. But the time spent with his friend was only too short. <lb/> Minnie and
                    Loetitia always found some pretext to join them, and <lb/> they would reproach
                    Matheson in so cordial a manner for never <lb/> coming into the drawing-room,
                    that presently, somewhat to <lb/> Corbett's chagrin, he began to pay his visits
                    to them instead.</p>

                <p>Then as the summer advanced, the fine weather suggested river <lb/> picnics, and
                    the young women arranged one every week. They <lb/> even ventured under
                    Matheson's influence to go out on a Sunday, <lb/> starting in the forenoon,
                    getting up as far as Chertsey, and not <lb/> returning till late at night.
                    Corbett, half delighted with the <lb/> abandoned devilry of the proceeding, half
                    terrified lest Wetherly <lb/> Gardens should come to hear of it, Providence deal
                    swift <lb/> retribution, was always wholly surprised and relieved when they
                    <lb/> found themselves again ashore, as safe and comfortable as though <lb/> the
                    day had been a mere Monday or Wednesday. And if this <lb/> immunity from
                    consequences slightly shook Corbett s respect for <lb/> Providence, it sensibly
                    increased his respect for his friend.</p>

                <p>Corbett would have enjoyed this summer extremely, but for the <lb/> curious
                    jealousy Minnie began to exhibit of his affection for <lb/> Matheson. It seemed
                    to him it could only be jealousy which <lb/> made her intrude so needlessly on
                    their <emph rend="italic">tête-à-têtes</emph>, interrupt their <lb/>
                    conversation so pointedly, and so frequently reproach Corbett, in <lb/> the
                    privacy of the nuptial chamber, for monopolising all the <lb/> attention of
                    their guest.</p>

                <p>"You're always so selfish," Minnie would complain.</p>

                <p>Yet, reviewing the incidents of the evening&#x2014;Matheson had <lb/> been dining
                    perhaps at " Braemar"&#x2014;it seemed to Corbett that he <lb/> had hardly had a
                    chance to exchange a word with him at all. It <lb/> seemed to Corbett that
                    Loetitia had done all the talking ; and her <lb/> light volubility with
                    Matheson, so different to the tongue-tiedness <lb/> of her ordinary hours, her
                    incessant and slightly meaningless </p>

                <fw type="catchword">laugh,</fw>

                <pb n="356"/>

                <fw type="runningHead"><fw type="pageNum">324</fw> At Twickenham</fw>

                <p>laugh, echoed in his ears at the back of Minnie's scoldings, until <lb/> both
                    were lost in sleep.</p>

                <p>But when the problem of Minnie's vexation recurred to him <lb/> next morning, he
                    decided that the key to it could only be <lb/> jealousy, and he was annoyed with
                    himself that he could find no <lb/> excuses for a failing at once so ridiculous
                    and so petty. The <lb/> true nature of the case never once crossed his mind,
                    until Minnie <lb/> unfolded it for him one day, abruptly and triumphantly.</p>
                <p>"Well, it's all right. He's proposed at last." </p>
                <p>"What do you mean ? Who ?" asked Corbett bewildered.</p>
                <p>"Why, Jim Matheson, of course ! Who else do you suppose ? <lb/> He proposed to
                    Tish last night in the garden. You remember <lb/> how long they were out there,
                    after we came in ? That was <lb/> why." </p>

                <p>Corbett was immensely surprised, even incredulous, although <lb/> when he saw
                    that his incredulity made his wife angry, he stifled <lb/> it in his bosom.</p>

                <p>After all, as she said with some asperity, why shouldn't <lb/> Matheson be in
                    love with Loetitia ? Loetitia was a pretty girl <lb/> ... a good girl . . . yet
                    somehow Corbett felt disappointed <lb/> and depressed. </p>

                <p>"You're such a selfish pig," Minnie told him ; "you never <lb/> think of anybody
                    but yourself. You want to keep Tish here <lb/> always."</p>

                <p>Corbett feared he must be selfish, though scarcely in respect to <lb/> Lcetitia.
                    In his heart he would have been very glad to see her <lb/> married. But he didn
                    t want Matheson to marry her. </p>

                <p>"Jim's awfully in love," said Minnie, and it sounded odd to <lb/> Corbett to hear
                    his wife call Matheson "Jim." "He fell in love <lb/> with her the very first
                    moment he saw her. That's why he's been <lb/> here so often. You thought he came
                    to see you, I suppose !"</p>

                <fw type="catchword">Her </fw>

                <pb n="357"/>

                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">325</fw></fw>

                <p>Her husband's blank expression made her laugh.</p>

                <p>"You <emph rend="italic">are</emph> a pig !" she repeated. "You never do think of
                    any <lb/> one but yourself. Now hurry up and get dressed, and we'll go <lb/>
                    into town and dine at the Exhibition, and after dinner we'll go <lb/> up in the
                    Big Wheel." </p>

                <p>"Is Letty coming too ?" Corbett asked </p>

                <p>"Don't be so silly ! Of course not. She's expecting Jim. <lb/> That's why I m
                    taking you out. You don't imagine they want <lb/> your society, do you ? Or mine
                    ?" she added as an afterthought, <lb/> and with an unusual concession to
                    civility.</p>

                <p>Henceforward Corbett saw even less of Matheson than before. <lb/> He was as fond
                    of him as ever, but the friendship fell into <lb/> abeyance.</p>

                <p>It seemed too that Matheson tried to avoid him, and when he <lb/> offered his
                    congratulations on the engagement, the lover showed <lb/> himself singularly
                    reticent and cold. Corbett concluded he was <lb/> nervous. He remembered being
                    horribly nervous himself in the <lb/> early days of his betrothal to Minnie
                    Wray, when her mother had <lb/> persisted in introducing him to a large circle
                    at Highbury as <lb/> "My daughter Margaret's <emph rend="italic"
                    >engagé</emph>."</p>

                <p>On the other hand, Corbett could not enough rejoice at the <lb/> genial warmth
                    which the event shed over the atmosphere of <lb/> "Braemar." Both young women
                    brightened up surprisingly, <lb/> nor was there any lack of conversation between
                    them now. <lb/> Corbett thankfully gathered up such crumbs of talk as fell to
                    his <lb/> share, and first learned that the wedding was to take place in <lb/>
                    October when Minnie informed him she must have a new frock. <lb/> She rewarded
                    him for his immediate consent by treating him to a <lb/> different description
                    of how she would have it made, three nights <lb/> in the week. </p>

                <p>Loetitia thought of nothing but new frocks, and set about </p>

                <fw type="catchword">making</fw>

                <pb n="358"/>

                <fw type="runningHead"><fw type="pageNum">326</fw> At Twickenham</fw>

                <p>making some. A headless and armless idol, covered in scarlet <lb/> linen, was
                    produced from a cupboard, and reverentially enshrined <lb/> in the dining-room.
                    Both sisters were generally found on <lb/> their knees before it, while a
                    constant chattering went on in its <lb/> praise. Innumerable yards of silk and
                    velvet were snipped up in <lb/> sacrifice, and the sofas and chairs were sown
                    with needles and <lb/> pins, perhaps to extract involuntary homage from those
                    who <lb/> would not otherwise bow the head. The tables were littered <lb/> with
                    books of ritual having woodcuts in the text and illuminated <lb/> pictures
                    slipped between the leaves.</p>

                <p>There were constant visits to Richmond and Regent Street, <lb/> much
                    correspondence with milliners and dressmakers, a long <lb/> succession of
                    drapers' carts standing in the road, of porters laden <lb/> with brown paper
                    parcels passing up and down the path. <lb/> Loetitia talked of Brighton for her
                    wedding tour, and of having <lb/> a conservatory added to the drawing-room of
                    Holly Cottage. <lb/> Friends and acquaintances called to felicitate her, and
                    left to ask <lb/> themselves what in the world Dr. Matheson could have seen in
                    <lb/> Letty Wray. Presents began to arrive, and a transitory gloom <lb/> fell
                    upon "Braemar" when Loetitia received two butter dishes <lb/> of identical
                    pattern from two different quarters, neither of <lb/> which, on examination by
                    the local clockmaker, proved to be <lb/> silver. </p>

                <p>In this endless discussion of details, it did occasionally cross <lb/> Corbett's
                    mind that that which might perhaps be considered an <lb/> essential point,
                    namely, Matheson's comfort and happiness, was <lb/> somewhat lost sight of. But
                    as he made no complaint, and <lb/> maintained an equable demeanour, Corbett
                    supposed it was all <lb/> right. Every woman considered the acquisition of
                    fallals an <lb/> indispensable preliminary to marriage, and it was extravagant
                    to <lb/> look for an exception in Loetitia.</p>

                <fw type="catchword">Matters</fw>

                <pb n="259"/>

                <fw type="runningHead">By Ella D'Arcy <fw type="PageNum">327</fw></fw>

                <p>Matters stood thus, when turning into Wetherly Gardens one <lb/> evening at the
                    end of August, Corbett perceived, with a sudden <lb/> heart-sinking, Minnie
                    awaiting him at the gate. He recited the <lb/> litany of all probable
                    calamities, prayed for patience, and <lb/> prepared his soul to endure the
                    worst.</p>

                <p>"What <emph rend="italic">do</emph> you think, Jack," Minnie began, with immense
                    blue <lb/> eyes, and a voice that thrilled with intensity. "The most <lb/>
                    dreadful thing has happened&#x2014;"</p>

                <p>"Well, let me get in and sit down at least," said Corbett, <lb/> dispiritedly. He
                    was tired with the day's work, weary at the <lb/> renewal of domestic worry. But
                    the news which Minnie gave <lb/> him was stimulating in its unexpectedness.</p>

                <p>"Jim Matheson's been here to break off the engagement ! He <lb/> actually came to
                    see Tish this afternoon and told her so himself. <lb/> Isn't it monstrous ?
                    Isn't it disgraceful ? And the presents <lb/> come and everything. She's in a
                    dreadful state. She's been <lb/> crying on the bed ever since."</p>

                <p>But Loetitia, hearing her brother-in-law's return, came down, <lb/> her fringe,
                    ominous sign, out of curl, her eyes red, her face <lb/> disfigured from much
                    weeping.</p>

                <p>And when she began, brokenly, "He's thrown me over, Jack ! <lb/> He's jilted me,
                    he's told me so to my face ! Oh, it's <emph rend="italic">too</emph> hard. <lb/>
                    How shall I ever hold up my head again ?" then, Corbett's <lb/> sympathy went
                    out to her completely. But he wanted particulars. <lb/> How had it come about !
                    There had been some quarrel, surely <lb/> some misunderstanding !</p>

                <p>Loetitia declared there had been none. Why should she <lb/> quarrel with Jim when
                    she had been so happy, and everything had <lb/> seemed so nice ? No, he was
                    tired of her, that was all. He had <lb/> seen some one else perhaps, whom he
                    fancied better, some one <lb/> with more money. She wept anew, and stamped her
                    foot upon</p>

                <fw type="catchword">the</fw>

                <pb n="360"/>

                <fw type="runningHead"><fw type="pageNum">328</fw> At Twickenham </fw>

                <p>the floor. "I wish you'd kill him, Jack, I wish you'd kill <lb/> him !" she
                    cried. "His conduct is infamous !" </p>

                <p>Matheson's conduct as depicted by the young woman did seem <lb/> infamous to
                    Corbett, and after the first chaotic confusion of his <lb/> mind had fallen into
                    order again, his temper rose. His Irish <lb/> pride was stung to the quick. No
                    one had a light to treat a <lb/> woman belonging to him with contumely. He would
                    go up, at <lb/> once, to Matheson, this very evening, and ask him what he meant
                    <lb/> by it. He would exact ample satisfaction.</p>

                <p>He swallowed a hurried and innutritious meal, with Loetitia's <lb/> tears salting
                    every dish, and Minnie's reiterations ringing dirges <lb/> in his ears. She and
                    Loetitia wanted him to "do something" to <lb/> Matheson ; to kill him if
                    possible, to horsewhip him certainly. <lb/> Corbett was in a mood to fall in
                    with their wishes, and the justice <lb/> of their cause must have seemed
                    unimpeachable to them all, since <lb/> neither he nor they reflected for a
                    moment that he could not have <lb/> the smallest chance in a tussle with the
                    transgressor, who over-<lb/> looked him by a head and shoulders, and was nearly
                    twice his size. <lb/> This confidence in righteousness is derived from the
                    story-<lb/> books, which teach us that in personal combat the evil-doer <lb/>
                    invariably succumbs, no matter what the disparity of physical <lb/> conditions
                    may be, although it must be added that in every <lb/> properly written
                    story-book it is always the hero who boasts of <lb/> breadth of muscle and
                    length of inches, while the villain's black <lb/> little soul is clothed in an
                    appropriately small and unlovely body.</p>
                <p>Corbett, however, set off without any misgivings.</p>
                <p>He found Matheson still at table, reading from a book propped <lb/> up against
                    the claret-jug. He refused the hand and the chair <lb/> Matheson offered him,
                    and came to the point at once.</p>

                <p>"Is this true what I hear at home ? That you came up this <lb/> afternoon to
                    break off your engagement with Loetitia ?"</p>

                <fw type="catchword">Matheson,</fw>

                <pb n="361"/>

                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">329</fw></fw>

                <p>Matheson, who had flushed a little at the rejection of his hand-<lb/> shake,
                    admitted with evident embarrassment that it was true.</p>

                <p>"And you've the&#x2014;the cheek to tell me that, to my face ?" <lb/> said
                    Corbett, turning red.</p>

                <p>"I can't deny it, to your face."</p>

                <p>"But what's your meaning, what s your motive, what has Letty <lb/> done ? What
                    has happened since yesterday ? You seemed all <lb/> right yesterday," Corbett
                    insisted. </p>

                <p>"It's not Letty's&#x2014;it's not Miss Wray's fault at all. It's my <lb/>
                    mistake. I've made the discovery we're not a bit suited to each <lb/> other,
                    that's all. And you ought to be thankful, as I am, that I've <lb/> discovered it
                    in time." </p>

                <p>"Damn it !" exclaimed Corbett, and a V-shaped vein rose in <lb/> the centre of
                    his forehead, and his blue eyes darkened. "You come <lb/> to my house, I make a
                    friend of you, my wife and sister receive <lb/> you into their intimacy, you ask
                    the girl to be your wife. . . . . I <lb/> suppose you admit doing that ?"
                    Corbett interpolated in wither-<lb/> ing accents, "and now you throw her away
                    like an old glove, <lb/> break her heart, and expect me to be thankful ? Damn it
                    all, <lb/> that's a bit steep."</p>

                <p>"I shouldn't think I ve broken her heart," said Matheson <lb/> embarrassed again.
                    "I should hope not." There was interroga-<lb/> tion in his tone.</p>

                <p>"She feels it acutely," said Corbett. "Any woman would. <lb/> She's very&#x2014;"
                    he stopped, but Matheson had caught the <lb/> unspoken word.</p>

                <p>"Angry with me ? Yes. But anger's a healthy sign. Anger <lb/> doesn't break
                    hearts."</p>

                <p>"Upon my soul," cried Corbett amazed at such coolness, "I <lb/> call your conduct
                    craven, I call it infamous !" he added, <lb/> remembering Loetitia's own
                    word.</p>

                <fw type="catchword">"Look</fw>

                <pb n="362"/>

                <fw type="runningHead"><fw type="pageNum">330</fw> At Twickenham </fw>

                <p>"Look here Jack," appealed the other, "can't you sit<lb/> down ? I want to talk
                    the matter over with you, but it gets <lb/> on my nerves to see you walking up
                    and down the room like <lb/> that."</p>

                <p>Corbett, all unconscious of his restlessness, now stood still, but <lb/>
                    determined he would never sit down in Matheson's house again. <lb/> Then he
                    weakly subsided into the chair his friend pushed over <lb/> to him.</p>

                <p>"You call my conduct craven ? I assure you I never had to <lb/> make so large a
                    demand upon my courage as when I called upon <lb/> Loetitia to-day. But I said
                    to myself, a little pluck now, a bad <lb/> quarter of an hour to live through,
                    and in all probability you save <lb/> two lives from ruin. For we should have
                    made each other <lb/> miserable."</p>

                <p>"Then why have engaged yourself?" asked Corbett with <lb/> renewed heat.</p>

                <p>"Yes . . . why . . . do you know, Jack, that the very <lb/> morning of our
                    engagement, five minutes even before the fateful <lb/> moment, I'd no more idea
                    . . . you know how such things can <lb/> come about. The garden, the moonlight,
                    a foolish word taken <lb/> seriously. And then the apparent impossibility of
                    drawing back, <lb/> the reckless plunging deeper into the mire. . . . I don't
                    deny I <lb/> was attracted by Letty, interested in her. She is a pretty girl, an
                    <lb/> unusually pretty girl. But like most other girls she's a victim to <lb/>
                    her upbringing. Until you are all in all to an English girl you <lb/> are
                    nothing at all. She never reveals herself to you for a moment ; <lb/> speaks
                    from the lips only ; says the things she has been taught <lb/> to say, that
                    other women say. You've got to get engaged <lb/> to a woman in England it seems,
                    if you're ever to know <lb/> anything about her. And I engaged myself, as I told
                    you, in a <lb/> moment of emotion, and then hopefully set to work to make
                    the</p>

                <fw type="catchword">best</fw>

                <pb n="363"/>

                <fw type="runningHead">By Ella D'Arcy <fw type="pageNum">331</fw></fw>

                <p>best of it. But I didn't succeed. I didn't find in Letty the <lb/> qualities I
                    consider necessary for domestic happiness."</p>

                <p>"But Letty is a very good&#x2014;"</p>

                <p>Matheson interrupted with "In a way she's too good, too <lb/> normal, too
                    well-regulated. I could almost prefer a woman who <lb/> had the capacity, at
                    least, for being bad ! It would denote some <lb/> warmth, some passion, some
                    soul. Now, I never was able to <lb/> convince myself that Loetitia was fond of
                    me. Oh, she liked me <lb/> well enough. She was satisfied with my position,
                    modest as it is, <lb/> with my prospects. My profession pleased her, principally
                    as she <lb/> confessed to me, because it necessitates my keeping a carriage.
                    <lb/> But <emph rend="italic">fond</emph> . . . do you think she is capable of a
                    very passionate <lb/> affection, Jack ?</p>

                <p>"Of course, I know this is going to do me a lot of harm. <lb/> Twickenham, no
                    doubt, will echo your verdict, and describe my <lb/> conduct as infamous. I
                    daresay I shall have to pull up stakes and <lb/> go elsewhere. But for me, it
                    has been the only conduct possible. <lb/> I discovered I didn't love her.
                    Wouldn't it be a crime to marry <lb/> a woman you don't love ? I saw we could
                    never make each <lb/> other happy. Wouldn't it be a folly to rush open-eyed into
                    such <lb/> misery as that ?" </p>

                <p>Which was, practically, the end of the matter, although the <lb/> friends sat
                    long over their whiskey and cigarettes, discussing all <lb/> sublunary things.
                    Corbett enjoyed a most delightful evening, <lb/> and it had struck twelve before
                    he set off homewards, glowing <lb/> outside and in with the warmth which good
                    spirits and good <lb/> fellowship impart. He reaffirmed to his soul the old
                    decision that <lb/> Matheson was undoubtedly the cleverest, the most
                    entertaining, <lb/> the most lovable of men&#x2014;and suddenly he remembered
                    the <lb/> mission on which he had been sent nearly four hours ago, <lb/>
                    simultaneously he realised its preposterous failure. All his happy</p>

                <fw type="catchword">self-complacency</fw>

                <pb n="364"/>

                <fw type="runningHead"><fw type="pageNum">332</fw> At Twickenham</fw>

                <p>self-complacency radiated off into the night. Chilled and <lb/> sobered and
                    pricked by conscience, he stood for a moment with <lb/> his hand upon the gate
                    of "Braemar," looking up at the lighted <lb/> windows of Minnie's room.</p>

                <p>What was he going to say to her and to Loetitia ? And, more <lb/> perturbing
                    question still, what when they should hear the truth, <lb/> were his womenfolk
                    going to say to him ?</p>



              </div>
            
            
             <div n="YBV12_39pr" type="prose">
                <pb n="365"/>


                <head><title level="a">Two Prose Fancies</title></head>

                <byline>By <docAuthor><ref target="#RGA">Richard Le
                    Gallienne</ref></docAuthor></byline>

                <p>I&#x2014;The Silver Girl</p>

                <p>SOMETIMES when I have thought that the Sphinx's mouth is <lb/> cruel, and could
                    not forget its stern line for all her soft eyes, <lb/> I have reassured myself
                    with the memory of a day when I saw <lb/> it so soft and tender with heavenly
                    pity that I could have gone <lb/> down on my knees then and there by the side of
                    the luncheon <lb/> table, where the champagne was already cooling in the
                    ice-pail, <lb/> and worshipped her&#x2014;would have done so had I thought such
                    <lb/> public worship to her taste. It was no tenderness to me, but <lb/> that
                    was just why I valued it. Tender she has been to me, and <lb/> stern anon, as I
                    have merited ; but, would you understand the <lb/> heart of woman, know if it be
                    soft or hard, you will not trust her <lb/> tenderness (or fear her sternness) to
                    yourself; you will watch, with <lb/> a prayer in your heart, for her tenderness
                    to others.</p>

                <p>She came late to our lunch that day, and explained that she had <lb/> travelled
                    by omnibus. As she said the word omnibus, for some <lb/> reason as yet
                    mysterious to me, I saw the northern lights I love <lb/> playing in the heaven
                    of her face. I wondered why, but did not <lb/> ask as yet, delaying, that I
                    might watch those fairy fires of <lb/> emotion, for her face was indeed like a
                    star of which a little child</p>

                <fw type="footer">The Yellow Book&#x2014;Vol. XII. U</fw>
                <fw type="catchword">told</fw>

                <pb n="366"/>

                <fw type="runningHead"><fw type="pageNum">334</fw> Two Prose Fancies</fw>

                <p>told me the other day. I think some one must have told him <lb/> first, for as we
                    looked through the window one starlit night, he <lb/> communicated very
                    confidentially that whenever any one in the <lb/> world shed a tear of pure
                    pity, God's angels caught it in lily-cups <lb/> and carried it right up to
                    heaven, and that when God had thus <lb/> collected enough of them, he made them
                    into a new star. "So," <lb/> said the little boy, "there must have been a good
                    deal of kind <lb/> people in the world to cry all those stars."</p>

                <p>It was of that story I thought as I said to the Sphinx :</p>

                <p>"What is the matter, dear Madonna ? Your face is the Star or <lb/> Tears."</p>

                <p>And then I ventured gently to tease her.</p>

                <p>"What can have happened? No sooner did you speak the <lb/> magic word 'omnibus,'
                    than you were transfigured and taken from <lb/> my sight in a silver cloud of
                    tears. An omnibus does not usually <lb/> awaken such tenderness, or call up
                    northern lights to the face as <lb/> one mentions it, ... though," I added
                    wistfully, "one has met <lb/> passengers to and from heaven in its musty
                    corners, travelled life's <lb/> journey with them a penny stage, and lost them
                    for ever. . . ."</p>

                <p>"So," I further ventured, "may you have seemed to some <lb/> fortunate
                    fellow-passenger, an accidental companion of your <lb/> wonder, as from your
                    yellow throne by the driver. . . ."</p>

                <p>"Oh, do be quiet," she said, with a little flash of steel. "How <lb/> can you be
                    so flippant," and then, noting the champagne, she <lb/> exclaimed with fervour :
                    " No wine for me to day ! It s heartless, <lb/> it's brutal. All the world is
                    heartless and brutal . . . how selfish <lb/> we all are. Poor fellow ! . . . I
                    wish you could have seen his <lb/> face !"</p>

                <p>"I sincerely wish I could," I said ; "for then I should no doubt <lb/> have
                    understood why the words 'omnibus' and 'champagne,' not <lb/> unfamiliar words,
                    should . . . well, make you look so beautiful."</p>

                <fw type="catchword">"Oh,</fw>

                <pb n="367"/>

                <fw type="runningHead">By Richard Le Gallienne <fw type="pageNum">335</fw></fw>

                <p>"Oh, forgive me ! Haven't I told you ?" she said, as absent- <lb/> mindedly she
                    watched the waiter rilling her glass with cham-<lb/> pagne.</p>

                <p>"Well," she continued, "you know the something Arms, <lb/> where the bus always
                    stops a minute or so on its way from <lb/> Kensington. I was on top, near the
                    driver, and, while we waited, <lb/> my neighbour began to peel an orange and
                    throw the pieces of <lb/> peel down on to the pavement. Suddenly a dreadful,
                    tattered <lb/> figure of a man sprang out of some corner, and, eagerly picking
                    <lb/> up the pieces of peel, began ravenously to eat them, looking up <lb/>
                    hungrily for more. Poor fellow ! he had quite a refined, gentle <lb/> face, and
                    I shouldn't have been surprised to hear him quote <lb/> Horace, after the manner
                    of Stevenson's gentlemen in distress. I <lb/> was glad to see that the others
                    noticed him too. Quite a murmur <lb/> of sympathy sprang up amongst us, and a
                    penny or two rang on <lb/> the pavement. But it was the driver who did the thing
                    that <lb/> made me cry. He was one of those prosperous young drivers, <lb/> with
                    beaver hats and smart overcoats, and he had just lit a most <lb/> well-to-do
                    cigar. With the rest of us he had looked down on <lb/> poor Lazarus, and for a
                    moment, but only for a moment, with a <lb/> certain contempt. Then a wonderful
                    kindness came into his <lb/> face, and, next minute, he had done a great
                    deed&#x2014;he had thrown <lb/> Lazarus his newly-lit cigar."</p>

                <p>"Splendid !" I ventured to interject.</p>

                <p>"Yes, indeed !" she continued ; "and I couldn't help telling <lb/> him so. ...
                    But you should have seen the poor fellow's face as <lb/> he picked it up.
                    Evidently his first thought was that it had <lb/> fallen by mistake, and he made
                    as if to return it to his patron. It <lb/> was an impossible dream that it could
                    be for him&#x2014;a mere rancid <lb/> cigar-end had been a windfall, but this
                    was practically a complete, <lb/> unsmoked cigar. But the driver nodded
                    reassuringly, and then</p>

                <fw type="catchword">you</fw>

                <pb n="368"/>

                <fw type="runningHead"><fw type="pageNum">336</fw> Two Prose Fancies</fw>

                <p>you should have seen the poor fellow's joy. There was almost a <lb/> look of awe,
                    that such fortune should have befallen him, and tears <lb/> of gratitude sprang
                    into his eyes. Really, I don't exaggerate a <lb/> bit. I'd have given anything
                    for you to have seen him&#x2014;though <lb/> it was heart-breaking, that
                    terrible look of joy, such tragic joy. <lb/> No look of misery or wretchedness
                    could have touched one like <lb/> that. Think how utterly, abjectly destitute
                    one must be for a <lb/> stranger's orange-peel to represent dessert, and an
                    omnibus-driver's <lb/> cigar set us crying for joy. . . ."</p>

                <p>"Gentle heart," I said. " I fear poor Lazarus did not keep his <lb/> cigar for
                    long. . . ."</p>

                <p>"But why? . . ."</p>

                <p>"Why ? Is it not already among the stars, carried up by those <lb/> angels who
                    catch the tears of pity, and along with Uncle Toby's <lb/> 'damn,' and such
                    bric-a-brac, in God's museum of fair deeds? <lb/> We shall see it shining down
                    on us as the stars come out to-night. <lb/> Yes ! that will be a pretty
                    astronomical theory to exchange with <lb/> the little boy who told me that the
                    stars are made of tears. Some <lb/> are made of tears, I shall say, but some are
                    the glowing ends of <lb/> newly lit cigars, thrown down by good omnibus-drivers
                    to poor ? <lb/> starving fellows who haven't a bed to sleep in, nor a dinner to
                    eat, <lb/> nor a heart to love them, and not even a single cigar left to put in
                    <lb/> their silver cigar-cases."</p>

                <p>"That driver is sure of heaven, anyhow," said the Sphinx.</p>

                <p>"Perhaps, dear, when the time comes for us to arrive there, we <lb/> will find
                    him driving the station bus&#x2014;who knows ? But it was <lb/> a pretty story,
                    I must say. That driver deserves to be decorated."</p>

                <p>"That's what I thought," said the Sphinx, eagerly.</p>

                <p>"Yes ! We might start a new society : <emph rend="italic">The League of
                        Kind</emph>
                    <lb/>
                    <emph rend="italic">Hearts ; a Society for the Encouragement of Acts of
                        Kindness</emph>. How <lb/> would that do ? Or we might endow a fund to bear
                    the name of</p>

                <fw type="catchword">your</fw>

                <pb n="369"/>

                <fw type="runningHead">By Richard Le Gallienne <fw type="pageNum">337</fw></fw>

                <p>your 'bus-driver, and to be devoted in perpetuity to supplying <lb/> destitute
                    smokers with choice cigars."</p>

                <p>"Yes," said the Sphinx, musingly, "that driver made me <lb/> thoroughly ashamed
                    of myself. I wish I was as sure of heaven as <lb/> he is."</p>

                <p>"But you <emph rend="italic">are</emph> heaven," I whispered ; "and <emph
                        rend="italic">à propos</emph> of heaven, <lb/> here is a little song which I
                    wrote for you last night, and with <lb/> which I propose presently to settle the
                    bill. I call it the Silver <lb/> Girl:</p>

                <lg type="stanza">
                    <l rend="indent">Whiter than whiteness was her breast,</l>
                    <l rend="indent"><emph rend="indent">And softer than new fallen snow,</emph></l>
                    <l rend="indent">So pure a peace, so deep a rest,</l>
                    <l rend="indent"><emph rend="indent">Yet purer peace below.</emph></l>
                </lg>

                <lg type="stanza">
                    <l rend="indent">Her face was like a moon-white flower</l>

                    <l rend="indent"><emph rend="indent">That swayed upon an ivory stem,</emph></l>
                    <l rend="indent">Her hair a whispering silver shower,</l>

                    <l rend="indent"><emph rend="indent">Each foot a silver gem.</emph></l>
                </lg>

                <lg type="stanza">
                    <l rend="indent">And in a fair white house of dreams,</l>

                    <l rend="indent"><emph rend="indent">With hallowed windows all of
                        pearl,</emph></l>

                    <l rend="indent">She sat amid the haunted gleams,</l>
                    <l rend="indent"><emph rend="indent">That little silver girl ;</emph></l>
                </lg>

                <lg type="stanza">
                    <l rend="indent">Sat singing songs of snowy white, </l>

                    <l rend="indent"><emph rend="indent">And watched all day, with soft blue
                            eyes,</emph></l>

                    <l rend="indent">Her white doves flying in her sight,</l>
                    <l rend="indent"><emph rend="indent">And fed her butterflies.</emph></l>
                </lg>

                <lg type="stanza">
                    <l rend="indent">Then when the long white day was passed, </l>
                    <l rend="indent"><emph rend="indent">The white world sleeping in the
                            moon,</emph></l>

                    <l rend="indent">White bed, and long white sleep at last&#x2014;</l>
                    <l rend="indent"><emph rend="indent">She will not waken soon.</emph></l>
                </lg>

                <fw type="catchword">IT</fw>

                <pb n="370"/>

                <fw type="runningHead"><fw type="pageNum">338</fw> Two Prose Fancies</fw>

                <p><emph rend="indent"><emph rend="indent"><emph rend="indent">II&#x2014;Words
                                Written to Music</emph></emph></emph></p>

                <p>IT is one of the many advantages of that simplicity of taste <lb/> which is
                    ignorance, that an incorrigible capacity for con- <lb/> noisseurship in the
                    sister arts of cookery and music should enable <lb/> one to be as happy with a
                    bad dinner eaten to the sound of bad <lb/> music, as others whose palates are
                    attuned to the Neronian <lb/> nightingales, and whose ears admit no harmonies
                    less refined than <lb/> the bejewelled harmonies of Chopin. </p>

                <p>I have eaten dinners delicate as silverpoints, in rooms of canary- <lb/> coloured
                    quiet, where the candles burn hushedly in their little <lb/> silken tents, and
                    the soft voices of lovers rise and fall upon the <lb/> dreaming ear ; but I
                    confess that it was the soothing quiet, the <lb/> healing tones of light and
                    colour, and the face of the Sphinx <lb/> irradiated by some dream of halcyon's
                    tongues <emph rend="italic">à la Persane</emph>, rather<lb/> than the beautiful
                    food, that inspired my passionate peace. Mere <lb/> roast lamb, new potatoes and
                    peas of living green had made me <lb/> just as happy, gastronomically speaking,
                    and I dare not mention <lb/> what I order sometimes, and even day after day with
                    a love that <lb/> never tires, when I dine alone. Alone !</p>

                <lg type="stanza">
                    <l rend="indent">. . . the very word is like a bell</l>

                    <l rend="indent">To toll me back from thee to my sole self;</l>
                </lg>

                <p>for even this very night have I dined alone in a great solitude of <lb/> social
                    faces, low necks, electric lights, and the spirited band that <lb/> has given me
                    more pleasure than any music in London, always <lb/> excepting my Bayreuth, the
                    barrel-organ. Yes ! strange as it <lb/> may seem, I had come deliberately to
                    hear this music, and second-<lb/> arily to eat this dinner. What effect
                    selections from Sullivan and <lb/> "The Shop Girl," in collaboration with the
                    three-and-sixpenny</p>

                <fw type="catchword"><emph rend="italic">table</emph></fw>

                <pb n="371"/>

                <fw type="runningHead">By Richard Le Gallienne <fw type="pageNum">339</fw></fw>

                <p><emph rend="italic">table d'hôte</emph>, would have upon more educated digestions
                    its concerns <lb/> me not to inquire ; on mine they produce a sort of agonised
                    <lb/> ecstasy of loneliness&#x2014;and to-night as I sat at our little lonely
                    <lb/> table in a corner of the great gallery and looked out across the <lb/>
                    glittering peristyle, ate that dinner and listened to that music, I <lb/>
                    shuddered with joy at my fearful loneliness.</p>

                <p>I might have dined with the Beautiful, or have sent a tele-<lb/> graphic
                    invitation to the Witty, I might have sat at meat with <lb/> the Wise ; but no !
                    I would dine instead with the memories or <lb/> dinners that were gone, and as
                    the music did Miltonic battle near <lb/> the ceiling, marched with clashing
                    tread, or danced on myriad <lb/> silken feet, wailed like the winds of the
                    world, or laughed like the <lb/> sun, my solitude grew peopled awhile with
                    shapes fair and kind, <lb/> who sat with me and lifted the glass and gave me
                    their deep eyes, <lb/> ladies who had intelligence in love, as Dante wrote,
                    ladies of great <lb/> gentleness and consolation, for whom God be thanked. But
                    <lb/> always in my ears, whatever the piece that was a-playing, the music <lb/>
                    came sweeping with dark surge across my fantasy, as though a <lb/> sudden wind
                    had dashed open a warm window, and let in a black <lb/> night of homeless
                    seas.</p>

                <p>For in truth one I loved was out to-night on dark seas. <lb/> She fares out
                    across an ocean I have never sailed, to a land <lb/> of which no man knows ; and
                    for her voyage she has only her <lb/> silver feet, walking the inky waters, and
                    the great light of her <lb/> holy face to guide her steps. Ah ! that I were with
                    her to-<lb/> night, walking hand in hand those dark waters. Oh, wherefore <lb/>
                    slip away thus companionless, fearless little voyager ? Was it <lb/> that I was
                    unworthy to voyage those seas with you, that the <lb/> weight of my mortality
                    would have dragged down your bright <lb/> immortality&#x2014;youngest of the
                    immortals. . . . But from that sea <lb/> which the Divine alone may tread, comes
                    back no answer, nor</p>

                <fw type="catchword">light</fw>

                <pb n="372"/>


                <fw type="runningHead"><fw type="pageNum">340</fw> Two Prose Fancies</fw>



                <p>light of any star ; but there has stolen to my side and kissed my <lb/> brow, a
                    shape dearer than all the rest, dear beyond dearness, a <lb/> little
                    earthly-heavenly shape who always comes when the rest have <lb/> gone, and loves
                    to find me sitting alone. She it is who leans her <lb/> cheek against mine as I
                    try to read beautiful words out of the <lb/> dead man's book at my side, she it
                    is who whispers that we shall <lb/> be too late to find a seat in the pit unless
                    we hurry, and she it is <lb/> who gaily takes my arm as we trot off together on
                    happy feet. <lb/> The great commissionaire takes no note of her, he thinks I am
                    <lb/> alone ; besides we seldom go in hansoms, and seldom sit in stalls. <lb/> .
                    . . Enough, O, music ! be merciful. Be lonely no more, lest <lb/> you break the
                    heart of the lonely.</p>

                <p>"Ah ! you have never seen her !" I whisper to myself as the <lb/> waiter brings
                    me my coffee&#x2014;and I look at him again with a <lb/> certain curiosity as I
                    think that he has never seen her. Never <lb/> to have seen her !</p>

                <p>And then presently, as if in pity, the music will change, perhaps <lb/> it will
                    play some sustaining song of faith, and strike a sort of <lb/> glory across
                    one's heart, the haughty heart of sorrow ; or it will <lb/> be human and gay,
                    and suddenly turn this solitude of diners into <lb/> a sort of family gathering
                    of humanity, throwing open sad hearts <lb/> that, like oneself, appear to be
                    doing nothing but dine, and giving <lb/> one glimpses into dreaming heads,
                    linking all in one great friend-<lb/> ship of common joys and sorrows, the one
                    sweet beginning, and <lb/> the one mysterious end.</p>

                <p>In this mood faces one has seen more than once become friends, <lb/> and I
                    confess that the sight of certain waiters moving in their <lb/> accustomed
                    places almost moved me to tears. Such is the pathos <lb/> of familiarity.</p>

                <p>So my thoughts took another turn, and I fell to thinking with <lb/> tenderness of
                    the friends about town that the Sphinx and I had</p>

                <fw type="catchword">made</fw>

                <pb n="373"/>

                <fw type="runningHead">By Richard Le Gallienne <fw type="pageNum">341</fw></fw>

                <p>made in our dinings&#x2014;friends whom it had cost us but a few odd <lb/>
                    shillings and sixpences to make, yet friends we had fancied we <lb/> might
                    trust, and even seek in a day of need. If they found me <lb/> starving some
                    night in the streets, I think they would take me in ; <lb/> and I think I know a
                    coffee-stall man who would give me an <lb/> early-morning cup of coffee, and add
                    a piece of cake, were I to <lb/> come to him bare-footed some wintry dawn.</p>

                <p>I have heard purists object to the smiles that are bought, as if <lb/> smiles can
                    or should be had for nothing, and as if it shows a bad <lb/> nature in a waiter
                    to smile more sweetly upon a shilling than a <lb/> penny. After all, is he so
                    far wrong in deeming the heart that <lb/> prompts the shilling better worth a
                    smile than the reluctant hand <lb/> of copper ? Besides, we are never so mean to
                    ourselves as when <lb/> we are mean to others. A few shillings per annum sown
                    about <lb/> town will surround the path of the diner with smiles year in and
                    <lb/> year out. The doors fly open as by magic at his approach, and <lb/> the
                    cosiest tables in a dozen restaurants are in perpetual reserve <lb/> for him. I
                    am even persuaded that a consistent generosity to <lb/> cabmen gets known in due
                    course among the fraternity, and that <lb/> thus, in process of time, the nicest
                    people may rely on getting the <lb/> nicest hansoms&#x2014;though this may be a
                    dream. Certain I am <lb/> that it brings luck to be kind to a pathetic race of
                    men for whom <lb/> I have a special tenderness, those amateur footmen, the cab-
                    <lb/> openers. Have you ever noticed the fine manners of some or <lb/> them, and
                    their lover-like gentleness with the silk skirts that it is <lb/> theirs to save
                    from soilure of muddy wheels ? A practical head <lb/> might reflect how much
                    they do towards keeping down your <lb/> wife's dressmaker's bills. I daresay
                    they save her a dress a year&#x2014;<lb/> and yet they are not treated with
                    gratitude as a race. How <lb/> involuntarily one seems to assume that they will
                    accept nothing <lb/> over a penny, and how fingers, not penurious on other
                    occasions, </p>

                <fw type="catchword">automatically</fw>

                <pb n="374"/>

                <fw type="runningHead"><fw type="pageNum">342</fw> Two Prose Fancies</fw>

                <p>automatically reject silver as they ferret in pence-pockets for <lb/> suitable
                    alms. No ! not alms&#x2014;payment, and sometimes poor <lb/> payment, for a
                    courtesy that adds another smile to your illusion or <lb/> a smiling world.</p>

                <p>Among the many lessons I have learnt from the Sphinx is one <lb/> of the fair
                    wage of the cab-opener. It was the very afternoon she <lb/> had seen that cigar
                    fall down from heaven, and her mood was thus <lb/> the more attuned to pity. As
                    we were about to drive away from <lb/> the place of our lunching, having been
                    ushered to our hansom by <lb/> a tatterdemalion of distinguished manners, but
                    marred unhappy <lb/> countenance, I fumbled so long for the regulation twopence,
                    that <lb/> it seemed likely he should miss his reward or be run over in <lb/>
                    running after it. But at that moment the Sphinx's hand shot <lb/> past mine and
                    dropped something into the outstretched palm. <lb/> The man took it
                    mechanically, and in a second his face flashed <lb/> surprise. Evidently she had
                    given him something extravagant. <lb/> She was watching for his look, and
                    telegraphed a smile that she <lb/> meant it. Then you never saw such a figure of
                    grateful joy as <lb/> that shabby fellow became. His face fairly shone, and for
                    a few <lb/> moments he ran by our cabside wildly waving his hat, with an <lb/>
                    indescribable emotion of affectionate thankfulness.</p>

                <p>"What did you give him dear ?" I asked.</p>

                <p>"Never mind !"</p>

                <p>"It wasn't a sovereign ?"</p>

                <p>"Never mind."</p>

                <p>So I have never known what coin it was that thus transfigured <lb/> him, but of
                    this I am sure : that when the time of the great <lb/> Terror has come to
                    London, when the red flags wave on the <lb/> barricades, and the puddles of red
                    blood beneath the great guillotine <lb/> in Trafalgar Square luridly catch the
                    setting sun, the Sphinx and <lb/> I will have a friend in that poor cab-opener. </p>

                <fw type="catchword">There</fw>

                <pb n="375"/>

                <fw type="runningHead">By Richard Le Gallienne <fw type="pageNum">343</fw></fw>

                <p>There is another friend to whom we should fly for safety in <lb/> those days of
                    wrath. He, too, is a cab-opener, but, so to say, of <lb/> higher rank&#x2014;for
                    he is the voluntary manager of a thriving cab- <lb/> rank which we often have
                    occasion to patronise. For some <lb/> unknown reason he is always addressed as
                    "Cap'n," and we never <lb/> omit the courtesy as we salute him. So we have come
                    to know <lb/> him as The Captain of the Cab Rank. He is a short, thick-set,
                    <lb/> sturdy little man, with an overcoat buttoned straight beneath his <lb/>
                    chin, hands deep in his pockets, a firm, determined step, and a <lb/> fiery
                    face. He walks his pavement like a veritable captain on his <lb/> quarter-deck,
                    and his "Hansom up !" rings out like a stern word <lb/> of command. At the call
                    a shining door of the tavern opposite is <lb/> thrown open with a slam, and a
                    wild figure of a driver clatters <lb/> across in terrified haste, and with his
                    head still wrapped in the <lb/> warm glow he has just forsaken, he climbs his
                    dark throne, and <lb/> once more shakes the weary reins. Then, as the little
                    Captain <lb/> briskly shut us in, with a salute that seems to say that he has
                    <lb/> thus given us a successful start in life, and it is not his fault if we
                    <lb/> don't go on as we've begun, he blows a shrill note upon his <lb/> whistle,
                    half to call up the next cab to its place in the rank, half <lb/> to signalise
                    our departure, as when sometimes a great boat sets <lb/> out to sea they fire
                    guns in the harbour, and excited crowds wave <lb/> weeping handkerchiefs from
                    the pier. </p>

                <p>Yes ! There are many faces I meet daily, faces I do business <lb/> with and faces
                    I take down to dinner, faces or the important and <lb/> the brilliant, that I
                    should miss much less than the little Captain of <lb/> the Cab Rank. Our
                    intercourse is of the slightest, we have little <lb/> opportunities of studying
                    each other's nature, and yet he is <lb/> strangely vivid in my consciousness,
                    quite a necessary figure in <lb/> my picture of the world&#x2014;so stamped is
                    every part of him with <lb/> that most appealing and attaching of all qualities,
                    that of our</p>

                <fw type="catchword">common </fw>

                <pb n="376"/>

                <fw type="runningHead"><fw type="pageNum">344</fw> Two Prose Fancies </fw>

                <p>common human nature. He has the great gift of character, and <lb/> however poor
                    and humble his lot, failure is surely no word to <lb/> describe him, for he is a
                    personality, and to be a personality is to <lb/> have succeeded in life.</p>

                <p>Yes ! I often think of the Captain as I think of the famous <lb/> characters in
                    fiction, or notable figures in history ; and I should <lb/> feel very proud if I
                    could believe he sometimes thought of me.</p>

                <p>Well, well. . . . it is late. The bill, waiter, please ! Good <lb/> night !
                    Good-night !</p>





             </div>
            

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                <figure>
                    <graphic width="600px" url="MediumImageDocs/YBV12icon2_wilson_backcover.jpg"/>
                    <note n="YBV12_2im.n1">
                        <title>Back Cover</title>
                        <rs>YBV12icon2</rs> YBV12icon2 Back Cover Patten Wilson 20.3 cm x 15.3 cm
                        Visual Art illustration Pen and Ink Exterior Port sailors ship anchor chain
                        water lilies</note>
                    <head>Back Cover</head>
                    <figDesc>Back cover is divided vertically into two sections by the chain of an
                        anchor The anchor separates the Literature list on the left from Art list on
                        the right The cover is divided horizontally into three sections by a sailing
                        ship at the top and by a pane of lilies at the bottom. The image is
                        vertically displayed The head piece is a pen and ink illustration 4.5 cm x
                        15.8 cm. Image is of two figures manning a ship In the middle of the image,
                        a man with a moustache wearing striped pants is cranking the sail To his
                        right a man with a checkered shirt is bent over working on something The
                        boat spans the entire frame of the image its bowsprit is on the left side
                        and the stern is on the right. Above the bowsprit there is a masthead of an
                        aggressive dog Below the masthead a large fish is halfway out of water
                        Cattails can be seen behind the fish A single black line divides the
                        headpiece image from the contents. The Contents area is printed in double
                        columns with decorative header and footer in black Contents distinguished as
                        follows Literature XX Art XVII A single black line divides the contents from
                        the tailpiece image The tailpiece is a pen and ink illustration 1.8 cm x
                        15.8 cm The image is of a pane of water lilies The anchor divides the image
                        in half</figDesc>
                </figure>
            </div>

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