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                <title>Yellow Nineties 2.0</title>
                <title>The Yellow Book: An Illustrated Quarterly, Volume 10 July 1896</title>
                <title type="YBV10_dowie_idyll"/>
                <editor>Lorraine Janzen Kooistra</editor>
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                    <date>2020</date>
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                            <persName>Henry Harland</persName>
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                        <author>Ménie Muriel Dowie</author>
                        <title>An Idyll in Millinery</title>
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                            <publisher>John Lane</publisher>
                            <pubPlace>London</pubPlace>
                            <publisher>Copeland &amp; Day</publisher>
                            <pubPlace>Boston</pubPlace>
                            <date>July 1896</date>
                            <biblScope>Dowie, Ménie Muriel. "An Idyll in Millinery." <emph
                                    rend="italic">The Yellow Book</emph>, vol. 10, July 1896, pp. 24-53.
                                    <emph rend="italic">Yellow Book Digital Edition</emph>, edited by
                                Dennis Denisoff and Lorraine Janzen Kooistra, 2010-2014. <emph rend="italic">Yellow Nineties 2.0</emph>,
                                Ryerson University Centre for Digital Humanities,
                                2020. https://1890s.ca/YBV10_dowie_idyll/</biblScope>
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            <div n="YBV10_6pr" type="prose">
                <pb n="32"/>
                <head><title level="a">An Idyll in Millinery</title></head>
                <byline>By<docAuthor><ref target="#MDO">Ménie Muriel
                    Dowie</ref></docAuthor></byline>
                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"
                        >I</emph></emph></emph></p>
                <lb/>
                <p>THE actual reason why Liphook was there does not matter : <lb/> he was there, and
                    he was there for the second time within <lb/> a fortnight, and on each occasion,
                    as it happened, he was the only <lb/> man in the place&#x2014;the only
                    man-customer in the place. A pale, <lb/> shaven young Jew passed sometimes about
                    the rooms, in the <lb/> background. </p>

                <p>Liphook could not stand still ; the earliest sign of mental <lb/> excitement,
                    this ; if he paused for a moment in front of one of <lb/> the two console tables
                    and glanced into the big mirror, it was <lb/> only to turn the next second and
                    make a step or two this way <lb/> or that upon the spacious-sized,
                    vicious-patterned Axminster <lb/> carpet. His eye wandered, but not without a
                    mark of resolution <lb/> in its wandering&#x2014;resolution not to wander
                    persistently in one <lb/> direction. First the partings in the curtains which
                    ran before <lb/> the windows seemed to attract him, and he glanced into the gay
                    <lb/> grove of millinery that blossomed before the hungry eyes of <lb/> female
                    passers-by in the street. Sometimes he looked through <lb/> the archways that
                    led upon each hand to further salons in which <lb/> little groups of women,
                    customers and saleswomen, were collected.</p>

                <fw type="catchword">sometimes</fw>
                <pb n="33"/>
                <fw type="runningHead">By Ménie Muriel Dowie<fw type="pageNum"> 25</fw></fw>

                <p>Sometimes his eye rested upon the seven or eight unemployed <lb/> shop-ladies who
                    stood behind the curtains, like spiders, and looked<lb/> with an almost
                    malevolent contemptuousness upon the street <lb/> starers who came not in to
                    buy, but lingered long, and seemed to <lb/> con the details of attractive
                    models. More than once, a group <lb/> in either of the rooms fascinated him for
                    full a minute. One <lb/> particularly, because its component parts declared
                    themselves so <lb/> quickly to his apprehension. </p>

                <p>A young woman, with fringe carefully ordered to complete <lb/> formlessness and
                    fuzz, who now sat upon a chair and now rose <lb/> to regard herself in a glass
                    as she poised a confection of the <emph rend="italic">toque</emph>
                    <lb/> breed upon her head. With her, a friend, older, of identical <lb/> type,
                    but less serious mien, whose face pringled into vivacious <lb/> comment upon
                    each venture ; comment which of course Liphook <lb/> could not overhear. With
                    them both, an elder lady, to whom <lb/> the shopwoman, a person of clever <emph
                        rend="italic">dégagé</emph> manner and primrose <lb/> hair, principally
                    addressed herself; appealingly, confirmatively,. <lb/> rapturously,
                    critically&#x2014;according to her ideas upon the hat in <lb/> question. In and
                    out of their neighbourhood moved a middle- <lb/> aged woman of French
                    appearance, short-necked, square- <lb/> shouldered, high-busted, with a keen
                    face of chamois leather <lb/> colour and a head to which the black hair seemed
                    to have been <lb/> permanently glued&#x2014;Madame Félise herself. When she
                    threw <lb/> a word into the momentous discussion the eyes of the party <lb/>
                    turned respectfully upon her ; each woman hearkened. Even <lb/> Liphook divined
                    that the girl was buying her trousseau millinery ; <lb/> the older sister, or
                    married friend, advising in crisp, humorous <lb/> fashion, the elder lady
                    controlling, deciding, voicing the great <lb/> essential laws of order,
                    obligation and convention ; the shop- <lb/> woman playing the pipes, the
                    dulcimer, the sackbut, the tabor or <lb/> the viol&#x2014;Madame Félise the
                    while commanding with invisible</p>

                <fw type="catchword">bâton</fw>
                <pb n="34"/>
                <fw type="runningHead"><fw type="pageNum">26</fw> An Idyll in Millinery</fw>

                <p>bâton her intangible orchestra ; directing distantly, but with<lb/> ineludable
                    authority, the very players upon the stage. At this <lb/> moment She turned to
                    him and his attention necessarily left the <lb/> group. How did he find this ?
                    Did he care for the immense <lb/> breadth in front ? Every one in Paris was
                    doing it. Wasn't he <lb/> on the whole a little bit sick of
                    hydrangeas&#x2014;every one, positively <lb/> every one, had hydrangeas just
                    now, and hydrangeas the size <lb/> of cauliflowers. He made replies; he assumed
                    a quiet interest, <lb/> not too strong to be in character ; he steered her away
                    from the <lb/> Parisian breadth in front, away from the hydrangeas, into a con-
                    <lb/> sideration of something that rose very originally at the back and <lb/>
                    had a <emph rend="italic">ruche</emph> of watercresses to lie upon the hair, and
                    three <lb/> dahlias, and four distinct colours of tulle in aniline shades, one
                    over <lb/> the other, and an osprey, and a bird of Paradise, and a few paste
                    <lb/> ornaments; and a convincing degree of <emph rend="italic">chic</emph>in
                    its abandoned <lb/> hideousness. Then he took a turn down the room towards the
                    <lb/> group aforesaid. </p>

                <p>"It looks so <emph rend="italic">fearfully</emph> married to have that tinsel
                    crown, don't <lb/> you know !" the elder sister or youthful matron was saying.
                    "I <lb/> mean, it suggests dull calls, doesn't it ? Dull people <emph
                        rend="italic">always</emph> have <lb/> tinsel crowns, haven't you noticed ?
                    I don't want to influence <lb/> you, but as I said before, I liked you in the
                    Paris model." </p>

                <p>Every hat over which you conspicuously hover at Félise's, <lb/> becomes, on the
                    instant, a Paris model. </p>

                <p>"So smart, Madam," cut in the shop-lady. "And you can't <lb/> have anything newer
                    than that rustic brim in shot straw with <lb/> just the little knot of gardenias
                    at the side. Oh I <emph rend="italic">do</emph> think it <lb/> suits you !" </p>

                <p>Liphook turned away. After all, he didn't want to hear what <lb/> these poor,
                    silly, feeble people were saying ; he wanted to <lb/> look. . . . </p>

                <fw type="catchword">"But</fw>
                <pb n="35"/>
                <fw type="runningHead">By Ménie Muriel Dowie<fw type="pageNum"> 27</fw></fw>

                <p>"But Jim always likes me so much in pale blue, that I think <lb/> &#x2014;" began
                    the girl.</p>

                <p>"Why not have just a little tiny knot of forget-me nots <emph rend="italic"
                        >with</emph><lb/> the gardenia. Oh, I'm shaw you'd like it." </p>

                <p>Thus flowed the oily current of the shop-lady, reaching his ear <lb/> as Liphook
                    returned down the room. He could look again in the <lb/> only direction that won
                    his eyes and his thoughts ; five minutes <lb/> had been killed ; there was time
                    left him yet, for She had just <lb/> been seized with the idea that something
                    with a little more brim <lb/> was really her style. After all, She craved no
                    more than to be <lb/> loose at Félise's, amid the Spring models lit by a palely
                    ardent <lb/> town sun, and Harold's cheque-book looming in the comfortable <lb/>
                    shadow of his pocket. </p>

                <p>At the back of each gilt and mirrored saloon was placed a <lb/>
                    work-table&#x2014;in the manner of all hat-shops&#x2014;surrounded by chairs
                    <lb/> in which, mostly with their backs to the shops sat the girls who <lb/>
                    were making up millinery ; their ages anywhere from sixteen to <lb/> twenty-one.
                    Seldom did the construction of a masterpiece appear <lb/> to concern them ; but
                    they were spangling things ; deftly turning <lb/> loops into bows, curling
                    feathers, binding ospreys into close sheaves; <lb/> their heads all bent over
                    their work, their neat aprons tied with <lb/> tape bows at the back, their dull
                    hair half flowing and half coiled&#x2014; <lb/> the inimitable manner of the
                    London work girl&#x2014;their pale faces <lb/> dimly perceived as they turned
                    and whispered not too noisily: the <lb/> whole thing recalling the soft, quietly
                    murmurous groups of <lb/> pigeons in the streets gathered about the scatterings
                    of a cab- <lb/> horse's nose-bag. Sometimes shop-girls with elaborately
                    distorted <lb/> hair came up and gave them disdainful-seeming orders ; but the
                    <lb/> flock of sober little pigeons murmured and pecked at its work and <lb/>
                    ruffled no plumage of tan-colour or slate. And one of them, <lb/> different from
                    the others&#x2014;how Liphook's eyes, in the brief looks </p>

                <fw type="catchword">he</fw>
                <pb n="36"/>
                <fw type="runningHead"><fw type="pageNum">28</fw> An Idyll in Millinery</fw>

                <p>he allowed himself, ate up the details of her guise. Dressed in <lb/>
                    something&#x2014;dark-blue, it might have been&#x2014;that fitted with a <lb/>
                    difference over her plump little figure; a fine and wide lawn collar <lb/>
                    spread over breast and shoulders ; a smooth head, with no tags and <lb/> ends
                    upon the pale, yellow-tinted brow ; a head as sleek and as <lb/>
                    sweetly-coloured as the coat of the cupboard-mouse ; a face so <lb/> softly
                    indented by its features, so fleckless, so <emph rend="italic">mat</emph> in its
                    flat tones, <lb/> so mignon in its delicate lack of prettiness as to be
                    irresistible. <lb/> Lips, a dull greyish-pink, but tenderly curved at the
                    pouting bow <lb/> and faithfully compressed at the dusk-downy
                    corners&#x2014;terribly <lb/> conscientious little lips that seemed as if never
                    could they be kissed <lb/> to lighter humour. Eyes, with pale ash-coloured
                    fringes, neither <lb/> long nor greatly curved, but so shy-shaped as ever eyes
                    were ; eyes <lb/> that could only be imagined by Liphook, and he was sometimes
                    <lb/> of mind that they were that vaporous Autumn blue ; and at other <lb/>
                    times that they were liquid, brook-coloured hazel. </p>

                <p>But this was the maddest obsession that was riding him ! A <lb/> London workgirl
                    in a West-end hat shop, a girl whose voice he had <lb/> never heard, near whom
                    he had never, could never, come. And <lb/> Heaven forbid he should come near
                    her; what did he want with <lb/> her ? Before Heaven, and all these hats and
                    mirrors, Viscount <lb/> Liphook could have sworn he wanted nothing of her. Yet
                    he loved <lb/> her completely, desperately, exclusively. What name was there for
                    <lb/> this feeling other than the name of love ? Soiled with all ignoble <lb/>
                    use, this name of love ; though to do him justice, Liphook was not <lb/> greatly
                    to blame in that matter. He was but little acquainted <lb/> with the word ; he
                    left it out of his <emph rend="italic">affaires de cœur</emph>, and very <lb/>
                    properly, for it did not enter into them. Still, his feeling for this <lb/>
                    girl, his craving for the sound of her voice, his eye fascinated by <lb/> her
                    smallest movement, his yearning for the sense of her nearer <lb/>
                    presence&#x2014;novel, inexplicable as this all was, might it not be love? </p>

                <fw type="catchword">He</fw>
                <pb n="37"/>
                <fw type="runningHead">By Ménie Muriel Dowie<fw type="pageNum"> 29</fw></fw>

                <p>He stood there ; quiet, inexpressive of face, in jealous hope of&#x2014;<lb/>
                    what next ? And then She claimed his attention&#x2014;in a whisper <lb/> which
                    brought her head with its mahogany hair, and her face with <lb/> its ground-rice
                    surface, close to his ear. She said : </p>

                <p>"You don't mind five, eh? It's a model&#x2014;and&#x2014;don't you <lb/> think it
                    becomes me ? I do think this mushroom-coloured velvet <lb/> and just the three
                    green orchids divine&#x2014;and it's really very <lb/> quiet !" </p>

                <p>He assented, careful to look critically at the hat&#x2014;a clever mass <lb/> of
                    evilly-imagined, ill-assorted absurdities. He had looked too <lb/> long at that
                    work-table, at that figure, at that face&#x2014;he dropped <lb/> into a
                    chair&#x2014;let his stick fall between his knees and cast his eyes <lb/> to the
                    mirror-empanelled ceiling ; there the heads, and feet of the <lb/> passers-by
                    were seething grotesquely in a fashion that recalled the <lb/> Inferno of an old
                    engraving.</p>

                <p>Well, it would be time to look again soon&#x2014;ah ! she had risen ; <lb/> thank
                    goodness, not a tall woman&#x2014;(She was five foot nine)&#x2014;<lb/> small,
                    and indolent of outline. </p>

                <p>"I'll take it to the French milliner now, Madam, and she'll pin <lb/> a pink rose
                    in for you to see !" </p>

                <p>It was a shop-woman speaking to some customer, who with a <lb/> hat in her hand,
                    approached the work-table. </p>

                <p>"If you please, Mam'zelle Mélanie," she began, in a voice <lb/> meant to impress
                    the customer, " would you pin in a rose for <lb/> Madam to try ? Madam thinks
                    the pansy rather old-looking&#x2014;" <lb/> &amp;c., &amp;c., &amp;c." </p>

                <p>The French milliner ; French, then ! And what a dear <lb/> innocent, young,
                    crusty little face ! what delicious surliness : the <lb/> little brown bear that
                    she was, growling and grumbling to do a <lb/> favour. Well, bless that
                    woman&#x2014;and the pansy that looked old&#x2014;<lb/> he knew her name ;
                    enough to recognise her by, enough to address </p>

                <fw type="catchword">a note</fw>
                <pb n="38"/>
                <fw type="runningHead"><fw type="pageNum">30</fw> An Idyll in Millinery</fw>

                <p>a note to her&#x2014;and it should be a note ! A note that would bring <lb/> out
                    a star in each grey eye&#x2014;they were grey&#x2014;after all. (The <lb/> grey
                    of a lingering, promising, but unbestowing twilight.) <lb/> Reflecting, but
                    unobservant, his glance left her face and focussed <lb/> the pale, fair, young
                    Jew, who was seated, in frock coat and hat, <lb/> gloating over a pocket-book
                    that had scraps of coloured silk <lb/> and velvet pinned in it. He recalled his
                    wandering senses. </p>

                <p>" How much ? Eight ten?" </p>

                <p>" Well, I've taken a little black thing as well ; it happens to be<lb/> very
                    reasonable. There, you don't mind ?" Mrs. Percival always <lb/> went upon the
                    principle of appearing to be careful of other <lb/> people's money ; she found
                    she got more of it that way. </p>

                <p>"My dear !&#x2014;as long as you are pleased ! " It was weeks <lb/> since this
                    tone had been possible to him. He scribbled a cheque <lb/> and they got away. </p>

                <p>" I know I've been an awful time, old boy," said the mahogany- <lb/> haired one,
                    with rough good humour&#x2014;the good humour of a vain <lb/> woman whose vanity
                    has been fed. "Are you coming ?" </p>

                <p>"Er&#x2014;no ; in fact, I'm going out of town, I shan't see you for <lb/> a
                    bit&#x2014;Oh, I wasn't very badly bored, thanks." </p>

                <p>She made no comment on his reply to her question ; her coarsely <lb/> pretty face
                    hardly showed lines of relief, for it was not a mobile <lb/> face ; but she was
                    pleased. </p>

                <p>"Glad you didn't fret. I'd never dreamt you'd be so good <lb/> about shopping.
                    Yes, I'll take a cab. There is a call for 12.30, <lb/> and I see it is nearly
                    one now." </p>

                <p>He put her into a nice-looking hansom, lifted his hat and <lb/> watched her drive
                    away. Then he turned and looked into the <lb/> gaudy windows. His feelings were
                    his own somehow, now that <lb/> She had left him. He smiled ; love warmed in
                    him. Was the <lb/> old pansy gone and the pink rose in its place ? Had she
                    pricked </p>

                <fw type="catchword">those</fw>
                <pb n="39"/>
                <fw type="runningHead">By Ménie Muriel Dowie<fw type="pageNum"> 31</fw></fw>

                <p>those creamy yellow fingers in the doing of it ? No, she was <lb/> too deft.
                    Tired, flaccid little fingers ! Was he never to think <lb/> of anything or
                    anyone again, except Mam'zelle Mélanie ?</p>
                <lb/>
                <lb/>
                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"
                        >II</emph></emph></emph></p>
                <lb/>

                <p>Now the mahogany-haired lady was not an actress : she was <lb/> nothing so common
                    as an actress ; she belonged to a mysterious <lb/> class, but little understood,
                    even if clearly realised, by the public. It <lb/> was not because she could not
                    that she did not act ; she had never <lb/> tried to, there had been no question
                    of capability&#x2014;but she con- <lb/> sented to appear at a famous West-end
                    burlesque theatre, to <lb/> oblige the manager who was a personal friend of
                    long-standing. <lb/> She "went on" in the ball-room scene of a hoary but ever-
                    <lb/> popular "musical comedy," because there was&#x2014;not a part&#x2014;but
                    <lb/> a pretty gown to be filled, and because she was surprisingly <lb/>
                    handsome, and of very fine figure, and filled that gown amazingly <lb/> well.
                    The two guineas a week that came her way at "Treasury" <lb/> went a certain
                    distance in gloves and cab-fares, and the neces- <lb/> saries of life she had a
                    different means of supplying. Let her <lb/> position be understood : she was a
                    very respectable person : there <lb/> are degrees in respectability as in other
                    things ; there was no fear <lb/> of vulgar unpleasantnesses with her and her
                    admirers&#x2014;if she had <lb/> them. Mr. John Holditch, the popular manager of
                    several <lb/> theatres had a real regard for her ; in private she called him
                    <lb/> "Jock, old boy," and he called her "Mill"&#x2014;because he recollected
                    <lb/> her <emph rend="italic">début;</emph> but the public knew her as Miss
                    Mildred Metcalf, and <lb/> her lady comrades in the dressing-room as Mrs.
                    Percival, and it <lb/> was generally admitted by all concerned that she was
                    equally <lb/> satisfactory under any of these styles. Oh, it will have been </p>

                <fw type="catchword">noticed</fw>
                <pb n="40"/>
                <fw type="runningHead"><fw type="pageNum">32 </fw>An Idyll in Millinery</fw>

                <p>noticed and need not be insisted on, that Liphook called her <lb/> "my dear," and
                    if it be not pushing the thing too far, I may add <lb/> that her mother spoke of
                    her as "our Florrie." </p>

                <p>Liphook was a rich man whose occupation, when he was in <lb/> town, was the
                    dividing of days between the club, his rooms in <lb/> Half Moon Street, his
                    mother's house in Belgrave Square, and <lb/> Mrs. Percival's abode in Manfield
                    Gardens, Kensington. The <lb/> only respect in which he differed from a thousand
                    men of his <lb/> class was, that he had visited the hat shop of Madame Félise,
                    in <lb/> the company of Mrs. Percival, and had conceived a genuine <lb/> passion
                    for a little French milliner who sewed spangles on to <lb/> snippets of
                    nothingness at a table in the back of the shop. </p>

                <p>The note had been written, had been answered. This answer, <lb/> in fine,
                    sloping, uneducated French handwriting, upon thin, <lb/> lined, pink paper of
                    the foreign character, had given Liphook a<lb/> ridiculous amount of pleasure.
                    The club waiters, his mother's <lb/> butler, his man in Half Moon Street, these
                    unimportant people <lb/> chiefly noted the uncontrollable bubbles of happiness
                    that floated <lb/> to the surface of his impassive English face during the days
                    that <lb/> followed the arrival of that answer. He didn't think anything in
                    <lb/> particular about it ; few men so open to the attractions of women <lb/> as
                    this incident proves him, think anything in particular at all, <lb/> least of
                    all, at so early a stage. He was not&#x2014;for the sake of his <lb/> judges it
                    must be urged&#x2014;meaning badly any more than he was <lb/> definitely meaning
                    well. He wasn't meaning at all. He cannot <lb/> be blamed, either. The world is
                    responsible for this sense of <lb/> irresponsibility in men of the
                    world&#x2014;who are the world's sole <lb/> making. Herein he was true to type ;
                    in so far as he did not think <lb/> what the girl meant by her answer, type was
                    supported by <lb/> individual character. Liphook was not clever, and did not
                    think <lb/> much or with any success, on any subject. And if he had he </p>

                <fw type="catchword">wouldn't</fw>
                <pb n="41"/>
                <fw type="runningHead">By Ménie Muriel Dowie<fw type="pageNum"> 33</fw></fw>

                <p>wouldn't have hit the real reason ; only experience would have <lb/> told him
                    that a French workgirl, from a love of pleasure and the <lb/> national measure
                    of shrewd practicality combined, never refuses <lb/> the chance of a nice
                    outing. She does not, like her English <lb/> sister, drag her virtue into the
                    question at all.</p>

                <p>Never in his life, so it chanced, had Liphook gone forth to an <lb/> interview in
                    such a frame of mind as on the day he was to meet <lb/> Mélanie outside the
                    Argyll Baths in Great Marlboro' Street at <lb/> ten minutes past seven. Apart
                    from the intoxicating perfume <lb/> that London seemed to breathe for him, and
                    the gold motes that <lb/> danced in the dull air, there was the unmistakable
                    resistant pres- <lb/> sure of the pavement against his feet (thus it seemed)
                    which is <lb/> seldom experienced twice in a lifetime ; in the lifetime of such
                    a <lb/> man as Liphook, usually never. The Argyll Baths, Great <lb/> Marlboro'
                    Street : what a curious place for the child to have <lb/> chosen, and she would
                    be standing there, pretending to look into <lb/> a shop window. Oh, of course,
                    there were no shop windows to <lb/> speak of in Great Marlboro' Street. (He had
                    paced its whole <lb/> length several times since the arrival of the pink glazed
                    note). <lb/> What would she say ? What would she look like ? Her eyes, <lb/>
                    drooped or raised frankly to his, for instance ? That she would <lb/> not greet
                    him with bold, meaning smile and common phrase he <lb/> knew&#x2014;he felt.
                    Dreaming and speculating, but wearing the <lb/> calm leisured air of a gentleman
                    walking from one point to <lb/> another, he approached and&#x2014;yes ! there
                    she was ! A scoop- <lb/> shaped hat rose above the cream-yellow brow ; a big
                    dotted veil <lb/> was loosely&#x2014;was wonderfully&#x2014;bound about it ; a
                    little black <lb/> cape covered the demure lawn collar; quite French <emph
                        rend="italic">bottines</emph> peeped <lb/> below the dark-blue skirt.
                    But&#x2014;she was not alone, a man was <lb/> with her. A man whom, even at some
                    distance, he could discern <lb/> to be unwelcome and unexpected, the pale fair
                    young Jew </p>

                <fw type="catchword">in</fw>
                <pb n="42"/>
                <fw type="runningHead"><fw type="pageNum">34 </fw>An Idyll in Millinery</fw>

                <p>in dapper frock-coat and extravagantly curved over-shiny hat. <lb/>
                    Loathsome-looking reptile he was, too, so thought Liphook as he <lb/> turned
                    abruptly with savage scrape of his veering foot upon the <lb/> pavement, up
                    Argyll Street. Perhaps she was getting rid of him; <lb/> it was only nine
                    minutes past seven, anyhow ; perhaps he would <lb/> be gone in a moment. Odious
                    beast ! In love with her, no <lb/> doubt ; how came it he had the wit to
                    recognise her indescribable <lb/> charm ? (Liphook never paused to wonder how
                    himself had <lb/> recognised it, though this was, in the circumstances, even
                    more <lb/> remarkable). Anyway, judging by that look he remembered, she <lb/>
                    would not be unequal to rebuffing unwelcome attention. </p>

                <p>Liphook walked as far as Hengler's Circus and read the bills ; <lb/> the place
                    was in occupation, it being early in March. He studied <lb/> the bill from top
                    to bottom, then he turned slowly and retraced <lb/> his steps to the corner. Joy
                    ! she was there and alone. His pace <lb/> quickened, his heart rose ; his face,
                    a handsome face, was strung to <lb/> lines of pride, of passionate anticipation. </p>

                <p>He had greeted her ; he had heard her voice ; so soft&#x2014;dear <lb/> Heaven !
                    so soft&#x2014;in reply ; they had turned and were walking <lb/> towards Soho,
                    and he knew no word of what had passed. </p>

                <p>"We will have a cab ; you will give me the pleasure of dining <lb/> with me. I
                    have arranged it. Allow me." Perhaps these were <lb/> the first coherent words
                    that he said. Then they drove along and <lb/> he said inevitable, valueless
                    things in quick order, conscious of the <lb/> lovely interludes when her smooth
                    tones, now wood-sweet, now <lb/> with a harp-like thrilling <emph rend="italic"
                        >timbre</emph> in them, again with the viol&#x2014;or <lb/> was it the
                    lute-note?&#x2014;a sharp dulcidity that made answer in him as <lb/> certainly
                    as the tuning-fork compels its octave from the rosewood <lb/> board. The folds
                    of the blue gown fell beside him ; the French <lb/> pointed feet, miraculously
                    short-toed, rested on the atrocious straw <lb/> mat of the wretched hansom his
                    blindness had brought him ; the </p>

                <fw type="catchword">scoop-hat</fw>
                <pb n="43"/>
                <fw type="runningHead">By Ménie Muriel Dowie<fw type="pageNum"> 35</fw></fw>

                <p>scoop-hat knocked the wicked reeking lamp in the centre of the <lb/> cab ; the
                    dotted veil, tied as only a French hand can tie a veil, <lb/> made more
                    delectable the creams and twine-shades of the monoto- <lb/> nous-coloured kitten
                    face. They drove, they arrived somewhere, <lb/> they dined, and then of all
                    things, they went into a church, which <lb/> being open and permitting organ
                    music to exude from its smut- <lb/> blackened walls, seemed less like London
                    than any place they <lb/> might have sought. </p>

                <p>And it happened to be a Catholic Church, and he&#x2014;yes, he <lb/> actually
                    followed the pretty ways of her, near the grease-smeared <lb/> pecten shell with
                    its holy water, that stuck from a pillar : some <lb/> Church oyster not uprooted
                    from its ancient bed. And they sat <lb/> on <emph rend="italic"
                        >prie-dieus</emph>, in the dim incense-savoured gloom ; little un- <lb/>
                    aspiring lights seemed to be burning in dim places beyond ; and <lb/> sometimes
                    there were voices, and sometimes these ceased again <lb/> and music filled the
                    dream-swept world in which Liphook was <lb/> wrapped and veiled away. And they
                    talked&#x2014;at least she talked, <lb/> low murmurous recital about herself and
                    her life, and every detail <lb/> sunk and expanded wondrously in the hot-bed of
                    Liphook's abnor- <lb/> mally affected mind. The evening passed to night, and
                    people <lb/> stepped about, and doors closed with a hollow warning sound that
                    <lb/> hinted at the end of lovely things, and they went out and he <lb/> left
                    her at a door which was the back entrance to Madame <lb/> Félise's establishment
                    ; but he had rolled back a grey lisle-thread <lb/> glove, and gathered an
                    inexpressibly precious memory from the <lb/> touch of that small hand that posed
                    roses instead of pansies all the <lb/> day. </p>

                <p>And of course he was to see her again. He had heard all <lb/> about her. How a
                    year since she had been fetched from Paris at <lb/> the instance of Goldenmuth.
                    Goldenmuth was the fair young <lb/> Jewish man in the frock-coat and supremely
                    curved hat. He was </p>

                <fw type="footer">The Yellow Book&#x2014;Vol. X. C</fw>
                <fw type="catchword">a "relative"</fw>
                <pb n="44"/>
                <fw type="runningHead"><fw type="pageNum">36 </fw>An Idyll in Millinery</fw>


                <p>a "relative" of Madame Félise, and travelled for her, in a certain <lb/> sense,
                    in Paris. He had seen Mélanie in an obscure corner of the <lb/>
                    <emph rend="italic">Petit St. Thomas</emph> when paying an airy visit to a lady
                    in charge of <lb/> some department there. An idea had occurred to him ; in three
                    <lb/> days he arrived and made a proposition. He had conceived the <lb/> plan of
                    transplanting this ideally French work-flower to the <lb/> London shop, and his
                    plan had been a success. Her simple, <lb/> shrewd, much-defined little character
                    clung to Mélanie in London, <lb/> as in Paris ; she had clever fingers, but
                    beyond all, her appearance <lb/> which Goldenmuth had the art to appreciate,
                    soft but marked and <lb/> unassailable by influence, told infinitely at that
                    unobtrusive but <lb/> conspicuous work-table. </p>

                <p>Half mouse, half dove ; never to be vulgarised, never to be <lb/> destroyed. </p>

                <p>Mélanie had a family, worthy <emph rend="italic">épicier</emph> of Nantes, her
                    father ; <lb/> her mother, his invaluable book-keeper. Her sister Hortense,
                    <lb/> cashier at the Restaurant des Trois Epées ; her sister Albertine, <lb/> in
                    the millinery like herself. Every detail delighted Liphook, <lb/> every word of
                    her rapid incorrect London English sank into his <lb/> mind ; in the
                    extraordinarily narrow circumscribed life that <lb/> Liphook had
                    lived&#x2014;that all the Liphooks of the world usually <lb/> do live&#x2014;a
                    little, naïvely-simple description of some quite different <lb/> life is apt to
                    sound surprisingly interesting, and if it comes from <lb/> the lips of your
                    Mélanie, why . . . . .</p>

                <p>But previous to the glazed pink note, if Liphook had crystal- <lb/> lised any
                    floating ideas he might have had as to the nature <lb/> of the intimacy he
                    expected, they would have tallied in no <lb/> particular with the reality. In
                    his first letter had been certain <lb/> warmly-worded sentences ; at their first
                    interview when he had <lb/> interred two kisses below the lisle-thread glove, he
                    had incohe- <lb/> rently murmured something lover-like. It had been too dark to </p>

                <fw type="catchword">see</fw>
                <pb n="45"/>
                <fw type="runningHead">By Ménie Muriel Dowie<fw type="pageNum"> 37</fw></fw>


                <p>see Mélanie's face at the moment ; but when since, more than <lb/> once, he had
                    attempted similar avowals she had put her head on <lb/> one side, raised her
                    face, crinkled up the corners of the grey eyes, <lb/> and twisted quite
                    alarmingly the lilac-pink lips. So there wasn't <lb/> much said about love or
                    any such thing. After all, he could see <lb/> her three or four times a week ;
                    on Sunday they often spent the <lb/> whole day together ; he could listen to her
                    prattle ; he was a <lb/> silent fellow himself, having never learnt to talk and
                    having <lb/> nothing to talk about ; he could, in hansoms and quiet places,
                    <lb/> tuck her hand within his arm and beam affectionately into her <lb/> face,
                    and they grew always closer and closer to each other ; as <lb/>
                    <emph rend="italic">camarades</emph>, still only as <emph rend="italic"
                        >camarades</emph>. She never spoke of Goldenmuth <lb/> except incidentally,
                    and then very briefly ; and Liphook, who had <lb/> since seen the man with her
                    in the street on two occasions, felt <lb/> very unanxious to introduce the
                    subject ; after all he knew more <lb/> than he wanted to about it, he said to
                    himself. It was obvious <lb/> enough. He had bought her two hats at Félise's ;
                    he had begged <lb/> to do as much, and she had advised him which he should
                    purchase, <lb/> and on evenings together she had looked ravishing beneath them.
                    <lb/> He knew many secrets of the hat trade ; he knew and delightedly <lb/>
                    laughed over half a hundred fictions Mélanie exploded ; he was in <lb/> a fair
                    way to become a man-milliner ; even Goldenmuth could not <lb/> have talked more
                    trippingly of the concomitants of capotes.</p>

                <p>One Sunday, when the sunniest of days had tempted them <lb/> down the river, he
                    came suddenly into the private room where <lb/> they were to lunch and found her
                    coquetting with her veil in <lb/> front of a big ugly mirror ; a mad sort of
                    impulse took him, he <lb/> gripped her arms to her side, nipped her easily off
                    the floor, bent <lb/> his head round the prickly fence of hat-brim and kissed
                    her several <lb/> times ; she laughed with the low, fluent gurgle of water
                    pushing <lb/> through a narrow passage. She said nothing, she only laughed. </p>

                <fw type="catchword">Somehow</fw>
                <pb n="46"/>
                <fw type="runningHead"><fw type="pageNum">38 </fw>An Idyll in Millinery</fw>

                <p>Somehow, it disorganised Liphook. </p>

                <p>"Do you love me ? Do you love me ?" he asked rapidly, even <lb/> roughly, in the
                    only voice he could command, and he shook her a <lb/> little. </p>

                <p>She put her head on one side and made that same sweet <lb/> crinkled-up kind of
                        <emph rend="italic">moue moquante</emph>, then she spread her palms out
                    <lb/> and shook them and laughed and ran away round the table. <lb/> "Est-ce que
                    je sais, moi ?" she cried in French. Liphook didn't <lb/> speak. Oh, he
                    understood her all right, but he was getting him- <lb/> self a little in hand
                    first. A man like Liphook has none of the <lb/> art of life ; he can't do
                    figure-skating among his emotions like <lb/> your nervous, artistic-minded,
                    intellectually trained man. After <lb/> that one outburst and the puzzlement
                    that succeeded it, he was <lb/> silent, until he remarked upon the waiter's
                    slowness in bringing up <lb/> luncheon. But he had one thing quite clear in his
                    thick English <lb/> head, through which the blood was still whizzing and
                    singing. <lb/> He wanted to kiss her again badly ; he was going to kiss her
                    <lb/> again at the first opportunity. </p>

                <p>But, of course, when he wasn't with her his mind varied in its<lb/> reflections.
                    For instance, he had come home one night from <lb/> dining at Aldershot&#x2014;a
                    farewell dinner to his Colonel it was&#x2014;<lb/> and he had actually caught
                    himself saying : "I must get out of <lb/> it," meaning his affair with Mélanie.
                    That was pretty early on, <lb/> when it had still seemed, particularly after
                    being in the society <lb/> of worldly-wise friends who rarely, if ever, did
                    anything foolish, <lb/> much less emotional, that he was making an ass of
                    himself, or <lb/> was likely to if he didn't "get out of it." Now the thing had
                    <lb/> assumed a different aspect. He could not give her up ; under no <lb/>
                    circumstances could he contemplate giving her up ; well then, <lb/> why give her
                    up ? She was only a little thing in a hat shop, she <lb/> would do very much
                    better&#x2014;yes, but, somehow he had a certain </p>

                <fw type="catchword">feeling</fw>
                <pb n="47"/>
                <fw type="runningHead">By Ménie Muriel Dowie<fw type="pageNum"> 39</fw></fw>

                <p>feeling about her, he couldn't&#x2014;well, in point of fact, he loved <lb/> her
                    ; hang it, he respected her ; he'd sooner be kicked out of his <lb/> Club than
                    say one word to her that he'd mind a fellow saying to <lb/> his sister. </p>

                <p>Thus the Liphook of March, '95, argued with the Liphook of <lb/> the past two and
                    thirty years ! </p>
                <lb/>
                <lb/>
                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"
                        >III</emph></emph></emph></p>
                <lb/>

                <p>Liphook's position was awkward&#x2014;all the other Liphooks in the <lb/> world
                    have said it was beastly awkward, supposing they could have <lb/> been made to
                    understand it. To many another kind of man this <lb/> little love story might
                    not have been inappropriate ; occurring in <lb/> the case of Liphook it was
                    nothing less than melancholy. Not that <lb/> he felt melancholy about it, no
                    indeed ; just sometimes, when he <lb/> happened to think how it was all going to
                    end, he had rather a <lb/> bad moment, but thanks to his nature and training he
                    did not <lb/> think often. </p>

                <p>Meantime, he had sent a diamond heart to Mrs. Percival ; there <lb/> was more
                    sentiment about a heart than a horse-shoe ; women <lb/> looked at that kind of
                    thing, and she would feel that he wasn't <lb/> cooling off ; so it had been a
                    heart. That secured him several more <lb/> weeks of freedom at any rate, and he
                    wouldn't have the trouble of <lb/> putting notes in the fire. For on receiving
                    the diamond heart <lb/> Mrs. Percival behaved like a python after swallowing an
                    antelope ; <lb/> she was torpid in satiety, and no sign came from her. </p>

                <p>But one morning Liphook got home to Half Moon Street after<lb/> his Turkish bath,
                    and heard that a gentleman was waiting to see <lb/> him. </p>

                <p>"At least, hardly a gentleman, my lord ; I didn't put him in <lb/> the library,"
                    explained the intuitive Sims. </p>

                <fw type="catchword">Some</fw>
                <pb n="48"/>
                <fw type="runningHead"><fw type="pageNum">40 </fw>An Idyll in Millinery</fw>

                <p>Some one from his tailor's with so-called "new" patterns, no <lb/> doubt ;
                    well&#x2014;</p>

                <p>He walked straight into the room, never thinking, and he saw <lb/> Goldenmuth.
                    The man had an offensive orchid in his buttonhole. <lb/> To say that Liphook was
                    surprised is nothing ; he was astounded, <lb/> and too angry to call up any
                    expression whatever to his face ; he <lb/> was rigid with rage. What in hell had
                    Sims let the fellow in for ? <lb/> However, this was the last of Sims ; Sims
                    would go.</p>

                <p>The oily little brute, with his odious hat in his hand, was speak- <lb/> ing ;
                    was saying something about being fortunate in finding his <lb/> lordship,
                    &amp;c. </p>

                <p>"Be good enough to tell me your business with me," said <lb/> Liphook, with
                    undisguised savagery. Though he had asked him <lb/> to speak, he thought that
                    when her name was mentioned he would <lb/> have to choke him. His
                    rival&#x2014;by gad, this little Jew beggar <lb/> was Liphook's rival.
                    Goldenmuth hitched his sallow neck, as <lb/> leathery as a turtle's, in his
                    high, burnished collar, and took his <lb/> pocket-book from his breast
                    pocket&#x2014;which meant that he was <lb/> nervous, and forgot that he was not
                    calling upon a "wholesale <lb/> buyer," to whom he would presently show a
                    pattern. He pressed <lb/> the book in both hands, and swayed forward on his
                    toes&#x2014;swayed <lb/> into hurried speech. </p>

                <p>"Being interested in a young lady whom your lordship has <lb/> honoured with your
                    attentions lately, I called to 'ave a little <lb/> talk." The man had an
                    indescribable accent, a detestable fluency, <lb/> a smile which nearly warranted
                    you in poisoning him, a manner <lb/> &#x2014;! There was silence. Liphook waited
                    ; the snap with <lb/> which he bit off four tough orange-coloured hairs from his
                    mous- <lb/> tache, sounded to him like the stroke of a hammer in the street.
                    <lb/> Then an idea struck him. He put a question : </p>

                <p>"What has it got to do with you ?" </p>

                <fw type="catchword">"I am</fw>
                <pb n="49"/>
                <fw type="runningHead">By Ménie Muriel Dowie<fw type="pageNum"> 41</fw></fw>


                <p>"I am interested&#x2014;"</p>

                <p>"So am I. But I fail to see why you should mix yourself up <lb/> with my
                    affairs." </p>

                <p>"Madame Félise feels&#x2014;" </p>

                <p>"What's she got to do with it?" Liphook tossed out his <lb/> remarks with the
                    nakedest brutality. </p>

                <p>"The lady is in her employment and&#x2014;"</p>

                <p>"Look here ; say what you've got to say, or go," burst from <lb/> Liphook, with
                    the rough bark of passion. He had his hands be-<lb/> hind his back ; he was
                    holding one with the other in the fear that <lb/> they might get away from him,
                    as it were. His face was still im-<lb/> mobile, but the crooks of two veins
                    between the temples and the <lb/> eye corners stood up upon the skin ; his
                    impassive blue eyes <lb/> harboured sullen hatred. He saw the whole thing. That
                    old <lb/> woman had sent her dirty messenger to corner him, to "ask his <lb/>
                    intentions," to get him to give himself away, to make some pro-<lb/> mise. It
                    was a kind of blackmail they had in view. The very <lb/> idea of such creatures
                    about Mélanie would have made him sick at <lb/> another time ; now he felt only
                    disgust, and the rising obstinacy <lb/> about committing himself at the unsavory
                    instance of Goldenmuth. <lb/> After all, they couldn't take Mélanie from him ;
                    she was free, she <lb/> could go into another shop ; he could marry . . . .
                    Stop&#x2014;<lb/> madness ! </p>

                <p>"Mademoiselle Mélanie is admitted to be most attractive&#x2014;<lb/> others have
                    observed it&#x2014;" </p>

                <p>"You mean you have," sneered Liphook ; in the most un- <lb/> gentlemanly manner,
                    it must be allowed. </p>

                <p>"I must bring to the notice of your lordship," said the Jew, <lb/> with the
                    deference of a man who knows he is getting his point, <lb/> "that so young as
                    Mademoiselle is, and so innocent, she is not <lb/> fitted to understand business
                    questions ; and her parents being at </p>

                <fw type="catchword">a distance</fw>
                <pb n="50"/>
                <fw type="runningHead"><fw type="pageNum">42 </fw>An Idyll in Millinery</fw>

                <p>a distance it falls to Madame Félise and myself to see that&#x2014;<lb/> excuse
                    me, my lord, but we know what London is !&#x2014;that her <lb/> youth is not
                    misled." </p>

                <p>"Who's misleading her youth ?" Liphook burst out ; and his <lb/> schoolboy
                    language detracted nothing from the energy with which <lb/> he spoke. "You can
                    take my word here and now that she is in <lb/> every respect as innocent as I
                    found her. And now," with a <lb/> sudden reining in of his voice, "we have had
                    enough of this talk. <lb/> If you are the lady's guardians you may reassure
                    yourselves : I am <lb/> no more to her than a friend : I have not sought to be
                    any more." <lb/> Liphook moved in conclusion of the interview.</p>

                <p>"Your lordship is very obliging ; but I must point out that a <lb/> young and
                    ardent girl is likely, in the warmth of her affection, to <lb/> be
                    precipitate&#x2014;that we would protect her from herself." </p>

                <p>"About this I have nothing to say, and will hear nothing," <lb/> exclaimed
                    Liphook, hurriedly. </p>

                <p>Goldenmuth used the national gesture ; he bent his right <lb/> elbow, turned his
                    right hand palm upwards and shook it softly to <lb/> and fro. </p>

                <p>"Perhaps even I have noticed it. I am not insensible !" </p>

                <p>Liphook had never heard a famous passage&#x2014;he neither read nor <lb/> looked
                    at Shakespeare, so this remark merely incensed him. <lb/> "But," went on the
                    Jew, "since she came to England&#x2014;for I <lb/> brought her&#x2014;I have
                    made myself her protector&#x2014;"</p>

                <p>"You're a liar !" said Liphook, who was a very literal person.</p>

                <p>"Oh, my lord !&#x2014;I mean in the sense of being kind to her and <lb/> looking
                    after her, with Madame Félise's entire approval ; so <lb/> when I noticed the
                    marked attentions of a gentleman like your <lb/> lordship&#x2014;" </p>

                <p>"You're jealous," put in Liphook, again quite inexcusably. <lb/> But it would be
                    impossible to over-estimate his contempt for this </p>

                <fw type="catchword">man.</fw>
                <pb n="51"/>
                <fw type="runningHead">By Ménie Muriel Dowie<fw type="pageNum"> 43</fw></fw>

                <p>man. Belonging to the uneducated section of the upper class he <lb/> was a man of
                    the toughest prejudices on some points. One of <lb/> these was that all Jews
                    were mean, scurvy devils at bottom and <lb/> that no kind of consideration need
                    be shown them. Avoid them <lb/> as you would a serpent ; when you meet them,
                    crush them as you <lb/> would a serpent. He'd never put it into words ; but that
                    is <lb/> actually what poor Liphook thought, or at any rate it was the <lb/> dim
                    idea on which he acted.</p>

                <p>"Your lordship is making a mistake," said Goldenmuth with a <lb/> flush. "I am
                    not here in my own interest ; I am here to act on <lb/> behalf of the young
                    lady." Had the heavens fallen ? In <emph rend="italic">her</emph><lb/> interest
                    ? Then Mélanie ? Never ! As if a Thing like this <lb/> could speak the truth ! </p>

                <p>"Who sent you ?" Liphook always went to the point. <lb/></p>
                <p> "Madame Félise and I talked it over and agreed that I should <lb/> make it
                    convenient to call. We have both a great regard for <lb/> Mademoiselle ; we feel
                    a responsibility&#x2014;a responsibility to her <lb/> parents." </p>

                <p>What was all this about ? Liphook was too bewildered to <lb/> interrupt even. </p>

                <p>"Naturally, we should like to see Mademoiselle in a position, <lb/> an assured
                    position for which she is every way suited." </p>

                <p>So it was as he thought. They wanted to rush a proposal. <lb/>
                    <emph rend="italic">Must</emph> he chaffer with them at all ? </p>

                <p>"I can tell you that if I had anything to propose I should <lb/> write it to the
                    lady herself," he said.</p>

                <p>"We are not anxious to come between you. I may say I have <lb/>
                    enquired&#x2014;my interest in Mademoiselle has led me to enquire&#x2014;<lb/>
                    and Madame Félise and I think it would be in every way a <lb/> suitable
                    connection for her. Your lordship must feel that we <lb/> regard her as no
                    common girl ; she deserves to be <emph rend="italic">lancée</emph>in the </p>

                <fw type="catchword">right</fw>
                <pb n="52"/>
                <fw type="runningHead"><fw type="pageNum">44 </fw>An Idyll in Millinery</fw>

                <p>right manner ; a settlement&#x2014;an establishment&#x2014;some indication <lb/>
                    that the connection will be fairly permanent, or if not, that <lb/>
                    suitable&#x2014;</p>

                <p>"Is <emph rend="italic">that </emph> what you are driving at, you dog, you?"
                    cried <lb/> Liphook, illuminated at length and boiling with passion. "So <lb/>
                    you want to sell her to me and take your blasted commission ? <lb/> Get out of
                    my house !" He grew suddenly quiet ; it was an <lb/> ominous change. "Get out,
                    this instant, before&#x2014;</p>

                <p>Goldenmuth was gone, the street door banged. </p>

                <p>"God ! God !" breathed Liphook with his hand to his wet <lb/> brow, "what a
                    hellish business !" </p>

                <p><emph rend="indent">*</emph><emph rend="indent">*</emph><emph rend="indent"
                        >*</emph><emph rend="indent">*</emph><emph rend="indent">*</emph></p>

                <p>It was nine o'clock when Liphook came in that night. He <lb/> did not know where
                    he had been, he believed he had had <lb/> something in the nature of dinner, but
                    he could not have said <lb/> exactly where he had had it. </p>

                <p>Sims handed him a note. </p>

                <p>He recognised a friend's hand and read the four lines it <lb/> contained. </p>

                <p>"When did Captain Throgmorton come, then ?" </p>

                <p>"Came in about three to 'alf past, my lord ; he asked me if <lb/> your lordship
                    had any engagement to-night, and said he would <lb/> wait at the Club till
                    quarter past eight and that he should dine at <lb/> the Blue Posts after that." </p>

                <p>"I see; well," he reflected a moment, "Sims, pack my <lb/> hunting things, have
                    everything at St. Pancras in time for the ten <lb/> o'clock express, and," he
                    reflected again, " Sims, I want you to <lb/> take a note&#x2014;no, never mind.
                    That'll do." </p>

                <p>"V'ry good, my lord."</p>

                <p>Yes, he'd go. Jack Throgmorton was the most companionable <lb/> man in the
                    world&#x2014;he was so silent. Liphook and he had been </p>

                <fw type="catchword">at</fw>
                <pb n="53"/>
                <fw type="runningHead">By Ménie Muriel Dowie<fw type="pageNum"> 45</fw></fw>

                <p>at Sandhurst together, they had joined the same regiment. Lip- <lb/> hook had
                    sent in his papers rather than stand the fag of India ; <lb/> Throgmorton had
                    "taken his twelve hundred" rather than stand <lb/> the fag of anywhere. He was a
                    big heavy fellow with a marked <lb/> difficulty in breathing, also there was
                    fifteen stone of him. His <lb/> round eyes, like "bulls'-eyes," the village
                    children's best-loved <lb/> goodies, stuck out of a face rased to an even red
                    resentment. <lb/> He had the hounds somewhere in Bedfordshire. His friends liked
                    <lb/> him enormously, so did his enemies. To say that he was stupid <lb/> does
                    not touch the fringe of a description of him. He had never <lb/> had a thought
                    of his own, nor an idea ; all the same, in any Club <lb/> quarrel, or in regard
                    to a point of procedure, his was an opinion <lb/> other men would willingly
                    stand by. At this moment in his <lb/> life, a blind instinct taught Liphook to
                    seek such society ; no one <lb/> could be said to sum up more
                    completely&#x2014;perhaps because so <lb/> unconsciously&#x2014;the outlook of
                    Liphook's world, which of late he <lb/> had positively begun to forget. The
                    thing was bred into <lb/> Throgmorton by sheer, persistent sticking to the
                    strain, and it came <lb/> out of him again mechanically, automatically,
                    distilled through <lb/> his dim brain a triple essence. The kind of man clever
                    people <lb/> have found it quite useless to run down, for it has been proved
                    <lb/> again and again that if he can only be propped up in the right <lb/> place
                    at the right moment, you'll never find his equal <emph rend="italic"
                    >in</emph>that <lb/> place. Altogether, a handsome share in "the secret of
                    England's <lb/> greatness" belongs to him. The two men met on the platform <lb/>
                    beside a pile of kit-bags and suit cases, all with Viscount Liphook's <lb/> name
                    upon them in careful uniformity. Sims might have had <lb/> the administration of
                    an empire's affairs upon his mind, whereas <lb/> he was merely chaperoning more
                    boots and shirts than any one <lb/> man has a right to possess. </p>

                <p>"You didn't come last night," said Captain Throgmorton, as </p>

                <fw type="catchword">though</fw>
                <pb n="54"/>
                <fw type="runningHead"><fw type="pageNum">46 </fw>An Idyll in Millinery</fw>

                <p>though he had only just realised the fact. He prefaced the re-<lb/> mark by his
                    favourite ejaculation which was "Harr-rr"&#x2014; he pre- <lb/> faced every
                    remark with "Harr-rr"&#x2014;on a cold day it was not <lb/> uninspiriting if
                    accompanied by a sharp stroke of the palms ; in <lb/> April it was felt to be
                    somewhat out of season. But Captain <lb/> Throgmorton merely used it as a means
                    of getting his breath and <lb/> his voice under way. "Pity," he went on, without
                    noticing <lb/> Liphook's silence ; "good bone." This summed up the dinner <lb/>
                    with its famous marrow-bones, at the Blue Posts.</p>

                <p>They got in. Each opened a <emph rend="italic">Morning Post</emph>. Over the top
                    of <lb/> this fascinating sheet they flung friendly brevities from time to <lb/>
                    time. </p>

                <p>"Shan't have more than a couple more days to rattle 'em <lb/> about," Captain
                    Throgmorton remarked, after half an hour's <lb/> silence, and a glance at the
                    flying hedges. </p>

                <p>Liphook began to come back into his world. After all it was <lb/> a comfortable
                    world. Yet had an angel for a time transfigured it, <lb/> ah dear ! how soft
                    that angel's wings, if he might be folded within <lb/> them . . . . old world,
                    dear, bad old world, you might roll by. </p>

                <p>They were coming home from hunting next day. Each man <lb/> bent ungainly in his
                    saddle ; their cords were splashed ; the going <lb/> had been heavy, and once it
                    had been hot as well, but only for a <lb/> while. Then they had hung about a
                    lot, and though they found <lb/> three times, they hadn't killed. Liphook was
                    weary. When <lb/> Throgmorton stuck his crop under his thigh, hung his reins on
                    <lb/> it, and lit a cigar, Liphook was looking up at the sky, where <lb/>
                    dolorous clouds of solid purple splotched a background of orange, <lb/>
                    flame-colour and rose. Throgmorton's peppermint eye rolled <lb/> slowly round
                    when it left his cigar-tip ; he knew that when a <lb/> man&#x2014;that is, a man
                    of Liphook's sort is found staring at a thing <lb/> like the sunset there is a
                    screw loose somewhere. </p>

                <fw type="catchword">"Wha'</fw>
                <pb n="55"/>
                <fw type="runningHead">By Ménie Muriel Dowie<fw type="pageNum"> 47</fw></fw>

                <p>"Wha' is it, Harold ?" he said, on one side of his cigar.</p>

                <p>Liphook made frank answer. </p>

                <p>"What's she done then?" </p>

                <p>"Oh, Lord, it isn't <emph rend="italic">her</emph>." </p>

                <p>"'Nother ?" said Jack, without any show of surprise, and got <lb/> his answer
                    again. </p>

                <p>"What sort ?" This was very difficult, but Liphook shut his <lb/> eyes and flew
                    it. </p>

                <p>"How old ?" </p>

                <p>"Twenty," said Liphook, and felt a rapture rising. </p>

                <p>"Jack, man," he exclaimed, under the influence or the flame <lb/> and rose, no
                    doubt, "what if I were to marry ?" </p>

                <p>Throgmorton was not, as has been indicated, a person of fine <lb/> fibre. "Do,
                    and be done with 'em," said he. And after all, as <lb/> far as it went, it was
                    sound enough advice. </p>

                <p>"I mean marry her," Liphook explained, and the explanation <lb/> cost him a
                    considerable expenditure of pluck. </p>

                <p>An emotional man would have fallen off his horse&#x2014;if the horse <lb/> would
                    have let him. Jack's horse never would have let him. <lb/> Jack said nothing for
                    a moment ; his eye merely seemed to swell ; <lb/> then he put another question : </p>

                <p>"Earl know about it ?" </p>

                <p>"By George, I should say not!"</p>

                <p>"Harr-rr." </p>

                <p>That meant that the point would be resolved in the curiously <lb/> composed brain
                    of Captain Throgmorton, and by common con-<lb/> sent not another word was said
                    on the matter. </p>
                <lb/>
                <lb/>
                <lb/>
                <lb/>
                <fw type="catchword">Two</fw>
                <pb n="56"/>
                <fw type="runningHead"><fw type="pageNum">48 </fw>An Idyll in Millinery</fw>

                <p><emph rend="indent"><emph rend="indent"><emph rend="indent"
                        >IV</emph></emph></emph></p>
                <lb/>

                <p>Two days had gone by. Liphook's comfortable sense of having <lb/> acted wisely in
                    coming out of town to think the thing over still <lb/> supported him, ridiculous
                    though it seems. For of course he was <lb/> no more able to think anything over
                    than a Hottentot. Think-<lb/> ing is not a natural process at all ; savage men
                    never knew of it, <lb/> and many people think it quite as dangerous as it is
                    unnatural. It <lb/> has become fashionable to learn thinking, and some forms of
                    <lb/> education undertake to teach it ; but Liphook had never gone <lb/> through
                    those forms of education. After all, to understand Lip- <lb/> hook, one must
                    admit that he approximated quite as nearly to the <lb/> savage as to the
                    civilised and thinking man, if not more nearly. <lb/> His appetites and his
                    habits were mainly savage, and had he lived <lb/> in savage times he would not
                    have been touched by a kind of love <lb/> for which he was never intended, and
                    his trouble would not have <lb/> existed. However, he was as he was, and he was
                    thinking things <lb/> over ; that is, he was waiting and listening for the most
                    forceful of <lb/> his instincts to make itself heard, and he had crept like a
                    dumb <lb/> unreasoning animal into the burrow of his kind, making one last <lb/>
                    effort to be of them. At the end of the week his loudest instinct <lb/> was
                    setting up a roar ; there could be no mistaking it. He loved <lb/> her. He could
                    not part from her ; he must get back to her ; he <lb/> must make her his and
                    carry her off. </p>

                <p>"Sorry to be leaving you, Jack," he said one morning at the <lb/> end of the
                    week. They were standing looking out of the hall door <lb/> together and it was
                    raining. "But I find I must go up this <lb/> morning." </p>

                <p>Throgmorton rolled a glance at him, then armed him into the <lb/> library and
                    shut the door. </p>

                <fw type="catchword">"What</fw>
                <pb n="57"/>
                <fw type="runningHead">By Ménie Muriel Dowie<fw type="pageNum"> 49</fw></fw>

                <p>"What are you going to do ?" </p>

                <p>"Marry her."</p>

                <p>There was a silence. They stood there, the closest feeling of <lb/> friendship
                    between them, not saying a word. </p>

                <p>"My dear Harold," said Throgmorton at length, with much <lb/> visible and more
                    invisible effort ; he put a hand heavily on <lb/> Liphook's shoulder and blew
                    hard in his mute emotion. Then he <lb/> put his other hand on Liphook's other
                    shoulder. Liphook kept <lb/> his eyes down ; he was richly conscious of all Jack
                    was mutely <lb/> saying ; he felt the weight of every unspoken argument ; the
                    <lb/> moment was a long one, but for both these slow-moving minds a <lb/> very
                    crowded moment. </p>

                <p>"Come to the Big Horn Mountains with me," Throgmorton <lb/> remarked suddenly,
                    "&#x2014;and&#x2014;har-rr write to her from <lb/> there." </p>

                <p>He was proud of this suggestion ; he knew the value of a really <lb/> remote
                    point to write from. It was always one of the first things <lb/> to give your
                    mind to, the choice of a geographically well-nigh <lb/> inaccessible point to
                    write from. First you found it, then you <lb/> went to it, and when you got
                    there, by Jove, you didn't need to <lb/> write at all. Liphook smiled in
                    impartial recognition of his <lb/> friend's wisdom, but shook his head. </p>

                <p>"Thanks," he said. "I've thought it all over"&#x2014;he genuinely <lb/> believed
                    he had&#x2014;"and I'm going to marry her. Jack, old man, I <lb/> love her like
                    the very devil !" </p>

                <p>In spite of the grotesqueness of the phrase, the spirit in it was <lb/> worth
                    having. </p>

                <p>Throgmorton's hands came slowly off his friend's shoulders. <lb/> He walked to
                    the window, took out a very big handkerchief and <lb/> dried his head. He seemed
                    to look out at the dull rain battering <lb/> on the gravel and digging yellow
                    holes. </p>

                <fw type="catchword">"I'll</fw>
                <pb n="58"/>
                <fw type="runningHead"><fw type="pageNum">50 </fw>An Idyll in Millinery</fw>

                <p>"I'll drive you to meet the 11.15," he said at last and went out <lb/> of the
                    room. </p>

                <p>Liphook put up his arms and drew a deep breath ; it had been <lb/> a stiff
                    engagement. He felt tired. But no, not tired. Roll by, <lb/> O bad old
                    world&#x2014;he has chosen the angel's wing ! </p>

                <p>Not one word had passed about Goldenmuth, Madame Félise, <lb/> or the astounding
                    interview ; a man like Liphook can always hold <lb/> his tongue ; one of his
                    greatest virtues. Besides, why should he <lb/> ever think or breathe the names
                    of those wretches again ? Jack <lb/> Throgmorton, in his splendid ignorance,
                    would have been unable <lb/> to throw light upon the real motive of these
                    simple, practical <lb/> French people. Liphook to his dying day would believe
                    they had <lb/> given proof of hideous iniquity, while in reality they were
                    actuated <lb/> by a very general belief of the <emph rend="italic"
                        >bourgeoise</emph>, that to be "established," <lb/> with settlements, as the
                    mistress of a viscount, is quite as good as <lb/> becoming the wife of a grocer.
                    They had been, perhaps, wicked, <lb/> but innocently wicked ; for they acted
                    according to their belief, <lb/> in the girl's best interest. Unfortunately they
                    had had an im-<lb/> practicable Anglais to deal with and had had to submit to
                    insult ; <lb/> in their first encounter, they had been worsted by British brute
                    <lb/> stupidity. </p>

                <p>With a constant dull seething of impulses that quite possessed <lb/> him, he got
                    through the time that had to elapse before he could <lb/> hear from her in reply
                    to his short letter. He had done with <lb/> thinking. A chance meeting with his
                    father on the sunny side <lb/> of Pall Mall one morning did not even disquiet
                    him. His every <lb/> faculty, every fibre was in thrall to his great passion.
                    The rest <lb/> of life seemed minute, unimportant, fatuous, a mass of trivial
                    <lb/> futilities. </p>

                <p>There were two things in the world, and two only. There <lb/> was Mélanie, and
                    there was love. Ah, yes, and there was time ! </p>

                <fw type="catchword">"Why</fw>
                <pb n="59"/>
                <fw type="runningHead">By Ménie Muriel Dowie<fw type="pageNum"> 51</fw></fw>

                <p>Why did she not answer ? </p>

                <p>A note from the bonnet-shop, re-enclosing his own, offered an <lb/> explanation
                    that entered like a frozen knife-blade into Liphook's <lb/> heart. She had left.
                    She was gone. Gone altogether, for good. </p>
                <p>Absurd ! Did they suppose they could&#x2014;oh, a higher price <lb/> was what
                    they wanted. He'd go; by God he'd give it. Was he <lb/> not going to marry her ?
                    He hurried to the hat-shop ; he dropped <lb/> into the chair he had occupied
                    when last in the shop, let his stick <lb/> fall between his knees and stared
                    before him into the mirrored <lb/> walls. All the same tangled scene of passing
                    people, customers, <lb/> shop-women and brilliant millinery was reflected in
                    them ; only <lb/> the bright hats islanded and steady among this ugly
                    fluctuation. <lb/> Pools of fretful life, these circular mirrors ; garish,
                    discomfiting <lb/> to gaze at ; stirred surely by no angel unless the reflection
                    of the <lb/> mouse-maiden should ever cross their surfaces. </p>

                <p>Fifteen minutes later he was standing gazing at the horrid clock <lb/> and
                    ornaments in ormolu that stood on the mantel-piece of the red <lb/> velvet salon
                    where he waited for Madame Félise.</p>
                <p>She came. Her bow was admirable.</p>

                <p>"I wrote to Mademoiselle, and my letter has been returned.<lb/> The note says she
                    has gone." Liphook's schoolboy bluntness <lb/> came out most when he was angry.
                    "Where has she gone ? <lb/> And why ?" </p>

                <p>"Aha ! Little Mademoiselle ! Yes, indeed, she has left us <lb/> and how sorry we
                    are ! <emph rend="italic">Chère petite!</emph> But what could we do ? <lb/> We
                    would have kept her, but her parents&#x2014;" A shrug and a <lb/> smile
                    punctuated the sentence. </p>
                <p>"What about her parents ?" </p>

                <p>"They had arranged for her an alliance&#x2014;what would you <lb/> have
                    ?&#x2014;we had to let her go. And the rezponsibility&#x2014;after<lb/>
                    all&#x2014;" </p>
                <fw type="footer">The Yellow Book&#x2014;Vol. X. D</fw>
                <fw type="catchword">"What</fw>
                <pb n="60"/>
                <fw type="runningHead"><fw type="pageNum">52 </fw>An Idyll in Millinery</fw>

                <p>"What sort of an alliance ?" The dog-like note was in his voice <lb/> again.</p>

                <p>"But&#x2014;an alliance ! I believe very good ; a <emph rend="italic"
                        >charpentier</emph>&#x2014;a <lb/>
                    <emph rend="italic">charcutier</emph>, I forget&#x2014;but <emph rend="italic"
                        >bien solide!</emph>" </p>

                <p>"Do you mean you have sold her to some French&#x2014;</p>

                <p>"Ah, my lord ! how can you speak such things ? Her parents <lb/> are most
                    rezpectable, she has always been most rezpectable&#x2014;<lb/> naturally we had
                    more than once felt anxious here in <lb/> London&#x2014;"</p>

                <p>"I wish to marry her," said Liphook curtly, and he said it <lb/> still, though he
                    believed her to have been thrust upon a less <lb/> reputable road. It was his
                    last, his greatest triumph over his <lb/> world. It fitted him nobly for the
                    shelter of the angel's wing. <lb/> He had learned the
                    worst&#x2014;and&#x2014;</p>

                <p>"I wish to marry her," said Liphook. </p>

                <p>"Hélas !&#x2014;but she is married !" shrieked Madame Félise in a <lb/> mock
                    agony of regret, but with surprise twinkling in her little <lb/> black eyes. </p>

                <p>"Married !" shouted Liphook. "Impossible !" </p>

                <p>"Ask Mr. Goldenmuth, he was at the wedding." Madame <lb/> laughed ; the true
                    explanation of my lord's remarkable statement <lb/> had just struck her. It was
                    a <emph rend="italic">ruse;</emph> an English <emph rend="italic">ruse</emph>.
                    She <lb/> laughed very much, and it sounded and looked most unpleasant. </p>

                <p>"His lordship was&#x2014;a <emph rend="italic">little</emph> unfriendly&#x2014;a
                    little too&#x2014;too <lb/> reserved&#x2014;not to tell us, not even to tell
                    Mademoiselle herself <lb/> that he desired to <emph rend="italic">marry</emph>
                    her," she said with villainous archness. </p>

                <p>Liphook strode to the door. Yes, why, why had he not ? </p>

                <p>"I will find her ; I know where her relatives live." If it is a <lb/> lie&#x2014;
                    I'll make you sorry&#x2014;" </p>

                <p><emph rend="italic">Fi donc</emph>, what a word ! The ceremony at the <emph
                        rend="italic">Mairie</emph>was <lb/> on Thursday last." </p>

                <fw type="catchword">They</fw>
                <pb n="61"/>
                <fw type="runningHead">By Ménie Muriel Dowie<fw type="pageNum"> 53</fw></fw>

                <p>They were going downstairs and had to pass through the <lb/>
                    showrooms&#x2014;quite near&#x2014;ah, quite near&#x2014;the table where the
                    <lb/> little grey and brown pigeons sat clustered, where the one ring-<lb/> dove
                    had sat too. </p>

                <p>"It is sometimes the fate of a lover who thinks too long," <lb/> Madame was
                    saying, with an air of much philosophy. "But see <lb/> now, if my lord would
                    care to send a little souvenir"&#x2014;Madame <lb/> reached hastily to a model
                    on a stand&#x2014;"<emph rend="italic">comme cadeau de noce</emph> here <lb/> is
                    something quite <emph rend="italic">exquis!</emph>" She kissed the tips of her
                    brown <lb/> fingers&#x2014;inimitably, it must be allowed. "So simple, so young,
                    <lb/> so innocent&#x2014;I could pose a little <emph rend="italic">noeud of
                        myosotis</emph>. Coming from <lb/> my lord, it would be so delicate !" </p>

                <p>Liphook was in a shop. There were people about. He was a <lb/> lover, he was a
                    fool, he was a gentleman. </p>

                <p>"Er&#x2014;thank you&#x2014;not to-day," he said ; the air of the world <lb/> he
                    had repudiated came back to him. And a man like Liphook <lb/> doesn't let you
                    see when he is hit. That is the beauty of him. <lb/> He knew it was true, but he
                    would go to Paris ; yes, though he <lb/> knew it was true. He would not, could
                    not see her. But he <lb/> would go. </p>

                <p>He stood a moment in the sun outside the shop, its windows <lb/> like gardens
                    behind him ; its shop-ladies like evil-eyed reptiles in <lb/> these gardens. The
                    carpets, the mirrors on the wall, the tables <lb/> at the back&#x2014;and it was
                    here he had first seen the tip and heard <lb/> the flutter of an angel's wing ! </p>

                <p>"Lord Liphook," said a voice, "what an age . . . ."</p>

                <p>He turned and lifted his hat. </p>

                <p>His world had claimed him. </p>


            </div>
        </body>
    </text>
</TEI>
