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        <title>The Venture, 1905</title>
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        <editor>Lorraine Janzen Kooistra</editor>
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          <date>2022</date>
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            <editor>Laurence Housman and Somerset Maugham</editor>
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            <title>The Mystery of Time</title>
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      <div n="VV2_dr31" type="drama">
        <!-- EDIT^^ -->
        <pb n="74"/>
        <!-- EDIT^^ -->
        <head>
          <title level="a">The Mystery of Time</title>
          <!-- EDIT^^ -->
        </head>

        <div type="drama">

          <p>
            <emph rend="indent5"/>
            <emph rend="italic">Characters:</emph>
          </p>

          <p>
            <emph rend="note">
              <emph rend="indent4">PAST.</emph>
              <emph rend="indent3">PRESENT.</emph>
              <emph rend="indent3">FUTURE</emph>
            </emph>
          </p>

          <p>
            <emph rend="note">THE PRESENT <emph rend="italic">is seated on a throne a man in the
                prime of life, his eyes closed. <lb/> He is sitting rigidly as if in a trance. He is
                dressed in white.</emph></emph>
          </p>

          <p>
            <emph rend="note">THE PAST, <emph rend="italic">an old man in black with a skull cap: of
                a grotesque appearance and <lb/> voice. He is guarding the door on the Present’s
                left.</emph></emph>
          </p>

          <p>
            <emph rend="note">THE FUTURE, <emph rend="italic">a beautiful boy in a dress of the
                colour of the dawn with an irrides- <lb/> cent cloak of gossamer. He is on the right
                guarding another door.</emph></emph>
          </p>

          <p>
            <emph rend="note">THE PAST and FUTURE <emph rend="italic">look at each other cautiously,
                nod, and creep quietly across <lb/> the stage; they meet to the left front of the
                throne and talk as if they were <lb/> afraid of being overheard.</emph></emph>
          </p>





          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> What will come of it, do
            you think?</p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> There is danger for us:
            I've always found it most <lb/> unpleasant. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> How is that? </p>

          <p><emph rend="indent2"/><emph rend="italic">Past. (in the piping voice of the
              old).&#160;</emph> I am sorry to tell you, my <lb/> amiable young friend, that in my
            experience, when our master sits <lb/> too long upon that throne which he calls The
            Place of Truth—it is <lb/> very grievous—but I am obliged to confess that we are apt to
            be- <lb/> come totally extinct. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> But I will not, I will
            not fade and fade until I die. <lb/>
            <emph rend="italic">(Past shrugs his shoulders)</emph>. How can we resist? Surely you
            can <lb/> think of something to do? </p>

          <p><emph rend="indent2"/><emph rend="italic">Past (slowly).&#160;</emph> All we can do is
            to try and break in upon <lb/> his reverie.</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Go on! go on! </p>

          <p><emph rend="indent2"/><emph rend="italic"> Past.&#160;</emph> I have tried my utmost. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Try again. </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> I have tried all ways. </p>

          <p><emph rend="indent2"/><emph rend="italic"> Future.&#160;</emph> But why are you so
            powerless? </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Look. I will tell you our
            secret. The truth is, you <lb/> and I have no Reality. We are ever-changing
            phantoms.</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> And Reality is a
            treasure that he, our master, holds? </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Yes, but he does not know
            it. He must never know <lb/> it, or we die.</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Oh, Misery!</p>


          <lb/><fw type="footer"><fw type="catchwordV2"/>The Venture</fw>
          <fw type="footer"><fw type="runningHead2a"/>75</fw>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Unless we keep his fancy
            dancing to our measure, <lb/> he'll find it out at last and we shall disappear. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> But has he never found
            it out before? </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Never completely. He
            strives after something he <lb/> calls the mystery of being for a while, and we hide
            ourselves and <lb/> wait until he grows a little weary of beatitude. With delicate feet
            <lb/> Doubt enters his mind, and we spring out once more to trouble his <lb/> ageless
            peace </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Where is this mighty
            Spirit of Doubt that I <lb/> may call her? </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Alas! we have no power to
            call her. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Why not? Have we not
            power unlimited in every <lb/> place but this? </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Doubt is the mother of
            phantoms; she brought us <lb/> forth and everything we see and know sprang from her
            great <lb/> wonder. But we call to her in vain. She comes like the storm <lb/> at her
            own will. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Oh, see how fixed in
            trance he is! </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Firm as the loadstone of
            the world.</p>

          <p><emph rend="indent2"/><emph rend="italic">Future (seized with the cramp).&#160;</emph>
            Oh! oh! I feel myself drawn <lb/> to his feet. Agony! agony! Save me! save me! </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Alas! alas! I have tried
            all my magic; my wisdom <lb/> and my arts are nothing to him. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> You must do something or
            I shall die and you'll <lb/> die too, old dotard—don’'t forget yourself. </p>

          <p><emph rend="indent2"/><emph rend="italic">Past (sniggers).&#160;</emph> No tear of
            that, no fear I shall forget <lb/> myself. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Oh, all my beauty
            vanishes! </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> I have shown him glimpses
            of misleading wisdom, <lb/> strange joys, forgotten mysteries. I have given him a taste
            of <lb/> praise, of rapture and swift movement. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Of rapture! What do you
            know of rapture, poor <lb/> old fool? Leave that to me. If that will win us life, I'll
            make <lb/> him feel the keen edge of joy. I'll make him feel the honey in his <lb/>
            veins and the loud heartbeats that silence wisdom. </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> All these are fires he has
            known, my hands have <lb/> scattered their ashes many times. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> O shrivelled hands, what
            fire have you to give? It <lb/> is not withered memory that tempts, nor aching limbs
            that make </p>

          <p><emph rend="indent5"/>The Mystery of Time</p>
          <fw type="footer"><fw type="runningHead"/>76</fw>

          <p>men long for life <emph rend="italic">(holds out his own beautiful hands)</emph>. The
            magic <lb/> fire I give shall work new changes on him.</p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Your fires will be mine
            before an hour has past; even <lb/> now they pass into my veins. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future (in a fury).&#160;</emph> Old hog! get
            out of my sight. I <lb/> hate your dreary lies. I am the source of life; ‘tis you <lb/>
            must die. </p>

          <p><emph rend="indent2"/><emph rend="italic">Past (bows mockingly).&#160;</emph>
            Resplendent youth, your dreams <lb/> would die untold if it were not for me. The law is
            this, it is the <lb/> law of Time. And you are going where you must, and dreaming <lb/>
            once again the fair false dreams I wrote of ages since. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> I know your cry,
            “reiteration” and “recurrence,” <lb/> your “ring of Time.” But I defy it! I'll bring him
            new dreams. <lb/> Titanic, Godlike dreams, dreams of power, dreams that he <lb/> moves
            the very pulse of earth. </p>

          <p><emph rend="indent2"/><emph rend="italic"> Past.&#160;</emph> What are your dreams? My
            hands long since have <lb/> torn those dreams in fragments. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> He has never yet dreamed
            of conquering the earth, <lb/> the sea, the air. </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Poor child, you are
            bewildered. I tell you he has <lb/> been king of air and water and of fire itself: in
            the past before this <lb/> earth was battered into shape the spirit that now breathes in
            him <lb/> was free; it knew no power that could keep it back. The fire was <lb/> a
            rapture and the air a whirl of light. No solid earth shut out the <lb/> quick ecstasy of
            beings who are now men blinded behind a little <lb/> veil of flesh—and wondering at
            their helplessness. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Strange, strange that
            was beyond my thought. </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> You'll think it yet when
            we have travelled round the <lb/> ring of time. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Alas! alas! </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Try something simpler. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> What can I do? </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> I have-love songs in my
            bag here; sing them <lb/> to him. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Yes, yes, a maid. </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> A cup of wine. </p>

          <p><emph rend="indent2"/><emph rend="italic">Both.&#160;</emph> These are enough. </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> They'll set him dreaming
            and desiring, grasping, fight- <lb/> ing, killing, raging to defend his own.</p>

          <lb/><fw type="footer"><fw type="catchwordV2"/>The Venture</fw>
          <fw type="footer"><fw type="runningHead2a"/>77</fw>

          <p>
            <emph rend="indent2"/>
            <emph rend="italic">(The Future sings some old poems in praise of love.)</emph>
          </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> These should soon rouse
            him from his trance. </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Now try a Dionysian strain
            and praise the grape and <lb/> dance the Bacchic dance. </p>


          <p>
            <emph rend="italic">(They dance and sing until the Present slowly opens his eyes, and
              they <lb/>
              <emph rend="indent2">return to their stations on either side of the
              throne.)</emph></emph>
          </p>


          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> What is this whirl of
            sense that clouds the serene <lb/> ecstasy of being, that I knew but now when I cast
            away the images <lb/> of thought and pierced my heart to find its secret home? <emph
              rend="italic">(dreamily)</emph>
            <lb/> I stood naked in a dark and bleak eternity and filled it with my <lb/> exultation. </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Master, we wait for you. </p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> Old man, old man, wait
            on; for I have known the <lb/> rapture which delights in destroying its very being. I
            have <lb/> scattered the broken lights of day and live in a silent place where <lb/>
            time and change are dumb. </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> We have great feasts for
            you, my master, and kegs of <lb/> wine from Cyprus. </p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> I do not need to feast,
            my body is a phantom made <lb/> of thought <emph rend="italic">(they shrink back
              shuddering)</emph>. 1 will not feed it, for it <lb/> grows and creeps about me holding
            delight to my eyes and horror <lb/> to the deep joy that gleams within my heart. <emph
              rend="italic">(Past weeps.)</emph> Do <lb/> not weep so, but tell me did men of old
            listen to their own hearts <lb/> and learn from them what nothing else could tell? </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Yes, yes, indeed, dear
            master, if you will but come <lb/> away from this dread place I can show you the scripts
            of the wisest <lb/> among them. </p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> Bring them here.</p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> 1 fear there are very few
            I could bring here. The <lb/> Central Truth casts a bewilderment upon men’s thoughts. </p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> Bring what you can.</p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> One short passage from St
            Augustine <emph rend="italic">(as he opens his <lb/> bag)</emph>. Two or three from the
            Greeks. One poem from Persia. <lb/> One inscription from Egypt. Three sentences from
            Sanchara- <lb/> chaya and from the Tao—.</p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> Enough, enough; show me
            the most ancient of <lb/> them all. </p>


          <p><emph rend="indent5"/>The Mystery of Time</p>
          <fw type="footer"><fw type="runningHead"/>78</fw>

          <p>
            <emph rend="indent2"/>
            <emph rend="italic">(They become absorbed on a scroll.)</emph>
          </p>

          <p><emph rend="indent2"/><emph rend="italic">Future sings Byron's&#160;</emph> "We'll go
            no more a-roving by the<lb/> light of the moon."</p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Hush, foolish boy.</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> I would speak with our
            master.</p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Wait then until he chooses
            to listen to you.</p>

          <p>
            <emph rend="italic">(A knock is heard at the door, guarded by the Future. He goes to it<lb/>
              <emph rend="indent2">and looks out.</emph>)</emph>
          </p>

          <p><emph rend="indent2"/><emph rend="italic">Future (returning).&#160;</emph> A fair young
            girl, in great distress, is<lb/> asking for our master. She says he alone can help
            her.</p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> What is that you
            say?</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> A lady, weeping, sir,
            says you can help her.</p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> What does she need?</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> She has heard you have
            achieved the great quest<lb/> and have found the philosopher's stone. She is saddened
            by<lb/> the ebb and flow of life, and seeks to know the mystery<lb/> of being.</p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> Tell her to search in
            her own heart.</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Sir, she is almost
            fainting at the door, and hoped<lb/> you would heal her with a touch.</p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> I must help all that
            ask me. Bring her in.</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> She may not enter,
            sir.</p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> You know, sir, we may
            admit no one to your presence<lb/> here.</p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> Then I will go to
            her.</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> She lies like a crushed
            white flower at the door.</p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> Poor child, it is a
            pity she should fade so soon.<lb/> I will go to her <emph rend="italic">(half
              rises)</emph>, and yet, and yet—</p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> You do well to hesitate,
            master; will you not rather<lb/> come to the record room, and I will show you how a
            certain man<lb/> named Adam—</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Silence, old
            scandalmonger.</p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> Enough of this clamour;
            I will come with you <emph rend="italic">(to<lb/>
              <emph rend="indent2"/>Future)</emph>.</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> She is a lovely lady,
            and will give you hours of<lb/> great joy.</p>

          <p><emph rend="indent2"/><emph rend="italic">Present (stopping short).&#160;</emph> Is
            that your meaning? Away,</p>


          <lb/><fw type="footer"><fw type="catchwordV2"/>The Venture</fw>
          <fw type="footer"><fw type="runningHead2a"/>79</fw>

          <p>away, both of you <emph rend="italic">(casts aside the scrolls)</emph>. Close the great
            doors<lb/> and dare to disturb my peace no more.</p>


          <p>
            <emph rend="italic">(He returns to his throne and seats himself as at first. Music is<lb/>
              <emph rend="indent2"/>heard outside, and the Past and Future dance a kind of<lb/>
              <emph rend="indent2"/>quarrel dance, the Future doing his best to prevent the Past<lb/>
              <emph rend="indent2"/>from collecting his scrolls, and the Past preventing the Future<lb/>
              <emph rend="indent2"/>from reaching the Present to pluck at his sleeve.)</emph>
          </p>


          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Why do you spoil my
            plot? We should have been<lb/> safe for millions of years if you had not begun your
            foolish story<lb/> about Adam.</p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Young ragamuffin, what do
            I care? In any case I am<lb/> safe. My records cannot be blotted out; they are stamped
            upon<lb/> the stuff of life, and will recur eternally. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Your records will go
            with you when our master<lb/> swallows us.</p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> I'm not so sure of
            that.</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Old monument! Can you
            not remember how you<lb/> told me that unless we can persuade him to rejoice in wine
            and<lb/> song and women, home and all the rest of it, we ourselves must<lb/> fade and
            fade until we die?</p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> The three will become
            one.<lb/></p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> When the three have
            become one, where are you<lb/> and I? Philosopher without wisdom, have you no
            common<lb/> sense? </p>

          <p><emph rend="indent2"/><emph rend="italic">Past (blinking at him
              provokingly).&#160;</emph> As usual, the Future has<lb/> to ask questions of the
            Past.</p>

          <p>
            <emph rend="indent2"/>
            <emph rend="italic">Future (grunts).&#160;</emph>
          </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> After all, what does it
            matter? Your being continually<lb/> merges into his, and as a matter of fact I make my
            dinner off both<lb/> of you </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> But that is all
            pretence; we don't mind a little self-<lb/> sacrifice by way of pretence. But in
            reality! no! no! Why it's <lb/> downright murder! Our master sleeps too well; even now
            his <lb/> trance approaches the state from which there is no return. I feel<lb/> it in
            my very bones.</p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Why did you interrupt me
            just now when I had him<lb/> deep in the Ancients? Their inspirations can coil like
            serpents in</p>

          <p><emph rend="indent5"/>The Mystery of Time</p>
          <fw type="footer"><fw type="runningHead"/>80</fw>

          <p>our hearts, if you had not disturbed us with your foolish wench, he <lb/> would soon
            have been beguiled.</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> I believe in the wench.
            She’s a great power. What <lb/> is a bit of fine writing to us when the passions rage? </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> And where would passions
            be if men had not fired <lb/> them with thought, and peopled them with images of joy? </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Oh words! words! They
            are nothing!</p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> A word once flashed across
            the bosom of the depths, <lb/> and all the stars of heaven sprang out to listen to
            it.</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> That was because the
            word was full of desire for <lb/> the stars. </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Maybe; but what is a man
            or woman that they should <lb/> be desired? It is the dreams and images of poets and
            singers that <lb/> has made a mantle of sweet sounds and cast it over them so that <lb/>
            their passions may bring them an unearthly joy.</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Oh that I might lead her
            in, that he might see her <lb/> loveliness! </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> The wild words of the
            singers have made you see en- <lb/> chantment in her breath, a thunder cloud in her
            hair. “He knows, <lb/> he knows, that she is nothing but a carcase like any other
            beast.</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Horrible old man, away
            with you! <emph rend="italic">(Pursues and <lb/> batters the old fellow, who takes
              refuge on a high place whence he <lb/> looks down like a gargoyle.)</emph> Oh, great
            master, awake, and save me <lb/> from this old devourer! </p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> You have but to know
            yourself as one with me and <lb/> death can never touch you. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> I love you, I love you,
            but I cannot hold your hand, <lb/> I cannot know you. I am a delight, a rapture beyond,
            always <lb/> beyond—. </p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> I see a strange light
            trembling round your hair in <lb/> tender rainbow tints. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Oh Master, turn your
            terrible eyes away. They <lb/> blaze and burn up all my fancies in their light. I would
            not die. </p>

          <p><emph rend="indent2"/><emph rend="italic">Voice outside chants with a terrible wail. I
              am lost, I am lost. </emph><lb/> Thousands of years I must wander 'mid phantoms of
            time.</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Listen to the cry of her
            you will not save. It is the <lb/> cry of the whole world. It is the cry of the
            unmeasured hosts of <lb/> souls. If you would go to them and rule them, the fair soul of
            <lb/> earth would lay her head upon your heart and hang her lovely </p>


          <lb/><fw type="footer"><fw type="catchwordV2"/>The Venture</fw>
          <fw type="footer"><fw type="runningHead2a"/>81</fw>

          <p>arms about your neck and sing songs of your noble deeds to <lb/> all things.</p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> There is no need for
            me. There is within them all <lb/> a secret shrine of blessedness.</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> But man is born to make
            a beautiful thing of Sor- <lb/> row. He does not care for Happiness.</p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> He can do little till
            he has burned with the su- <lb/> preme desire, his brief madness can but accomplish
            brief allay- <lb/> ments. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Oh, go and prophesy upon
            the housetops, Greatest <lb/> of Beings. This one woman saved, means that the world
            would <lb/> burn with rapture. </p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> Child! child! know this
            riddle and ponder it. The <lb/> supreme desire is to be without the supreme desire. That
            I have <lb/> known. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future (in agony at seeing the Present once
              more lapse into <lb/> trance).&#160;</emph> Master, master, wait, wait till we are
            old. I am <lb/> so young. </p>

          <p><emph rend="indent2"/><emph rend="italic">Present (speaking with a far-off
              voice).&#160;</emph> Seek the imperishable <lb/> while the tides of life are in the
            flood. Then they can carry you <lb/> beyond all mortal hope. For those who wait for the
            dark time of <lb/> feeble will can only sink and drown. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> I have lost hope.</p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> Then give me your
            hand.</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> I give it. <emph
              rend="italic">(As he does so he becomes transfigured with <lb/> joy).</emph> Oh Time!
            Time! you are slain in the unchanging rapture <lb/> of truth. </p>

          <p><emph rend="indent2"/><emph rend="italic">Past (leaps down with a scream, a wail of
              wild music is heard).&#160;</emph><lb/> Come away, come away, we shall die, we shall
            die. </p>

          <p><emph rend="indent2"/><emph rend="italic">Present (to the Future).&#160;</emph> The old
            ways of the changing world<lb/> cry to you. Can you master them?</p>

          <p><emph rend="indent2"/><emph rend="italic">Future.&#160;</emph> Oh Truth, great virgin,
            that melts down life and <lb/> death and gives us them to drink out of your cup! </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Who cares for Truth? come
            away, come away, or we <lb/> die. <emph rend="italic">(He drags the Future away and
              leaves him fainting at the foot <lb/> of the throne.)</emph>
          </p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> Now are you glad at
            heart, poor hungerers for har- <lb/> vest, thirsters after life? </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Come away from this
            dreadful place. See, see, </p>

          <p><emph rend="indent5"/>The Mystery of Time</p>
          <fw type="footer"><fw type="runningHead"/>82</fw>

          <p>great master, how it has killed this child; he was so full of joy <lb/> and life.</p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> He is a phantom. You
            are a phantom. Let all <lb/> phantoms know themselves as phantoms, and the goal is
            reached. </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Is the goal Truth?</p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> She is burned up in
            Being. The Gods may labour <lb/> in the fields of Time but I remain. The ten winds may
            sweep <lb/> through Space, but the dust returns to its own place. </p>

          <p><emph rend="indent2"/><emph rend="italic">Past and Future.&#160;</emph> The dust, the
            dust, what is this mystery?</p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> The smallest of the
            small is the greatest of <lb/> the great. </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> Is that the last word? </p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> The last word is NOW. </p>

          <p><emph rend="indent2"/><emph rend="italic">Future (kneels).&#160;</emph> Oh, let me die! </p>

          <p><emph rend="indent2"/><emph rend="italic">Past.&#160;</emph> You are the master in the
            Place of Being, and Time <lb/> must be the servant at your gate <emph rend="italic"
              >(kneels)</emph>. </p>

          <p><emph rend="indent2"/><emph rend="italic">Present.&#160;</emph> Where I am, none are
            servants. All life is mine; <lb/> all possession is a burden, for I see Time as it is
            without fear. <lb/>
            <emph rend="italic">(He gently raises them to their feet.)</emph></p>

          <p>
            <emph rend="indent5c">&#160;&#160; <ref target="#FFA">FLORENCE FARR</ref>
            </emph>
          </p>


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