The Yellow Nineties 2.0

The Yellow Nineties 2.0 The Venture: an Annual of Art and Literature—Volume 2, 1905  <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <edition> <date>2022</date> </edition> </editionStmt> <publicationStmt> <idno>VV2_icon20</idno>  <publisher>The Yellow Nineties 2.0</publisher> <pubPlace>Toronto Metropolitan University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Laurence Housman and Somerset Maugham</editor> <author>W. Monk</author>  <title>Turner’s House at Chelsea John Baillie London E. C. 1905 Monk, W. "Turner’s House at Chelsea." The Venture: an Annual of Art and Literature, vol. 2, 1905, p. 97. Venture Digital Edition, edited by Lorraine Janzen Kooistra, 2019-2022. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2022, https://1890s.ca/vv2-monk-chelsea

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

1905 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"

Turner’s House at Chelsea VV2_icon20 Turner’s House at Chelsea, W. Monk, T. Brooker & Co , 1905, 19 x 12.5 , Architectural illustration, Etching, contemporary Chelsea, London, England Outside, house Woman Shrubs, moss, leaves, staircase, chimney, windows, door, fence, sidewalk, street, sign Turner’s House at Chelsea The etching is centered on the page and is printed in sepia tones. A large house enshrouded in moss and shrubs is depicted on the other side of a residential street. The house has seven windows: three on the first floor, three on the second floor, and one in the lower level on the left of the building. On the top floor of the house there is a large sign with the words: “VALUABLE FREEHOLD HOUSES TO BE LET OR SOLD – CRAVES & SON.” A small chimney protrudes from the top center of the house. Wrought iron fencing separates the property from the sidewalk; a gateway leads to the front door at the center of the house. In the bottom right foreground, woman in a wide-brimmed hat, full-length dress, and jacket is walking on the street in front of house. An inscription “Monk Oct 12th 1896” is located in the bottom right corner of the image.