The Yellow Nineties 2.0 The Venture: an Annual of Art and Literature—Volume 1, 1903 <!-- EDIT --> <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <edition> <date>2021</date> </edition> </editionStmt> <publicationStmt> <idno>VV1_icon3</idno> <!-- EDIT --> <publisher>The Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>Laurence Housman and Somerset Maugham</editor> <author>Charles Shannon</author> <title>The Dove Cot John Baillie London E. C. 1903 Shannon, Charles. "The Dove Cot." The Venture: an Annual of Art and Literature, vol. 1, 1903, index ii. Venture Digital Edition, edited by Lorraine Janzen Kooistra, 2019-2021. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2021, https://1890s.ca/vv1-frontispiece-shannon/

Our editorial method is informed by social-text editing principles. By “text” we mean verbal and visual printed material, including non-referential physical elements such as bindings, page layouts, and ornaments. We view any text as the outcome of collaborative processes that have specific manifestations at precise historical moments. The Yellow Nineties Online publishes facsimile editions of a select collection of fin-de- siècle aesthetic periodicals, together with paratexts of production and reception such as cover designs, advertising materials, and reviews. This historical material is enhanced by two kinds of peer-reviewed scholarly commentary: biographies of the periodicals’ contributors and associates; and critical introductions to each title and volume by experts in the field. All scholarly material on the site is vetted by the editor(s) and peer- reviewed by them and/or an international board of advisors. The site as a whole is peer- reviewed by NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship). Contributors to the site retain personal copyright in their material. The site is licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license. Both primary and secondary materials, including all visual images, are marked up in TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To ensure maximum flexibility for users, magazines are available on the site as virtual objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for downloading and collecting; and in XML for those who wish to review and/or adapt our tag sets. In order to make ornamental devices, such as initial letters, head- and tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and linked it to the relevant pages of each magazine edition. As a dynamic structure, a scholarly website is always in process; Phase One of The Yellow Nineties Online (2010-2015) is completed and Phase Two (2016-2021) is underway.

 1903 English English literature -- 19th century -- Periodicals Great Britain -- Periodicals Visual Art Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext" (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older reviews), "Criticism" (including critical introductions), "Visual Art" (images, bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion," "Travel Writing," "Music, Other,") Still Image Possible Types (singular): "Periodical" (texts/most stuff), "Interactive Resource" (current writing, biographies, not old reviews), "Still Image" (images, visual art), "Physical Object" (posters, prospecti) Book History Art History Possible Disciplines (multiple): "Book History (include for all periodical items)," "Literature," "Art History (use for art, also use for reviews)," "History (don't use in a general sense)," "Theatre Studies," "Musicology," "Philosophy," "Anthropology," "Science"
The Dove Cot VV1_icon3 The Dove Cot Charles Shannon Charles Shannon VV1_im3 1903 index. ii 14cm x 14cm Illustration Wood-Engraving 1900 exterior, fenced terrace, doorway, woman, child, infant, man, arbour, gate, cage, dove, bird, hat, step, stairs The Dove Cot The image is circular and is centered in the upper region of the page, printed in dull yellow-gold and olive green ink. The image background is green, and the foreground matter is yellow and white. In the right foreground, a man kneels on the steps of a arbored terrace which surrounds a door. He is wearing only a wide-brimmed hat with a strap around his chin and a loose garment over the lower half of his body. The man on the steps is facing the terrace so that only his left-side profile is visible. He is holding a small birdcage in front of him and his head is slightly tilted upwards. On the steps of the terrace, a tall adult woman in the doorway stands draped in fabric. The right side of her body is exposed by the fabric falling off of her. She is holding a small child in her arms and is looking down towards the man holding the birdcage with outstretched arms. In the bottom left region of the image, another small child’s upper body emerges from the door leading to the terrace. The child’s arm is reaching towards the woman. Two doves are in flight above the right side of the fence in the background behind the kneeling man.