Yellow Nineties 2.0 The Pagan Review <editor>Dennis Denisoff</editor> <editor>Lorraine Janzen Kooistra</editor> </titleStmt> <editionStmt> <edition> <date>2021</date> </edition> </editionStmt> <publicationStmt> <idno>TPR_10dr</idno> <publisher>The Yellow Nineties 2.0</publisher> <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace> <address> <addrLine>English Department</addrLine> <addrLine>350 Victoria Street,</addrLine> <addrLine>Toronto ON,</addrLine> <addrLine>M5B 2K3</addrLine> <addrLine>Canada</addrLine> </address> <availability> <p>Usable according to the Creative Commons License <ref target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution Non-commercial Share-alike</ref>.</p> </availability> </publicationStmt> <sourceDesc> <biblStruct> <monogr> <editor>William Sharp</editor> <author>W. H. Windover</author> <title>Dionysos in India W.H. Brooks Sussex August 1892 Windover, Wm. [William Sharp]. "Dionysos in India." The Pagan Review, vol. 1, August 1892, pp. 48-53. The Pagan Review Digital Edition, edited by Dennis Denisoff and Lorraine Janzen Kooistra, 2010. Yellow Nineties 2.0, Ryerson University Centre for Digital Humanities, 2021. https://1890s.ca/tpr-windover-dionysos/

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48             THE PAGAN REVIEW DIONYSOS IN INDIA.<lb/>

     (Opening Fragment of a Lyrical Drama)   BY           WM. WINDOVER

Opening Scene: Verge of an upland glade among the Himalayas Time, Sunrise. First Faun.

   .     .     .     .     .     .     .     .     .     Hark!  I hear Aerial voices—

 Second Faun.

Whist!

First Faun.

It is the wind Leaping against the sunrise, on the heights.

 Second Faun.

No, no, yon mountain-springs—

 First Faun.

Hark, Hark, O Hark!-

Second Faun.

Are budding into foam-flowers: see, they fall Laughing before the dawn—

DIONYSOS IN INDIA             49 First Faun.

O the sweet music!

Child-Faun.

(Timidly peeping over a cistus, uncurling into        blooms.)

Dear brother, say oh say what fills the air! The leaves whisper, yet is not any wind: I am afraid.

 First Faun.

Be not afraid, dear child: There is no gloom.

 Child-Faun.

But silence: and—and—then, The birds have suddenly ceased: and see, alow The gossamer quivers where my startled hare— Slipt from my leash—cow'rs 'mid the foxglove- His eyes like pansies in a lonely wood! [bells, O I am afraid—afraid—though glad:—

 Second Faun.

Why glad?

Child-Faun.

I know not.

 First Faun.

Never yet an evil God Forsook the dusk. Lo, all our vales are filled With light: the darkest shimmers in pale blue: Nought is forlorn: no evil thing goeth by.

 Second Faun.

They say—

 50             THE PAGAN REVIEW First Faun.

What? who?

 Second Faun.

They of the hills: they say That a lost God—

 First Faun.

Hush, Hush: beware!

 Second Faun.

And why? There is no god in the blue empty air? Where else?

First Faun.

There is a lifting up of joy: The morning moves in ecstasy. Never! O never fairer morning dawned than this. Somewhat is nigh!

Second Faun.

May be: and yet I hear Nought, save day's familiar sounds, nought see But the sweet concourse of familiar things.

 First Faun.

Speak on, though never a single leaf but hears, And, like the hollow shells o’ the twisted nuts That fall in autumn, aye murmuringly holds The breath of bygone sound. We know not when— To whom—these little wavering tongues betray Our heedless words, wild wanderers though we be. What say the mountain-lords?

 DIONYSOS IN INDIA             51 Second Faun.

That a lost God Fares hither through the dark, ever the dark.

 First Faun.

What dark?

 Second Faun.

Not the blank hollows of the night: Blind is he, though a God: forgotten graves The cavernous depths of his oblivious eyes. His face is as the desert, blanched with ruins. His voice none ever heard, though whispers say That in the dead of icy winters far Beyond the utmost peaks we ever clomb It hath gone forth—a deep, an awful woe.

 First Faun.

What seeks he?

 Second Faun.

No one knoweth.

First Faun.

Yet a God, And blind!

 Second Faun.

Ai so: and I have heard beside That he is not as other Gods; but from vast age— So vast, that in his youth those hills were wet With the tossed spume of each returning tide— He hath lost knowledge of the things that are, All memory of what was, in that dim Past Which was old time for him: and knoweth nought, Nought feels, but inextinguishable pain,

 52             THE PAGAN REVIEW

Titanic woe and burden of long aeons Of unrequited quest.

First Faun.

But if he be Of the Immortal Brotherhood, though blind, How lost to them ?

 Second Faun.

I know not, I. 'Tis said— Lython the Centaur told me, in those days When he had pity on me in his cave Far up among the hills-that the Lost God Is curs'd of all his kin, and that his curse Lies like a cloud about their golden home: So evermore he goeth to and fro— The shadow of their glory.     .     .     .     .     .     . Ai, he knows The lost beginnings of the things that are: We are but morning-dreams to him, and Man But a fantastic shadow of the dawn: The very Gods seem children to his age, Who reigned before their birth-throes filled the sky With the myriad shattered lights that are the stars.

 First Faun.

Where reigned this ancient God?

Second Faun.

Old Lython said His kingdom was the Void, where evermore Silence sits throned upon Oblivion.

DIONYSOS IN INDIA             53 First Faun.

What wants he here?

Second Faun.

He hateth Helios, And dogs his steps. None knoweth more.

 First Faun.

Aha! I heed no dotard god! Behold, behold My ears betrayed me not: O hearken now!

 Child-Faun.

Brother, O brother, all the birds are wild With song, and through the sun-splashed wood       [there goes A sound as of a multitude of wings.

 Second Faun.

The sun, the sun! the flowers in the grass! Oh, the white glory!

 First Faun.

'Tis the Virgin God! Hark, hear the hymns that thrill the winds of morn, Wild paeans to the light! The white processionals! They come! They come!     .     .     .     .     .     .     .