<?xml version="1.0" encoding="UTF-8"?>
<?xml-model href="../../../../Schema,%20CSS%20and%20Template%20Files/YB_schema2.rnc" type="application/relax-ng-compact-syntax"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0">
  <!-- TOOLBOX: "EM Dash" &#8212; "Space" &#32;  -->
  <teiHeader>
    <fileDesc>
      <titleStmt>
        <title>Yellow Nineties 2.0</title>
        <title>The Venture, 1903</title>
        <title type="VV1-syrett-villiers"/>
        <!-- Edit -->
        <editor>Lorraine Janzen Kooistra</editor>
      </titleStmt>
      <editionStmt>
        <p>
          <date>2021</date>
        </p>
      </editionStmt>
      <publicationStmt>
        <idno>VV1_pr16</idno>
        <!-- Edit -->
        <publisher>Yellow Nineties 2.0</publisher>
        <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
        <address>
          <addrLine>English Department</addrLine>
          <addrLine>350 Victoria Street,</addrLine>
          <addrLine>Toronto ON,</addrLine>
          <addrLine>M5B 2K3</addrLine>
          <addrLine>Canada</addrLine>
        </address>
        <availability>
          <p>Usable according to the Creative Commons License <ref
              target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial
              Share-alike</ref>.</p>
        </availability>
      </publicationStmt>
      <sourceDesc>
        <biblStruct>
          <monogr>
            <editor>Laurence Housman and Somerset Maugham</editor>
            <author>Netta Syrett</author>
            <!-- Edit -->
            <title>Poor Little Mrs. Villiers</title>
            <!-- Edit -->
            <imprint>
              <publisher>John Baillie</publisher>
              <pubPlace>London, E.C.</pubPlace>
              <date>1903</date>
              <biblScope>Syrett, Netta. "Poor Little Mrs. Villiers." <emph rend="italic">The
                  Venture: an Annual of Art and Literature,</emph> vol. 1, 1903, pp. 53-73. <emph
                  rend="italic">Venture Digital Edition</emph>, edited by Lorraine Janzen Kooistra,
                2019-2021. <emph rend="italic">Yellow Nineties 2.0</emph>, Ryerson University Centre
                for Digital Humanities, 2021, https://1890s.ca/vv1-syrett-villiers <!--Edit-->
              </biblScope>
            </imprint>
          </monogr>
        </biblStruct>
      </sourceDesc>
    </fileDesc>
    <encodingDesc>
      <editorialDecl>
        <p>Our editorial method is informed by social-text editing principles. By “text” we mean
          verbal and visual printed material, including non-referential physical elements such as
          bindings, page layouts, and ornaments. We view any text as the outcome of collaborative
          processes that have specific manifestations at precise historical moments. The Yellow
          Nineties Online publishes facsimile editions of a select collection of fin-de- siècle
          aesthetic periodicals, together with paratexts of production and reception such as cover
          designs, advertising materials, and reviews. This historical material is enhanced by two
          kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors
          and associates; and critical introductions to each title and volume by experts in the
          field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by
          them and/or an international board of advisors. The site as a whole is peer- reviewed by
          NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship).
          Contributors to the site retain personal copyright in their material. The site is licensed
          with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and
          secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding
          Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for
          users, magazines are available on the site as virtual objects (facsimiles) in FlipBook
          form; in HTML for online reading; in PDF for downloading and collecting; and in XML for
          those who wish to review and/or adapt our tag sets. In order to make ornamental devices,
          such as initial letters, head- and tail- pieces, searchable, we have developed a Database
          of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a
          dynamic structure, a scholarly website is always in process; Phase One of The Yellow
          Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.</p>
      </editorialDecl>
    </encodingDesc>
    <profileDesc>
      <creation>
        <date>1903</date>
      </creation>
      <langUsage>
        <language ident="en">English</language>
      </langUsage>
      <textClass>
        <keywords scheme="#lcsh">
          <list>
            <item>English literature -- 19th century -- Periodicals</item>
            <item>Great Britain -- Periodicals</item>
          </list>
        </keywords>
        <keywords scheme="ninesGenre">
          <list>
            <item>Fiction</item>
            <note>Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Essay," "Paratext"
              (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews),
              "Criticism" (including critical introductions), "Visual Art" (images, bio images),
              Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography
              attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music,
              Other,") <!--Add items as necessary. Remove items not used.-->
            </note>
          </list>
        </keywords>

        <keywords scheme="ninesType">
          <list>
            <item>Periodical</item>
            <note>Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource"
              (current writing, biographies, not old reviews), "Still Image" (images, visual art),
              "Physical Object" (posters, prospecti)</note>
            <!-- only choose one item-->
          </list>
        </keywords>

        <keywords scheme="ninesDiscipline">
          <list>
            <item>Book History</item>
            <item>Literature</item>
            <note>Possible Disciplines (multiple): "Book History (include for all periodical
              items)," "Literature," "Art History (use for art, also use for reviews)," "History
              (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy,"
              "Sociology," "Anthropology," "Science"</note>
            <!--Add items as necessary. Remove items not used.-->
          </list>
        </keywords>
      </textClass>
    </profileDesc>
  </teiHeader>
  <text>
    <body>

      <div n="VV1_pr16" type="prose">
        <pb n="53"/>
        <!-- EDIT^^ -->
        <head><title level="a">POOR LITTLE MRS. VILLIERS.</title></head>

        <div type="prose">
          <p><emph rend="indent"/>"Where is little Mrs. Villiers" demanded Miss Hooley.<lb/> The
            question was prefaced by a disconcerting gaze directed<lb/> towards the new-comer in the
            seat opposite&#8212;a seat presumably<lb/> occupied as a rule by the lady of the
            diminutive.</p>

          <p><emph rend="indent"/>Mrs. Lawrence concealed a smile. Though her school-<lb/>days were
            now somewhat dim memories, she felt distinctly<lb/> like the new girl who is expected to
            apologize for her existence.<lb/> Glancing down the long table she was aware that a
              <emph rend="italic">pension</emph><lb/> bore a ghastly resemblance to a
            boarding-school, twenty years<lb/> after. Was "little Mrs. Villiers" the popular girl,
            she<lb/> wondered? And if so, on what grounds?</p>

          <p><emph rend="indent"/>"She's changed her place," volunteered Miss Pembridge,<lb/> a
            spare lady, who dressed with the chastened smartness of one<lb/> ever mindful of her
            high calling as the niece of a bishop.</p>

          <p><emph rend="indent"/>"Oh! I'm <emph rend="italic">so</emph> sorry. She will be a great
            loss to our table,<lb/> dear little thing," exclaimed Miss Mullins. She delivered
            the<lb/> remark, amiable in substance, with the air of one hurling a<lb/> bomb-shell,
            and Mrs. Lawrence awaited the explosion of the<lb/> apparently harmless missile with
            some curiosity, Its effect<lb/> was almost instantaneous.</p>

          <p><emph rend="indent"/>"That's entirely a matter of opinion," ejaculated Miss<lb/> Rigg,
            her opposite neighbour. The observation was attended<lb/> by a prolonged sniff, and Miss
            Mullins' comfortable fat face</p>

          <lb/>
          <fw type="footer"><fw type="pageNum4"/>53</fw>

          <p>slowly crimsoned with indignation. While she meditated a<lb/> sufficiently crushing
            retort, her opportunity for making it was<lb/> cut short by the first speaker.</p>

          <p><emph rend="indent"/>"Where's she going to sit then?" enquired Miss Hooley,<lb/>
            refusing macaroni with the air of one wearied with an oft<lb/> repeated performance.</p>

          <p><emph rend="indent"/>"There, of course," returned Miss Rigg, sniffing again, as<lb/>
            she nodded in the direction of a small table near the wall.</p>

          <p><emph rend="indent"/>At the table indicated a young man was already seated.<lb/> His
            shamefaced manner of glancing about the room while he<lb/> eat his soup, not only
            proclaimed him a fresh arrival, but one<lb/> somewhat overwhelmed by the eternal
            feminine.</p>

          <p><emph rend="indent"/>"That's too bad of you," stammered Miss Mullins.<lb/> "Poor little
            thing!&#8212;under the circumstances too."</p>

          <p><emph rend="indent"/>"The very circumstances you'd expect it under," returned<lb/> Miss
            Rigg, with an acrimony as obvious as her sentence was<lb/> obscure."</p>

          <p><emph rend="indent"/>"I agree with Miss Mullins entirely. Potatoes raw<lb/> again,"
            exclaimed Miss Hooley.</p>

          <p><emph rend="indent"/>During the course of the dinner, Mrs. Lawrence learnt to<lb/>
            disentangle this lady's ejaculations about the food, from the<lb/> main trend of her
            conversation, but the effect was at first con-<lb/>fusing.</p>

          <p><emph rend="indent"/>"She's very late," ventured Miss Pembridge diluting with<lb/>
            filtered water the dangerous strength of her <emph rend="italic">vin
            ordinaire,</emph></p>

          <p><emph rend="indent"/>"Got to dress up for the occasion of course," was Miss<lb/> Rigg's
            instant explanatinon. "Ah! here she comes, at last.</p>

          <lb/>
          <fw type="footer"><fw type="pageNum3"/>54</fw>

          <p>Now you'll see whether I'm right!"</p>

          <p><emph rend="indent"/>Mrs. Lawrence looked up with interest as the door opened,<lb/> and
            noticed that "little Mrs. Villiers" was not only very pretty<lb/> but also singlarly
            childish in appearance.</p>

          <p><emph rend="indent"/>Her hair&#8212;soft brown fluffy hair, hung in baby tendrils
            on<lb/> her forehead and round her little ears, and her wide opened blue<lb/> eyes had
            the wondering half startled child-look so touching in<lb/> baby faces. She was very
            simply dressed in white muslin,<lb/> and a row of pink corals round her throat,
            emphasised her<lb/> youth, and the charming innocence of her expression. At the<lb/>
            door she paused a moment, with an air of hesitation, and a<lb/> surprised glance to find
            all the seats at the long table occupied.</p>

          <p><emph rend="indent"/>Guiseppe, the waiter, darted forward. "Madame is placed<lb/> at
            the little table to-night," he explained, leading the way.</p>

          <p><emph rend="indent"/>"Oh! is my place changed then?" she murmured,<lb/> following.</p>

          <p><emph rend="indent"/>"<emph rend="italic">Very</emph> much surprised, no doubt,"
            ejaculated the irrepres-<lb/>sible Miss Rigg in a triumphant undertone.</p>

          <p><emph rend="indent"/>"If there's anything I despise it's a spiteful mind. Boiled<lb/>
            beef again," said Miss Hooley in something that was intended<lb/> for a whisper.</p>

          <p><emph rend="indent"/>Mrs. Lawrence, meanwhile, watched with some curiosity<lb/> the
            effect produced upon the grave young man across the room,<lb/> by the sudden appearance
            of youth and beauty at his lonely<lb/> table. He reddened visibly; moved forks and
            spoons about<lb/> with nervous hesitation, and kept his eyes fixed upon the rim<lb/> of
            his plate.</p>

          <lb/>
          <fw type="footer"><fw type="pageNum4"/>55</fw>

          <p><emph rend="indent"/>Little Mrs. Villiers studied the <emph rend="italic">menu,</emph>
            and Mrs. Lawrence<lb/> was recalled to a sense of social duty by a remark from her
            too<lb/> long neglected left hand neighbour.</p>

          <p><emph rend="indent"/>Glancing at the small table at a later stage in the dinner,<lb/>
            she was amused to see the young people chattering like a<lb/> couple of children. Now
            that the boy had lost his awkward<lb/> shyness, she thought him a somewhat engaging
            youth, frank,<lb/> boyish and apparently enthusiastic; and his companion was<lb/>
            charming.</p>

          <p><emph rend="indent"/>She said as much to the lady on her left, whose assent<lb/> was
            accompanied by a lowering of eyelids, and just the flicker<lb/> of a smile at the corner
            of a humourous mouth.</p>

          <p><emph rend="indent"/>The <emph rend="italic">pension</emph> drawing-room was much like
            other pension<lb/> drawing-rooms she found, later on, when everyone trooped<lb/> towards
            it.</p>

          <p><emph rend="indent"/>The usual little groups, which included the few men of<lb/> the
            party, gathered round the card tables. Nondescript ladies<lb/> with knitting, lined the
            walls. A strenuous, unattached<lb/> woman studied <emph rend="italic">Baedeker,</emph>
            and with her short-skirted friend,<lb/> planned out a fierce day's work for the morrow.
            Groups of<lb/> ordinary girls, chattered and giggled, and the usual people<lb/> drew
            white shawls about their shoulders, discussed the<lb/> treacherous nature of the Italian
            climate, grumbled about the<lb/> food, and felt the customary draught.</p>

          <p><emph rend="indent"/>Mrs. Lawrence moved her chair nearer to Mrs. Coltingham,<lb/> the
            woman who had attracted her at dinner, and whose circum-<lb/>stances she had already
            discovered to be much like her own.</p>

          <lb/>
          <fw type="footer"><fw type="pageNum3"/>56</fw>

          <p><emph rend="indent"/>She too was a childless widow, who had let her London<lb/> house
            to find in travel the mental stimulus denied her in a<lb/> somewhat empty and monotonous
            life.</p>

          <p><emph rend="indent"/>"Where is the pretty little lady?" she began tentatively,<lb/>
            with a glance round the room.</p>

          <p><emph rend="indent"/>Before Mrs. Coltingham could reply, Miss Rigg had<lb/> looked up
            from her knitting. "Oh! you'll find her in the<lb/> passage, flirting with the boy," she
            announced with a laugh.</p>

          <p><emph rend="indent"/><emph rend="italic">"Flirting!</emph> Poor little thing! I <emph
              rend="italic">think</emph> her sad circum-<lb/>stances might protect her!" declared
            Miss Mullins, the stout<lb/> lady Mrs. Lawrence had already designated as the
            "mother-<lb/>sheep."</p>

          <p><emph rend="indent"/>"Sad circumstances! <emph rend="italic">I</emph> was brought up to
            consider<lb/> divorced women not respectable," retorted Miss Rigg,<lb/> warming to the
            fight.</p>

          <p><emph rend="indent"/>"<emph rend="italic">She</emph> divorced <emph rend="italic"
              >him</emph> remember!" returned Miss Mullins,<lb/> pink in her defence of a sister
            woman.</p>

          <p><emph rend="indent"/>"It makes a difference of course," remarked Miss Pem-<lb/>bridge
            with maidenly hesitation. "Its not a subject one cares to<lb/> talk about&#8212;quite.
            Still, sacred as the married tie is&#8212;"</p>

          <p><emph rend="indent"/>"Sacred fiddlesticks!" interposed Miss Hooley, glaring<lb/> at
            Miss Pembridge whom she detested. "Men are a lot of<lb/> brutes, and if a few more women
            would divorce 'em before<lb/> they married 'em, so much the better!"</p>

          <p><emph rend="indent"/>Mrs. Lawrence and Mrs. Coltingham exchanged glances<lb/> which led
            to a slightly abrupt change of seat on the part of<lb/> both ladies.</p>

          <lb/>
          <fw type="footer"><fw type="pageNum4"/>57</fw>

          <p><emph rend="indent"/>At the further end of the drawing-room, when she could<lb/>
            control her voice, Mrs. Coltingham remarked. "This<lb/> happens every night, directly
            Mrs. Villiers' name is mentioned.<lb/> We are frank in discussion to say the least of
            it. But<lb/> you see most of us have lived here all the winter, and perhaps<lb/> we know
            one another a little too well."</p>

          <p><emph rend="indent"/>Mrs. Lawrence smiled "It's amusing at first, but I can<lb/>
            imagine it palls . . . Who is this little 'Mrs. Villiers?'"</p>

          <p><emph rend="indent"/>"No one knows, except that she has divorced <emph rend="italic"
              >Mr.</emph><lb/> Villiers, whoever he may be.</p>

          <p><emph rend="indent"/>"She looks such a child!" "But children nowadays are<lb/>
            precocious."</p>

          <p><emph rend="indent"/>Mrs. Lawrence laughed. "You don't like her?"</p>

          <p><emph rend="indent"/>"Oh! I didn't say that returned the other lady. Preco-<lb/>cious
            children are sometimes amusing you know, and after<lb/> four months in a foreign <emph
              rend="italic">pension,</emph> one welcomes anything<lb/> that's amusing. The house is
            torn by faction on her<lb/> account." she went on still smiling.</p>

          <p><emph rend="indent"/>"She has her devoted adherents, and her no less devoted<lb/>
            enemies. Each party discusses her all day long, and I believe,<lb/> far into the night.
            Every other topic fades into insignificance<lb/> before the burning question of Mrs.
            Villiers' innocence and<lb/> integrity, versus her depravity and guile."</p>

          <p><emph rend="indent"/>"And to which side do you incline?"</p>

          <p><emph rend="indent"/>Mrs. Coltingham shrugged her shoulders. "I&#8212;Oh, a<lb/> plague
            on both your houses' is my attitude," she returned<lb/> lightly. "To me she is merely an
            amusing little person."</p>

          <lb/>
          <fw type="footer"><fw type="pageNum3"/>58</fw>

          <p><emph rend="indent"/>In the vestibule, on her way upstairs to bed, Mrs.<lb/> Lawrence
            passed little Mrs. Villiers and the boy. The<lb/> vestibule, comfortably furnished and
            heated, was used as a<lb/> second drawing-room by the visitors, and this evening it
            was<lb/> fairly full.</p>

          <p><emph rend="indent"/>Mrs. Villiers and her companion were seated near the<lb/> door,
            and were evidently discussing art.</p>

          <p><emph rend="indent"/>"Yes, I <emph rend="italic">love</emph> pictures too," the little
            lady was saying as<lb/> Mrs. Lawrence approached. "But I'm so ignorant about<lb/> them.
            If only I could do the galleries with someone who&#8212;"<lb/> "If you&#8212;I mean,
            might I? could we sometimes,"<lb/> stammered the boy.</p>

          <p><emph rend="indent"/>"Oh, <emph rend="italic">would</emph> you? That would be
            splendid!" returned<lb/> his companion in the natural delighted voice of a child.
            "I've<lb/> been longing&#8212;"</p>

          <p><emph rend="indent"/>By this time the deaf old lady stationed immediately in<lb/> front
            of the door, had become aware that she was being<lb/> requested to move, and Mrs.
            Lawrence was able to make<lb/> her escape.</p>

          <p><emph rend="indent"/>"I believe she's quite a nice little thing," she reflected on<lb/>
            her way up to bed, carrying with her the memory of a girlish<lb/> unaffected voice.
            "What a set these boarding house women<lb/> are, to be sure."</p>

          <p><emph rend="indent"/>In the course of the next few weeks Mrs. Lawrence<lb/> learnt that
            "the boy" bore the not uncommon name of<lb/> Brown, that this drawback notwithstanding,
            he was as she<lb/> described him, "a delightful young fellow"&#8212;fresh,
            unaffected</p>

          <lb/>
          <fw type="footer"><fw type="pageNum4"/>59</fw>

          <p>and unusually boyish; also that he was falling hopelessly<lb/> in love with Mrs.
            Villiers. Mrs. Lawrence was not sur-<lb/>prised. She herself had fallen in love with
            little Mrs. Villiers.<lb/> The child was only two and twenty she discovered, and
            such<lb/> a dear baby at that. It was impossible to realise that this<lb/> fresh,
            girlish creature had experienced not only a woman's<lb/> tragedy, in a wretched
            marriage, but also the humiliation and<lb/> pain of the only escape the law provides.
            Hers Mrs.<lb/> Lawrence reflected, was one of the rare temperaments over<lb/> which evil
            has no power&#8212;the radiant joyous child nature<lb/> for which every day the world is
            newly created, and yesterday<lb/> has no existence.</p>

          <p><emph rend="indent"/>Only once had she ever mentioned her husband's name<lb/> to Mrs.
            Lawrence, and on that occasion the elder woman had<lb/> smiled tenderly over the sweet
              <emph rend="italic">naivete</emph> of her little friend.</p>

          <p><emph rend="indent"/>It was while they were walking together in the Boboli<lb/> Gardens
            one warm afternoon in February, that Mrs. Villiers<lb/> met an acquaintance. Mrs.
            Lawrence had already noticed this<lb/> woman as she came towards them down one of the
            long<lb/> tunnel-like avenues, and noticed her with disapproval. Showily<lb/> dressed,
            obviously painted, walking with an exaggeration of<lb/> the fashionable gait of the
            moment, her fastidious judgment<lb/> had instantly affixed to her the label <emph
              rend="italic">"bad style."</emph> It was<lb/> therefore with a shock, the reverse of
            pleasant, that she found<lb/> such an individual stridently claiming acquaintance with
            her<lb/> little companion. Mrs. Lawrence walked on, and in a few<lb/> moments Mrs.
            Villiers overtook her, a pink flush of annoy-</p>

          <lb/>
          <fw type="footer"><fw type="pageNum3"/>60</fw>

          <p>ance on her face.</p>

          <p><emph rend="indent"/>She was silent for a moment, and then glancing up, she<lb/> said
            abruptly: "You hated the look of that woman?"</p>

          <p><emph rend="indent"/>"Well!&#8212;to be quite frank"&#8212;began Mrs. Lawrence.</p>

          <p><emph rend="indent"/>"I know! I know! "she interrupted hastily.
            "She&#8212;She&#8212;<lb/>was one of my husband's friends. I was obliged then&#8212;"
            she<lb/> broke off, her voice trembling a little.</p>

          <p><emph rend="indent"/>They were alone in the avenue, and Mrs. Lawrence put a<lb/> kind
            hand on her arm.</p>

          <p><emph rend="indent"/>"I understand dear, of course. But now you are free,<lb/> there is
            no occasion to know such people. Take my advice&#8212;<lb/> drop her. Drop her at
            once."</p>

          <p><emph rend="indent"/>"Oh, I <emph rend="italic">will!"</emph> she returned with an
            energy which made<lb/> the elder woman laugh.</p>

          <p><emph rend="indent"/>"But how unlucky she should be staying in
            Florence<lb/>&#32;.&#32;.&#32;.&#32;. I had to know all sorts of people you see.
            And<lb/> some of them&#8212;" she paused again; and Mrs. Lawrence<lb/> experienced the
            rush of indignant pity one feels for a child<lb/> exposed to evil influences.</p>

          <p><emph rend="indent"/>"Oh! I'm so glad that's all over," she sighed.</p>

          <p><emph rend="indent"/>"Yes," said Mrs. Villiers, simply. "It was dreadful of<lb/>
            course. But people were very kind to me, and helped me to<lb/> get free. And now, do you
            know, unless something like this<lb/> happens to remind me, I have forgotten it."</p>

          <p><emph rend="indent"/>She turned her wide opened blue eyes full upon Mrs.<lb/> Lawrence,
            with an innocent surprised gravity which touched<lb/> the elder women. </p>

          <lb/>
          <fw type="footer"><fw type="pageNum4"/>61</fw>

          <p><emph rend="indent"/>"That's right dear," she replied heartily. "It's the best<lb/>
            thing that could happen."</p>

          <p><emph rend="indent"/>"But," Mrs. Villiers added, "you're quite right about<lb/>
            Mrs.&#8212; about the woman who spoke to me just now. I<lb/> won't know her any more. I
            can't bear to think of knowing<lb/> her when there are dears like you in the world," she
            added<lb/> slipping her hand into Mrs. Lawrence's. "You don't think<lb/> it's forward of
            me, saying that, do you?" she enquired, an<lb/> anxious little pucker appearing on her
            downy forehead. "I've<lb/> known you quite a little while, but I don't remember my<lb/>
            mothor you see; and somehow&#8212;"</p>

          <p><emph rend="indent"/>The sweetness in her appealing voice made Mrs. Lawrence,<lb/> who
            did not look matronly, ashamed of the twinge she felt.</p>

          <p><emph rend="indent"/>"Yes my dear," she laughed. "I'm getting quite an old<lb/> woman
            of course, but a mother's a nice thing after all."</p>

          <p><emph rend="indent"/>"Oh a <emph rend="italic">very</emph> nice thing," agreed Mrs.
            Villiers, patting her<lb/> friend's hand.</p>

          <p><emph rend="indent"/>The "idyll" as she called the increasingly intimate
            friend-<lb/>ship of the "Brown boy" and little Mrs. Villiers, became a<lb/> source of
            much affectionate interest to Mrs. Lawrence. She<lb/> watched its progress delightedly,
            and as she stood at the<lb/> drawing-room window one afternoon, and saw them start<lb/>
            on an expedition to Fiesole, her satisfaction overflowed into a<lb/> comment addressed
            to Mrs. Coltingham, the only other<lb/> occupant of the room.</p>

          <p><emph rend="indent"/>"They will make a charming pair!" she exclaimed.</p>

          <p><emph rend="indent"/>"I do <emph rend="italic">so</emph> want to see the beautiful Mino
            da Fiesole in the</p>

          <lb/>
          <fw type="footer"><fw type="pageNum3"/>62</fw>

          <p>church," murmured Mrs. Coltingham in such admirable imita-<lb/>tion of a certain
            babyish voice, that in spite of her annoyance,<lb/> Mrs. Lawrence laughed.</p>

          <p><emph rend="indent"/>"You are not fair to that child," she exclaimed after a<lb/>
            moment, with some heat.</p>

          <p><emph rend="indent"/>"Oh! I think I do her justice," returned the other lady.</p>

          <p><emph rend="indent"/>Mrs. Lawrence had intended asking Mrs. Coltingham to<lb/>
            accompany her to the <emph rend="italic">Uffizi</emph> that afternoon, but she
            refrained.<lb/> There were moments when she did not like Mrs. Coltingham.<lb/> It was
            all very well to be a woman of the world; she, Mrs.<lb/> Lawrence, was that herself,
            heaven was aware, but it was<lb/> another thing to be hard and suspicious; to feel no
            pity for<lb/> youth and misfortune so touchingly allied as in the case of<lb/> little
            Mrs. Villiers. She was disappointed in Mrs. Colting-<lb/>ham. It was sad to have to
            admit that even a woman so<lb/> much above the average as this one, could not rise above
            vulgar<lb/> prejudice.</p>

          <p><emph rend="indent"/>It was with these reflections passing through her mind,<lb/> while
            she stood buttoning her gloves in the hall, that she en-<lb/>countered the <emph
              rend="italic">padrone,</emph> Signora Valli, also ready to start from<lb/> the
            house.</p>

          <p><emph rend="indent"/>Mrs. Lawrence was going in her direction. She would<lb/> in that
            case case be more than charmed to accompany<lb/> her. <emph rend="italic">Ecco!</emph>
            The post. Two for Madame Lawrence. Ah!<lb/> one, and she hoped a pleasant one, for dear
            little Mrs. Villiers,<lb/> the rest Guiseppe could sort, and arrange on the hall
            table.</p>

          <p><emph rend="indent"/>Thus, amidst torrents of English fluent enough if strongly</p>

          <lb/>
          <fw type="footer"><fw type="pageNum4"/>63</fw>

          <p>flavoured with foreign accent, they emerged from the <emph rend="italic">pension</emph>
            on<lb/> to the Lung Arno.</p>

          <p><emph rend="indent"/>"Mrs. Villiers is a favourite of yours I know," hazarded<lb/> Mrs.
            Lawrence. "Did you know her before she came here?"<lb/> But no, it was only since her
            arrival from England some<lb/> weeks since, so touching, so forlorn, that she had grown
            into<lb/> the heart of Signora Valli.</p>

          <p><emph rend="indent"/>Did she know anything of Mr. Villiers? The Signora<lb/> knew as
            much as she required of him. Must he not be a<lb/> brute, a villain, a devil, who with
            such an angel to wife,<lb/> could maltreat and insult her? A child! A baby! Of a<lb/>
            disposition innocent and loving to a degree which the Signora<lb/> had never seen
            equalled. Of a temper saintly in its sweetness.</p>

          <p><emph rend="indent"/>"Her temper is <emph rend="italic">perfect!</emph>" agreed Mrs.
            Lawrence, recalling<lb/> with indignation, many a veiled insult borne with
            admirable<lb/> patience.</p>

          <p><emph rend="italic"/>The Signora's face darkened. It was not for her to say<lb/> a
            word. Of necessity she must be silent. Never could she<lb/> open her lips to discuss the
            guests in her house. At the same<lb/> time there were people possessed of minds so evil,
            of tongues<lb/> so venomous, of hearts so black that the sight of youth, inno-<lb/>cence
            and beauty did but enrage them. For such individuals<lb/> contempt, silent contempt was
            the only possible treatment.<lb/> The Signora accordingly proceeded to subject them to a
            course<lb/> of contempt from which the silence was omitted and so over-<lb/>whelming was
            her eloquence that Mrs. Lawrence, deciding<lb/> that her head was not sufficiently
            strong this afternoon, to look</p>

          <lb/>
          <fw type="footer"><fw type="pageNum3"/>64</fw>

          <p>at pictures, took instead the tram to Fiesole, where the air<lb/> would be fresh and invigorating.<lb/>
            <emph rend="indent"/>It was a glorious day, and she lingered some time in the<lb/>
            garden of the restaurant which provides tea and a magnificent<lb/> prospect, before she
            crossed the Piazza to enter the little church.</p>

          <p><emph rend="indent"/>Shafts of misty sunlight struck across the aisle and<lb/> wavered
            on the pillars. The church was empty, and solemn<lb/> in its silence. Treading lightly,
            as though afraid to disturb its<lb/> quiet, Mrs. Lawrence crossed the stone pavement,
            and was<lb/> half-way up the staircase leading to one of the side chapels,<lb/> when she
            was arrested by the sound of a low agitated voice,<lb/> the voice of the Brown boy.</p>

          <p><emph rend="indent"/>"I'm poor Kitty, but I'll work day and night for you if<lb/> you
            will say yes. I love you so much. If you would only<lb/> let me take care of you; if
            you—"</p>

          <p><emph rend="indent"/>Mrs. Lawrence turned and noiselessly retraced her steps,<lb/> down
            the stairs, across the stone pavement, and out into the<lb/> sunny piazza.</p>

          <p><emph rend="indent"/>She was smiling, but there were tears in her eyes. In<lb/> almost
            the same words, had her own dead husband proposed<lb/> to her. She could hear in fancy,
            his voice, as he said "I'm<lb/> poor, Mildred, but I'll work&#8212;and I love you."
            Well! They<lb/> had been very happy. And now life was just beginning for<lb/> these two
            young things; a happy life, surely. Why not?<lb/> Tender memories came crowding to her
            mind as she crossed<lb/> the piazza, but in the midst of them, she found herself
            smiling.<lb/> A chapel, even such a secluded chapel as that she had left, was</p>

          <lb/>
          <fw type="footer"><fw type="pageNum4"/>65</fw>

          <p>a somewhat dangerous place for a declaration. "But bless the<lb/> boy, he'd have
            proposed in the <emph rend="italic">pension</emph> drawing-room just<lb/> then! You
            could hear it in his voice," she commented<lb/> mentally. How pretty ' Kitty ' must have
            looked leaning<lb/> against the rail of that concealed altar, and listening with
            half<lb/> averted head!</p>

          <p><emph rend="indent"/>She had reached the tram by this time, and had taken her<lb/>
            place for the descent, when a moment later the young people<lb/> also entered. Mrs.
            Lawrence was vexed. She had hoped to get<lb/> safely away before they left the chapel,
            and now her presence<lb/> would necessitate ceremonious behaviour.</p>

          <p><emph rend="indent"/>The boy looked anything but glad to see her, she observed<lb/>
            with rueful amusement, but Kitty was even more affectionate<lb/> than usual, and her
            lively talk never ceased till the <emph rend="italic">pension</emph><lb/> door was
            reached.</p>

          <p><emph rend="indent"/>Her letter was lying on the hall table, when they entered,<lb/>
            and she took it with a quick movement. "Come out just a<lb/> little while," Mrs.
            Lawrence heard the boy pleading in an<lb/> undertone, as she was preparing to go
            upstairs.</p>

          <p><emph rend="indent"/>But Mrs. Villiers excused herself. "Not <emph rend="italic"
              >just</emph> yet. I'm tired.<lb/> I shall see you this evening," she replied in a
            voice which,<lb/> though hurried, retained all its caressing quality.</p>

          <p><emph rend="indent"/>She ran upstairs, opening the letter as she went, and Mrs.<lb/>
            Lawrence, wondering a little, heard her own name pronounced<lb/> by the boy.</p>

          <p><emph rend="indent"/>Will you come out a little while?" he begged with so<lb/> much
            eagerness that she turned and followed him at once with</p>

          <lb/>
          <fw type="footer"><fw type="pageNum3"/>66</fw>

          <p>an assenting smile.</p>

          <p><emph rend="indent"/>They walked some way along the Lung Arno in silence.</p>

          <p><emph rend="indent"/>The boy was obviously nervous, and a little troubled, but<lb/> she
            waited for him to begin. "Mrs. Lawrence," he burst out<lb/> suddenly. "You are so
            clever, I believe you know that<lb/> I&#8212;I mean&#8212;I have asked Kitty&#8212;Mrs.
            Villiers to marry me, in<lb/> fact," he concluded. His voice lost its hesitation, as he
            drew<lb/> himself up. He spoke like a man, and Mrs. Lawrence liked<lb/> him greatly.</p>

          <p><emph rend="indent"/>"Yes," she replied. "I am very glad."</p>

          <p><emph rend="indent"/>"I hoped you would be," he said eagerly. "Because I<lb/> want you
            to help me."</p>

          <p><emph rend="indent"/>"To help you?"</p>

          <p><emph rend="indent"/>"Yes&#8212;about Kitty. You see," he hesitated, "I can't get<lb/>
            her to promise. I&#8212;I&#8212;believe she cares for me," he gulped,<lb/> grew red, and
            went on. "I'm <emph rend="italic">sure</emph> she does." "But it's<lb/> natural she
            should hesitate just at first. She's had an <emph rend="italic">awful</emph><lb/> time
            you know. And when a woman's had an experience like<lb/> that,"&#8212;his face
            darkened&#8212; "no wonder <emph rend="italic">she</emph>&#8212;"</p>

          <p><emph rend="indent"/>"But, Mrs. Lawrence, you believe I mean to be good to<lb/> her
            don't you?" He swung round, stopped short, and his<lb/> honest, anxious eyes met hers as
            he faced her.</p>

          <p><emph rend="indent"/>"I am sure of it," she said quietly.</p>

          <p><emph rend="indent"/>"Well then, will you tell her so? She's fond of you&#8212;she<lb/>
            trusts you. You're going to take her to the ball to-night<lb/> aren't you?"</p>

          <p><emph rend="indent"/>"Yes, but you're coming too?" she asked in surprise. </p>

          <lb/>
          <fw type="footer"><fw type="pageNum4"/>67</fw>

          <p><emph rend="indent"/>"No,&#8212;she doesn't want me to come. I mean&#8212;she's<lb/>
            upset, and she's afraid people might talk. And perhaps she's<lb/> right. You will have
            an opportunity, driving there and back,<lb/> won't you, to&#8212;to say what you can for
            me."</p>

          <p><emph rend="indent"/>The entertainment to which at a ridiculously late hour the<lb/>
            same evening, Mrs. Lawrence found herself driving with little<lb/> Mrs. Villiers was the
            gigantic crush known as the Foreigners'<lb/> ball, held at the Borghese Palace. It had
            been arranged for some<lb/> time that she, Mrs. Villiers, and "the boy" should look in
            for<lb/> an hour or two more for the sake of seeing the palace and<lb/> watching the
            people, than with any idea of dancing in the<lb/> somewhat impossible crowd. The
            evening's amusement had<lb/> been gaily planned, and Mrs. Lawrence felt it depressing to
            step<lb/> into the carriage without the boy, and to watch him gazing<lb/> wistfully
            after them from the doorstep of the <emph rend="italic">pension.</emph> "Couldn't<lb/>
            we have taken him?" she asked, a shade of reproach in her<lb/> voice, as they drove
            away. She had purposely busied herself<lb/> with her wraps while he was folding Mrs.
            Villiers' frothy<lb/> dress round her little feet, and she did not see his last
            glance;<lb/> but the voice in which he said "Goodbye, I hope you'll have a <lb/>lovely
            time," moved her ridiculously.</p>

          <p><emph rend="indent"/>Mrs. Villiers who was looking out of the window, turned<lb/> and
            laid a deprecating hand on her arm.</p>

          <p><emph rend="indent"/>I am so confused," she said hesitatingly. "Won't you<lb/> let me
            think quietly for a little while?" And Mrs. Lawrence<lb/> acquiescing, mentally deferred
            all the wise gentle things she<lb/> meant to say, till the homeward drive.</p>

          <lb/>
          <fw type="footer"><fw type="pageNum3"/>68</fw>

          <p><emph rend="indent"/>The palace a blaze of light, a riot of colour with its<lb/>
            crimson carpets, its banks of red and white camellias,<lb/> &#8212;swarmed and buzzed
            with the crowd which streamed<lb/> through its galleries, through its ante-rooms, and
            stood closely<lb/> packed in its marble pillared ballroom.</p>

          <p><emph rend="indent"/>Dazed by the light, bewildered with the roar of talk, as<lb/> they
            passed from one room to another, it was not for some<lb/> time that Mrs. Lawrence became
            aware that her companion<lb/> had been separated from her in the throng, and was no
            longer<lb/> by her side.</p>

          <p><emph rend="indent"/>An exclamation of annoyance escaped her lips at the
            dis-<lb/>covery. How to find her again in a crowd so dense? For<lb/> some time she
            wandered aimlessly from room to room, till<lb/> wearied by what she felt was a fruitless
            search, she sank<lb/> into a vacant seat, backed by a group of palms, and
            deter-<lb/>mined to wait. Chance might as well direct her friend's steps<lb/> to this,
            as to any other spot, and in any case there was<lb/> nothing to be done.</p>

          <p><emph rend="indent"/>She was tired. The brilliant lights hurt her eyes; the<lb/>
            incessant talking and laughing of the passing crowd fatigued<lb/> her, and she found
            herself wondering why Mrs. Villiers had<lb/> insisted upon coming to such a place to
            "think quietly."</p>

          <p><emph rend="indent"/>"Restless I suppose," poor little thing, was her answer<lb/> to
            the question&#8212;" restless and troubled. I know the feeling,<lb/> and the longing to
            smother it in outward gaiety and con-<lb/>fusion. If only &#8212;"</p>

          <p><emph rend="indent"/>A woman's voice almost at her ear disturbed her reflec-</p>

          <lb/>
          <fw type="footer"><fw type="pageNum4"/>69</fw>

          <p>tion, and she started before she realised that the speaker was<lb/> not addressing her,
            but was on the other side of the bank of<lb/> palms.</p>

          <p><emph rend="indent"/>"Let's sit here, and trust she won't find us!" The<lb/> words were
            accompanied by a laugh, and a rustling, as the<lb/> speaker evidently settled herself in
            a chair.</p>

          <p><emph rend="indent"/>"Seen her?" returned the thick voice of a man.</p>

          <p><emph rend="indent"/>"No, but she's here. I had a note from her just before<lb/> I
            started to say she was coming. Wants to blackguard me to<lb/> my face, no doubt. Her
            letter was bad enough."</p>

          <p><emph rend="indent"/>The man laughed. Rather sick I suppose?</p>

          <p><emph rend="indent"/>Not the word&#8212;<emph rend="italic">furious,</emph> "You see
            she's been hanging<lb/> about here all the winter waiting for him, and now&#8212;"
            the<lb/> speaker broke into an uncontrollable fit of giggling. "Well!"<lb/> she went on
            presently, recovering herself, "It wasn't my<lb/> fault. How should <emph rend="italic"
              >I</emph> know he'd changed his plans and gone<lb/> to Rome instead. I wrote directly
            I found out, and the letter<lb/> reached her just after the wrong man proposed."
            Another<lb/> laugh drowned the next few words. "It all fitted in so well,<lb/> you see.
            I told her he was a silly gaby, awfully green and<lb/> young; and of course she saw
            letters of his addressed to<lb/> Mildbough Park, The boy he teaches, is a kid of twelve,
            but<lb/> he writes to the whole family. They love him, I believe&#8212;<lb/> treat him
            like a friend."</p>

          <p><emph rend="indent"/>"Worth a good deal, aren't they?" the man enquired.</p>

          <p><emph rend="indent"/>"Oh, disgustingly rich. Old Brown was a cotton<lb/> spinner or
            something. Anyway he's made his pile. The</p>

          <lb/>
          <fw type="footer"><fw type="pageNum3"/>70</fw>

          <p>son's about five and twenty, and the old boy thinks its time<lb/> he married."</p>

          <p><emph rend="indent"/>"And she knew all this?"</p>

          <p><emph rend="indent"/>"Of course. I told her. Thought I'd do her a good<lb/> turn; but I
            ought to have known better than to put myself<lb/> out, for the little vixen."</p>

          <p><emph rend="indent"/>"And so she's been wasting her baby talk on the tutor,<lb/>
            thinking?&#8212;" The man's voice trailed off into suppressed<lb/> laughter.</p>

          <p><emph rend="indent"/>"Yes! oh, she must have had a beastly dull time. So<lb/> afraid of
            risking anything; she'd hardly speak to me when I<lb/> met her the other
            day.&#32;.&#32;.&#32;. Called Brown too, you see.<lb/> Millionaires oughtn't to be
            allowed to have names their tutors<lb/> are likely to have as well! It's too confusing,
            especially<lb/> when&#8212;"</p>

          <p><emph rend="indent"/>"Hulloa! Kit's found you!" interrupted the man's voice<lb/> in
            consternation. "Leave you ladies to fight it out&#8212;no<lb/> place for me."</p>

          <p><emph rend="indent"/>Mrs. Lawrence, who till the last moment had heard the<lb/>
            conversation indifferently, scarcely aware that she was listen-<lb/>ing, rose all at
            once unsteadily to her feet, not however, before<lb/> she could escape the sound of a
            voice she knew&#8212;a childish voice,<lb/> though shaken with fury. "So here you are,
            you low<lb/> little beast! This was to pay me out for that Jim Blake affair,<lb/> I
            suppose&#8212;"</p>

          <p><emph rend="indent"/>She roused to consciousness of her surroundings only<lb/> when she
            found herself crossing a street, bareheaded, aimlessly</p>

          <lb/>
          <fw type="footer"><fw type="pageNum4"/>71</fw>

          <p>wondering how she could get a carriage.</p>

          <p><emph rend="indent"/>Somehow or other she had forced her way out of the glare<lb/> and
            dazzle of the Palace; and now she was thankful to be<lb/> overtaken by an empty <emph
              rend="italic">fiacre</emph> and driven home.</p>

          <p><emph rend="indent"/>Rising early, after a sleepless night, she dressed and stole<lb/>
            softly downstairs, with the intention of walking a little before<lb/> breakfast. The
              <emph rend="italic">pension</emph> servants were already astir. The<lb/> hall was full
            of luggage, and as she passed the trunks on her<lb/> way to the door, she saw that they
            belonged to Mrs. Villiers,<lb/> and were labelled <emph rend="italic">Roma.</emph></p>

          <p><emph rend="indent"/>It was at the sunset hour, wearied and saddened by the<lb/> events
            of the day, that she climbed the heights of San Miniato.</p>

          <p><emph rend="indent"/>Her thoughts were set towards England, now that spring<lb/> was
            here. She was to leave Florence the following morning,<lb/> and she found herself
            feverishly longing for the hour of<lb/> departure. The <emph rend="italic"
              >pension</emph> had become unendurable. She<lb/> recalled with disgust the chatter of
            the lunch table; the con-<lb/>jectures, the surmises, the dark prophecies, the feeble
            defence.<lb/> Miss Pembridge's downcast eyes and chaste expression.<lb/> Miss Hooley's
            ejaculatory violence; the platitudes of Miss<lb/> Mullins. How tired she was of them
            all! and yet to recall<lb/> their imbecilities with half contemptuous amusement, was
            a<lb/> relief, since it afforded her a moment's forgetfulness of her<lb/> interview with
            "the boy." To efface that memory would be<lb/> a work of time. He had already left the
              <emph rend="italic">pension,</emph> on the plea<lb/> of an urgent summons from
            England. But though Mrs.<lb/> Lawrence knew he intended to wait for the night train, it
            was</p>

          <lb/>
          <fw type="footer"><fw type="pageNum3"/>72</fw>

          <p>with a shock of surprise that she saw him leaning on the<lb/> parapet which bounds the
            piazza of San Miniato. The great<lb/> open space beneath the church, was empty, save for
            his<lb/> solitary figure. While Mrs. Lawrence hesitated he turned<lb/> with an abrupt
            movement, and she saw his haggard young<lb/> face outlined for a moment against the sky.
            Then, without<lb/> seeing her, he moved quickly away, and plunging down the<lb/> steps
            between the cypresses, was lost to sight.</p>

          <p><emph rend="indent"/>Mrs. Lawrence crossed to the place where he had stood,<lb/> and
            looked down over the city. The fires of the sunset had<lb/> faded, and all the hollow
            valley was filled with a violet haze,<lb/> through which the river gleamed pale, a magic
            stream, holding<lb/> in its depths jewels and shafts of light: gold and silver, and<lb/>
            emerald. Half veiled in swimming vapour, the spires and<lb/> domes, campaniles and
            towers rose from a city, breathless<lb/> and spellbound. Groups of cypresses lifted dark
            fingers<lb/> towards the sky, which began to be pierced with trembling<lb/> stars.</p>

          <p>&#160;&#160;&#160;&#160;&#160;&#160;&#160;<emph rend="indent5c"><ref target="#NSYR"
                >NETTA SYRETT.</ref></emph></p>

          <lb/>
          <fw type="footer"><fw type="pageNum4"/>73</fw>

        </div>

      </div>


    </body>
  </text>
</TEI>
