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                <title>Yellow Nineties 2.0</title>
                <title>The Pagan Review</title>
                <title type="TPR_marazion_sabines"/>
                <editor>Dennis Denisoff</editor>
                <editor>Lorraine Janzen Kooistra</editor>

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                    <date>2021</date>
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                        <editor>William Sharp</editor>
                        <author>James Marazion</author>
                        <title>The Rape of the Sabines</title>
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                            <publisher>W.H. Brooks</publisher>
                            <pubPlace>Sussex</pubPlace>
                            <date>August 1892</date>
                            <biblScope>Marazion, James [William Sharp]. "The Rape of the Sabines."
                                    <emph rend="italics">The Pagan Review,</emph> vol. 1, August
                                1892, pp. 30-40. <emph rend="italic">The Pagan Review Digital
                                    Edition,</emph> edited by Dennis Denisoff and Lorraine Janzen
                                Kooistra, 2010. <emph rend="italics">Yellow Nineties 2.0,</emph>
                                Ryerson University Centre for Digital Humanities, 2021.
                                https://1890s.ca/tpr-marazion-sabines/</biblScope>
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            <div n="TPR_8pr" type="prose">

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                <head>
                    <title level="a">THE RAPE OF THE SABINES.</title>
                </head>

                <div n="TPR_6pr" type="prose">
                    <p><emph rend="indent"/>A flame of blood-red light streamed, a flying
                        banner,<lb/> from Monte Catillo, over the olive heights of Tivoli, to<lb/>
                        Frascati and the flanks of the Albans. Westward, the<lb/> Campagna was
                        shrouded in violet gloom. The tallest<lb/> of the pines and cypresses in
                        Hadrian's Villa, catching<lb/> the last of the sunset-glow, burned slowly to
                        their <lb/>summits, like torches extinguished by currents of air<lb/>from
                        below. Between Castel Arcione and the base of<lb/> the Sabines, where the
                        intermingling summits sweep<lb/> upward frolll the Montecelli to Palombara,
                        and thence<lb/> by giant Subiaco to the innumerable peaks and ranges<lb/> of
                        the mountain-land beyond, lay a white mist, wan as<lb/> the sheen of a new
                        moon on burnt grass—save in the<lb/> direction of the ancient Lago de'
                        Tartari, where it hung<lb/> heavy and darkly grey, dense as it was with the
                        sulphur-<lb/>fumes of the Acquae Albulae.</p>
                    <p><emph rend="indent"/>On the flat, before the upward swell to Tiveli
                        begins,<lb/> the hill-road curves to the left. the <emph rend="italic">via
                            Palombara-</emph><lb/>
                        <emph rend="italic">Marcellina.</emph> To the right there is a rough path,
                        striking<lb/> off waveringly betwixt the Palombara road and the<lb/> highway
                        from Rome to Tivoli: at first like a bridle-way,<lb/> then but a sheep-path
                        or dried-up course of a hill-torrent.<lb/> Following this, one enters the
                        wild and lonely Glen of<lb/> the Shepherds, though seldom does any shepherd
                        wander<lb/> there, and even the solitary goatherd rarely descends<lb/> from
                        the steep heights of Sterpara that overhang it from<lb/> the west.</p>
                    <p><emph rend="indent"/>The nightingales were in full song. One after
                        another<lb/> had called through the dusk with clear, thrilling notes:<lb/>
                        one after another had swung a sudden lilt of music<lb/> across the myrtles,
                        through the thickets of wild rose and<lb/> honeysuckles, over the clustered
                        arbutus, and down by<lb/> the birch-hollows, where the narrow stream
                        crawled<lb/> suffocatingly through fern-clumps and tufted grasses.<lb/>
                        Close to where some stunted, decrepit olives clung</p>

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                    <p>despairingly to a bank of fissured soil rose a wild mag-<lb/>nolia, whose
                        white blooms gleamed in the twilight like<lb/> ivory discs. Suddenly, from
                        where its topmost sprays still<lb/> retained a dusky green hue, a thrush
                        sprang violently<lb/> into the air and darted westward against the
                        crimson<lb/> light, clattering loudly and shrilly like a
                        heavily-feathered<lb/> arrow whistling towards the already blood-strewn
                        flanks<lb/> of a beast of prey. A nightingale among the myrtles<lb/> near
                        flew earthward, dipping his breast against the dewy<lb/> anemones that
                        clustered in the shadow; but ere the<lb/> spray whence he had slipt like a
                        rain-drop had ceased<lb/> its last tremulous vibration he was swinging, with
                        out-<lb/>spread wings, upon a branch of the deserted magnolia.<lb/> Then
                        came a loud summoning cry, a few low calls, and<lb/> all at once a burst of
                        ecstatic song. In a few moments<lb/> all was still around, save for the
                        shrilling of the locusts<lb/> and the distant croaking of frogs. But
                        suddenly, and<lb/> in the midst of his love-song, the nightingale
                        ceased,<lb/> gave a broken, dissonant cry, and with a rapid tilt and<lb/>
                        poise of his wings was lost in the under-dark like a<lb/> blown leaf.</p>
                    <p><emph rend="indent"/>Something stirred under the lower boughs of the
                        mag-<lb/>nolia. A small, dark figure crept on out, and then a boy<lb/> of
                        some ten or twelve years rose to his feet, stretched<lb/> himself warily,
                        ran his hands through his shaggy black<lb/> hair, and began to mutter to
                        himself. All at once he<lb/> inclined his head and listened intently. Before
                        he could<lb/> sink back to his shelter, two young men stepped
                        noise-<lb/>lessly from behind the higher olives, the taller of the<lb/> two
                        coming rapidly forward.</p>
                    <p><emph rend="indent"/>"Do not be afraid, Guido," he exclaimed, as he saw<lb/>
                        the boy alert for flight; "it is I—Andrea Falcone."</p>
                    <p><emph rend="indent"/>"And he?" </p>
                    <p><emph rend="indent"/>"Marco Vaccaro, of course. Who other, <emph
                            rend="italic">per Bacco?</emph>"</p>
                    <p><emph rend="indent"/>"You are late, elder-brothers."</p>
                    <p><emph rend="indent"/>"We could not get here earlier, unobserved. There<lb/>
                        is time enough. What is the message? "</p>
                    <p><emph rend="indent"/>While he was speaking his companion drew near.<lb/> Both
                        young men were singularly handsome, with clear-<lb/>cut features, dark,
                        eloquent eyes, and faces pale as<lb/> blanched ivory. Lithe and vigorous
                        mountaineers, they had<lb/> all the grace and dignity of the Roman
                        peasant;</p>


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                    <p>and though they had the Campagna melancholy in<lb/> their faces, each had
                        that alert look common to all the<lb/> Sabine muleteers. Everyone in the
                        Montecelli knew<lb/> the cousins Andrea Falcone and Marco Vaccaro; and
                        in<lb/> the hill-town of S. Angelo in Capoccia itself, there was no<lb/>
                        question as to their pre-eminence in all things that,<lb/> locally,
                        constituted good fortune. Not only was the story<lb/> of their deep
                        friendship well known—a friendship so<lb/> close that one would never go far
                        without the other, to<lb/> the extent that if a rich <emph rend="italic"
                            >forestiero</emph> wanted one of them<lb/> as a guide up Subiaco, he
                        would perforce have to engage<lb/> both—but, the gossips of the
                        hill-villages were each and<lb/> all aware of the love Andrea and Marco bore
                        for Vittoria<lb/> and Anita, the daughters of Giovan' Antonio Della
                        Porta,<lb/> the vintner and ex-brigand of that remote and highest<lb/>
                        hill-town of the Sabines, San Polo de'Cavalieri. Naturally,<lb/> it was
                        delightful food for these gossips when a feud broke<lb/> out between the
                        muleteers of San Polo and of Palombara<lb/> and San Angelo, in consequence
                        of which neither Andrea<lb/> nor Marco dare set foot in the vicinage of the
                        town—not<lb/> only because old Della Porta swore that, whether they<lb/>
                        willed or no, his daughters should marry none but men<lb/> of pure Sabine
                        blood, and certainly no accurst Roman<lb/> contadini (for all their
                        hill-folk talk!), but also because<lb/> a league of San Polo youths and men,
                        headed by Simone<lb/> Gaetano and Gregorio da Forma, had sworn to
                        poniard<lb/> any" Angelinis" they found within the village boundaries.<lb/>
                        It was quite natural that Gregorio da Forma and Gae-<lb/>tano should be the
                        active ministers in this league of hate,<lb/> for the former was desirous of
                        Anita Della Porta and<lb/> Simone lusted after the beautiful Vittoria. But
                        both<lb/> girls were closely watched, and though they had several<lb/> times
                        managed to meet their lovers in the woods, or amid<lb/> the copses of the
                        Glen of the Shepherds, such encounters<lb/> were no longer possible. The
                        girls had, indeed, but one<lb/> ally, but one emissary—their young
                        half-brother, Guido.<lb/> Guido loved his sisters; but he had another bond
                        of<lb/> fellowship—hatred of their morose and tyrannical father.<lb/> Twice
                        had Vittoria and Anita tried to evade those who<lb/> kept an eye on them:
                        once by attempted flight to<lb/> Vicovara and once across Ponte Rotto to
                        Castel Ma-<lb/>dama—for they had imagined success impossible by</p>

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                    <p>way of Palombara. It was after the last occasion that<lb/> old Della Porta
                        had publicly proclaimed the approaching<lb/> marriage of his daughters with
                        Simone Gaetano and<lb/> Gregorio da Forma.</p>
                    <p><emph rend="indent"/>The Sabine women can be as quick with their long,<lb/>
                        thin hair-daggers as the Sabine men with their poniards.<lb/> A girl of the
                        Sabines, moreover, does not hesitate to use<lb/> her dagger in offence as
                        well as in self-defence; and,<lb/> when the blood-vow is once sworn, the
                        steel, as the<lb/> saying is, sweats with thirst.</p>
                    <p><emph rend="indent"/>It was at the risk of their lives, then, that
                        Andrea<lb/> Falcone and his friend and kinsman, Marco, were met<lb/> in the
                        Glen of the Shepherds, within an easy eagle's-<lb/>flight of San Polo. If
                        any muleteer on Sterpara or<lb/> goatherd on the slopes should see them, the
                        cry would<lb/> go from coign to coign, and find a score of fierce
                        echoes<lb/> in the dark narrow streets of the mountain vilbge. As<lb/> for
                        Guido, he ran the chance of a flaying from his father,<lb/> or eyen a
                        knifing from cruel, treacherous Simone or from<lb/> sullen Gregorio.</p>
                    <p><emph rend="indent"/>"What is the message?" repeated Andrea,
                        impatiently,<lb/> while Marco eyed the neighbourhood like a hawk, and<lb/>
                        Guido stood as taut and eager as a goat about to leap.</p>
                    <p><emph rend="indent"/>"There is none, elder brother. I could not see either
                        <lb/>Vittoria or Anita. But this is their last night."</p>
                    <p><emph rend="indent"/>"Their last night? How?" interjected Marco, in a<lb/>
                        startled but suppressed voice.</p>
                    <p><emph rend="indent"/>"The last night of their virginity," said Guido,
                        simply.<lb/> "To-morrow Vittoria will be wed to Simone and Anita<lb/> to
                        Gregorio."</p>
                    <p><emph rend="indent"/>A silence fell upon the men: a frost of passion,
                        rather,<lb/> that seemed to paralyse even gesture or glance.</p>
                    <p><emph rend="indent"/>"Have they been true women?" said Andrea, at last,<lb/>
                        in a thick, husky voice.</p>
                    <p><emph rend="indent"/>"True women?" repeated Guido, interrogatively, his<lb/>
                        great black eyes flashing half-inquiringly, half-sus-<lb/>piciously.</p>
                    <p><emph rend="indent"/>"Ay, true women. Have they sworn the virgin-vow?"</p>
                    <p><emph rend="indent"/>"Yes: they swore it last night, and before me as<lb/>
                        witness. It was in the moonlight, by the old fountain<lb/> I beyond the
                        church."</p>
                    <p><emph rend="indent"/>"Upon both the blade and the hilt?"</p>

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                    <p><emph rend="indent"/><emph rend="italic">"Si, si, si</emph>: and upon their
                        crucifixes also."</p>
                    <p><emph rend="indent"/>Andrea turned and looked at Marco with a meaning<lb/>
                        smile.</p>
                    <p>
                        <emph rend="indent"/><emph rend="italic">"Ecco</emph>, Marco: it will be a
                        wet wedding."</p>
                    <p><emph rend="indent"/>"It will be—and the wet as red as to-night's
                        sunset.<lb/> But—<emph rend="italic">per Cristo, Andrea mio</emph>, you know
                        the hill-saying: <lb/>When 'tis wet, who can say there shall be no
                        flood?"</p>
                    <p><emph rend="indent"/>"Ay: so. Their kinsfolk would not hold Vittoria and<lb/>
                        Anita free of their blood-ban if once they be wedded."</p>
                    <p><emph rend="indent"/>"Giovan' Antonio—Holy Virgin, he would kill them<lb/>
                        himself for it! "</p>
                    <p><emph rend="indent"/>Suddenly the boy Guido, slipping a rough wooden<lb/>
                        cross from his neck, stepped close to the young men.</p>
                    <p><emph rend="indent"/>"Will you swear upon it, Andrea Falcone and Marco<lb/>
                        Vaccaro. that henceforth I am your younger brother:<lb/> and that your home
                        in San Angelo in Capoccia shall be<lb/> my home: and your kin my kin: and we
                        be one ever-<lb/>more in the curse and in the blessing? Already you <lb/>are
                        my elder-brothers, but you have not sworn. Will<lb/> you swear now ?</p>
                    <p><emph rend="indent"/>"Why, Guido, my brother?"</p>
                    <p><emph rend="indent"/>"For I have that to say which being said makes me<lb/>
                        no more of my father's household or even of San Polo."</p>
                    <p><emph rend="indent"/>"Thou art my brother for evermore, Guido Della<lb/>
                        Porta," said Andrea, solemnly, kissing the cross and<lb/> making the sacred
                        sign upon his forehead and upon his<lb/> breast.</p>
                    <p><emph rend="indent"/>When Marco had done likewise, Guido looked
                        fear-<lb/>fully around, and then with downcast eyes and trembling<lb/> hands
                        whispered that he was breaking a solemn vow<lb/> which he had perforce taken
                        that very day.</p>
                    <p><emph rend="indent"/>"Speak, boy," muttered Marco, hoarsely.</p>
                    <p><emph rend="indent"/>Fear not," said Andrea, more gently: "Father
                        Gian-<lb/>pietro will absolve thee to-morrow, or as soon as you can<lb/>
                        come to San Angelo."</p>
                    <p><emph rend="indent"/>"I heard—I heard—my father laughing with Simone
                        <lb/>Gaetano. When I looked through the chink in the <lb/>great barn, I saw
                        that Gregorio da Forma was also there,<lb/> with his hand at his mouth
                        half-covering his black <lb/>beard. Simone's smooth, fat face was agleam
                        with<lb/> sweat, and he rubbed his bald forehead again and again.<lb/>
                        though his eyes narrowed and widened like a cat's in</p>

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                    <p>the twilight. All the time I watched, Simone never <lb/>ceased to wipe his
                        brows, and never once did Gregorio<lb/> take away his hand from his
                        mouth."</p>
                    <p><emph rend="indent"/>"The cursed traitor knows his weak member,"
                        mut-<lb/>tered Marco, savagely. "Aha! Signore Gregorio da<lb/> Forma. I know
                        that which would bring you to the<lb/> hangman in Rome, or the knife
                        anywhere where men<lb/> say Garibaldi and Italia in one breath!"</p>
                    <p><emph rend="indent"/>"Hush, Marco; don't be a fool! The traitors' death<lb/>
                        is already arranged by God. The ink which was black<lb/> is turning red, and
                        the hour is at hand. Guido, say<lb/> what you have to say."</p>
                    <p><emph rend="indent"/><emph rend="italic">"Ecco</emph>, my elder-brothers: I
                        heard this thing. My<lb/> father at first would have nought to say to
                        comfort<lb/> Simone and Gregorio when they told him of the rumour<lb/> that
                        Vittoria and Anita had sworn the virgin-vow against<lb/> them. But at last
                        Simone, miserly though he be, won<lb/> him over. He promised him"—</p>
                    <p><emph rend="indent"/><emph rend="italic">"Corpo di Cristo</emph>, Guido,"
                        broke in Andrea; "never<lb/> mind <emph rend="italic">that</emph>. Tell us,
                        quick, what your father agreed to." </p>
                    <p><emph rend="indent"/>"He said that, if he got what he wished, Simone and
                        <lb/>Gregorio might laugh at the girls' vows, <emph rend="italic">for he
                            would</emph>
                        <lb/>
                        <emph rend="italic">see that his good friends did not marry
                        virgins</emph>."</p>
                    <p><emph rend="indent"/>Both Andrea and Marco started, and each
                        instinctively<lb/> clasped his knife.</p>
                    <p><emph rend="indent"/>"Yes, I swear it. My father, may God forgive him,<lb/>
                        said that no one should be in the house to-night, after<lb/> the feast which
                        he is to give is over; and that Simone<lb/> and Gregorio might take that
                        which would be theirs by<lb/> law on the morrow. The virgin-vow would
                        thus<lb/> be made useless as old straw, as void as yesterday's wind.<lb/>
                        There would be none to interfere. If the girls<lb/> screamed "—</p>
                    <p><emph rend="indent"/><emph rend="italic">"Basto!</emph> Enough!" shouted
                        Andrea recklessly;<lb/> while Marco made a low, hissing noise like a
                        wind-eddy<lb/> upon ice. "Is this thing to be done to-night? Ay, so: <lb/> I
                        believe you. No, no: I want to hear no more. What<lb/> does anything else
                        matter. We must be there, too,<lb/> Marco—if we have to go to our death at
                        the same time.</p>
                    <p><emph rend="indent"/>"Come: there is no time to lose," was all that
                        Marco<lb/> replied; though, after a moment's hesitation, he stooped</p>

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                    <p>and whispered in his cousin's ear. Andrea smiled grimly.</p>
                    <p><emph rend="indent"/>"What time was the supper to be, Guido?" he asked.</p>
                    <p><emph rend="indent"/>"As soon as the sun had set. And all are to go<lb/> to
                        their homes by nine at latest. There is to be a<lb/> sunrise-Sacrament
                        to-morrow, and everyone will be<lb/> abed early. Vittoria and Anita will not
                        sit long with<lb/> the men; but go to their room, where my father will<lb/>
                        doubtless lock them in."</p>
                    <p><emph rend="indent"/>"But you can get into the room by your attic?"</p>
                    <p><emph rend="indent"/>"Ay: and out easily enough by the window
                        over-<lb/>looking the Vicolo da Pozza."</p>
                    <p><emph rend="indent"/>"Do your sisters know anything of this?"</p>
                    <p><emph rend="indent"/>"No. Not yet."</p>
                    <p><emph rend="indent"/>"Then, Guido, make your way back as quickly and<lb/>
                        secretly as you can. Tell Vittoria and Anita all you<lb/> know. Tell them we
                        are here"—</p>
                    <p><emph rend="indent"/>"And that they are to escape with me by the window<lb/>
                        and join you in the wood," broke in Guido, with eager<lb/> anticipation. </p>
                    <p><emph rend="indent"/>"No," said Andrea, quietly; while Marco gave a low
                        <lb/>laugh. "Tell them to wait in their room till we<lb/> come. Now, go. And
                        see: make us a sign when we<lb/> can slip in unperceived by the hole in the
                        wall at the<lb/> old Piazza del Giove. We can get into your house by<lb/>
                        the empty palazzo next it. Then you will take us to<lb/> your sisters'
                        room."</p>
                    <p><emph rend="indent"/>"It may be death for all of us, Andrea."</p>
                    <p><emph rend="indent"/>"Even so. Now go, Guido; and the saints be with<lb/>
                        you."</p>
                    <p><emph rend="indent"/>The boy hesitated a moment, and then,
                        stooping,<lb/>leapt from thicket to thicket till he was out of sight<lb/> in
                        the undergrowth. </p>
                    <p><emph rend="indent"/>Andrea and Marco followed slowly, keeping in the<lb/>
                        shadow as much as possible. They interchanged few<lb/> words, and then only
                        in whispers. An hour passed<lb/> thus; during which they reached the upper
                        end of the<lb/> Glen of the Shepherds and ascended the steep, wooded
                        <lb/>heights of Monte di San Polo. From where they crouched<lb/> they could
                        see clearly the black mass of the western side<lb/> of the village rising
                        sheer, like a smooth cliff of basalt,<lb/> and without apparent inlet. But
                        they knew where the<lb/> hole in the ruinous wall was, close by the
                        deserted</p>

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                    <p>Piazza del Giove; and they kept their gaze upon the<lb/> spot, passionately
                        intent for the signal from Guido.</p>
                    <p><emph rend="indent"/>The great clock in the tower struck the second
                        quarter<lb/> after eight. The cousins looked at each other, but said<lb/>
                        nothing for some minutes.</p>
                    <p><emph rend="indent"/>"If Guido should play us false—no, St. Mark forgive<lb/>
                        me, he won't do that" —muttered Marco, at last—"but<lb/> if he should have
                        been caught, or even unable to get <lb/>away alone"——</p>
                    <p><emph rend="indent"/><emph rend="italic">"Sst</emph>: look there!"</p>
                    <p><emph rend="indent"/>"Where? What?"</p>
                    <p><emph rend="indent"/>"There. See, it is the second time."</p>
                    <p><emph rend="indent"/>As Andrea spoke, a small circle of flame again
                        swept<lb/> round the disc of the hole in the wall.</p>
                    <p><emph rend="indent"/>"That is the third time, Marco. It is Guido. Let <lb/>us
                        go. Remember—everything—our lives—depend<lb/> upon our discretion. I know
                        the way best. Follow me."</p>
                    <p><emph rend="indent"/>As silently as foxes the twain crept from the last<lb/>
                        skirt of undergrowth, and up the short stony ascent<lb/> that led apparently
                        against a blank precipice of stone<lb/> wall. For a moment, when close,
                        Andrea hesitated, but<lb/> a low whistle guided him aright; and in a few
                        minutes<lb/> he and Marco were in San Polo. A few seconds more,<lb/> and
                        they were in the old deserted house that adjoined<lb/> the Casa Della
                        Porta.</p>

                    <p><emph rend="indent"/>Again and again the door of Della Porta's house<lb/>
                        opened, and soon nearly all the guests were gone. At<lb/> last all had
                        bidden good-night except Simone Gaetano<lb/> and his friend Gregorio. With a
                        sullen curse, as though<lb/> half-ashamed of himself, Giovan' Antonio threw
                        a key<lb/> on the table.</p>
                    <p><emph rend="indent"/>"There, take it, my merry <emph rend="italic"
                            >sposi</emph>. What's the odds!<lb/> 'Tis but a night here or a night
                        there! But, look you<lb/> —no undue violence, you know! For myself, I am
                        dead<lb/> beat with sleep, and don't expect to hear a sound till<lb/>
                        cock-crow."</p>
                    <p><emph rend="indent"/>With that, and another malediction by way of
                        good-<lb/>night, the beetle-browed vintner flung himself into a<lb/> huge
                        rush-chair by the hearth-place. He had begun to<lb/> snore lustily, when,
                        just as his companions were moving<lb/> from the room, he called
                        angrily:</p>

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                    <p><emph rend="indent"/>"Don't forget to lock and bar the door, you fools!<lb/>
                        Do you want all San Polo to keep you company?" </p>
                    <p><emph rend="indent"/>Simone stepped forward, and saw to the fastenings.<lb/>
                        Gregorio filled two tankards with wine, one with white,<lb/> one with
                        red.</p>
                    <p><emph rend="indent"/>"Here, camerado mio," he whispered, as Simone
                        re-<lb/>joined him; "here's <emph rend="italic">vino bianco</emph> for you
                        to drink your <lb/>Vittoria's health, lovely blonde that she is; and
                        here's<lb/> my bumper of dark marino to the black hair and black<lb/> eyes
                        of my beautiful Anita!"</p>
                    <p><emph rend="indent"/>Then, softly and cautiously, like the cowards and<lb/>
                        marauders they were, they stole upstairs. Each started<lb/> violently when
                        the silence was suddenly broken by the<lb/> tower-clock striking the first
                        quarter after nine. </p>
                    <p><emph rend="indent"/>"Aha! the little birds, they will think it is their<lb/>
                        father," whispered Simone, as Gregorio gently inserted <lb/>the key in the
                        lock, and noiselessly turned it.</p>
                    <p><emph rend="indent"/>When the door opened, they saw the two beds, as<lb/>
                        white amidst the gloom as innocent childhood. A new<lb/> fear came upon
                        them. If one of the girls had laughed,<lb/> or even screamed, it would have
                        been a relief. Each<lb/> vaguely realised that he was doubly a coward, for
                        now<lb/> each was appalled by his own cowardice. When a<lb/> wavering shaft
                        of moonlight, that had been gilding the<lb/> stone-carving above the window,
                        stole into the room, a<lb/> dread came upon them that the girls slept, and
                        had<lb/> prayed, and that God watched them.</p>
                    <p><emph rend="indent"/>But just then something happened that made Simone's<lb/>
                        heart leap within him.</p>
                    <p><emph rend="indent"/>The moonbeam, wavering across the bed ill the left
                        cor-<lb/>ner of the room, passed across the face of Vittoria, making<lb/>
                        her mass of blonde hair like a drift of melted amber. But<lb/> her eyes were
                        open, and looking straight at him.</p>
                    <p><emph rend="indent"/><emph rend="italic">"Vittoria!</emph> It is I—your
                        loving Simone—your<lb/> husband. Do not be afraid, my little one! I want
                        to<lb/> kiss you only—for the sake of good luck to-morrow." </p>
                    <p><emph rend="indent"/>Silence, save for a quick breathing that, pulsated<lb/>
                        through the room.</p>
                    <p><emph rend="indent"/><emph rend="italic">"Vittoria!</emph>"</p>
                    <p><emph rend="indent"/><emph rend="italic">"Anita!</emph>" </p>
                    <p><emph rend="indent"/>Two dark figures moved swiftly forward, Simone to<lb/>
                        the left, Gregorio to the right.</p>


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                    <p><emph rend="indent"/>There was a. strange shuffiing sound for a moment.<lb/>
                        Both men stopped abruptly, glanced towards each other,<lb/> took courage,
                        and moved on again.</p>
                    <p><emph rend="indent"/><emph rend="italic">"Vittoria!</emph>"</p>
                    <p><emph rend="indent"/><emph rend="italic">"Anita!</emph>"</p>
                    <p><emph rend="indent"/>Then all at once two hoarse screams rang through<lb/>
                        the room, as Simone and Gregorio simultaneously felt<lb/> themselves seized
                        in a savage, relentless grip and<lb/> dragged on to the bed.</p>
                    <p><emph rend="indent"/>"What would'st thou with my wife-to-be, Simone<lb/>
                        Gaetano?" cried Andrea, as with one arm he pinioned<lb/> his shivering
                        rival, and with the other pressed a knife<lb/> against his breast.</p>
                    <p><emph rend="indent"/>"What would'st thou with my bride-elect, Gregorio<lb/>
                        da Forma?" snarled Marco savagely, as with his left<lb/> hand he pulled back
                        his foe's head till he could look<lb/> into the staring eyes, and with his
                        right hand pressed<lb/> his poniard against his heaving side.</p>
                    <p><emph rend="indent"/>The next moment a suppressed scream, and, almost<lb/> at
                        the same time, a hoarse choking sob sounded horribly<lb/> through the
                        room.</p>
                    <p><emph rend="indent"/>It took Andrea and Marco a few minutes only to<lb/> prop
                        the dead men, one in one bed, one in the other,<lb/> with their dusky-white
                        faces visible in the gloom, pil-<lb/>lowed behind, and as though ready to
                        greet expected<lb/>incomers.</p>

                    <p><emph rend="indent"/>Egidio Gaetano, riding on his mule down the steep
                        <lb/>bridle-path of La Scarpellata, from his tavern at high-<lb/>set San
                        Filippo, with intent to breakfast with his kins-<lb/>man Simone on the
                        morrow of his marriage, thought<lb/> he had never seen a lovelier night, a
                        more glorious<lb/> dawn. Far away, above the Campagna, hung the moon<lb/>
                        like a vast yellow flower slowly sinking into blue depths.<lb/> Eastward,
                        beyond Soracte and above the Ciminian Forest,<lb/> the stars grew paler,
                        with more languid pulsations,<lb/> or icy steadfastness. In the woodlands
                        straight below<lb/> the nightingales sang bewilderingly, and in the
                        nearer<lb/> thickets a maze of fireflies made the dusk starred like<lb/> a
                        great city by night.</p>
                    <p><emph rend="indent"/>When the sudden fires of day flamed up behind the<lb/>
                        shoulder of Subiaco, and fell upon the landscape before</p>


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                    <p>him in flowing amber and marvellous flushes, he was so<lb/> rapt by the great
                        beauty that he did not note, in an<lb/> ilex grove to his left, four
                        sleeping figures, two here,<lb/> and two there; Vittoria, white as a
                        windflower, in the<lb/> arms of Andrea; Anita, dark as a violet, pillowed
                        against<lb/> the breast of Marco.</p>
                    <p><emph rend="indent"/>A hundred yards further, at the joining of the
                        hill—<lb/>path from San Polo de' Cavalieri, he came upon a boy,<lb/> so
                        steadfastly intent in his gaze southward that he heard<lb/> nothing. </p>
                    <p><emph rend="indent"/>"What news from San Polo, Guido mio?" cried the<lb/>
                        good Egidio genially. But to his surprise the boy gave<lb/> him nought save
                        a flash from his dark eyes, and the<lb/> next moment was up and away,
                        leaping and running<lb/> like a young goat.</p>
                    <p><emph rend="indent"/>"What takes the young rascal! He's on the way<lb/> to
                        San Angelo! Ha! Ha! What an idea. Some marriage <lb/>prank he's up to, I'll
                        be bound. Ah, <emph rend="italic">Dio mio</emph>, that I<lb/> was twenty
                        years younger, and in Simone's place! I<lb/> wouldn't even mind being in
                        worthy Signor Gregorio's<lb/> for that matter! <emph rend="italic"
                            >Cristo</emph>, these lovely Sabine women<lb/> of ours! No wonder tho
                        men came out of Rome and<lb/> stole them long ago before the good Popes
                        heard about<lb/> it! Aha, Signori Andrea and Marco, good cousins,<lb/> brave
                        cavaliers, dauntless knights-errant, where are you<lb/> now? You may
                        whistle, my lads! No carrying off<lb/> the Sabine women nowadays, ha,
                        ha!"</p>
                    <p><emph rend="indent"/>The wind, rising from the ferns and leaping through<lb/>
                        the long grass, blew a foam of white blossoms upon the<lb/> rider and his
                        mule. High up in the golden sunlight<lb/> the sweet penetrating flute-notes
                        of the boy-shepherds<lb/> called blithely from steep to steep. </p>
                    <p><emph rend="indent"/>"God be thanked," exclaimed Egidio as he came in<lb/>
                        sight of San Polo, still coldly white, like an unopened<lb/> flower; "God be
                        thanked, though I be old and fat, love<lb/> is a good thing. Ah, Simone, you
                        rogue! Eh? what,<lb/> Gregorio?"</p>
                    <p>
                        <emph rend="indent5c">
                            <ref target="#WSH">JAMES MARAZION</ref>
                        </emph>
                    </p>
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