The Yellow Nineties 2.0 The Venture: an Annual of Art and Literature—Volume 2, 1905 <!-- EDIT --> <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <edition> <date>2022</date> </edition> </editionStmt> <publicationStmt> <idno>VV2_icon16</idno> <!-- EDIT --> <publisher>The Yellow Nineties 2.0</publisher> <pubPlace>Toronto Metropolitan University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Laurence Housman and Somerset Maugham</editor> <author>Walter Bayes</author> <!-- EDIT --> <title>Chasse aux Amoreaux John Baillie London E. C. 1905 Bayes, Walter. "Chasse aux Amoreaux." The Venture: an Annual of Art and Literature, vol. 2, 1905, p. 53. Venture Digital Edition, edited by Lorraine Janzen Kooistra, 2019-2022. Yellow Nineties 2.0, Toronto Metropolitan University Centre for Digital Humanities, 2022, https://1890s.ca/vv2-bayes-chasse

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1905 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
Chasse aux Amoreaux VV2_icon16 Chasse aux Amoreaux, Walter Bayes, Rembrandt Intaglio Co, 1905, 15 x 11.5 cm, Crowd Scene Water colour drawing, Outdoors, woodland, park Man, woman, Harlequin, soldier, musician, crowd ribbons, dress, bodysuit, armour, trees, terrace, wall, lute, mask Chasse aux Amoreaux The image is in landscape orientation and is in the centre of the page. The image depicts a tug-of-war scene in a woodland area. In the left foreground, a man and a woman are tied together. The woman is wearing a long dress and the man is in a pale white bodysuit. They are woven together by strings or ribbons which are being pulled by four women located in the right foreground of the image, who appear to be dressed in costumes of various kinds. At left, a masked Harlequin in a diamond-patterned suit stands behind the couple, brandishing a long ribbon over their heads. In the background, men and women stand on a terrace behind an ornamental half wall; some have their arms raised and one is playing a lute. A knight in armour stands in the top right background observing the scene from the raised terrace.