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            <title>Yellow Nineties 2.0</title>
            <title>The Pagan Review</title>
            <title type="TPR_brooks_foreword"/>
            <editor>Dennis Denisoff</editor>
            <editor>Lorraine Janzen Kooistra</editor>
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               <date>2021</date>
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            <publisher>Yellow Nineties 2.0</publisher>
            <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
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               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
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                  <editor>William Sharp </editor>
                  <author>W.H. Brooks</author>
                  <title>Foreword</title>
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                     <publisher>W.H. Brooks</publisher>
                     <pubPlace>Sussex</pubPlace>
                     <date>August 1892</date>
                     <biblScope> Brooks, W.H. [William Sharp]. "Foreword." <emph rend="italics">The
                           Pagan Review,</emph> vol. 1, August 1892, pp. 1-4. <emph rend="italic"
                           >The Pagan Review Digital Edition,</emph> edited by Dennis Denisoff and
                        Lorraine Janzen Kooistra, 2010. <emph rend="italics">Yellow Nineties
                           2.0,</emph> Ryerson University Centre for Digital Humanities, 2021.
                        https://1890s.ca/tpr-brooks-foreword/</biblScope>
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               verbal and visual printed material, including non-referential physical elements such
               as bindings, page layouts, and ornaments. We view any text as the outcome of
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               moments. The Yellow Nineties Online publishes facsimile editions of a select
               collection of fin-de- siècle aesthetic periodicals, together with paratexts of
               production and reception such as cover designs, advertising materials, and reviews.
               This historical material is enhanced by two kinds of peer-reviewed scholarly
               commentary: biographies of the periodicals’ contributors and associates; and critical
               introductions to each title and volume by experts in the field. All scholarly
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         <div n="TPR_3pr" type="paratext">
            <pb n="4"/>

            <head><title level="a">FOREWORD.</title></head>

            <div type="prose">
               <p><emph rend="indent"><emph rend="italic">Editorial prefaces to new magazines
                        generally lay<lb/> great stress on the effort of the directorate, and
                        all<lb/> concerned, to make the forthcoming periodical
                     popular.</emph></emph></p>

               <p><emph rend="indent">
                     <emph rend="italic">We have no such expectation: not even, it may be<lb/>
                        added, any such intention. We aim at thorough-going<lb/> unpopularity: and
                        ther is every reason to believe<lb/> that, with the blessed who expect
                        little, we shall not be<lb/> disappointed.</emph></emph></p>

               <p><emph rend="indent5a">&#8258;</emph></p>

               <p>
                  <emph rend="indent">
                     <emph rend="italic">In the first place,</emph> THE PAGAN REVIEW <emph
                        rend="italic">is frankly<lb/> pagan: pagan in sentiment, pagan in
                        convictions,<lb/> pagan in outlook. This being so, it is a magazine<lb/>
                        only for those who, with Mr. George Meredith, can ex-<lb/> claim in all
                        sincerity—</emph></emph>
               </p>

               <lg type="stanza">
                  <l>
                     <emph rend="italic">
                        <emph rend="indent2">"O sir, the truth, the truth! is't in the skies,</emph>
                     </emph>
                  </l>

                  <l>
                     <emph rend="italic">
                        <emph rend="indent2">Or in the grass, or in this heart of ours?</emph>
                     </emph>
                  </l>

                  <l>
                     <emph rend="italic">
                        <emph rend="indent2">But O, the truth, the truth! . . . . "</emph>—</emph>
                  </l>
               </lg>

               <p>
                  <emph rend="italic">and at the same time, and with the same author, are<lb/> not
                     unready to admit that truth to life, external and<lb/> internal, very
                     often</emph>
               </p>

               <lg type="stanza">
                  <l>
                     <emph rend="italic">
                        <emph rend="indent3"> ". . . . . . is not meat</emph>
                     </emph>
                  </l>

                  <l>
                     <emph rend="italic">
                        <emph rend="indent3">For little people or for fools."</emph>
                     </emph>
                  </l>
               </lg>

               <p>
                  <emph rend="italic">To quote from Mr. Meredith once more:</emph>
               </p>

               <lg type="stanza">
                  <l>
                     <emph rend="italic">
                        <emph rend="indent3">". . . . . these things are life:</emph>
                     </emph>
                  </l>

                  <l>
                     <emph rend="italic">
                        <emph rend="indent3">And life, they say, is worthy of the Muse."</emph>
                     </emph>
                  </l>
               </lg>

               <p>
                  <emph rend="italic">But we are well aware that this is just what "they"<lb/> don't
                     say. "They", "the general public", care very<lb/> little about the "Muse" at
                     all; and the one thing they<lb/> never advocate of wish is that the "Muse"
                     should be so<lb/> indiscreet as to really withdraw from life the approved<lb/>
                     veils of Convention.</emph>
               </p>

               <p>
                  <emph rend="indent">
                     <emph rend="italic">Nevertheless, we believe that there is a by no means <lb/>
                        numerically insignificant public to whom</emph> THE PAGAN <lb/>REVIEW <emph
                        rend="italic">may appeal; though our paramount difficulty <lb/>will be to
                        reach those who, owing to various circum-</emph></emph>
               </p>

               <!--HEADER-->
               <pb n="5"/>

               <fw type="runningHead">
                  <fw type="pageNumLeft">2</fw>
                  <fw type="headRight">&#160;&#160;&#160;&#160;&#160;
                     &#160;&#160;&#160;THE PAGAN REVIEW</fw>
               </fw>
               <!--HEADER-->

               <p>
                  <emph rend="italic">stances, are out of the way of hearing aught concerning<lb/>
                     the most recent developments in the world of letters.</emph>
               </p>

               <p>
                  <emph rend="indent5a">&#8258;</emph>
               </p>

               <p><emph rend="indent">THE PAGAN REVIEW</emph>
                  <emph rend="italic"> conveys, or is meant to convey,<lb/> a good deal by its
                     title. The new paganism is a potent<lb/> leaven in the yeast of the "younger
                     generation", without<lb/> as yet having gained due recognition, or even any
                     suffi-<lb/> ciently apt and modern name, any scientific designation.<lb/> The
                     "new paganism," the "modern epicureanism," and<lb/> kindred appellations, are
                     more or less misleading. Yet,<lb/> with most of us, there is a fairly definite
                     idea of what<lb/> we signify thereby. The religion of our forefathers has<lb/>
                     not only ceased for us personally, but is no longer in<lb/> any vital and
                     general sense a sovereign power in the<lb/> realm. It is still fruitful of vast
                     good, but it is none<lb/> the less a poer that was rather than a power that
                     is.<lb/> The ideals of our forefathers are not our ideals, except<lb/> where
                     the accidents of time and change can work no<lb/> havoc. A new epoch is about
                     to be inaugurated, is,<lb/> indeed, in many respects, already begun; a new
                     epoch<lb/> in civil law, in international comity, in what, vast<lb/> and
                     complete though the issues be, may be called<lb/> Human Economy. The long
                     half-acknowledged, half-<lb/> denied duel between Man and Woman is to
                     cease,<lb/> neither through the victory of hereditary overlordship<lb/> nor the
                     triumph of the far more deft and subtle if<lb/> less potent weapons of the
                     weaker, but through a frank<lb/> recognition of copartnery. This new
                     comradeship will<lb/> be not less romantic, less inspiring, less worthy of
                     the<lb/> chivalrous extremes of life and death, than the old<lb/> system of
                     overlord and bondager, while it will open<lb/> perspectives of a new-rejoicing
                     humanity, the most<lb/> fleeting glimpses of which now make the hearts of<lb/>
                     true men and women beat with gladness. Far from<lb/> wishing to disintegrate,
                     degrade, abolish marriage, the<lb/> "new paganism" with fain see that sexual
                     union<lb/> become the flower of human life But, first, the rubbish<lb/> must be
                     cleared away; the anomalies must be replaced<lb/> by just inter-relations; the
                     sacredness of the individual<lb/> must be recognized; and women no longer have
                     to look<lb/> upon men as usurpers, men lo longer to regard<lb/> women as
                     spiritual foreigners.</emph>
               </p>

               <!--HEADER-->
               <pb n="6"/>

               <fw type="runningHead">
                  <fw type="headLeft">FOREWORD</fw>
                  <fw type="pageNumRight">&#160;&#160;&#160;&#160;&#160;
                     &#160;&#160;&#160;&#160;&#160;
                     &#160;&#160;&#160;&#160;&#160;
                     &#160;&#160;&#160;&#160;&#160;
                     &#160;3</fw>
               </fw>
               <!--HEADER-->

               <p>
                  <emph rend="indent5a">&#8258;</emph>
               </p>

               <p>
                  <emph rend="indent">
                     <emph rend="italic">These remarks, however, must not be taken too liter-<lb/>
                        ally as indicative of the literary aspects of&#160;</emph> THE PAGAN<lb/> REVIEW.
                        <emph rend="italic">Opinions are one thing, the expression of<lb/> them
                        another, and the transformation or reincarna-<lb/> tion of them through
                        indirect presentment another still.</emph></emph>
               </p>

               <p><emph rend="indent">
                     <emph rend="italic">This magazine is to be a purely literary, not a<lb/>
                        philosophical, partisan, or propagandist periodical.<lb/> We are concerned
                        here with the new presentment of<lb/> things rather than with the phenomena
                        of change and<lb/> growth themselves. Our vocation, in a word, is to<lb/>
                        give artistic expression to the artistic "inwardness"<lb/> of the new
                        paganism; and we voluntarily turn aside<lb/> here from such avocations as
                        chronicling every ebb<lb/> and flow of thought, speculating upon every fresh
                        sur-<lb/> prising derelict upon the ocean of man's mind, or<lb/> expounding
                        well or ill on the new ethic. If those who<lb/> sneer at the rallying cry,
                        "Art for Art's sake," laugh<lb/> at our efforts, we are well content; for
                        even the lungs<lb/> of donkeys are strengthened by much braying. If, on<lb/>
                        the other hand, those who, by vain pretensions and<lb/> paradoxical clamour,
                        degrade Art by making her<lb/> merely the more or less seductive panoply of
                        mental<lb/> poverty and spiritual barrenness, care to do a grievous<lb/>
                        wrong by openly and blatantly siding with us, we are<lb/> still content; for
                        we recognise that spiritual byways<lb/> and mental sewers relieve the
                        Commonwealth of much<lb/> that is unseemly and might breed contagion.
                     </emph> THE<lb/> PAGAN REVIEW, <emph rend="italic">in a word, is to be a
                        mouthpiece—we<lb/> are genuinely modest enough to disavow the definite<lb/>
                        article--of the younger generation. In its<lb/> pages there will be found a
                        free exposition of the myriad<lb/> aspects of life, in each instance as
                        adequately as possible<lb/> reflective of the mind and literary temperament
                        of the<lb/> writer. The pass-phrase of the new paganism is ours:<lb/> Sic
                        transit gloria Grundi. The supreme interest of Man<lb/> is—Woman: and the
                        most profound and fascinating<lb/> problem to Woman is Man. This being so,
                        and quite<lb/> unquestionably so with all the male and female pagans<lb/> of
                        our acquaintance, it is natural that literature domi-<lb/> nated by the
                        various forces of the sexual emotion should<lb/> prevail. Yet, though
                        paramount in attraction, it is,</emph></emph>
               </p>

               <!--HEADER-->
               <pb n="7"/>
               <fw type="runningHead">
                  <fw type="pageNumLeft">4</fw>
                  <fw type="headRight">&#160;&#160;&#160;&#160;&#160;
                     &#160;&#160;&#160;THE PAGAN REVIEW</fw>
               </fw>
               <!--HEADER-->

               <p>
                  <emph rend="italic">after all, but one among the many motive forces of<lb/> life;
                     so we will hope not to fall into the error of some<lb/> of our French confreres
                     and be persistently and even<lb/> supernaturally awake to the functional
                     activity and<lb/> blind to the general life and interest of the common-<lb/>
                     wealth of sould and body. It is</emph> LIFE <emph rend="italic">that we preach,
                     if<lb/> perforce we must be taken as preachers at all; Life to<lb/> the full,
                     in all its manifestations, in its heights and<lb/> depths, precious to the
                     uttermost moment, not to be bar-<lb/> tered even when maimed and weary. For
                     here, at any<lb/> rate we are alive; and then, alas, after all—</emph>
               </p>

               <lg type="stanza">
                  <l>
                     <emph rend="italic">
                        <emph rend="indent4">&#160;&#160;&#160;&#160;&#160;"how few Junes</emph>
                     </emph>
                  </l>
                  <l>
                     <emph rend="italic">
                        <emph rend="indent">Will heat our pulses quicker. . . "</emph>
                     </emph>
                  </l>
               </lg>

               <p>
                  <emph rend="indent5a">&#8258;</emph>
               </p>

               <p><emph rend="indent">
                     <emph rend="italic">"Much cry for little wool", some will exclaim. It<lb/> may
                        be so. Whenever did a first number of a new<lb/> magazine fulfil all its
                        editor's dreams or even inten-<lb/> tions? "Well, we must make the best of
                        it, I suppose.<lb/> 'Tis nater after all, and what pleases God", as
                        Mrs.<lb/> Durbeyfield says in "Tess of the Durbervilles."</emph></emph>
               </p>

               <p><emph rend="indent5a">&#8258;</emph>
               </p>

               <p><emph rend="indent">
                     <emph rend="italic">Have you read that charming</emph> roman à quatre, <emph
                        rend="italic">the</emph>
                     <lb/> "Croix de Berny?" <emph rend="italic">If so, you will recollect the
                        fol-<lb/> lowing words of Edgar de Meilhan</emph> (alias <emph rend="italic"
                        >Théophile<lb/> Gautier), which I ("I" standing for editor, and asso-<lb/>
                        ciates, and pagans in general) now quote for the delec-<lb/> tation of all
                        readers adversely minded or generously<lb/> inclined, or dubious as to our
                        real intent—with blithe<lb/> hopes that they may be the happier therefor:
                        "Frankly,<lb/> I am in earnest this time. Order me a dove-coloured<lb/>
                        vest, apple-green trousers, a pouch, a crook; in short<lb/> the entire
                        outfit of a Lignon Shepherd. I shall have a<lb/> lamb washed to complete the
                        pastoral."</emph></emph>
               </p>

               <p>
                  <emph rend="indent5a">&#8258;</emph>
               </p>

               <p><emph rend="indent">
                     <emph rend="italic">This is "the lamb."</emph></emph>
               </p>

               <p>
                  <emph rend="indent5c"><ref target="#WSH">THE
                        EDITOR.</ref>
                  </emph>
               </p>
               <p>&#8258;&#160;Readers are requested to note the administra-<lb/> tional remarks on
                  the inside of the cover (p. ii.), and the<lb/> Forecast and Editorial intimations
                  printed at the end<lb/> of the text.</p>
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