The Yellow Nineties 2.0 The Venture: an Annual of Art and Literature—Volume 2, 1905 <!-- EDIT --> <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <edition> <date>2022</date> </edition> </editionStmt> <publicationStmt> <idno>VV2_icon9</idno> <!-- EDIT --> <publisher>The Yellow Nineties 2.0</publisher> <pubPlace>Toronto Metropolitan University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Laurence Housman and Somerset Maugham</editor> <author>G.W. Lambert</author> <!-- EDIT --> <title>The Three Kimonas John Baillie London E. C. 1905 Lambert, G.W. "The Three Kimonas." The Venture: an Annual of Art and Literature, vol. 2, 1905, p. 16. Venture Digital Edition, edited by Lorraine Janzen Kooistra, 2019-2022. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2022, https://1890s.ca/vv2-lambert-kimonas

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1905 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
The Three Kimonas VV2_icon9 The Three Kimonas, G.W. Lambert, Rembrandt Intaglio Co., 1905 9.5 x 15 cm figure painting, painting, woman, kimona, ribbon, necklace, bracelet, stream, river, hills, clouds The Three Kimonas The tonal reproduction is in landscape orientation and is centered on the page. The image depicts three women seated in the foreground. The woman seated on the left is in a slight right-profile looking forward. Her hair is dark and is tied into a bun on top of her head. Her right hand is placed on the ground in front of her and her left hand is in her lap facing upwards with an open palm. She is wearing a loose dark robe (kimona) with lightly coloured floral patterns. The woman in the middle is seated in left-profile, looking down.. Her hair is dark and tied in a low bun. She is wearing a light kimono with black sleeve cuffs, sash, and collar. She is wearing a necklace and a bracelet. Her left hand is placed on her lap with an open palm. The woman on the right is facing forwards with one knee bent and her head tilted slightly to the right. Her hair is dark, in a low bun, tied with a black ribbon. She is wearing a loose dark kimona with a light undershirt. Her right hand is resting on the upper back of the woman in the middle, and her left hand is resting on her knee. In the background, there is a hilled landscape (with a path or stream) and clouds in the distance; this may be a painted backdrop, rather than a natural view.