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Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.
The Intellectual Ecstasy.
The Valley of Rocks.
Pierrot.
In the New Oriental Department.
The Immortal Hour.
The Skeleton.
Otho and Poppaea.
Customs of Publicity.
A Sonnet on Love. (From the French of Claudius
Popelin.)
The Last Journey.
A Face in the Street.
Scene-Shifting.
Via Vita Veritas.
The Ebony Box.
The Mystery of Time.
A Painter of a New Day.
Two Songs.
On staying at an Hotel with a Celebrated
Actress.
O'Sullivan
John de Waltham.
A Solution.
A Study in Bereavement.
Two Songs.
A Tuscan Melody.
Two Worlds.
Ramsden.
For the King.
A Game of Confidences.
Megalomania.
Old Songs.
Five Poems in Prose.
Love.
Rhapsodie Capriccioso.
Herrick’s “I dare not ask a Kiss.”
Shand
The Wayward Atom.
Snake Charmer’s Song.
Arrangement in Brown and Gold.
J. McNeil
Whistler. . . .
Frontispiece
Tresses of the Surf.
An Old Farm on the Outskirts of London.
Brangwyn, A. R. A.
. . .
The Citadel.
The Bath of Venus.
The Three Kimonas.
Autumn Leaves.
Smith
Portrait in Black and Gold.
Œdipus and the Sphinx.
The Giant.
Chasse aux Amoureux.
The Redemption.
The Little Child Found.
Mother and Child.
Turner’s House at Chelsea.
Centaur Idyll.
The Cockfight.
Joyce.
The Stealing of Dionysos.
Rose of all the Roses.
Study of a Head.
The Bull Fight.
The Fair.