<?xml version="1.0" encoding="UTF-8"?>
<!-- headRight (+20 sp, total w trans.scenario = 30 sp) pageNumRight (+20 sp, total w trans.scenario = 30 sp) -->
<?xml-model href="../../../../../LabShares/CDHshare/1890s.ca/Schema,%20CSS%20and%20Template%20Files/YB_schema2.rnc" type="application/relax-ng-compact-syntax"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0">
   <teiHeader>
      <fileDesc>
         <titleStmt>
            <title>Yellow Nineties 2.0</title>
            <title>The Pagan Review</title>
            <title type="TPR_brooks_editorial"/>
            <editor>Dennis Denisoff</editor>
            <editor>Lorraine Janzen Kooistra</editor>

         </titleStmt>
         <editionStmt>
            <edition>
               <date>2021</date>
            </edition>
         </editionStmt>
         <publicationStmt>
            <idno>TPR_13pr</idno>
            <publisher>Yellow Nineties 2.0</publisher>
            <pubPlace>Ryerson University Centre for Digital Humanities</pubPlace>
            <address>
               <addrLine>English Department</addrLine>
               <addrLine>350 Victoria Street,</addrLine>
               <addrLine>Toronto ON,</addrLine>
               <addrLine>M5B 2K3</addrLine>
               <addrLine>Canada</addrLine>
            </address>
            <availability>
               <p>Usable according to the Creative Commons License <ref
                     target="http://creativecommons.org/licenses/by-nc-sa/3.0/">Attribution
                     Non-commercial Share-alike</ref>.</p>
            </availability>
         </publicationStmt>
         <sourceDesc>
            <biblStruct>
               <monogr>
                  <editor>William Sharp</editor>
                  <author>W.H. Brooks</author>
                  <title>Editorial</title>
                  <imprint>
                     <publisher>W.H. Brooks</publisher>
                     <pubPlace>Sussex</pubPlace>
                     <date>August 1892</date>
                     <biblScope>Brooks, W.H. [William Sharp]. "Editorial." <emph rend="italics">The
                           Pagan Review,</emph> vol. 1, August 1892, pp. 63-64. <emph rend="italic"
                           >The Pagan Review Digital Edition</emph>, edited by Dennis Denisoff and
                        Lorraine Janzen Kooistra, 2010. <emph rend="italics">Yellow Nineties
                           2.0,</emph> Ryerson University Centre for Digital Humanities, 2021.
                        https://1890s.ca/tpr-brooks-editorial </biblScope>
                  </imprint>
               </monogr>
            </biblStruct>
         </sourceDesc>
      </fileDesc>
      <encodingDesc>
         <editorialDecl>
            <p>Our editorial method is informed by social-text editing principles. By “text” we mean
               verbal and visual printed material, including non-referential physical elements such
               as bindings, page layouts, and ornaments. We view any text as the outcome of
               collaborative processes that have specific manifestations at precise historical
               moments. The Yellow Nineties Online publishes facsimile editions of a select
               collection of fin-de- siècle aesthetic periodicals, together with paratexts of
               production and reception such as cover designs, advertising materials, and reviews.
               This historical material is enhanced by two kinds of peer-reviewed scholarly
               commentary: biographies of the periodicals’ contributors and associates; and critical
               introductions to each title and volume by experts in the field. All scholarly
               material on the site is vetted by the editor(s) and peer- reviewed by them and/or an
               international board of advisors. The site as a whole is peer- reviewed by NINES
               (Networked Infrastructure for Nineteenth-Century Electronic Scholarship).
               Contributors to the site retain personal copyright in their material. The site is
               licensed with a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 license.
               Both primary and secondary materials, including all visual images, are marked up in
               TEI- (Textual-Encoding Initiative) compliant XML (Extensible Markup Language). To
               ensure maximum flexibility for users, magazines are available on the site as virtual
               objects (facsimiles) in FlipBook form; in HTML for online reading; in PDF for
               downloading and collecting; and in XML for those who wish to review and/or adapt our
               tag sets. In order to make ornamental devices, such as initial letters, head- and
               tail- pieces, searchable, we have developed a Database of Ornament in OMEKA, and
               linked it to the relevant pages of each magazine edition. As a dynamic structure, a
               scholarly website is always in process; Phase One of The Yellow Nineties Online
               (2010-2015) is completed and Phase Two (2016-2021) is underway.</p>
         </editorialDecl>
      </encodingDesc>
      <profileDesc>
         <creation>
            <date>1892</date>
         </creation>
         <langUsage>
            <language ident="en">English</language>
            <language ident="fr">French</language>
         </langUsage>
         <textClass>
            <keywords scheme="#lcsh">
               <list>
                  <item>English literature -- 19th century -- Periodicals</item>
                  <item>Great Britain -- Periodicals</item>
               </list>
            </keywords>
            <keywords scheme="ninesGenre">
               <list>
                  <item>Periodical</item>
                  <item>Nonfiction</item>
                  <item>Ephemera</item>
                  <note>Possible Genres (multiple): "Fiction," "Nonfiction," "Poetry," "Paratext"
                     (TOC, prospecti, advertisements, frontmatter, titlepage), "Review" (older
                     reviews), "Criticism" (including critical introductions), "Visual Art" (images,
                     bio images), Historiography (bios),"Bibliography" (intros, crit, bios, anything
                     with a bibliography attached), "Drama," "Ephemera," "Translation," "Religion,"
                     "Travel Writing," "Music, Other,")
                     <!--Add items as necessary. Remove items not used.-->
                  </note>
               </list>
            </keywords>

            <keywords scheme="ninesType">
               <list>
                  <item>Periodical</item>
                  <note>Possible Types (singular): "Periodical" (texts/most stuff), "Interactive
                     Resource" (current writing, biographies, not old reviews), "Still Image"
                     (images, visual art), "Physical Object" (posters, prospecti)</note>
                  <!-- only choose one item-->
               </list>
            </keywords>

            <keywords scheme="ninesDiscipline">
               <list>
                  <item>Book History</item>
                  <item>Literature</item>
                  <note>Possible Disciplines (multiple): "Book History (include for all periodical
                     items)," "Literature," "Art History (use for art, also use for reviews),"
                     "History (don't use in a general sense)," "Theatre Studies," "Musicology,"
                     "Philosophy," "Anthropology," "Science"</note>
                  <!--Add items as necessary. Remove items not used.-->
               </list>
            </keywords>
         </textClass>
      </profileDesc>
   </teiHeader>
   <text>
      <body>

         <div n="TRP_13pr" type="paratext">

            <!--HEADER-->
            <pb n="66"/>

            <fw type="runningHead">
               <fw type="headLeft">THE PAGAN REVIEW</fw>
               <fw type="pageNumRight">&#160;&#160;&#160;&#160;&#160; &#160;&#160;&#160;&#160;&#160;
                  &#160;&#160;&#160;&#160;&#160; &#160;&#160;&#160;&#160;&#160;63</fw>
            </fw>
            <!--HEADER-->

            <head>
               <title level="a">THE PAGAN REVIEW.</title>
            </head>

            <div type="prose">
               <p><emph rend="indent"/>In the next number of <emph rend="italic">The Pagan
                     Review</emph> there will be an<lb/> article entitled, "The New Paganism," by H.
                  P. Siwäarmill,<lb/> which will have not only a general purport but will, in all
                  essen-<lb/>tial respects, reflect the principles of which this magazine is
                  the<lb/> indirect literary exponent.</p>

               <p>
                  <emph rend="indent5b">&#160;&#160;&#160;&#160;&#160;&#8258;</emph>
               </p>

               <p><emph rend="indent"/>In the immediately succeeding numbers will also appear
                  Poems<lb/> by several of the younger men, known and unknown; including,<lb/> it is
                  hoped, a continuation of Mr. <ref target="#WSH">Wm. Windover</ref>'s " Dionysos
                  <lb/>in India."</p>
               <p><emph rend="indent5b">&#160;&#160;&#160;&#160;&#160;&#8258;</emph></p>
               <p><emph rend="indent"/>One or two short stories dealing with striking and
                  actual<lb/> episodes of contemporary Italian and Greek life, are promised<lb/> by
                  Mr. <ref target="#WSH">James Marazion</ref>, whose "Rape of the Sabines"
                  appears<lb/> in this number. The first will probably be a strange Greek<lb/>
                  story, entitled, "The Last of the Mysti." Another contributor<lb/> to the current
                  issue, Mr. <ref target="#WSH">Charles Verlayne</ref>, will be represented<lb/> by
                  a further instalment of his Barbaric Studies, from his forth-<lb/>coming romance,
                  "LA MORT S'AMUSE." If VISTAS be still<lb/> unpublished on the appearance of our
                  second number, Mr.<lb/>
                  <ref target="#WSH">W. S. Fanshawe</ref> may contribute another "dramatic
                  interlude"<lb/> from that volume, akin in method, if not in subject or
                  manner,<lb/> to his "Black Madonna." From the pen of Mr. John Lafarge<lb/> readers
                  will have, in due course, some novel sketches and strange<lb/> experiences of
                  "Foreign London." </p>
               <p><emph rend="indent5b">&#160;&#160;&#160;&#160;&#160;&#8258;</emph></p>
               <p><emph rend="indent"/>"THE PAGANS"—for which, as motto, we fancy, rather than<lb/>
                  the quotations given by Mr. <ref target="#WSH">Willand Dreeme</ref>, the words
                  of<lb/> Pistol: "<emph rend="italic">A foutra (or the world, and worldlings base!
                     I speak<lb/> of Africa, and golden joys!"</emph>—will be continued.</p>
               <p><emph rend="indent5b">&#160;&#160;&#160;&#160;&#160;&#8258;</emph></p>
               <p><emph rend="indent"/>Although there will be few translations in <emph
                     rend="italic">The Pagan Review</emph>—<lb/>for it is intended that it will be,
                  above all else, national, and not<lb/> a French bastard, or mixt-breed of any
                  kind—there will be occa-<lb/>sional foreign contributors. In particular there will
                  appear,<lb/> either next number or in the third, the first part of a
                  singularly<lb/> unconventional psychological romance—a romance, that is, in<lb/>
                  externals, for it is understood to be essentially an autobiography.<lb/> Although
                  written by one who is of the younger generation only </p>

               <!--HEADER-->
               <pb n="67"/>
               <fw type="runningHead">
                  <fw type="pageNumLeft">64</fw>
                  <fw type="headRight">&#160;&#160;&#160;&#160;&#160; &#160;&#160;&#160;&#160;&#160;
                     &#160;&#160;&#160;&#160;&#160; &#160;&#160;&#160;&#160;&#160;THE PAGAN REVIEW</fw>
               </fw>
               <!--HEADER-->

               <p>in heart and mind, readers will find in this revelation of a<lb/> woman's life by
                  Mme. Rose Désirée Myrthil both true paganism<lb/> of spirit and modernity of
                  temperament. There will also appear<lb/> at intervals in <emph rend="italic">The
                     Pagan Review</emph> studies of the most noteworthy<lb/> among the younger
                  writers of other countries; and the collabo-<lb/>ration of some of the most
                  typical poets and romancists of the<lb/> new movement in France and Belgium has
                  been secured. In<lb/> the monthly "Contemporary Record" it is intended to
                  give<lb/> suggestive if succinct summaries of what is being done here<lb/> and
                  abroad by <emph rend="italic">les jeunes</emph>, a term which, it may again be
                  pointed out,<lb/> does not necessarily imply mere youthfulness in years. </p>
               <p><emph rend="indent5b">&#160;&#160;&#160;&#160;&#160;&#8258;</emph></p>
               <p><emph rend="indent"/>The Editor has been promised stories, episodes,
                  studies—some<lb/> of which, in part or complete, he has already considered—by<lb/>
                  several known and unknown writers, besides the above named<lb/> authors; but he is
                  prepared to consider proposals as to MSS.<lb/> other than those from writers who
                  have already mustered<lb/> under the banner of <emph rend="italic">The Pagan
                     Review</emph> or from authors who<lb/> have been invited to contribute. <emph
                     rend="italic">Stamps for repostage if<lb/> necessary and addressed cover</emph>
                  must be sent with all MSS. The<lb/> following stipulations should also be borne in
                  mind: (1.) No<lb/> fiction can be considered, except short stories characterised
                  by<lb/> distinct actuality, whether" romantic" or "realistic"; and in no<lb/>
                  instance must these exceed 3.000 words, while 2,000, or even<lb/> 1,000 constitute
                  a preferable length. (2.) Contributions must<lb/> not have appeared elsewhere; or,
                  if this rule be broken, it must<lb/> be with the cognizance and approval of the
                  Editor. (3.) No<lb/> translations are wished, as the limited space for
                  translations is<lb/> already pledged in advance for an indefinite period. (4.)
                  Con-<lb/>troversial and political matter will not be considered; nor<lb/> such
                  articles as "A Study of <emph rend="italic">Robert Elsmen</emph>", "The
                  Poetry<lb/> of Mr. Lewis Morris ", "Art at the Royal Academy", <emph rend="italic"
                     >et hoc<lb/> genus omne</emph>. It will be well, in a word, for the sake of
                  all<lb/> concerned, for would-be contributors to understand that this<lb/>
                  magazine <emph rend="italic">does not aim to be a popular monthly on familiar
                     lines</emph>,<lb/> and that by far the greater part of what is currently
                  submitted<lb/> to the consideration of magazine-editors is at once unsuitable<lb/>
                  for and undesired by <emph rend="italic">The Pagan Review</emph>. </p>
               <p><emph rend="indent5b">&#160;&#160;&#160;&#160;&#160;&#8258;</emph></p>
               <p><emph rend="indent"/>All communications to be addressed to Mr. <ref target="#WSH"
                     >W. H. Brooks</ref>
                  <lb/> (Assistant-Editor, <emph rend="italic">The Pagan Review</emph>); but those
                  which deal<lb/> with literary suggestions, or are concerned with literary
                  contri-<lb/>butions, invited or voluntarily submitted, should be marked<lb/>
                     "<emph rend="italic">Editorial.</emph>" Letters, MSS., &amp;c., to be addressed
                  simply:—</p>
               <p><emph rend="indent4"/>
                  <ref target="#WSH">&#160;&#160;&#160;&#160;&#160;
                     Mr. W. H. Brooks</ref>,<lb/>
                  <emph rend="indent5"/>&#160;&#160;&#160;&#160;&#160;
                  &#160;&#160;&#160;&#160;&#160; &#160;&#160;&#160;Buck's Green, <lb/>
                  <emph rend="indent5b"/>&#160;&#160;&#160;&#160;&#160;
                  &#160;&#160;&#160;&#160;&#160; &#160;&#160;&#160;Rudgwick, <lb/>
                  <emph rend="indent5c"/>&#160;&#160;&#160;&#160;&#160;
                  &#160;&#160;&#160;&#160;&#160; &#160;&#160;&#160;&#160;&#160; Sussex.</p>
            </div>
         </div>
      </body>

   </text>
</TEI>
