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        <title>The Venture, 1905</title>
        <title type="VV2-maxwell-oriental"/>
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        <editor>Lorraine Janzen Kooistra</editor>
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          <date>2022</date>
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        <pubPlace>Toronto Metropolitan University Centre for Digital Humanities</pubPlace>
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            <editor>Laurence Housman and Somerset Maugham</editor>
            <author>W.B. Maxwell</author>
            <!-- Edit -->
            <title>In the New Oriental Department</title>
            <!-- Edit -->
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              <publisher>John Baillie</publisher>
              <pubPlace>London, E.C.</pubPlace>
              <date>1905</date>
              <biblScope>Maxwell, W. B. "In the New Oriental Department." <emph rend="italic">The
                  Venture: an Annual of Art and Literature,</emph> vol. 2, 1905, pp. 9-13. <emph
                  rend="italic">Venture Digital Edition</emph>, edited by Lorraine Janzen Kooistra,
                2019-2022. <emph rend="italic">Yellow Nineties 2.0</emph>, Toronto Metropolitan
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                https://1890s.ca/vv2-maxwell-oriental<!--Edit-->
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        <head>
          <title level="a">In the New Oriental Department</title>
          <!-- EDIT^^ -->
        </head>

        <div type="prose">

          <p><emph rend="indent"/> ONE hour to closing time in the X and Y Stores.<lb/> Here, in the
            new Oriental Department, the air is heavy <lb/> and enervating—pungent with odours of
            Eastern woodwork,<lb/> laden with the perfumed dust from piles of rich Eastern fabrics
            and <lb/> warmed with the fumes of incense in metal boxes and the vapour <lb/> from
            quaint little coloured lamps. Especially oppressive and ex- <lb/> hausting in the
            dimly-lit corner where the pale-haired assistant<lb/> half leans against the Indian
            screen and languidly sweeps the <lb/> “new line” of Persian glass with his long peacock
            feather brush. </p>

          <p><emph rend="indent"/>“Wike up, Alf,” whispers a passing confrére, “ yer’ ‘arf <lb/>
            asleep, and guvnor’s piping yer.” </p>
          <p><emph rend="indent"/>The friendly warning was needed.</p>
          <p><emph rend="indent"/>“Mr Nasher—attention!” </p>
          <p><emph rend="indent"/>It is the voice of the superintendent—short and sharp, like <lb/>
            the crack of a whip. </p>

          <p><emph rend="indent"/>“Oh, yes, madam,” says Mr Alf Nasher, rousing himself <lb/> from
            his languorous reverie. ‘Quite a new line. The ’ole of <lb/> these trays of glorss was
            purchased by aar trav'lers in the market <lb/> place of Bagdad. Nothing like it ever
            reached London before. <lb/> Sim’lar to Bo’emian, but the Bo’emians can’t produce these
            exqui- <lb/> site opal tints, nor blow the threads so fragile-like. Perfect spider’s
            <lb/> web! Make a very beautiful wedding present, that tall pair, I <lb/> should say,
            madam, or the small ones, or one alone, madam.”</p>

          <p><emph rend="indent"/>But, while he cries his wares in orthodox fashion, keeping<lb/>
            his almost colourless grey eyes fixed upon the lady’s animated <lb/> face, the pupils
            dilate until nearly the whole iris is swallowed by <lb/> their net shade; then slowly
            contract, become smaller and <lb/> smaller until they are as black spots in their vague
            surroundings,<lb/> and the young man begins to dream. </p>

          <p><emph rend="indent"/>All this afternoon, since his indigestible, salt-beef dinner, he
            <lb/> has been assailed by the press and throng of his trance-world, <lb/> finding
            vehicles for brain-wanderings in every detail of his work,<lb/> in despite of his
            struggles to keep his feet on the solid ground of <lb/> everyday life. </p>

          <p><emph rend="indent"/>The lady customers—and in this department nearly all the <lb/>
            customers are of the softer sex—at once enervate and torment by <lb/> drawing him,
            blindfold, into the realm of luminous shadows and <lb/> diffused and rose-coloured
            light. Blondes and brunettes—the <lb/> young specimens fresh, innocent, adorable in
            their gauche sim-<lb/>
          </p>

          <lb/>
          <fw type="footer"><fw type="catchwordV2"/>The Venture</fw>
          <fw type="footer"><fw type="runningHead"/>10</fw>


          <p>plicity; the maturer types in the flush and fire of high-toned and <lb/> dragon-fly
            loveliness; the faint carmine tints of old poe era lips <lb/> like geranium petals,
            curls like spun gold; the thick, white skins <lb/> and heavy, black tresses, long
            lashes, full eyelids veiling the mys-<lb/> tery of amorous Sphinxes; diffident Madonnas;
            flashing Cleo- <lb/> patras; all moulds, all forms of feminine grace or seductiveness—
            <lb/> all troubling, tormenting him, since the clogging mid-day meal, all <lb/>
            furnishing irresistible material for dreams.</p>

          <p><emph rend="indent"/>Suppose that he were rich, pepe ey wealthy, rich <lb/> enough to
            buy up the X and Y, stock, lot and barrel, if the fancy <lb/> moved him, from the roof
            tree and Toys No. 1 to the cellars and <lb/> the overflow of sewing-machines from No.
            20.</p>

          <p><emph rend="indent"/>Ransacking departments, building them in with invoiceless <lb/>
            goods, could he not win them—<emph rend="italic">buy</emph> them all? Why shy at the
            <lb/> word? Are they not all of them to be bought if you are rich <lb/> enough to pay
            the price? Who among them would long with- <lb/> stand the virtue-sapping seduction of
            the Jewellery Department— <lb/> all his, from the tiaras on sale or return from the
            great Midland <lb/> houses, to the little “merry-thought” brooches (9 carat, one split
            <lb/> pearl, 18s. 9d.), bought net and stocked by the gross? He could <lb/> gauge the
            power of the Jewellery Department by those merry- <lb/> thoughts. For had he not given
            one to Sybil Cartwright, of the <lb/> middle counter of "Gloves, Hose and
            Underwear”?</p>

          <p><emph rend="indent"/>A brown-haired, moon-faced maid—Sybil—with hair swept <lb/> over
            egg-shell ears, and almond eyes, darkly lustrous as a summer’s <lb/> night on the banks
            of the Karun, and the haughty insouciance <lb/> which can laugh at the wooing of a
            rosetted shop-walker or a<lb/> ground-floor desk clerk, not to mention an undecorated
            assistant! <lb/> But to be bought, no doubt, like the countesses and duchesses <lb/>
            whose fur-clad menials fill the “out” benches of the hall. “What <lb/> are in all those
            saddle-bag sacks which I see the warehouse men <lb/> carrying all day long into the
            Deposit Account Office?” asks <lb/> Sybil disdainfully. Gold, young lidy, <emph
              rend="italic">my</emph> gold. Same as what <lb/> I've bought the ole Stores with.” </p>

          <p><emph rend="indent"/>“Praad” she might be, and cold too, and dignified in de- <lb/>
            meanour; but he could set her dancing for his pleasure in a mar- <lb/> vellous, secret
            flat, obtained through the X and Y House Agency, <lb/> and furnished “remorseless” out
            of this very department, within <lb/> a month—yes, dancing before him, dressed like some
            Nautch girl, </p>


          <p><emph rend="indent4"/>In the New Oriental Department</p>
          <fw type="footer"><fw type="runningHead2a"/>11</fw>

          <p>and all jingling and jangling with diamonds, rubies and sapphires,<lb/> as she twisted
            and squirmed about to the muffled music of an <lb/> X and Y “ten clay band,” hidden away
            in the next room. <lb/> “Praad, may be! but mine at last!”</p>

          <p><emph rend="indent"/>Yet how restricted the power, how feeble the effect, of the <lb/>
            vastest treasure here in England, in these prosaic, convention- <lb/> ruled days! But to
            have. the wealth and the power, too: to be an <lb/> Eastern potentate, absolute,
            uncontrolled lord of all the land! Ah, <lb/> Sultan and King! sensual, merciless, if you
            like, but splendid even <lb/> in his depravement; capable of fine flashes of magnanimity
            to <lb/> illumine the dark background of his soul’s demoralization. ‘Lord <lb/> of all
            this, my humming, bustling market-place, my walled city <lb/> and my palace all in
            one—all these busy clerks and assistants my <lb/> troops, bearers and servants; the
            liftmen my bronzed captains; <lb/> the frock-coated commissionaires my corpulent,
            white-faced body- <lb/> guard, safe and harmless guardians of the new block of women’s
            <lb/> sleeping accommodation, which I herewith appropriate as my sera- <lb/> glio, and
            over which I set them on guard.” ...</p>
          <lb/>


          <p><emph rend="indent"/>And now is seen one of those terrible occurrences, frightful<lb/>
            examples of a despot’s tyranny, which have made this young <lb/> monarch at once famous
            and execrable in Oriental history. <lb/> “Well, let the historians talk! What must be,
            must be. Kis- <lb/> met. I have spoken.” </p>

          <p><emph rend="indent"/>Throwing himself down on the finest of the embroidered <lb/>
            divans, while ready hands bring forward the huge hookah—that <lb/> reat unsaleable thing
            that has stood by the A desk of the <lb/> obacco Department for the last three years—he
            summons the <lb/> now trembling secretary, his grand vizier; issues his brief but <lb/>
            awful commands; and, wrapping himself in wreaths of fragrant <lb/> smoke, calmly awaits
            their fulfilment. </p>

          <p><emph rend="indent"/>Crunch! clink, clank! The sounds of bolts and bars; then <lb/> the
            rumble of the iron fireproof doors, as they fall in their sockets <lb/> throughout the
            great building, leaving only the little wickets <lb/> wee from floor to floor, between
            department and department. <lb/> What does it mean? Closing at half after five! Fire?
            What <lb/> is it </p>

          <p><emph rend="indent"/>Alas, the panic-stricken cries, the shrieks of women, the <lb/>
            groans of men, too well indicate a premonition of the horrible </p>

          <lb/>
          <fw type="footer"><fw type="catchwordV2"/>The Venture</fw>
          <fw type="footer"><fw type="runningHead"/>12</fw>

          <p>truth. It is nothing more nor less than one of the Sultan’s gigantic <lb/> raids for
            the re-stocking of his harem.</p>

          <p><emph rend="indent"/><emph rend="italic">“All out! All out! All men and boys,
              outside!”</emph> the unflinch- <lb/> ing guards are already roaring on the staircases,
            and husbands are <lb/> being torn from wives, brothers from sisters, on every landing.
            <lb/> A shriek and an oath. The astrakan toque has fallen from the <lb/> head of a tall
            girl—a well-known customer—her hair is half down, <lb/> and she is struggling madly to
            retain the hand of a tall guards- <lb/> man, probably her betrothed. Quick as life, the
            guardsman <lb/> snatches from the wall one of those huge Afghan knives, heavy <lb/> as a
            hatchet, sharp as a razor, and clears a space all round him. <lb/> In a moment he is
            overpowered and hurled back through the little <lb/> wicket. Killed? Who shall say? He
            has resisted the Sultan’s <lb/> command. Death were a light punishment. “Besides, it
            ain’t so <lb/> easy to see through the ’ooker smoke.” </p>

          <p><emph rend="indent"/><emph rend="italic">“All out! All out! All females over the age of
              thirty-five <lb/> outside!”</emph> roar the guards. The men are all gone. It is the
            turn <lb/> of the agonized mothers and aunts and elderly sisters. Oh, <lb/> lamentable
            scene! Oh, pitiful wailings! The most valuable <lb/> parcels thrown away in anguish, the
            floors littered with mono- <lb/> grammed purses, muffs, fur capes, powder boxes, card
            cases, hair- <lb/> pins, and what not; a screaming and raving and sobbing and gasp-
            <lb/> ing which might melt a granite rock to tears, as the ensnared <lb/> matrons and
            maids rush to and fro, beating against their prison <lb/> bars like a flock of trapped
            doves. In a voice broken with emotion <lb/> and with humble deprecating obeisance, the
            Secretary-Vizier<lb/> a that some daughters of shareholders may be set at <lb/> liberty.
            But he laughs cruelly.</p>

          <p><emph rend="indent"/>“That new block of buildings must be filled. I have <lb/>
            spoken.”</p>

          <p><emph rend="indent"/>In the midst of the uproar a stout, middle-aged dame, over- <lb/>
            looked by the Janissaries, appeals to him for mercy. With hideous <lb/> mockery he bids
            her depart.</p>

          <p><emph rend="indent"/>Her prayer is in truth on behalf of her nieces—two bright’ <lb/>
            girls from Hastings, her brother's pride and joy, on a New Year's <lb/> visit to their
            aunt at Earl’s Court—but he affects to misunderstand, <lb/> mischievously assumes that
            she is pleading for her own freedom, <lb/> and she is hustled from his sight.</p>

          <p><emph rend="indent"/>“Marshal them all through the Grocery and Candles,” he </p>

          <p><emph rend="indent4"/>In the New Oriental Department</p>
          <fw type="footer"><fw type="runningHead2a"/>13</fw>

          <p>commands. “Then march them before me to their quarters. Give <lb/> them food. If
            necessary drug them all. To-morrow we will en-<lb/> large the meshes of our royal net
            and let many fish pass through. <lb/> To-night I am too weary to pick and choose. “I
            have spoken.”</p>

          <p><emph rend="indent"/>But what is this? A slim and plainly-dressed girl forces <lb/> her
            way through the agonized throng and throws herself at his <lb/> feet. It is Sybil, from
            counter 5 Ladies’ Hose, etc. Crouched <lb/> down like a spaniel before the divan, her
            nice brown hair trembling <lb/> on the back of her neck, upturned towards him, three
            times she<lb/> touches the dusty matting with her white forehead, then raises her <lb/>
            tear-stained eyes to his, and speaks.</p>

          <p><emph rend="indent"/>“Oh, great Master and King! Do not do this thing. Turn <lb/> your
            thoughts away from this monstrous wickedness. For my <lb/> sake let them off. For the
            sake of a poor girl, open the doors and <lb/> let them go. Don’t go and do anything so
            mean and low as this.”</p>

          <p><emph rend="indent"/>“For <emph rend="italic">your</emph> sake, girl? And what is the
            ransom you offer? <lb/> Body and soul were too small a price for thwarting a king’s
            fancy.”</p>

          <p><emph rend="indent"/>“No ransom, O King, if they might pay it, but a free gift. <lb/>
            <emph rend="italic">I have always loved you"</emph>; and now the lovely girl’s pale face
            is <lb/> suffused with blushes.</p>

          <p><emph rend="indent"/>“Then rise” he cries, in clarion tones, himself springing to <lb/>
            his full height; ‘(and stand here beside me, my empress and my <lb/> queen. Open all
            doors. Let the mob loose. Poor frightened <lb/> slaves! your master needs ye not.”</p>

          <p><emph rend="indent"/>And with a superb gesture of dismissal he flings wide his <lb/>
            open arms.... </p>
          <lb/>



          <p><emph rend="indent"/>Down they all go—‘“the new line”—tray upon tray— <lb/> Bagdad’s
            glory, the “fragile-like” novelties of the season, shivered <lb/> into thousands of
            tinkling fragments—and, as he kneels amidst <lb/> the ruin he has wrought, the merciless
            voice of the Superintendent <lb/> hisses in his ear.</p>

          <p><emph rend="indent"/>“Secretary's Office. Explain it as best you can. <emph
              rend="italic">’Ope for <lb/> nothing from me.</emph> I'm sick and tired of you.”</p>

          <p>
            <emph rend="indent5c">&#160;&#160; <ref target="#WMAX">W. B. MAXWELL</ref>
            </emph>
          </p>


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